MS 4252 Military target record book containing drawings by Silver Horn and others and a pictorial diary by Silver Horn
odd: label: Local Numbers
content: NAA MS 4252
label: Publication Note
content: Many of the Sun Dance images are published with explanations in:

Scott, Hugh L. "Notes on the Kado, or Sun Dance of the Kiowa," American Anthropologist 13, no. 3 (1911): 345-79.
label: Exhibition Note
content: Several of the Saynday images are published with associated stories in Saynday Was Coming Along...Silverhorn's Drawings of the Kiowa Trickster, Smithsonian Institution Traveling Exhibition Service, Candace Greene and Frederick Reuss, 1993.
name: label: Creator
content: Silver Horn, 1860-1940
place: label: Place
content: North America
creator: label: Creator
content: Silver Horn, 1860-1940
culture: label: Culture
content: Kiowa
setName: label: See more items in
content: MS 4252 Military target record book containing drawings by Silver Horn and others and a pictorial diary by Silver Horn
bioghist: label: Biographical Note
content: Silver Horn, known as Haungooah in Kiowa, was born in 1860. His name also appears as Hugone, Hangun or Hawgon. He was a member of a prominent Kiowa family. His residential band, led by his father Agiati (Gathering Feathers), actively opposed the United States government's efforts to confine the Kiowa to a reservation. Members of his family participated in the Red River War of 1874-1875 and were among the last Kiowa to surrender to the military. In 1891, Silver Horn enlisted in Troop L of the Seventh U.S. Cavalry. He served with Troop L, which was part of a  broader experiment involving the enlistment of all-Indian troops, until 1894.

In 1901, Silver Horn secured employment with James Mooney, an ethnologist with the Bureau of American Ethnology. Mooney was interested in the designs on Kiowa shields and tipis and hired Silver Horn to produce illustrations of the designs and models of the shields and tipis. The project provided Silver Horn with steady work between 1902 and 1904 and occassional employment between 1904 and 1906. Silver Horn also produced illustrations for Hugh Scott, an army officer and avocational ethnologist. Silver Horn was active in the religious life of the Kiowa. He was a Tsaidetalyi bundle keeper and participated in the Sun Dance, Ghost Dance, and Peyote religion. He was also a member of the Ohoma society. Silver Horn died on December 14, 1940.
label: Biographical Note
content: Hugh Scott was a graduate of the United States Military Academy and served as an officer in the Seventh Cavalry. He was initially stationed in the Dakota Territory. There he learned Plains Indian sign language, a skill that enabled him to communicate more easily with the Cheyenne, Sioux, Crow, and Arikara scouts with whom he worked. He was transferred to Fort Sill, Indian Territory in 1889. From 1891 to 1893, he commanded Troop L of the Seventh Cavalry, an all-Indian troop that was comprised primarily of Kiowa men. He was an avocational ethnologist and compiled a small collection of Plains Indian material during his service in the West, including paintings and drawings by Silver Horn. In 1911, he published illustrations from this collection in "Notes on the Kado, or Sun Dance of the Kiowa", which appeared in American Anthropologist.
physdesc: label: Extent
content: 1 Volume (graphite, colored pencil, ink and watercolor on the pages of a bound record book, 8.25 x 13.5 inches)
unitdate: label: Date
content: circa 1884-1897
container: label: Container
content: Box 1
label: Container
content: Box 2
custodhist: label: Custodial History
content: Hugh Scott purchased the book from Silver Horn for twenty dollars in 1897. Scott mentions the acquisition of the book in NAA MS 2932. In 1936, Scott's widow sold the book to the Bureau of American Ethnology for fifty dollars.
dataSource: label: Archival Repository
content: National Anthropological Archives
identifier: label: Identifier
content: NAA.MS4252
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Volumes
label: Type
content: Works of art
label: Type
content: Ledger drawings
label: Type
content: Diaries
processinfo: label: Processing Information
content: Information for the collection record was drawn from:
Greene, Candace S.  Silver Horn Master Illustrator of the Kiowas.  Norman: University of Oklahoma Press, 2001.
altformavail: label: Existence and Location of Copies
content: Images of pages with drawings or other content of ethnological interest are available online.  Contact the repository for images of the complete volume.

Access photocopies of the collection are also available.
genre_format: label: Genre/Form
content: Works of art
label: Genre/Form
content: Ledger drawings
label: Genre/Form
content: Diaries
scopecontent: label: Scope and Contents
content: The collection consists of a bound volume of preprinted US Army forms for recording results of target practice, subsequently filled with drawings of courting, hunting, warfare, Saynday stories, and scenes from the Kiowa Sun Dance by Silver Horn and other Kiowa artists.  The artists were probably all Army scouts. The book also contains a 30 page pictorial diary by Silver Horn, spanning the period between January 1893 to June 1897. The diary starts near the end of the book and proceeds from the back towards the front. Among the many names inscribed in the book are "Hawgone" (Silver Horn) and "Auchchiah," both of whom served in Troop L of the Seventh Cavalry, an all-Indian troop that was commanded by Scott. The manuscript contains 186 drawings, as well as a number of scribbled images. The pages are hand numbered, 5-356, in red ink in the upper left corner of each page. A second hand pagination in black ink runs from the back of the book toward the front, encompassing the last thirty pages of the book. Previous inscriptions in the book record the results of target practice at Fort Meade, Dakota Territory in 1884. Hugh Scott was stationed at Fort Meade between 1883 to 1886.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.