Harold Casselton and Ted Larson films
name: label: Collector
content: Casselton, Harold "Rusty", 1954-1970
label: Collector
content: Larson, Ted M., 1940-2000
place: label: Place
content: Africa, East
label: Place
content: Asia, Central
label: Place
content: Caribbean Area
label: Place
content: Middle East
label: Place
content: North America
label: Place
content: South America
label: Place
content: Southeast Asia
label: Place
content: Kenya
label: Place
content: Tanzania
label: Place
content: Mongolia
label: Place
content: Dominica
label: Place
content: Georgia
label: Place
content: Brazil
label: Place
content: Indonesia
acqinfo: label: Provenance
content: Received from American Film Institute (National Center for Film and Video Preservation) in 1988.
creator: label: Collector
content: Casselton, Harold "Rusty", 1954-1970
label: Collector
content: Larson, Ted M., 1940-2000
setName: label: See more items in
content: Harold Casselton and Ted Larson films
physdesc: label: Extent
content: Film reels (black-and-white color silent, 35mm, 16mm)
unitdate: label: Date
content: 1916-1929
dataSource: label: Archival Repository
content: Human Studies Film Archives
identifier: label: Identifier
content: HSFA.1988.16
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Film reels
label: Type
content: Silent films
genre_format: label: Genre/Form
content: silent films
scopecontent: label: Scope and Contents
content: Collection consists of 15 35mm nitrate and acetate films collected by Harold "Rusty" Casselton and Ted Larson and transferred from AFI. Titles include: Bayou Songsters, Beautiful Bermuda, Bird Islands of Peru, A Bit of Life in Java, Brazil's Gift, [Crayfish], Familiar Food from Foreign Folk, Kineto Review #57, Kineto Review, The Masai, The Mongols of Central Asia, Ruins of Angkor, A Trip to the Leeward Islands, and Wanderers of the Arabian Deserts.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or Anthropology Archives, but is available in its original form to facilitate research.