Upright Venice
date: label: Date
content: 1879-1880
name: label: Artist
content: James McNeill Whistler (1834-1903)
notes: label: Edition/State
content: 2, 2
label: Label
content: Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G232 state 4 of 7.
label: Provenance
content: To 1905
label: Provenance
content: Thomas Way Sr. (1827-1915), London, or Thomas Robert Way (1861-1913), London, to 1905 [1]
label: Provenance
content: From 1905 to 1919
label: Provenance
content: Charles Lang Freer (1854-1919), purchased from Thomas Way Sr. or Thomas Robert Way in 1905 [2]
label: Provenance
content: From 1920
label: Provenance
content: Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
label: Provenance
content: Notes:
label: Provenance
content: [1] See Original Whistler List, Etchings, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many Whistler works. Thomas Way Sr. acquired several of these works at the time of Whistler’s bankruptcy, and he passed some of them on to his son (see The Correspondence of James McNeill Whistler, 1855-1903, ed. Margaret F. MacDonald, Patricia de Montfort and Nigel Thorp, On-line Edition, People, biographies of Thomas Way and Thomas Robert Way; http://www.whistler.arts.gla.ac.uk/correspondence).
label: Provenance
content: Charles Lang Freer acquired many Whistler pieces from the Ways. However, museum records do not always specify whether it was the younger or elder Way who was the source of a particular object. Further, archival sources indicate that the junior Way sometimes acted on behalf of his father: whilst negotiating the sale of his own Whistler works to C.L. Freer, he would concurrently negotiate the sale of some of his father’s Whistler works to Freer. In cases where it is unclear whether it was the junior or senior Way who actually owned a piece acquired by C.L. Freer, the provenance record will simply state that the object was purchased from “Thomas Way Sr. or Thomas Robert Way.”
label: Provenance
content: [2] See note 1.
label: Provenance
content: [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
label: Collection
content: Freer Gallery of Art Collection
label: Exhibition History
content: Etchings and Dry Points by Whistler (March 23, 1925 to March 24, 1930)
label: Exhibition History
content: Special Exhibition, Whistler Etchings and Lithographs (January 14, 1924 to February 18, 1924)
label: Previous custodian or owner
content: Charles Lang Freer (1854-1919)
place: label: Origin
content: United States
topic: label: Topic
content: etching (printing process)
label: Topic
content: water
label: Topic
content: boat
label: Topic
content: Italy
label: Topic
content: United States
label: Topic
content: American Art
label: Topic
content: Charles Lang Freer collection
setName: label: Related Online Resources
content: Google Arts & Culture
label: See more items in
content: Freer Gallery of Art and Arthur M. Sackler Gallery Collection
creditLine: label: Credit Line
content: Gift of Charles Lang Freer
dataSource: label: Data Source
content: Freer Gallery of Art and Arthur M. Sackler Gallery
identifier: label: Accession Number
content: F1905.187
objectType: label: Type
content: Print
objectRights: label: Restrictions & Rights
content: CC0
physicalDescription: label: Medium
content: Etching; ink on paper
label: Dimensions
content: H x W: 25.3 x 17.8 cm (9 15/16 x 7 in)