The hall of precious paintings 寶繪堂圖
date: label: Date
content: 17th century
label: Period
content: Ming or Qing dynasty
name: label: Artist
content: Copy after Qiu Ying 仇英 (ca. 1494-1552)
notes: label: Description
content: Depicts, in the "blue and green style," an open pavilion overlooking a landscape with a bay. The mountainous landscape is dotted with various flowering trees and vines, as well as pine and bamboo. In the open pavilion three scholars, accompanied by two attendants, examine a painting. They are surrounded by three tables piled with bundles of scrolls and archaic metal vessels, and by a painting on a screen. In the courtyard outside the pavilion, a servant carries a red tray with cups. The pavilion and courtyard are enclosed by a fence whose gate is flanked by lion sculptures. Outside the gate, two men are approaching bearing bundles of scrolls. Six seals, siganture and inscription, label on back. One of two with F09.156.
label: Signatures
content: Signature
label: Marks
content: Six seals, label on back.
label: Inscriptions
content: Inscription
label: Label
content: The wealthy poet, painter, and collector, Wang Shen (ca. 1048-1103), was married to a younger sister of Emperor Shenzong of the Northern Song dynasty (reigned 1068&#150;85). To house his collection of ancient paintings and works of calligraphy, Wang built the Hall of Precious Paintings in 1077 on the grounds of his opulent private estate near the Northern Song capital, Bianliang (modern Kaifeng, Henan Province), and asked his friend, the famous poet Su Shi (1037-1101), with whom he shared a passion for collecting, to commemorate the hall in an essay. An excerpt from Su's text is inscribed on the painting at upper left. The central figure seated at the desk represents Su Shi, while Wang Shen is the figure looking on from the left.
label: Label
content: This painting is a seventeenth-century copy of a composition attributed to Qiu Ying, whose spurious signature appears at lower right. The inscription at upper left was ostensibly written by his famous contemporary, the calligrapher Zhu Yunming (1461-1527), but the style of writing bears little resemblance to Zhu's known works. This scroll is one of a pair with F1909.156
label: Provenance
content: To 1909
label: Provenance
content: Loon Gu Sai, Beijing, to 1909 [1]
label: Provenance
content: From 1909 to 1919
label: Provenance
content: Charles Lang Freer (1854-1919), purchased from Loon Gu Sai, Beijing in 1909 [2]
label: Provenance
content: From 1920
label: Provenance
content: Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
label: Provenance
content: Notes:
label: Provenance
content: [1] See Original Kakemono and Makimono List, L. 614, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.
label: Provenance
content: This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.
label: Provenance
content: [2] See note 1.
label: Provenance
content: [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
label: Collection
content: Freer Gallery of Art Collection
label: Exhibition History
content: Looking Out, Looking In: Art in Late Imperial China (October 14, 2017 - ongoing)
label: Exhibition History
content: Palaces and Pavilions: Grand Architecture in Chinese Painting (September 29, 2002 to March 30, 2003)
label: Previous custodian or owner
content: Loon Gu Sai (C.L. Freer source)
label: Previous custodian or owner
content: Charles Lang Freer (1854-1919)
place: label: Origin
content: China
topic: label: Topic
content: landscape
label: Topic
content: pine tree
label: Topic
content: Ming dynasty (1368 - 1644)
label: Topic
content: Qing dynasty (1644 - 1911)
label: Topic
content: mountain
label: Topic
content: China
label: Topic
content: blue-and-green style
label: Topic
content: Chinese Art
label: Topic
content: Charles Lang Freer collection
setName: label: Related Online Resources
content: Google Arts & Culture
label: See more items in
content: Freer Gallery of Art and Arthur M. Sackler Gallery Collection
creditLine: label: Credit Line
content: Gift of Charles Lang Freer
dataSource: label: Data Source
content: Freer Gallery of Art and Arthur M. Sackler Gallery
identifier: label: Accession Number
content: F1909.157
objectType: label: Type
content: Painting
objectRights: label: Restrictions & Rights
content: CC0
physicalDescription: label: Medium
content: Ink and color on silk
label: Dimensions
content: H x W (image): 197.5 x 98.4 cm (77 3/4 x 38 3/4 in)