John Saccaro papers
name: label: Creator
content: Saccaro, John M., 1913-1981
label: Names
content: Baumann, Karl, 1911-1984
label: Names
content: Kingman, Dong, 1911-2000
label: Names
content: Lynch, Marie G., 1910-1973
label: Names
content: Mayes, Elaine
label: Names
content: McChesney, Robert, 1913-2008
label: Names
content: Oliveira, Nathan, 1928-2010
label: Names
content: Ramos, José
label: Names
content: Tomlin, George
topic: label: Occupation
content: Painters -- California -- San Francisco
label: Topic
content: Abstract expressionism
label: Topic
content: Assemblage (Art)
acqinfo: label: Provenance
content: Materials on reels 723 (frames 72-645) and 4211-4212 were donated by his niece, Patricia Barrett, on behalf of John Saccaro's estate.
creator: label: Creator
content: Saccaro, John M., 1913-1981
bioghist: label: Biographical / Historical
content: Draftsman, collage artist, painter, and writer; San Francisco, California. Studied at the California School of Fine Arts (1951-1954). Until recently, Saccaro's paintings were in the abstract expressionist style (his more recent paintings are characterized by a different approach, which Saccaro calls "x-ray"). Saccaro pursued a writing career before becoming a painter.
physdesc: label: Extent
content: 1.6 Linear Feet ((on 3 microfilm reels))
unitdate: label: Date
content: 1935-1975
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.saccjohn
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Sketchbooks
label: Type
content: Sound recordings
altformavail: label: Existence and Location of Copies
content: 35mm microfilm reels 723 and 4211-4212 available at Archives of American Art offices and through interlibrary loan.
genre_format: label: Genre/Form
content: Sketchbooks
label: Genre/Form
content: Sound recordings
originalsloc: label: Existence and Location of Originals
content: Reel 723 (frames 646-858): Originals returned to the lender, John Matthew Saccaro, after microfilming.
scopecontent: label: Scope and Contents
content: Letters, notes and writings (1935-1972), financial material (1937-1966), printed material (1946-1970), photographs, sketchbooks and audio tapes document Saccaro's painting and writing careers.
label: Scope and Contents
content: REEL 723 (frames 72-645): Nine sketchbooks contain ink, crayon, and pencil sketches by Saccaro. Subjects include figure and animal studies as well as calculations for his later x-ray works. Eleven illustrated notebooks (1940-1969) contain Saccaro's ideas and thoughts about art; opinions on artists such as Karl Baumann, Dong Kingman, Robert McChesney, and Jose Ramos; and ideas and sketches for stories.
label: Scope and Contents
content: REEL 723 (frames 646-858): Four pages of notes concern "alpha," "omega," and "x-ray" painting and "squirt pieces". Thirteen letters (1947-1964) concern exhibitions, teaching at UCLA, a story Saccaro wrote, and a drawing for ARTFORUM. Photographs show Saccaro, his family, his works of art, Elaine Mayes (a photographer who shared Saccaro's studio, 1960-1963), exhibitions (1956-1961), and groups of artists. Other materials include a drawing of Saccaro by Nathan Oliveira, a drawing of an idea for a soft sculpture, exhibition announcements, an artist's statement, a guest book, an interview transcript (1962), excerpts from an essay by critic Alfred Frankenstein, Saccaro's resume, and 11 clippings (1956-1973).
label: Scope and Contents
content: REELS 4211-4212: Correspondence (1935-1966) includes several letters from Saccaro to Marie and an illustrated letter from George Tomlin (1948). Writings include 6 notebooks and 13 drafts of short stories and essays (ca. 1954-1959). Two logbooks (1935-1951) list manuscripts sent to publishers. One logbook contains an essay about Marie Lynch, Saccaro's wife, painting his portrait in 1938. Other materials include consignment receipts from the Hollis Gallery (1959-1964), clippings (1946-1970), exhibition announcements and catalogs (1956-1960), a design for a soft sculpture, audio tapes of Paul Karlstrom's interview of Saccaro (1974) and a camping trip (1972), and a resume and school records of Marie Lynch. Photographs (1945-1975) show Saccaro, his family, friends, and art works.