Emmet family papers
name: label: Creator
content: Emmet family
label: Names
content: Berkshire Museum
label: Names
content: Danforth Museum
label: Names
content: World's Columbian Exposition (1893 : Chicago, Ill.)
label: Names
content: Beaux, Cecilia, 1855-1942
label: Names
content: Casals, Pablo, 1876-1973
label: Names
content: De Glehn, Jane Erin Emmet, 1873-1961
label: Names
content: De Glehn, Wilfrid-Gabriel, 1870-1951
label: Names
content: Doyle, Nancy
label: Names
content: Emmet, Julia Colt Pierson, 1829-1908
label: Names
content: Emmet, Lydia Field, 1866-1952
label: Names
content: Emmet, Robert, 1778-1803
label: Names
content: Fontanne, Lynn
label: Names
content: James, Henry, 1843-1916
label: Names
content: La Farge, Bancel, 1865-1938
label: Names
content: Lunt, Alfred
label: Names
content: MacMonnies, Frederick William, 1863-1937
label: Names
content: Metcalfe, Susy
label: Names
content: Millay, Edna St. Vincent, 1892-1950
label: Names
content: Monod, Lucien
label: Names
content: Morgan, Elizabeth Emmet, d. 1934
label: Names
content: Ormond, Violet Sargent
label: Names
content: Quilter, Roger, 1877-1953
label: Names
content: Rand, Ellen Emmet, 1875-1941
label: Names
content: Saint-Gaudens, Augustus, 1848-1907
label: Names
content: Sargent, Emily, 1857-
label: Names
content: Sargent, John Singer, 1856-1925
label: Names
content: Sherwood, Robert E. (Robert Emmet), 1896-1955
label: Names
content: Sherwood, Rosamond, 1899-
label: Names
content: Sherwood, Rosina Emmet, 1854-1948
label: Names
content: White, Stanford, 1853-1906
topic: label: Occupation
content: Painters -- England -- London
label: Topic
content: Art -- Study and teaching -- France -- Paris
label: Topic
content: Works of art
label: Topic
content: Painting, American -- New York (State)
label: Topic
content: Illustrators -- New York (State)
label: Topic
content: Playwrights
label: Topic
content: Portrait painters -- New York (State) -- New York
label: Topic
content: Singers
label: Topic
content: World War, 1914-1918
label: Topic
content: World War, 1939-1945
label: Topic
content: Women artists
label: Topic
content: Women painters
acqinfo: label: Provenance
content: In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
creator: label: Creator
content: Emmet family
setName: label: See more items in
content: Emmet family papers
abstract: label: Summary
content: The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
bioghist: label: Biographical Note
content: The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
physdesc: label: Extent
content: 9.1 Linear Feet
unitdate: label: Date
content: 1792-1989
label: Date
content: bulk 1851-1989
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.emmefami
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Scrapbooks
label: Type
content: Sketchbooks
label: Type
content: Photographs
label: Type
content: Video recordings
label: Type
content: Drawings
label: Type
content: Diaries
label: Type
content: Sound recordings
arrangement: label: Arrangement
content: The Emmet family papers are arranged as nine series.

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings  and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
processinfo: label: Processing Information
content: The bulk of the collection was processed by Jean Fitzgerald in 1991 and 1992, and microfilmed on reels 4486 and 4754-4766. Researchers should note that the arrangement on microfilm no longer matches the current arrangement of the digitized collection due to reprocessing in preparation for digitization, which was completed by Stephanie Ashley in 2016 with funding provided by The Walton Family Foundation. 

After reprocessing in 2016 the collection was scanned in its entirety in 2017, with funding provided by The Walton Family Foundation.
altformavail: label: Alternative Forms Available
content: This bulk of the collection was digitized in 2017 and is available on the Archives of American Art's website.

Material lent for microfilming is available on 35mm microfilm reel 4544 at the Archives of American Art offices and through interlibrary loan.
genre_format: label: Genre/Form
content: Scrapbooks
label: Genre/Form
content: Sketchbooks
label: Genre/Form
content: Photographs
label: Genre/Form
content: Video recordings
label: Genre/Form
content: Drawings
label: Genre/Form
content: Diaries
label: Genre/Form
content: Sound recordings
scopecontent: label: Scope and Content Note
content: The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne. 

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
separatedmaterial: label: Separated Materials
content: The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.