Elayne Varian Personal Papers
name: label: Collection Creator
content: Finch College. Museum of Art
label: Collection Creator
content: Varian, Elayne H.
setName: label: See more items in
content: Exhibition records of the Contemporary Study Wing of the Finch College Museum of Art
physdesc: label: Extent
content: 1.3 Linear Feet (Boxes 5-6)
unitdate: label: Date
content: 1965-1970
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.finccoll, Series 3
objectType: label: Type
content: Archival materials
altformavail: label: Existence and Location of Copies
content: The bulk of the material in this series has been digitized, except for duplicates.

All of the sound recordings in this series have been digitized for research use.
scopecontent: label: Scope and Contents
content: Series consists of records related to curatorial, teaching, and writing projects of Elayne Varian that were not undertaken in her role at Finch College.  

Curatorial projects include the exhibition Art Today (1967), a juried show at the New York State Fair; a series of art film screenings held at the Everson Museum of Art of Syracuse University, and an exhibition at Guild Hall in East Hampton featuring local artists over the age of 60. 

A single file of teaching materials consists of a syllabus and course schedule.

The bulk of writings in the series consist of recorded interviews, with corresponding transcripts, of art dealers and artists, which were conducted for a 1970 article Varian wrote for Art in America called "New Dealing," on the subject of artist-dealer relationships. Interviews, listed individually in the folder list, are on 11 sound tape reels and are typically around 40 minutes in duration. Photographs related to that project are also found depicting Virginia Dwan, Martha Jackson, and Leo Castelli with Andy Warhol. Other writing projects include published interviews with artists Brian O'Doherty and Babette Newburger, a manual on museum security, and an article on patented art. The original interview with Newburger is found  on one sound tape reel with an edited transcript.