Writing Projects and Lectures
name: label: Collection Creator
content: Pearlstein, Philip, 1924-
setName: label: See more items in
content: Philip Pearlstein papers
physdesc: label: Extent
content: 2.5 Linear Feet (Boxes 10-13, 37-38)
label: Extent
content: 8.26 Gigabytes (ER02-ER13)
unitdate: label: Date
content: circa 1945-2008
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.pearphil, Series 4
objectType: label: Type
content: Archival materials
label: Type
content: Gigabytes
arrangement: label: Arrangement
content: The series is arranged by type, then chronologically thereafter.
scopecontent: label: Scope and Contents
content: Writing projects and lectures by Pearlstein consist of student work, numerous articles and essays, lectures and speeches, letters, memorials, miscellaneous manuscripts and notes, and a U.S. and U.S.S.R. Workshop Exchange project proposal. 

Student work includes term papers and research material on Francis Picabia along with drafts and a bound version of Pearlstein's thesis on Picabia. Published and unpublished articles and essays by Pearlstein include drafts, notes, correspondence, and frequently the published version for "The Symbolic Language of Francis Picabia," "A Conceptualization of Realism," "Critics and Artists," "When Painting Were Made in Heaven," "Censorship on Stylistic Grounds," and others. Drafts and annotated manuscripts of Pearlstein's lectures and speeches are mostly regarding his career and painting techniques, but are also on topics such as art criticism and teaching methods. The majority of the 38 sound and video recordings found in this series are of lectures and speeches. Some of the lectures are in digital format.

Writings by others about Pearlstein are by W.J. Kelly, Alexander Dückers, Richard Field, John Ward, Jerome Viola, Robert Storr, David Yezzi.