Oral history interview with William Douglas Carlson
odd: label: General
content: Originally recorded on 2 sound discs. Reformatted in 2010 as 7 digital wav files. Duration is 4 hr., 6 min.
name: label: Interviewee
content: Carlson, William, 1950-
label: Creator
content: Riedel, Mija, 1958-
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Alfred University -- Students
label: Names
content: Art Students League (New York, N.Y.) -- Students
label: Names
content: Cleveland Institute of Art -- Students
label: Names
content: Lowe Art Museum
label: Names
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Pilchuck Glass Center (Stanwood, Wash.)
label: Names
content: University of Illinois at Urbana-Champaign -- Faculty
label: Names
content: University of Miami -- Faculty
label: Names
content: Billeci, Andre
label: Names
content: Carpenter, James, 1949-
label: Names
content: Chihuly, Dale, 1941-
label: Names
content: Dailey, Dan, 1947-
label: Names
content: Daley, William, 1925-2022
label: Names
content: Fereighi, Christine
label: Names
content: Heizer, Michael, 1944-
label: Names
content: Heller, Doug, 1946-
label: Names
content: Hilton, Eric
label: Names
content: Marquis, Richard, 1945-
label: Names
content: Marx, Bonnie
label: Names
content: Matta-Clark, Gordon, 1943-1978
label: Names
content: Serra, Richard, 1938-
label: Names
content: Smith, Terry, 1960 June 15-
label: Names
content: Stella, Frank
label: Names
content: Young, Brent
topic: label: Topic
content: Constructivism (Art)
label: Topic
content: Glass artists -- Florida -- Interviews
label: Topic
content: Minimal art
label: Topic
content: Glass art
acqinfo: label: Provenance
content: This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
creator: label: Interviewee
content: Carlson, William, 1950-
label: Creator
content: Riedel, Mija, 1958-
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
bioghist: label: Biographical / Historical
content: William Douglas Carlson (1950- ) is a glass artist and educator in Miami, Florida. Carlson was educated at Alfred University.
physdesc: label: Extent
content: 7 Items (Sound recording: 7 sound files (4 hr., 6 min.), digital, wav)
label: Extent
content: 89 Pages (Transcript)
unitdate: label: Date
content: 2009 June 24-25
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.carlso09
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Pages
label: Type
content: Interviews
label: Type
content: Sound recordings
altformavail: label: Existence and Location of Copies
content: Transcript available online.
genre_format: label: Genre/Form
content: Interviews
label: Genre/Form
content: Sound recordings
scopecontent: label: Scope and Contents
content: An interview of William Douglas Carlson conducted 2009 June 24-25, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Carlson's home, in Miami, Florida.
label: Scope and Contents
content: Carlson discusses his move to the University of Miami in 2003 after 27 years at the University of Illinois in Urbana-Champaign; his recent site-specific installation Procellous Wall at the Lowe Art Museum in Coral Gables, Florida; the change in his work since his move to Miami, finishing a series of pieces that began in 2000 dealing with language, and his sense of being in a transitional period with his work; growing up in a small town in Ohio, and his early use of adhesives, the field his father worked in, as the spur for his later work in laminating glass; classes at the Art Students League in New York City and Woodstock, New York; attending the Cleveland Institute of Art; spending the summer of 1971 in Stanwood, Washington, helping set up the Pilchuck Glass School, then returning to set up a glass program at the Cleveland Institute of Art with Christine Federighi; the lure of glass, and the danger that its beauty can overshadow artistic substance, which led in part to his decision to mix it with other materials; the influence of minimalism and of Russian constructivism, architecture and modern design; graduate studies at Alfred University, Alfred, New York; accepting a teaching job at the University of Illinois in 1976; work with lamination and expanding scale in his work; use of Vitrolite; large-scale installation work, beginning in the early 1980s, including Optional Refractions and Allele; reflection on the deliberate, design-focused nature of his work; his language series beginning in 2000; the series Pragnanz; philosophy of teaching; the value of intensive learning environments such as craft schools compared with the cross pollination of ideas available at a larger university; the imperative for craft to integrate new materials, technology, and ideas while retaining the importance of the hand; the role of galleries and collectors, and involvement in larger art and craft venues, including the May Show and SOFA; his stint as a judge in a barbecued rib cook-off; the effect of seminal exhibitions such as like "Objects: USA," [1969] and "Poetry of the Physical" (1986) in setting a standard of professionalism for and providing visibility to makers; impact of his international travel; a turn away from pure design and towards a more poetic ambiance in the language series; the use of projected light and his use of cast prismatic shadows in his installation The Nature of Things in Jacksonville, Florida; the issue of scale in his work; artists whose work he admires, including Frank Stella, Richard Serra, Michael Heizer, Tony Smith, Gordon Matta-Clark, William Daley; studio glass as an international movement; involvement with various craft organizations, and wrestling with the definition of a craft artist; preparations to move to Massachusetts and spend some contemplative time thinking about and working on new directions. He recalls Brent Young, Dale Chihuly, Jamie Carpenter, Christine Federighi, Richard Marquis, Eric Hilton, Andre Billeci, Dan Dailey, Doug Heller and Bonnie Marx.