Oral history interview with Ludwig Sander
odd: label: General
content: Originally recorded on 1 sound tape reel. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 16 min.
name: label: Interviewee
content: Sander, Ludwig, 1906-
label: Interviewer
content: Cummings, Paul
label: Names
content: Club (New York, N.Y.)
label: Names
content: Museum of Modern Art (New York, N.Y.)
label: Names
content: Whitney Museum of American Art
label: Names
content: Archipenko, Alexander, 1887-1964
label: Names
content: Hofmann, Hans, 1880-1966
topic: label: Topic
content: Painters -- New York (State) -- Interviews
acqinfo: label: Provenance
content: These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
creator: label: Interviewee
content: Sander, Ludwig, 1906-
label: Interviewer
content: Cummings, Paul
bioghist: label: Biographical / Historical
content: Ludwig Sander (1906-1975) was a painter from New York, N.Y.
physdesc: label: Extent
content: 78 Pages (Transcript)
unitdate: label: Date
content: 1969 February 4-12
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.sander69
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Pages
label: Type
content: Sound recordings
label: Type
content: Interviews
genre_format: label: Genre/Form
content: Sound recordings
label: Genre/Form
content: Interviews
scopecontent: label: Scope and Contents
content: An interview of Ludwig Sander conducted 1969 February 4-12, by Paul Cummings, for the Archives of American Art. Sander speaks of his early exposure to art and music in New York; his travels in Europe; studying with Alexander Archipenko at the Art Students League; studying with Hans Hofmann in Munich and Positano; painting and teaching in Woodstock; his U.S. Army service; The Club and its factions; his experiences with the Whitney and with the Museum of Modern Art; his painting techniques; his exhibitions.