Oral history interview with Paula Colton Winokur
odd: label: General
content: Originally recorded as 9 sound files. Duration is 6 hr., 24 min.
name: label: Interviewee
content: Winokur, Paula, 1935-
label: Interviewer
content: Riedel, Mija, 1958-
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Beaver College -- Faculty
label: Names
content: Graphic Sketch Club (Philadelphia, Pa.)
label: Names
content: Helen Drutt Gallery
label: Names
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: National Council on Education for the Ceramic Arts (U.S.)
label: Names
content: Philadelphia Museum of Art
label: Names
content: Temple University. -- Students
label: Names
content: Tyler School of Art -- Students
label: Names
content: Andre, Carl, 1935-
label: Names
content: Blai, Boris, 1893-1985
label: Names
content: Bobrowicz, Yvonne
label: Names
content: Cunningham, Imogen, 1883-1976
label: Names
content: Cushing, Val M.
label: Names
content: De Staebler, Stephen, 1933-2011
label: Names
content: Ferguson, Ken, 1928-2004
label: Names
content: Heizer, Michael, 1944-
label: Names
content: Higby, Wayne
label: Names
content: Leon, Dennis, 1933-
label: Names
content: Long, Richard, 1945-
label: Names
content: Love, Arlene, 1953-
label: Names
content: Marks, Graham, 1951-
label: Names
content: McKinnell, James
label: Names
content: Mestre, Enrique, 1936-
label: Names
content: Minter, Myrna
label: Names
content: Moran, Lois
label: Names
content: Natzler, Gertrud
label: Names
content: Natzler, Otto
label: Names
content: Nesbitt, Lowell, 1933-1993
label: Names
content: Notkin, Richard
label: Names
content: Randall, Theodore, 1914-1985
label: Names
content: Schulman, Norman, 1924-
label: Names
content: Sedestrom, Carol
label: Names
content: Serra, Richard, 1938-
label: Names
content: Shores, Kenneth, 1928-
label: Names
content: Simon, Sandy
label: Names
content: Slivka, Rose
label: Names
content: Staffel, Rudolf, 1911-2002
label: Names
content: Takaezu, Toshiko
label: Names
content: Vavrek, Ken
label: Names
content: Winokur, Robert, 1933-
label: Names
content: Ólafur Elíasson, 1967-
place: label: Place
content: Alaska
label: Place
content: Hungary
label: Place
content: Iceland
label: Place
content: Mesa Verde (Calif.)
label: Place
content: Rocky Mountains
label: Place
content: Stonehenge (England)
topic: label: Occupation
content: Ceramicists -- Pennsylvania
label: Topic
content: Art -- Study and teaching
label: Topic
content: Ceramics -- Study and teaching
label: Topic
content: Painting -- Study and teaching
label: Topic
content: Women artists
label: Topic
content: Women ceramicists
acqinfo: label: Provenance
content: This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
creator: label: Interviewee
content: Winokur, Paula, 1935-
label: Interviewer
content: Riedel, Mija, 1958-
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
bioghist: label: Biographical / Historical
content: Paula Colton Winokur (1935- ) is a ceramist in Horsham, Pennsylvania. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
physdesc: label: Extent
content: 9 Items (Sound recording: 9 sound files (6 hr., 24 min.))
label: Extent
content: 171 Pages (Transcript)
unitdate: label: Date
content: 2011 July 21-22
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.winoku11
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Pages
label: Type
content: Interviews
label: Type
content: Sound recordings
genre_format: label: Genre/Form
content: Interviews
label: Genre/Form
content: Sound recordings
scopecontent: label: Scope and Contents
content: An interview of Paula Colton Winokur conducted 2011 July 21-22, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Winokur's home and studio, in Horsham, Pennsylvania.
label: Scope and Contents
content: Paula speaks of taking drawing and painting classes at the Graphic Sketch Club (now the Fleischer Art Memorial) in Philadelphia at age 11; her first experience handling clay at 13 or 14 when taking a class at the Philadelphia Museum of Art; when her family agreed to send her to college, providing she became a teacher, and she attended the Tyler School of Art at Temple University as a painting major; the influence of her teacher Rudolf Staffel in her sophomore year when she took a ceramics class and fell in love with working in clay; meeting her husband Robert Winokur when they were students at Tyler, getting married in 1958, eventually having two sons; glaze testing to find a palette of glazes to use; moving to Massachusetts and starting Cape Street Pottery for their production pottery; her involvement with NCECA [National Council on Education for the Ceramic Arts] and other professional organizations; when she began a 30-year teaching career at Beaver College in 1973 (more recently known as Arcadia University), building their ceramics department; changing from using stoneware to porcelain in 1970; making boxes and architectural forms; how she stopped making functional items when her first child was born and began creating the things she wanted to; the decision in 1982 to make landscapes and how geology, the Artic, and threats to the environment influence her work; the process she uses when creating texture; selling exclusively through the Helen Drutt Gallery beginning in 1973 until the gallery closed in 2011; the important influences in her work of artists such as Michael Heizer, Carl Andre, Richard Long, Richard Serra, Olafur Eliasson, and Steven De Staebler and others; the immense the geologic formations of Mesa Verde, the Rocky Mountains, Stonehenge, Alaska and Iceland are inspiring; various lecturing opportunities and exhibits through the years, as well as a working residency she took advantage of in Hungary in 1994; slowly moving away from glazes and instead using metallic sulfates for color; that her intention is to express the relationship between the internal part of herself and the external world for other people to experience and find something in common; the importance of a liberal arts education for art students; her gelatin and clay prints; the concern over collectors of clay art dying off and no new ones taking their places; that galleries are closing and Internet galleries are the norm; meeting photographer, Imogen Cunningham, and seeing her as a wonderful role model; and the feeling that the high cost of fuel and the invention of newer materials may end ceramic classes. Paula also recalls Lowell Nesbitt, Myrna Minter, Arlene Love, Dennis Leon, Boris Blai, Ted Randall, Val Cushing, Norm Schulman, Jim McKinnel, Gertrud Natzler, Otto Natzler, Ken Ferguson, Rose Slivka, Enrique Mestre, Sandy Simon, Wayne Higby, Richard Notkin, Graham Marks, Toshika Takaezu, Yvonne Bobrowicz, Ken Vavrek, Carol Sedestrom, Lois Moran, and Ken Shores and others.