Oral history interview with Marilyn Levine
odd: label: General
content: Originally recorded on 1 sound disc. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 29 min.
name: label: Interviewee
content: Levine, Marilyn, 1935-2005
label: Interviewer
content: Adamson, Glenn
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Melchert, Jim, 1930-
label: Names
content: Voulkos, Peter, 1924-2002
topic: label: Occupation
content: Ceramicists -- California -- Oakland
label: Occupation
content: Sculptors -- California -- Oakland
label: Topic
content: Art -- Philosophy
label: Topic
content: Decorative arts
label: Topic
content: Women artists
label: Topic
content: Women ceramicists
label: Topic
content: Women sculptors
label: Topic
content: Ceramics
acqinfo: label: Provenance
content: This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
creator: label: Interviewee
content: Levine, Marilyn, 1935-2005
label: Interviewer
content: Adamson, Glenn
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
bioghist: label: Biographical / Historical
content: Marilyn Levine (1935-2005) was a ceramist from Oakland, California.
physdesc: label: Extent
content: 54 Pages (Transcript)
unitdate: label: Date
content: 2002 May 15
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.levine02
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Pages
label: Type
content: Sound recordings
label: Type
content: Interviews
altformavail: label: Existence and Location of Copies
content: Transcript available online.
genre_format: label: Genre/Form
content: Sound recordings
label: Genre/Form
content: Interviews
scopecontent: label: Scope and Contents
content: An interview of Marilyn Levine conducted 2002 May 15, by Glenn Adamson, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Oakland, California.
label: Scope and Contents
content: Levine speaks of growing up in Alberta, Canada; going to the University of Alberta for her undergraduate and graduate degrees in chemistry; being an analytical inorganic chemist; meeting her husband at the university; her husband's work at the University of Regina in Saskatchewan and how rules about nepotism prevented her from teaching; auditing a drawing and painting art class when she could not find a job; taking evening pottery classes taught by Beth Hone; teaching chemistry at Campion College during the school year and pottery during the summers at the University of Regina; meeting Jack Sures at the Western Potters' Association and his influence on her career; helping Sures get a pottery position at the University of Regina; teaching with him from 1966-1969; using a travel grant from the Canada Council to meet American artists such as Peter Voulkos, Ron Nagle, James Melchert, and Robert Arneson; applying to graduate school at the University of California at Berkeley and being rejected; a James Melchert workshop at Beth Hone's studio; getting into Berkeley's graduate program with Melchert's help; receiving an M.F.A.; separating from her husband; experimenting with Funk art; seeing a pair of worn down shoes and becoming inspired to specialize in super-realist ceramic sculptures; her work as "timeless" and not of a particular fashion; showing her art in a New York gallery and being ripped off; having her M.F.A., one person show, at the Hansen Fuller Gallery and at the University Art Museum; letting the galleries price her work; exhibiting at OK Harris in New York; the long, slow process of making pieces; her work being accepted in America, but not in Canada; teaching ceramics to non-art majors at the University of Utah; developing a studio building, The West Coast Macaroni Factory, with Peter Voulkos; her methods, techniques, and materials including her experiments with fiberglass, nylon, and Dacron; avoiding big conferences, such as the National Council on Education for the Ceramic Arts [NCECA]; her first museum retrospective in 1974 at the Norman McKenzie Art Gallery; her exhibition at the Canadian Clay and Glass Gallery in Waterloo, Ontario, in conjunction with the University of Waterloo; her exhibition, "Sharp Focus Realism," at the Sidney Janis Gallery; her involvement in the exhibition, "Clayworks: 20 Americans," at the American Craft Museum; her work in museum collections; having a commission to make ceramic sculptures of sporting gear for Pacific Enterprises; her studio assistants and feeling a lack of privacy; titling her work with human names for identification purposes but not having specific references to anyone. Levine also recalls Robert Bechtle, Ruth Braunstein, Joan Brown, Stephen DeStaebler, Ivan Karp, Bella Feldman, Duane Hanson, Clay Jensen, John Mason, Joan Mondale, and others.