Joseph Cornell Estate Papers
name: label: Collection Creator
content: Cornell, Joseph
setName: label: See more items in
content: Joseph Cornell papers
physdesc: label: Extent
content: 3.5 Linear Feet (Boxes 19-22)
unitdate: label: Date
content: circa 1911
label: Date
content: 1944-1986
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.cornjose, Series 10
objectType: label: Type
content: Archival materials
arrangement: label: Arrangement note
content: The Joseph Cornell Estate Papers series is arranged as four subseries.

10.1: Correspondence, 1954-1986

10.2: Legal Files, 1966-1968, 1973-1983

10.3: Printed Material, 1944-1982

10.4: Miscellaneous Family Papers, circa 1911, 1944-1964
altformavail: label: Existence and Location of Copies
content: The bulk of this series has been scanned with the exception of printed materials such as books, magazines and exhibition catalogs for artists other than Cornell; typically only covers, title pages, and/or relevant pages of these items have been digitized.
scopecontent: label: Scope and Contents note
content: Series is comprised primarily of correspondence, legal documents, and printed material created and accumulated by Betty Cornell Benton in her role as residuary legatee of Cornell's estate, as well as some miscellaneous family papers. Estate papers relate to Benton's administration of the part of Cornell's estate for which she was responsible and her various legal disputes with the executors of the estate. They shed light, to a certain extent, on the exhibition and sale of Cornell art works, as well as on the disposition of Cornell material, during the period of time after his death and up until the mid-1980s. Estate papers document Benton's efforts to safeguard the memory of Cornell and to foster the memory of their brother, Robert, who was often wrongly portrayed as having mental disabilities; to carry on Cornell's legacy by contributing to charitable institutions and donating art works to museums and universities; and to organize and appropriately dispose of Cornell's papers, books, records, and source material. They also document the relationships Benton forged with some of Cornell's friends and acquaintances, as well as with curators, museum directors, collectors, dealers, and artists.