Karl Theodore Francis Bitter papers
name: label: Creator
content: Bitter, Karl Theodore Francis, 1867-1915
label: Names
content: Bitter, Francis, 1902-1967
label: Names
content: Bitter, Marie
label: Names
content: Bitter, Marietta
label: Names
content: French, Daniel Chester, 1850-1931
label: Names
content: Stollson, Blanche
place: label: Place
content: Austria -- description and travel
label: Place
content: Italy -- description and travel
label: Place
content: France -- description and travel
topic: label: Topic
content: Sculptors -- Austria -- Vienna
label: Topic
content: Artists' studios -- Photographs
label: Topic
content: Sculptors -- United States
label: Topic
content: Artists' studios
acqinfo: label: Provenance
content: Portions of the Karl Theodore Francis Bitter papers were lent for microfilming by Bitter's daughter, Marietta Bitter Abel, in 1969. Marietta Bitter Abel, Mr. Michael Abel, and Lt. Col. Jonathon F. Abel donated most of the loaned material excluding the photographs along with additional items in several increments from 1970-2010. The commemorative medals were gifted in 1975 by Walter Hancock, a friend of Bitter's son Francis.
creator: label: Creator
content: Bitter, Karl Theodore Francis, 1867-1915
setName: label: See more items in
content: Karl Theodore Francis Bitter papers
abstract: label: Summary
content: The papers of sculptor Karl Bitter date from 1887 to 1977 and measure 2.5 linear feet. The bulk of the collection consists of photographs of works of art and commemorative medals from expositions. Also found are  scattered biographical information, family correspondence, two diaries, printed materials, sketchbooks, and sketches.
bioghist: label: Biographical / Historical
content: Austrian-born sculptor Karl Bitter (1867-1915) was active in New York City, New York. He exhibited his works at worldwide expositions and examples of his sculpture and memorials can be found throughout the United States.  

Karl Theodore Francis Bitter was born in Vienna, Austria, where he trained as a sculptor. While serving in the Austrian military in 1889, Bitter immigrated to the United States and applied for citizenship. Ultimately, Bitter settled in New York City and worked as an assistant in a home decorating firm while establishing his reputation as a sculptor. After winning a 1930 competition to design the Astor memorial bronze gates at Trinity Church, he used the funds to establish a small studio on 13th Street, which he shared with fellow sculptor Giuseppe Moretti. Bitter quickly established himself as a world-famous scuptor who also specialized in private memorials and works for public buildings.  

After working as a sculptor at the World's Columbian Exposition in Chicago in 1893 and as director at the Pan-American Exposition in Buffalo, New York in 1901, Bitter was named head of the sculpture programs at both the 1904 St. Louis Exposition and the 1915 Panama-Pacific Exposition held in San Francisco, California. 

Bitter was awarded the silver medal of the Paris Exposition, 1900; the gold medal of the Pan-American Exposition, 1901; and the gold medal at the St. Louis Exposition, 1904. He was a member of the National Institute of Arts and Sciences, National Academy of Design, American Academy of Arts and Letters, Players' Club, Century Club, and the Architectural League.  

Karl Bitter married Marie Schevill with whom he had three children. He died suddenly in 1915 after being struck by a car.
physdesc: label: Extent
content: 2.5 Linear Feet
unitdate: label: Date
content: 1887-circa 1977
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.bittkarl
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Scrapbooks
label: Type
content: Medals
label: Type
content: Diaries
label: Type
content: Prints
label: Type
content: Photographs
label: Type
content: Sketches
label: Type
content: Sketchbooks
arrangement: label: Arrangement
content: This collection is arranged as 6 series.

Series 1:  Biographical Material, circa 1927 (Box 1; 1 folder)

Series 2:  Family Correspondence, 1915-1958 (Box 1, 3 folders)

Series 3:  Diaries, 1901-1909 (Box 1, 3; 0.1 linear feet)

Series 4:  Printed Material, 1912-circa 1977 (Box 1, OV 7; 4 folders)

Series 5:  Photographic Materials, 1887-circa 1960s (Box 1-5, OV 7; 1.0 linear feet)

Series 6:  Artwork and Artifacts, circa 1890-1915 (Box 1, 3, 6; 1 linear foot)
processinfo: label: Processing Information
content: Portions of the collection were previously microfilmed on reels N70-35, N70-40, and 673. Microfilmed portions were merged, processed, and arranged by Jayna Josefson in 2013 and digitized in 2014 with funding provided by the Terra Foundation for American Art.
altformavail: label: Existence and Location of Copies
content: The collection was digitized in its entirety in 2014 and is available on the Archives of American Art's website.

Materials lent for microfilming are available on 35mm microfilm reels N70-8 and N70-35 at the Archives of American Art offices and through interlibrary loan.
genre_format: label: Genre/Form
content: Scrapbooks
label: Genre/Form
content: Medals
label: Genre/Form
content: Diaries
label: Genre/Form
content: Prints
label: Genre/Form
content: Photographs
label: Genre/Form
content: Sketches
label: Genre/Form
content: Sketchbooks
scopecontent: label: Scope and Contents
content: The papers of sculptor Karl Bitter date from 1887 to 1977 and measure 2.5 linear feet. The bulk of the collection consists of photographs of works of art and commemorative medals from expositions. Also found are  scattered biographical information, family correspondence, two diaries, printed materials, sketches, and sketchbooks.

Biographical material consists of one short biography of Karl Bitter. The bulk of the correspondence is to Bitter's children, Marietta (Mrs. Walter Abel) and Francis Bitter, and relates to the relocation of Bitter's caryatid sculptures on the St. Paul Building in New York City. There are typescripts of letters from Karl Bitter to sculptor Daniel C. French and from Marie Bitter to her children.  

Two diaries from 1901 and 1909 kept by Bitter describe his trips abroad. The 1901 diary is similar to a scrapbook and was kept during his honeymoon with Marie Schevill. Their travels through France and Italy are vividly described through prose, sketches, maps, postcards, and a photo of Bitter and Marie. A 1909 diary is from Bitter's first trip back to Austria since he left for the United States. Written in the form of letters to his wife, he describes his reactions to being back in Europe, seeing his family, and sightseeing.   

Scattered printed material includes a clipping, an exhibition announcement, a postcard, and reproductions of works of art by Bitter.

Photographs are of Bitter, his family and friends, studios, and sculpture. Also found are two photo albums containing many images of Bitter's sculptures throughout the country.  

There are two sketchbooks and a print by Blanche Stollson. Also found are Bitter's commemorative medals from various international expositions.
separatedmaterial: label: Separated Materials
content: The Archives of American Art also holds microfilm of material lent for microfilming (reels N70-8 and N70-35) including biographical material, correspondence, and photographs. While most of these materials were later donated, the photographs remain with the lender and are not described in the collection container inventory.