Alfred H. Maurer
name: label: Collection Creator
content: McCausland, Elizabeth, 1899-1965
setName: label: See more items in
content: Elizabeth McCausland papers
physdesc: label: Extent
content: 3.7 Linear Feet (Boxes 6-9)
unitdate: label: Date
content: 1851-1951
label: Date
content: bulk 1948-1950
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.mccaeliz, Series 4
objectType: label: Type
content: Archival materials
arrangement: label: Arrangement note
content: Files are arranged alphabetically.
altformavail: label: Existence and Location of Copies
content: The series has been partially scanned.  Photographs of works of art have not been scanned.
scopecontent: label: Scope and Contents note
content: Series consists of files relating to McCausland's research for the exhibition, "A. H. Maurer: 1868-1932" (Walker Art Center, September 11-October 16, 1949 and Whitney Museum of American Art, November 6-December 11, 1949), which she helped organize and for which she did the catalog, and her book, A. H. Maurer, which was published for the Walker Art Center by A. A. Wyn in 1951. Files consist of correspondence, drafts and manuscripts of the exhibition catalog and book, and extensive research material, including photographs of Maurer's paintings (organized according either to the year they were executed and to their subject matter), photographs of the artist, notes on his life and work (typically organized according to time period or period of execution), notes on his correspondence, and other material. Also found is some Maurer art work. 

Correspondence consists of incoming and copies of outgoing letters. Correspondents include Walker Art Center staff, friends and family of Maurer contacted as part of McCausland's research (his sister Eugenia Maurer Fuerstenberg and his nephew Alfred S. Maurer, and former friends Fra Dana, Pierre Daura, Georgia O'Keeffe, and Grace Phillips, among others), publishers, museums, research institutions, and other instrumental figures, such as Hudson Walker and Lloyd Goodrich. The contents of many correspondence files are arranged in reverse chronological order.

The largest portion of the Maurer files are devoted to photographs of his paintings (not scanned). These seem to have been collected as part of an effort to record "about a thousand Maurers," which were photographed in small batches of four or six at a time. These photographs were then used, in conjunction with available documentation, to date Maurer's works based on style, and have not been scanned. Other photographs used in the research seem to have been copied from Maurer's friends and family members.