Margaret De Patta papers
name: label: Creator
content: De Patta, Margaret, 1903-1964
label: Names
content: California College of Arts and Crafts (San Francisco, Calif.)
label: Names
content: California Labor School
label: Names
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Nanny's Design Gallery
label: Names
content: Oregon State System of Higher Education
label: Names
content: San Francisco Metal Arts Guild
label: Names
content: Barson, Fred
label: Names
content: Bielawski, Eugene
label: Names
content: Davis, Adelle
label: Names
content: Designs Contemporary
label: Names
content: Fleisher, Janet
label: Names
content: Flory, Alice
label: Names
content: McHendrie, Janet
label: Names
content: Ries, Victor, 1907-
label: Names
content: Untracht, Oppi
topic: label: Occupation
content: Jewelers -- California -- San Diego
label: Occupation
content: Educators -- California -- San Diego
label: Topic
content: Women artists
label: Topic
content: Women designers
label: Topic
content: Women educators
acqinfo: label: Provenance
content: The Margaret De Patta papers were donated in two installments in 2003 and 2015 by Martha Bielawski, the second wife of Margaret De Patta's second husband, Eugene Bielawski.  These papers were collected as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
creator: label: Creator
content: De Patta, Margaret, 1903-1964
setName: label: See more items in
content: Margaret De Patta papers
abstract: label: Summary
content: The papers of California jewelry designer Margaret De Patta measure 2.7 linear feet and date from circa 1930 to 2012.  The papers include correspondence, writings, teaching files, exhibition files, personal business records, printed material, artwork and sketchbooks, and photographs.
bioghist: label: Biographical / Historical
content: San Francisco contemporary jewelry designer Margaret De Patta, née Strong, was born in Tacoma, Washington in 1903 and raised in San Diego, California. She was among the first contemporary studio jewelers and a proponent of modernism.  De Patta studied painting at the San Diego Academy of Fine Arts from 1921-1923, the California School of Fine Arts from 1923-1925, and the New York Art Students League from 1926-1929.  

Margaret De Patta began to create jewelry when she designed her own modernist wedding ring for her marriage to Sam De Patta in 1929.  By the mid-1930s, she had become an accomplished jeweler whose work was frequently shown in galleries and museums.  Her jewelry was featured in the 1939 Golden Gate International Exposition in San Francisco.  Around 1939, De Patta also started collaborating with Francis Sperisen, a noted San Francisco lapidary.  De Patta designed the shapes of the jewelry using Lucite and wood, and Sperisen would use her models as a reference for the actual gem cutting.

From 1940-1941, De Patta attended the Chicago Bauhaus (now the Institute of Design) where she studied under Laszlo Moholy-Nagy.  De Patta's time at the school was formative and Moholy-Nagy was tremendously impressed with her work.  She also met her future second husband Gene Bielawski while she was a student in Chicago.

In 1941, De Patta returned to San Francisco, divorced Sam De Patta, and renovated her Laidley Street house in Glen Park.  In 1946, she married Eugene Bielawski.  The couple taught at the California Labor School.  They also moved to Napa and founded Designs Contemporary, a business for producing jewelry that was as high quality as De Patta's handcrafted pieces at more affordable prices.  Since all aspects of the business were conducted by the two of them, the workload became overwhelming and Designs Contemporary closed in 1957.

In 1951, Margaret De Patta was a founding member of the San Francisco Metal Arts Guild, established to promote the metal arts and specifically address the unique needs of studio jewelers. During her lifetime, she befriended many artists and continued to create jewelry, teach, and lecture.  De Patta died by suicide in 1964.  Her innovative jewelry designs continue to be influential today.
physdesc: label: Extent
content: 2.7 Linear Feet
unitdate: label: Date
content: circa 1930-2012
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.depamarg
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Photographs
label: Type
content: Sketchbooks
label: Type
content: Designs
label: Type
content: Drawings
arrangement: label: Arrangement
content: This collection is arranged as 8 series.

Series 1: Correspondence, 1946-2011 (0.4 linear feet; Box 1)

Series 2: Writings, circa 1935-1963 (0.1 linear feet; Box 1)

Series 3: Teaching Files, 1944-1969 (0.2 linear feet; Box 1)

Series 4: Exhibition Files, 1948-2012 (0.4 linear feet; Boxes 1-2)

Series 5: Personal Business Records, 1943-2001 (0.9 linear feet; Box 2)

Series 6: Printed Material, 1938-1981 (0.1 linear feet; Box 3)

Series 7: Artwork and Sketchbook, circa 1930-circa 1960 (0.2 linear feet; Box 3)

Series 8: Photographs, circa 1935-1967 (0.4 linear feet; Boxes 3-4, OV 5)
processinfo: label: Processing Information
content: The collection was processed and a finding aid prepared by Rihoko Ueno in 2016.
genre_format: label: Genre/Form
content: Photographs
label: Genre/Form
content: Sketchbooks
label: Genre/Form
content: Designs
label: Genre/Form
content: Drawings
scopecontent: label: Scope and Contents
content: The papers of California jewelry designer Margaret De Patta measure 2.7 linear feet and date from circa 1930 to 2012.  The papers include correspondence, writings, teaching files, exhibition files, personal business records, printed material, artwork and sketchbooks, and photographs.

Personal and professional correspondence is with family, friends, artists, galleries, museums, and universities. Notable correspondents include Fred Barson, Adelle Davis, Janet Fleisher, Alice Flory, Janet McHendrie, Victor Ries, Oppi Untracht, and Nanny's Design Gallery. 

Writings include essays, personal statements, and notes.  There is also an outline for a book on design and an annotated calendar.

Teaching files consist of course materials, administrative records, meeting minutes, and limited correspondence from the California Labor School.  There are also a few folders from the California College of Arts and Crafts and the Oregon State System of Higher Education.

Exhibition files include announcements, correspondence, inventories, price lists, loan forms, and other material for Margaret De Patta shows at museums and galleries.

Personal business records consist of financial, legal, and administrative records on Margaret De Patta's jewelry designs and sales, as well as material related to Designs Contemporary, the jewelry production business created and managed by De Patta and her husband Eugene Bielawski.  There is also material on large gifts and loans to museums and universities, and files relating to the San Francisco Metal Arts Guild.   

Printed materials are mostly clippings about Margaret De Patta and other subjects, along with a few magazines and periodicals, including the San Francisco Metal Arts Guild newsletters, 1952-1964.  

There is one sketchbook and several folders of drawings, jewelry designs, and flatware designs.

The bulk of the photographs are of jewelry and other objects designed by Margaret De Patta.  There are a few photographs of Margaret De Patta working on jewelry and other subjects, such as a trip to Japan and her house on Laidley Street in California.