Abraham Walkowitz papers
name: label: Creator
content: Walkowitz, Abraham, 1880-1965
label: Names
content: Arms, John Taylor, 1887-1953
label: Names
content: Biddle, George, 1885-1973
label: Names
content: Dunaif, George M.
label: Names
content: Duncan, Elizabeth, 1871-1948
label: Names
content: Eliasoph, Paula
label: Photographer
content: Genthe, Arnold, 1869-1942
label: Names
content: Haldeman-Julius, E. (Emanuel), 1888-1951
label: Photographer
content: Jacobi, Lotte, 1896-1990
label: Names
content: Kleinholz, Frank, 1901-
label: Names
content: Maria-Theresa, 1896-1987
label: Photographer
content: Newman, Arnold, 1918-2006
label: Names
content: Olinsky, Ivan G. (Ivan Gregorewitch), 1878-1962
label: Names
content: Pach, Walter, 1883-1958
label: Names
content: Schapiro, Louis
label: Names
content: Stieglitz, Alfred, 1864-1946
label: Names
content: Traubel, Horace, 1858-1919
label: Photographer
content: Valente, Alfredo
label: Photographer
content: Van Vechten, Carl, 1880-1964
label: Names
content: Weber, Max, 1881-1961
label: Photographer
content: White, Clarence H., 1871-1925
topic: label: Topic
content: Painters -- New York (State) -- New York
label: Topic
content: Painting, American
label: Topic
content: Art -- Collectors and collecting
acqinfo: label: Provenance
content: Portions of the papers were donated in 1959 by Abraham Walkowitz; in 1966 by Dr. Rosa E. Prigosen, the artist's niece; in 1981 through a transfer of material from the National Museum of American Art/National Portrait Gallery Library; and in 1996 by Howard and Lila Schulman.
creator: label: Creator
content: Walkowitz, Abraham, 1880-1965
setName: label: See more items in
content: Abraham Walkowitz papers
abstract: label: Summary
content: The papers of painter Abraham Walkowitz date from 1904-1969, and measure 2.9 linear feet. Found within the papers are biographical material; letters from artists, friends, and art collectors; business records; four interview transcripts; notes and writings; exhibition announcements, cataloges, and other printed material; and photographs of Walkowitz, friends, colleagues, and artworks.
bioghist: label: Biographical Note
content: Abraham Walkowitz (1878-1965) was a painter in Brooklyn, New York. Walkowitz was born in Tumen in Siberian Russia, the son of Jacob and Rita Schulman Walkowitz. Following the death of his father, a lay rabbi and cantor, in the late 1880s, Walkowitz immigrated to the United States with his mother and siblings and settled in the Lower East Side of New York City.

Walkowitz began his study of art at the Educational Alliance, at Cooper Union, and at the National Academy of Design. In early adulthood he worked as a sign painter and taught at the Educational Alliance from 1900 to 1906. He managed to save enough for passage to Paris where he continued his studies at the Académie Julian under Academic painter Jean-Paul Laurens. During this time, Walkowitz met Max Weber who introduced him to Matisse, Picasso, and Gertrude and Leo Stein. They exerted a considerable influence on Walkowitz's artistic development toward abstraction. Weber also introduced him to Isadora Duncan, whose style of improvisational dance inspired Walkowitz to create over 5,000 drawings and watercolors of her dancing form over the next four decades.

Walkowitz returned to New York in 1907 and laid claim to being the first to exhibit truly Modernist paintings in the United States with his exhibition at the Haas Gallery in 1908. After 1909, he became an intimate of Alfred Stieglitz's 291 Gallery where he became a regular exhibitor along with Arthur Dove, Marsden Hartley, and John Marin, among others. Walkowitz's work appeared in landmark avant-garde exhibitions including the 1913 Armory Show, the Forum Exhibition of 1916, the People's Art Guild showings of contemporary art from 1915-1917, and the inaugural show of the Société Anonyme in 1920.

When interest in the Modernist movement diminished during the 1930s, Walkowitz's career also diminished, but he continued as an avid member and officer in the Society of Independent Artists. In the mid-1940s, he explored the varieties of the modernist vision in the form of an exhibition of 100 portraits of Walkowitz by 100 artist colleagues. The result was widely discussed and was featured in Life magazine in 1944. In 1945, Walkowitz travelled to Kansas to reunite with his colleague, E. Haldeman-Julius, to publish in a series of books concerning Walkowitz's art work. He also executed a series of drawings of the barns and strip mines in the area. But by 1946, glaucoma had begun to impair Walkowitz's vision, leading to his eventual blindness. Also in the mid-1940s, Walkowitz lost the contents of his studio to fire.

In 1963, Walkowitz received the Marjory Peabody Award of the National Institute of Arts and Letters. His work is represented in the collections of the Newark Museum, the Whitney Museum of American Art, and the Museum of Fine Arts, Boston.

Abraham Walkowitz died on January 26, 1965 in Brooklyn, New York.
physdesc: label: Extent
content: 2.9 Linear Feet
unitdate: label: Date
content: 1904-1969
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.walkabra
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Photographs
label: Type
content: Transcripts
label: Type
content: Interviews
arrangement: label: Arrangement
content: The collection is arranged as 7 series:

Series 1: Biographical Material 1906-1944 (Box 1, 5; 8 folders)

Series 2: Correspondence, 1906-1966 (Box 1; 0.8 linear feet)

Series 3: Business Records, 1930-1956 (Box 1; 5 folders)

Series 4: Interview Transcripts, 1944-1958 (Box 1; 5 folders)

Series 5: Notes and Writings, 1904-1949 (Box 1-2; 26 folders)

Series 6: Printed Material, 1910-1969 (Box 2, 5; 0.8 linear feet)

Series 7: Photographs, 1904-1958 (Box 2-5; 0.9 linear feet)
processinfo: label: Processing Information
content: The collection received some processing shortly after it was donated in 1959, 1966, and 1996, transferred in 1981, and prior to microfilming on reels D303, 440-441, and 3480; these reels are no longer in circulation. Previously microfilmed and unmicrofilmed portions were merged, arranged, and described by Jean Fitzgerald in May 2009.  In 2014, Jayna Josefson revised the finding aid and prepared the papers to be digitized with funding provided by the Terra Foundation for American Art.
altformavail: label: Existence and Location of Copies
content: The collection was digitized in 2014 and is available via the Archives of American Art's website.
genre_format: label: Genre/Form
content: Photographs
label: Genre/Form
content: Transcripts
label: Genre/Form
content: Interviews
scopecontent: label: Scope and Content Note
content: The papers of painter Abraham Walkowitz date from 1904-1969, and measure 2.9 linear feet. Found within the papers are biographical material; letters from artists, friends, and art collectors; business records; four interview transcripts; notes and writings; exhibition announcements, catalogs, and other printed material; and photographs of Walkowitz, friends, colleagues, and artworks.

Biographical material consists of autobiographical notes, a citizenship certificate, membership and registration cards, medical records, and address books.

Letters, with scattered responses from Walkowitz, are primarily from colleagues including artists John Taylor Arms, George Biddle, Paula Eliasoph, Ivan G. Olinsky, Walter Pach, Alfred Stieglitz, Carl Van Vechten, and Max Weber, Boston art collector Louis Schapiro, publisher E. Haldeman-Julius, writer Horace Traubel, and dancers Elizabeth Duncan and Maria-Theresa Duncan, the sister and adopted daughter of Isadora Duncan respectively. Individual letters are primarily from the diverse group of notable people to whom Walkowitz had sent copies of his books. Also found are letters from art organizations and museums.

 Business records consist of documents concerning the will of art collector George M. Dunaif, letters of acknowledgement of gifts of art work donated by Walkowitz to various museums, and miscellaneous financial material. Transcripts are of three interviews with Walkowitz and an interview with Walkowitz and Frank Kleinholz. Notes and writings include lists of names, addresses, and art work, miscellaneous lecture notes, and writings by Walkowitz and by others. Printed material consists of clippings, exhibition announcements and catalogs, reproductions of art work, and books by Walkowitz, and by Walkowitz and E. Haldeman-Julius. 

The photographs series contains the most significant material in the collection. The majority of photographs are of Abraham Walkowitz, taken by many notable photographers including Arnold Genthe, Lotte Jacobi, Arnold Newman, Alfredo Valente, Carl Van Vechten, and Clarence White. Also found are photographs of friends and colleagues, as well as photographs of art work by Walkowitz and others.
relatedmaterial: label: Related Material
content: Also found at the Archives of American Art is an oral history interview of Abraham Walkowitz conducted by Abram Lerner and Mary Bartlett Cowdrey, December 8 and 22, 1958.