Charles Henry Alston papers
name: label: Creator
content: Alston, Charles Henry, 1907-1977
label: Names
content: City University of New York. City College -- Faculty
label: Names
content: Bearden, Anna Alston
label: Names
content: Bearden, Romare (1911-1988)
label: Names
content: Browne, Byron, 1907-1961
label: Names
content: Lawrence, Jacob, 1917-2000
label: Names
content: Logan, Myra, 1909-1977
label: Names
content: Welty, Eudora, 1909-2001
label: Names
content: Woodruff, Hale, 1900-1980
label: Names
content: Wright, Louis T. (Louis Tompkins), 1891-1952
topic: label: Occupation
content: Painters -- New York (State) -- New York
label: Occupation
content: Muralists -- New York (State) -- New York
label: Occupation
content: Educators -- New York (State) -- New York
label: Occupation
content: Illustrators -- New York (State) -- New York
label: Occupation
content: Sculptors -- New York (State) -- New York
label: Topic
content: Harlem Renaissance
label: Topic
content: African American artists
label: Topic
content: African American educators
label: Topic
content: African American painters
label: Topic
content: African American sculptors
acqinfo: label: Provenance
content: Charles Alston lent portions of the collection for microfilming in 1970. Aida Winters and Rousmaniere Alston Wilson, Charles Alston's sisters, donated additional materials to the Archives of American Art in 1982 and 1984.
creator: label: Creator
content: Alston, Charles Henry, 1907-1977
setName: label: See more items in
content: Charles Henry Alston papers
abstract: label: Summary
content: The scattered papers of African American and Harlem Renaissance painter, muralist, illustrator, sculptor, and educator Charles Henry Alston measure 0.9 linear feet and date from 1924-1980. Included are biographical materials, correspondence, commission and teaching files, writings and notes, printed materials, and photographs. Notable correspondents include Romare Bearden, Byron Browne, Jacob Lawrence, and Hale Woodruff.
bioghist: label: Biographical Note
content: Charles Henry Alston (1907-1977) worked primarily in New York city as a painter, muralist, illustrator, and educator. He was part of the Harlem Renaissance movement in the 1930s and helped form the Harlem Art Workshop and the Harlem Artists Guild. 

Charles Henry "Spinky" Alston was born in Charlotte, North Carolina on November 28th, 1907. His parents were the Reverend Primus Priss and Anna Miller. After the death of his father, Alston's mother married Henry Pierce Bearden (Romare Bearden's uncle) in 1913 and the family moved to New York City. 

At DeWitt Clinton High School in New York, Alston served as art editor of the school's literary magazine. Alston majored in fine arts and history at Columbia University, graduating in 1929. He became active in the Harlem community and accepted a position as director of Utopia House, a boy's camp, where he started an art program. He returned to Columbia and recieved a Masters degree in art education from Columbia's Teachers College. While still a student, he illustrated album covers for jazz musician Duke Ellington and book covers for poet Langston Hughes. 

Alston played a major role in the Harlem Renaissance Movement of the period. During the Great Depression, he and sculptor Henry Bannarn directed the Harlem Art Workshop which was funded by the Works Progress Administration Federal Art Project. There he taught and mentored African American painter Jacob Lawrence and Romare Bearden, among others. 

In the 1950s, Alston embarked on a series of portraits of African American figures. He also taught at the Art Students League and later with the City College of New York (CUNY). Along with his wife, Myra Logan, a surgeon at Harlem Hospital, Alston lived in Harlem and remained an active member of the community until the end of his life. Charles Alston died in 1977.
physdesc: label: Extent
content: 0.9 Linear Feet
unitdate: label: Date
content: 1924-1980
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.alstchar
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Photographs
arrangement: label: Arrangement
content: The collection is arranged into 6 series:

Series 1: Biographical Information, 1924-1977 (Box 1; 3 folders)

Series 2: Correspondence, 1931-1977(Box 1; 7 folders)

Series 3: Commission and Teaching Files, 1947-1976 (Box 1; 4 folders)

Series 4: Writings and Notes, circa 1940s-1970s (Box 2-3; 4 folders)

Series 5: Printed Material, 1928, 1946-1980(Box 2-3; 5 folders)

Series 6: Photographs, 1925-1968 (Box 2; 2 folders)
processinfo: label: Processing Information
content: Upon receipt, the collection was arranged and microfilmed on reels 4222-4223. The collection was reprocessed with a finding aid prepared by Jayna Hanson in 2008. In 2010, the collection was fully digitized with funding provided by the Terra Foundation for American Art.
altformavail: label: Alternative Forms Available
content: This site provides access to the papers of Charles Henry Alston in the Archives of American Art that were digitized in 2010, and total 948 images.

Materials not scanned include health records, financial tax notes, duplicates, and photographs of works of art.

Material lent for microfilming is available on 35mm microfilm reel N70-23 at the Archives of American Art offices and through interlibrary loan.
genre_format: label: Genre/Form
content: Photographs
scopecontent: label: Scope and Content Note
content: The scattered papers of African American and Harlem Renaissance painter, muralist, illustrator, sculptor, and educator Charles Henry Alston (1907-1977) measure 0.9 linear feet and date from 1924-1980. The bulk of the collection documents his personal and professional relationships with figures of the Harlem Renaissance. Researchers should note that this collection contains very little documentation on Alston's actual federal WPA work with the Harlem Art Workshop, the Harlem Artists Guild, or his Harlem Hospital murals completed in 1940. A photograph of Alston in 1937 is likely the only reference to the actual WPA murals in this collection. 

Scattered correspondence includes general correspondence; letters concerning Alston's artistic endeavors; and personal letters from friends and family. Found is a copy of a thank you note from Eudora Welty to John Woodburn for a jacket design presumably by Alston; letters from Harlem Renaissance figures and personal friends Romare Bearden, Byron Brown, Jacob Lawrence, and Hale Woodruff. 

Commission files are for Alston's murals including those in the Golden State Mutual Life Insurance building in Los Angeles, California (1947); and the addition to the Harlem Hospital (1965); and the Family and Criminal Courts Building in the Bronx, New York (1976). There is one file concerning teaching at City College New York (CUNY). 

Writings and notes includes scattered notes and three short stories probably by Alston entitled "Bitsy O'Wire," "Body and Soul," and "Gigi." 

Printed materials include illustrations by Alston in the Columbia University literary magazine, The Morningside, and medical illustrations done for Dr. Louis T. Wright. Also found are scattered clippings, exhibition announcements, press releases, and materials from the First Conference on Aesthetic Responsibility. 

Photographs are of Alston, Alston with his wife, Myra Logan, his mother Anna Alston Bearden, Romare Bearden, and Hale Woodruff. Photographs of note include one of Alston holding a self-portrait, and one of the artist in 1937 with works that are most likely preliminary sketches of his WPA murals at Harlem Hospital. There are also photographs of Alston's works of art.
relatedmaterial: label: Related Material
content: Also found in the Archives of American Art are two oral history interviews with Charles Henry Alston, one conducted by Harlan Phillips on September 28, 1965 and another by Al Murray on October 19, 1968. 

Additional Charles Henry Alston papers are located at the University of North Carolina's Southern Historical Collection at the Louis Round Wilson Special Collections Library.
separatedmaterial: label: Separated Material
content: In 1970, Charles Alston loaned materials for microfilming, including correspondence with Henry Epstein, Langston Hughes, Robert Riggs, Harry Sternberg, J. Johnson Sweeney, Hale Woodruff and others. Also loaned for microfilming were sketchbooks, printed materials, and photographs. Subsequently, some of the photographs were later donated by Alston's sisters. The loaned materials are available only on microfilm reel N70-23 at Archives of American Art offices, and through interlibrary loan. These materials are not included in the container listing of this finding aid.