John Davis Hatch papers
name: label: Creator
content: Hatch, John Davis
label: Names
content: St. John's College (Annapolis, Md.) -- Students
label: Names
content: University of Oregon -- Faculty
label: Names
content: Bluemner, Oscar, 1867-1938
label: Names
content: Browne, Henry Kirke
label: Names
content: Callahan, Kenneth, 1905-1986
label: Names
content: Clark, Ezra
label: Names
content: Cranch, John, 1807-1891
label: Names
content: Cropsey, Jasper Francis, 1823-1900
label: Names
content: Darley, Felix Octavius Carr, 1822-1888
label: Names
content: Davies, Arthur B. (Arthur Bowen), 1862-1928
label: Names
content: Granger, C. H.
label: Names
content: Guy, Seymour J., 1824-1910
label: Names
content: Harvey, George W., 1855-
label: Names
content: Hatch, Olivia Stokes
label: Names
content: Henry, Edward Lamson, 1841-1919
label: Names
content: Inman, Henry, 1801-1846
label: Names
content: McNeill, Lloyd
label: Names
content: Peale, Rembrandt, 1778-1860
label: Names
content: Scott, Julian
label: Names
content: Trumbull, John, 1756-1843
label: Names
content: Vanderlyn, John, 1775-1852
topic: label: Occupation
content: Art historians -- Massachusetts
label: Topic
content: Painting, American
label: Topic
content: Drawing, American
label: Topic
content: Art, American
label: Topic
content: Artists -- United States
label: Topic
content: Art -- Collectors and collecting
label: Topic
content: Art, American -- Study and teaching
acqinfo: label: Provenance
content: John Davis Hatch and the John Davis Hatch estate donated his papers to the Archives of American Art in several installments between 1960-1996. Many of the primary materials relating to John Vanderlyn were acquired by Hatch from a photographer in Kingston, New York, who received them from a niece of Vanderlyn. Robert Graham of James Graham and Sons gave Vanderlyn's will to Hatch.
creator: label: Creator
content: Hatch, John Davis
setName: label: See more items in
content: John Davis Hatch papers
abstract: label: Summary
content: The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization, and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection.
bioghist: label: Biographical Note
content: Art historian, collector, educator, and museum administrator John Davis Hatch (1907-1996) worked in the Boston and New England area, as well as the Pacific Northwest, and New York state. Hatch served as director of the Art Institute of Seattle, the Isabella Stewart Gardner Museum, the Albany Institute of Art and History, and the Norfolk Museum of Art and Sciences. 

John Davis Hatch was born in San Francisco, California in 1907. His father, grandfather, and great-grandfather were architects and Hatch studied landscape architecture at the University of California, Berkeley. He served as an apprentice to Lockwood de Forest. After abandoning landscape architecture, he accepted a position as director of the Seattle Fine Arts Society (1928-1931) at the age of twenty-one and taught art history courses at the University of Washington. 

 In 1932, Hatch accepted the position of assistant director of the Isabella Stewart Gardener Museum in Boston, Massachusetts. He also directed the federal Public Works of Art Project in New England. Additionally, Hatch served from 1940-1948 as director of the Albany Institute of Art and History and from 1950-1959 of the Norfolk Museum of Arts and Sciences. Hatch worked as an art advisor for exhibitions at five historically African-American colleges in Atlanta and in San Simeon in California. He founded the American Drawing Annual exhibition. 

Hatch conducted extensive research on artists Oscar Bluemner and John Vanderlyn, American silverwork, and American drawing. In addition, Hatch collected American drawings and later donated many of works of art from his personal collection to the National Gallery in Washington, D.C. Aside from his early teaching in Washington state, Hatch taught at the University of Massachusetts and the University of Oregon. He was a member of numerous professional arts-related organizations.

In 1939, Hatch married Olivia Stokes with whom he had four children: Sarah, John, Daniel and James. He died in 1996.
physdesc: label: Extent
content: 24.9 Linear Feet
unitdate: label: Date
content: 1790-1995
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.hatcjohn
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Essays
label: Type
content: Reviews (documents)
label: Type
content: Photographs
label: Type
content: Diaries
label: Type
content: Sketchbooks
label: Type
content: Notes
label: Type
content: Lectures
label: Type
content: Sketches
arrangement: label: Arrangement
content: The collection is arranged as 11 series:

Series 1: Biographical Information, circa 1900-1980s (Box 1; 8 folders)

Series 2: Correspondence, 1903-1990s (Box 1-3; 2 linear feet)

Series 3: Personal Business and Legal Records, Date (Box 3; 0.3 linear feet)

Series 4: Diaries and Journals, 1925-1987 (Box 3, 23; 1.2 linear feet)

Series 5: Research Files, 1790-1992 (Box 3-13, 20-21, 24; 12.7 linear feet)

Series 6: Organization Files, 1930s-1990s (Box 13-14; 1.0 linear feet)

Series 7: Teaching and Education Files, 1930s-1993 (Box 14-15; 1.0 linear feet)

Series 8: Writings and Notes, 1936-1990s (Box 15; 0.3 linear feet)

Series 9: Printed Material, 1870s-1990s (Box 15-19, 22, 25-26, OV1; 5.9 linear feet)

Series 10: Photographs, circa 1900-1990s (Box 22; 0.2 linear feet)

Series 11: Artwork, 1851-1973 (Box 22; 0.3 linear feet)
processinfo: label: Processing Information
content: The John Davis Hatch papers were processed to an intermediate level in 2010 by Jayna Hanson with funding provided by the Terra Foundation for American Art.
altformavail: label: Alternative Forms Available
content: Portions of the collection, twenty sketchbooks, are available on 35 mm microfilm reel 2814 at the Archives of American Art offices and through interlibrary loan. Researchers should note that the arrangement of the material described in the container inventory does not reflect the arrangement of the collection on microfilm.
genre_format: label: Genre/Form
content: Essays
label: Genre/Form
content: Reviews (documents)
label: Genre/Form
content: Photographs
label: Genre/Form
content: Diaries
label: Genre/Form
content: Sketchbooks
label: Genre/Form
content: Notes
label: Genre/Form
content: Lectures
label: Genre/Form
content: Sketches
scopecontent: label: Scope and Content Note
content: The papers of art historian, collector, educator, and museum administrator John Davis Hatch measure 24.9 linear feet and date from 1790-1995. Within the papers are biographical materials; correspondence; personal business and legal documents; diaries; research, organization and teaching files; writings; printed materials; photographs; and works of art (mostly sketches) by American artists. Research files regarding artists and specific subjects comprise the bulk of this collection. 

Scattered biographical materials include an invitation to the Hatch's anniversary party in 1964, short biographical sketches and resumes, certificates, report cards, a silhouette of the Hatch Family circa 1904, and a typecript of a diary written by Olivia Hatch as a child. 

Correspondence includes professional correspondence between Hatch and colleagues; letters from family and friends; and some materials regarding exhibitions from the Hatch Collection. The bulk of correspondence spans Hatch's professional career although there are scattered letters from 1915-1943 from Hatch to his parents. Also found are letters addressed to an unidentified "Henry." Correspondence is also found in the research files. 

Personal business and financial records consist of inventories, bills, receipts, and other records for artworks purchased, loaned, or donated by Hatch. Also found are records from the J. D. Hatch Associates Cultural Consultants, a draft of Hatch's will, stock and tax materials, and travel papers and passports.

 Scattered diaries and journal fragments and a transcript date from 1925-1965. Thirteen "Daily Reflection Journals" date from 1975-1987. 

Research files on artists and subjects are extensive, comprising one-half of the collection. Files are varied and may include primary research materials, correspondence, printed materials, notes, and writings. Some of the artists' letters and other materials dated from 1790-early 1800s may have been purchased by Hatch. Among many other items, there is an illustrated letter written by Oscar Bluemner and photographs of Bluemner; primary research materials dating from the early 1800s on John Vanderlyn including a will, receipts, and correspondence; a letter from Rembrandt Peale dated 1830, and an autograph letter from John Trumbull dated 1790. Also found is an index card file.

Organization files contain files and records related to Hatch's affiliations with many cultural organizations. A small amount of teaching and education files consist of Hatch's notes and lectures from the University of Oregon and the University of Massachusetts, and from his continuing education courses he took at St. John's College. Writings and notes include short essays by Hatch, mostly concerning art, exhibitions and museum administration; book reviews; general notes, lists, and reports. 

Printed Materials are comprised of exhibition catalogs and announcements, including those from the American Drawing Annual in the 1940s-1950s; printed articles annotated by Hatch; clippings; pricelists; and published works.

A small number of photographs are of Hatch, some by Dorothy Frazer; of his family and friends; and of artists. The bulk of the photographs are of works of art including those owned by Hatch.

Artwork includes two sketchbooks - one by Kenneth Callahan and another by Lloyd McNeill; and additional drawings and sketches by Julian Scott, Henry Kirke Browne, Kenneth Callahan, Ezra Clark, John Cranch, Jasper Francis Crospey, F. O. C. Darley, C. H. Granger, Seymour J. Guy, George Harvey, Edward Lamson Henry, Henry Inman, as well as unsigned or illegible names.
relatedmaterial: label: Related Material
content: The Archives of American Art holds two oral history interviews with John Davis Hatch: June 8, 1964 conducted by H. Wade White and 1979-1980 conducted by Robert F. Brown. Also found is a separately cataloged photograph of Hatch and Henry Francis Taylor from 1933.

Additional research materials complied by Hatch are located in the Albany Institute of History and Art, the Metropolitan Museum, the library of the National Gallery of Art, and the Senate House, Kingston, New York. 

Hatch donated two hundred and seventy American drawings to the National Gallery of Art in Washington, D.C.
separatedmaterial: label: Separated Material
content: Four books annotated by Bluemner, a letter from Bluemner, a letter from A. Stieglitz to Bluemner, photographs of works of art, and exhibition materials were removed from the papers and merged with the Oscar Bluemner papers at the Archives of American Art.