General Correspondence
name: label: Collection Creator
content: Cox, Allyn, 1896-1982
setName: label: See more items in
content: Allyn Cox papers
label: See more items in
content: Allyn Cox papers / Series 2: Correspondence
unitdate: label: Date
content: 1916-1982
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.coxally, Subseries 2.2
objectType: label: Type
content: Archival materials
arrangement: label: Arrangement
content: Correspondence is arranged alphabetically, typically in named files for those correspondents represented with 5 or more items, and general letter files for all others.
scopecontent: label: Scope and Contents
content: General correspondence documents Cox's career and professional relationships with artists and architects, art institutions and organizations, federal, state and local government agencies and members of congress; private clients including banks and residences; and private social clubs in which Cox was active.

Cox's work at the United States Capitol is well represented here through correspondence, resumes, legal documents including contracts, condition reports, congressional reports and resolutions, and photographic material. Substantial correspondence between Cox and Representative Frank Schwengel document their earliest discussions when Cox first indicated his interest in the Capitol commission, and their ongoing professional relationship as the work continued. Also found is correspondence with artists Arthur Conrad, Adrian Lamb and Deane Keller who worked under Cox in his capacity as supervising artist on the  portraits for the Senate Reception Room; and correspondence with the United States Capitol Historical Society, the office of the Architect of the Capitol, the Smithsonian Institution, and various historical societies and organizations with whom Cox consulted during the research phases of the Capitol projects. Correspondence with Cox's assistant, Cliff Young, is generally filed separately.

14 folders of records including correspondence, memoranda, and contracts, document Cox's work for the George Washington Masonic National Memorial.

American Battle Monuments Commission records include correspondence and contracts with architects Francis Keally and John Harbeson, and mosaic fabricator Fabrizio Cassio. Also found is correspondence with: architects John Barrington Bayley, Charles Downing Lay, Philip Trammell Shutze, with whom Cox collaborated on a variety of private residences including the Calhoun House in Atlanta, Georgia, and Roscoe DeWitt, who worked with Cox on a commission for St. Paul's Hospital in Dallas, Texas; artists Stuart Frost, Edward Laning;  historian Bernard Berenson; interior decorator Emma Romeyn; journalist Joseph C. Harsch; models, including Jay Martin; and writer Katharine Hayden Salter who wrote many letters to Cox on the subject of Kenyon Cox. 

Dumbarton Oaks records include correspondence with Mildred Bliss, Venetian Art Mosaics Inc Studio, and others involved in the project to replace Cox's deteriorating exterior loggia mural of Diana and Actaeon with a glass mosaic design of the painting. Cox's work with Venetian Art Mosaics Inc. also extended to other projects, such as the mosaic panels for the General Grant National Memorial (formerly Grant's Tomb), in New York City.  

Art Students League correspondence docments Cox's role as instructor at the League, 1940-1941. Art Commission of the City of New York records document Cox's service on the Art Commission. 

Correspondence with Nathaniel Pulsifer, and with Essex County Greenbelt Assocation, documents matters related to the Cox Reservation, a property purchased by Allyn Cox in 1940 as a summer home with a barn which he used as his studio, and which he donated to the Essex County Greenbelt in 1974. 

Cox's membership in private social organizations, including nomination and acceptance of new members, can be found in  the the Century Association, Cosmopolitan Club, and Cosmos Club folders.