José de Rivera papers
name: label: Creator
content: De Rivera, José Ruiz, 1904-1985
label: Names
content: American Iron and Steel Institute
label: Names
content: Exposition universelle et internationale (1958 : Brussels, Belgium)
label: Names
content: New York World's Fair (1964-1965)
label: Names
content: Smithsonian Institution
label: Names
content: Ashton, Dore
label: Names
content: Goldsmith, Howard
label: Names
content: Marter, Joan M.
topic: label: Topic
content: Hispanic American artists
label: Topic
content: Sculptors -- New York (State) -- New York -- Interviews
label: Topic
content: Sculpture, American -- New York (State) -- New York
label: Topic
content: Artists' studios -- Photographs
acqinfo: label: Provenance
content: In 1970, José de Rivera loaned the Archives of Amrican Art material for microfilming. The artist and the Grace Borgenicht Gallery donated additional papers in 1982 and De Rivera's son, Joseph A. Ruiz II, gave more material in 1998.
creator: label: Creator
content: De Rivera, José Ruiz, 1904-1985
setName: label: See more items in
content: José de Rivera papers
abstract: label: Summary
content: The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film.
bioghist: label: Biographical Note
content: José de Rivera (1904-1985) worked primarily in New York as an abstract expressionist sculptor known for twisting steel or bronze bands into space-defining three-dimensional shapes.

José A. Ruiz was born on September 18, 1904 in West Baton Rouge, Louisiana, the son of Joseph and Honorine Montamat Ruiz. He would later take the surname of his maternal grandmother, de Rivera. Early in his life his family moved to New Orleans where his father was a sugar mill engineer on a plantation. De Rivera became adept at repairing machinery and doing blacksmith work with his father. Shortly after completing high school in 1922, de Rivera moved to Chicago where he was employed in foundries and machine shops as a pipe fitter and tool and die maker. His 1926 marriage to Rose Covelli ended in divorce.

Beginning in 1928 de Rivera attended night drawing classes conducted at the Studio School by painter John W. Norton. De Rivera was impressed by the Egyptian collections at the Field Museum. The work of Mondrian, Brancusi, and Georges Vantongerloo also exerted a strong influence on him. In 1932, he traveled through southern Europe and North Africa visiting Spain, Italy, France, Greece, and Egypt. Upon his return to the United States he decided to become a sculptor.

From 1937-1938, de Rivera was employed by the Works Progress Administration-Federal Art Project and created the sculpture Flight for the Newark, New Jersey airport. During World War II, he first served in the U.S. Army Corps from 1942 to 1943. For the following three years, he designed and constructed ship models used as training aids in the U. S. Navy.

De Rivera's first solo exhibition was in 1946 in New York at the Mortimer Levitt Gallery. In 1953, de Rivera taught sculpture at Brooklyn College. For the following three years, he was a critic in sculpture at Yale University and taught at the School of Design at North Carolina State College from 1957 to 1960. De Rivera married Lita Jeronimo in 1955.

In 1961 de Rivera was given a retrospective exhibition at the Whitney Museum of American Art. One of his most notable works Infinity was commissioned by the Smithsonian Institution for the front of its newly built Museum of History and Technology in 1963.

José de Rivera died on March 19, 1985 in New York City.
physdesc: label: Extent
content: 5.6 Linear Feet
unitdate: label: Date
content: 1930-1991
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.derijose
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Drawings
label: Type
content: Collages
label: Type
content: Sketchbooks
label: Type
content: Interviews
label: Type
content: Transcripts
label: Type
content: Sketches
label: Type
content: Motion pictures (visual works)
label: Type
content: Blueprints
label: Type
content: Photographs
arrangement: label: Arrangement
content: The collection is arranged as 7 series:

Series 1: Biographical Material, 1942-1984 (Box 1; 11 folders)

Series 2: Letters, 1938-1988 (Box 1; 29 folders)

Series 3: Personal Business Records, 1947-1984 (Box 1; 11 folders)

Series 4: Commission Files, 1955-1977 (Box 1-2, 6-7, OVs 10-11, FC 13; 1.1 linear feet)

Series 5: Art Work, 1960-1984 (Box 2, 6, OV 8; 0.9 linear feet)

Series 6: Printed Material, 1931-1991 (Box 2-4, 6; 1.5 linear feet)

Series 7: Photographs, 1930-1985 (Box 4-7, OV 9-OV 10, 12; 1.7 linear feet)
processinfo: label: Processing Information
content: The collection was processed by Jean Fitzgerald in March 2011. Motion picture film reels were inspected and re-housed in 2017 with funding provided by the Smithsonian Collections Care and Preservation Fund.
altformavail: label: Existence and Location of Copies
content: Material lent for microfilming is available on 35mm microfilm reel N70-32 at the Archives of American Art offices and through interlibrary loan.
genre_format: label: Genre/Form
content: Drawings
label: Genre/Form
content: Collages
label: Genre/Form
content: Sketchbooks
label: Genre/Form
content: Interviews
label: Genre/Form
content: Transcripts
label: Genre/Form
content: Sketches
label: Genre/Form
content: Motion pictures (visual works)
label: Genre/Form
content: Blueprints
label: Genre/Form
content: Photographs
scopecontent: label: Scope and Content Note
content: The papers of sculptor José de Rivera date from 1930 to 1991 and measure 5.6 linear feet. Found within the papers are biographical materials, letters, scattered personal business records, commission files, art work including four sketchbooks, printed material, and photographs. One of the commission files includes a motion picture film. 

Biographical material consists of a biographical account, resumé, military service records, an interview transcript, certificates, addresses, and miscellaneous notes and writings. 

Twenty-nine folders of letters are primarily from de Rivera's patron, attorney Howard Goldsmith, but also include single letters from Marcel Breuer, John Canaday, Emlen Etting, Dag Hammarskjold, and G. Vantongerloo. 

Scattered personal business records include rental records, sculpture inventories, a contract, receipts, and miscellaneous records.

Commission files contain letters, contracts, receipts, clippings, blueprints, miscellaneous printed material, and photographs concerning several of de Rivera's commissions, including Brussels Construction for the Brussels Universal and International Exhibition, his sculpture for the 1964 New York World's Fair, and Infinity, commissioned for the Smithsonian. A file for Construction #73 completed for the American Iron and Steel Institute also contains a reel of 16mm motion picture film.

Art work consists of four sketchbooks, drawings, and geometric collages including detached cut out shapes.

Printed material includes primarily clippings and exhibition announcements and catalogs. There is also a copy of the book José de Rivera Constructions by Dore Ashton and Joan M. Marter. Photographs are of de Rivera, miscellaneous art-related events, his studio, his art works, and of miscellaneous exhibition installations. Commission files also contain photographs.
separatedmaterial: label: Separated Material
content: The Archives of American Art also holds microfilm of material lent for microfilming (reel N70-32) including biographical material, correspondence, writings, drawings, printed material, and photographs. Loaned material was returned to the lender and are not described in the collection container inventory.