Oral history interview with Marek Cecula
odd: label: General
content: Originally recorded on 3 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 55 min.
name: label: Interviewee
content: Cecula, Marek, 1944-
label: Interviewer
content: Riedel, Mija, 1958-
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Barneys New York
label: Names
content: Garth Clark Gallery (New York, N.Y.)
label: Names
content: George R. Gardiner Museum of Ceramic Art
label: Names
content: Kunst- og designhögskolen i Bergen
label: Names
content: Memphis (Group)
label: Names
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Parsons School of Design -- Faculty
label: Names
content: Tiffany and Company
label: Names
content: Cecula, Lanie
label: Names
content: De Waal, Edmund
label: Names
content: Earl, Jack
label: Names
content: Koplos, Janet
label: Names
content: Kottler, Howard, 1930-1989
label: Names
content: Mayer, Jean
label: Names
content: Nagle, Ron
label: Names
content: Ogen, Gdula, 1929-
label: Names
content: Price, Kenneth, 1935-2012
label: Names
content: Shire, Peter
label: Names
content: Spurey, Gerda
label: Names
content: Spurey, Kurt, 1941-
label: Names
content: Veiteberg, Jorunn, 1955-
place: label: Place
content: Brazil -- Description and Travel
label: Place
content: Israel -- Description and Travel
label: Place
content: Poland -- description and travel
label: Place
content: SoHo (New York, N.Y.) -- Description and Travel
topic: label: Occupation
content: Ceramicists
label: Topic
content: Ceramicists -- New York (State) -- New York -- Interviews
label: Topic
content: Designers -- New York (State) -- New York -- Interviews
label: Topic
content: Kibbutzim
label: Topic
content: World War, 1939-1945
label: Topic
content: Ceramics
acqinfo: label: Provenance
content: This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
creator: label: Interviewee
content: Cecula, Marek, 1944-
label: Interviewer
content: Riedel, Mija, 1958-
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
bioghist: label: Biographical / Historical
content: Marek Cecula (1944- ) is a ceramist and designer, who lives and works in New York and Poland.
physdesc: label: Extent
content: 104 Pages (Transcript)
label: Extent
content: 10 Items (Sound recording: 10 sound files (4 hr., 55 min.), digital, wav)
unitdate: label: Date
content: 2009 May 19-20
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.cecula09
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Pages
label: Type
content: Interviews
label: Type
content: Sound recordings
genre_format: label: Genre/Form
content: Interviews
label: Genre/Form
content: Sound recordings
scopecontent: label: Scope and Contents
content: An interview of Marek Cecula conducted 2009 May 19-20, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cecula's studio, in New York, New York.
label: Scope and Contents
content: Marek Cecula speaks of his childhood in Kielce, Poland, during World War II; his move to Israel at age 16; studies with ceramists Gdula Ogen and Jean Mayer; the influence of Japanese ceramics on his early studies; life on the kibbutz HaSolelim in the late 1960s and early 1970s; the influence of Kurt and Gerda Spurey and their use of porcelain and slip-casting; his work in both functional and sculptural ceramics; his move to Tel Aviv in early 1970s, then to a commune in Binyamina in 1971; his move to Curitiba, Brazil, and subsequent work with Schmidt porcelain factory; "Art Project 79" exhibition, La Jola, Curitiba, Brazil, 1979; his move to Washington, D.C., with girlfriend (later wife) Lanie in 1976; Klepisko (2008); the cyclical nature in his work; move to New York City in late 1970s; the Soho arts scene in the 1970s and '80s; his work blending design and sculpture; establishing Contemporary Porcelain gallery, 1978; interest in work by Memphis Group, Peter Shire, Jack Earl, Ken Price, and Ron Nagle; head of ceramics department, at Parsons School of Design, New York City (1985-2004); continued design and production work, including for Tiffany & Co. and Barneys New York; establishment of Modus Design firm; continued exploration of industrial processes and use of decals in his work; influence of Howard Kottler; his quest to balance digital and handmade processes, and the continued importance of the tactile; "Scatology" exhibition; series Hygiene, his first purely sculptural series; Porcelain Carpet; representation at Garth Clark Gallery (New York City, Los Angeles, and Kansas City, Missouri); series Violations; series Mutants; series Industrial Interference; "Interface" exhibition (2002), in response to terrorist attacks on September 11, 2001; Look Into My Mind; The Stand For the Heroes, 2001; series Beauty of Imperfection; move to Poland in early 2000s; a teaching/artistic position at Bergen National Academy of Arts, Norway; establishment of Design Centrum Kielce in late 2000s; Menorah, 2007, Kielce (site-specific); Six Stations, 2007, Porsgrunn, Norway (site-specific); future projects for the city of Kielce; work with the Łódź Design Festival, Poland, and design center in Cieszyn, Poland; "kilo of earth" product; Last Supper; Mandala; Islam; limitations and advantages of ceramics as a medium; his globalized, multicultural experiences and outlook; the European vanguard in ceramics; periodicals and publications of interest; writers of interest: Edmund de Waal, Jorunn Veiteberg, Janet Koplos; the "desire society"; curating Third Biennale for Israeli Ceramics, 2004; fusion art, craft, and design; "Object Factory: The Art of Industrial Ceramics," Gardiner Museum, Toronto, 2008; redefinition of the concept of the object.