Oral history interview with L. Brent Kington
odd: label: General
content: Originally recorded on 7 sound cassettes. Reformatted in 2010 as 14 digital wav files. Duration is 6 hr., 54 min.
name: label: Interviewee
content: Kington, L. Brent (Louis Brent), 1934-2013
label: Interviewer
content: Douglas, Mary F., 1956-
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Cranbrook Academy of Art -- Students
label: Names
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
label: Names
content: Southern Illinois University at Carbondale -- Faculty
label: Names
content: University of Kansas -- Students
label: Names
content: Thomas, Richard C., 1917-1988
topic: label: Topic
content: Metal-workers -- Illinois -- Interviews
label: Topic
content: Blacksmithing
label: Topic
content: Learning disabilities
label: Topic
content: Decorative arts
acqinfo: label: Provenance
content: This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
creator: label: Interviewee
content: Kington, L. Brent (Louis Brent), 1934-2013
label: Interviewer
content: Douglas, Mary F., 1956-
label: Creator
content: Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
bioghist: label: Biographical / Historical
content: L. Brent Kington (1934-) is a metalsmith from Makanda, Illinois. Mary Douglas (1956-) is a curator at the Mint Museum of Craft and Design in Charlotte, N.C.
physdesc: label: Extent
content: 95 Pages (Transcript)
unitdate: label: Date
content: 2001 May 3-4
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.kingto01
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Pages
label: Type
content: Sound recordings
label: Type
content: Interviews
genre_format: label: Genre/Form
content: Sound recordings
label: Genre/Form
content: Interviews
scopecontent: label: Scope and Contents
content: An interview of L. Brent Kington conducted 2001 May 3-4, by Mary Douglas, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Kington's home and studio, Makando, Illinois.
label: Scope and Contents
content: Kington describes his childhood and the impact of the Depression; his adopted sister Kay; and his hyperactivity and difficulty accomplishing schoolwork. He comments on his high school teachers; his academic and athletic accomplishments at University of Kansas (UK); his studies at Cranbrook Academy of Art with Richard (Dick) Thomas "the intellectual silversmith" and his "mentor"; Hugh Acton and the GM Tech Center; and fellow metalsmiths Fred Fenster, Mike Jerry, Stanley Lechtzin, and Heikki Seppä.
label: Scope and Contents
content: He discusses exhibitions including "Kansas Designer Craftsmen," "Michigan Designer Craftsmen," "Fiber, Clay, Metal," "Creative Casting, Young Americans 1962," and "Objects: USA." He talks about Ashanti gold weights; Scandinavian design; teaching at Southern Illinois University in Carbondale, Illinois (SIU) and Illinois State University (ISU), and taking students to the Saint Louis Art Museum to see granulation in Mycenaean gold. He comments at length on his toys and experimenting with ideas about toys.
label: Scope and Contents
content: Kington also describes blacksmithing workshops held at SIU and the "renaissance" of blacksmithing in the United States. He recalls his involvement with the Society of North American Goldsmiths (SNAG), American Craft Council (ACC), World Crafts Council (WCC), Artist Blacksmith's Association of North America (ABANA), the Kentucky School of Craft, the National Ornamental Metal Museum, and other organizations. He discusses his weathervane pieces and other series such as Icarus, Crozier, Europa, and Axis Mundi. He comments on the influence of Mircea Eliade's book "The Forge and the Crucible" (1979), considers the blacksmith's role in various cultural mythologies, and evaluates publications such as "Anvil's Ring" and "American Blacksmith."
label: Scope and Contents
content: He comments on the current state of affairs in metalsmithing; his retirement from SIU and teaching in the University of Georgia-Cortona program; the impact of Cyril Stanley Smith's insights and the importance of his book "A History of Metallography" (1960); his appreciation of Daryl Meier's work; exploring new techniques such as mokume gane, kuromido, shibuichi, rokusho (patination process); encouraging Mary Lee Hu to pursue wire structuring; and his enthusiasm for sharing information. He recalls John Allgood, Philip Baldwin, Robert Ebendorf, Phil Fike, Maija Grotell, Marvin Jensen, Richard Mawdsley, Lee Nordness, Ron Pearson, Bob Peterson,Gene and Hiroko Pijanowski, Jim Wallace, and others.