Subject Files
name: label: Collection Creator
content: Nevelson, Louise (1899-1988)
setName: label: See more items in
content: Louise Nevelson papers
physdesc: label: Extent
content: (Box 3, 35-36; 1.7 linear feet)
unitdate: label: Date
content: 1955-1988
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.neveloui, Series 3
objectType: label: Type
content: Archival materials
arrangement: label: Arrangement note
content: It is not clear whether the subject organization of the files originates with Nevelson (or one her associates) or with Archives staff. The existing organization has for the most part been maintained. Files are arranged alphabetically. Related material can be found amongst the business records and printed material. While most of this material has been scanned, duplicates, some printed material, and the Farnsworth Art Museum addition has not.
scopecontent: label: Scope and Contents note
content: Series consists of files of clippings, newsletters, correspondence, notes, announcements, programs, receipts, loan agreements and receipts, and other material, organized according to subject (name of organization or person, place, activity, format). Files relate to Nevelson's activities with various professional and arts-related organizations (such as Artists Equity Association); her participation in various workshops, panels, and conferences (including Meet the Artists course at New York University and the Tamarind Lithography Workshop); the exhibition of her work in other countries, and in museums and galleries, such as The Museum of Modern Art and Wadsworth Atheneum; the handling of certain business matters (including dealings with the gallery owner, Daniel Cordier, restoration of the Nevelson sculpture owned by Nelson Rockefeller that was damaged by fire, and various photograph orders), usually conducted by Nevelson's assistant, Tom Kendall, on her behalf. Files of biographical information and notes also relate to some of Nevelson's activities in publicizing her art work.