Victor D. Spark papers
name: label: Creator
content: Spark, Victor D. (Victor David), 1898-1991
label: Names
content: San Diego Arts Society
label: Names
content: Berliner, Jacob, 1849-1918
label: Names
content: Clonney, James Goodwyn, 1812-1867
label: Names
content: Copley, John Singleton, 1738-1815
label: Names
content: Engelhard, Charles W., Jr., 1917-1971
label: Names
content: Frankenstein, Alfred V. (Alfred Victor), 1906-1981
label: Names
content: Grigaut, Hubert L.
label: Names
content: Hardy, Charlotte
label: Names
content: Hardy, Jeremiah Pearson, 1800-1889
label: Names
content: Heade, Martin Johnson, 1819-1904
label: Names
content: Lehman, Robert, 1892-1969
label: Names
content: Medina, Leon
label: Names
content: Moran, Ruth B.
label: Names
content: Moran, Thomas, 1837-1926
label: Names
content: Peale, Rembrandt, 1778-1860
label: Names
content: Prendergast, Maurice Brazil, 1858-1924
label: Names
content: Shinn, Everett, 1876-1953
label: Names
content: Sully, Thomas, 1783-1872
topic: label: Occupation
content: Art appraisers -- New York (State) -- New York
label: Occupation
content: Art dealers -- New York (State) -- New York
label: Topic
content: Artists' studios -- Photographs
label: Topic
content: Art, Modern -- 20th century -- United States
label: Topic
content: Art, Modern -- 19th century -- United States
label: Topic
content: Art -- Collectors and collecting -- New York (State) -- New York
label: Topic
content: Art, American
acqinfo: label: Provenance
content: The Victor D. Spark papers were acquired between 1954 and 1996.  The first accession of 19th century printed materials and a letter by Ruth Moran was donated by Spark in 1954.  The bulk of the collection was purchased jointly by the Archives of American Art and the National Gallery of Art at auction in July 1987.  Subsequently, photographs of works of art documenting the collections of the National Gallery of Art were separated and retained by the National Gallery of Art.  The papers remained at the Archives of American Art; three letters were later transferred to the Archives from the National Gallery of Art in 1996.
creator: label: Creator
content: Spark, Victor D. (Victor David), 1898-1991
setName: label: See more items in
content: Victor D. Spark papers
abstract: label: Summary
content: The Victor D. Spark papers measure 22.2 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970.  The papers document Spark's career as a New York City art dealer and appraiser who was most active from World War II through the 1970s, focusing on Old Masters paintings and 19th and early 20th century American art.  Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.
bioghist: label: Biographical / Historical
content: Victor D. Spark (1898-1991) was a prominent New York City appraiser and art dealer who specialized in Old Masters paintings as well as 19th and early 20th century art.  

Spark was born in Brooklyn, N.Y., in 1898.  When he was two years old, the Spark family moved to Harlem.  His father worked in the hotel business and owned hotels in Brooklyn, Manhattan, and Europe.  Spark briefly attended the City College of New York before transferring to New York University, where he studied for half a year, then enlisted in the Marines Corps during World War I and served overseas for 2 years.  After his discharge, Spark  returned to NYU where he majored in French, an interest he acquired during his military service.  After graduation, Spark married Nina and went to Europe to help his father manage a summer hotel. There, he became interested in art.  

Spark returned to the U.S., continuing to work for his father until 1929.  Spark was involved with decorating and furnishing the hotels and often purchased antiques, artwork, and furniture, furthering his arts interests and knowledge.  He began working in a gallery, acquiring works of art and dividing the sales profits with the gallery owners.  Spark had no formal art education and his taste and eye for art was gained primarily through his travels in Europe.  He also had a good business sense about what might sell for profit in the U.S.  

Spark made frequent art buying trips across the United States to cities such as Boston and Philadelphia and returned to New York with paintings that he sold.  Spark never owned a gallery, but he occasionally held exhibits, such as one titled "101 American Painters," inside the apartment.  Although Spark specialized in 19th to early 20th century American art, he also sold European art work acquired during trips to Europe following World War II.  

Spark continued his work selling paintings to museums, collectors, and other art dealers, until the 1970s.  He was most active from the 1930s through World War II.  As a prominent dealer for over four decades, Spark came to know many luminaries of the New York art scene, such as art dealer and gallery owner Edith Halpert.  Spark died in 1991.
physdesc: label: Extent
content: 22.2 Linear Feet
unitdate: label: Date
content: circa 1830-1983
label: Date
content: bulk 1930-1970
dataSource: label: Archival Repository
content: Archives of American Art
identifier: label: Identifier
content: AAA.sparvict
objectType: label: Type
content: Collection descriptions
label: Type
content: Archival materials
label: Type
content: Photographs
arrangement: label: Arrangement
content: This collection is arranged as 7 series.

Series 1: Biographical Materials, 1906, 1948-1981 (1.7 linear feet; Box 1-2)

Series 2: Artist Files, 1905-1983 (4 linear feet; Box 2-6, 22)

Series 3: Client Files, 1904, 1927-1981 (7.1 linear feet; Box 6-13)

Series 4: Financial Records, 1930-1981 (8.7 linear feet; Box 13-20, 22-29)

Series 5: Legal Records, 1970-1972 (0.2 linear feet; Box 20)

Series 6: Printed Materials, circa 1830-1872, 1948-1982 (0.2 linear feet; Box 20-22)

Series 7: Photographs, circa 1898-circa 1940 (0.1 linear feet; Box 21)
processinfo: label: Processing Information
content: This collection was fully processed by Rihoko Ueno in July 2013 with funding provided by the Samuel H. Kress Foundation.  The collection was also scanned in 2013 with funding provided by the Samuel H. Kress Foundation.
altformavail: label: Existence and Location of Copies
content: The bulk of the collection was digitized in 2013 and is available via the Archives of American Art's website.  Blank pages, blank versos of photographs, and duplicates have not been scanned. Cancelled checks, check stubs, and bank credit statements have not been scanned.   Only the cover, title page, and individual relevant pages have been scanned from contemporary readily available 20th century published materials.  Rare 19th century printed materials, however, have been scanned.
genre_format: label: Genre/Form
content: Photographs
scopecontent: label: Scope and Contents
content: The Victor D. Spark papers measure 22.2 linear feet and date from circa 1830 to 1983, with the bulk of the material from 1930 to 1970.  The papers document Spark's career as a New York City art dealer and appraiser who was most active during World War II up through the 1970s with a focus on Old Masters paintings as well as 19th and early 20th century American art.  Found within the papers are biographical materials, artist files, client files, financial records, legal records, printed material, and photographs.  

Biographical materials contain greeting cards and post cards, annotated appointment calendars, miscellaneous notes and lists, and an apartment lease.   

Artists' files include photographs of artwork, artist biographies, printed materials, and some correspondence with and about the artist.  Many of the photographs are annotated.  Files are found for Old Masters and American artists, including James G. Clonney, Jon Singleton Copley, Jeremiah P. Hardy, Martin Johnson Heade, Rembrandt Peale, Maurice Prendergast, Everett Shinn, Thomas Sully, and many others.  There is also a letter written in 1924 by Ruth Moran along with a photograph of a painting by the artist Thomas Moran, signed by him on the verso.

Extensive client files include notes, correspondence, bills, receipts, and clippings regarding sales and appraisals.  Spark's clients included museums, collectors, art dealers, most of which are represented in the files. Notable clients and colleagues include Jacob S. Berliner, Charles W. Engelhard, Alfred V. Frankenstein, Hubert L. Grigaut, Charlotte W. Hardy, Robert Lehman, and Leon Medina.  There are also files for many  universities, businesses, museums, and galleries. 

Financial records comprise the largest series in the collection and include ledgers, stock books, consignment records, scattered banking records, bills, tax documents, auction price lists, check stubs, and cancelled checks.

A small amount of legal records document two legal cases: Rauch v. IRS and Kaufman v. Phoenix (Travelers) Insurance Company for which Spark provided testimony.

Printed materials include clippings, exhibition and auction catalogs, newsletters, bulletins, a membership roster for the San Diego Arts Society, and several 19th century printed items.

Two black and white photographs are of a steam locomotive and an unidentified portraitist in his studio.
relatedmaterial: label: Related Materials
content: The Archives of American Art also holds an oral history interview of Victor D. Spark conducted August 5, 1975 by Paul Cummings.

The National Gallery of Art maintains 12,000 photographs and negatives of artwork in their Victor D. Spark photograph collection.