கேள்வி: மாயா ஏஞ்சலோ - இவரது சுயசரிதை நூல்கள் பற்றி விளக்கவும்.
பதில்: * ''I Know Why the Caged Bird Sings'' (1969) * ''Ich weiß, warum der gefangene Vogel singt.'' மொழிபெயர்ப்பு - Harry Oberländer, Stroemfeld, Basel / Verlag Roter Stern, Frankfurt am Main 1980, ; Fischertaschenbuch 4742, Frankfurt am Main 1990, ; Unionsverlag, Zürich 2000, . * ''Gather Together in My Name'' (1974): 1944- 1948 * ''Singin' and Swingin and Getting Merry Like Christmas'' (1976): 1949-1955 * ''Heart of a Woman'' (1981): 1957-62 * ''All God's Children Need Traveling Shoes'' (1986): 1962-65 * ''A Song Flung Up to Heaven'' (2002) * ''Mom & Me & Mom'' (2013) * ''Wouldn't Take Nothing for My Journey Now'' (1993) * ''Even the Stars Look Lonesome'' (1997)
கேள்வி: மாயா ஏஞ்சலோ - மேற்கோள் நூல்கள் பற்றி விளக்கவும்.
பதில்: * Angelou, Maya (1969). ''I Know Why the Caged Bird Sings''. New York: Random House. * Angelou, Maya (1993). ''Wouldn't Take Nothing for My Journey Now''. New York: Random House. * Angelou, Maya (2008). ''Letter to My Daughter''. New York: Random House. * Braxton, Joanne M., ed. (1999). ''Maya Angelou's I Know Why the Caged Bird Sings: A Casebook''. New York: Oxford Press. ** Braxton, Joanne M. "Symbolic Geography and Psychic Landscapes: A Conversation with Maya Angelou", pp.&nbsp;3–20 ** Tate, Claudia. "Maya Angelou: An Interview", pp.&nbsp;149–158 * Burr, Zofia (2002). ''Of Women, Poetry, and Power: Strategies of Address in Dickinson, Miles, Brooks, Lorde, and Angelou''. Urbana, Illinois: University of Illinois Press. * DeGout, Yasmin Y. (2009). "The Poetry of Maya Angelou: Liberation Ideology and Technique". In ''Bloom's Modern Critical Views – Maya Angelou'', Harold Bloom, ed. New York: w:en:Infobase Publishing, pp.&nbsp;121–132. * Gillespie, Marcia Ann, Rosa Johnson Butler, and Richard A. Long. (2008). ''Maya Angelou: A Glorious Celebration''. New York: Random House. * Hagen, Lyman B. (1997). ''Heart of a Woman, Mind of a Writer, and Soul of a Poet: A Critical Analysis of the Writings of Maya Angelou''. Lanham, Maryland: University Press. * Lauret, Maria (1994). ''Liberating Literature: Feminist Fiction in America''. New York: Routledge Press. * Long, Richard (2005). "Maya Angelou". ''Smithsonian'' 36, (8): pp.&nbsp;84–85 * Lupton, Mary Jane (1998). ''Maya Angelou: A Critical Companion''. Westport, Connecticut: Greenwood Press. * McWhorter, John (2002). [http://www.tnr.com/article/saint-maya "Saint Maya."] ''The New Republic'' 226, (19): pp.&nbsp;35–41. * O'Neale, Sondra (1984). "Reconstruction of the Composite Self: New Images of Black Women in Maya Angelou's Continuing Autobiography", in ''Black Women Writers (1950–1980): A Critical Evaluation'', w:en:Mari Evans, ed. Garden City, N.Y: Doubleday. * Toppman, Lawrence (1989). "Maya Angelou: The Serene Spirit of a Survivor", in ''Conversations with Maya Angelou'', Jeffrey M. Elliot, ed. Jackson, Mississippi: University Press. * Walker, Pierre A. (October 1995). "Racial Protest, Identity, Words, and Form in Maya Angelou's I Know Why the Caged Bird Sings". ''College Literature'' 22, (3): pp.&nbsp;91–108.