I saw this movie last night and thought it was decent. It has it's moments I guess you would say. Some of the scenes with the special ops forces were cool, and some of the location shots were very authentic. I won't be putting this movie in my DVD collection but it is fair enough to recommend for renting. I guess nothing set the movie at another level compared to others of the same genre. The action is good, the acting is decent, the women are extremely seductive and exotic in my opinion, and the story is pretty interesting. 7 out of ten


When I first heard about this back in 1997, over coffee with friends, I decided to check it out. The only problem was that it was on a small screen at one of my local cinema's.

That didn't stop the enjoyment of seeing a simply great movie, with a top notch cast in Aidan Quinn, Donald Sutherland, and Ben Kingsley. The whole movie, kept me glued to my seat.

I simply found no flaws in this great movie, I give it my highest recommendation to those who love thrillers. I am very proud to have this in my collection.

10/10 ( I don't hand this out lightly).


Picture the scene: A bored student with an empty day ahead, A video shop with a special offer of 5 video for a week rentals. This ex-student usually just grabbed a pile of videos of dubious quality for the most arbitrary of reasons (The Turning anybody?). Occasionally the odd undiscovered gem did make it into his VCR - this being the case with this film. Everything about the film is good, but much more than this the parts all mesh to provide something all too rare - a cracking good film. Why this never got a UK cinema release is beyond me, especially when we consider the crap that we have to wade through at the multiplex week on week. Whilst I'll happily accept this isn't Oscar material (but neither was sodding Titanic - schmaltzy cgi-tinged bollocks) it is a an extremely enjoyable film. I was trying to think of a way to describe how best this film should be appreciated/accepted - The perfect film to watch while bonding with your Dad, after a coming home for the holidays, after a large Sunday lunch.


I must say I didn't expect much about this movie, but it turned out not to be bad at all. Most striking of course, was Aidan Quinn's performance. I would never expect to see this fine actor as an action hero. The great thing about it is that he really builds up his character (Annibal). I mean, it was not like Mel Gibson or Bruce Willis would do it, he was sensitive and modest. For example, he's really upset when he kills someone. I also noticed that some clichés were avoided. When Annibal gets his training, you would easily expect him to be a rebel and act like any average American would do in such a situation, ask what the f*** is going on and refusing to cooperate. But Annibal is a professional marine officer, he doesn't give up and he tries not to lose his courage, in which he succeeds pretty well, except for a brief break-down on Christmas Eve, which I think was very realistic. I'm glad that Aidan Quinn got this opportunity to show another side of him (in fact two, because he plays the villain as well), even although the film wasn't that successful.


An excellent "sleeper" of a movie about the search for Carlos the international assassin. Am surprised this film didn't rake in $100-million-plus because it's much better than most films that do so. Rent it NOW.


The acting is good, the action is good, and so is the plot. If you like some good, fast entertainment with an air for authentic action scenes, not the Hollywood (looks great, but is totally ridiculous) kind, you're in for a special treat. Just sit back and enjoy...


A very intelligent and exciting thriller that doesn't rely on action but on situation, which is all to rare these days. I would compare this film to The Day of the Jackal, another film about the pursuit of a dangerous international criminal. The acting across the board is superlative - Aidan Quinn has a tricky double role as the vicious terrorist Carlos and as the Navy man who impersonates him. Donald Sutherland plays the amoral CIA agent who hires him. Ben Kingsley plays the Israeli officer who assists in the plan. This is a very tense and effective film, and it's remarkable considering just how little action there is in it. The first half of the film is all set-up, as the Navy man prepares to impersonate Carlos. The second half is a breathless actioner, the action coming out of the characters and their situations, thus making it all the more gripping. A really tight film that shouldn't be overlooked.


While "The Jackal" [remake of the excellent "Day of the Jackal"] has better esthetics [and a boatload budget], this film nails the actual persona of "Carlos" down...

Quinn excels as the Naval officer enlisted to impersonate the wiley Jackal to draw him out of hiding and, at the hands of Kingsley and Sutherland, turns himself inside out to do so. Risking his family, his career and all that he believes in, he takes on the task, albeit utterly unwillingly.

To say more would spoil it... this is an excellent film.

3 1/2 Niro~Stars [of 4]


Okay so I love Aidan Quinn's acting even with a bad script. This is not the case in The Assignment. As other viewers have said, this was a movie I stumbled upon on cable and got so into it I didn't want it to end. Take one Cuban American Navy Ofc.(Quinn)who is an upright, uptight soldier and family man. Add a crazed agent(Donald Sutherland) who is looking for the worlds most notorious terrorist and add a Ben Kingsley and you have "The Assignment". Sutherland is a witness of the most notorious terrorist Carlos actions in a cafe on a lovely day where he is so profoundly rocked at this mans evil that his sole reason to live is to get this man as long as he draws breath.

Take one soldier on a pass in Israel who is a dead ringer for this man and is beaten and held by Kingsley until they realize they have a plan. By taking on Carlos by being him, or being forever responsible for never helping rid the world of him, makes for a very heavy assignment and guilt trip. By not helping his country he is bound as a man and his military duty to chose wisely. So the training begins. Lets say Carlos training is right up there with the academy of arts and holocausts. When I say this intense and wonderfully casted,scripted and executed film rates the best, I am not understating it. All three actors could save almost any script..together this is a movie to be seen from frame one to credits. I am not into terrorism or movies about it but I got hooked! Bravo again to Aidan Quinn who for once plays a heavy that could hold up to any actor including Gary Oldman. Thats a compliment. Rent it and get lots of popcorn. Oh did I mention the sex?? It works better than "Last Tango!"and its educational.


This was an excellent movie - fast-paced, well-written and had an intriguing plot. The special effects were innovative, especially in the opening scene. The training segment got a bit silly but overall it was a tense movie.


These were two video shot movies that Troama decided were horrible so in a desperate move turned into this one movie. Perhaps the bitterness on Troama's side helped spark the comedy, but for whatever reason this is very funny stuff with an inspired bit with "Oliver Stone" doing commentary during the movie. Lots of cameos, lots of use of the Lesbian Cannibal HoeDown song add to the fun. Trey Parker, Ted Raimi, Julie Strain etc etc....

One of the best of recent Troama releases. Yes it's all over the place, know that going in, the production quality, or lack of, becomes one of the many running jokes. Go with it and you'll be in for a good time.

The behind the scenes, frequently the best things about Troama releases are also above average this time around. I really think the anger they felt over these two lousy films helped drive them to, well not greatness, but drove them to "fix" this film in a way that's better than either of the films would have been as they were originally planned.


Therefore it is important to talk about the DVD release instead of just the film. Tales from the Crapper is a film that only one studio in the world could deliver. The one that has brought us innovative and original REAL independent films for 30 plus years now: Troma. This is truly a very special film because it manages to be certainly not my favorite of the Troma-productions, but released on a disc that because of what I just said is one of my most valued and favorite DVD's. Not only counting the countless Troma discs I own, but counting my entire collection of films. The film itself is the result of an ill fated plan to produce a television series to be directed by a director who was trusted with a substantial amount of money (especially for Troma) to make something wonderful and delivered a lot of unfinished and incomprehensible material before quitting (or being fired, I am not sure which at this moment). In order to prevent having to shove a vast investment down the toilet Lloyd Kaufman and Michael Herz decided to get together a team of directors and actors and use the material as the backbone of one movie. One movie that really consists of two, in the nice old Tales From The Crypt anthology fashion, hosted by the Crapkeeper played by Mr Kaufman himself. But, as I said, not quite my own favorite of all their movies. That is greatly due to a weird sense of discipline at the various sets, forgetting about the hard Troma rule of "no booze on the set" which was discovered by a furious Lloyd and other less respectable employees that Troma had at the time of the filming of the added scenes. All this made it all but impossible for Mr Kaufman to make a worthwhile product in the editing room. But Lloyd Kaufman is a genius, and with the troubled added scenes to an already misshapen start-product he crafted not much less of a masterpiece. The film itself is as good as circumstances would allow the most brilliant filmmaker to slice together and it is certainly highly entertaining, totally confusing, loaded with those elements that made Troma great and certainly unique and one of a kind. As a film itself, though, not as brilliant as many other Troma productions. The genius of Independent Cinema however made the DVD of this film so much more than a release of a film with some extra's. The film is, when push comes to shove, actually only a part of the entire DVD that in its whole is a document of the difficult situation serious filmmakers find themselves in having to survive in a world that is monopolized by the few Very Big Ones who don't really allow any other players on their market turf. A document of the problems one has when trusting people to be on the level, only to find out that freedom sometimes is something that is hard to live up to and realization that access to a Movie Budget when the Boss is not around can corrupt even those who should really know better. The brilliance of this DVD is that the film is not perfect, and that Lloyd KNOWS it, and doesn't want to make anyone think he believes it is. The full-length commentary is a show in itself (as is often the case with Mr. Kaufan's audio commentaries), mixing humor, sneers at those who deserve it and highly interesting information for anyone interested in Independent Film-making in such a fashion that watching the film again with this commentary straight after viewing it on its own merits is so interesting it is hard to stop. The feature-length documentary THE THICK BROWN LINE takes us behind the scenes at the various locations where Lloyd visits the sets only to sometimes take over and make the most of what he finds there. We see him somewhat disillusioned sometimes, different from his appearances in other Making Of Documents such as Fart of Darkness and Apocalypse Soon, both to be found in the must-own MAKE YOUR OWN DAMN MOVIE box set.

The added scenes with James Gunn (who started his career at Troma only to find success as a writer an now a director in Hollywood) and Trey Parker (again someone to start out with a Troma-released work, to later be a national hero with his South Park series) are entertaining and probably (as is much else on this release) a reason for obtaining this disc alone for anyone remotely interested in the work of these two characters. Loaded with much more than I could mention here (including a SECOND audio-commentary) this is one of the best Troma-DVD-releases.


After watching this film I experienced a new sensation. I had watched a film in which the lead actor had put in a performance that almost rivaled the legend Chevy Chase in 'Fletch'. This isn't to say that the performances are comparable, but both give practically flawless delivery of their lines. That actor is Marc Singer! Singer is Jack Ford, the 'Droid Gunner' of the title, grinding out a living collecting the bounty on androids.There are some mutants, topless pleasure droids(!), a Scandinavian smuggler, and possibly a half-hearted attempt to make a statement on class or maybe even globalization or......... well it doesn't really matter. What matters about this film is the dry manner in which Singer delivers his lines resulting in side-splitting humour! What matters about this film is that director Fred Olen Ray seems to realize that serious sci-fi very rarely works, and when your budget is skimpy it is best not to take yourself to seriously. Olen Ray has said that everyone involved in this film had great fun and this transfers onto the film.I dare you to criticize a film that allows itself to portray futuristic Earth as eternally dark and neon-lit and then ends in a 'pipes and valves' warehouse. Self parody is a very redeeming quality. To summarise, Fred Olen Ray is an ambassador for independent film making and Marc Singer the perfect B-movie lead.If only Olen Ray could draft in Tim Thomerson to the equation then we'd have a film on our hands.


me and a coupla friends form university - alberto lopez, dave hall, celina alcock (we graduated from uea, norwich, uk in 1997) still get together and watch b-movies once a month.

We are consummate experts in the art of bad movie-making, and this film was quickly placed in the top 10 of awful/brilliant movies.

so if you've just got the beers and weed in, and need a film to laugh like a drain at, DROID GUNNER aka PHOENIX 2 is the film for you! Marc Singer is totally aware he's in a turkey of a film here, and milks it for everything he can! Matthius Hues is sublime in his wooden acting and musclebound moronity (is that a word??) as he grunts "But I want my 20 thousand!" Pure Shlock Gold! If you liked this, also see: TRANCERS, THE RUNESTONE, DOLLMAN and anything by Charles Band or Fred Olen Ray.....(but be warned: some of their films are completely and utterly without merit and you'll be screaming for those lost hours of your life!!!?!).


I watched this show until my puberty but still I found it to reflex many situations that worry us when we're teenagers although it was a family oriented show. Until the mid 90's it focused more on the young adults and their situations.

That's why I loved "Step By Step". I mean, it offered situations for every age and unlike many shows of it's kind, it delivered expectations.

Let's be honest; this wasn't an extremely funny show, no, but it had some situations that you could feel related to but only funnier.

There was an extremely good charm between Patrick Duffy and Susan Sommers. Duffy rocked! Sommers was tender and actually funny. I was in love with Stacy Keegan because she was extremely sexy (loved her legs) and witty. But Sasha Mitchell stole the show with his Cody character. He was the man back in the day! Oh, the memories. Nowadays, this show wasn't been able to adequate correctly on the new generations and that's why it should be kept in the vault of memories. That's it, only memories.

Thank you Step By Step for making my puberty funnier.


"STEP BY STEP," is my opinion, is a pure ABC hit! I can't recall every episode, but I still enjoyed it. It's hard to say which episode was my favorite. However, I think it was always funny when a mishap occurred at school. I always laugh at that. As a matter of fact, I think just about every single one of J.T. (Brandon Call) and Cody's (Sasha Mitchell) lines were funny. It would have been nice if Penny (Patrika Darbo) had stayed on the show throughout its entire run. Everyone always gave a good performance, the production design was spectacular, the costumes were well-designed, and the writing was always very strong. In conclusion, I hope it never stops airing in syndication.


i like full house and step by step the same. i don't have a favorite episode i just like certain scenes. but some scenes i don't like but i haft to say the reason i started watching this show is because it had Suzanne Summers in it. and my most favorite character was Dana. and Karen could be a snob sometimes, but she was good character also. i just like to watch family shows instead of trash that has a lot of drugs and violence. this show is a lot like other family shows where one of the parents are always strict about curfews and dates. other than step by step, my other favorite shows are full house, Sabrina the teenage witch, gomer pyle usmc, the andy griffith show, and dukes of hazzard.


Out of all the Bat-films, Batman Returns is my favorite. This beautiful, dark, and funny film is one of Tim Burton's best work. Although it is much violent and darker, this is the Batman that creator Bob Kane envisioned many years ago. Michael Keaton reprises his role as the avenger of Gotham City. This time he's up against two deadly foes, Danny Devito's Penguin and Michelle Pfeiffer's Catwoman. With a great cast and film score by Danny Elfman, the movie takes us on an adventure as Batman battles the evil forces that are trying to take over Gotham City. Christopher Walken makes a great appearance as Max Shrek, a shrewd businessman who has an evil scheme up his sleeve. But of course, Michelle Pfeiffer is the one that steals the show. With all of these components, you have a film that will blow you away. This is the reason why you go to the movies. It's got everything. It's really a shame that Tim Burton didn't get to direct the other sequels. If so I think the franchise would still be going strong today. Batman Returns is an awesome experience for fans that like cool movies.


And a perfect film to watch during the holiday season as the winter/Xmas atmosphere that Burton creates for Gotham City is way cool. It's weird that Warner decided to release this as a summer film. It doesn't fit.

But what's even weirder, when you consider the content of this film, is that it was aimed at families. An upper-class family throws their mutant baby down the sewer, a socio phobic billionaire dresses up in leather as a flying rodent, a lonely secretary dresses up in leather as a feline and a freak runs for political office. And S&M and bondage are presented in a very perverted way. But Burton got away with it. His visual style in this film is at it's best.

This and Batman: Dead End are the only true live-action incarnations of the comic-book character. True, the animated series was the closest to the source material, but compared with Batman Forever and the un-nameable one after that, Batman Returns is the best of the four.

Darker and more violent than the first movie, the sense of Gothic pathos reaches a new high. I was quite keen on Michael Keaton as Bruce Wayne (don't even get me started on George Clooney!), he displayed the right balance of weirdo loner and cool crime fighter. Michelle Pfieffer is great as Catwoman (much sexier and more 'realisticly' cat-like), she wears that leather outfit better than Halle Berry. And Danny DeVito was so convincing as the Penguin that his scenes became disturbing to watch. And Christopher Walken is brilliant as the spooky Max Shreck (if you think you recognise Chip Shrek it's none other than a very young Leatherface/Butterfinger).

Danny Elfman's score is also even better than it was first time round. His powerful and engaging themes are way better than the dross that followed in the later 2 Schumacher movies. This movie is the Batman phenomenon at its Zenith. Forget the following sequels and stick to the animated series after this. Let's hope that Christopher Nolan and Christian Bale can bring some integrity back to the live action Batman with their movie next year.

This DVD was one of the first ever DVDs released by Warner (almost 7 years ago!!!) and as a result there are NO features and the case is a snapper. Pick it up cheap like I did and hope for an SE in the future.


Ah, Batman Returns, is it possible to have a sequel to be almost as good as the original? With Batman Returns, it came pretty close! We have terrific actors and a great plot with the dark knight and two new villains, Catwoman and The Penguin. We have Michael Keaton back as Batman and he's still awesome than ever. Michelle Pfieffer, the perfect choice for Catwoman and was perfectly cast into place. As much as I love and is such an incredible actress Annette Benning, she couldn't have been Catwoman, she doesn't really have the look. Danny DeVito, who could have imagined him as The Penguin? He was just great and terrifying!

Batman returns with a more loving community of Gotham City, they are celebrating Christmas time with, Max Shrek played by a creepy Christopher Walken. The perfect villain who mistreats his lovely secretary, Selina who happens to hear too much at his office causing him to push her out the window in hopes that she dies and will never reveal the information of knowing the Penguin and the attempt to make him loved in Gotham. When she survives and is awakened by cats, she wants revenge and is ready to go at it with her cats! But there is also another active villain, The Penguin who is in search of his parents that abandoned him and now he is looking to be the new mayor of Gotham City! Can Batman be able to stop both super villains from creating their hanous acts and stop the mayor from destroying the city as well?

You'll have to see! Batman Returns is just as good as the original Batman, despite the first one remaining the true classic, this one still takes you for a ride. And come on, I mean we've got Michelle in leather! Her classic moment of just meeting Batman and The Penguin "Meow" is classic! There are memorable characters, lines, and sets! You'll have a blast! Trust me!

9/10


Many of us find art agreeable only when the masterpiece itself touches something deep inside us. That is, the completed creation can only be accepted and appreciated if we can somehow personally relate to it. It was winter, here in Australia 1992 when I had seen Batman Returns at the cinemas and it blew me away. Both "me's". I was supposed to belong to an ideal, a standard, but at the same time I was living another life. Tim Burton was the first film maker to say its OK for a comic movie to be dark and to confess that darkness can happen to us all. After Tim Burton's Batman interpretations, many other dark comic book heroes and anti-heroes flooded the cinemas. Comic book folklore for decades had told of friendly, likable heroes with dashingly handsome smiles and magical superpowers who fly in the sky, and spun powerful webs from their wrists and wore red boots and had the strength of a locomotive. But what happens when you are only ten years old and you see your parents coldly executed in front of your very eyes? You snap. Somewhere in your psyche,your young tender psychological make up breaks apart. The only way such pain and hurt can be managed is to create an alternate persona.You make a promise. Your other self will be stronger, harness all the anger all the rage to use whatever means available to avenge the innocence of your parents onto that criminal, those criminals, any criminal. This is life seen through Bruce Wayne's eyes. Both pairs. The world he sees is dark, gloomy, and cold. Although he patrols the streets and people hear him cruise by, they don't rush out to get his autograph. He is their Saviour, not the winner of a personality contest. Batman Returns is about losers. Batman, for yet another Christmas, remains "the only lonely man beast in town". Bruce Wayne never gets to lawfully arrest the vile Max Shreck. The Penguin never gets to unleash his pain of being discarded by his parents onto the citizens of Gotham, and Selina Kyle is forever lost to being mentally fragmented and traumatized. And the hero doesn't get the girl- or cat.This movie delves into the desire in all of us to want so desperately to belong, to have a home, as expressed by Bruce Wayne and Oswald Cobblepot.The film brings out a need in all of us to be heard, respected and not ignored as desired by Selina Kyle , Oswald and of course Bruce Wayne. But sometimes we are all suppressed in one way or another, we are told to be an ideal, to behave to a certain standard. That is until we finally snap. Only hope remains at the end of the movie as we see Catwoman rise towards the night sky. But come what may we all must wish good will towards all men and women. As for me , I cant say that I will reach a point where I will believe my problem with duality will be reconciled. But thats OK. We all have a dark side. Batman Returns is not only the best of the Batman films ,it is truly a stand out exceptionally fine masterpiece of storytelling.


I don't know why critics cal it bizarre and macabre. I really don't. Dark -yes, bizarre - no. It i s sad and with lots of emotions, specially with the Pinguin's story. They say it has elements of S&M but I really don't find anything of that sort except for Catwoman's whip.

This movie is deeper than its genre and villains aren't just some crazy freaks dressed like on a masquerade. They have strong motives with strong feelings involved. Catwoman (a great performance by Michelle Pfeifer!) isn't just a sexy chick who likes steeling jewels - she's on her personal crusade and Pinguin... well, by the end of the movie you really feel sorry for him (strong performance by Danny DeVito). Again, I think Michael Keaton is the best Batman and he carries his costume well.

You can totally see that it is a Tim Burton movie, because he has an unusual style and is a very talented guy. But also the music is fantastic and fits the emotions.


Tim Burton the man behind the original Batman film and Beetlejuice, brings the world the sequel to Batman, that exceeds the original in more ways than one. Firstly Michelle Pfeiffer and Danny De Vito are a great mix of Batmans enemies. The dark, deadly and sexy Catwoman works well to rattle some heads within the story and penguin works in the same way that the joker worked in the original. The sets are stunning and immaculate. Gotham city has so many dark alleyways that you could never know what's happening at one time or another. The only thing that gives it a bad name is its script, which at times seems to lapse and then not recover for while. Tim Burtons direction bring superhero films into a new realm. Beats all the superman films and the other Batman films by a mile. Though in terms of realisation the new Batman begins has a bite where this one lacks, but Burton is a more original director than Nolan.


I really wanted to be able to give this film a 10. I've long thought it was my favorite of the four modern live-action Batman films to date (and maybe it still will be--I have yet to watch the Schumacher films again). I'm also starting to become concerned about whether I'm somehow subconsciously being contrarian. You see, I always liked the Schumacher films. As far as I can remember, they were either 9s or 10s to me. But the conventional wisdom is that the two Tim Burton directed films are far superior. I had serious problems with the first Burton Batman this time around--I ended up giving it a 7--and apologize as I might, I just couldn't help feel that Batman Returns just has too many small direction, plot and script problems scattered throughout to justify a 10.

But Burton _almost_ trumps the problems with sheer force of style, and even though there are a lot of small flaws, Batman Returns is still a great film, especially if you're a Burton fan, as Batman Returns has just as much in common with The Nightmare Before Christmas (1993) and Edward Scissorhands (1990) as it does with anything else in the Batman universe.

The film begins strongly, with the Cobblepots having a baby. We see their dismay--people walk out of the birthing room with horror on their faces, ready to vomit. Later, they have the baby in a small cage. Finally they take it out for an evening stroll and dump it in the Gotham City River. The baby ends up becoming Batman villain The Penguin (Danny DeVito).

Meanwhile, Max Shreck (Christopher Walken) is the film's "evil capitalist", comparable to Grissom (Jack Palance) in Batman. He is planning on duping Gotham City in various ways, and we see him emotionally abusing his secretary, the timid Selina Kyle (Michelle Pfeiffer). When Kyle discovers one of the nefarious plots, Grissom tries to get rid of her, but she is rescued by cats, becoming Catwoman.

While all of this is going on, The Penguin, who has long been only rumored to exist and who is thought to be dangerous, begins a scheme to be presented to the public as a good guy, despite having less than benevolent, ulterior motives.

Before re-watching Burton's Batman films this time, I didn't remember just how little the films are about Batman (Michael Keaton). It's almost as if Burton didn't feel the character was interesting enough to focus on. The focus here is much more on the villains, especially The Penguin. Batman doesn't appear very often, especially in the beginning of the film, and surprisingly often, we're watching him watching The Penguin.

Although some viewers necessarily count the above as a flaw, I can't say that I do, even if I'd like to know more about Batman and follow his story more. The villains' stories are interesting, too, and as an "origin story" for two major Batman villains, Batman Returns is already more than complex in terms of plot.

However, there are some character problems that I do count as a flaw. The Penguin has a cadre of circus performers who do his bidding, but even though they're frequently on screen, we never get to learn anything about them. Burton has a core of characters as intriguing as those in Tod Browning's Freaks (1932) available, with actors as interesting as Vincent Schiavelli, but he just doesn't have the space to use them.

For that matter, he hardly has space to explore Catwoman. The film plays as if Catwoman may have been as developed and featured in as many scenes as The Penguin, but that cut of the film would have been 4 hours long. So the bulk of the Catwoman scenes had to be excised. Of course, all of this barely leaves any room for Batman. Burton has Batman turn very dark in the public's eye in this film, and unusually, he never bothers to resolve this. As far as we know, at the end, Gothamites still think that Batman is a murdering lunatic. That's an interesting development, but unfortunately it ended up being dropped between this film and the next.

As for the script, although there are minor problems including some non-sequiturs and bizarre decisions (in terms of logic) made by characters, it's clear that Burton and writers Sam Hamm and Daniel Waters are not exactly trying to tell a traditional story. A lot of the dialogue is pun-oriented, but often this is fairly subtle and/or complex (of course, sometimes it is very blatant or transparent, too). It helps to look at Batman Returns as a more "poetic" film, as I believe was the intention. This also carries over into more general plot and directorial decisions--plenty of odd character actions, including from minor characters, are done in service of a general mood or style, and that style works very well.

"Dark" is the easiest way to sum up Batman Returns in a word, and whether that's a positive or negative depends on your disposition. Anyone who knows me knows that I love dark. So for me, Burton's style largely transcends the flaws in the plot and the script. In many ways, Batman Returns is like an insane, campy horror film, with beautifully eerie production design. Like Batman, Burton is still making many references to other films, but instead of Vertigo (1958) and Star Wars (1977) (well, there's still a slight Star Wars reference), he invokes films like Nosferatu (1922) (including that "Max Schreck" was the name of the actor who played the Dracula-like character there), Motel Hell (1980), the aforementioned Freaks, Willy Wonka and the Chocolate Factory (1971) (which has a surreal, dark edge to it) and zombie films--made most explicit in The Penguin's final scene.

In terms of visuals and general atmosphere--and that includes the general "feel" of the story, the characters and so on--this couldn't be a stronger 10.


Batman Returns is a really dark movie, that shows the Caped Crusader fighting against the Penguin and the sexy Catwoman (I'll get to them later). Michael Keaton acts well as Bruce Wayne, showing he is a good actor. Tim BUrton directs this picture well, and the locations of the movie are impressive. The villains: Danny deVito is menacing as the Penguin. A cruel, yet disturbed man, that had a really hard childhood. But, Michelle Pfeiffer steals the picture. She is the BEST Catwoman ever! She is threatening, and extremely sexy. There's a scene where she kisses Batman the cat way that just heats the movie up. The action scenes are good too, and the ending is dramatic and tragic, probably the best ending of a Batman movie. Tim Burton shows he can manage a Batman movie really well (he already demonstrated this with the first Batman) and also gives Batman a darker nature. So much like him.


It's been said that Batman Begins in the first Batman movie to "get it right" but I think that's a horrible overstatement, for I think the new Batman film, although greater that Batman Forever and Batman and Robin, pales compared to Tim Burton's classics, with this one being the best of the five. The darkness is beautiful, as is the music and scenery, creating a Gotham City cloaked in mystery, unlike Batman Begins, where Gotham City is a normal-looking city. The villains are terrific in this movie. You literally can't take your eyes off of the penguin and cat woman. I applaud Tim Burton for being original with his use of the penguin as a freak, rather than an ordinary criminal or a clone of the old Batman TV show. In Batman Begins we have the scarecrow, whose not nearly as demanding on screen as the penguin or cat woman. The film doesn't need to focus only on Batman, because we already know his story, and it is the villains who we are exploring and trying to figure out, and they are the ones who create the plot, with the penguin running for mayor and seeking revenge for his parents' desertion by killing the first born sons of Gotham, a task he fails. Danny Devito gives the finest performance ever by a superhero villain in any film, surpassing even Nicholson's joker. The closing scene where the penguins drag the dead body of the penguin into the water is touching and powerful. It's a tragedy that Tim Burton wasn't allowed to complete his trilogy, since Warner Bros., interesting in marketing appeal, wanted to "lighten" the Batman movies up. And they got their wish...unfortunately. Tim Burton planned on directing the third film, using the Riddler as the villain, with no Two-Face and Robin to mess it up, and I'm sure Michael Keaton would've signed on. So this is the last great Batman Film. Batman Begins is dark, but boring, tedious, ordinary, filled with lackluster villains, and a playboy Bruce Wayne. A decent Batman film, but the best Batman film ever? Never. Batman Returns holds that crown.


Batman Returns is to be considered quality when one speaks of superhero films. Its predecessor, Batman, in my opinion, is by far the greatest and most well thought out of the comic book genre. For one to say that Batman Returns was disappointing, he or she has not fully watched the movie and considered the acting of Danny Devito as the Penguin. Devito and Walken offer some memorable moments. The tale of Batman is suppose to be dark and Tim Burton has fulfilled how the comic portrays Batman. Batman Returns provides comic relief, action, suspense and fantasy; and it should not be viewed as 'crap', although we are all entitled to our own opinions.


This sequel proves that Tim Burton was for all intents and purposes THE best choice to ever direct a Batman movie. The story focuses on Baman taking on three enemies: The Penguin (wonderfully played by Danny DeVito) Catwoman (the slinky Michelle Pfeiffer) and Max Shreck (the superb Christopher Walken).

Perhaps the best entry in the series, it has it all: complex themes, complex characters and a dark tone that truly stands out. The cast is simply wonderful although the obvious stand-out is DeVito as the multi-layered Penguin. Here is a guy who is evil, pitiable, funny and perhaps most importantly, scary. The infamous scene with Shreck's image consultants still sends shivers up my spine. In other words, the cast is simply a joy to watch and all turn in first rate performances.

I do not hesitate to say that "Batman Returns" is my favorite of all the Batmans released (sorry, Dark Knight fans). If you want a superhero film that has a little more to offer besides flashy effects and big scale action, then please check out this badly underrated film.

If nothing else, it's at least the best film Tim Burton has ever made.


So what is 'Batman Returns', anyway?

It was marketed as an action film, and many people who've seen it seem to think that they've watched an action film - but really, there isn't that much action, and Tim Burton barely seems interested in it.

People often align it with the 'grittier' superhero comics of the late eighties, but honestly, if you've read 'The Dark Knight Returns', that seems just a little absurd; Burton's excessive imaginings have more in common with the day-glo sixties TV series (the Penguin drives around in a giant plastic duck, for goodness' sake).

Burton's style is often described as Gothic, and that's a little closer to what we see on screen; the Penguin - deformed, malign, with a tangled history and a subterranean lair - is a Gothic menace dressed up in more respectable Dickensian clothes - Udolfo masquerading as Uriah Heep.

But what of Catwoman? She may be raised from the dead, but that PVC catsuit is decidedly Twentieth Century, and her alter ego Selina Kyle's world is all boardrooms and apartments - reminiscent of a 1930s romantic comedy.

And then it clicks. The smart but downtrodden secretary romanced by a lonely millionaire? The ensuing complications caused by deception and disguise? 'Batman Returns' is, quite clearly, a romantic comedy in the old Hollywood style, filtered through Burton's S&M dungeon sensibilities. It has more in common with 'The Hudsucker Proxy' (including expressionist sets) than it does with other superhero films.

Like many a romantic comedy, it centres around the make-over of the heroine; not from ugly duckling to swan, but from doormat to dominatrix. Michelle Pfeiffer gives one of the performances of her (often remarkable) career; she's iconically sexy as Catwoman (poor Halle Berry never had a prayer), playful and vindictive, memorable because she knows how to act with her whole body. In retrospect, though, it's her scenes as Selina that impress; almost every one of them is a little comic gem, particularly the glimpse we get of her lonely home life. It's a delicately balanced tragicomic performance, and it's in these scenes that the film really sparks to life. Nothing moves me quite like Selina and Bruce Wayne dancing under the mistletoe to Siouxsie and the Banshees, a gun held between them, simultaneously empowered and trapped by their alter egos, doomed to conflict. Forget the easy sentimentality of 'Big Fish' or the gossamer emotions of 'Edward Scissorhands' - this is the most heartfelt scene in all of Burton's films. Love, revenge, fatalism, fetishism, insanity, self-loathing and not a little wit, all in a few short lines and absolutely nailed by the actors - particularly Pfeiffer.

Elsewhere, Danny de Vito almost matches her, finding the wounded dignity buried beneath those truly repellent long-johns. The upper-crust villain of the comics is revealed to be nothing more than a sham; Burton's Penguin is a feral creature subjected to his own, Eliza Doolittle-style make-over (almost literally an 'ugly duckling'). It's Burton's most radical - and funniest - reinvention. Christopher Walken's Max Schreck completes a perfect triptych of villains, sliding between casual charm and blank-eyed psychosis with unnerving ease (and is it just me, or does his company's logo bring to mind Mickey Mouse? Perhaps we should ask former Disney animator Burton).

Christopher Nolan's 'Batman Begins' - a real action film - has been much praised as the first film to do justice to Batman; I admire Nolan's film, but it would be a pity if it were allowed to overshadow this idiosyncratic gem.


forget the over-rated "Batman Begins, THIS is the ultimate Batman movie that you are not gonna want to miss out on. this movie has everything, and it totally surpasses the first 1989 mega hit. it may not have done as well as the first one in at the box office, but this is certainly a much better film. the visuals are amazing, Burton works his magic as he always does in his films once again. Gotham city, Batmans hunting ground, is an amazing sight to behold. the story itself is actually quite good and the 2 villains in this one are VERY interesting, much more interesting in fact then there comic book counterparts. Tim Burton and screenplay writer Daniel Walters go a step further to bring you a truly emotional connection with these characters. the Penguin, played to perfection by Danny Devito, is a type of tragic character who was abandoned by his parents at birth and later in life seeks revenge on the world that denied him. very disgusting to watch at times, but he has some of the most classic lines a villain could ever utter in a single film. the other villain is Catwoman, played so absolutely brilliantly by Michelle Pfieffer, one of the most beautiful actresses of our time and gives a WOW performance, and totally steals the show as far any of the past and present live action batman villain's is concerned. she also has a tragic background. her name is Selina kyle, and she is a very put-upon, mousy secretary for a shrewd business man called Max Shreck, who later murders her by shoving her out a window. somehow, she survives and is "awakened" by cats, and decides right then and there to become the legendary Catwoman, not before, of course, the amazing sequence in which she completely lets loose and wrecks her entire apartment in one of the most Oscar worthy performance's of rage and anger i have ever seen in an actress.

Michael Keaton once again dons the cape and cowl as Batman and also as Bruce Wayne and THIS time hes much darker. there's not much else to say here except that Keaton is simply the best actor to play Batman ever. he just oozes cool, and he has a kind of Clint Eastwood approach to playing Batman, and he is very dark. he doesn't talk a lot, and when he does, he sounds very cool and he doesn't make his voice sound all goofy and fake IE bales "batman" voice in batman begins. he struts around Gotham like a man possessed by his own inner demons. he's pshycologically disturbed, and you know it. in this outing he takes on 2 of the most famous baddies to ever grace the batman comic book world.

i have to say though, despite the awesomeness of the action scenes, like the scenes with the coolest Batmobile EVER racing down the street knocking thugs to the ground and batman gliding across Gotham, its the romantic angle between Pfieffer and Keaton that really makes this movie classic a top choice for anyone who wants to see the REAL Batman in action, i rate this a 10, would give it more if i could.


Why is it better? Because it's true to the dark vision of the comic. Because the imagery is inventive and, unlike the first, there are real moments of fear and pathos in this one. The first one had too much of Jack Nicholson's shtick, too much Prince music, and an awkward "romance." Here, instead of one villain, there are three. No Robert Wuhl, and the leading lady is more than just a pretty face. In fact, Pfeiffer is the #1 attraction of this film. Her transformation is what drives the running theme, teetering on the edge of sanity and insanity, good and evil. She becomes truly fearsome. The costumes and makeup are excellent. Danny DeVito's Penguin is inspired and anguished, not just a nut. His circus gang posse is the one element of comic relief (besides that giant duck). Max Shrek is the only character I'd have toned down, Walken is pretty hammy as the ruthless businessman. Danny Elfman's score is a perfect fit as usual, and the Siouxie and the Banshees song ("Face to Face") is easily the best of any of the songs from any of the films, a perfect match of musical artist and film soundtrack. The least campy of the films, it is macabre, doesn't pander, and demands second and third viewings like an amusement park ride. Bravo Tim Burton and cast!


I always thought the Batman Returns was a great sequel to Batman. The story was an interesting one and Danny Devito, Christopher Walken and Micheal Keaton gave great performances. Plus lets face it, Tim Burton was a genius and did the comic book character more justice than Joel Screwmacher ever did.

Plot: Oswald Cobblepot also know as The Penguin(played By Danny Devito) is abandoned by his parents as child for being deformed. He uses this as an excuse to masquerade a sinister plot to abduct the first born children of Gotham with the help of his goons(Red Triangle Gang) and a very shady tycoon Max Shreck(played by Christopher Walken). Max Shreck later makes Penguin the mayor of Gotham. Selina Kyle(Michelle Pfeiffer) is pushed out of a window by Max Shreck and is revived by cats. Later on she develops cat-like qualities and seeks to destroy Max Shreck and Batman. Her reasons for wanting to destroy the dark knight are not explained.

Opinion: Batman Returns is a classic. It has a darker feel in terms of atmosphere. Tim Burton always had a knack for making grim backgrounds look appealing. Micheal Keaton is still sharp as Batman. Danny Devito steals the show as Oswald Cobblepot/The Penguin. When you think about it, he would have made a better Violator for the movie Spawn than John Leguizamo. Michelle Pfeiffer gave Catwoman more personality than Halle Berry ever could. Max Shreck is one of Christopher Walken's best roles. The main reason why I like Batman Returns is that its fun. Its not only creative but its also fun. Something a lot of big budget movies these days sorely lack. The Batman series goes to the dogs after Tim Burton decided to do no more. You don't believe me, look at Batman Forever and Batman and Robin. Thank god that Christopher Nolan breathed life back into the series with Batman Begins.


I've enjoyed this movie ever since I was a kid and I still do. I also liked Batman forever back then but the real difference is that THIS movie didn't date when I grew up. I did notice a few scenes in this film that didn't make any sense like: 'Hhmm... the crowd is angry. Hey! Where did they get those tomatoes from?' Then I thought: 'who cares? This movie is not 100% serious anyway!'

The original Tim Burton Batman was great as well but it was a bit cheesy at some parts and I didn't like all the actors. This movie improved on almost every aspect with a wonderful cast, a more Gothic style and no involvement of Prince.

Nowadays, many fans of the Christopher Nolan movies dislike Burton claiming that the Nolan movies are more serious and therefore more loyal to the comics. I don't think this is entirely true: -There has never been an adaptation of the original concept of Batman which was a vengeful criminal killer with a gun. -Batman has taken many forms over the years peeking its silliness in the 60's (and a bit with Batman & Robin). A director is free to choose what kind of Batman he's going to portray as long if it's good.

My opinion: Batman doesn't necessarily have to be serious. It's about a man in a rubber suit with pointy ears. Burton managed to create a perfect balance between the silliness and the darkness surrounding the whole idea.

I just recently watched the Nolan movies and I love those ones as well (especially The Dark Knight). There's simply something about this movie that interests me more. Nolan's goal was to give the character much more depth and in doing so, he looked for an explanation of nearly every aspect of Batman. That's a bit too much for me, I'm a bigger fan of the more abstract version of Batman. The Burton movies are more theatrical and centered around the atmosphere.

My conclusion is that you shouldn't compare the Nolan with the Burton movies. They're just different and it's up to you to decide which one you like better. My respect is for both directors.


1992's "Batman Returns" was Tim Burton's second round as director and yet again he scored a hit by making this film again dark and gloomy like his 1989 one. Gotham City again is a place of darkness and gloom with crime and corruption boiling out from every street corner. It was also clever to see how Burton used politics as a subplot that tied in well and neat with the business corruption of businessman Max Shreck(Christopher Walken)and the plan to make the "Penguin"(Danny DeVito) mayor of Gotham! Anyway Keaton again returns as "Batman"/Bruce Wayne and he gives another stellar performance as a strange and torn man who just can't find love in a normal world yet he is challenged when he meets another lonely soul in Selina Kyle only Ms. Kyle has a dark secret of her own one that's very slinky and she's just a downright vamp as the sexy and mysterious yet dangerous "Catwoman"(Michelle Pfeiffer). A plan forms between both villains to destroy Gotham and most of all both want to rid themselves of the bat. Really this film even though violent and somewhat gross with many penguin scenes is clearly an exciting thrill ride from start to finish as you never find a dull moment and thumbs up to Tim again for his exploring of the characters as dark and conflicted it just made the film even more interesting. The performance from Michelle Pfeiffer was the best ever as no one could have played "The Catwoman" any better and Devito was perfect as the "Penguin" his body frame fit the character just perfect his performance even though ghoulish was fun to watch. "Batman Returns" is an entertaining thrill ride that you can't take your eyes off of as a viewer you will enjoy it many times it's that thrilling and explosive.


I remember really liking BATMAN RETURNS when it came out in 1992, but now I think that this is the best of all the Batman movies (even over Christopher Nolan's terrific 2005 BATMAN BEGINS and definitely over the seriously over-hyped overrated 2008 THE DARK KNIGHT!). I originally remember thinking that the 1st BATMAN w/ Jack Nicholson was the best (and I still love it). But I think that this movie really hits the nail on the head. The 4 main characters (Batman, Penguin, Catwoman, and Max Shreck) are all vivid and memorable. You really get to see what Batman/Bruce Wayne is all about in Keaton's terrific characterization. Keaton is the best Batman, not Kilmer, Clooney, or even the up-and-coming Bale, who was exceptional in BB and could have stolen top honors from Keaton had his character not been destroyed by Nolan's hack film-making in TDK !.

Danny DeVito as The Penguin is disturbing, scary, hilarious, and lethal. DeVito is great and doesn't need scenery-chewing to give great performance like Nicholson's Joker. The viewer can actually sympathize with this disfigured outcast and his plight to fit into normal society. I had never really been big fan of Michelle Pfeiffer until this film, but this is definitely my favorite performance of hers. Pfeiffer's Selina Kyle is goofy and odd at first, then when she is transformed into Catwoman, she is simultaneously sexy and scary, a total deadly sexpot! Also, I feel that Keaton and Pfeiffer have more chemistry than Keaton and Basinger from BATMAN; they form a tragic love story. And Christopher Walken as Shreck is, well, as always, Christopher Walken!

BATMAN RETURNS, more so than BATMAN, is more confident and focused. It is assured film-making from beginning to end. The way Burton introduces the Penguin's heartbreaking backstory grabs you from the very beginning. The first 5 minutes are among my favorite beginnings to any film: Danny Elfman's music sets an ominous foreboding tone that defines the rest of the film. It is a modification from the original BATMAN and a great one!

Then flash forward 33 years to the present day Gotham and we are introduced to powerful businessman Shreck who wants to build new power plant in Gotham. During same scene we meet Shreck's meek, bullied, under-confident secretary Selina Kyle. And not long after all this is the film's exciting opening action sequence as Batman must battle The Penguin's Red Triangle Gang, a fun yet lethal group of outcasts and circus performers. Penguin sets plan in motion to attack the Gotham Christmas celebration, kidnap Shreck in the chaos, and force him to help re-introduce him to society. Meanwhile, Selina discovers Shreck's criminal plans and so he "kills" her by shoving her out his high-rise office, then she is revived by cats.

Sound convoluted? Yes, but Burton never claimed to be posing a realistic story. He has created a world where the viewer can accept that things like this can happen, a dark, noirish world comprised of mistreated, deformed outcasts who deep down only want acceptance and to fit in. Confident storytelling if you ask me!

The action scenes are few and far in between, but they are all exciting, entertaining, and nail-biting. They aren't there just for show, the way some in BATMAN are. And they all make sense. The climactic scene with Penguin's "army" marching into the center of Gotham with Batman zoning in on Penguin's hideout and sidekick butler Alfred (Michael Gough in a welcome return from the original!) assisting Batman is succinct, solid, heart-pounding fun!

I also love the Christmastime, wintry setting, which adds to the super-dark, cold feel of Burton's Batman world. I also love the way Burton slowly introduces to us the Batman "toys" without shoving them down our throats. Each "toy" is appropriate for that moment in the film and we are compelled to accept them for their purpose. And although dark, RETURNS is still a funny film. DeVito's Penguin has many funny lines. So does Walken's Shreck. The Batman-Catwoman exchanges are extremely stimulating and humor-filled as well! A great ensemble! All in all, BATMAN RETURNS is a tightly woven tale of the dark forces at play in Tim Burton's fun, comic book world.


As a kid I grew up with the chintzy 60's TV series (and no I'm not that old POW!). However when director Tim Burton brought his novel vision to the silver screen, I simply took an immediate shine to it and never backed away from favoring his installments over the much hyped-latest additions ('Batman Begins' and 'The Dark Knight'), which I don't really care for. Even if they're going for a much more grounded approach and wanting to explore Bruce Wayne/Batman psyche further but in honesty I don't think there's all that much to tap in to. I wanted crazy fun with a dark streak and in my eyes that's what Burton brought across, and this is the reason why I can watch them over and over again.

After wowing audiences with the 1989 'Batman', thanks to the gaudily Gothic art direction and Jack Nicholson take no-prisoners performance of the camped-up, but psychotic Joker. Burton would return 3 years later for the follow up and my favorite of the batman films so far; 'Batman Returns'. Camp, but well-done. In what would fair up to being even more expansive, louder, dreary, and nihilistic and having two villainous foes for the price of one. Enter the grotesque Penguin (with Danny DeVito magnificently going out on a limb) and the ravishing Catwoman (a steamy Michelle Pfeiffer who fills out the suit nicely) coming to spoil Gotham's party. Again Batman (an aptly brooding Michael Keaton is equally commendable and looks quite imposing in that bat suit look at the eyes) plays second fiddle to the bad guys, but I always preferred this sober interpretation of Batman that gave him an ominously gloomy mystique, but also a wearing psychological complexity that never felt the need to force feed. And his turn of Bruce Wayne was well served too. Burton's illustratively atmospheric direction opens with his sleek Gothic style engraving an carnival comic book world filtered in with a splendid range of characters and vivid costumes. The moody narrative (in what probably is a tad too long) is more so symbolic in its progression, rather show-piecing its spontaneously arresting and extravagant set-pieces and sharply etched art direction covered with shadowy tinges and grey/blue neon lighting of a wintry backdrop. The magnetically free-flowing camera-work takes flight and Danny Elfman's stately spacious score balances the playfulness along with gloomy touches with a very hypnotic pull. The rest of the performances might be overshadowed, but Christopher Walken digs in his teeth into a smarmily glassy role of a two-faced businessman Max Shreck. Pat Hingle is back, but gets very little to do as Commissioner James Gordon and Michael Gough is delightful as Alfred. In solid support are Michael Murphy, Andrew Bryniarski, Vincent Schiavelli, Doug Jones and Peter Rubens also makes a cameo appearance.


Batman Returns It is my opinion that the first Batman of the Batman series was only half the movie that Batman Returns is. In the first Batman by Tim Burton we had only Batman and The Joker both played wonderfully by Michael Keaton and Jack Nicholson.

In Batman Returns we have what I feel is the most perfectly cast Batman movie (yes even better then Dark Knight). Keaton returns as Batman and is perfect in the role never going to far over top with the character of Batman, which is perfect in this film when it comes to the two villains that he's up against. First you have Danny DeVito who is delightfully insane as the Penguin. Then you have Michelle Pfeiffer as Cat-Woman, who I dare to say is one of the most interesting and complex villains in the Batman movies. I feel this way about Pfeiffer because of the way she becomes the Cat-Woman she starts off as the rather pathetic mousy Selena Kyle and then truly dives into the dark side of her mind and what you get is a brilliant performance of a woman who goes from trying to be a hero to a villain and then I suppose back to a hero in the end. Also in this amazing cast you have the evil businessman Max Schreck played by the amazing and legendary Christopher Walken. While in a supporting role there's something about this role that I love and maybe it's the look of Schreck in the film that makes his performance all the better then it already is.

Story wise I have to say that Batman Returns has so much more going on this time around as opposed to the first Batman. Part of the reason I loved this story so much is the fact that Burton dared to go in a much more darker and twisted direction as opposed to Nicholson's over the top antics. You have the story on the Penguin and how he tries to deceive the people of Gotham into making him the new hero and mayor of the city. Then you have Cat-Woman and her struggle to decide just who she really is and what she should do with her new persona. When it comes to Batman I feel that in this one he's more the ring leader that holds the two stories together but of course kicking ass at the same time.

Cinematography was the film is dark and atmospheric just like the story that's taking place within it. Gotham City never looked as good as it does on Blu-Ray and HD so if you have the chance to see it this way then by all means do because it truly adds to the overall experience of Batman Returns.

So all in I truly feel that of all the Batman movies Batman Returns believe it or not tops the Dark Knight for me because while I enjoyed that movie for Heath Ledger's amazing performance as the Joker I felt that the movie was lacking something. Batman Returns lacks nothing, so if you want to see an amazing film with what I feel is a perfect cast then this is the Batman to light the Bat signal for.


When I first rented Batman Returns, I immediately thought it was going to be less than exceptional. I mean, Jack Nicholson was undoubtedly the best part of the first, so without him, how could there be a good movie? Simple, throw in Danny DeVito.

Batman Returns is an arguably more dark movie than Batman. There are more villains here, less actual dark comedy in a lot of aspects, and more nerve-striking issues. However, the music is similar to the first if not darker. The scenery is definitely more depressing than the first, every detail right down to the time of year. This movie follows the same comic-style format we came to love in the first Batman.

Now for the performances. Michael Keaton thankfully returns as Batman/Bruce Wayne. He was great in the first movie, and just as much in this sequel. There was not enough screen time in the world for Keaton as Batman, need MORE! Danny DeVito gave an award-winning performance as The Penguin, the most grueling, disgusting, lovable, angry, evil, sad, pathetic villain ever to grace a superhero movie. You hate him so much yet feel so bad for him at the same time. And it explains him down to the last detail too, making it all the more conflicting. Michelle Pfeiffer was excellent as Catwoman/Selina Kyle. Two completely different personalities in one. She actually got a good amount of back story as well. Christopher Walken didn't disappoint as Max Shreck, the greedy, judgmental, selfish CEO of the power company. Michael Gough also thankfully returns as the lovable Alfred, and he was just as good here as well. Pat Hingle also returns as Gordon, although I feel he was really never in the spotlight.

With lots of great twists and sub-plots, Batman Returns is sure to please any fan of the original.

9/10


First off, this film has no story. It's obvious there were a lot of rewrites during production -- sometimes characters reference a timeline that is impossible, and this is probably because the timeline of the entire story was never known to anyone on the set.

That said, the film is kinda brilliant. Pfeiffer is amazing -- and I mean amazing, as Catwoman; she nails the character's inherent sexy darkness and good/bad tendencies. Walken is Walken -- but even more nasty than usual. Devito is not true to the comic book when it comes to Penguin, but he is good and memorable.

Keaton is underrated as Batman.

And the music and style are pure cinema thrill. True, the 3rd act doesn't work. But the final 2 scenes are knockouts, and it's clear Pfeiffer and Keaton were meant to be in a trilogy that got derailed by this film's kinky darkness. That's too bad, because Pfieffer and Keaton had classic chemistry, and had they acted in a third installment, Joel you know who might not have gotten the chance to destroy Batman for an entire generation of movie fans.


The best Batman movie of the 90's no doubt about it. This movie takes place in a city filled with insecurity and nightmares.

Although the villains are somewhat cheesy, they fit perfect for the movie's tone of colorful but nightmarish cinematography.

The performances are really great and the comic tone behind them really delivers expectations.

Don't get fooled by the cheesy outfits, this is a movie in the pure style of Burton. That can't be described; Burton is a sui generis director that took the Batman franchise to another obscure level but not forgetting about it's comic style past.

Recommended for fans of action cinema and best of all, if it deals with super heroes.


what can i say, this film is amazing. it has its flaws like every film does for example wobbly headstones in a graveyard, a clearly visible slide board during the penguins death scene, Max Shreck losing his heavy coat in a split second between shots during the image consultancy scene, batman losing his black eye makeup all of a sudden between shots so he can reveal Bruce Wayne to Catwoman, dialogue being recorded but is played back and spoken differently than when it was spoken in the first place and lastly Catwoman all of a sudden knows how to use a bull whip without any training whatsoever. these flaws are minor compared to some you would see in for example batman forever where the riddler can obviously be seen waiting for his cue or val Kilmer's hair changing between shots.

what makes this film so deserving of an 8/10 is the great acting because the performances are absolutely amazing. Michael Keaton reprises his role as Batman and has a lot more to do in this film. He looks more comfortable in the role the second time around and is on par with the villains performances. Danny Devito is the perfect penguin. I really like the conversion of the penguin into the grotesque penguin man instead of the non threatening character from the comics or TV show because now the character has more depth and has a far more interesting story that generates from the basic need of family and to feel accepted and wanted. this gives us an evil character who we feel sympathy for because he was rejected for being what he is which is not his fault. Michelle Pfeiffer is excellent as Catwoman. she is sleet and sexy and she is also a villain we can feel sorry for because of the way she is victimised. Christopher Walken is a great secondary villain and is so interesting a character even though he is not even in the batman universe.

the soundtrack is far better than the first and Danny Elfman gets more of a chance to show off his musical talents this time around. The sets are amazing. They are detailed, eye catching, sinister, Gothic , unique, dark and so many other adjectives can describe how amazing they look. the costumes and make up are great and obviously a lot of work went into making them and all the work pays off because the Batsuit is better, the cat suit is amazing to look at and the penguin make up and effects are so convincing.The animatronic penguins look really realistic and are played to good effect. The script is really good and the Storyline in my opinion is a plausible one. overall, because of all these factors this film deserves an 8/10 and stands as my favourite of all the batman films


Tim Burton is in essence an expressionist film-maker, disinterested in dimensions of character and obsessed with Gothic scope, opting for style over substance incessantly throughout his career. However, with his style being so poignantly endearing, I, like many moviegoers, forgive all the countless flaws that can be found in many of his movies and become engrossed in what are essentially, one hundred million dollar art films.

It's almost embarrassing for me to see a poetic, emotionally involving spirit within the second installment of a mediocre franchise, especially when that franchises target audience are half-witted 15 year old boys. Batman Returns should have been every bit as commercial as its predecessor, ensuring box office draw and cheap (in actual fact, very expensive) thrills, being entertaining without ever truly involving its audience. Had this been the result, then Tim Burton would have surely been required to direct a third installment. Instead, Burton delivers something that can only truly be defined by the phrase, 'out there'.

From the melancholy opening in which a high society couple throw a prison-like bassinette containing their newly born deformed baby into a river, it is clear that Batman Returns, ain't no picnic at Buckingham Palace. Cut to thirty three years later, during a political speech made by bad guy business tycoon Max Shreck (sinisterly portrayed by Christopher Walken), the Red Triangle Circus Gang attack Gotham City. Batman (Michael Keaton returning to the role) makes his first appearance sporting a new logo, eventually saving the day. Shreck is soon kidnapped by the circus gang and black-mailed into endorsing the political return of the baby, now a fully grown Penguin man (Danny DeVito in hideously perfect make-up), whose motives for return are suspicious only to Batman.

Meanwhile, Shreck attempts to off his nosey and awkward assistant Selina Kyle (played perfectly by Michelle Pfeiffer who quite frankly deserved more recognition for her performance) who transforms into the deliciously sexy and psychotic Catwoman, out for revenge and harbours, for some unexplained reason, a deadly vendetta against the Dark Knight.

Batman Returns is bleak. The production design is breathtaking, delivering a cold haunting Gotham City with an even more apocalyptic feel than its predecessor. Danny Elfman's score supports the film brilliantly, ranging from invigorating to tragic. The tone and direction of the whole film itself is intensely brooding, shot like a sad nightmare, Burton's direction overshadows what is in fairness a diabolical screenplay with an almost totally irrelevant plot and yet at the same time perfect for Burton's visual style of film-making. And whilst Burton's action sequences struggle for exhilaration, the real excitement lies in the directional choices displaying the fall of each of its main characters, the Penguins demise, the Catwoman's mental state and Bruce Wayne's lonely destiny.

Warner Brothers hated it whilst critical and audience reaction was mixed. After all, they wanted a Batman sequel, not a weird, somewhat ghastly horror movie, in which a deformed psychopathic orphan attempts to kidnap and drown a batch of babies, all-the-while vomiting what can only be described as green mucus. The production company wanted an audience friendly feature, something for the McDonald's clan to promote their happy meals with, not a movie of dire irredeemable characters, including a sexually repressed secretary who is pushed from a skyscraper and revived by a gang of cats awakening her from unconsciousness by chewing on her bloodied ice cold fingers.

It's easy to understand the mass disappointment that followed the release of Batman Returns. The film never felt like a Batman blockbuster. It is questionable if Burton really knew who Batman actually was or even if he cared about the character as much as he cared about the film fitting in with his usual themes of beautifully haunting art direction and misinterpreted, lonely characters who rarely conform with societies standards and expectations. This is why Burton failed to create a great Batman film. He did however; create a nostalgic and stunning, ballsy piece of cinema that remains a personal and nostalgic favourite of mine.

This may not be a great Batman movie. But it is a great Tim Burton film.


Batman Returns is more Gothic and somber than its predecessor, and I like it a lot. Also, the scenery is more darker, and the entire environment is saddening along with the soul-chilling music composed by the so-talented Danny Elfman.

However, I didn't like the idea to make the Penguin a monster, unlike to the comic books, where he's human. Even if he looks like a monster, he shows well that he possesses a human dignity, and I felt very sorry for him when he saw the tombstones of his late parents. But still, he was a dangerous villain in fact, and he needed to be stopped.

Michael Keaton made a "tour de force" with his return as the Dark Knight, and this time he's powerful as in the original Batman. It's not difficult to understand why he's called Batman in public sometimes...

Also, Michelle Pfeiffer is so sexy and well-fitted in her role, and she gave a faithfully performance as the female villain/crimefighter dressed as a cat. Really, the actors did all a masterful work with Batman Returns, which made it a successful movie.

If you liked Batman, watch its awesome sequel, cause it's very worthy for all the Dark Knight's hard-core lovers.

Steve Baillargeon


Any Batman fan will know just how great the films are, they've been a major success. Batman Returns however is by far the best film in the series. A combination of excellent directing, brilliant acting and settings makes this worthy of watching on a night in.

Tim Burton, who directed this movie, has specifically made sure that this film gives a realistic atmosphere and he's done a great job. Danny Devito (Penguin man) is a man who has inherited penguin characteristics as a baby, and grown up to become a hideous and ugly...thing! Michelle Pfiffer plays the sleek and very seducing 'Catwoman' after cats had given her there genes from being bitten. The result in both the character changes is excellent and both Catwoman and Penguin man play a very important role in this excellent film. The mysterious Catwoman is great fun to watch - her classic sayings and a funny part in which skips with her whip in a jewelry shop adds such fun to the film. Danny Devito also does well, his ability to impersonate some strange creature was vital, and he adds a great atmosphere to the film that takes us back to the dull sewers where he lives.

You can't forget Batman though. Micheal Keaton once again pulls of a comfortable performance, and shows us a different side to Batman. His affection is let loose when he confronts Catwoman at the end of the film, and his meetings with her when she's a normal person, Selina Kyle, result in him being seduced badly in his own home. There's a clever part after this when they leave, and the film is full of great scenes. Its worth noting that Bruce Wayne's Bat mobile is not used as much as in the other Batman films, as close combat and story telling scenes make up this film.

The winter setting is created perfectly in Gotham City with most of the scenes being set at night, and with the town being filled with snow. Therefore, if you watch this film during the summer like I have, it doesn't feel the same. Best watch it during the winter.

Overall, its an amazing movie. All the credit goes to Tom Burton and the cast, they've done an incredible job.


This film is where the Batman franchise ought to have stopped. Though I will concede that the ideas behind "Batman Forever" were excellent and could have been easily realised by a competent director, as it turned out this was not to be the case.

Apparently Warner Brothers executives were disappointed with how dark this second Batman film from Tim Burton turned out. Apart from the idiocy of expecting anything else from Burton, and the conservative cowardice of their subsequent decision to turn the franchise into an homage to the Sixties TV series, I fail to understand how "Batman Returns" can be considered at all disappointing.

True, it is not quite the equal of the first film - though it repairs all the minor deficiencies of style found in "Batman," a weaker script that splits the antagonism between not just two but three characters invites unflattering comparisons to the masterful pairing of Keaton and Jack Nicholson as the Joker in the first film. Yet for all this it remains a gorgeously dark film, true to the way the Batman was always meant to be, and highly satisfying.

Michael Keaton returns as the Batman and his alter ego Bruce Wayne, tangling with nouveau riche tycoon Max Schreck (Christopher Walken, named in honour of the 1920s German silent actor), his partner-in-crime Oswald Cobblepot, the Penguin (Danny DeVito in brilliant makeup reminiscent of Laurence Olivier's "Richard III"), and Selina Kyle, the Catwoman (Michelle Pfeiffer), whom Wayne romances both as himself and as the Batman. The four principals turn in excellent performances, especially Walken and DeVito, while together Keaton and Pfeiffer explore the darker side of double identities.

There are some intriguing concepts in this film. About the only weakness I can really point out is a certain limpness to the script in some places, which I think is due mostly to the way this film is a four-cornered fight. There simply isn't enough time to properly explore what's going on.

Nevertheless, this is a damn good film. I highly recommend watching this in conjunction with the first, and then weeping for how good the series could have been had it continued under Burton and Keaton.


With "Batman Returns", Tim Burton succumbed to an important priority in American cinema: giving a sequel to a blockbuster. Three years after the most successful movie of the year, "Batman" (1989), here comes the hero of Gotham City again for the pleasure of many spectators. Like its predecessor, "Batman Returns" enjoyed an enormous commercial success. Tim Burton made Batman come back once again because it is to believe that the victory of the latter on his enemy the Joker did little to improve the image of Gotham City. Indeed, violence and corruption still exist and here, the second word is epitomized by Max Shreck (Christopher Walken) and the penguin (Danny De Vito). These two crooks who are eager to take control of Gotham City are going to make life difficult for Batman. His task will be more difficult with the apparition of Catwoman...

Tim Burton still delivered much work on the scenery and it seems that he tried to correct the faults of the first movie. It means that the director gave way to fight sequences which are better mastered than in the first Batman. But he didn't neglect the psychology of his main characters for all that. If in the movie of 1989, Burton had focused on Bruce Wayne/Batman's psychology, here, it's the penguin that obviously interested him. The director attempted to make of him, very well acted by De Vito an ambiguous character. On one hand, he's full of bad intentions (previously quoted) but on the other hand, he's searching for his past and would like to be considered as a real man.

"Batman Returns" also appears as crazier than its predecessor, especially with the cast. I think of Michèle Pfeiffer who offers a daring and powerful performance as Catwoman. Besides, at the time when I'm writing this review, it makes me remember that a new version of Catwoman is currently at the cinema. But given the bad reviews (3 out of 10 on IMDb!), it is sure that her performer Halle Berry must pale into insignificance beside Pfeiffer.

Ultimately, this film is one of the best sequels of 1992 and it enables to develop Tim Burton's peculiar style. We also still find his taste for the strange and the Gothic. Concerning Batman's other adaptations for the screen, you can skip them. "Batman Forever" (1995) and "Batman and Robin" (1997) are no good. I heard that Christopher Nolan was shooting the beginning of the Batman story and it was to be released next year. Will it match Tim Burton's works?


For a long time, this was my favorite of the Batman films. It had the best cinematography and an edgy feel to it with two wild characters - Catwomen and The Penguin - along with the always-interesting Christopher Walken. However, after the last viewing it finally slipped in my ratings and, frankly, I now prefer the last Batman: Batman Begins, with Christian Bale.

THE GOOD - Nonetheless, this is still the most intriguing of the five latter-day Batman films. The stylish cinematography in here is the best of any of the Batman movies. Director Tim Burton is known for his films which feature stunning visuals, as this is a great example. The three characters listed above are all very different and very interesting, almost fascinating. Of the villains, I preferred Catwomen, finding her the most fun to watch before and after she changed. Violence is not overdone here as it was in several of the other Batman stories but one is never bored watching this. As he did in the first film, Michael Keaton does a fine job playing Batman/Bruce Wayne.

THE BAD - For a movie based on a comic strip that mostly kids read, I still think these first two Batman movies, both done by Burton, were too dark and the profanity was definitely not appropriate. Although, unlike the first movie, there was no usage of the Lord's name in vain in here, there still was profanity and both villains made too many sexual remarks. That would have been okay if they hadn't marketed this film for kids as well as adults. Danny DeVito's "Penguin" is downright gross in spots. "Grotesque" I can handle, but who wants "gross." Few guys, meanwhile, complained about the beautiful Michelle Pfeiffer playing Catwoman. Generall too much darkness and some cheap shots on Christian- bashing also made me re-consider my previously-high rating of this film.

OVERALL - Fabulous visuals and memorable characters make this the most interesting in the Batman series, but too-dark an edge, too gross and too much anti-religious bias all finally turned me off after a half-dozen looks at this film. Sorry, but I prefer a kinder-gentler Batman movie. After all, it's just a cartoon. Most will disagree, but I was glad to see the series lighten up after this one.


This is a cute little movie that provides pretty much what it promises - some good entertainment. After all, when a movie proclaims it features top SASS shooters, you have to figure that it is not a likely candidate for the "Best Picture" Oscar. Those guys are shooters, not actors. Your next clue is that the movie doesn't star Nicholas Cage or Jennifer Aniston, i.e. you shouldn't expect to see the current hottest names. It was meant to be just plain old entertainment and in that regard it is every bit as good as a lot of the old "oaters" I have seen through the years.

SO what do you get with "Hell To Pay"? You get 100 minutes of good old entertainment. You get a chance to see some stars from past years, who act pretty much like what they did in their prime but a little older. You get to see some good SASS shooters in major roles and a few SASS hams in the background. It was a lot of fun for me seeing people that I have shot with, visited in their homes and who are my good friends get to do something that a lot of people only ever dream about - they're in a real, live honest to gosh movie. They're doing something a lot of wannabe actors and wannabe shooters will never get the chance to do and I think that alone makes it worth the watch.

Admittedly, not everyone is a SASS member and so I saw lots of fun and humor that others may miss, but it is still good, old-fashioned entertainment, and frankly, there are a LOT of movies in the theatre right now that I wouldn't give a nickel to see, so save the money to go see "Brokeback Mountain" get "Hell to Pay" and watch some real cowboys have some fun.


I really enjoyed watching Hell to Pay. I've been a fan of Westerns for as long as I can remember and this one reminded me of a lot of the Westerns from the 1960s (even though I was too young to have seen them in their first run). The one thing that bothered me about the movie was the constant music. It was distracting at times. One thing I did notice, and I wonder how many other fans of Gunsmoke noticed, was the name of Buck Taylor's character. It was a play on Doc Adams' name from Gunsmoke. Instead of Gaylan Adams, Buck Taylor used Adam Galen. I wonder if that was his choice or Chris McIntyre's? Anyway, I would recommend this movie to fans of Westerns. Don't expect anything too "deep". Just plain old entertainment.


If you like shoot em up westerns this is a keeper. I thought that the movie was fun to watch and to see folks that I have not seen in a while. I am no expert but I liked the acting. The town and props etc seemed to fit the period and kind of town that you would find out on the frontier. This is not an A western, not enough people and budget. The costumes and firearms were correct for the time! I expect to see the young actors in the film again in the future. Rachel, Chance, Rebekah and Kirby were great. The SASS (Single Action Shooting Society)members that contributed to this effort were pretty darn good. Hope to see more.


This is an excellent movie and I would recommend it to everyone. Mr. Drury's acting is top notch as it always is and he blends well with the other actors in the movie. Can't give away any of the suspense or drama found in the movie. Hell to pay is a must see movie!!! The plot was very suspenseful. I would watch this movie over and over again because it has all the elements of a great western movie. It was very authentic in how they displayed the components dealing with this movie which includes the guns, horses, and clothing. The soundtrack is enjoyable and adds flavor to the movie. James Drury has the right touch when picking out a movie to be involved with. This is a another winner for the western genre. !!!!!


Hell to Pay is a bit bloody for my taste, even though it is no worse than many films. Nevertheless, I did enjoy the parade of seasoned stars and the western scenery & all; but, the story-line was very weak and I couldn't really see the point of it all. However, the music that accompanies the movie more than makes up for the lackluster film.

Where did the guys -Nate & Noah Cryns- who wrote this music come from? They are awesome!! From the moment the music begins, it is by far, better than anything I've heard in years. I think it may be the best I've ever heard! Even though I wasn't thrilled with the action taking place on the film, the music evoked the exact emotion that was needed for each scene. I was transported in time to the old west during the opening credits and really felt like I was re-living those old days through the music.

This movie is definitely worth a purchase and a viewing for the beautiful music and a trip down memory lane to see the old western stars once again.


This certainly is one of the best western movies produced in the new Millennium. It's an homage to all the stars of the great TV western classics, and it is the ultimate revival of the western movie. The story of two brothers who meet after the War between the States and end up on different sides of the law isn't new but interesting nonetheless, and the shootouts and the atmosphere are great. There is some graphic violence like bad guys getting chopped to death with an axe or women being shot down in cold blood, and Lee Majors doesn't take part in the action until the very end, that's why I gave it 9 out of 10 points. But it still is one of the best new western productions I've ever seen. I've had the honor and pleasure to meet Chris McIntyre at the Festival of the West and have a nice chat with him, and I've had the chance to meet Buck Taylor who performs the role of town doctor. In my opinion, we ought to be much obliged to Chris McIntyre for his efforts to gather that many stars of the classic TV westerns and SASS around him to perform in a new western such as this. Chris has an outstanding talent for choosing the right actors for the main characters, too. Both are young and promising, and I think we should see more of them in future western productions. I sincerely enjoyed this western movie - it was worth every minute. I hope that Chris McIntyre will continue to work on other western movies and present us with some more great productions such as this one. Great work, Chris! Jasper P. Morgan (Pete)


"Hell To Pay" bills itself as the rebirth of the Classic Western... it succeeds as a Western genre movie that the entire family could see and not unlike the films baby-boomers experienced decades ago. The good guys are good and the bad guys are really bad! . Bo Svenson, Stella Stevens, Lee Majors, Andrew Prine (excellent in this film) Tim Thomerson and James Drury are all great and it's fun to see them again. James Drury really shines in this one, maybe even better than his days as "The Virginian." In a way, "Hell To Pay" reminds me of those movies in the 60's where actors you know from so many shows make an appearance. If you're of a certain age, Buck Taylor, Peter Brown and Denny Miller and William Smith provide a "wow" factor because we seldom get to see these icons these days. "Hell To Pay" features screen legends along with newer names in Hollywood. Most notable in the cast of "newbies" is Rachel Kimsey (Rebekah), who I've seen lately on "The Young and The Restless" and Kevin Kazakoff, who plays the angst-ridden Kirby, a war-weary man who's torn between wanting to live and let live or stepping in to "do the right thing." William Gregory Lee is excellent as Chance, Kirby's mischievous and womanizing brother. Katie Keane plays Rachel, Rebekah's sister, a woman who did what was necessary to stay alive but giving up her pride in the process. In a small but memorable role, Jeff Davis plays Mean Joe, a former Confederate with a rather nasty mean streak. I think we'll be seeing more of these fine actors in the future. "Hell To Pay" is a fun movie with a great story to tell grab the popcorn, we're headin' West!.


A tremendous action movie that I have ever seen. It was the first expression that I uttered after watching it twice on the local TV in my country, Indonesia. A combination between a constant shooting and a great fighting choreography played well by David Bradley. He was good here besides "American Samurai". His skill in martial art was performed above average. He succeeded to make the fighting scenes nice to watch. Not only punching and kicking like what most of martial artists show in their movies. David Bradley could utilize all the martial arts techniques such as throwing, smashing and kicking. Very Recommended for action fans.I have tried to look for the DVD but I still cannot get it particularly in my town. Anyone could help me?


This movie is very similar to Death Warrant with Jean-Claude Van Damme and also has some similarities to Island of Fire with Jackie Chan and I also heard that there is some other very similar action movies, but this film has a much better action than Death Warrant or even Island of Fire (that's right, the Jackie Chan's movie). Rarely American action movies has such a great action sequences, though there was many negative reviews on this film, it easily beats most of the action movies of that time who were more successful. There were many martial art's scenes, David Bradley was fast as Bruce Lee in this film and what else was good, that fighting scenes were much longer than in most of the American martial art's movies. The shoot-out scenes were similar with John Woo's movies, maybe not that good, but still very exiting. There was also many impressive explosions and one great chase scene. I've seen some other David Bradley's movies, but this one, yet is the best in terms of action. OK, this movie has some cheesy moments, but which movie hasn't? The acting was decent, Charles Napier was incredible and his character was real tough. Adam Clark who played Squid and Yuji Okumoto who played the main bad guy were also very good. Other actors acted pretty well too, though the acting isn't important in this type of movies. If you are action movies fan (I mean the real action movies fan, who really can appreciate the good action), than you must see this film.


Hard Justice is an excellent action movie! The whole movie is really nothing but shooting and fighting! For the people who say they don't make shoot em ups like they use to. Well, this one is really hard-core! David Bradley is really good and his character takes a pounding in the movie. He gets hit by the stick over a dozen times, gets stabbed in the back and is in a coma for three days and then wakes up and fights again, gets beat up, recovers and is ready for more action! His character is incredibly tuff! Charles Napier was very good as well and he arguably steals the show! Vernen Wells was good! Professor Toru Tanaka had a short and an uncredited role in Hard Justice! As for the action, it is truly awesome with all of the gun fights and the huge stand off like scene in the beginning has cars getting blown up and flipping up in mid air! There is so much that happens in the 95 minute run time. For the action fans you will be blown away by all of the fire power and fighting that this film has to offer! Hard Justice is a movie that isn't easy to locate and if you are at a video store and you see it for sale buy it up because this movie is big keeper an d plus the box is cool! There is a ton of action that has to be seen to be believed! Look and see if you can find some good deals on Ebay, Half.com, Amazon.com's Z-Shops and Market Place Sellers! I strongly recommend that any action movie fan who loves shoot ems and fighting movies and has been disappointed by other movies that have the look like a true non stop action flick but fails to deliver it to get Hard Justice!


Once you sit down to see this film " A Cannon for Cordoba " you get the feeling it's going to be a great. The reason? The film begins with a rousing score by noted composer Elmer Bernstein who gave us such memorable themes as 'The Great Escape and the Magnificent Seven.' Indeed, when you read the opening credits headlining the cast is none other than George Peppard as Capt. Rod Douglas, you know it's going to have action and lot's of it. Furthermore when you see actor John Russel playing General John J. Pershing, you know you're in for a heroic saga. The story is taken from the annals of the Mexican revolution and involves the U.S. in a border town dispute with the Mexican bandits who cross the Rio Grande in the early 1900s. Among the most brazen of the rebel leaders is General Cordova (Raf Vallone). With his army of Mexican revolutionaries, he attacks Pershing, kills his men and steals some valuable artillery pieces. Since the United States Army cannot enter Mexico legally, Capt. Douglas is sent on what is slated a suicide mission, without orders and without aid from Pershing. His mission is to retrieve the Cannons, destroy a rebel stronghold and bring Cordova back alive. Selecting the roughest, toughest, most experienced, certainly the most insolent men available, Douglas enters Mexico and attacks the nearly impregnable fortress. Dramatic action follows, as does lots of explosive excitement. If one is asks for criticism, I would say the choice of heavies. Vallone and John Larch are not very menacing. Not so with the men who side with Peppard. Pete Duel and Don Gordon (Who is superb.) Nevertheless, this movie is recommended as good viewing. ****


I have reasons to love the great users of a camera; fluid direction of action lends itself to fast-paced adventure and comedy narrative; but such a skill, in the hands of a King Vidor or an Anthony Mann can also be applied to idea-level work. This is Paul Wendkos' masterpiece. Its storyline can be retailed in a single pair of sentences. General Hector Cordoba is setting up as near-emperor in Northern Mexico, and steals a huge cannon from General Blackjack Pershing. he sends his crack mission unit, divided, apprehensive but determined, led by George Peppard, to get the cannon back and bring back Cordoba alive, to put an end to the rebellion. Charismatic Raf Vallone plays Cordoba; the ladies in the piece are Giovanna Ralli and Francine York; with the squad even further comprised of Nico Minardos, Peter Deuel, and Don Gordon. Other stalwarts in the class include John Larch and John Russell. Also horning in on an already fantastically-dangerous operation are Miss Ralli, and a stubborn Mexican Teniente (Gabriela Tinti) whose regiment was betrayed when Cordoba set up on his own. The danger is multiplied when Gordon's brother as advance spy is captured and tortured to death while he has to watch...and he decides he needs to kill Peppard. The attack that captures the cannon, when Peppard's orders are not obeyed by a regular army type, is one of the most electrifying visual and staging achievements in cinematic history; the penetration of Cordoba's stronghold, the revelations uncovered there, and the actions that win the mission team a chance at victory--or almost victory--are flawlessly presented. This is a beautiful color adventure film, with unusually strong costumes, acting, lighting, art direction sets and music by Elmer Bernstein. The script by Stephen Kandel is probably his best ever for a feature film. This is probably the most underrated major western at the moment, but I have always appreciated its heroes as result- getting hard-workers. But as Peppard reminds his group on the way home, "The trouble with being a "hero"--is the morning after". To find out why he says so, you will have to see "Cannon For Cordoba".