Towards the end of his career Jack Arnold, a very efficient director who gave us such classic 50's creature features as "It Came from Outer Space," "The Creature from the Black Lagoon," and "Tarantula," teamed up with former football star turned top 70's blaxploitation film headliner Fred "the Hammer" Williamson for a pair of movies, producing the amiable, if unremarkable Western "The Black Bounty Hunter" and this refreshingly breezy, clever and highly entertaining 70's black action variant on your standard 40's film noir down-at-the-heels private detective yarn.

Williamson displays a charming combination of dry, self-deprecating humor and relaxed, easygoing self-confidence as Shep Stone, a cheap, affable, and forever in debt erstwhile Los Angeles cop turned private investigator. Stone's so hard-up for cash that he uses a bar as his business office and just barely makes ends meet doing penny-ante low-paying minor cases that the police don't want to bother with. While pounding the pavement for one of these deceptively simple gigs (Stone's trying to find some guy's runaway teenage daughter who's hiding somewhere in Hollywood), Stone finds himself elbow deep in a complex, dangerous, seemingly bottomless criminal plot which includes a flipped-out Jesus freak religious cult, assorted deadhead hippie dopers, a sordid porno ring, a priceless missing gold-tipped cane that belonged to a legendary silent movie star, a nefarious underground drug smuggling operation, and an ever-growing number of fresh corpses.

While lacking the wickedly playful, mischievous ingenuity of Robert Altman's masterful "The Long Goodbye" or the haunting, unremitting pessimism of Arthur Penn's beautifully bleak "Night Moves," "Black Eye" nonetheless still makes the grade as a highly successful hip'n'flip 70's spin on 40's mystery suspense thrillers. Arnold's capable direction keeps the pace moving at a nice, steady clip, punctuated with sporadic exciting mano-a-mano bare knuckle fight scenes and excellent use of various colorfully seedy L.A. locations (the rundown abandoned amusement park at the film's conclusion is especially effective). The script by Mark Haggard and Jim Martin supplies a goodly amount of fairly complicated and often genuinely surprising plot twists. And the expected array of quirky, rough-around-the-edges secondary characters are an interesting oddball bunch, with particularly notable turns by Rosemary Forsyth as an alluring, powerful lesbian model agency owner (Forsyth has the picture's best line, boasting to Stone when she first meets him, "I'm a whole lot of woman"), Teresa Graves of "Get Christie Love" TV show fame as Stone's loyal bisexual girlfriend (the film's casual, nonjudgmental depiction of both Foryth's unconventional femme fatale and Graves' equally atypical gal Friday is one of its strongest assets), and Bret Morrison, who did the voice of radio's "The Shadow" in the 40's, as a smugly sleazy porno filmmaker. All in all, it's a modest, yet surefire winner.


I was very happy and at the same time quite surprised by other positive comments written by non-Koreans below. This movie is amazingly heartshaking, and shows very 'sad but warm' view toward life which is typical to Korean people. I thought other foreigners would not understand this delicate feeling and under-rate this quiet film as a boring one, but I was wrong. The attraction of this film might be hard to avoid to foreigners, too. (Even without subtitle...)

I would like to mention some points others have missed. Of course, this film depicts love between a man and a woman. However, the very theme is way beyond that. Actually, it is about time, value of remembrance, and death. In this film, the focus is not on the 'love affair' between two people. As some pointed out, they do not kiss, they do not hug each other, even without holding hands. So love itself is not completed (whether positively or negatively) in the film. Rather, what haunts Jungwon (a leading actor) is his impending death. He's running out of time, he can't hold it, leaving a few behind including his father and of course, Darim (a metermaid). So the problem is how he can face the death and leave something valuable in his short life, not how he can make love with Darim.

This kind of theme sounds very familiar to us. There are lots of movies regarding patients with uncurable disease such as 'Love Story'. However, what makes this film outstanding is the way Jungwon deals his death. He is a loser, but tried to do his best while he's alive, IN A SILENT WAY. He does not tell anybody around him about his death. He hides something in his mind but without rage, hate, vengeance. He just tried to do best while he was alive. This limited communication and obedience to fate is the typical mindset of Koreans and the point most Western people don't understand or at best, misunderstand.

This theme is very effectively expressed by the director of this film (surprisingly, his debut). Some say he's much influenced by Japanese director Ozu Yasujiro, who directed Tokyo Story. Indeed, I remember I read in some magazine that the director himself admitted he was influenced by Ozu. I'm not that knowledged to analyze his style comparing to Ozu's, but they have some in common and some not. Low angle and static camera, especially remind us Ozu's style. But, in terms of theme again, this Korean director seems to have somewhat warmer and hopeful vision.

It is expressed concisely with Jungwon's last photograph. Very well done and really heartbreaking scene, I think. Actually, the director first had the idea of this film when he participated the funeral of a very famous Korean folk singer who died young of mysterious suicide. They say he saw the photograph of the singer at the funeral and thought of a film on death and remembrance. (And possibly hope for the remnants, I think...)

I highly recommend this film to anybody who has deep interest in film art as well as Korean culture. This film, in my opinion, can be rivaled with other movies like Tokyo story, and a sort of American Beauty. It is that great if without language barrier. DVD version is going to be out in the market this February, so it might be a little help for foreigners with English subtitle.


Hooray for Korean cinema! Last year I saw "Chungyang" and "Nowhere to hide", now I catch up with Hur Jin-ho's directorial debut "Christmas in august". The variety of themes and level of achievement speak highly of a national cinema ripe for discovery. This film's major themes are death and love. The graceful and thoughtful way Jung Won(Han Suk-kyu) copes with his impending death, and the sublimation of his desires toward Darim(Shim Eun-Ha) out of true love for her. I was deeply moved by his careful management of behavior and emotions, shielding Darim from unnecessary pain without rejecting her.

The success of this type of film is predicated on the skill of the actors. Han and Shim excel, being both quite expressive yet naturalistic. A number of secondary characters, Jung Won's relatives, friends, and clients, are quickly delineated to enrich the story without detracting from its main focus. To LIVE is to love, but all things must pass. Pain subsides. Life goes on.


How often do we live our romantic life as on the big screen, with torrid affairs and passionate encounters? Almost never, if what I see as normal life around me is anything to judge by. Romances, as previously stated, are hardly ever earthshaking affairs that leave you at the top of the world or batter and bruised.

Romance, in its every day form, as lived out millions of times over around the world, is a slow, subtle, and quiet affair. Something that grows in you, ever so slowly, probably without you even noticing it slowly taking over your being. No one can tell me when I am in love. For if someone did, I would not believe him anyway, for no one but me would know. And even then, it is just a feeling, a certain knowledge that you are feeling this exalting emotion. That you want nothing but the best for someone, that you would never want to see them suffer a moment of sadness. That you are willing to take a great degree of pain for them. I would not go so far as to say be willing to die for your loved one, for we are all human, and we do not know what we are capable of in the face of death until that moment is upon us.

Is the love between the main characters of the film, ever so subtle and understated, no less noble than that between Romeo and Juliet? The unstated emotions, the unsaid feelings, convey far more than any repeated shouts of "I love you". The restraint shown by the lead actor, displayed ever so poignantly in the scene where he watches his love interest through the cafe window, yet never did he move to make himself known to her, was simply heart-wrenching to watch. Would most of us be selfless enough to remain hidden, knowing that her emotions and feelings could not possibly be reciprocated?

On another note, how will I deal with my own certain death? While I can claim I have been seriously ill, I can not in all honesty say that I have ever come close to death. Will I be so calm, putting all my affairs in order, and leaving instructions for others to take up what I leave behind? I suspect I will be calm, for I will have little choice in the matter. Can I be so selfless? Again, the answer will have to be in the negative. I can empathize with the anguish, knowing that your life is forfeit, that fate has dealt you a fatal blow, and that future events, however little there are of them left, are no longer under your control.

Life is nothing more than a series of small events, the culmination of which may seem great for some in retrospect. But only very rarely.


This is, without a doubt, one of the most accomplished debut films for any director. The Movie is only 90 minutes long, but manages to say just about everything about life and death. Not much action, and dialogue is minimal, but the movie flows perfectly and demands your attention due to the wonderfully natural feel of everything going on. The performances by the leads are perfection, and even some supporting characters get strong emotional scenes. The movie will be somewhat lost on today's modern audience, but this is one that everyone ought to see.Refreshingly unsentimental and honest, this is on par with Ozu's works.

Scratch my title, this one is perfect!


Last time I checked in here I think there was no more than one comment. I'm very glad that more people have caught on this flick now,and even more so about you all digging it as well. I caught this the night of Christmas 2004,and I found myself unable to change the channel on my TV,even though it was an Asian flick-and I'm-sadly but truly-very used not to give any chance to any Off-Hollywood products. I did that night,though,and I thank God deeply for it. I've not been able to shake that movie out of my system since-not that I've tried to or wanted to-and it still amazes me-in an extremely grateful way-that such a great,beautiful experience came in such a way,completely unexpected,like a Christmas Miracle.Please,if you got the chance go see this movie,buy it or rent it of bootleg it or whatever,but watch it. I guarantee it will affect you. I'm out of time,but I'm far from finished with my appraissal here,so Ill be back as soon as I can.


A photographer in the small city of Gunsan in South Korea learns that he has a terminal illness but downplays the seriousness of it to his family and friends. We never find out the nature of the disease but the main focus of Hur Jin-ho's poignant first film Christmas in August is not his illness. It is the grace in which he conducts his life - his ability to accept what life has in store without remorse. Sadly, it was the final film shot by cinematographer Yoo Young-kil before his death, and the film is dedicated to his memory.

The photographer, Jung-won, is played by Han Suk-kyu, at one time, Korea's most popular star. A handsome man in his early thirties with an infectious laugh, he is so warm and full of vitality that it is difficult to picture him as nearing the end of life. Jung-won owns a small photography shop and lives at home with his hard of hearing father (Goo Shin) and sister (Oh Ji-hye), teaching his dad how to play movies on the VCR, and writing instructions for him to take over his shop if he were to die. As Jung-won goes about the day-to-day business of getting his affairs in order, Dar-im (Shim Eun-ha), a meter reader, comes into his store with an urgent request for some photographic enlargements.

Abrupt and impatient, he treats her with disdain but later apologizes and she becomes a regular customer. Without overt expression of romantic feelings, their relationship develops a growing intimacy. Love is not something they say or do. It is their ground of being, the place where they come from. To protect Dar-im from suffering, Jung-won does not tell her that he has only a short time to live but this does not make the situation any easier for her. Inevitably his increasing absence from the shop causes her to feel betrayed and frustrated to the point where she throws a rock through the shop's window. Although Jung-won's decision to withhold his illness from Dar-im is open to question, it feels organic to his character in the film and is not used simply as a plot device or an excuse for the character to "live life to the fullest" by playing around.

One of the most touching sequences in the film is when an elderly woman returns to his studio to take a memorial photo of herself. Jung-won makes sure the picture is an exact likeness, knowing that soon he will be taking his own picture of remembrance. Christmas in August is an unpretentious film that never resorts to melodrama to make its point. It is about taking pleasure in ordinary moments: riding a bike, sharing a joke, eating ice cream, being thoughtful and considerate, and feeling good about what life has to offer. It is a love story where love means having to say you're sorry. Although there have been many films on the dying process, Christmas in August propels the genre in a new direction and, in the process, offers an unforgettable commentary on the human condition. Incongruously, this film about death is an experience of the utmost joy.


CHRISTMAS IN AUGUST is a perfect movie. A flawless movie about all the flaws of humanity. On the outside it may look like a movie about death, but is in fact a movie about life. I simply cannot recommend this movie enough. And be not afraid, dear readers, it is not a depressing film. As stated, it's a movie about the brightness of life coached under the guise of death. You will laugh. You will cry. You will realize that life is fragile and short. And you will leave the viewing with a better understanding of how precious life is.

10 out of 10

(go to www.nixflix.com for a more detailed review of this movie and reviews of other foreign films)


Palwol ui Christmas is very Korean, if you have been to Korea or have Korean friends, you should know what i mean. Korean are very traditional people, they see love very quitely. a kind of feeling you don't find in today's world. i think that is why this film is so special. it is wrong to compare this film with "Love Letter" by Shunji Iwai, japaness are very good but could never make one like Palwol ui Christmas. if you have a chance please see this movie for yourself.


I always had this concept that Korean movies were all about comedy and drama, but "Christmas in autumn" has changed my point of view. This movie is so simple. It doenot have any melodramatic scenes or over the top comedy scenes. Not a single scene where the actors cry out loud. Not even a scene where the actor and the actress kiss, not even a simple kiss. And yet this movie is able to reach it's viewers in ways that I dint know existed. The ending of the movie left me Speechless. I dint even cry, but my eyes were red hot. This movie left me a feeling I can hardly describe in words.

I don't think I can recommend this movie to everyone but I do recommend this movie to people who want to watch real cinema. 9.4/10


If you want to see a film with no guns, blood, sex, shouting angry people, hero, bad guys & girls or even clumsy love words and you want to see a film in which every shot has the meaning of "LOVE" , this one is a must see film. For me I've been waiting for a film like this all of my life.


This film would have put the typical Hollywood "tearjerkers" to shame. The emotions portrayed are subdued and understated in a very comfortable fashion. The plot is cliche enough with a lead role having terminal disease (this is not a spoiler and was well established quite early into the movie) The method of execution is somehow unique from most love stories you ever saw--not even a kiss was being exchanged and yet you will feel the enormous current of love between the two leads. Initially, I assumed this "restriction on emotions" to be something analoguous to the typical "eastern values" but later decided against it.

This film is so understated that if you compare it with movies like "Cinema Paradiso", CP would have felt overtly manipulative by comparison. So, it's definitely not everyone's cup of tea.

After watching the film, I have this strong feeling that Holly- wood love movies, (or love movies all around, to be accurate) have been glorifying romance or passion and label it as "love". I am sure we all have our own definitions and I wouldn't say these qualities are mutually exclusive. But, I would venture to say that the movie will let you wonder if there is any added dimension you have with you loved one.

It's very obvious that I enjoy this movie a lot. Considering the fact that the movie is so plain in appearance, it is paradoxically one of the more "cinematic" movie I saw lately.


This wonderful movie really takes the time to step back and tell the story without words. The end of the movie contains almost no dialogue but what is in the minds of the characters is always perfectly clear. You know the film is not going to have a happy ending but you leave the film feeling hopeful.


I really appreciate what Jung-won had done before his death. Everything. I want to say that his choice for love is unselfish. If he chose Da-rim , that will be good for him. But Da-rim will need more time to recover from his death. Obviously he does not want to let it happen. As he did in the film, he chose giving up. So it was just temporary agony for Da-rim.

As comparison, My Life Without Me is very different. Their behavior shows big difference between eastern culture and western culture. I cannot say which is better. Every one can has right to choose. That is totally up to you. Life is equal for everybody. We can live only once. Any choice is acceptable if only you think it is fit for you.

In truth the slow pace of the film cannot be the excuse for rejecting the movie. Just calm down. You will get more from the movie.

One of the best Korean movies I ever watched. 9/10


Korean "romance" about the owner of a camera store who is diagnosed with a fatal disease. As he goes about his daily routine and prepares for the end he becomes acquainted with a young girl who is a customer. A friendship and romance grows, eve though neither expresses any sort of affection for the other. Good film is unlike anything you are likely to see remade in America simply because the studios would insist that the "couple" act on their feelings. He will not say anything because he doesn't have that long to live, she won't because its not the thing thats done and he is not responding as she thinks he should. Of course its much more complex than I'm making it out to be and in all honesty its the sort of thing that you should discover for yourself. Is it a great film? No, but it is a good one that will move you emotionally. The final lines of the film still haunts me: "I always knew that love would fade like a photograph - but you will remain in my heart as you are in my last moment. Thank you and goodbye". It may seem odd out of context but with in the context of the film it is very moving.


I watched this film with high expectations but was somewhat disappointed. Although I like this film and was engrossed by the story, I did not find it moving and think the ending falls flat.

The story consists of the friendship between a man running a photo shop and his best customer who is a traffic Policewoman. The location is a quaint Korean village.

This film is in some ways realistic as there is an element of tragedy and yet it is not melodramatic. However I was not ultimately moved by a film depicting a man who is loved so much by a woman, yet does not even give her the choice to enter his life. In my mind he is a sweet, noble loser.

Good points - Excellent acting by the two main leads, enjoyable snapshot of village life

Cons - Flat ending

Overall - Good but I prefer the Before Sunrise and After Sunset films (or is it Before Sunset and After Sunrise)


How would you feel if you had only a few weeks left to live? This film helps you to know through the eyes of one guy who is faced with that situation. It is told with sympathy and without too much emotion. Some might feel it rather slow - but I think that adds to the realism of the film. Some might see it as a love story, but I think that is secondary to seeing his last days through his eyes. The loves of his life are part of the end of his life and give it more impact. Low key and gentle, the film rolls out the story much as life does. Without clichés and with unexpected events set against a backdrop of getting by. If you like your films gently emotionally realistic this may be for you.


I was lucky enough to watch this film in the recently concluded international film festival here. I was actually able to watch another South Korean film (The Power of Kangwon Province) but Christmas in August caught my attention more. The story is simple enough, the usual boy-meets-girl (or shall we say girl-meets-boy?). What made it special for me was how it was rendered. We can say that the movie was quiet and endearing. We don't have flashy and contrived romance here, only two ordinary beings made wonderful by their friendship and unexpressed love for one another. I also loved how the movie used pictures as expressions of relationships past and present. I wished that this was shown here as a regular film. I'm sure it would call out to a bigger audience.


SPOILER ALERT--AND I REALLY MEAN IT!! READ NO FURTHER UNLESS YOU ARE PREPARED TO HAVE A MAJOR PLOT ELEMENT REVEALED!!

Okay, first I've gotta say that I have a relatively high tolerance for depressing films. I'll watch and appreciate films about true life horrors (such as war and the holocaust) or where death and sadness are important to the plot BUT I hate films like STEAL MAGNOLIAS and TERMS OF ENDEARMENT where the film is built around a manipulative death of a main character. So, already no matter how well made this film is, it's got a MAJOR strike against it because one of the main characters dies from a disease at the end (though they never say WHAT he had in the English subtitled version).

So you might ask yourself, "then if this blow-hard hates this type of film, then why did he watch it in the first place?" You would have an excellent point to ask this, though I hope I am not really a blow-hard! Well, when I found it in our local library I had no idea what it was about!!! The movie was not intended specifically for export, as the subtitles were in Korean, English and Japanese and the box was printed all in Korean. Well, being a fan of trying films from any nation (I've seen films from probably at least 30-40 different countries), I gave it a try.

Well, apart from the obligatory death, I loved the film and so hated the way it ended. While I usually hate Hollywood-type miraculous endings, I wanted to see the guy saved through some new drug or experimental surgery. I was really bummed that he had to die--particularly since he seemed like one of the nicest people I've seen in films in a long time. His smile was infectious and I really wanted him to get the girl in the end. Oh well, at least I can appreciate the film's message that you need to seize the moment. Great acting, music, etc., but just not the most satisfying ending for me. This film was good enough to encourage me to try some more Korean cinema.


I watched this film recently for the first time in over 30 years and was very pleasantly surprised. I remembered a film that caught the mood and feel of Britain in the mid 1960s without falling into the 'Swinging Britain' clichés that so many other films thought they had to propagate, my memory proved correct. Those who feel that this is like a TV play are not entirely wrong but while Andrea Newman was to become famous for risqué TV drama, this film is more in the tradition of the 'kitchen-sink'films such as 'Saturday Night And Sunday Morning' but with an emphasis on middle-class rather than working-class life. Rod Steiger is excellent as the middle-aged angst-ridden lead, unhappily married to a repressed and apparently barren wife (Claire Bloom). The onset of the 'Technological Revolution' is the the backdrop for the drama in which old values and certainties are challenged. This is the stage for the central character played by Judy Geeson, a role which at the time was a shocking departure from the typical prim behaviour of contemporary heroines. The reversal of roles, with the girl rating her conquests in a little-black-book was a precursor to the Feminist movement and was criticised at the time for promoting promiscuity among young girls. The irony of these criticisms is to be seen in both Claire Bloom's and Peggy Ashcroft's characters who are both acceptingly dissatisfied. Peter Hall made few films and on this evidence that is a great shame. Steiger is exemplary and wholly credible showing why he was so highly regarded


Many accuse Rod Steiger of overacting, and anyone who has seen the Amityville Horror and the 'fly' section would struggle to say otherwise. That said, he's brilliant in this.

It's never on TV, you can't buy it on DVD (legitimately). In 1988, when Channel 4 still had a prescription for innovation, they showed this amongst a small amalgam of 60s films, Privilege etc - and I remember an essentially theatrical experience, transposed well to film. The great thing about theatre is it's enclosed - how do you make it available and interesting on screen? PH just about pulls it off. Because this sort of film is never even on cable or Sky TV anywhere it's hard to get a debate going, but for anyone out there who has seen it or can remember, my memories are of a forthright, almost strident performance by Sally Geeson 'thats all taken care of' (which eschews the almost diffident general performances of her and her sibling in many early 70s offerings) she says ref conception. There are several of these - key lines you remember years, decades on. That's the power of a film like this.

PS I just saw it again and its just as good. One day, TV too will be enlightened.


I saw this film back in the early 70's and I was mesmerised by Judy Geeson. For me it captured the clandestine nature of Rod Steigers irrepressible obsession with the young and extremely sexy hitch hiker, played by Geeson.

You couldn't help feel a little sorry for the wife, played brilliantly by Claire Bloom. I was really disappointed to see that the original cut may have been lost and there is little chance of it being released on DVD.

I defy anyone who saw the film, and it's strong message not to be equally absorbed by the three main character performances, and I would have loved to have seen it again, if nothing else for a purely nostalgic reason.

Going back in time, some 35 years.

A real classic.


In 1242, Russia in being invaded by two sides: from the orient by the Mongols and from Europe side, by the Germans Teutonic Knights of the Holy Roman Empire. The city of Novgorod is the last free city in Russia. The population, in order to organize the defense of Novgorod and the lands of Russia, calls the Prince Aleksandr Nevsky, who had defeated the Swedish in a previous battle. His successful strategy defeats the Germans, after a great battle on a frozen lake. This movie was made in 1938 due to the threaten of the German to Russia, in a pre-Second World War period. The idea was to make propaganda pro-Russia. However, it is an overwhelming, marvelous, stunning powerful masterpiece. It is amazing the combat scene on the frozen lake. The present generation is very accustomed to special effects, like in the `Lord of the Rings' trilogy, and maybe cannot understand how fantastic is this black and white fight. If the viewer can forget the ideology and watch it as an art, he will certainly be astonished in the end with such a masterpiece. My vote is ten.

Title (Brazil): Alexander Nevsky


At school I was taught how some shots were called and there were two directors constantly mentioned : Orson Welles and Sergei M. Eisenstein. I didn't care that much then (I was a kid!) but now I know why, Eisenstein is a genius and it is a shame to see what was possible in 1938 where as almost more than a half century we're stuck with countless blank movies! Some say this movie isn't worth the genius of Eisenstein (then they have to watch it over and over till they can say anything bad) or even worse that it is just some propagandamovie for the Russians. Let's say it as it is, it is indeed pure propaganda for patriotism but isn't "Saving private Ryan" or "The longest day" so? I could sum up so many movies in where America is being raised to the top so why not Russia, and besides every war is fought for itrs patriotism why else would they raise flags? Aleksandr Nevsky is a must for anyone who cares about cinematography as almost every shot is a sublime picture. Perhaps it's all overseen but I am in wonder why this isn't included in IMDB's Top 250 where as there is so many overrated Oscarcrap in it as well.


Alexander Nevsky (1938) is a brilliant piece of cinematic propaganda. The people of Russia are threatened by two major enemies, the Mongols and the Teutonic Knights of the Holy Roman Empire. In ordered to unite the warring, rival Princes in the Russian Realm, Nevsky takes charge and fights the lesser of two evils (The Teutonics). This influential film was copied many times over and it still holds up to this day. The soundtrack by composer Prokiev and Eisentstein's direction are a sight and sound to behold Many years later, John Milius used many of the movies scenes, set pieces and costumes from this film and incorporated them into Conan.

One of my favorite lines from Conan was taken from this movie. "It's not the strength of the iron in a weapon but the strength of the person that wields it is what matters." The comparisons are unmistakable. The armor that James Earl Jones and the Leader of the Teutonic Knights wear are virtually identical. A true tribute paid from one director to another.

I give Alexander Nevsky one of my highest recommendations. The movie plays like the final Act of Richard III. The presence of Prince Alexander on the screen is truly amazing.


When I first saw this film around 6 months ago, I considered it interesting, but little more. But it stuck with me. That interest grew and grew, and I wondered whether my initial boredom and response had more to do with the actual VHS quality rather than the film itself. I purchased the Criterion DVD box set, and it turns out that I was right the second time. Alexander Nevsky is a great film. It is rousing, and I'm sure it succeeded in its main aim: propaganda against the Germans.

That is the most common criticism against this film, and against Eisenstein, that it is merely propagandist and nothing else. It's untrue. He is an amazing film artist, one of the most important whoever lived. By now, the world is far enough beyond Joseph Stalin to be able to watch Eisenstein's films as art.


A stunning piece of art.You can watch every image of the film and see the beauty in it.First I would like to say that ´when I saw the German´s soldiers helmet´s I understood that it was from here that "Star Wars" hade been inspired.The scene were they kill the baby is frightening and when I saw it I did not like it.But when the film was end I thought about that scene and I changed my mind and thought that in the World War 2 that was exactly what the German´s did.

The Ice-battle scene is some of the best war scenes I have seen(If not the BEST).They way this film combines music and so superbly stunning visual images is really excellent.Then the Prokofiev score is one of the most famous sound track´s in history and I thought it was some of the best to.

what more can you say then a work of art.Eisenstein have created a stunning masterpiece,a propaganda film and a Beautiful work of art. I am very happy because I have just got the criterion collection Eisenstein set.


I saw this film with a live performance by the Buffalo Philharmonic, and the music was one of the two things that definitely made the experience for me; particularly, the song after the battle where the woman is looking for her husband was just devastating. The other thing that stood out to me is the battle on the ice itself, a bit of strategy ripped off thoroughly by the makers of _King Arthur_ in 2004. Also, the battle goes on forever (half an hour?)-- painfully long. I can't think of another propaganda film that makes war look less glamorous or rewarding. I'm surprised Stalin liked this film so well; I wouldn't want to go out and fight after watching it.


Alexander Nevsky is a series of superb sequences of cinematic opera that pass from pastoral to lamentation and end in a triumphal cantata. The story takes place in 1242. Prince Alexander Nevsky (Nikolai Cherkasov) defeats the Teutonic Knights in a battle on the ice of Lake Peipus.

The film is a splendid historical pageant which shows director Sergei Eisenstein at his most inventively pictorial, and climaxes in a superb battle sequence using music instead of natural sounds. Several films have scenes strongly influenced by the Battle of Lake Peipus, including Doctor Zhivago (1965), Mulan (1998), and King Arthur (2004). Alexander Nevsky was kept out of circulation due to changing political winds, and then enshrined as perhaps the most influential Soviet-made historical film.


There is a version of "Nevsky" that is shown with a live symphony orchestra, chorus, soloist and the movie. If it's EVER performed within a day's travel of you see "Nevsky" done that way. The Oklahoma City Philharmonic did it with the OKC Canterbury Choir (one of the finest anywhere) a couple of years ago. I think I cried through the whole thing, it was one of the most emotionally powerful movie experiences of my life. I'm listening to "Nevsky" on the radio right now and it still tears me up. There are movies that I love, and classical music pieces I love, but there is no combination I can think of that comes close to the impact of "Nevsky" performed in real time.


I've loved this movie since the first time I saw it lo these many years ago. I'm not sure how many times I've seen it, perhaps 10, perhaps 20. This last time I watched it I was struck by a detail that I hadn't noticed before.

Toward the end of the picture, the slain heroes are conveyed back to the town via sled. There are a couple of closeups of the dead men. The one that struck me most was a shot of the blond youth. All you see on the screen is his profile from head to hands. His hands are holding a flickering candle. The wind is blowing and his thick blond hair is dancing in the wind, in tune with the flicker of the candle flame. The contrast between death and the life he has lost is incredibly powerful. The moving hair and candle flame remind us of the life force that once inhabited his body.

Every time I revisit this film I see something new.


This 3 hour epic (seems much shorter) explores the will to power and conquest and the conflicting motives that underlie that quest by tracking two parallel lives: the emperor Q'in, whose desire to unify the Chinese feudal states has its basis in noble aims but devolves into violent oppression,isolation, and ultimate powerlessness; and the assassin Jing ke, a mercenary killer who comes to recognize the unintended consequences of murder and finds a form of salvation. As with all great art, this can be understood on many levels. The movie evoked for me images and ideas from Homer, Euripides, Machiavelli, Shakespeare, and Freud.

The story itself is true (I checked it out at britannica.com!), so this film will appeal to history buffs. It's ironic that Q'in spent much of his last years in a futile quest for immortality (not shown on the screen, but consistent with the plot).

The movie can also be viewed as an allegory of Maoism and the Cultural Revolution. Through the movie, one can understand that the last 50 years of Chinese history have had their precedent in the last 3000.

Fortunately for the audience, these complex ideas are developed in a film that is rich in imagery, action, and pagent. The battle scenes alone are worth the price of admission.


Based on the actual event , this epic, is set in the year 221 B.C and tells the true story of the unification of China. Action packed and filled with intrigue, passion, betrayals and unforgettable battle sequences, it held my attention throughout in spite of its 160 minute length.

The king, Ying Zeng, played by Li Xuejian is obsessed with unifying the seven kingdoms of China and becoming its first Emperor. His lover, Lady Zhao, played by the beautiful actress Gong Li, devises a plot whereby she will travel to the neighboring kingdom of Yan to set a fake assassination plot in motion which will give the king an excuse to invade Yan. However, she falls in love with the assassin as the king becomes more and more ruthless.

There are subplots, and tragedy and constant high drama. There are scenes of great beauty and of abject cruelty. There is great cinematography and brilliant use of physical space.

The deep characterization made me think of Shakespeare. And tragic events that call to mind Greek drama. And yet it is totally Chinese as it deals with age-old questions of whether the ends justify the means. And raises the questions dealing with life and death and good and evil and all the blurred edges in between.

It is the story of individuals against the backdrop of history, a history that has shaped China for the past two thousand years. I was swept up in the story as well as the moral questions raised. There are no easy answers and this was one of the strengths of the movie.

Recommended. But be prepared for the violence and gore.


Chen Kaige lost his sense of tempo. I envy Europeans and Americans who can watch the film without following the dialog with their ears, because it is painful to do: slow, unnaturally heavy, and over-deliberate. But Westerners, on the other hand, suffer from the poor quality of subtitle translation, which manages to lose all the subtlety and double meanings that make a careful study of the film so much fun.


This movie is beautiful in many ways: the plot, the depth of the characters, the stunning photography and acting, the kolossal-like scenes of battles (no computer graphics here, just thousands of people). Someone said the story has something to do with the Sheakespearian tragedies. I find some connections with the Greek tragedy tradition, too.

The emperor, extraordinarily acted, struggles between power and love, but he is forced (for the greater good, for the will of his ancestors) to choose the power (and the loneliness, the hate of his subjects and kins) as his destiny. He, like Creon in Antigone, was a good guy before becoming emperor. Once gained power, he has to be merciless and cruel (with innocent children, his mother, his father, etc.) to defend and expand the empire. Entrapped by power he becomes a monster. Overall, The Qin emperor is a majestic Greek tragedy figure.

The assassin evolves towards a different direction: from pure evil to heroism and morality. Even this character is forced towards his destiny by love and by his new ethics. This character is really unforgettable, too.

Lady Zhao, a wonderful Gong Li, is the uncorrupted morality, nor by power or love or hate. She is morality against power, somehow like Antigone. Her conspiracies (for and against the emperor) have always a moral rationale.

In conclusion, a wonderful movie. If you love cinema and you want to try Chinese movies you can start here.


I enjoyed the film very much, especially the performance of the exceptionally beautiful Gong Li as the concubine.

It was a little distracting, however, to have Chinese dialogue PLUS English subtitles PLUS American-accented voice-over, even though the voice over was very well synchronised.

Qin shi huiang di's (The First Emperor of Qin's)family name was Zheng, and his given name Yiong so in the English he should have been referred to as "King Zheng" or "Emperor Zheng", and NOT as "King Ying Zheng" as in those days the two family/given names were not used together.

The State of Qin is pronounced "Chin" not "shin" - a pity the researchers didn't get this right.

I forgave this but was dismayed at the end when the commentary announced that he was buried at "Zai-an" together with his terra cotta warriors. The town Xi'an is pronounced "See-an" , never "Zai-an"- surely the American voice-over speakers could have got that right !


Leaving aside the drawbacks and deficiencies of the film mentioned by other viewers I must say that it seemed to me a film about power,which is in my opinion one of the most luring illusions. I saw the drama of an emperor and people. It seems to me that the director wanted to pose a question of what the benefit of nation is and what the price of "happiness" for all is. Is there justification for the enforced benefit and "happiness"? How much can be forfeited for the nation's security and peaceful existence? Is the idea of a powerful would-be empire worth reducing to misery and killing thousands of its citizens now? It seems to me that the emperor himself does not know the answer and seeks to learn it all the time the film runs. He is desperately torn between these desires and at the same time psychologically harassed by the discovery of his true origin. He seems to half hate his subjects for having to renounce his father and his love, half love the people as a good emperor should. No wonder his actions are controversial and emotions confused. It seems to me that as another film presenting the problem of power of man over other men the film is a success.


Chen Kaige gives us magnificent depth of atmosphere. Yes, it's a 'period piece', but Chen's artistic use of imagery makes it something more. The actors often behave like players using the stylized diction, postures and facial expressions of Peking Opera. All the actors in a scene play to the 'back wall' even when addressing each other. They are like spirits of the past enunciating with powerful clarity a story with urgent meaning for those in the present. Combined with close attention to scale and masterful cinematography indoors and out, "Jing ke ci qin wang" is a stunning tale told with great reverence in its own idiom that captivates completely.


Kaige succeeds in this beautifully done film. The pace matches the story, the direction is superb, and the casting/acting is perfect. The only draw back are one or two slight editing errors. I love film and I am a confessed stickler.


Quite a production from the director telling the story of The Qin Emperor's ambitious plan to unite all kingdoms of China. Some great characters, sets, costumes and scenes. However, I was not blown away by the film in terms of the actors ability (which was good I enjoyed the Marquis the most) or its look (although the massing of troops was extremely impressive, if it was real man that is a lot of extras!).

I have seen Li Gong in other movies and she is always great. Good period piece I think, but not one to judge the true historical accuracy of it. Good film and found the 2 1/2 + hours not a problem.

Rating 7 out of 10.


The movie invites comparisons to Shakespeare. The Mandarin is beautifully written and spoken, and the plot is intricate and intriguing. Never has Gong Li looked better, never has the glory that is China been better represented on the screen. The balance between political turmoil and personal intrigue that Gladiator hinted at but never really delivered is here in spades. Simply incredible.


This story documenting the rise of China's first emperor and his efforts to unify the empire was the most expensive movie production in Chinese history.

It's worth every penny. Visually dazzling cinematography, a sweeping score and outstanding characters make this one of the finest epics ever put on film (foreign or otherwise.) Please do not miss the opportunity to see this on the big screen.


Another period piece for Chen Kiage... (can't remember him doing a modern film!)...

Good characterization with a simple story of trust and broken promises. None of the HK fighting scenes, or the Hollywood type of heroes, but it is good because of it. The characters are strong, I really felt for them.

Understanding the mandarin definitely gives the English subtitles the edge. The film is 3 hours, but it didn't feel like it.


This movie is not for those expecting a martial-arts extravaganza. As for historical accuracy, I will leave that issue to those better informed on that subject. I thought the performances were wonderful. Gong Li never disappoints as the resourceful and (initially) loyal consort of the King of Qin. Fengyi Zhang showed a lot of flexibility portraying a ruler descending into madness. He chose the "Hannibal Lector" route, rather than resorting to ranting. For me, the best performance was from Zhiwen Wang as the supersmooth Marquis. The character came across as very oily, but in a subtle "Sir Humphrey Appleby" - Yes Minister kind of way.

The cinematography is the standout feature of this film. The scene when the Marquis and his men stormed the palace was breathtaking. There are also a number of wonderful battle scenes. Therefore, this film is highly recommended on the big screen.


The pace of the film is ponderously slow in parts, but if you can tune into its languid speed and lengthy silences then it is a satisfying piece of courtly intrigue. The story of the first Emperor of China, his childhood sweetheart and the personal cost of power. The film is very atmospheric, the extremely mannered and polite courtly ceremony and ritual contrasted with sudden brutal violence. Filmed in a way that evokes shadows and cold spaces. Battle scenes are rare and short, the focus is on the battle within the individual on what is right to do and whether the ends justify the means. The emperor's journey from idealistic peacemaker to ruthless tyrant is aiming to be subtle, but gives little background or convincing insight into the motivation of the Emperor, indeed his actions and aims do not really change throughout, only Gong Li's attitudes to him are altered. The most interesting performances are Gong Li's and the titular Assassin as they reassess when to fight, when to retreat, when to kill. The most expensive film ever made in China at the time, the Emperor and the Assassin does not rely on hysteric emotion or big battles, but rather a brooding atmosphere of menace and inevitability. Gong Li fans will be unsurprised to hear she is as stunningly beautiful as ever, giving an understated performance.


This movie is excellent ( i watched the French version ). There are many subplots (which usually detracts from the whole ), but they nicely unfold and concur to the "discovering of one's real self" main theme. In fact, the whole movie (besides his background ) is the journey to the discovery of one's ( or someone else's ) self. Is the King really a "good peacenik monarch" trying to wage a "war to end all wars" or is he just a disturbed, blood thirsty hoodlum? Is he a true king, after all? Is the attendant to the queen mother just a lusty, career-driven, spineless sock puppet or rather a sharp thinking, bold individual? Will the dame/concubine realize who the king truly is? What's between the king and the old chancellor? What's the secret everyone knows but won't tell? What's the true reason the assassin quit his "job"? Subplots (something i'm not particularly fond of ) are handled well and keep one watching until the end. Scenes are well crafted and CGI fits nicely in, without going overboard. Suspense is properly maintained and actors are upto the task. There is a lot of brain-damaged smiling, but that is how one was supposed to behave at the king's court ( as the dame/concubine complains about ). Realistic movie without superhero moments. This Chinese movie really puts Hollywood cardboard colossals ( Gladiator etc ) to shame.


The story of pre-unified China must be a popular one. Jet Li's Hero made the assassination of the King popular.

This is another story made a few years earlier. It stars the incredibly beautiful Li Gon (Memoirs of a Geisha, 2046, Miami Vice) as the King's lover, who was sent to recruit an assassin so that the King could defeat him. She recruits Fengyi Zhang, but falls in love with him.

No matter, he is not able to complete the mission anyway, as the King knew about him beforehand. I suspected he also knew, but went anyway.

It was a beautiful story with massive military operations, and, of course, another chance to see Li Gong.


A very great movie.

A big love story. Lots of sword fighting. Huge battle scenes. Heros and villains. Real history.

Few in the West know much Chinese history. Chin Zchaundi founded China. The country is in fact named after him. Some are familiar with the terra cotta army recently unearthed. This is a historical epic of how he ended the Period of Contending States and unified China. He founded a dynasty that only last 14 years but it was immediately replaced by the Han dynasty that permanently defined Chinese civilization ever since.

Chin (or the King of Zheng as he was known before he founded the empire)was roughly contemporaneous with Scipio, Hannibal, and Fabius in the West. The parallel Roman world dominance (West and East worlds) was achieved without a single towering personality like Chin. It would not be for another century before the West produced Caesar - the nearest comparable Western figure.

Chin is shown very sympathetically here in the beginning but he develops over the course of the film into a ruthless despot. History only records the ruthless despot part but the sympathetic beginning leaves room for real character development over the course of this long film. The famous story about the meeting with the assassin is as true as any two thousand year old anecdote can be. Gong Li is lovely. She is the emotional core of the story. It all makes for great movie making.


I have found this epic to be of an astonishing, striking, even heartbreaking beauty. Some kind of monumentality in beauty and decorative richness, a magnificent dramatic movement and dynamism. The choreography herein is hugely enjoyable, the actors are thoroughly enjoyable. I have been a big fan of CROUCHING TIGER  as well, but this one was even better. They have Kitano's ingenuity in delighting in what is pleasurable. This beauty affirming adventure cinema is an act of courage. When was the suspense so exquisite and genuine? And the art of showing huge crowds, gigantic armies . The film has something deeply satisfying, and a steadfast good taste. There is an enormous pleasure in making such a deliberately impressing and clean show .It's good beyond words. Few, few adventure films ,let alone epics, gave me such an uninterrupted delight.

Fan can be monumental. is not monumental artbut is monumental fun,like Leone's movies, like some '60s epics; also like the hobbits trilogy. It is largesized fun.


I have nothing but good things to say about this tasteful and heartwarming film. I think that the effort of the film's director/writer is courageous as well as inspirational. I loved this film not only for the fantastic story (which needed to be told), but also for the way the actors delivered the story. This is not another shallow "gay movie" that depicts stereotypical characters in humorous situations. This was a memorable and flawless effort to show people that love truly knows no bounds, and love is still as beautiful and wonderful as it always was.

Another thing that touched my heart was how well I could relate to the emotion portrayed in this film surrounding the coming out of one of the main characters. We all have to go through similar situations living in the society that we live in and feeling that feeling of detachment from everything that is "right" and "normal". I give my most heartfelt praise for this fabulous and courageous story.


Having grown up a Mormon and grappled with the church's bigotry towards Blacks (they were not allowed to hold the church's priesthood when I was a member) -- I wasn't aware of the organizations policy of excommunicating gay men and women until after I left the church in 1966 -- (I was 20.) I was stunned when I learned that friends who were gay were excommunicated even after serving on missions. LATTER DAYS exposes the Mormon's persecution of gay members. The film is LONG overdue. It does an excellent job of showing how the two lead males come to terms with one another, while managing to grow up and develop more fully as individuals. LATTER DAYS has great heart, wonderful original music and an added touch of class from Jacqueline Bisset. The film brilliantly tells the story of an individual who leaves behind the confines of organized religion and reclaims his very soul.


I love so much about this movie: the music, the cinematography, the acting, the story, and all the Mormon clichés. Just because they are clichés doesn't mean they aren't true! This is not perfect, it is a movie after all. Though excommunications are held in well-lit rooms with nice big desks and chairs, it was totally appropriate to portray it as the dark, cold scene they did in this film. I also liked the scene with the angel waiting at the bus stop, smoking a cigarette. I thought that was so cool. I mean, I believe that angels do watch over us. What is one supposed to do while waiting? Smoking is a way some people pass the time while waiting. I loved the irony cause Mormons make such a deal about smoking. I saw this movie 7 times in theaters in Salt Lake, and cried every time! It blows me away. And I've watched it 3 times on video now and it still makes me cry every time. I would jump at the chance to see it again on a big screen. I hope the Tower Theatre in Salt Lake will bring it back regularly at General Conference time, as a cult movie (pun intended, but no offense intended).


I may be a sentimentalist. But i found this movie truly moving. It was the first movie that reduced me to tears. And it did it more than once!! I recommend it to anyone both gay and str8. Religious or not! Supporting co-star Jackie Bisset stole the show, especially with her one liners. The nude scenes were superbly crafted as well, and all in were good taste. Most shocking was the portrayal of the orientation reversal deprogramming instituted by the Mormon church to the lead character. It shocked me that this still goes on in the world. Nevertheless I enjoyed this movie tremendously. This is definitely the best gay film since Torch Song Trilogy. And much better than the other gay movie offering that year - The Fluffer.


Latter days is the best gay movie of the homosexual genre. Most of the films entail sappy stories, one night stands, and let us not forget infamous baseball teams? Latter days actually contains male affection beyond the kiss in the dark, and quite graphic material that made me wonder whether the film belonged at Blockbuster or badpuppy.com. The films emotional journey is what sets it above the rest in the genre. Not until this film had I seen a story of such intense passion and love, and the torture that it can bring. I think when people cry during movies they should be beaten, but I found myself sobbing throughout several scenes because of the realistic nature of the world in which we live. I suggest every gay male see this film, and if you have a boyfriend, thank him...


I am a Sociologist/Anthropologist specializing in the field of Symbolic Interactionism, and I must say that this film exhibits high quality in the symbolic context throughout the entire film. To anyone who has not yet seen this, I recommend that you also read "Man's Search For Ultimate Meaning" by Victor E. Frankl. I think you will be able to draw some amazing correlations.

That being said, I would like to say that despite the fact that the main characters are gay, this is not a story about being gay. This is a story about seeking out and finding meaning in life, despite the difficulties and challenges, the pain and terror that stand in your way. This is a story of seeking and finding balance and wholeness and happiness.


This was truly a deeply moving movie in every sense of the word. I myself was a Mormon missionary and I know first hand the wanting to complete my mission but at the same time hiding the fact that I was gay. Like the character Aaron, I was sent home for being found out and excommunicated, but being the only Mormon in a family of Catholics wasn't as big a shame as it was for the lead character. This movie really took me back to those days and helped me to realize, years later, how fortunate I was to have a family that accepted me and understood what I was going through. I found myself applauding the end of a movie when Aaron and Christian find each other again by shear chance at Lila's Restaurant. I was truly moved to tears. I highly recommend this movie to all who read this review and also declare it a must buy.


First of all, I'd like to say I'm just an amateur in commenting movies and that English is not my native language, but that I felt a strong feeling compelling me to write about such movie; possibly as a way to thank and congratulate C. Jay Cox, the cast and the crew for such a brilliant production.

Yesterday I watched "Latter Days" for the first time.

At first I thought it might be similar to the movie "Priest", which I liked very much for showing a gay priest out of the closet. But "Priest", maybe due to its restrict Catholic Ideological notions, didn't supply my spectator's needs by revealing a profound sad end.

"Latter Days", on the other hand, broke that concept (and some other ones as well, such as the Mormon's principles); presenting a tender and cheerful story, leading it to a happy and emotive end, and yet arousing a feeling of God's blessing and hope. A great movie indeed!

Somehow "Latter Days" made me feel L.A. as a city of angels.

I would recommend this movie to anyone who likes astoundingly beautiful gay love stories!


The very first time I heard of Latter Days was when I was renting DVD's and I was interested as I am a member of the LDS Church. I found this movie very heartfelt and in several areas it made me cry. The reason for this is that too many years ago I knew a young man who went through what Aaron (played by Steve Sandvoss)does in Latter Days, but unlike Aaron this dear young man did not survive the ordeal. He ended up taking is life after his church, his friends, and his family disowned him because he was gay. There have been many people who do not think that the things that are shown in the movie really happen in this day and age, but the sorry and sad thing is they do. For those of you out their who are gay and young you need to see this movie and if you are a gay Mormon you really need to see this movie. Plus if you get the DVD there is help for you listed in the DVD. Teenage suicide in the gay world is very disturbing and this movie touches it but that part is hidden to a degree. The acting and the music is excellent. This movie sold out every movie house that it showed but it only showed in major cities and had a very limited release, so for those who would like to see this movie I would recommend the DVD release. The only people that I know who did not like the movie are members of my own church and they did not see the movie because of the subject matter gays and the LDS Church. See the movie, experience the story, and feel the emotions that are showcased in this movie you I feel will not be disappointed.


Four holy young men from Mormon country go to L.A. to preach the gospel to urban heathens. But, one of the young Mormons is a repressed gay who "happens" to cross paths with a very "out" young L.A. party boy. (What would film plots be without coincidences?). These two, very different, young men become friends, and in the process, affect each other's outlook which, in turn, sets up an inevitable clash between gay and Mormon cultures.

That is the premise of "Latter Days", a 2003 film, written and directed by C.Jay Cox, himself a former Mormon missionary. The film's story is, of course, highly relevant, especially in contemporary America. Variations of this story need to be told, and retold, and retold, hopefully in future films ... because the underlying theme brings to light the hatefully superior attitude that Christian fundamentalists too often display toward gays. By its nature, "Latter Days" is provocative, and I doubt that the film was well received in Provo or Pocatello, even though the script is intelligent, sensitive, and insightful.


LATTER DAYS

Aspect ratio: 1.85:1

Sound format: Stereo

Trouble flares when an LA party boy (Wes Ramsey) falls in love with a handsome Mormon missionary (Steve Sandvoss).

A huge hit on the festival circuit and on limited theatrical release, this likable movie - the feature debut of screenwriter C. Jay Cox (SWEET HOME ALABAMA) - is an exercise in 'opposites attract', in which Ramsey's shallow-minded character is changed forever after falling hard for vulnerable beauty Sandvoss, who is constrained by the dictates of his religious convictions. Here, the path of true love is paved with hardship, not least of which is the reaction of Sandvoss' fellow Mormons to his newfound sexuality, which results in his excommunication from the church and the wrath of his indignant parents (Mary Kay Place has a small but devastating cameo as the boy's outraged mother). But Cox's script focuses chiefly on Ramsey's path to redemption, as his hedonistic lifestyle is thrown into disarray by Sandvoss' influence, and by the responsibilities which emerge as a consequence of his developing maturity: He volunteers as an outreach participant, delivering food to AIDS patients living at home, leading to an unexpected friendship with former party boy Erik Palladino (TV's "er"), whose illness provides Ramsey with a much-needed wake-up call.

Cox's script is laced with juicy one-liners and various pearls of wisdom (on Mormonism: "Your church doesn't like alcohol or homosexuals? Well, I'm definitely not joining - I can't imagine heaven without both!"), and the characters are surprisingly complex and well-drawn. Ramsey has the showier, sexier role (he's first seen doing something rude to a willing participant!), but it's Sandvoss who has become something of a gay icon, with his sensitive portrayal of a sweet-natured innocent whose journey from Darkness into Light leads to a startling revelation about his place in the world around him. He and Ramsey are well-matched, and their inevitable sex scene (brief but memorable) is followed by a compelling sequence in which Ramsey describes a childhood trauma which has defined his life to date.

Filmed on hi-def video and transferred to 35mm for theatrical exhibition, the movie's meager budget places limitations on the scope and grandeur of Cox's ambitions, though the characters and situations are strong enough to survive this minor drawback. Jacqueline Bisset shines as a worldly-wise restaurateur at the diner where Ramsey waits tables for a living, and Joseph Gordon-Levitt ("Third Rock from the Sun") steals everyone's thunder as Sandvoss' fellow Mormon, opposed to his friend's relationship with Ramsey on religious principle... but ONLY on principle. Though a little stilted in places, the movie aches with romantic longing, and deserves plaudits for its honesty and compassion. Best seen with a crowd of like-minded viewers, preferably with a loved one by your side.


I was impressed by the story. It had the "typical" predatory gay male and the "typical" Mormon missionary. But, they each also had friends and family who balanced their lives well. There are a number of characters, some nice and some not so nice, each with their own personality nuances. And, most reminded me of people in my own life.

The story starts out with several humorous moments and slowly evolves into a heartwarming relationship film. The story progresses without obvious plot turns and never talks down to you. It makes you think a bit while waiting to see what happens. Even when I thought I could foresee something coming, I was surprised by how it actually came about.

Not many movies make me laugh knowingly at real gay dialogue and then bring a tear to my eye when I feel the characters' pain. I watched the film on DVD, and couldn't bring myself to stop watching until it was over. (Usually, I watch a film in pieces over a couple of days.) It's nice to see a film with gay characters that is uplifting, but not preachy. I highly recommend this film! And, not just for gay audiences. The relationships transcend sexuality.


Without a doubt the most impressive recent gay oriented film I've seen. C. Jay Cox hit the nail on the head with this one. The way he handled the issues surrounding faith, family and sexuality were very well done. Casting was perfect. Wes Ramsey did a fantastic job at pulling off the character of Christian and Steve Sandvoss will knock your socks off in the role of Aaron. Both brought an incredible amount of realism to the roles and the impacts these issues have on young gay men. As a gay man who grew up in a very religious environment (though not Mormon)the identification with Aaron's character was phenomenal for me. Strongly recommend this film to anyone, faithful or not, who is interested in how young gay men have to deal with family and friends in an oft times unfriendly world. By the way, the music in this film rocks! Another great job by C. Jay Cox.


Back in 1982 a little film called MAKING LOVE shocked audiences with its frank and open depiction of a romantic love story that just happened to be about two men.

I have been waiting for years for a good, old-fashioned romance between two men; LATTER DAYS is all that and more.

Yes, it is soapy, melodramatic, cliché-ridden, and quite corny. That is what makes it so wonderful. There is nothing like a good romantic movie, and this movie is romantic in the best sense of the word.

As to the issue of religion, sorry folks, but these things do happen and are happening to gay people even now. It is not just the Mormon church that rejects its gay members. Gay people in every religion have faced harsh judgment and rejection.

I loved this movie. It has a perfect blend of a fantasy-romance grounded in the reality of the day-to-day lives of the characters. If I could give it more than ten stars I would. Good love stories never go out of style; great love stories like LATTER DAYS are unforgettable.

It's about time!


"From C. Jay Cox, the writer of the hit comedy 'Sweet Home Alabama', comes a heartwarming and tender gay romantic drama that combines laughs, seduction, tears, and plenty of romance. The handsome Aaron (Steve Sandvoss), a Mormon missionary, travels door-to-door in Los Angeles spreading the word of his religion. Christian (Wes Ramsey), a cute West Hollywood party boy, goes from man-to-man without much commitment. Opposites attract when Aaron and Christian meet, and sparks begin to fly.

"Featuring two star-making performances from Sandvoss and Ramsey, the film also features a terrific supporting cast including Mary Kay Place, Joseph Gordon-Levitt, and international screen legend Jacqueline Bisset," according to the DVD sleeve description. Not to mention some sweet vocalizations from Rebekah Jordan (as Julie), the stock sympathetic roommate. Debuting director Cox turns his otherwise ordinary "Latter Days" into a enjoyable and touching drama, due to some story surprises and an engaging team.

******* Latter Days (7/10/03) C. Jay Cox ~ Steve Sandvoss, Wes Ramsey, Jacqueline Bisset, Joseph Gordon-Levitt


Latter Days is a very, VERY independent movie. And compared to many of today's more modern films, it's lacking on many parts. The shooting seems at times quite amateurish, the dialogues can be a bit chopped up and the characters are not impressively complex. So, don't have too high hopes for this movie, because as I've said, it's very independent. But whatever it lacks in the concrete aspects of the film can be overlooked because of the story's charm! I cannot claim that the plot is outstandingly original, but the story is still beautiful and heart-warming in many ways! It's not about being gay versus being straight, it's about faith, and how you decide to run your own life! It's a silly story, that makes you want to both cry and smile at the same time! So to be honest, Latter Days is far from perfect, but I truly loved the movie and I highly recommend it! It's very critical towards the religious aspects of our society, and there is homosexuality involved - but approach it with an open mind, and I'm pretty sure that most people will enjoy it as much as myself!


Excellent performance by Mary KAy Place, Steve Sandvoss, Jacqueline Bissett and Rebekah Johnson. Superb story that reels you into the movie, emotional, yet light-hearted. I own this movie, and everyone that I've shared it with, loves it. Great for mixed company, 18+ crowd.

Nice production, not a cheap budget, well organized, and keeps your interest. Uses dome newer ideas, for flashbacks, and at one point keeps the viewer at the edge of their seat.

No matter what walk of life a viewer is from, they will buy-in to one or more viewpoints in this film.

Would love to see a sequel!


This is an all-around superb film. A moving experience filled with real life emotion. There's lessons to be learned here about love, sex, work, religion and American culture regardless of one's sexual preference.

While this film is also a scathing indictment of the Mormon's (Church Of Latter Day Saints) belief system, any conservative faith could easily take its place. But it's a bit ironic that homosexuality is currently condemned by the Mormons in no uncertain terms. Here's a faith that mandated for generations that believers practice polygamy! And these true believers only gave up this practice because they were forced to do so by the Federal government in order for Utah to join the Union. Talk about a unique form of hypocrisy!

The sex scenes portrayed in the unrated version are tasteful, and surprisingly brief. There's nothing here that would offend anyone with an open mind.

What this film makes so obvious is that homosexuality is perfectly natural to people who are gay, as heterosexuality is to people who are straight! While love and sex are obviously quite different needs, its absolutely beautiful, beyond words, when both occur at the same time between two adults! Profound erotic love is one of life's most precious gifts! My congratulations to the filmmakers for a job well done!


Hey guy, this movies is everything about choices. All the times in your life you must pick something or it just pass away... And this movie prove that! Of course, life in fact is not like a beautiful picture as this movie shows... it not shows indeed but some may figure that. I'm trying to say it's full of pain, love and deep lessons of live. Aaron, the Mormon missionary is the real shepherd digging out the thing beautiful deep inside Chisthian, the skin feeling guy...

It's a great end and you do always believe in fate because it will surprise you in a turn or in other of your live like Latter Days...

Big deal watch it!!!


I watched this movie on LOGO television today. I was absolutely enthralled by the powerful messages and plot line within this film. I don't want to spoil it. I will say this, I related to the inner struggle of Aaron and his upbringing. As a gay man growing up in a small town, I related SO well to the "big secret" and the choices I made. This movie has made a HUGE impact on me and I plan on buying a copy of it in the very near future for my personal library. I no more than finished the movie and began calling my friends to recommend it. It had that profound of an effect on me. To those who read this comment. WATCH it. Try to have as little distraction as possible. Also,keep an open mind. This is not a film that can be viewed like a Disney film or the movie of the week. Instead, take the time to watch and actively LISTEN to the dialog as well as read between the lines and get involved in the plot. You may find yourself in tears. Not since "Steel Magnolias" have I been moved to tears by a film. This one did just that. Thank you to the cast and writer and crew for producing an emotionally charged romantic film about homosexuality and religion. It has been LONG overdue.


If you've got a box of tissues, a comfy couch, a large bowl of popcorn and no social commitment on a Friday night, this is definitely your movie! Its romantic, its hot and its challenging. For most of us gay people, religion is just one of those things that we did when we were kids and probably just starred at the alter boy and how cute he was! But in Latter Days, you see the struggles of being gay when your entire world revolves around belief's which totally contradict being gay. The two main cast members were totally hot, but at the same time managed to capture your heart and even make me 'almost' cry (I have never cried in a movie!), which I thought was quite impressive for a B grade movie. I highly recommend this flick, you will laugh, you will cry (unless your me) and you will definitely drool! I love it so much I even purchased the DVD for my collection. Its truly the most beautiful movie ever


For an independent film it scores well with reasonably high production values and a great cast. The acting is uneven but the plot is compelling. We could have used a bit more development of Wes Ramsey's character, but hey, the guy's fun to look at nonetheless! Mary Kay Place and Jacqueline Bisset are like icing on the cake.

It's not surprising that it was controversial on its release. It presents a less than flattering portrayal of the Morman Church and its relationship with gays. While, like Brokeback Mountain, it's about tolerance and accepting one's own life, I found it to be more successful in conveying a positive message. It was more moving, too.


I love a cute heartfelt movie with a happy ending. This movie could be considered a drama, bout two characters realizing true love, but the story's so touching and so sweet that in my mind its a romance. Granted, the acting is not so great (thats y i didn't give it a 10) but they do the job, and they don't overact (thank god) plus they're cute, but the story's powerful and just plain adorable (some of u pansies will choke up)!!!!!! its a great watch for a love story, but if ur homophobic, STAY AWAY! for everyone else, i loved the movie, its soo sweet! i felt its a brokeback on a smaller scale...but with a happy ending....so enjoy!!


I watched it last night and again this morning - that's how much I liked it. There is something about this movie... When the movie was almost over, I was about to cry. I would strongly recommend "Latter Days" to my friends - it's definitely worth seeing! I agree with those who say that some parts of the movie do not look very realistic. For example, both main characters are totally cute and in perfect physical shape (although, round is also a type of shape:) ). I rarely meet people like this as singles and I have never met any in couples. Other parts of the movie, including all those "coincidences", do not look very realistic as well. BUT, after all it is A MOVIE, not a life story.


With the exception of the main character, the acting didn't convince me, but the story was quite good: It's about a love affair between a gay party boy and a young Mormon missionary. As you can imagine, such a relationship is quite problematic. The movie is very American and, as such, has some metaphysical undertones to counterbalance its criticism of religious intolerance. But some story lines are hilarious: one of the main characters asks his gay colleague: "Do you believe in God?" And he answers: "you mean: other than Madonna?" All in all, the film is not one of my all-time favorites, but the script is really good and I really liked it: it's entertaining and stands up against (religious) prejudice and intolerance. I think this is an important message in our times. Since I rated films that I liked less with 9, this is clearly a 10 for me. Some people may find this exaggerated, but I think this film deserves it.


Latter Days for me was a very moving film, it showed just how hard and disrespected the gay community really is. The film etherizes true passion and really explores the feelings of these two characters, the film holds a real depth of compassion for the gay community, as it really speaks out for the gay man/woman. Personally i think it's about high time that the homosexual community of all religions should no longer hold there head in shame, just for being there beautiful self. The film was very much of a eye opener for me as I could not believe how anti homosexual this world really is. Even at schools if a kid dislikes something they will refer to it as being "gay". I real hope that more film like this one are made, and that they are not just labelled as a "Gay" film but as a love story, as I believe that gay directors should stick up for themselves and tell their story through their eyes.


Honestly, at first, I watched this movie because of the gratuitous sex scenes I heard it possesses but by actually watching the film, it just made me realize that there are still good and sensible movies out there. Truly, it is one of the most well-crafted and touching movies I've ever watched. I'm a teenage bisexual and the film spoke to me about my predicaments - sex, religion, love, acceptance, etc. It gave me an idea on how to deal with these issues with the help of my self and others around me who love me for who I am. Cox really handled the movie well by sprinkling dozes of heart-warming lines and a bit of sexuality in it. It made the movie more interesting. Some people compare it to Brokeback Mountain but I don't agree myself. Brokeback Mountain has more drama while Latter Days is well-balanced.


When i was told about this movie i wasn't too happy to see it, although by the end credits, turned out to be one of THE best movies i have ever viewed.

the movie it self is quite graphic (male to male scenes, you don't see everything) wouldn't be a gay themed movie if there wasn't...

the movie is very light hearted with humor and contains some very funny parts. i highly recommend this movie, about 3 quarters through you really feel for the main characters, and this i think brings the whole flick together.

once again, very nicely put together.. plus cute Mormon.


I loved this film!!! It was so easy to become a part of the characters lives and really feel the emotion they were going through.

A film filled with laughs, sarcasm, shocks and upset just a fantastic romantic drama really!

The only part i didn't enjoy was in the special features. The behind the scenes commentary was a little off putting. Because i'd seen the film before the extras i prefer thinking of the actors like the characters (silly i know) but the actors personality's are very different from the characters they play. But nevertheless its a totally fantastic, spectacular, brilliant film i recommend that anyone who looked at this film and thought hmmmmmmm should i buy it? answer must be a definite yes!


A truly remarkable film that takes you on a journey through your hidden emotions,a deep and enlightening story. The story takes you through the lives and beliefs of gay and religious cultures, with excellent performances from an superb star cast. It will touch the deepest reaches of your emotions, for those who belief that a love that risks nothing, is worth nothing. The film starts with introducing us to the characters that on the surface seem to have everything ,later we find that beneath the surfaces of each character they are looking for a journey of self discovery. We learn from this story that we all must chose the path in life that we are destined to be on despite what difficulties we encounter,an all thumbs up film!!!!!


"Purgatory Flats", shown on cable recently, is a small movie that packs a lot. Harris Done directs with style. The screen play by Mr. Done and Diane Fine makes a good thriller.

If you haven't seen the film, perhaps you would like to stop reading.

The film is the story about a young L.A. doctor that made a mistake and lives to pay for it. Upon being released from prison he wants to hide in a small town where he feels he will be forgotten. Bad choice! What Thomas Reed finds in Purgatory Flats is hell in the desert. Right after landing a job as a bar tender, Thomas meets a pretty young woman, Sunny, who, clearly is someone to stay away from. The young doctor is called to help as Sunny's boyfriend Randy, is gunned down by a drug dealer.

We get to know Randy's family. His uncle Dean appears to be OK, but his brother Owen is a loose cannon. Every one in the household is connected in more ways than one to the nubile Sunny.

The performances are fine. Vincent Ventresca is Thomas, the man who should have gone to his L.A. practice instead of making a detour to the small town. Alexandra Holden is Sunny, a young woman with a tremendous ambition to escape her surroundings. Kevin Alejandro, Gregg Henry, Brian Austin play the men in the Mecklin family well. Nicholas Turturro makes also a good contribution as the drug dealer.

The film shows a director with promise who will go far judging from this tightly constructed film.


After spending five years in prison, Dr. Thomas Reed, played by the incomparable Vincent Ventresca, exiles himself to Purgatory Flats and winds up tending bar. He soon meets the luscious, angel-faced Sunny (Alexandra Holden). "You are wicked." he tells her. "You have no idea." she replies as she sips her Slo Comfortable Screw and languidly drags on her cig. Reed finds himself entwined in the violent troubles of her family and the femme fatale story unfolds set against the desolation and desperation of the oil-drained western town.

Canny direction. Great performances. Superb entourage work. And some lust scenes that sizzle like the sun in Purgatory.


My friend took me to a screening of this movie in Hollywood and it was awesome! It's a film noir with amazing acting, great script, cool music, the whole thing was very well done and entertaining. Don't know if it is getting a release in theaters, but this would be a great date movie or a fun movie to rent if you see it at Blockbuster. This is the kind of movie I love, low on budget but big on style and imagination. I hope Alexandra Holden gets more big parts like she has in this one, she is fantastic.


I am so happy not to live in an American small town. Because whenever I'm shown some small town in the States it is populated with all kinds of monsters among whom flesh hungry zombies, evil aliens and sinister ghosts are most harmless. In this movie a former doctor, who's just done time for an accidental killing of his wife in a car crash, directs his steps to the nearest small town - he must have never in his life seen a flick about any small towns - which happens to be the Purgatory Flats. And, of course, as soon as he arrives there all the hell breaks loose. He meets a blond chick who out of all creatures most resembles a cow both in facial expressions and in brain functioning and at once falls in love with her. But there is a tiny handicap, she is already married to a very small-time drug dealer who in a minute gets himself shot pitifully not dead. To know what has come out of all this you should watch the movie for yourself. I'll just tell you that it's slightly reminiscent of U Turn by Oliver Stone but is a way down in all artistic properties.


Found this movie in a rental store. Never heard about it before, but it was a good movie. Great acting, and thrilling story line. Great kudos to Vincent Ventresca. He made Thomas character very attractive, and brought a special atmosphere to this movie.

NJ


This short movie intends to focus on one issue sociologically known as cultured shock. the film presents the condition of average Romanian in democratic Romania who finds out that the life and the problems are not different from Communist period, and if you want something, you must bribe around to get it.

So, our main character is fired after a long while, he is around 50 and needs to get a similar job, but the only job available is one inferior. He is forced to take it because the lack of money.

My opinion is that you have to live in Romania so that this movie can be as real and tragic as it seems.


What are the movies? I mean.. what are movies made for? Shootings? Killings? NO. They are made for life stories and this is what this movie does. It presents how the life has changed between two ages. The father and a son, the father being in a need of a job and asking the son for help.

Although there is another generation, there are some characteristics which remain including the caress for the family.

The main subject is, in my opinion the love of the son to the father and vice-versa.

The movie is consisted of ONLY one dialog but that dialog is more than I could ever wanted. This movie is a pure art! Once again, after "Marfa si Banii", Cristi Puiu delivers us another beautiful movie. Well done !


No this is not an Ed Wood movie. "Angora Love" is Stan Laurel's and Oliver Hardy's last silent movie. The end of an era! In the '20's Laurel & Hardy left a real mark on the silent movie genre with movies that are still popular and being watched and aired regularly, this present day.

It's a shame that this movie is however not among their best.

The premise of the movie sounds good and is good. The boys team up with a goat this time, which of course leads them into trouble and for us some hilarious situations to watch. It however at the same time is extremely silly and just totally unbelievable to watch the boys doing comedy stuff with a goat. Most of the jokes in the movie still work good but the movie just however never gets truly hilarious or memorable. The comedy and story really feels lacking at times and is mostly too simple and predictable.

Of course still good and fun enough to watch for the fans but still a slightly disappointing last silent Laurel & Hardy entry.

7/10


WHENEVER an idea was successful during those "Golden Days" of the Silent Movies, you could bet your bottom dollar that it would be repeated; although "Reworking" is the term that is used. Of course one could make the argument that this reworking business has never left us, for success in the Movies or TV always leads to a trend; with all competing parties vying to come up with their own version of said hit Movie or TV Program.

TO this last premise we strongly disagree; for this is copycatting or plagiarism, plain and simple.

THIS, the last Silent Laurel & Hardy Short, surely must have been quite well received; for ANGORA LOVE (Hal Roach/MGM, 1929) was reworked on the Roach Lot, not once, but twice over the next three years. We were treated to LAUGHING GRAVY (Roach/MGM, 1931), in which the Goat was replaced with a cute, little puppy-dog. Also, the weather is transformed into the dead of Winter, in the middle of a blizzard. They also made other line-up changes with substituting Landlord Edgar Kennedy with Landlord Charlie Hall.

THE second reworking of the hidden animal premise is the 3 Reeler, THE CHIMP (Roach/MGM, 1932), which substituted a female ape from a dissolved and defunct Circus, to which Stan and Babe were former employees. The Circus paid off its employees with their assets and the Boys received the Chimpanzee as their final payday.

BACK to our original 'victim', today's subject, ANGORA LOVE. Recomember? THE short starts off simply enough. The boys encounter the Goat on the street and the Nanny in return follows them back to their rooming house; after Stan feeds a doughnut to her. The comic moments that follow are generated with the interplay between L & H and slow-burn exponent, Edgar Kennedy, their Landlord. The incident's impact is amplified by having the interplay occur at night. And as luck would have it; their room is situated directly above the Landlord's quarters.

IN addition to the noise, the bathing of the goat, its odor and Landlord Edgar's suspicions about Laurel & Hardy's having another person illegally in the room; we were most amused by a little throw-away gag, which may well have been missed by the Censors. While admonishing the boys about the noise they'd been making and reminding them of the house rules about any unauthorized person's being in there overnight, regardless of their sex.

ITS camera shot is made from inside The Boy's room, over their shoulder. With Edgar in the hall and facing them, he warns; "Remember, this is a respectable establishment!" Just as he says this, a lady clad in evening clothes walks across and behind the Landlord; followed by a uniformed Sailor, who cocks his hat forward as they pass! POODLE SCHNITZ!!


This was Laurel and Hardy's last silent film for Roach Studios. However, since the public had a real thirst for "talkies", this same short was re-made by the team just a few years later with only a few small plot changes. LAUGHING GRAVY was essentially the same plot except that Stan and Ollie were trying to hide a cute puppy from their grouchy landlord--not a goat like in ANGORA LOVE. This whole goat angle is the worst part of the film. While you could understand the boys wanting to keep a cute little dog (after all, it is snowy outside), why exactly they bring a goat home is just contrived and pointless. According to the plot, the goat followed them home and so they got tired of shooing it away and kept it. Huh?! This just doesn't make any sense--if it had been a giraffe or a cow, would they have done the same thing?! Apart from being an unconvincing plot, the movie itself is pure Laurel and Hardy, with a familiar plot and familiar roles for the comedians. This film features quite a few laughs, but unfortunately isn't one of their better films to wrap up their silent careers. This aspect of their careers just seems to have ended with a whimper.


OK, I don't kid myself that this is the typical gay love life but since when are straight romances in real life as they are on the screen? This movie is well-balanced with comedy and drama and I thoroughly enjoyed myself. It was a riot to see Hugo Weaving play a sex-obsessed gay real estate salesman who uses his clients' houses for his trysts with the flaming Darren (Tom Hollander). And having seen him in Priscilla, Queen of the Desert only the day before, he is probably one of the most secure-in-their-masculinity actors around. :) Anyway, the plot flowed smoothly and the male-bonding scenes were a hoot. Thumbs up! 8/10


Though I saw this movie dubbed in French, so I'm sure it lost something in the translation, lack of accents, etc., it was an excellent, fun movie for a lonely night in a hotel room--a real pick-me-up that portrayed accurately and positively the complexities of individual sexuality, gender role, and finding a place within the communities to which one is supposed to belong--male, gay, urban, 30-ish, etc. I was very proud of French television for showing such an honest and positive portrayal of the gay community. While the fact that the gay lead character ends up somewhat "straight" in the end is mildly disappointing, that's life, and that happens sometimes. This is a great movie, whether alone or with a date! A really enjoyable experience.


This is a thoroughly enjoyable, well-acted film. It is funny and sometimes hilarious. The finale is a bit disappointing, since it tries to wrap everything up into too neat a package. The film is better remembered for its priceless vignettes: the Jane Austen staging, the camping trip as examples. B & H does not attempt to mirror the predominant attitudes toward homosexuality and bisexuality. Most of the characters are quite accepting of sexual diversity. In that sense it is a joyous vacation from homophobic society. And it is a celebration of a flexibility, a loosening of rigid sexual categories--perhaps a happy harbinger of things to come.


The biggest tragedy surrounding this thoroughly delightful movie is its lack of U.S. distribution. I was fortunate enough to see this film at the Boston International Festival of Women's Cinema, and highly recommend it to anyone who gets a chance to see it. Terrific performances, and thoughtful script and great direction from the talented and funny Rose Troche all combine to make this film a winner!


Bedrooms and Hallways was one of the funniest films of the 1999 Melbourne Film Festival. From the UK, it is about a young crowd of flatmates and their various relationship dilemmas. Much of the humour is centred around a new-agey men's self-help group where they pass around various implements like the 'rock of truth'. They also go on a 'hunter gatherer' weekend with hilarious results. Trust me, you'll laugh your teeth out.


An inspired choice of director for this latest Brit-Flick, Rose Troche, who burst on the scene with the budget-free tale of NY Dykes, _Go Fish_ brings a gently Jaundiced view to this tale of a Londoner choosing the slightly inappropriate milieu of a male bonding society to declare his lust for a fellow seeker of masculine truths. The highlight for me is a scene where the society try to revert to being primitive hunter-gatherers but end up ordering a take-away. The film as a whole is wonderfully acted and Troche, who'd never be accepted by some of the lesbians she portrayed in her previous film, relishes the bigger budget by indulging in some wonderfully lingering pan shots that contrast with _Go Fish_'s grainy hyperkinesis. A really enjoyable film


I seriously enjoyed watching this movie for the first time some years ago and whenever it gets aired again somewhere (which luckily happens from time to time in European cable television) I experience the same thing, I'm moved, entertained and end up wishing there were more movies like this one.

It all deals with Leo (Kevin McKidd) and his group of friends living in urban London, Leo as a gay guy who follows a friend to a hilarious New Age Men's Group and falls for straight guy Brendon, played by dashing James Purefoy, who turns out not so straight after all. Thrown in as side characters are the equally great Tom Hollander and Hugo Weaving whose side story alone is worth watching the movie, Simon Callow as the leader of the Men's group, turning in a great as ever performance. But it's really hard to pick some folks out here, because every character, the female ones like Jennifer Ehle's, Julie Graham's and Harriet Walter's as well, are exquisitely acted. Maybe even Kevin McKidd looks a little pale compared to his co-actors but it benefits his somewhat subdued character.

The idea behind this movie is a simple one: There is never only black and white, classifications are difficult and may not always stand the test of time.

Leo identifies as gay but ends up falling for a woman as well who turns out to be his teenage sweetheart and Brendon's long time girlfriend. Brendon starts out straight but gets to learn that gay may be more than just an option for him and being bisexual might not be that bad after all. Darren and Jeremy (Hollander and Weaving) are gay and loving it and even the straight folks in the movie, like Angie, Leo's female roommate, get their fair share of love and funny moments up until the end of the movie. The comedy bits(especially Tom Hollander who's just hilarious) are funny and on point and the emotions are believable, as confusing as they may appear at times reading this summary.

What I like about this movie is its genuinely positive notion. Whether you're gay, straight, bisexual or simply not sure, this movie leaves you feeling that it's just okay NOT to be sure and that "not being sure" might be something worth living out as well! Sexuality is portrayed fluid in this movie and none of the main characters seem to have a real problem with it, apart from all the gay/straight camp fights that you sometimes get fed with in other gay themed movies. I can only wholeheartedly agree with the subtext of the movie, that what you feel certain of one day, when you think you identify as gay, straight, whatever, can look very different on another. I have never seen (what to call it?) bisexuality or maybe just the absence of the segregating need for sexual classification being portrayed in such a heartwarming and true to life manner.

This movie dares going where few movies go, gay or straight movies, by not playing on labels and stereotypical assumption of sex and relying on that. It goes further and assumes that there may be a life to sex after well-known classifications and I think the times are more than ready for that and other movies exploring postmodern themes like this one!

And for all others who don't care about that, heck, it's just a funny comedy worth watching on a rainy Saturday evening with some popcorn on your hands. Give it a try!

Loved it!


This movie was a pleasant surprise because I didn't expect much. I didn't know that some of the actors have since become bigger stars in major pix. While moving on to the Matrix is not a plus in my book (hated it), I'm sure it's a career plus for Hugo. James Purefoy is great in this and Jennifer Ehle sweet and wonderful. It seemed sometimes like a Carnaby street romp 30 years later but I enjoyed the thrift shop Janis Joplin clothes mixed up with the modern mindsets of sexual and gender blur. The real estate agent who has an erotic relationship with his listings is loads of fun. The Iron John mens' group meetings are a bit dated but I still loved them. It's a social satire sex comedy in the best way and reminds me a bit of the old "Carry On" movies. The British know how to do sex comedy and it's an old tradition, unlike the United States which is too prudish to really understand that sex is funny.


Bedrooms and Hallways gives its audience a look into the mind of a man who thinks he's found himself, only to find out that he's not so sure he found the right guy. If you think that all gay comedies are the same, check this one out. Although the movie ends without much resolution, the hilarious one-liners, peculiar situations, and quirky characters are sure to satisfy.