Playford's Collection of unique Scotch-tunes (full of highland humours) for the violin (1700), Margaret Sinkler's Music Book (1710), and James Watson's Choice Collection of Comic and Serious Scots Poems both Ancient and Modern were all published early in the century (1711). The former contains pieces by Henry Lawes, John Stanley, and others. The eighteenth century saw a rise in serious musical composition. Classical models began to be adopted more often, leading to a greater complexity and sophistication of style. Also important was the growth of interest in Europe and America, which brought many new ideas about musicology and performance practice. Composers such as Haydn, Mozart, Beethoven, and Schubert are among those most associated with the century, but many lesser-known musicians contributed greatly to its development. In fact, some historians have argued that the century was the greatest age for new music creation yet! In England, there were three main styles of music consumption: church music, popular music, and court music. Church music was composed primarily for use within churches, although it might also be performed outside during services or on special occasions. If you visit England today, you can still hear this type of music - for example, the organ is a very English invention dating back to the fifteenth century. It was used primarily within churches but also appeared in town halls and other civic buildings.