The point of view (POV) of a narrative can influence how it feels. For example, C. S. Lewis's The Magician's Nephew. In omniscient POV, the unseen narrator can tell readers what one character is feeling or thinking, then turn around and wander around in another character's heart and mind, reporting back to us. In this book, this technique is used extensively to convey the thoughts of both Peter Pan and J. M. Barrie. In third person limited POV, only what the specific character sees or experiences is told in full, with little or no reference made to other characters. As readers, we understand that other people are seeing and hearing things from their perspective - whether they're aware of it or not. This method allows writers to show, not tell, and create more dramatic tension between characters. In first person POV, only the storyteller can report on his or her own feelings and reactions, which means readers learn about them through indirect references or inferred facts. For example, "I felt sad when I heard he died," rather than "He died sad." This style is often used for dramatic effect or when the writer wants the reader to experience events directly through the protagonist's eyes. Writers can also use different points of view within the same work. For example, in C. S. Lewis's Narnia books, each volume is told from the point of view of a different character.