Arrived at by deconstructing the visual arts through an eco-feminist lens as well as across socio-economic theories of de-alienation, decentring, degrowth, and decolonization to encourage an unsettling debate that problematizes making in times of ecological and socio-political strife, the UN/making Methodology takes its inspiration from previous manifestos that promote art as a verb (Situationist Manifesto by Guy Dubord), care (Maintenance Manifesto by Mierle Laderman Ukeles), performativity (Craftivism Manifesto by the Craftivism Collective), environmental thought (Eco-Art Manifesto, 2004 by Linda Weintraub and Skip Schuckmann) and degrowth (Degrowth Toolbox for Artists by Alexandra Papademetriou). Also informed by research into other eco-ethical creatives and their inherently collaborative or reparative practices, the UN/making Methodology offers a skeleton guide to visual artists and their constituent publics and institutions wanting to work more ethically with and for Land in the future, as well as provides a keystone to a much broader and longer list of methods and things that need UN/making in order to carefully consider and reconsider how one can continue to conceive and produce ‘art’ while resisting systems and processes of harm that keep us complicit in neo-liberal colonialisms that depend on the destruction of the planet and in turn mass extinction of more-than-human and human species.