The narrator withholds any information about the characters' thoughts or sentiments. As with objective narration, readers may deduce characters' thoughts and feelings based on the recounted characters' actions and speech, but the narrator also openly conveys the key character's interior perspective. For example, when the aloof Mr. Knightly expresses a feeling, the reader knows he is feeling this way because it is revealed in his "thought bubble" that appears above him. Here is an example from Jane Austen's Pride and Prejudice: "He [Mr. Darcy] was not unhappy in having his civility thanked for by one who had so long refused to accept it; and his good nature did not suffer when hearing that someone had been foolish enough to like him." (Chapter 15) The narrator tells us that Mr. Darcy was not unhappy at being thanked for his kindness, but this does not mean that he liked it. He might have been unhappy about something else - perhaps his family history - but being thanked for his kindness is all that matters to him at this moment in time. This passage reveals several other things about Mr. Darcy's character: he is proud, he is civil, and he wants people to stop liking him. In general, voices in narrative fiction appear only in the minds of the characters themselves, although there are exceptions.