For me, while working with ceramics, it was particularly interesting to think spatially. The canvas or paper is flat. By working with and on a three-dimensional body, new aspects became important. This challenged me, but also allowed me to approach it with a new freedom. I found the aspect of time in dealing with ceramics particularly interesting: how many and which processing phases of the clay are needed between the individual steps of shaping, firing, painting and glazing. In comparison, painting is more spontaneous, but perhaps more careless steps are taken. Working with clay requires much more planning.