Usually, once we’ve decided with you, that a temporary volume is the way to go, we start figuring out the precise needs. That includes selecting the right LED type through camera tests, deciding on the shape and size with the set designer and DPs, the processing and playback system, tracking if needed and all the logistical questions, that vary from location to location. From there on out, we keep preparing content/setups at one of our permanent locations, even in parallel, when we set up the wall physically. A temporary volume is set up quite fast, our record was 7 days for 600sqm with the entire system tested and ready to shoot with camera tests in between.  In general, once on set, you shouldn’t feel any difference between a permanent volume and a temporary one.