In her painting Bait al-Mal, Kamala Ibrahim Ishag presents us with the neighbourhood in Khartoum where she grew up during the 1940s and 50s. This large, mostly dusky canvas presents us with clusters of figures in a kind of diagram of their connections and interrelatedness. Instead of streets and ...
View more: Kamala Ibrahim Ishag review – memory maps and rumours of djinns from mystical Sudanese painter