<b>In this 2018 <i>New York Times </i>Notable Book,<i></i></b><b>Paige Williams "does for fossils what Susan Orlean did for orchids" (Book Riot) in her account of one Florida man&apos;s attempt to sell a dinosaur skeleton from Mongolia--a story "steeped in natural history, human nature, commerce, crime, science, and politics" (Rebecca Skloot).</b><br /><br /> In 2012, a New York auction catalogue boasted an unusual offering: "a superb Tyrannosaurus skeleton." In fact, Lot 49135 consisted of a nearly complete <i>T. bataar</i>, a close cousin to the most famous animal that ever lived. The fossils now on display in a Manhattan event space had been unearthed in Mongolia, more than 6,000 miles away. At eight-feet high and 24 feet long, the specimen was spectacular, and when the gavel sounded the winning bid was over $1 million.<br /><br /> Eric Prokopi, a thirty-eight-year-old Floridian, was the man who had brought this extraordinary skeleton to market. A onetime swimmer who spent his teenage years diving for shark teeth, Prokopi&apos;s singular obsession with fossils fueled a thriving business hunting, preparing, and selling specimens, to clients ranging from natural history museums to avid private collectors like actor Leonardo DiCaprio. <br /><br /> But there was a problem. This time, facing financial strain, had Prokopi gone too far? As the <i>T. bataar</i> went to auction, a network of paleontologists alerted the government of Mongolia to the eye-catching lot. As an international custody battle ensued, Prokopi watched as his own world unraveled.<br /><br /> In the tradition of <i>The Orchid Thief</i>, <i>The Dinosaur Artist</i> is a stunning work of narrative journalism about humans&apos; relationship with natural history and a seemingly intractable conflict between science and commerce. A story that stretches from Florida&apos;s Land O&apos; Lakes to the Gobi Desert, <i>The Dinosaur Artist</i> illuminates the history of fossil collecting--a murky, sometimes risky business, populated by eccentrics and obsessives, where the lines between poacher and hunter, collector and smuggler, enthusiast and opportunist, can easily blur. <br /><br /> In her first book, Paige Williams has given readers an irresistible story that spans continents, cultures, and millennia as she examines the question of who, ultimately, owns the past.