mteb/BIRCO-Arguana-Test huggingface dataset:
arts science censorship ip digital freedoms access knowledge house believes all Artists often rely on copyright protection to financially support themselves and their families  Artists as they are often not paid for anything else may rely on their creative output to support themselves. This is certainly no crime, and existing copyright laws recognize this fact. Artists often rely wholly on their ability to sell and profit from their work. This policy serves to drain them of that potential revenue, as their work is shunted into creative commons, and available to all. Artists often also have families to support, and putting the added financial burden on them of stripping them of their copyright only serves to further those problems as they exist. A robust system of copyright is a much better protection to struggling and successful artists alike who like all talented individuals seek to assuage their material wants. Artists cannot live on appreciation alone. With much less secure copyright many would have to find other work.
arts science censorship ip digital freedoms access knowledge house believes all The costs of monitoring copyright by states, artists, and lawyers far outweigh the benefits, and is often simply ineffective  The state incurs huge costs in monitoring for copyright infringement, in arresting suspected perpetrators, in imprisonment of those found guilty, even though in reality nothing was stolen but an idea that, once released to it, belonged to the public domain more or less. [1] Furthermore, the deterrent effect to copyright piracy generated by all the efforts of the state and firms has proven generally minimal. In fact, the level of internet piracy of books, music, and films has increased dramatically year on year for several years, increasing by 30% in 2011 alone. [2] This is because in many cases copyright laws are next to unenforceable, as the music and movie industries have learned to their annoyance in recent years, for example ninety percent of DVDs sold in China are bootlegs while even western consumers are increasingly bypassing copyright by using peer to peer networks. [3] Only a tiny fraction of perpetrators are ever caught, and though they are often punished severely in an attempt to deter future crime, it has done little to stop their incidence. Copyright, in many cases, does not work in practice plain and simple. Releasing works under a creative commons licensing scheme does a great deal to cope with these pressures. In the first instance it is a less draconian regime, so individuals are more willing to buy into it as a legitimate claim by artists rather than an onerous stranglehold on work. This increases compliance with the relaxed law. Secondly, the compliance means that artists are given the vocal crediting under the license rules that gives them more public exposure than clandestine copying could not. Ultimately this adaptation of current copyright law would benefit the artist and the consumer mutually.  [1] World Intellectual Property Organization. “Emerging Issues in Intellectual Property”. 2011   [2] Hartopo, A. “The Past, Present and Future of Internet Piracy”. Jakarta Globe. 26 July 2011.   [3] Quirk, M., “The Movie Pirates”, The Atlantic, 19 November 2009,
arts science censorship ip digital freedoms access knowledge house believes all The lack of control over, and profit from, art will serve as a serious disincentive to artistic output  Profit is as much a factor in artists’ decision to produce work, if not more so, than the primordial urge to create. Without the guarantee of ownership over one’s artistic work, the incentive to invest in its creation is certainly diminished. Within a strong copyright system, individuals feel free to invest time in their pursuits because they have full knowledge that the final product of their labours will be theirs to enjoy. [1] Without copyright protections the marginal cases, like people afraid to put time into actually building an installation art piece rather than doing more hours at their job, will not opt to create. If their work were to immediately leave their control, they would most certainly be less inclined to do so. Furthermore, the inability of others to simply duplicate existing works as their own means they too will be galvanized to break ground on new ideas, rather than simply re-tread over current ideas and to adapt existing works to markets. Art thrives by being new and original. Copyright protections shield against artistic laziness and drive the creative urges of the artistically inclined to ever more interesting fields.  [1] Greenberg, M. “Reason or Madness: A Defense of Copyright’s Growing Pains”. John Marshall Review of Intellectual Property Law. 2007.
arts science censorship ip digital freedoms access knowledge house believes all There are many ways to correct for the dearth of some works on the market such as orphan works. By simplifying copyright law, reducing lengths of copyright and more robust searches for legal provenance can all help correct for the shortfalls without eroding an important part of law and material rights. Or indeed the law might be revised simply to free works that have unclear ownership from copyright by default. Creators should retain, no matter how annoying it may be to would-be enjoyers of their work, control over their artistic output. Artists’ creations are fundamentally their own, not the property of the state or society.
arts science censorship ip digital freedoms access knowledge house believes all Although ideas are not tangible intellectual property generally, and copyright in particular, is far from a fiction. Rather it is a realization of the hard work and demiurgic force that sparks the generation and fulfilment of artistic endeavour. The property right assigned over these things to their creators is a very real one that recognizes their fundamental right over these works as owners, and the right to profit from them. The artist must have the right to prevent even non-commercial use of the idea if it is to maintain its value and so retain for the creator the ability to commercialise it. These protections are critical to the moral understanding of all property and must be rigorously protected, not eroded for the benefit of some nebulous notion of social good.
arts science censorship ip digital freedoms access knowledge house believes all It may be costly and sometimes ineffective to police copyright, but that does not make them any less of a right worth protecting. If artists or firms feel that they might benefit from fighting infringers of their rights, they should have the right to do so, not simply be expected to roll over and give in to the pirates and law breakers. The state likewise, has an obligation to protect the rights, physical and intangible, of its citizens and cannot give up on them simply because they prove difficult and costly to enforce. Furthermore, the ensuring health of the economy is a primary duty of the state and this means aiding its domestic businesses and one of the ways it does that is by acting to enforce copyright both internally and if possible externally.
arts science censorship ip digital freedoms access knowledge house believes all Upon entering the public arena works of art take on characters of their own, often far different than their original creators did, or could have, imagined. The art is consumed, absorbed, and reimagined and takes on its own identity that the artist cannot claim full ownership over. It is important that art as a whole be able to thrive in society, but this is only possible when artists are able to make use of, and actively reinterpret and utilize existing works. That art does, due to its origination belong more to the people, who should have access, even if the artist, like Beckett has bizarrely rigorous feelings about the work.
arts science censorship ip digital freedoms access knowledge house believes all Few artists ever see much profit from their work anyway, many choosing the life of bohemian squalor in order to keep producing art rather than taking up more profitable pursuits. Vincent van Gogh sold almost nothing, but his drive to create never abated. No doubt the true artists will continue to feel the urge to create under this policy, and the loss of a few marginal cases must be weighed against the massive losses to art in general, such as the huge curtailment of exploration of and response to existing works, which are often artistically meritorious in their own right, and also the rendering unavailable of much of the artistic output of the world.
living difference house would ban music containing lyrics glorify Hip hop is a diverse genre. The quote that opened this discussion is taken from a song by the English surrealist rapper Scroobius Pip. His albums cover themes entirely different from those found in “gangsta” rap. Similarly, artists such as MIA, Optimus Rhyme and the Wilcania Mob have used hip hop to discuss the conflict in Sri Lanka, computer games and life as a member of the aboriginal community in Australia. Each of these artists share a single common link. They all cater to a relatively niche market and have encountered little in the way of mainstream success.  Rappers who write lyrics about cynicism and aggression- from Slim Shady to JayZ- have recorded numerous number one tracks and attracted a wide range of industry accolades. In 2006 the founder of Death Row records, a major gangsta rap label, was found to have assets valued at $7 million. It is clear that rap discussing crime and violence is the dominant genre within hip hop. It is clear that there is a significant popular and public appetite for rap of this type.  As the comment opposite notes, there will always be a need for classification boards, as gratuitous or pornographic content will always form a significant part of the media landscape. Moreover, despite efforts to control access to such content, pornography and wilfully violent movies continue to make money. Hip hop appeals to a similar market – individuals seeking to indulge violent fantasies via the safe, sanitised environment of their iPod’s headphones, as discussed above.  There are no nuances of context and meaning to discuss in gangsta rap, only potentially damaging content that, at best, should be regulated and monitored.
e internet freedom digital freedoms access information house supports Threats to Freeware, Shareware and Objectivity  There are very real concerns that ISPs have a commercial interest in guiding people away from certain sites – especially when those sites provide services or products for nothing when the ISP or a related company charges for a competing product. File sharing more generally is an obvious target. The example of Comcast against NetFlix and other file sharing sites is simply the most obvious [i] .  There are also concerns about the impact on objectivity more generally; the Internet works most effectively as a tool because it is, by definition cross-referencing. Although there are many mistakes on many sources as a whole it is possible to reach something resembling the truth. Essentially, “We need freeware, we need shareware, and we need open access. People need to be able to trust sources that they can find on the internet, rather than have them controlled in a small number of hands or by the government.” [ii] Making some sites more accessible than others reduces users’ choice and their ability to check multiple sites so preventing this cross-referencing.  [i] A useful overview of some of the more notorious examples can be found here .  [ii] Bob Gibson, Executive Director of the University of Virginia’s Sorensen Institute for Political Leadership, on the Charlottesville, VA, politics interview program Politics Matters with host and producer Jan Madeleine Paynter discussing journalism
p ip internet digital freedoms intellectual property house would use The unauthorised downloading of copyrighted material should be addressed and prevented by the state  Copyrighted material is intellectual property: someone worked hard for it to produce it. Downloading this content without paying the proper rights holder for it amounts to theft.  Furthermore, downloading copyrighted material from an unauthorized source creates an impossible market for producers of copyrighted content, because they have to ‘compete with free’. Why would the average consumer want to pay for a download from an authorized website, when she can get the same movie from a pirate-site for free? To build a commercially viable content industry online, we need to protect this industry from the unfair competition of the parallel market. [1]  [1] Piotr Stryszowski , Danny Scorpecci, Piracy of Digital Content. 2009, OECD Publishing. URL for purchase:
eneral politics politics general house would limit right bear arms Sports shooting desensitizes people to the lethal nature of firearms  Shooting as a sport desensitises people to the lethal nature of all firearms, creating a gun culture that glamorises and legitimises unnecessary gun ownership. It remains the interest of a minority, who should not be allowed to block the interests of society as a whole in gun control. Compensation can be given to individual gun owners, gun clubs and the retail firearms trade, in recognition of their economic loss if a ban is implemented.
crime policing law general local government house would ban handguns washington dc Democracy is designed to be a flexible mechanism that can change based on different circumstances and at different times. The American constitution should provide a legal basis for all citizens of the U.S.  However, the reason such a legal basis exists is such that citizens in the U.S. are fairly treated under the law and thus benefit through the stability that such fairness creates.  However, it is also feasible that at certain points, part of the constitution could work out very badly for the state in some areas. This is why a system of amendments to the constitution exists.  As such, it is feasible that the constitution should also be able to deal with transitional periods where certain areas should be allowed different rights under the constitution because each area requires different laws in order to work properly that cannot be created on a state level.  Whilst this might cause some tension, most people in DC, particularly the non-criminals would probably understand the reasons behind a ban on handguns in their area, and indeed did when handguns were initially banned there.13
disease health general healthcare house believes alternative medicine poses threat Statistics for alternatives are difficult to generate as patients will often move between practitioners and frequently self-medicate.  Clearly there are also conditions that any responsible practitioner would refer to a specialist in that particular field.  However, many people are mistrustful of so-called conventional medicine and the alternative medicine sector has proven both popular and has often brought about changes in lifestyle as well as direct health benefits, if anecdotal evidence is to be believed.  Responsible practitioners have welcomed the actions of those governments who have licensed and regulated the Complementary and Alternative sector.  Although science may struggle to explain the benefits of these therapeutic technics, as they do not lend themselves to the tools of commercial medicine.
disease health general healthcare house believes alternative medicine poses threat This comes down to the ‘well it can’t hurt, can it’ approach to alternatives. There is simply no serious medic – or any other scientist for that matter who would suggest that it’s a good idea to ingest products that are of dubious origin and purport medical benefits without having been tested. In many cases these have been shown to be at least irrelevant and at worst actively harmful.  Of course it is painful to deny treatment to a patient on the basis that the medication has yet to complete its trial stage but there is a reason for doing that in that it allows doctors to be 100 percent sure of a product before they’re prescribed.
disease health general healthcare house believes alternative medicine poses threat Many alternative remedies, such as homeopathy, offer nothing but a false hope and can discourage patients from consulting a doctor with what may be serious symptoms  There are good reasons why new therapies are tested in scientific trials first, rather than just released on the public that it might work. The first is to weed out side-effects but the other is that if you give most people a medicine they will, not unreasonably, expect it to make them better.  An entire industry has grown out of alternative medicines. No doubt many alternative practitioners are well meaning, but this does not change the fact that people are making money out of something that, as far as anyone can determine, is basically snake oil.  Although many people take both alternative and established treatments, there are a growing number of patients who reject conventional medical wisdom ( there’s an account of one such case here [i] ) in cases that prove fatal the availability of alternative medicines raises serious ethical and legal concerns, and also undermines the stringent regimes of monitoring and supervision that qualified medical professionals are subjected to..  [i] David Gorski. “Death by ‘Alternative Medicine”: Who’s to blame?”. Science-Based Medicine 2008.
disease health general healthcare house believes alternative medicine poses threat Although there are many accounts of the efficacy of alternative cancer treatments, not one has been demonstrated to work in a clinical trial  The National Centre for Conventional and Alternative Medicines has spent over $2.5bn on research since 1992. The Dutch government funded research between 1996 and 2003. Alternative therapies have been tested in mainstream medical journals and elsewhere. Not only have thousands of research exercises failed to prove the medical benefit ”alternative” treatments for severe and terminal diseases, serious peer-reviewed studies have routinely disproved them.  It’s all well and good to pick at mistakes in individual studies. Indeed, this tactic often forms the mainstay of pleas for legitimacy made by members of the alternative medical community. However, the odds against such consistently negative results would be extraordinary.  By contrast, conventional medicine only prescribes medicines and treatments that are proven, and vigorously proven, to work.
disease health general healthcare house believes alternative medicine poses threat his is of course an excellent argument for more and better funded clinics, especially in parts of the world (including much of the West) where access to medicine is difficult.  It is also evidence that when people are genuinely worried about their health they tend to consult providers of conventional medicine who are, as a result, extremely busy.  It perhaps says more than anything else about many practitioners of alternative medicines that they have time to sit around bonding with their patients. Unsurprisingly, such a luxury is rare in an A and E ward or even in the average GP’s surgery.
disease health general healthcare house believes alternative medicine poses threat Alternative medical practitioners tend to spend more time with their patients and get a better understanding of them as a whole, as a result they are more likely to treat the person than the symptom  Modern medicine tends to treat an individual symptom without putting it in the context of the whole person and so will often fail to see it as part of a wider pathology.  Alternative practitioners tend to spend more time with their patients and so are better placed to asses individual symptoms as a part of the person as a whole rather than just dealing with symptoms one as a time as the crop up.
disease health general healthcare house believes alternative medicine poses threat The pharmaceutical and medical industries are worth billions of dollars annually. They have an interest in ignoring the efficacy of remedies that are, for the most part, free or considerably cheaper  It’s understandable that the medical establishment has an interest in ignoring treatments that are freely available. Pharmaceutical companies make billions each year selling drugs that cost pennies to manufacture.  There is an enormous vested interest in insuring that the world in general- and the West in particular-remain tied to the idea that the only solution to disease is to swallow a pill provided by a man in a white coat. There are other solutions that have been used for thousands of years before anybody worked out how to make a buck out of it. For much of the world these therapies continue to be the ones people rely on and the rush of pharmaceutical companies to issue patents on genes of some of these traditional remedies suggests that there must be at least some truth in them.
disease health general healthcare house believes alternative medicine poses threat Partly the problem here may well be that clinical research is simply looking for the wrong things. There is enough anecdotal evidence of success to at least suggest further research – it is worth noting that there’s no money in many of these treatments so they actually get relatively little academic discussion.  A meta-study of the available material on analyses of the effectiveness of complementary medicine by the Cochrane Library found positive or confirmatory outcomes in 34 percent of those papers it reviewed on the subject.  It is also worth reiterating that there is a massive financial interest in ignoring, sidelining or condemning therapies that pose a threat to the medical establishment.  It seems incredibly unlikely that people would come back for more than one dose of a treatment that was having no effect, and yet they do.
disease health general healthcare house believes alternative medicine poses threat Overwhelmingly alternative therapies are used in conjunction with established remedies - oddly the latter tends not to get the credit for the miracle cure  Thankfully only 4.4% of the 60million or so Americans who say they use alternative therapies rely on them exclusively. It is odd that in the cases of anecdotal accounts of the success of alternative medicines this statistic is rarely mentioned [i] .  Equally, the impact of other treatment which may have been used by patients eager to credit complementary and alternative medicines with curing their conditions, tend not to get a look in, neither do the relative successes of conventional medicine.  This is probably why in every trial alternative medicine has a success rate of between 0% and 0%. By contrast there needs only be one instance of harm caused to demonstrate that this motion must stand. Interestingly, although conventional medicine publishes its mistakes in an effort to correct them, nothing similar exists for alternatives. Moreover, there are many accounts of fatalities caused by alternatives – both directly and indirectly through delaying accurate diagnosis as seen above (Oh, the same applies to animals too [ii] ).  The food supplements industry alone is worth $250 a year worldwide, with little examination of the medical impact of merrily shoving things into your system that were bought at WalMart or Tesco.  [i] JA Astin “Why patients use alternative medicine: results of a national survey” Journal of the American Medical Association 279 (19) 1548-53. May 1998.  [ii]