lean , mean , escapist thrillers are a tough product to come by .
most are unnecessarily complicated , and others have no sense of expediency -- the thrill - ride effect gets lost in the cumbersome plot .
perhaps the ultimate escapist thriller was the fugitive , which featured none of the flash - bang effects of today 's market but rather a bread - and - butter , textbook example of what a clever script and good direction is all about .
the latest tony scott movie , enemy of the state , does n't make it to that level .
it 's a true nineties product that runs like greased lightning through a maze of cell phones and laptop computers , without looking back .
although director scott has made missteps in the past , such as the lame thriller the fan , he 's generated a good deal of energy in pictures like crimson tide and top gun .
that vibrant spirit is present here , shown in well - timed and carefully planned chase scenes that give the movie an aura of sheer speed .
enemy of the state also features an unprecedented use of amazing cinematography -- director of photography daniel mindel throws a staggering amount of different views , angles , lenses , and film stocks at the audience that goes a long way toward involving the audience in the movie
.
enemy is truly a visual experience , and that 's only one of the reasons
it 's such a fun watch .
the movie lights up with an aging senator visited by nsa deputy chief thomas reynolds ( jon voight ) .
reynolds wants a new communications act passed to allow the government free reign in the use of surveilance equipment , but the senator plans to bury the bill in committee .
reynolds has the senator offed , but not before the murder is caught on a naturalist 's camera .
by an extremist chain of events , the tape ends up in labor lawyer robert dean ( will smith ) 's posession , and it 's not long before he 's running from reynolds ' cronies .
it 's only with the help of an ex - spook named brill ( gene hackman ) that dean is able to get to the bottom of things .
the acting is top notch , and the three principles - smith , hackman , and voight - are generally more mature and excellent all around .
smith puts aside the wisecracking act and becomes a normal human being ; voight tones down the amount of sneer he puts into his character for greater ominpotence ; and hackman is simply over the top in the mysterioso role .
smith 's regular joe comes off particularly well , as he runs from authorties for reasons that he knows not .
the supports are also in fine form , lending credibility to the main roles and advancing the plot in key areas .
this is , for the holiday crowd , the hot ticket ; as well as anyone looking for a serving of genuine action in a market that is otherwise lacking .
the hot ticket the acting is top notch a serving of genuine action truly a visual experience , and that 's only one of the reasons it 's such a fun watch an unprecedented use of amazing cinematography the supports are also in fine form , lending credibility comes off particularly well generally more mature and excellent all around that vibrant spirit is present here , shown in well - timed and carefully planned chase scenes goes a long way toward involving the audience in the movie simply over the top