one of my colleagues was surprised when i told her i was willing to see betsy 's wedding .
and she was shocked to hear that i actually liked it .
her reaction was understandable when you consider that the film revolves around molly ringwald , who has n't made a worthwhile film since 1986 .
but the fact is , betsy 's wedding is also an alan alda film .
and while ringwald has been making duds for the last four years , alda has been involved with several noteworthy projects , including crimes and misdemeanors and a new life .
written and directed by alda , betsy 's wedding is a vibrant slice - of - life , mixing a few dramatic moments into a big bowl of whimsical humor .
alda 's comic elixir is smooth and refreshing
--and a welcome change of pace from the usual summer fare .
as bride and groom , molly ringwald and dylan walsh are the pivotal characters in the film , but they are by far the least interesting .
walsh is a nonentity , with all the screen presence of a door knob .
ringwald is simply unbearable and is easily the weakest link in the chain .
she looks hideous with her short - cropped orange hair , red lip - stick and grotesque outfits .
she 's supposed to be a dress designer , but she looks more like a clown .
and to make matters worse , ringwald 's performance matches her appearance .
thankfully , alda keeps ringwald 's screen time to a minimum ; he is far more interested in the colorful periphery characters .
the wedding is just a device to bring together the bride 's working - class , italian family and the groom 's rich , gentile family .
ringwald 's folks are homey and down - to - earth , with alda as her free - spirited father , madeline kahn as her practical mother , and ally sheedy as her lonely sister .
walsh 's clan , on the other hand , is prim , proper and ostentatious .
when the two families meet and mingle , the movie becomes a story of culture clash , or as one character puts it , " money versus values .
"
ally sheedy , in a wonderfully understated performance , is one of the film 's most pleasant surprises .
sheedy expresses more with just her eyes than ringwald does with her entire body .
it 's anthony lapaglia , however , who seizes the spotlight .
lapaglia plays stevie dee , a suave , overly polite mafioso who is formally courting sheedy with old - fashioned chivalry .
lapaglia 's sincere but dim - witted character is a riot .
and what 's uncanny is that lapaglia is a dead ringer for robert de niro , with a little bit of alec baldwin thrown in for good measure .
lapaglia seems to have attended the de niro school of gangster acting , and his inspired performance is partly a tribute to his role - model and partly a rip - off .
i do n't know whether to say a star is born or a star is re - born , but i do know that lapaglia 's over - the - top performance should not be missed .
the scrumptious comic acting , however , extends well beyond sheedy and lapaglia .
joe pesci , in particular , sinks his teeth into his role as alda 's unscrupulous brother - in - law , a slum lord with mob ties , who is cheating on his wife ( catherine o'hara ) .
alda , faced with challenge of both directing and acting , somehow finds just the right comic touch
as the bride 's financially - strapped father , a carpenter whose dreams are bigger than his wallet .
the film adopts alda 's psychological point of view as he tries to one : plan the wedding , and two : pay for it .
as a filmmaker , alda 's style of humor is remarkably restrained and tasteful .
and while he does n't have the comic genius of a woody allen , alda does possess the inspiration to make movies which are ten times more entertaining than the slop which usually passes for comedy .
over - the - top performance is a riot inspired performance alda does possess the inspiration extends well alda 's comic elixir is smooth and refreshing ten times more entertaining one of the film 's most pleasant surprises finds just the right comic touch i actually liked it a welcome change