What is {people} of {written by} of {Piano Concerto No. 1} ?
The three connected movements use several relatively new formal techniques in their brief span — for example, the piano enters very soon after the opening of the first movement, with little of an orchestral tutti to contrast with.[1] The concerto quickly obtained popularity, and contains many sections of improvisation, one of Mendelssohn's specialities; it is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.

Molto allegro con fuoco in G minor
Andante in E major
Presto—Molto allegro e vivace in G major
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The three associated developments utilize a few generally unused formal strategies in their brief span — for case, the piano enters exceptionally before long after the opening of the primary development, with small of an symphonic tutti to differentiate with.[1] The concerto rapidly gotten notoriety, and contains numerous segments of extemporization, one of Mendelssohn's specialities; it is scored for 2 woodwinds, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. Molto allegro con fuoco in G minor Moderately slow and even in E major Presto—Molto allegro e vivace in G major