# Factor Analysis of Utterances in Japanese Fiction-Writing Based on BCCWJ Speaker Information Corpus

Authors: Hajime Murai
Journal: Advances in Human-Computer Interaction
 (2018)

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## Abstract

To analyse the characteristics of utterances in Japanese novels, several attributes (e.g., the speaker, listener, relationship between the speaker and listener, and gender of the speaker) were added to a randomly extracted Japanese novel corpus. A total of 887 data sets, with 5632 annotated utterances, were prepared. Based on the attribute annotated utterance corpus, the characteristics of utterance styles were extracted quantitatively. A chi-square test was used for particles and auxiliary verbs to extract utterance characteristics which reflected the genders of and relationships between the speakers and listeners. Results revealed that the use of imperative words was higher among male characters than their female counterparts, who used more particle verbs, and that auxiliaries of politeness were used more frequently for ‘coworkers’ and ‘superior authorities’. In addition, utterances varied between close and intimate relationships between the speaker and listener. Moreover, repeated factor analyses for 7576 data sets in BCCWJ speaker information corpus revealed ten typical utterance styles (neutral, frank, dialect, polite, feminine, crude, aged, interrogative, approval, and dandy). The factor scores indicated relationships between various utterance styles and fundamental attributes of speakers. Thus, results of this study would be utilisable in speaker identification tasks, automatic speech generation tasks, and scientific interpretation of stories and characters.


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## Body

## 1. Introduction

To process story texts automatically using information technologies and artificial intelligence, it is necessary to identify the relationships between linguistic characteristics and attributes in the story. Writing styles are affected by various attributes such as genre, time and culture settings, social backgrounds, personalities of the characters, and the mood of a scene. Those characteristics of written styles have been utilised for text categorization and author identification tasks [1, 2]. However, various complex components within those styles have not been investigated enough individually except for a few aspects of gender or age [3–5]. If relationships between the words and profound concepts in story texts are identified, algorithms which interpret stories as flexibly as human beings may be developed. Moreover, such mechanisms would be conversely applicable to automatic story generation systems.Among the various elements in story texts, conversational sentences are a challenge for automatic processing. Colloquial language often includes irregularities, reflecting daily usage of omissions and idiomatic expressions. Therefore, it is difficult to process irregular word sequences using natural language processing techniques.Moreover, in novels or general story texts, each character is differentiated based on their manner of speech; it is a popularly used technique to help readers understand each character’s personality [6]. Some readers can identify various attributes (e.g., gender, age, temperament, and social status as in real daily conversations [7, 8]) of characters in a text based on the characteristics of each character’s dialogues. Moreover, even if the speaker’s identity is not elaborated through descriptive sentences, most readers can accurately identify the speaker through conversational sentences. The distinct stylistic characteristics in each speaker’s manner of speech tend to be exaggerated in conversations between fictional characters (particularly in the entertainment content). Therefore, although these characteristics do not precisely reflect the conversational styles of real people [9], they seem to function effectively as common symbols between the writers and readers of fictional texts. Thus, these characteristics form one of the cultural styles in story texts.Previous research on the characteristics of distinct conversational styles has not only clarified the types of implied attributes of story characters but also investigated the historical and cultural origins of those styles [6]. However, these results are based on individual interpretations of the researchers. In addition, researchers have performed evaluation experiments to identify the characteristics of speakers based on sample sentences of spoken languages [10, 11]. The purpose of these experiments has been to facilitate automatic speech generation for interactive dialogues. The characteristics of speech style, depending on the age and personality of the speaker, have been analysed through psychological experiments.However, no empirical evidence has established which type of distinct conversational style implies which type of attribute among fictional characters based on large-scale corpus.If the characteristics of the distinct conversational styles of fictional characters could be quantitatively extracted from story texts using the methods of digital humanities, it would be possible to scientifically analyse the narratological functions and personal attributes of fictional characters. Results of the scientific analyses would provide objectification and falsifiability to the interpretation of narratives. Moreover, it would clarify effective features for identifying characters’ personality. Therefore, it would become useful information in order to solve speaker identification problems in natural language processing based on the relationships between attributes of fictional characters and conversational styles.


## 2. Materials and Methods

To analyse relationships between attributes and conversational sentences, a tagged dialogue corpus of Japanese novels was employed [12]. This corpus is based on a random sampling of Japanese novel texts within the Balanced Corpus of Contemporary Written Japanese (BCCWJ) [13]. The Japanese novel texts, included in the Nippon Decimal Classification class number 913, were extracted from the library-based corpus in the BCCWJ, and 100 texts were randomly selected (the appendix). Although there is also BCCWJ speaker information corpus which covers all Japanese novel texts in BCCWJ, that corpus includes only gender and age attributes.Conversational sentences within the selected texts were extracted and attributes of the speaker (name, gender, occupation) and listener (name), relationship between the speaker and listener, and situations (e.g., family, office, criminal investigation) were manually added to each utterance. A total of 5632 utterances from 100 Japanese novel texts were tagged. Utterances with common attributes (i.e., same speaker and listener) were integrated as one data set and 887 data sets were obtained.Tables1 and 2 categorically describe the number of attributes for 887 data sets. Table 1 indicates that most of the speakers in Japanese novels are male characters. Table 2 shows the frequently appearing relationship attributes between the speaker and listener. The relationships between the speaker and listener are not always clearly described in story texts. Therefore, in the developed corpus, 484 of the 887 data sets did not have relationship attributes.Table 1
Number of gender attributes for the data sets.
Male 510 Female 232 Other 145Table 2
Number of relationship attributes for the data sets.
Friend 84 Co-worker 44 Subordinates 30 Superior authorities 29 Enemy 27 Brother, Sister 20 Spouse 19 Lover 17Moreover, in order to perform statistically a factor analysis for frequencies of particles and auxiliary verbs, all Japanese literature texts in BCCWJ speaker information corpus have been utilised. BCCWJ speaker information corpus includes 11860 data sets of each character’s utterances. However, due to statistical limitations, 7576 utterance data sets with total frequencies higher than 20 were selected. Because of limitation of included attributes, analysis about factor scores have been done only for gender and age attributes.


## 3. Results and Discussion

### 3.1. Characteristics of Text Styles

In this study, frequencies of functional words in utterances were selected as characteristics of text style since, in many Japanese novels, different usage patterns of functional words are used to indicate characters’ personality [6].In Japanese language, functional words mainly correspond to particles and auxiliary verbs. Therefore, statistical significance of the frequencies of particles and auxiliary verbs was analysed using a chi-square test.The BCCWJ provides morphologically analysed data sets for the included novel texts. Therefore, particles and auxiliary verbs in utterances were extracted and counted by 887 data set units.Table3 presents the results of the chi-square test to identify the frequently appearing particles and auxiliary verbs for two categories of gender attributes (male and female); the statistically significant frequently used particles and auxiliary verbs (p = < 0.001) for each gender are presented in the table.Table 3
Significant words for each gender.
Significantly more Significantly less Male ha, no(case particle), wo, to, ka, noda, na, zu, ga, toiu, zo, ya te, no, nai, yo, ne, nodesu, teru, wa, kashira, mono Female te, no, nai, yo, ne, nodesu, teru, wa, kashira, mono ha, no (case particle), wo, to, ka, noda, na, zu, ga, toiu, zo, yaThe utterance styles of ‘male’ included more imperative words (na, zo, and ya), whereas those of ‘female’ included particle words (no, yo, wa, kashira, and mono), implying a soft and feminine tone. These results are consistent with the general characteristics of feminine or masculine utterances [14].Similar to Table3, Table 4 describes the eight frequently noted categories of relationships between the speaker and listener. Auxiliary verbs of politeness (masu and desu) were found to be used for ‘coworkers’ and ‘superior authorities’; however, they were less frequently used for ‘friend’, ‘subordinates’, and ‘enemy’. Moreover, although the reasons may be different, there is no need to express feelings of respect, which are meant for superiors, towards ‘friend’, ‘subordinates’, and ‘enemy’. Relationship between ‘friends’ is that of equals in most cases. Fictional superiors generally do not express feelings of respect towards their subordinates. In addition, it is not usual for a person to politely speak to one’s enemies.Table 4
Significant words in division of relationships between speakers and listeners.
Significantly more Significantly less Friend da, no, yo, ne ha, mo, masu, desu, zu Co-worker masu mo Subordinates ha, wo, to, ka te, masu, desu, yo, ne, kara Superior  authorities masu, desu, zu da, yo, nai, na Enemy wo, na masu Brother, Sister te da, ne Spouse zu Lover te, yo, ne zu, naBoth ‘friend’ and ‘brother, sister’ were identified as close relationships; however, the characteristics of utterance styles were completely different. The use of da and ne was significantly more for ‘friend’ and significantly less for ‘brother, sister’. ‘Friend’ typically implies an intimate person, while some people may dislike their ‘brother, sister’; stories often depict complex relationships among siblings (e.g., Cain and Abel). If someone dislikes one’s friend, the friendship ends. However, if someone dislikes one’s brother, their relationship still remains. Therefore, these opposite characteristics may signify the difference between close and intimate relationships.Moreover, an interesting observation was made regarding the characteristics of utterances for ‘spouse’ and ‘lover.’ The frequently used word for ‘spouse’ was the negative zu; however, for ‘lover’, words with intimate tones (te, yo, and ne) were more significant and negative words (zu and na) were less significant. Novels often depict matrimonial conflicts; therefore, this result may also reflect the characteristics of stereotypical fictional characters.


### 3.2. Factor Analysis for Utterance Styles

To extract the typical utterance styles of Japanese novel characters, a factor analysis for frequencies of particles and auxiliary verbs was performed. In order to extract statistically comprehensive utterance style, utterance sentences from all Japanese literature texts in BCCWJ speaker information corpus were utilised. Those utterance data possess three fundamental attributes (speaker names, genders, and ages) for each utterance sentence, although detailed attributes were not given. Each data for factor analysis is a 100-dimensional vector for one fictional character’s all utterances. Those dimensions indicate frequencies of 100 types of frequently appearing particles and auxiliary verbs. Due to statistical limitations, 7576 utterance data sets with total frequencies higher than 20 were selected from 11860 data sets. The Promax rotation method was used and a parallel analysis was performed to determine the number of factors. After the factor analysis, less significant words (with a maximum factor loading of > 0.4) were eliminated and a subsequent factor analysis was performed repeatedly. Finally, after performing the factor analysis four times, ten factors were identified. The resultant factor scores are shown in Table5; the bold font signifies cells whose factor scores exceeded 0.4.Table 5
Factor loadings of influential, frequently appearing particles and auxiliary verbs.
Factor 1 Factor 2 Factor 3 Factor 4 Factor 5 Factor 6 Factor 7 Factor 8 Factor 9 Factor 10 No (Case particle) 1.03 0.01 0.02 -0.02 -0.02 -0.03 0.02 -0.14 0.03 0.02 Wo (Case particle) 1.03 -0.11 -0.01 -0.05 0.04 -0.02 -0.01 -0.02 -0.02 0.01 Ni (Case particle) 0.99 0.04 0.00 0.01 -0.02 -0.02 -0.01 -0.01 -0.06 0.00 Kara (Case particle) 0.94 0.10 0.02 -0.05 -0.03 -0.03 -0.02 -0.18 0.01 -0.04 Ta (Auxiliary verb) 0.90 0.06 0.02 -0.02 0.03 -0.02 -0.04 0.01 0.05 -0.05 Ha (Binding particle ) 0.88 -0.12 0.00 0.00 0.01 -0.05 0.01 0.14 0.05 0.05 Ga (Case particle) 0.88 0.08 0.00 0.00 -0.01 -0.02 0.00 0.04 0.06 0.00 Te (Conjunctive particle ) 0.86 0.02 0.00 0.03 0.02 0.02 0.01 0.11 0.05 -0.07 Reru (Auxiliary verb) 0.85 0.03 -0.02 0.09 -0.05 -0.05 -0.01 -0.17 -0.02 0.04 To (Case particle) 0.81 -0.02 -0.01 0.06 -0.04 -0.02 0.03 0.10 0.13 -0.04 Da (Binding particle ) 0.72 0.08 -0.04 -0.18 -0.05 0.00 -0.04 0.21 0.05 0.25 De (Case particle) 0.70 0.17 0.03 0.06 -0.02 0.01 0.04 0.11 0.10 -0.03 Rareru (Auxiliary verb) 0.66 0.01 -0.03 0.02 -0.01 -0.01 -0.02 0.03 -0.15 -0.04 Seru (Auxiliary verb) 0.65 -0.06 0.01 -0.07 0.06 0.04 -0.01 -0.07 -0.05 0.05 Mo (Binding particle ) 0.65 0.08 0.02 0.06 0.03 0.02 0.06 0.31 0.00 -0.06 Made (Adverbial particle) 0.64 0.05 0.00 0.01 -0.02 0.02 -0.01 0.02 -0.07 0.01 Ba (Conjunctive particle ) 0.60 -0.07 -0.06 0.06 0.01 -0.10 0.08 0.17 -0.15 0.11 Nai (Auxiliary verb) 0.60 0.08 -0.08 -0.15 0.08 0.03 -0.10 0.40 -0.05 0.00 Ga (Case particle) 0.57 -0.28 0.00 0.15 -0.06 -0.04 0.03 -0.03 0.24 0.23 To (Conjunctive particle ) 0.53 0.05 -0.01 0.04 -0.03 0.01 0.04 0.09 0.22 -0.08 He (Case particle) 0.49 -0.08 0.03 0.01 0.03 0.07 0.04 -0.07 0.07 0.00 Shika (Adverbial particle) 0.46 0.07 0.00 0.04 -0.03 -0.02 -0.05 0.03 -0.08 -0.01 Dake (Adverbial particle) 0.45 0.06 0.07 -0.02 0.00 -0.02 -0.01 0.23 0.01 0.07 Ka (Adverbial particle) 0.45 0.09 0.00 0.02 0.00 0.03 0.00 0.38 0.08 -0.04 Nagara (Conjunctive particle ) 0.44 -0.04 -0.01 0.01 0.06 0.07 0.02 0.04 -0.04 -0.04 Tte (Adverbial particle) -0.01 0.87 0.02 0.00 -0.08 0.09 -0.01 0.01 -0.05 0.07 Chau (Auxiliary verb) -0.08 0.78 -0.02 0.06 -0.04 -0.01 0.11 -0.12 0.01 0.02 Teru (Auxiliary verb) 0.06 0.67 0.08 -0.06 -0.03 0.04 -0.08 -0.03 0.01 0.21 Keredo (Conjunctive particle ) 0.09 0.61 0.07 -0.01 -0.02 -0.04 0.00 0.14 0.13 -0.12 Nanka (Adverbial particle) 0.00 0.52 -0.01 0.03 -0.08 0.01 0.02 0.07 0.10 0.03 Mono (Ending particle) -0.07 0.50 -0.02 0.07 0.16 -0.05 0.02 -0.07 -0.01 0.04 Yo (Ending particle) 0.03 0.49 -0.06 0.01 0.21 0.01 -0.02 -0.02 0.25 0.31 Mitai (Auxiliary verb stem) 0.06 0.49 0.00 0.01 -0.02 0.00 -0.01 0.16 0.02 -0.03 Ya (Auxiliary verb) 0.04 -0.03 0.93 -0.07 0.00 0.01 0.04 0.01 -0.01 -0.04 Hen (Auxiliary verb) 0.03 0.01 0.64 -0.05 -0.02 -0.03 -0.01 0.01 -0.03 -0.05 De (Ending particle) 0.01 0.01 0.59 -0.03 -0.02 -0.02 0.00 -0.02 -0.01 0.01 Nen (Ending particle) -0.07 0.02 0.47 0.07 0.02 0.04 -0.01 0.01 -0.01 0.04 Haru (Auxiliary verb) 0.00 0.01 0.45 0.02 0.02 -0.02 -0.01 -0.02 0.00 -0.02 Masu (Auxiliary verb) 0.22 0.05 -0.03 0.83 -0.03 0.04 -0.12 -0.05 0.04 -0.13 Desu (Auxiliary verb) 0.19 0.19 -0.05 0.71 -0.05 0.03 -0.08 -0.05 0.28 -0.22 Zu (Auxiliary verb) 0.27 -0.08 0.10 0.67 0.01 0.01 0.11 0.07 -0.12 0.09 Wa (Ending particle) -0.01 -0.07 0.05 -0.02 0.97 0.01 -0.01 -0.01 0.12 -0.04 Kashira (Ending particle) 0.03 -0.02 -0.02 0.00 0.57 0.02 -0.02 0.04 0.05 -0.12 No (Ending particle) 0.03 0.31 0.01 -0.09 0.53 -0.04 0.01 0.03 -0.06 -0.05 Yagaru (Auxiliary verb) -0.03 0.03 -0.02 0.08 0.02 0.78 0.00 -0.01 -0.09 -0.09 Ze (Ending particle) -0.02 0.03 -0.06 0.02 -0.02 0.74 -0.03 0.01 -0.08 0.04 I (Ending particle) 0.02 -0.05 0.07 -0.06 0.02 0.53 0.05 0.04 0.08 0.15 Ja (Auxiliary verb) 0.05 0.07 -0.03 -0.06 -0.03 0.00 0.76 -0.05 -0.02 -0.03 Nou (Ending particle) 0.01 0.02 0.01 -0.05 0.00 0.00 0.56 0.00 0.02 -0.04 Ne (Ending particle) 0.02 0.36 -0.03 0.12 0.13 -0.08 0.00 0.02 0.53 0.18 Sa (Ending particle) 0.06 0.25 -0.02 -0.17 -0.14 0.05 -0.05 -0.01 0.10 0.46Ten factors corresponded with the frequently appearing utterance patterns in Japanese novels. The characteristics and naming of each factor are as follows:(i)
Factor 1: It included the most frequently used neutral particles and auxiliary verbs. However, Factor 1 did not include words which indicated specific attributes; in other words, it represented a ‘neutral style’ of utterance.(ii)
Factor 2: This factor included friendly and frank particles and auxiliary verbs (e.g., tte, chau, teru, nanka, mono, yo, and mitai). Therefore, Factor 2 was referred to as ‘frank style’(iii)
Factor 3: This factor included many words which were characteristically used in various Japanese dialects (e.g., ya, hen, da, nen, and haru). Therefore, Factor 3 was referred to as ‘dialect style’.(iv)
Factor 4: This factor included formal and polite auxiliary verbs (e.g., masu, desu) and was referred to as ‘polite style’.(v)
Factor 5: This factor mainly included feminine characteristic particles (e.g., wa, kashira, and no) and was referred to as ‘feminine style’.(vi)
Factor 6: This factor included relatively crude expressions (e.g., yagaru, and ze). Therefore, it was labelled ‘crude style’.(vii)
Factor 7: This factor included expressions indicating aged people (e.g., ja, and nou). Therefore, it was labelled ‘aged style’.(viii)
Factor 8: This factor included nai, ka, and mo (loading values of ka and mo are less than 0.4). Since those are related to suspicions, questions, and interrogative forms, it was labelled ‘interrogative style’.(ix)
Factor 9: This factor included ne, desu, and yo (loading values of desu and yo are less than 0.4). Those words are used in case of indicating approval or serve as backchannel. Therefore, it was labelled ‘approval style’.(x)
Factor 10: This factor included sa, yo, and da (loading values of yo and da are less than 0.4). Those words are used to impart masculinity to a character and also pretentious mood. Therefore, it was labelled ‘dandy style’.Table6 shows examples of each utterance style. These example sentences signify the same meaning of “What are you doing?” in Japanese. The difference in nuance cannot be expressed in English language in principle.Table 6
Examples of each utterance styles.
Style Example Japanese Neutral Nani wo shite iru? 何をしている? Frank Nani shi teru? 何してる? Dialect Nani shi torun ya? 何しとるんや? Polite Nani shi te i masu ka? 何していますか? Feminine Nani shi te iru no? 何しているの? Crude Nani shi te yagaru? 何してやがる? Aged Nani shi torun ja? 何しとるんじゃ? Interrogative Nani ka shi te nai? 何かしてない? Approval Nani ka shi teru no desu ne? 何かしてるのですね? Dandy Nani shi te iru no da? 何しているのだ?In order to investigate the relationships between extracted factors and fundamental attributes of fictional characters, average factor scores were calculated for each gender group and each age group (Table7). In Table 7, bold cells indicate the absolute values exceeding 0.2. Since those tendencies may reflect some prejudice of fiction writers, it is possible that they may not correspond to the real tendencies of Japanese utterances. However, those results would reflect the average tendencies of fictional characters’ utterance styles in Japanese novels.Table 7
Average factor scores for categories about genders and ages.
Factor 1 Factor 2 Factor 3 Factor 4 Factor 5 Factor 6 Factor 7 Factor 8 Factor 9 Factor 10 Neutral Frank Dialect Polite Feminine Crude Aged Interrogative Approval Dandy Male Young -0.15 0.26 0.10 -0.27 -0.19 0.15 -0.16 0.08 -0.08 0.16 Middle 0.06 -0.19 0.01 0.06 -0.26 0.08 0.04 -0.01 0.02 0.14 Aged 0.25 -0.18 0.03 0.12 -0.22 0.01 0.60 0.10 0.10 0.29  Female Young -0.22 0.47 -0.06 -0.23 0.38 -0.15 -0.14 0.03 -0.19 -0.18 Middle -0.06 0.35 -0.02 -0.05 0.69 -0.18 -0.11 0.02 -0.03 -0.35 Aged 0.02 0.31 0.05 0.06 0.22 -0.05 0.07 0.03 0.17 -0.12Average Factor 1 (neutral style) scores indicate that aged males were expected to speak traditional Japanese. On the other hand, young female characters were not regarded as the speakers of traditional Japanese. Average Factor 2 (frank style) scores indicate that frank style was widely utilised for female characters. Young male characters used frank styles only exceptionally. The Factor 3 (dialect style) score shows that dialect style was independent of the categories of attributes. Since a dialect style reflects mainly the birthplace of a character, this result seems reasonable. The Factor 4 (polite style) scores were low both in young males and females. This result may correspond to the Factor 2 (frank style) scores. Although it is self-explanatory, Factor 5 score (feminine style) proved feminine utterance style was utilised by female characters. The Factor 6 (crude style) scores were a bit high in young and middle-aged male characters and a bit low in young and middle-aged female characters, and vice versa. The Factor 7 (aged style) scores also proved that aged male characters utilised aged utterance styles. The Factor 8 scores (Interrogative style) indicated that utterance styles about suspicions, questions, and interrogative forms were not dependent on characters’ fundamental attributes. It seems reasonable since every character can have suspicions and questions. The Factor 9 scores (approval style) show that aged female frequently used backchannel speech style in fictional texts. On the other hand, young female did not often utilise backchannel speech style. The Factor 10 (dandy style) scores indicate male characters often exhibit masculine mood. Of course, female characters did not utilise those utterance styles.Those relationships between extracted utterance styles and fundamental attributes (gender and age) of fictional characters revealed that some utterance styles suggest specific categories of characters; therefore, those utterance styles would be utilisable for speaker identification tasks in natural language processing. In addition, those utterance styles would facilitate the generation of more natural dialogues in automatic dialogue generation tasks based on some virtual attributes of speakers. Moreover, those utterance styles may be useful for deducing the personality, social status, and social relationships of speakers and listeners in order to interpret stories in texts.


## 3.1. Characteristics of Text Styles

In this study, frequencies of functional words in utterances were selected as characteristics of text style since, in many Japanese novels, different usage patterns of functional words are used to indicate characters’ personality [6].In Japanese language, functional words mainly correspond to particles and auxiliary verbs. Therefore, statistical significance of the frequencies of particles and auxiliary verbs was analysed using a chi-square test.The BCCWJ provides morphologically analysed data sets for the included novel texts. Therefore, particles and auxiliary verbs in utterances were extracted and counted by 887 data set units.Table3 presents the results of the chi-square test to identify the frequently appearing particles and auxiliary verbs for two categories of gender attributes (male and female); the statistically significant frequently used particles and auxiliary verbs (p = < 0.001) for each gender are presented in the table.Table 3
Significant words for each gender.
Significantly more Significantly less Male ha, no(case particle), wo, to, ka, noda, na, zu, ga, toiu, zo, ya te, no, nai, yo, ne, nodesu, teru, wa, kashira, mono Female te, no, nai, yo, ne, nodesu, teru, wa, kashira, mono ha, no (case particle), wo, to, ka, noda, na, zu, ga, toiu, zo, yaThe utterance styles of ‘male’ included more imperative words (na, zo, and ya), whereas those of ‘female’ included particle words (no, yo, wa, kashira, and mono), implying a soft and feminine tone. These results are consistent with the general characteristics of feminine or masculine utterances [14].Similar to Table3, Table 4 describes the eight frequently noted categories of relationships between the speaker and listener. Auxiliary verbs of politeness (masu and desu) were found to be used for ‘coworkers’ and ‘superior authorities’; however, they were less frequently used for ‘friend’, ‘subordinates’, and ‘enemy’. Moreover, although the reasons may be different, there is no need to express feelings of respect, which are meant for superiors, towards ‘friend’, ‘subordinates’, and ‘enemy’. Relationship between ‘friends’ is that of equals in most cases. Fictional superiors generally do not express feelings of respect towards their subordinates. In addition, it is not usual for a person to politely speak to one’s enemies.Table 4
Significant words in division of relationships between speakers and listeners.
Significantly more Significantly less Friend da, no, yo, ne ha, mo, masu, desu, zu Co-worker masu mo Subordinates ha, wo, to, ka te, masu, desu, yo, ne, kara Superior  authorities masu, desu, zu da, yo, nai, na Enemy wo, na masu Brother, Sister te da, ne Spouse zu Lover te, yo, ne zu, naBoth ‘friend’ and ‘brother, sister’ were identified as close relationships; however, the characteristics of utterance styles were completely different. The use of da and ne was significantly more for ‘friend’ and significantly less for ‘brother, sister’. ‘Friend’ typically implies an intimate person, while some people may dislike their ‘brother, sister’; stories often depict complex relationships among siblings (e.g., Cain and Abel). If someone dislikes one’s friend, the friendship ends. However, if someone dislikes one’s brother, their relationship still remains. Therefore, these opposite characteristics may signify the difference between close and intimate relationships.Moreover, an interesting observation was made regarding the characteristics of utterances for ‘spouse’ and ‘lover.’ The frequently used word for ‘spouse’ was the negative zu; however, for ‘lover’, words with intimate tones (te, yo, and ne) were more significant and negative words (zu and na) were less significant. Novels often depict matrimonial conflicts; therefore, this result may also reflect the characteristics of stereotypical fictional characters.


## 3.2. Factor Analysis for Utterance Styles

To extract the typical utterance styles of Japanese novel characters, a factor analysis for frequencies of particles and auxiliary verbs was performed. In order to extract statistically comprehensive utterance style, utterance sentences from all Japanese literature texts in BCCWJ speaker information corpus were utilised. Those utterance data possess three fundamental attributes (speaker names, genders, and ages) for each utterance sentence, although detailed attributes were not given. Each data for factor analysis is a 100-dimensional vector for one fictional character’s all utterances. Those dimensions indicate frequencies of 100 types of frequently appearing particles and auxiliary verbs. Due to statistical limitations, 7576 utterance data sets with total frequencies higher than 20 were selected from 11860 data sets. The Promax rotation method was used and a parallel analysis was performed to determine the number of factors. After the factor analysis, less significant words (with a maximum factor loading of > 0.4) were eliminated and a subsequent factor analysis was performed repeatedly. Finally, after performing the factor analysis four times, ten factors were identified. The resultant factor scores are shown in Table5; the bold font signifies cells whose factor scores exceeded 0.4.Table 5
Factor loadings of influential, frequently appearing particles and auxiliary verbs.
Factor 1 Factor 2 Factor 3 Factor 4 Factor 5 Factor 6 Factor 7 Factor 8 Factor 9 Factor 10 No (Case particle) 1.03 0.01 0.02 -0.02 -0.02 -0.03 0.02 -0.14 0.03 0.02 Wo (Case particle) 1.03 -0.11 -0.01 -0.05 0.04 -0.02 -0.01 -0.02 -0.02 0.01 Ni (Case particle) 0.99 0.04 0.00 0.01 -0.02 -0.02 -0.01 -0.01 -0.06 0.00 Kara (Case particle) 0.94 0.10 0.02 -0.05 -0.03 -0.03 -0.02 -0.18 0.01 -0.04 Ta (Auxiliary verb) 0.90 0.06 0.02 -0.02 0.03 -0.02 -0.04 0.01 0.05 -0.05 Ha (Binding particle ) 0.88 -0.12 0.00 0.00 0.01 -0.05 0.01 0.14 0.05 0.05 Ga (Case particle) 0.88 0.08 0.00 0.00 -0.01 -0.02 0.00 0.04 0.06 0.00 Te (Conjunctive particle ) 0.86 0.02 0.00 0.03 0.02 0.02 0.01 0.11 0.05 -0.07 Reru (Auxiliary verb) 0.85 0.03 -0.02 0.09 -0.05 -0.05 -0.01 -0.17 -0.02 0.04 To (Case particle) 0.81 -0.02 -0.01 0.06 -0.04 -0.02 0.03 0.10 0.13 -0.04 Da (Binding particle ) 0.72 0.08 -0.04 -0.18 -0.05 0.00 -0.04 0.21 0.05 0.25 De (Case particle) 0.70 0.17 0.03 0.06 -0.02 0.01 0.04 0.11 0.10 -0.03 Rareru (Auxiliary verb) 0.66 0.01 -0.03 0.02 -0.01 -0.01 -0.02 0.03 -0.15 -0.04 Seru (Auxiliary verb) 0.65 -0.06 0.01 -0.07 0.06 0.04 -0.01 -0.07 -0.05 0.05 Mo (Binding particle ) 0.65 0.08 0.02 0.06 0.03 0.02 0.06 0.31 0.00 -0.06 Made (Adverbial particle) 0.64 0.05 0.00 0.01 -0.02 0.02 -0.01 0.02 -0.07 0.01 Ba (Conjunctive particle ) 0.60 -0.07 -0.06 0.06 0.01 -0.10 0.08 0.17 -0.15 0.11 Nai (Auxiliary verb) 0.60 0.08 -0.08 -0.15 0.08 0.03 -0.10 0.40 -0.05 0.00 Ga (Case particle) 0.57 -0.28 0.00 0.15 -0.06 -0.04 0.03 -0.03 0.24 0.23 To (Conjunctive particle ) 0.53 0.05 -0.01 0.04 -0.03 0.01 0.04 0.09 0.22 -0.08 He (Case particle) 0.49 -0.08 0.03 0.01 0.03 0.07 0.04 -0.07 0.07 0.00 Shika (Adverbial particle) 0.46 0.07 0.00 0.04 -0.03 -0.02 -0.05 0.03 -0.08 -0.01 Dake (Adverbial particle) 0.45 0.06 0.07 -0.02 0.00 -0.02 -0.01 0.23 0.01 0.07 Ka (Adverbial particle) 0.45 0.09 0.00 0.02 0.00 0.03 0.00 0.38 0.08 -0.04 Nagara (Conjunctive particle ) 0.44 -0.04 -0.01 0.01 0.06 0.07 0.02 0.04 -0.04 -0.04 Tte (Adverbial particle) -0.01 0.87 0.02 0.00 -0.08 0.09 -0.01 0.01 -0.05 0.07 Chau (Auxiliary verb) -0.08 0.78 -0.02 0.06 -0.04 -0.01 0.11 -0.12 0.01 0.02 Teru (Auxiliary verb) 0.06 0.67 0.08 -0.06 -0.03 0.04 -0.08 -0.03 0.01 0.21 Keredo (Conjunctive particle ) 0.09 0.61 0.07 -0.01 -0.02 -0.04 0.00 0.14 0.13 -0.12 Nanka (Adverbial particle) 0.00 0.52 -0.01 0.03 -0.08 0.01 0.02 0.07 0.10 0.03 Mono (Ending particle) -0.07 0.50 -0.02 0.07 0.16 -0.05 0.02 -0.07 -0.01 0.04 Yo (Ending particle) 0.03 0.49 -0.06 0.01 0.21 0.01 -0.02 -0.02 0.25 0.31 Mitai (Auxiliary verb stem) 0.06 0.49 0.00 0.01 -0.02 0.00 -0.01 0.16 0.02 -0.03 Ya (Auxiliary verb) 0.04 -0.03 0.93 -0.07 0.00 0.01 0.04 0.01 -0.01 -0.04 Hen (Auxiliary verb) 0.03 0.01 0.64 -0.05 -0.02 -0.03 -0.01 0.01 -0.03 -0.05 De (Ending particle) 0.01 0.01 0.59 -0.03 -0.02 -0.02 0.00 -0.02 -0.01 0.01 Nen (Ending particle) -0.07 0.02 0.47 0.07 0.02 0.04 -0.01 0.01 -0.01 0.04 Haru (Auxiliary verb) 0.00 0.01 0.45 0.02 0.02 -0.02 -0.01 -0.02 0.00 -0.02 Masu (Auxiliary verb) 0.22 0.05 -0.03 0.83 -0.03 0.04 -0.12 -0.05 0.04 -0.13 Desu (Auxiliary verb) 0.19 0.19 -0.05 0.71 -0.05 0.03 -0.08 -0.05 0.28 -0.22 Zu (Auxiliary verb) 0.27 -0.08 0.10 0.67 0.01 0.01 0.11 0.07 -0.12 0.09 Wa (Ending particle) -0.01 -0.07 0.05 -0.02 0.97 0.01 -0.01 -0.01 0.12 -0.04 Kashira (Ending particle) 0.03 -0.02 -0.02 0.00 0.57 0.02 -0.02 0.04 0.05 -0.12 No (Ending particle) 0.03 0.31 0.01 -0.09 0.53 -0.04 0.01 0.03 -0.06 -0.05 Yagaru (Auxiliary verb) -0.03 0.03 -0.02 0.08 0.02 0.78 0.00 -0.01 -0.09 -0.09 Ze (Ending particle) -0.02 0.03 -0.06 0.02 -0.02 0.74 -0.03 0.01 -0.08 0.04 I (Ending particle) 0.02 -0.05 0.07 -0.06 0.02 0.53 0.05 0.04 0.08 0.15 Ja (Auxiliary verb) 0.05 0.07 -0.03 -0.06 -0.03 0.00 0.76 -0.05 -0.02 -0.03 Nou (Ending particle) 0.01 0.02 0.01 -0.05 0.00 0.00 0.56 0.00 0.02 -0.04 Ne (Ending particle) 0.02 0.36 -0.03 0.12 0.13 -0.08 0.00 0.02 0.53 0.18 Sa (Ending particle) 0.06 0.25 -0.02 -0.17 -0.14 0.05 -0.05 -0.01 0.10 0.46Ten factors corresponded with the frequently appearing utterance patterns in Japanese novels. The characteristics and naming of each factor are as follows:(i)
Factor 1: It included the most frequently used neutral particles and auxiliary verbs. However, Factor 1 did not include words which indicated specific attributes; in other words, it represented a ‘neutral style’ of utterance.(ii)
Factor 2: This factor included friendly and frank particles and auxiliary verbs (e.g., tte, chau, teru, nanka, mono, yo, and mitai). Therefore, Factor 2 was referred to as ‘frank style’(iii)
Factor 3: This factor included many words which were characteristically used in various Japanese dialects (e.g., ya, hen, da, nen, and haru). Therefore, Factor 3 was referred to as ‘dialect style’.(iv)
Factor 4: This factor included formal and polite auxiliary verbs (e.g., masu, desu) and was referred to as ‘polite style’.(v)
Factor 5: This factor mainly included feminine characteristic particles (e.g., wa, kashira, and no) and was referred to as ‘feminine style’.(vi)
Factor 6: This factor included relatively crude expressions (e.g., yagaru, and ze). Therefore, it was labelled ‘crude style’.(vii)
Factor 7: This factor included expressions indicating aged people (e.g., ja, and nou). Therefore, it was labelled ‘aged style’.(viii)
Factor 8: This factor included nai, ka, and mo (loading values of ka and mo are less than 0.4). Since those are related to suspicions, questions, and interrogative forms, it was labelled ‘interrogative style’.(ix)
Factor 9: This factor included ne, desu, and yo (loading values of desu and yo are less than 0.4). Those words are used in case of indicating approval or serve as backchannel. Therefore, it was labelled ‘approval style’.(x)
Factor 10: This factor included sa, yo, and da (loading values of yo and da are less than 0.4). Those words are used to impart masculinity to a character and also pretentious mood. Therefore, it was labelled ‘dandy style’.Table6 shows examples of each utterance style. These example sentences signify the same meaning of “What are you doing?” in Japanese. The difference in nuance cannot be expressed in English language in principle.Table 6
Examples of each utterance styles.
Style Example Japanese Neutral Nani wo shite iru? 何をしている? Frank Nani shi teru? 何してる? Dialect Nani shi torun ya? 何しとるんや? Polite Nani shi te i masu ka? 何していますか? Feminine Nani shi te iru no? 何しているの? Crude Nani shi te yagaru? 何してやがる? Aged Nani shi torun ja? 何しとるんじゃ? Interrogative Nani ka shi te nai? 何かしてない? Approval Nani ka shi teru no desu ne? 何かしてるのですね? Dandy Nani shi te iru no da? 何しているのだ?In order to investigate the relationships between extracted factors and fundamental attributes of fictional characters, average factor scores were calculated for each gender group and each age group (Table7). In Table 7, bold cells indicate the absolute values exceeding 0.2. Since those tendencies may reflect some prejudice of fiction writers, it is possible that they may not correspond to the real tendencies of Japanese utterances. However, those results would reflect the average tendencies of fictional characters’ utterance styles in Japanese novels.Table 7
Average factor scores for categories about genders and ages.
Factor 1 Factor 2 Factor 3 Factor 4 Factor 5 Factor 6 Factor 7 Factor 8 Factor 9 Factor 10 Neutral Frank Dialect Polite Feminine Crude Aged Interrogative Approval Dandy Male Young -0.15 0.26 0.10 -0.27 -0.19 0.15 -0.16 0.08 -0.08 0.16 Middle 0.06 -0.19 0.01 0.06 -0.26 0.08 0.04 -0.01 0.02 0.14 Aged 0.25 -0.18 0.03 0.12 -0.22 0.01 0.60 0.10 0.10 0.29  Female Young -0.22 0.47 -0.06 -0.23 0.38 -0.15 -0.14 0.03 -0.19 -0.18 Middle -0.06 0.35 -0.02 -0.05 0.69 -0.18 -0.11 0.02 -0.03 -0.35 Aged 0.02 0.31 0.05 0.06 0.22 -0.05 0.07 0.03 0.17 -0.12Average Factor 1 (neutral style) scores indicate that aged males were expected to speak traditional Japanese. On the other hand, young female characters were not regarded as the speakers of traditional Japanese. Average Factor 2 (frank style) scores indicate that frank style was widely utilised for female characters. Young male characters used frank styles only exceptionally. The Factor 3 (dialect style) score shows that dialect style was independent of the categories of attributes. Since a dialect style reflects mainly the birthplace of a character, this result seems reasonable. The Factor 4 (polite style) scores were low both in young males and females. This result may correspond to the Factor 2 (frank style) scores. Although it is self-explanatory, Factor 5 score (feminine style) proved feminine utterance style was utilised by female characters. The Factor 6 (crude style) scores were a bit high in young and middle-aged male characters and a bit low in young and middle-aged female characters, and vice versa. The Factor 7 (aged style) scores also proved that aged male characters utilised aged utterance styles. The Factor 8 scores (Interrogative style) indicated that utterance styles about suspicions, questions, and interrogative forms were not dependent on characters’ fundamental attributes. It seems reasonable since every character can have suspicions and questions. The Factor 9 scores (approval style) show that aged female frequently used backchannel speech style in fictional texts. On the other hand, young female did not often utilise backchannel speech style. The Factor 10 (dandy style) scores indicate male characters often exhibit masculine mood. Of course, female characters did not utilise those utterance styles.Those relationships between extracted utterance styles and fundamental attributes (gender and age) of fictional characters revealed that some utterance styles suggest specific categories of characters; therefore, those utterance styles would be utilisable for speaker identification tasks in natural language processing. In addition, those utterance styles would facilitate the generation of more natural dialogues in automatic dialogue generation tasks based on some virtual attributes of speakers. Moreover, those utterance styles may be useful for deducing the personality, social status, and social relationships of speakers and listeners in order to interpret stories in texts.


## 4. Conclusions

The characteristics of utterances in Japanese novels were analysed by adding several attributes to a randomly extracted Japanese novel corpus, and 5632 annotated utterances (887 data sets) were prepared. Based on the corpus, the characteristics of utterance styles were extracted quantitatively. A chi-square test for particles, auxiliary verbs, and utterance characteristics of genders, and relationship between the speakers and listeners revealed that male utterances included more imperative words, whereas female utterances contained more particle verbs which implied a polite tone. In addition, auxiliary verbs of politeness were more frequently used for ‘coworkers’ and ‘superior authorities’ than for ‘friend’, ‘subordinates’, and ‘enemy’. The results also revealed differences in utterances between close and intimate relationships. Finally, repeated factor analyses revealed seven frequently used utterance styles (neutral, frank, dialect, polite, feminine, crude, aged, interrogative, approval, and dandy). The factor scores indicated relationships between various utterance styles and fundamental attributes of speakers. Thus, results of this study would be utilisable for speaker identification tasks, automatic speech generation tasks, and scientific interpretation of stories and characters.Although in this study, factor analysis has been done for the large corpus with fundamental attributes, some large corpus with detailed attributes could allow for a more in-depth analysis of the relationship between utterance styles and attributes. Moreover, future research should focus on the validation of usefulness of these results.Also it would be useful to compare the results with those of similar corpus of other languages [15].



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