Newsgroup: it.arti.fotografia
Titolo: La più bella canzone del XX secolo

versione antica
http://www.youtube.com/watch?v=_mQHr8bAojU
versione moderna da nudista
http://www.youtube.com/watch?v=ppdpae0EWDU
versione Bossa Nova (consigliata)
http://www.esnips.com/doc/8c383895-afd5-474a-b853-8b0cf2874fed/BOSA-NOVA-Joao-Gilberto,-Caetano-Veloso,-Gilberto-Gil---Aquarela-do-Brasil
Aquarela Do Brasil - Caetano Veloso, Joao Gilberto - (1981)
                    written by: Ary Barroso - (1939)
                         (Jo�o Gilberto's version)
Brazil
Meu Brasil brasileiro
Mio Brasile brasiliano
Meu mulato inzoneiro
Mio mulatto intrigante
Vou cantar-te nos meus versos
Ti canter� nei miei versi
O Brasil, samba que d�
Il Brasile, samba che da'
Bamboleio, que faz gingar
Ballo, che fa' dondolare
� Brasil, do meu amor
Oh Brasile, del mio amore
Terra de Nosso Senhor
Terra di Nostro Signore
� abre a cortina do passado
Oh apre la cortina del passato
Tira a m�e preta do cerrado
Toglie la madre nera dalla savana
Bota o rei congo no congado
Mette il Re Congo nel congado
Deixa cantar de novo o trovador
Lascia a cantare di nuovo il menestrello
A merenc�ria luz da lua
La malinconica luce della luna
Toda can��o do meu amor
Tutta la canzone del mio amore
Quero ver essa dona caminhando
Voglio vedere quella donna camminare
Pelos sal�es arrastando
Per le stanze trascinando
O seu vestido rendado
Il suo vestito ornato (di merletti)
�, esse coqueiro que d� c�co
Oh, questo albero che da' cocco
Oi, onde amarro a minha rede
Oh, dove stendo la mia rete
Nas noites claras de luar
Nelle sere chiare da luna
Oi estas fontes murmurantes
Oh, queste fontane mormoranti
Oi onde eu mato a minha sede
Oh, dove sazio la mia sete
E onde a lua vem brincar
E dove la luna viene a giocare
O, esse Brasil lindo e trigueiro
Oh, questo Brasile bellissimo e moro
� o meu Brasil brasileiro
� il mio Brasile brasiliano
Terra de samba e pandeiro
Terra di samba e tamburello
Brazil
Meu Brasil brasileiro
Mio Brasile brasiliano
Meu mulato inzoneiro
Mio mulatto intrigante
Vou cantar-te nos meus versos
Ti canter� nei miei versi
O Brasil, samba que d�
Il Brasile, samba che da'
Bamboleio, que faz gingar
Ballo, che fa' dondolare
� Brasil, do meu amor
Oh Brasile, del mio amore
Terra de Nosso Senhor
Terra di Nostro Signore
� abre a cortina do passado
Oh apre la cortina del passato
Tira a m�e preta do cerrado
Toglie la madre nera dalla savana
Bota o rei congo no congado
Mette il Re Congo nel congado
Deixa cantar de novo o trovador
Lascia a cantare di nuovo il menestrello
A merenc�ria luz da lua
La malinconica luce della luna
Toda can��o do meu amor
Tutta la canzone del mio amore
Quero ver essa dona caminhando
Voglio vedere quella donna camminare
Pelos sal�es arrastando
Per le stanze trascinando
O seu vestido rendado
Il suo vestito ornato (di merletti)
�, esse coqueiro que d� c�co
Oh, questo albero che da' cocco
Oi, onde amarro a minha rede
Oh, dove stendo la mia rete
Nas noites claras de luar
Nelle sere chiare da luna
Oi estas fontes murmurantes
Oh, queste fontane mormoranti
Oi onde eu mato a minha sede
Oh, dove sazio la mia sete
E onde a lua vem brincar
E dove la luna viene a giocare
O, esse Brasil lindo e trigueiro
Oh, questo Brasile bellissimo e moro
� o meu Brasil brasileiro
� il mio Brasile brasiliano
Terra de samba e pandeiro
Terra di samba e tamburello
Brazil
Meu Brasil brasileiro
Mio Brasile brasiliano
Meu mulato inzoneiro
Mio mulatto intrigante
Vou cantar-te nos meus versos
Ti canter� nei miei versi
O Brasil, samba que d�
Il Brasile, samba che da'
Bamboleio, que faz gingar
Ballo, che fa' dondolare
� Brasil, do meu amor
Oh Brasile, del mio amore
Terra de Nosso Senhor
Terra di Nostro Signore
� abre a cortina do passado
Oh apre la cortina del passato
Tira a m�e preta do cerrado
Toglie la madre nera dalla savana
Bota o rei congo no congado
Mette il Re Congo nel congado
Deixa cantar de novo o trovador
Lascia a cantare di nuovo il menestrello
A merenc�ria luz da lua
La malinconica luce della luna
Toda can��o do meu amor
Tutta la canzone del mio amore
Quero ver essa dona caminhando
Voglio vedere quella donna camminare
Pelos sal�es arrastando
Per le stanze trascinando
O seu vestido rendado
Il suo vestito ornato (di merletti)
�, esse coqueiro que d� c�co
Oh, questo albero che da' cocco
Oi, onde amarro a minha rede
Oh, dove stendo la mia rete
Nas noites claras de luar
Nelle sere chiare da luna
Oi estas fontes murmurantes
Oh, queste fontane mormoranti
Oi onde eu mato a minha sede
Oh, dove sazio la mia sete
E onde a lua vem brincar
E dove la luna viene a giocare
O, esse Brasil lindo e trigueiro
Oh, questo Brasile bellissimo e moro
� o meu Brasil brasileiro
� il mio Brasile brasiliano
Terra de samba e pandeiro
Terra di samba e tamburello
             (orchestra)
Oi estas fontes murmurantes
Oh, queste fontane mormoranti
Oi onde eu mato a minha sede
Oh, dove sazio la mia sete
E onde a lua vem brincar
E dove la luna viene a giocare
O, esse Brasil lindo e trigueiro
Oh, questo Brasile bellissimo e moro
� o meu Brasil brasileiro
� il mio Brasile brasiliano
Terra de samba e pandeiro
Terra di samba e tamburello
Brazil
                                            Aquarela do Brasil
  "Aquarela do Brasil" is, arguably, the greatest popular song of all times.
In November 1997 it was voted Best Brazilian Song of the Century by a jury
of thirteen experts assembled by the Brazilian Academy of Letters.
Better known to the world as "Brazil," this samba has been recorded
innumerable times by all manner of artists, from the sublime to the
ridiculous.
Composed in early 1939, the song heralded a new genre in Brazilian Popular
Music: samba-exalta��o, a samba exulting in the beauties of the land.
"Aquarela do Brasil" was first performed in the theatrical revue Entra na
Faixa on 16 June 1939 by the popular singer Araci Cortes. Incredible as it
may seem, her rendition passed virtually unnoticed, which led the composer
to overlook her when it came time to record what turned out to be his most
famous song.
Ary picked a namesake of the first singer-Aracy de Almeida, who had recently
recorded his "Camisa Amarela" to great acclaim-to record "Aquarela do
Brasil." An RCA Victor artist, Aracy went to Leslie Evans, the much-feared
American artistic director of her label, and told him about the wonderful
new samba she wanted to record. Evans, who hated samba and sambistas. Ary
wanted "Aquarela do Brasil" to be recorded with a full orchestra, and Aracy
communicated this condition to Evans. The director, used to having his way,
was unwilling to commit more than a conjunto regional (a small choro
ensemble) to the recording. As a result, Aracy recorded another samba, now
forgotten, while Francisco Alves had the honor of being the first to record
Brazil's greatest song.
Ary Barroso relaunched "Aquarela" on 28 June 1939 in Henrique Pongetti's
musical revue Joujoux e Balangand�s (with songs by Ary, Lamartine Babo, and
Ant�nio N�ssara), where it was sung to great acclaim by the lyric tenor
C�ndido Botelho in an orchestral arrangement by maestro Radam�s Gnattali.
Botelho naturally wished to record the song but couldn't reach Ary, who was
out of town. In the meantime, the record label Odeon sent a telegram to Ary
seeking exclusivity for its own planned recording with the great singing
star Francisco Alves, O Rei da Voz. Alves recorded "Aquarela" with Radam�s
Gnattali and his orchestra in August 1939, and the record was released in
October of the same year. The six-minute arrangement was too long to fit on
one side of a 78-rpm disc and was recorded in two parts that occupied both
sides of the single. Several other recordings, including one by Alves' main
rival, S�lvio Caldas, followed in quick succession.
In August 1941, Walt Disney visited Brazil on a U.S. State Department Good
Neighbor Policy mission. In Bel�m do Par�, he complained to journalist
Celestino Silveira that the hotel band was playing only North American
tunes. Silveira asked the musicians to play Brazilian music, and the pianist
played "Aquarela do Brasil," reportedly badly. On the flight from Bel�m to
Rio de Janeiro, Disney discussed the creation of the Z� Carioca character
and the kind of song that should accompany it. He remembered "Aquarela" and
asked Silveira if he knew the composer. Silveira told him that he could
present him the next day. The following day, Disney and Barroso met at a
cocktail party given by the U.S. consulate at the hotel Gl�ria in Rio. They
conversed about the song, and right there it acquired the title "Brazil"
(see English lyrics).
The first U.S. recording of "Brazil" was made on 4 September 1941 by pianist
and bandleader Eddy Duchin, who had just returned from an engagement at the
Cassino de Copacabana in Rio de Janeiro. On this recording, vocalist Tony
Leonard sings in Portuguese. Next came Xavier Cugat and his Waldorf-Astoria
Orchestra, who recorded their first version on 30 December 1941 with
vocalist La Chata and chorus singing in Portuguese. On 17 May 1942 Cugat
recorded a radio transcription with Dinah Shore, followed on 31 May 1942 by
Andr� Kostelanetz and his Orchestra with vocalist Allan Jones and on 14 July
by Jimmy Dorsey and his Orchestra with vocalists Bob Eberly & Helen
O'Connell.
Despite all this activity, it wasn't until 1943 that "Brazil" finally became
a Top Ten hit in the USA, when one of Cugat's versions attained the number 2
spot on the hit parade.
Both "Aquarela" and Ary's other monster hit, "Na Baixa do Sapateiro" (aka
"Bahia" or "Ba�a") were incorporated into animated segments in Disney's
films: "Aquarela" in Saludos Amigos (1942) and "Na Baixa" in The Three
Caballeros (1944). In both cases, the singers were Brazilian. "Aquarela do
Brasil" was performed in Portuguese by Aloysio de Oliveira, founder of the
pioneer vocal-instrumental group Bando da Lua, musical director for Carmen
Miranda, and later the most important bossa-nova recording magnate in
Brazil. "Na Baixa do Sapateiro" gained English lyrics by Ray Gilbert and was
sung by Nestor Amaral.
By 1945 "Aquarela" had been performed more than two million times on U.S.
radio and TV. It also enjoys the dubious honor of being the seventh most
frequently played song in hotels and restaurants.
During Ary Barroso's life, his most important interpreters were Carmen
Miranda, S�lvio Caldas, Francisco Alves, Aracy de Almeida, Orlando Silva and
Elizeth Cardoso. The foremost living Ary Barroso interpreter is, without a
doubt, Jo�o Gilberto, who gave many of Ary's tunes a new lease on life and
whose three recordings of "Aquarela do Brasil" are widely regarded as the
definitive versions of this song. As he is sometimes wont to do, Jo�o
Gilberto modified the song to suit his own style, replacing several words
and omitting the refrain Brasil, pr� mim, pr� mim, pr� mim.

 
http://www.youtube.com/watch?v=_mQHr8bAojU
che sia una bellissima canzone non ci piove.
Ma giusto per restare in brasile, questa � fondamentale
http://www.youtube.com/watch?v=51Aln1RM2zw&feature=related
se poi calcoli che fa parte della colonna sonora di
Dona fLor e i suoi due mariti....
http://www.youtube.com/watch?v=lLDaCtqk-So
V
-- 
http://www.casadivetro.org
Alla fine ti trovasti in un bel posto
e l� capisti perch� t'erano stati chiesti
gli occhi in prestito
(Pasquale Panella) 


"massivan"
Si, � di alto livello

 >
http://www.youtube.com/watch?v=_mQHr8bAojU
è un bel pezzo, ma pure io rimanendo in brasile ne preferisco altri
tipo:
http://www.youtube.com/watch?v=kRUkvvs0jbo
http://www.youtube.com/watch?v=Tbj5JdCIsS0&feature=fvw
 (versione di
Elis)
http://www.youtube.com/watch?v=X7Kv1TpZkTQ
http://www.youtube.com/watch?v=Yakt0mo8eJE

http://www.youtube.com/watch?v=BXB-PoihfYI&feature=related
-- 
www.pietropesaresi.altervista.org

 
http://www.youtube.com/watch?v=BXB-PoihfYI&feature=related
"massivan"
Nel lontano...ho registrato un concerto degli
Area direttamente dal mixer con un Revox A77
l'album era "Area-zione".