Newsgroup: it.arti.musica.classica
Titolo: IT- VACCINAZI0NI -

Le vaccinazioni anti influenza non servono a niente : la bestiaccia mi
ha acchiappato lo stesso, pero'....
Pero' stamane ho ascoltato alla radio il Concerto in mi minore Op 83
di Elgar, per violencello e orchestra, che non conoscevo.
Violoncellista - strepitosa !!! - la coreano-americana Sarah Cingla
(?).
Non avrei mai immaginato che da un violoncello si potessero trarre
note cosi' dense, colorate, drammatiche, dolorose.
Un'opera bellissima, affascinante eseguita in modo tanto coinvolgente
da commuovere.
E adesso mi rificco sotto.
Cesare Simonetti
GENOVA MORIBONDA

 ha acchiappato lo stesso, pero'....
Osserrvazione giocosa, ma falsa. La vaccinazione contro l'influenza come
tutte
le vaccinazioni ha una certa perrcentuale di insuccessi (e chi lo mnega ?...
io stesso ci ho anche
pubblicato un articolo proprio su ste "vaccine failures" eh eh eh ;-),
percentuale maggiore che
per altre vaccinazioni per via dell'estrema mutabilita' dei virus
influenzali.
Quello che non si dice mai e' il numero di persone che, essendosi fatta la
punturina, l'influenza
l'ha evitata, per non parlare delle sue complicazioni e dei soldi
risparmiati....
maw
a, vn

risparmiati....
Vabbe'...ma di Elgar che mi dici ?
Cesare
(Con febbre, tosse, asma,ginocchio rigorosamente della lavandaia e
prenotazione loculo gia' fatta )

 prenotazione loculo gia' fatta )
Impossibile. Ci sotterrerai tutti.
--
Fabrizio (39,192, TO)
BMW 325 ti "Compactona"
http://www.controsterzo.com/public/files/miura1.jpg
sognando...

 Vabbe'...ma di Elgar che mi dici ?
Prima o poi dovrai ascoltare l'incisione 'cult' della Du Pré con Barbirolli
(EMI): passione, passione, passione... anche se il nostro violoncellista
consigliava piuttosto Isserlis con Hikox (Virgin), più aderente alla
partitura. Il concerto comunque è magnifico!
Ciao    Mr Duffy
--
"Varia: (sottovoce) Anja dorme. (Apre piano la finestra) E' spuntato il
sole, non fa freddo. Guardate, mammina, come sono belli gli alberi.
Dio mio, che aria! Gli stornelli cantano!
Gaev: (apre l'altra finestra) Il giardino è tutto bianco. Te lo ricordi,
Ljuba? Questo viale che va dritto dritto, come un nastro d'argento, e
splende, nelle notti di luna? Te lo ricordi? Non l'hai dimenticato?"
Anton Cechov, Il giardino dei ciliegi

le vaccinazioni ha una certa perrcentuale di insuccessi 
Non hai capito. Lui ha fatto la vaccinazione contro la Lingua Blu.
Schillogeno
-----------
"A composer is a guy who goes around forcing his will on
unsuspecting air molecules,often with the assistence of 
unsuspecting musicians."  Frank Zappa, 1940-1993.

Non hai capito. Lui ha fatto la vaccinazione contro la Lingua Blu.
Quando sono andato a trovare il nostro pranzo, aveva una bella
linguetta rosa.
Stava proprio bene, un amore.
Nella Liguria Profonda le lingue blu ce le avevano i mori : per quello
gliela tagliavano.
Altre tempi, altre lingue.
Cesare Simonetti
GENOVA LIETA

partitura. Il concerto comunque è magnifico!
D'accordissimo! La Dupre' e` l'interprete elettiva di questo concerto,
che ne ha accompagnato interamente la sua breve carriera. Pero`, anche
Isserlis non e` da meno, un'interpretazione lirica e priva di
sentimentalismo esagerato, in cui lo strumento canta come in
nessun'altra esecuzione.
Ciao
Andrea
************
ANDREA TRAVE - atrave(TOGLIMI)@
civet.berkeley.edu
 
http://civet.berkeley.edu/atrave/

 che ne ha accompagnato interamente la sua breve carriera.
http://www.cello.org/dupre/photos.htm
One Week with Jacqueline Du Pré
By John Krakenberger
It must have been in the early sixties when I was visiting London on other
business, that I met Jackie. She was introduced to me by the violinist
Alberto Lysy (Menuhin's side-kick during a number of years), who lived in
London at that time, and with whom I had had contact in Buenos Aires where
we both studied our respective instruments, in the forties and fifties. I do
remember however that it was before she went to study with Rostropovich in
Russia. She talked about her plans to go there.
Since violists are always in short supply, Alberto used my presence to
organise chamber music soirées at his home. We played quintets and sextets,
and one afternoon we went through the whole book of Beethoven's
string-trios, where I had quite a hard time to follow, particularly in the
Presto of op 9 Nº1. I remember, however, that they were quite satisfied with
me, and I still feel good about it today. This led to a meeting with Jackie
at her parent's house in Curzon Street, where she had an attic for herself
and where we spent a long afternoon checking our respective phrasing of the
Bach Suites for Cello, me on the viola and she on the cello.
I was twenty years her senior and we got along splendidly. I thought that at
that time she was a little uneasy with her well-developed body, maybe a
little too hefty for her taste...what the Germans mockingly call
"Vollschlank". But this uneasiness was transformed miraculously the moment
she sat down behind her cello. An extraordinary vitality surged from all her
movements, and the cello was literally assaulted with verve, fire, and
passion.
In many places we can read that besides Pleeth, Tortelier and Rostropovich
she also studied with Casals. This is not completely correct. She did go to
Zermatt and met Casals but the chemistry did not work and they did not get
along too well. There is a wonderful story circulating on their first
meeting. Everybody knows about Casals' gruffness, his typical Catalan
peasant demeanour, and his dislike of English musicians, which he expressed
frequently. Therefore when it was announced to him that an English
cello-prodigy was going to work with him, he frowned and expressed his
misgivings. The afternoon their first meeting was scheduled, Jackie was
warming up next door to the room where Casals was staying with Maurice
Eisenberg, his assistant, and some other visitors. He suddenly cocked his
ears and said: "An English cellist, you say?" "Yes, maestro, indeed". "What
did you say her name was?" "Jacqueline Du Pré, maestro" was the reply.
"Well, didn't I say so from the start? English indeed!" I cannot remember
who told me the story, but it could perfectly well be true.
In the early seventies, when I lived in Geneva, I met Daniel Barenboim after
one of his concerts there. Young Barenboim lived at my house in Lima, Perú,
when he was sent on tour for the first time without being accompanied by his
father. We therefore knew each other well - we even had made music together.
He had been married to Jackie for several years. I told him that I had met
her in London, and that we got along well. I did not understand his
reaction. It was a sonorous "You too!!". Now I am in doubt with all that was
said and gossiped, which did not make any sense at all to me... and still
doesn't.
The fact remains that this was an extraordinary creature - I still get moved
when I hear the live recording of the Elgar made with the Chicago Orchestra,
Barenboim conducting. I don't know any other recording where the aliveness
of a soloist comes over so strongly and hypnotises the listener in such a
powerful way. I can visualise her playing, her power and the unique
radiation she produced. Unforgettable!
http://www.jose-sanchez-penzo.net/jdupre.html
:**
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GENOVA LIETA
Bravo, vedi che coltivi le lingue.
(E anche il computer.... ragazzo trendy, non c'è che dire).
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