Newsgroup: it.arti.musica.classica
Titolo: le 32 sonate di Beethoven

sto cercando libri reperibili in commercio, e validi(!) sulle 32 sonate di
beethoven.
inoltre una bibliografia sul musicista!
ringrazio e saluto tutti!
Leonardo
--
togliete NONOSPAM e RIMUOVILOORA!
leonardo.vacc...@tiscaliRIMUOVILOORA.it

 Leonardo
ecco un elenco (tratto da una bibliografia di un programma di sala) di
biografie e testi sulle sonate e su beeethoven. tieni presente che però non
so dirti se siano facilmente reperibili o validi:
Biografie:
- Maynard Solomn: "Beethoven", Supertascabili Marsilio, 1996;
- Joseph Kerman e Alan Tyson: "Beethoven", Ricordi/Giunti, 1986;
- Walter Riezler: "Beethoven", Rusconi, 1977;
Studi analitici sulle 32 sonate :
- Charles Rosen: Beethoven's Piano Sonatas: A Short Companion, Yale
University Press, 2002;
- Tovey: "A Companion to Beethoven's Pianoforte Sonatas (Bar-to-bar
Analysis)", A.B.R.S.M, 1931;
- Blom: "Beethoven's Pianoforte Sonatas Discussed", Da Capo Press, 1968;
- Prod'homme: "Les Sonates pour piano de Beethoven", Librairie Delagrave,
1937;
- Carli Ballola :" Beethoven - L'arte della sonata", Giunti, 1987 ;
- Charles Rosen: "The classical Style", The Viking press, 1971;
- Charles Rosen : "Le Forme- Sonata "Feltrinelli, 1986 ;
- Carl Dahlhaus:"Beethoven e il suo tempo" , E.D.T. Edizioni di Torino,
1990;
- Giorgio Pestelli:"Beethoven", Società editrice il Mulino, 1988;
- Rudolf Kolisch: "Tempo und Charakter in Beethovens Musik", Musik-Konzepte,
1992;
- Carl Czerny:"On the proper performance of all Beethoven's works for the
piano", da "Reminiscences of Beethoven" e I capitoli II e III dal IV volume
della "Complete Theoretical and Pratical Piano Forte School op. 500",
Universal Edition, 1970;
- Amedeo Poggi e Edgar Vallora: "Beethoven - Signori, il catalogo è
questo!", Einaudi, 1995;
Studi sui problemi di ordine estetico ed analitico riferiti a Beethoven in
particolare:
- Charles Rosen: "Il pensiero della musica", Garzanti, 1995;
- Carl Dahlhaus:"Analisi musicale e giudizio estetico", Società editrice il
Mulino, 1987;
- Nicholas Cook:"Guida all'analisi musicale", Guerini reprint, 1991;
Studi sui problemi di ordine filologico riferiti all'opera di Beethoven in
particolare:
- Georg Feder: "Introduzione alla critica del testo, all'ermeneutica e alle
tecniche d'edizione", Società editrice il Mulino, 1992;
- Badura-Skoda, P.: "Noch einmal zur Frage Ais oder A in der
Hammerklaviersonate Opus 106 von Beethoven", in Musik-Edition-Interpretation
a cura di M. Bente, Monaco, 1980;
Marco

 Leonardo
ecco la bibliografia completa aggiornata all'anno scorso, classificata per
tema (ho tralasciato alcune voci)
buona fortuna :-D
Z.
b: COLLECTIONS OF ESSAYS AND RELATED PUBLICATIONS
G. Nottebohm: Beethoveniana (Leipzig, 1872/R)
G. Nottebohm: Zweite Beethoveniana, ed. E. Mandyczewski (Leipzig, 1887/R)
T. von Frimmel: Neue Beethoveniana (Vienna, 1888)
E. Mandyczewski: Namen- und Sachregister zu Nottebohms Beethoveniana und
Zweite Beethoveniana (Leipzig, 1888/R)
T. von Frimmel: Beethoven-Studien (Munich and Leipzig, 1905-6)
Beethoven-Jb, ed. T. von Frimmel, i-ii (1908-9)
Beethoven-Forschung, ed. T. von Frimmel, nos.1-10 (1911-25)
A. Sandberger: Ausgewählte Aufsätze zur Musikgeschichte, ii: Forschungen,
Studien und Kritiken zu Beethoven und zur Beethovenliteratur (Munich,
1924/R)
Neues Beethoven-Jb, ed. A. Sandberger, i-x (1924-42/R) [NBeJb]
G. Bosse, ed.: Beethoven-Almanach der Deutschen Musikbücherei auf das Jahr
1927 (Regensburg, 1927)
D.F. Tovey: Essays in Musical Analysis (London, 1935-44/R)
A. Schmitz, ed.: Beethoven und die Gegenwart: Festschrift . Ludwig
Schiedermair (Berlin, 1937)
L. Misch: Beethoven-Studien (Berlin, 1950; Eng. trans., 1953)
Beethoven-Jb, ed. J. Schmidt-Görg and others (1953-) [BeJb]
D. Weise, ed.: Festschrift Joseph Schmidt-Görg zum 60. Geburtstag (Bonn,
1957)
S. Kross and H. Schmidt, eds.: Colloquium amicorum: Joseph Schmidt-Görg zum
70. Geburtstag (Bonn, 1967)
L. Misch: Neue Beethoven-Studien und andere Themen (Bonn and Munich, 1967)
GfMKB: Bonn 1970
H.C.R. Landon: Essays on the Viennese Classical Style (London, 1970)
E. Schenk, ed.: Beethoven-Studien: Festgabe der Österreichischen Akademie
der Wissenschaften (Vienna, 1970)
H. Sittner, ed.: Beethoven-Almanach 1970 (Vienna, 1970)
D. Arnold and N. Fortune, eds.: The Beethoven Companion (London, 1971)
P.H. Lang, ed.: The Creative World of Beethoven (New York, 1971)
E. Schenk, ed.: Beethoven-Symposion (Vienna, 1971)
W. Hess: Beethoven-Studien (Bonn and Munich, 1972)
T. Scherman and L. Biancolli, eds.: The Beethoven Companion (New York, 1972)
A. Tyson, ed.: Beethoven Studies (New York, 1973 and London, 1974);
Beethoven Studies 2 (London, 1977); Beethoven Studies 3 (Cambridge, 1982)
H. Goldschmidt: Beethoven-Studien (Leipzig, 1974-7)
Beethoven Colloquium: Vienna 1977 [Beiträge '76-'78]
Beethoven Congress: Berlin 1977
Beethoven, Performers, and Critics: Detroit 1977
The String Quartets of Haydn, Mozart and Beethoven: Cambridge, MA, 1979
H. Goldschmidt, ed.: Zu Beethoven: Aufsätze und Annotationen, i-iii (Berlin,
1979-88)
S. Kross, ed.: Beethoven: Mensch seiner Zeit (Bonn, 1980)
M. Staehelin, ed.: Divertimento für Hermann J. Abs: Beethoven-Studien (Bonn,
1981)
L. Finscher, ed.: Ludwig van Beethoven (Darmstadt, 1983)
L. Lockwood and P. Benjamin, eds.: Beethoven Essays: Studies in Honor of
Elliot Forbes (Cambridge, MA, 1984)
W. Meredith, ed.: The Beethoven Newsletter (1986-94), The Beethoven Journal
(1995-)
C. Dahlhaus: Ludwig van Beethoven und seine Zeit (Laaber, 1987; Eng. trans.,
1991, as Ludwig van Beethoven: Approaches to his Music)
S. Brandenburg and M. Gutiérrez-Denhoff, eds.: Beethoven und Böhmen:
Beiträge zu Biographie und Wirkungsgeschichte Beethovens, Prague, 20 May -
30 June 1988 (Bonn, 1988) [exhibition catalogue]
M. Solomon: Beethoven Essays (Cambridge, MA, 1988)
S. Brandenburg and H. Lühning, eds.: Beethoven: zwischen Revolution und
Restauration (Bonn, 1989)
W. Kinderman, ed.: Beethoven's Compositional Process (Lincoln, NE, 1991)
L. Lockwood: Beethoven: Studies in the Creative Process (Cambridge, MA,
1992)
C. Reynolds and others, eds.: Beethoven Forum (1992-)
J. Kerman: Write All These Down: Essays on Music (Berkeley, 1994)
S. Brandenburg, ed.: Haydn, Mozart & Beethoven: Studies in Music of the
Classical Period: Essays in Honor of Alan Tyson (Oxford, 1998)
d: BIOGRAPHICAL STUDIES
i) General
J.A. Schlosser: Ludwig van Beethoven (Prague, 1828; Eng. trans., 1996, as
Beethoven: the First Biography 1827)
F.G. Wegeler and F. Ries: Biographische Notizen über Ludwig van Beethoven
(Koblenz, 1838/R, suppl.1845/R; rev. 2/1906 by A.C. Kalischer; Eng. trans.,
1987, as Beethoven Remembered)
A. Schindler: Biographie von Ludwig van Beethoven (Münster, 1840, enlarged
2/1845, 3/1860; Eng. trans., 1966/R as Beethoven as I Knew him)
L. Nohl: Beethoven's Leben (Vienna and Leipzig, 1864-77, rev. 2/1909-13 by
P. Sakolowski)
A.W. Thayer: Ludwig van Beethovens Leben, trans. H. Deiters, i (Berlin,
1866), ii (Berlin, 1872), iii (Berlin, 1879), vol. i rev. H. Deiters
(Berlin, 1901); biography continued and completed by H. Deiters and H.
Riemann, iv-v (Leipzig, 1907-8); final revisions by H. Riemann, ii-iii
(Leipzig, 1910-11), i (Leipzig, 1917); vols. ii-v reissued (Leipzig,
1922-3); Eng. orig., ed. and rev. H. Krehbiel (New York, 1921), rev. E.
Forbes as Thayer's Life of Beethoven (Princeton, NJ, 1964, 2/1967)
T. von Frimmel: Ludwig van Beethoven (Berlin, 1901, 6/1922)
R. Rolland: La vie de Beethoven (Paris, 1907; numerous later edns)
F. Kerst, ed.: Die Erinnerungen an Beethoven (Stuttgart, 1913, 2/1925)
E. Ludwig: Beethoven: Life of a Conqueror (New York, 1943)
W. Hess: Beethoven (Zürich, 1956, 2/1976)
G. Marek: Beethoven: Biography of a Genius (New York, 1969)
D. Matthews: Beethoven (London, 1985)
D. Wyn Jones: The Life of Beethoven (Cambridge, 1998)
iii) character and personality
A. de Hevesy: Beethoven: vie intime (Paris, 1926; Eng. trans., 1927, as
Beethoven the Man)
G. Adler: Beethovens Charakter (Regensburg, 1927)
E. Newman: The Unconscious Beethoven (London, 1927, 2/1968)
M. Solomon: 'Beethoven's Birth Year', MQ, lvi (1970), 702-10
M. Solomon: 'Beethoven: the Nobility Pretense', MQ, lxi (1975), 272-94
M. Solomon: 'The Dreams of Beethoven', American Imago, xxxii (1975), 113-44
M. Solomon: 'Beethoven and his Nephew: a Reappraisal', Beethoven Studies 2,
ii, ed. A. Tyson (London, 1977), 138-71
(iv) education
I. von Seyfried, ed.: Ludwig van Beethoven's Studien im Generalbass,
Contrapunkt und in der Compositionslehre (Vienna, 1832, 2/1853/R; Eng.
trans., 1853)
G. Nottebohm: 'Generalbass und Compositionslehre betreffende Handschriften
Beethovens', Beethoveniana (Leipzig, 1872/R), 154-203
G. Nottebohm: Beethoven's Studien (Leipzig, 1873/R) [general refutation of
Seyfried (1832)]
A. Orel, ed.: Ein Wiener Beethoven Buch (Vienna, 1921)
G. Schünemann: 'Beethovens Studien zur Instrumentation', NBeJb 1938, 146-61
A. Mann: 'Beethoven's Contrapuntal Studies with Haydn', MQ, lvi (1970),
711-26
R. Kramer: 'Beethoven and Carl Heinrich Graun', Beethoven Studies, ed. A.
Tyson (New York, 1973), 18-44
R. Kramer: 'Notes to Beethoven's Education', JAMS, xxviii (1975), 72-101
R. Kramer: 'Gradus ad Parnassum: Beethoven, Schubert, and the Romance of
Counterpoint', 19CM, xi (1987-8), 107-20
v) Beethoven and his contemporaries
G. von Breuning: Aus dem Schwarzspanierhause: Erinnerungen an L. van
Beethoven aus meiner Jugendzeit (Leipzig and Vienna, 1874, 2/1907/R by A.C.
Kalischer; Eng. trans., ed. M. Solomon, 1992, as Memories of Beethoven)
L. Nohl, ed.: Eine stille Liebe zu Beethoven (Leipzig, 1875, 2/1902; Eng.
trans., 1876) [diaries of Fanny Giannatasio del Rio]
A.C. Kalischer: Beethoven und seine Zeitgenossen (Berlin, 1908-10)
O.G. Sonneck, ed.: Beethoven: Impressions of Contemporaries (New York,
1926/R)
S. Ley, ed.: Beethoven als Freund der Familie Wegeler-von Breuning (Bonn,
1927) [incl. part of F.G. Wegeler and F. Ries: Biographische Notizen über
Ludwig van Beethoven, and G. von Bruening: Aus dem Schwarzspanierhause]
J. Heer: Der Graf von Waldstein und sein Verhältnis zu Beethoven (Leipzig,
1933)
D.W. MacArdle: 'Beethoven and George Thomson', ML, xxxvii (1956), 27-49
D.W. MacArdle: 'Beethoven and the Bach Family', ML, xxxviii (1957), 353-8
D.W. MacArdle: 'Beethoven and the Czernys', MMR, lxxxviii (1958), 124-35
D.W. MacArdle: 'The Brentano Family in its Relations with Beethoven', MR,
xviv (1958), 6-19
D.W. MacArdle: 'Beethoven and Grillparzer', ML, xl (1959), 44-55
D.W. MacArdle: 'Beethoven and the Archduke Rudolph', BeJb 1959-60, 36-58
D.W. MacArdle: 'Anton Felix Schindler, Friend of Beethoven', MR, xxiv
(1963), 50-74
D.W. MacArdle: 'Beethoven and Ferdinand Ries', ML, xlvi (1965), 23-34
D.W. MacArdle: 'Beethoven and Schuppanzigh', MR, xxvi (1965), 3-14
D.W. MacArdle: 'Beethoven und Karl Holz', Mf, xx (1968), 19-29
M. Solomon: 'Beethoven and Bonaparte', MR, xxix (1968), 96-105
M. Solomon: 'Antonie Brentano and Beethoven', ML, lviii (1977), 153-69
M. Solomon: 'Beethoven and Schiller', Beethoven, Performers, and Critics:
Detroit 1977, 162-75
M. Solomon: 'Schubert and Beethoven', 19CM, iii (1979-80), 114-25
A. Tyson: 'Ferdinand Ries (1784-1838): the History of his Contribution to
Beethoven Biography', 19CM, vii (1983-4), 209-21
J. Webster: 'The Falling-out between Haydn and Beethoven: the Evidence of
the Sources', Beethoven Essays: Studies in Honor of Elliot Forbes, ed. L.
Lockwood and P. Benjamin (Cambridge, MA, 1984), 3-45
T. Volek and J. Macek: 'Beethoven's Rehearsals at the Lobkowitz's', MT,
cxxvii (1986), 75-80
S. Kagan: Archduke Rudolph, Beethoven's Patron, Pupil, and Friend
(Stuyvesant, NY, 1988)
J. Macek: 'Franz Joseph Maximilian Lobkowitz: Musikfreund und Kunstmäzen',
Beethoven und Böhmen, ed. S. Brandenburg and M. Gutiérrez-Denhoff (Bonn,
1988), 147-202
J. May: 'Beethoven and Prince Karl Lichnowsky', Beethoven Forum, iii (1994),
29-38
vii) Social studies
W. Schweisheimer: Beethovens Leiden: ihr Einfluss auf sein Leben und
Schaffen (Munich, 1922)
J.M. Levien: Beethoven and the Royal Philharmonic Society (London, 1927)
W. Nohl: Beethoven: Geschichten und Anekdoten (Berlin, 1927)
R. Van Aerde: Les ancêtres flamands de Beethoven (Malines, 1927)
E. Closson: L'élément flamand dans Beethoven (Brussels, 1928, enlarged
2/1946; Eng. trans., 1936)
J. Boyer: Le 'romantisme' de Beethoven (Paris, 1939)
D.W. MacArdle: 'The Family van Beethoven', MQ, xxxv (1949), 528-50 [incl.
substantial bibliography]
B. Bartels: Beethoven und Bonn (Dinkelsbühl, 1954)
E. and R. Sterba: Beethoven and his Nephew (New York, 1954)
W. Forster: Beethovens Krankheiten und ihre Beurteilung (Wiesbaden, 1955)
S. Ley: Aus Beethovens Erdentagen (Siegburg, 1957)
D.W. MacArdle: 'Beethoven and the Philharmonic Society of London', MR, xxi
(1960), 1-7
L.G. Bachmann: Beethoven contra Beethoven: Geschichte eines berühmten
Rechtsfalles (Munich, 1963)
J. Schmidt-Görg: Beethoven: die Geschichte seiner Familie (Bonn, 1964) [the
standard genealogy]
A. Tyson: 'Beethoven's Heroic Phase', MT, cx (1969), 139-41
R. Klein: Beethovenstätten in Österreich (Vienna, 1970)
E. Larkin: 'Beethoven's Medical History', appx to M. Cooper: Beethoven: the
Last Decade (London, 1970, 2/1985), 439-66
K. Smolle: Wohnstätten Ludwig van Beethovens von 1792 bis zu seinem Tod
(Bonn and Munich, 1970)
F. Knight: Beethoven and the Age of Revolution (London, 1973)
H. Bankl and H. Jesserer: Die Krankheiten Ludwig van Beethovens:
Pathographie seines Lebens und Pathologie seiner Leiden (Vienna, 1987)
M. Solomon: 'On Beethoven's Deafness', Beethoven Essays (Cambridge, MA,
1988), 93-8
J. Moore: 'Beethoven and Musical Economics', Beethoven Forum, i (1992),
191-223
R. Steblin: 'The Newly Discovered Hochenecker Portrait of Beethoven (1819)',
JAMS, xlv (1992), 468-97
J. Webster: 'The Concept of Beethoven's "Early" Period in the Context of
Periodizations in General', Beethoven Forum, iii (1994), 1-27
K.M. Knittel: 'Imitation, Individuality, and Illness: Behind Beethoven's
"Three Styles"', Beethoven Forum, iv (1995), 17-36
S. Wolf: Beethovens Neffenkonflikt (Munich, 1995)
M. Solomon: 'Economic Circumstances of the Beethoven Household in Bonn',
JAMS, (1997), 331-51
e: LIFE AND WORK STUDIES
Grove1 (G. Grove)
MGG1 (J. Schmidt-Görg)
W. von Lenz: Beethoven: eine Kunststudie (Kassel and Hamburg, 1855-60, rev.
2/1908 by A.C. Kalischer, 4/1922/R)
A.B. Marx: Ludwig van Beethoven: Leben und Schaffen (Berlin, 1859, 6/1908)
W.J. von Wasielewski: Ludwig van Beethoven (Berlin, 1888, 2/1895)
P. Bekker: Beethoven (Berlin, 1911, numerous later edns. Eng. trans., 1925,
2/1939)
V. d'Indy: Beethoven: biographie critique (Paris, 1911, 2/1927; Eng. trans.,
1913/R)
W.A. Thomas-San-Galli: Ludwig van Beethoven (Munich, 1913, 8/1920)
J.-G. Prod'homme: La jeunesse de Beethoven (Paris, 1920, 2/1927)
L. Schiedermair: Der junge Beethoven (Leipzig, 1925/R, 3/1951)
H. Grace: Ludwig van Beethoven (London, 1927)
A. Schmitz: Beethoven (Bonn, 1927)
R. Rolland: Les grands époques créatrices (Paris, 1928-57; Eng. trans. of
vol. i, 1929, as Beethoven the Creator; vol. ii, 1931, as Goethe and
Beethoven)
R.H. Schauffler: Beethoven: the Man who Freed Music (London and New York,
1929)
F. Howes: Beethoven (London, 1933)
E. Bücken: Ludwig van Beethoven (Potsdam, 1934)
M. Scott: Beethoven (London, 1934, rev. 2/1974 by J. Westrup)
W. Riezler: Beethoven (Berlin and Zürich, 1936, 13/1990; Eng. trans.,
1938/R)
A.E.F. Dickinson: Beethoven (London, 1941)
J.N. Burk: The Life and Works of Beethoven (New York, 1943)
M. Cooper: Beethoven: the Last Decade, 1817-1827 (London, 1970, 2/1985)
M. Solomon: Beethoven (New York, 1977, 2/1998 [with annotated bibliography])
K. Küster: Beethoven (Stuttgart, 1994)
W. Kinderman: Beethoven (Berkeley, 1995)
f: STUDIES OF THE WORKS
(i) general and historical assessments
W. von Lenz: Beethoven et ses trois styles (St Petersburg, 1852/R, 2/1909/R)
A. Oulibicheff [Ulïbïshev]: Beethoven: ses critiques et ses glossateurs
(Leipzig and Paris, 1857)
H. Berlioz: A travers chants (Paris, 1862/R; Eng. trans., 1913-18); ed. L.
Guichard (Paris, 1971); extracts ed. and trans. R. De Sola as Beethoven by
Berlioz (Boston, 1975)
R. Wagner: Beethoven (Leipzig, 1870, numerous later edns; Eng. trans., 1880,
3/1903)
D.G. Mason: Beethoven and his Forerunners (New York, 1904, 2/1930/R)
F. Volbach: Beethoven (Munich, 1905)
E. Walker: Beethoven (London, 1905, 3/1920)
G. Becking: Studien zu Beethovens Personalstil: das Scherzothema (Leipzig,
1921)
H. Mersmann: Beethoven: die Synthese der Stile (Berlin, 1922)
A. Schmitz: Beethovens 'zwei Prinzipe' (Berlin, 1923)
F. Cassirer: Beethoven und die Gestalt: ein Kommentar (Stuttgart, 1925)
K. Kobald: Beethoven: seine Beziehungen zu Wiens Kunst und Kultur (Vienna
and elsewhere, 1926, numerous later edns)
A. Halm: Beethoven (Berlin, 1927/R)
A. Schmitz: Das romantische Beethovenbild (Berlin and Bonn, 1927/R)
J.W.N. Sullivan: Beethoven: his Spiritual Development (London, 1927/R)
D.F. Tovey: 'Some Aspects of Beethoven's Art-forms', ML, viii (1927),
131-55; repr. in Essays and Lectures on Music (London, 1949)
W.J. Turner: Beethoven: the Search for Reality (London, 1927, 2/1933)
A. Schering: Beethoven in neuer Deutung (Leipzig, 1934)
D.F. Tovey: Beethoven, ed. H.J. Foss (London, 1944/R)
K. von Fischer: Die Beziehung von Form und Motiv in Beethovens
Instrumentalwerken (Strasbourg, 1948, 2/1972)
L. Ronga: Bach, Mozart, Beethoven: tre problemi critici (Venice, 1956)
L. Misch: Die Faktoren der Einheit in der Mehrsätzigkeit der Werke
Beethovens (Munich, 1958)
C. Rosen: The Classical Style (New York, 1971, enlarged 3/1997 with new
chap. on Beethoven)
M. Solomon: 'The Creative Periods of Beethoven', MR, xxxiv (1973), 30-38
H. Goldschmidt: Beethoven: Werkeinführungen (Leipzig, 1975)
C. Rosen: Sonata Forms (New York, 1980, 2/1988)
D. Johnson: '1794-1795: Decisive Years in Beethoven's Early Development',
Beethoven Studies 3, ed. A. Tyson (Cambridge, 1982), 1-28
J. Kerman: 'Notes on Beethoven's Codas', ibid, 141-59
W. Mellers: Beethoven and the Voice of God (London, 1983)
M. Broyles: Beethoven: the Emergence and Evolution of Beethoven's Heroic
Style (New York, 1987)
L. Lockwood: 'Beethoven before 1800: the Mozart Legacy', Beethoven Forum,
iii (1994), 39-52
A. Riethmüller, C. Dahlhaus and A. Ringer, eds.: Beethoven: Interpretationen
seiner Werke (Laaber, 1994, 2/1996)
(ii) orchestral music
G. Grove: Beethoven's Nine Symphonies (London, 1884, enlarged 2/1896 as
Beethoven and his Nine Symphonies, 3/1898/R)
J.-G. Prod'homme: Les symphonies de Beethoven (Paris, 1906, 5/1949)
F. Weingartner: Ratschläge für Aufführungen der Symphonien Beethovens
(Leipzig, 1906, 3/1928R; Eng. trans., 1907/R in Weingartner on Music and
Conducting, New York, 1969)
H. Schenker: Beethovens Neunte Sinfonie (Vienna, 1912/R; Eng. trans., 1992)
H. Schenker: Beethovens Fünfte Sinfonie (Vienna, 1925/R; partial Eng. trans.
in Beethoven: Symphony no. 5 in C minor, ed. E. Forbes, New York, 1971)
J. Braunstein: Beethovens Leonore-Ouvertüren (Leipzig, 1927)
K. Nef: Die neun Sinfonien Beethovens (Leipzig, 1928/R)
D.F. Tovey: Beethoven's Ninth Symphony (London, 1928)
A. Halm: 'Über den Wert musikalischer Analysen, i: Der Fremdkörper im ersten
Satz der Eroica', Die Musik, xxi (1928-9), 481-4
H. Schenker: 'Beethovens Dritte Sinfonie' in ihrem wahren Inhalt zum
erstenmal dargestellt', Das Meisterwerk in der Musik, iii (Munich, 1930/R;
Eng. trans., 1987), 29-101
R. Vaughan Williams: Some Thoughts on Beethoven's Choral Symphony, with
Writings on Other Musical Subjects (London, 1953/R)
W. Osthoff: Ludwig van Beethoven: Klavierkonzert Nr. 3, c-moll, op.37
(Munich, 1965)
K. Westphal: Vom Einfall zur Symphonie: Einblick in Beethovens
Schaffensweise (Berlin, 1965) [on Sym. no.2]
A. Tyson: 'The Textual Problems of Beethoven's Violin Concerto', MQ, liii
(1967), 482-502
F.E. Kirby: 'Beethoven's Pastoral Symphony as a Sinfonia caracteristica',
MQ, lvi (1970), 605-23
L. Lockwood: 'Beethoven's Unfinished Piano Concerto of 1815: Sources and
Problems', MQ, lvi (1970), 624-46
E. Forbes, ed.: L. van Beethoven: Symphony no. 5 in C minor (New York, 1971)
[Norton Critical Score]
F. d'Amico: Sulle sinfonie di Beethoven (Rome, 1973)
P. Gossett: 'Beethoven's Sixth Symphony: Sketches for the First Movement',
JAMS, xxvii (1974), 248-84
T. Antonicek: 'Humanitätssymbolik im Eroica-Finale', De ratione in musica:
Festschrift Erich Schenk, ed. T. Antonicek, R. Flotzinger and O. Wessely
(Kassel, 1975), 144-55
A. Tyson: 'The Problem of Beethoven's "First" Leonore Overture', JAMS,
xxviii (1975), 292-334
A. Tyson: 'Yet Another "Leonore" Overture?', ML, lviii (1977), 192-203
R. Winter: 'The Sketches for the "Ode to Joy"', Beethoven, Performers, and
Critics: Detroit 1977, 176-214
C. Floros: Beethovens Eroica und Prometheus-Musik (Wilhelmshaven, 1978)
P. Gülke: Zur Neuausgabe der Sinfonie Nr. 5 von Ludwig van Beethoven: Werk
und Edition (Leipzig, 1978)
L. Treitler: 'History, Criticism, and Beethoven's Ninth Symphony', 19CM, iii
(1979-80), 193-210
A. Hopkins: The Nine Symphonies of Beethoven (Seattle, 1980/R)
L. Lockwood: 'Beethoven's Earliest Sketches for the Eroica Symphony', MQ,
lxvii (1981), 457-78
L. Lockwood: 'Eroica Perspectives: Strategy and Design in the First Movement
', Beethoven Studies 3, ed. A. Tyson (Cambridge, 1982), 85-105
L. Treitler: '"To Worship That Celestial Sound": Motives for Analysis', JM,
i (1982), 153-70
S. Brandenburg: 'Die Skizzen zur Neunten Symphonies', Zu Beethoven, ed. H.
Goldschmidt, ii (Berlin, 1984), 88-129
O. Jander: 'Beethoven's "Orpheus in Hades": the Andante con moto of the
Fourth Piano Concerto', 19CM, viii (1984-5), 195-212
B. Cooper: 'Newly Identified Sketches for Beethoven's Tenth Symphony', ML,
lxvi (1985), 9-18
M. Tusa: 'Die authentischen Quellen der "Eroica"', AMw, xlii (1985), 121-50
P. Schleuning: 'Beethoven in alter Deutung: der "neue Weg" mit der "Sinfonia
Eroica"', AMw, xliv (1987), 165-94
M. Solomon: 'Beethoven's Ninth Symphony: a Search for Order', Beethoven
Essays (Cambridge, MA, 1988), 3-32
R. Taruskin: 'Resisting the Ninth', 19CM, xii (1988-9), 241-56
N. Cook: 'Beethoven's Unfinished Piano Concerto: a Case of Double Vision?',
JAMS, xlii (1989), 338-74
W. Kinderman: 'Beethoven's Compositional Models for the Choral finale of the
Ninth Symphony', Beethoven's Compositional Process (Lincoln, NE, 1991),
160-88
P. Schleuning: 'Das Uraufführungsdatum von Beethovens "Sinfonia eroica"',
Mf, xliv (1991), 356-9
J. Bauer: Rhetorik der Überschreitung: Annotationen zu Beethovens Neunter
Symphonie (Pfaffenweiler, 1992)
J. Webster: 'The Form of the Finale of Beethoven's Ninth Symphony',
Beethoven Forum, i (1992), 25-62
N. Cook: Beethoven: Symphony No.9 (Cambridge, 1993)
A. Eichhorn: Beethovens Neunte Symphonie: die Geschichte ihrer Aufführung
und Rezeption (Kassel, 1993)
O. Jander: 'The Prophetic Conversation in Beethoven's "Scene by the Brook"',
MQ, lxxvii (1993), 508-59
D. Levy: Beethoven: the Ninth Symphony (New York, 1995)
D. Wyn Jones: Beethoven: Pastoral Symphony (Cambridge, 1995)
W. Brauneis: '".composta per festeggiare il sovvenire di un grand Uomo":
Beethovens "Eroica" als Hommage des Fürsten Franz Joseph Maximilian von
Lobkowitz für Prinz Louis Ferdinand von Preussen', Jb des Vereins für
Geschichte der Stadt Wien, lii-liii (1996-7), 53-88
R. Will: 'Time, Morality, and Humanity in Beethoven's Pastoral Symphony',
JAMS, l (1997), 271-329
T. Sipe: Beethoven: Eroica Symphony (Cambridge, 1998)
L. Plantinga: Beethoven's Concertos: History, Style, Performance (New York,
1999)
iii) chamber music
T. Helm: Beethovens Streichquartette: Versuch einer technischen Analyse
(Leipzig, 1885, 3/1921/R)
H.J. Wedig, ed.: Beethovens Streichquartett op.18, 1 und seine erste Fassung
(Bonn, 1922)
J. de Marliave: Les quatuors de Beethoven (Paris, 1925, 2/1960; Eng. trans.,
1928/R)
M. Herwegh: Technique et interprétation sous forme d'essai d'analyse
psychologique expérimentale appliquée aux sonates pour piano et violon de
Beethoven (Paris, 1926)
C. Engel: 'Beethoven's Opus 3: an "envoi de Vienne"?', MQ, xiii (1927),
261-79
W. Engelsmann: Beethovens Kompositionspläne, dargestellt in den Sonaten für
Klavier und Violine (Augsburg, 1931)
D.G. Mason: The Quartets of Beethoven (New York, 1947)
C.B. Oldman: 'Beethoven's "Variations on National Themes": their Composition
and First Publication', MR, xii (1951), 45-51
D. Cooke: 'The Unity of Beethoven's Late Quartets', MR, xxiv (1963), 30-49
W. Kirkendale: 'The "Great Fugue" Op.133: Beethoven's "Art of Fugue"', AcM,
xxxv (1963), 14-24
I. Mahaim: Beethoven: naissance et renaissance des derniers quatuors (Paris,
1964)
P. Radcliffe: Beethoven's String Quartets (London, 1965, 2/1978)
W. Kirkendale: Fuge und Fugato in der Kammermusik des Rokoko und der Klassik
(Tutzing, 1966; Eng. trans., enlarged, 1979)
J. Kerman: The Beethoven Quartets (New York, 1967/R)
H. Truscott: Beethoven's Late String Quartets (London, 1968)
E. Krefft: Die späten Quartette Beethovens (Bonn, 1969)
D. Johnson: 'Beethoven's Sketches for the Scherzo of the Quartet Op.18, No.6
', JAMS, xxiii (1970), 385-404
L. Lockwood: 'The Autograph of the First Movement of Beethoven's Sonata for
Violoncello and Pianoforte, Opus 69', Music Forum, ii (1970), 1-109
R. Stephan: 'Zu Beethovens letzten Quartetten', Mf, xxiii (1970), 245-56
A. Tyson: 'Stages in the Composition of Beethoven's Piano Trio op.70 no.1',
PRMA, xcvii (1970-71), 1-19
J.D. Kramer: 'Multiple and Non-Linear Time in Beethoven's Opus 135', PNM,
xi/2 (1972-3), 122-45; see also J. Lochhead: 'The Temporal in Beethoven's
Opus 135', In Theory Only, iv/7 (1979), 3-30
R. Kramer: The Sketches for Beethoven's Violin Sonatas, Opus 30: History,
Transcription, Analysis (diss., Princeton U., 1973)
M. Mila: 'Lettura della "Grande fuga" op.133', Scritti in onore di Luigi
Ronga (Milan and Naples, 1973), 345-66
W.J. Mitchell: 'Beethoven's La malinconia from the String Quartet, Opus 18,
No.6: Technique and Structure', Music Forum, iii (1973), 269-80
S. Brandenburg: 'Bemerkungen zu Beethovens op.96', BeJb 1973-7, 11-25
G. Boringhieri: 'Le due sonate di Beethoven, Op.102, n.1 e 2, per pianoforte
e violoncello', NRMI, xi (1977), 537-72
S. Brandenburg: 'The First Version of Beethoven's G major String Quartet,
Op.18 No.2', ML, lviii (1977), 127-52
F. Eibner: 'Einige Kriterien für die Apperzeption und Interpretation von
Beethovens Werk', Beethoven Colloquium: Vienna 1977 [Beiträge '76-'78],
20-36 [analysis of op.24]
L. Lockwood: 'Beethoven's Early Works for Violoncello and Contemporary
Violoncello Technique', ibid., 174-82
J. Webster: 'Traditional Elements in Beethoven's Middle-Period String
Quartets', Beethoven, Performers, and Critics: Detroit 1977, 94-133
R. Winter: 'Plans for the Structure of the String Quartet in C sharp minor',
Beethoven Studies 2, ed. A. Tyson (London, 1977), 106-37
S. Brandenburg: 'Die Quellen zur Entstehungsgeschichte von Beethovens
Streichquartett Es-dur Op.127', BeJb 1978-81, 221-76
S. Brandenburg: 'The Autograph of Beethoven's String Quartet in A minor,
Opus 132', The String Quartets of Haydn, Mozart, and Beethoven: Cambridge,
MA, 1979, 278-300
R. Kramer: '"Das Organische der Fuge": on the Autograph of Beethoven's
String Quartet in F major, Opus 59, No.1', ibid., 223-45
M. Staehelin: 'Another Approach to the Last String Quartet Oeuvre: the
Unfinished String Quintet of 1826/27', ibid., 302-23
A. Glauert: 'The Double Perspective in Beethoven's Opus 131', 19CM, iv
(1980-81), 113-20
S. Brandenburg: 'The Historical Background to the "Heiliger Dankgesang" in
Beethoven's A-minor Quartet, op.132', Beethoven Studies 3, ed. A. Tyson
(Cambridge, 1982), 161-91
R. Kramer: 'Ambiguities in La malinconia: What the Sketches Say', ibid.,
29-46
J. Levy: Beethoven's Compositional Choices: the Two Versions of Opus 18,
No.1 (Philadelphia, 1982)
A. Tyson: 'The "Razumovsky" Quartets: Some Aspects of the Sources',
Beethoven Studies 3, ed. A. Tyson (Cambridge, 1982), 107-40
R. Winter: Compositional Origins of Beethoven's Opus 131 (Ann Arbor, 1982)
K. Kropfinger: 'Das gespaltene Werk: Beethovens Streichquartett Op.130/133',
Beiträge zu Beethovens Kammermusik: Bonn 1984, 296-335
S. Brandenburg: 'Beethovens Streichquartette op.18', Beethoven und Böhmen,
ed. S. Brandenburg and M. Gutiérrez-Denhoff (Bonn, 1988), 259-310
C. Reynolds: 'The Representational Impulse in Late Beethoven, II: String
Quartet in F Major, Op.135', AcM, lx (1988), 180-94
Beethovens Klaviertrios: Munich 1990
R. Kramer: 'Between Cavatina and Ouverture: Opus 130 and the Voices of
Narrative', Beethoven Forum, i (1992), 165-89
J. Yudkin: 'Beethoven's "Mozart" Quartet', JAMS, xlv (1992), 30-74
R. Winter and R. Martin, eds.: The Beethoven Quartet Companion (Berkeley,
1994)
D. Chua: The 'Galitzin' Quartets of Beethoven (Princeton, NJ, 1995)
L. Ratner: The Beethoven String Quartets: Compositional Strategies and
Rhetoric (Stanford, CA, 1995)
(iv) piano music
A.B. Marx: Anleitung zum Vortrag Beethovenscher Klavierwerke (Berlin1863,
5/1912; Eng. trans., 1895)
C. Reinecke: Die Beethoven'schen Clavier-Sonaten (Leipzig, 1895, 9/1924;
Eng. trans., 1898)
W. Nagel: Beethoven und seine Klaviersonaten (Langensalza, 1903-5, 2/1923-4)
H. Schenker: Die letzten Sonaten von Beethoven: kritische Ausgabe mit
Einführung und Erläuterung (Vienna, 1913-21, rev., abridged 2/1971-2 by O.
Jonas); see review by W. Drabkin, PNM, xii (1973-4), 319-30
H. Riemann: L. van Beethovens sämtliche Klavier-Solosonaten (Berlin,
1918-19, 4/1920)
D.F. Tovey: A Companion to Beethoven's Pianoforte Sonatas (London, 1931/R,
2/1947)
J.-G. Prod'homme: Les sonates pour piano de Beethoven (1782-1823) (Paris,
1937)
E. Blom: Beethoven's Pianoforte Sonatas Discussed (London, 1938/R)
E. Hertzmann: 'The Newly Discovered Autograph of Beethoven's Rondo à
capriccio, Op.129', MQ, xxxii (1946), 171-95
E. Fischer: Ludwig van Beethovens Klaviersonaten (Wiesbaden, 1956, 2/1966;
Eng. trans., 1959)
R. Rosenberg: Die Klaviersonaten Ludwig van Beethovens (Olten, 1957)
J.V. Cockshoot: The Fugue in Beethoven's Piano Music (London, 1959)
A. Forte: The Compositional Matrix (Baldwin, NY, 1961/R) [on op.109]
C. Czerny and P. Badura-Skoda, eds.: Über den richtigen Vortrag der
sämtlichen Beethoven'schen Klavierwerke (Vienna, 1963; Eng. trans., 1970)
[orig. part of suppl. to Czerny's Complete Theoretical and Practical
Pianoforte School op.500]
R. Réti: Thematic Patterns in Sonatas of Beethoven, ed. D. Cooke (London,
1967/R)
J. Uhde: Beethovens Klaviermusik (Stuttgart, 1968-74)
H. Federhofer: 'Zur Analyse des zweiten Satzes von L. van Beethovens
Klaviersonate op.10, Nr.3', Festskrift Jens Peter Larsen, ed. N. Schiørring,
H. Glahn and C.E. Hatting (Copenhagen, 1972), 339-50
W.S. Newman: 'The Performance of Beethoven's Trills', BeJb 1973-7, 347-76,
also pubd inJAMS, xxix (1976), 439-62: see also replies by R. Winter and
W.S. Newman in MQ, lxiii (1977), 483-504; lxiv (1978), 98-103; lxv (1979),
111-16
A. Leicher-Olbrich: Untersuchungen zu Originalausgaben Beethovenscher
Klavierwerke (Wiesbaden, 1976)
E. Cone: 'Beethoven's Experiments in Composition: the Late Bagatelles',
Beethoven Studies 2, ed. A. Tyson (London, 1977), 84-105
R. Kramer: 'On the Dating of Two Aspects in Beethoven's Notation for Piano',
Beethoven Colloquium: Vienna 1977 [Beiträge '76-'78], 160-73
C. Timbrell: 'Notes on the Sources of Beethoven's Opus 111', ML, lviii
(1977), 204-15
W. Drabkin: 'Beethoven's Sketches and the Thematic Process', PRMA, cv
(1978-9), 25-36 [on op.111]
A. Münster: Studien zu Beethovens Diabelli-Variationen (Munich, 1982)
C. Reynolds: 'Beethoven's Sketches for the Variations in E, Op.35',
Beethoven Studies 3, ed. A. Tyson (Cambridge, 1982), 47-84
W. Kinderman: Beethoven's Diabelli Variations (Oxford, 1987)
M. Frohlich: Beethoven's 'Appassionata' Sonata (Oxford, 1991)
N. Marston: 'Approaching the Sketches for Beethoven's "Hammerklavier" Sonata
', JAMS, xliv (1991), 404-50
W. Kinderman: 'Integration and Narrative Design in Beethoven's Piano Sonata
in A Major, Opus 110', Beethoven Forum, i (1992), 111-45
E. Sisman: 'Pathos and the Pathétique: Rhetorical Stance in Beethoven's
C-Minor Sonata, Op.13', Beethoven Forum, iii (1994), 81-105
G. Stanley: 'The "wirklich gantz neue Manier" and the Path to it: Beethoven'
s Variations for Piano, 1783-1802', Beethoven Forum, iii (1994), 53-79
N. Marston: Beethoven's Piano Sonata in E, Op.109 (Oxford, 1995)
G. Stanley: 'Genre Aesthetics and Function: Beethoven's Piano Sonatas in
their Cultural Context', Beethoven Forum, iv (1998), 1-29
(v) vocal music
G. Schünemann: 'Beethovens Skizzen zur Kantate "Der glorreiche Augenblick"',
Die Musik, ix/1(1909-10), 22-35, 93-106
M. Kufferath: Fidelio de L. van Beethoven (Paris, 1913)
H. Boettcher: Beethoven als Liederkomponist (Augsburg, 1928/R)
F. Lederer: Beethovens Bearbeitungen schottischer und anderer Volkslieder
(Bonn, 1934)
C. Hopkinson and C.B. Oldman: 'Thomson's Collections of National Song, with
Special Reference to the Contributions of Haydn and Beethoven', Edinburgh
Bibliographical Society Transactions, ii/1 (1940); addenda et corrigenda,
iii/2 (1954), 123-4
W. Hess: Beethovens Oper Fidelio und ihre drei Fassungen (Zürich, 1953,
enlarged 2/1986 as Das Fidelio-Buch)
T. Adorno: 'Verfremdetes Hauptwerk: zur Missa solemnis', Prisma der
gegenwärtigen Musik, ed. J.E. Berendt and J. Uhde (Heidelberg, 1959); repr.
in Moments musicaux (Frankfurt, 1964)
E. Anderson: 'Beethoven's Operatic Plans', PRMA, lxxxviii (1961-2), 61-71
W. Hess: Beethovens Bühnenwerke (Göttingen, 1962)
E. Forbes: 'Sturzet nieder Millionen', Studies in Music History: Essays for
Oliver Strunk, ed. H.S. Powers (Princeton, NJ, 1968), 449-58
J. Lester: 'Revisions in the Autograph of the Missa Solemnis Kyrie', JAMS,
xxiii (1970), 420-38
A. Tyson: 'The 1803 Version of Beethoven's Christus am Oelberge', MQ, lvi
(1970), 551-84
J. Kerman: 'An die ferne Geliebte', Beethoven Studies 1, ed. A. Tyson (New
York, 1973), 123-57
M. Ruhnke: 'Die Librettisten des Fidelio', Opernstudien: Anna Amalie Abert
zum 65. Geburtstag, ed. K. Hortschansky (Tutzing, 1975), 121-40
S. Howell: 'The Maelzel Canon: another Schindler Forgery?', MT, cxx (1979),
987-90
R. Winter: 'Reconstructing Riddles: the Sources for Beethoven's Missa
Solemnis', Beethoven Essays: Studies in Honor of Elliot Forbes, ed. L.
Lockwood and P. Benjamin (Cambridge, MA, 1984), 217-50
W. Kinderman: 'Beethoven's Symbol for the Deity in the Missa Solemnis and
the Ninth Symphony', 19CM, ix (1985), 102-18
C. Reynolds: 'The Representational Impulse in Late Beethoven, I: An die
ferne Geliebte', AcM, lx (1988), 43-61
S. Whiting: '"Hört ihr wohl" zu Funktion und Programm von Beethovens
"Chorfantasie"', AMw, xlv (1988), 132-47
C. Brenneis: 'Beethoven's "Introduzione del IIdo Atto" und die "Leonore" von
1805', BMw, xxxii (1990), 181-203
W. Drabkin: Beethoven: Missa Solemnis (Cambridge, 1991)
P. Robinson: 'Fidelio and the French Revolution', COJ, iii (1991), 23-48
M. Tusa: 'The Unknown Florestan: the 1805 Version of "In des Lebens
Frühlingstagen"', JAMS, xlvi (1993), 175-220
B. Cooper: Beethoven's Folksong Settings: Chronology, Sources, Style
(Oxford, 1994)
P. Weber-Bockholdt: Beethovens Bearbeitung britischer Lieder (Munich, 1994)
B. Cooper: 'Beethoven's Oratorio and the Heiligenstadt Testament', Beethoven
Journal, x (1995), 19-24
H. Lühning, ed.: Leonore, Oper in zwei Aufzügen von Ludwig van Beethoven:
das Libretto der Aufführung von 1806 (Bonn, 1996)
P. Robinson: Ludwig van Beethoven: Fidelio (Cambridge, 1996)
B. Lodes: Das Gloria in Beethoven's 'Missa Solemnis' (Tutzing, 1997)
H. Lühning: 'Auf der Suche nach der verlorenen Arie des Florestan',
Festschrift Christoph-Hellmut Mahling, ed. A. Beer, K. Pfarr and W. Ruf
(Tutzing, 1997), 771-94
E. Sanders: 'Beethoven's Treatment of Form and Content in his Missa Solemnis
', Festschrift Walter Wiora zum 90. Geburtstag, ed. C.-H. Mahling and R.
Seiberts (Tutzing, 1997), 398-418
g: RECEPTION STUDIES
A. Schmitz: Das romantische Beethovenbild (Berlin and Bonn, 1927/R)
L. Schrade: Beethoven in France: the Growth of an Idea (New Haven, CT,
1942/R)
H.H. Eggebrecht: Zur Geschichte der Beethoven-Rezeption (Mainz, 1972,
2/1994)
D. Levy: 'Thomas Massa Alsager, Esq.: a Beethoven Advocate in London', 19CM,
ix (1985-6), 119-27
R. Cadenbach: Mythos Beethoven: Ausstellungskatalog (Laaber, 1986)
H. Loos, ed.: Beethoven und die Nachwelt: Materialien zur Wirkungsgeschichte
Beethovens (Bonn, 1986)
R. Wallace: Beethoven's Critics: Aesthetic Dilemmas and Resolutions during
the Composer's Lifetime (Cambridge, 1986)
S. Kunze, ed.: Ludwig van Beethoven: die Werke im Spiegel seiner Zeit:
gesammelte Konzertberichte und Rezensionen bis 1830 (Laaber, 1987)
R.A. Solie: 'Beethoven as Secular Humanist: Ideology and the Ninth Symphony
in Nineteenth-Century Criticism', Explorations in Music, the Arts, and
Ideas: Essays in Honor of Leonard B. Meyer, ed. E. Narmour and R.A. Solie
(Stuyvesant, NY, 1988), 1-42
M. Geck and P. Schleuning: 'Geschrieben auf Bonaparte': Beethoven's "Eroica"
: Revolution, Reaktion, Rezeption (Reinbek, 1989)
U. Schmitt: Revolution im Konzertsaal: zur Beethoven-Rezeption im 19.
Jahrhundert (Mainz, 1990)
J. Johnson: 'Beethoven and the Birth of Romantic Musical Experience in
France', 19CM, xv (1991-2), 23-35
E.E. Bauer: Wie Beethoven auf den Sockel kam: die Entstehung eines
musikalischen Mythos (Stuttgart, 1992)
T. Sipe: Interpreting Beethoven: History, Aesthetics, and Critical Reception
(diss., U. of Pennsylvania, NJ, 1992)
S. Burnham: Beethoven Hero (Princeton, NJ, 1995)
T. DeNora: Beethoven and the Construction of Genius: Musical Politics in
Vienna, 1792-1803 (Berkeley, 1995)
O.F. Saloman: Beethoven's Symphonies and J.S. Dwight: the Birth of American
Music Criticism (Boston, 1995)
M.E. Bonds: After Beethoven: Imperatives of Originality in the Symphony
(Cambridge, MA, 1996)
D.B. Dennis: Beethoven in German Politics, 1870-1989 (New Haven, CT, 1996)
K.M. Knittel: 'Wagner, Deafness, and the Reception of Beethoven's Late Style
', JAMS, li (1998), 49-82
W. Senner, ed.: Contemporary German Reception of Beethoven (Lincoln, NE,
1998)
j: OTHER STUDIES
M. Unger, ed.: Beethoven Ã¼ber eine Gesamtausgabe seiner Werke (Bonn, 1920)
P. Mies: Die Bedeutung der Skizzen Beethovens zur Erkenntnis seines Stiles
(Leipzig, 1925; Eng. trans., 1929/R)
M. Unger: Beethovens Handschrift (Bonn, 1926)
E. Newman: The Unconscious Beethoven (London, 1927, rev. 2/1968)
T. Veidl: Der musikalische Humor bei Beethoven (Leipzig, 1929)
E. Brümmer: Beethoven im Spiegel der zeitgenössischen rheinischen Presse
(Würzburg, 1933)
G. Kinsky: 'Zur Versteigerung von Beethovens musikalischem Nachlass', NBeJb
1935, 66-86
A. Schering: Beethoven und die Dichtung (Berlin, 1936/R)
P. Mies: Textkritische Untersuchungen bei Beethoven (Bonn, 1957)
H. Unverricht: Die Eigenschriften und die Originalausgaben von Werken
Beethovens in ihrer Bedeutung für die moderne Textkritik (Kassel, 1960)
A. Tyson: 'Maurice Schlesinger as a Publisher of Beethoven', AcM, xxxv
(1963), 182-91
H. Grundmann and P. Mies: Studien zum Klavierspiel Beethovens und seiner
Zeitgenossen (Bonn, 1966, 2/1970)
P. Stadlen: 'Beethoven and the Metronome: I', ML, xlviii (1967), 330-49
J. Kerman: 'Beethoven's Early Sketches', MQ, lvi (1970), 515-38
L. Lockwood: 'On Beethoven's Sketches and Autographs: Some Problems of
Definition and Interpretation', AcM, xlii (1970), 32-47
A. Tyson: 'Notes on Five of Beethoven's Copyists', JAMS, xxiii (1970),
439-71
M. Solomon: 'Beethoven, Sonata, and Utopia', Telos, no.9 (1971), 32-47
A. Tyson: 'Sketches and Autographs'; 'Steps to Publication - and Beyond',
The Beethoven Companion, ed. D. Arnold and N. Fortune (London, 1971),
443-58; 459-89
D. Johnson and A. Tyson: 'Reconstructing Beethoven's Sketchbooks', JAMS, xxv
(1972), 137-56
A. Tyson: 'A Reconstruction of the Pastoral Symphony Sketchbook', Beethoven
Studies, ed. A. Tyson (New York, 1973), 67-96
A. Tyson: 'Das Leonoreskizzenbuch (Mendelssohn 15): Probleme der
Rekonstruktion und der Chronologie', BeJb 1973-77, 469-99
M. Solomon: 'Beethoven and the Enlightenment', Telos, no.19 (1974), 146-54
R. Subotnik: 'Adorno's Diagnosis of Beethoven's Late Style: Early Symptoms
of a Fatal Condition', JAMS, xxix (1976), 242-75
R.W. Wade: 'Beethoven's Eroica Sketchbooks', FAM, xxiv (1977), 254-89
D. Johnson: 'Beethoven Scholars and Beethoven's Sketches', 19CM, ii
(1978-9), 3-17; see also S. Brandenburg, W. Drabkin and D. Johnson: 'On
Beethoven Scholars and Beethoven's Sketches', ibid., iii (1979-80), 270-79
S. Brandenburg: 'Ein Skizzenbuch Beethovens aus dem Jahre 1812: zur
Chronologie des Petterschen Skizzenbuches', Zu Beethoven, ed. H. Goldschmidt
(Berlin, 1979), 117-48
P. Gülke: 'Zum Verhältnis von Intention und Realisierung bei Beethoven',
Beethoven: das Problem der Interpretation, Musik-Konzepte, no.8 (1979),
34-53
M. Solomon: 'On Beethoven's Creative Process: a Two-Part Invention', ML, lxi
(1980), 272-83; repr. in Beethoven Essays (Cambridge, MA, 1988), 126-38
D. Greene: Temporal Processes in Beethoven's Music (New York, 1982)
D. Johnson, A. Tyson and R. Winter: The Beethoven Sketchbooks: History,
Reconstruction, Inventory (Berekeley, 1985)
W.S. Newman: Beethoven on Beethoven: Playing his Piano Music his Way (New
York, 1988)
R. Winter: 'Performing Beethoven's Early Piano Concertos', EMc, xvi (1988),
214-30
B. Cooper: Beethoven and the Creative Process (Oxford, 1990)
R. Kramer: 'Cadenza contra Text: Mozart in Beethoven's Hands', 19CM, xv
(1991-2), 116-31
G. Barth: The Pianist as Orator: Beethoven and the Transformation of
Keyboard Style (Ithaca, NY, 1992)
T.W. Adorno: Beethoven: Philosophie der Musik (Frankfurt, 1993, 2/1994; Eng.
trans., 1998)
R. Kolisch: 'Tempo and Character in Beethoven's Music', MQ, lxxvii (1993),
90-131
K. Drake: The Beethoven Sonatas and the Creative Experience (Bloomington,
IN, 1994)
R. Hatten: Musical Meaning in Beethoven: Markedness, Correlation, and
Interpretation (Bloomington, IN, 1994)
R. Stowell, ed.: Performing Beethoven (Cambridge, 1994)
H.-W. Küthen: Ein unbekanntes Notierungsblatt Beethovens aus der
Entstehungszeit der 'Mondscheinsonate' (Prague, 1996)

 ha scritto nel
messaggio news:cu70b.249192$lK4.7...@twister1.libero.it...


 ora devo dire che non ho più carenza bibliografica!!! :)
scusa se mi permetto un consiglio:
il mio post era estremamente lungo (41 k), e già costituiva di per sè una
scorrettezza, stando alla netiquette.
Non dovevi quotarlo per intero.
Quando rispondi, cancella le righe di chi ha scritto prima di te: hai
postato 42 k anche tu, e la connessione costa, chi si scarica i messaggi
paga!
ciao
Z.

tanto dispiaciuto io............................
già che sono torna qui...non è che c'è qualcosa in italiano?
:)
Leo

 già che sono torna qui...non è che c'è qualcosa in italiano?
non mi risulta.
Nulla di notevole, perlomeno.
Forse (anzi, quasi certamente) è stato tradotto uno dei libri di Solomon,
però.Cerca in rete.
Esiste cmq l'eccellente "Beethoven e il suo tempo" di Dalhaus (EDT), però
non è uno studio specifico dell'opera beethoveniana.
Bisognerebbe capire cosa ti interessa esattamente.
Sulle sonate non credo ci sia nulla, in italiano.
Se cerchi un libro di analisi sulle dette sonate, esiste il Juergen Udhe:
"Beethovens Klaviermusik", vol II e III (trattano appunto delle sonate).
Editore Reclam, però è in tedesco (tuttavia, si tratta di un tedesco molto
accessibile).
Più essenziale e (imho) molto sorpassato il Tovey "A companion to
Beethoven's pianoforte sonatas".
Personalmente aborrisco i libri di analisi, per cui te li sconsiglio
entrambi (gusto personalissimo) :-))))
ciao
Z.

 Nulla di notevole, perlomeno.
esisteva un libro di Rattalino proprio dal titolo "Le
sonate per pianoforte di LvB-guida all'ascolto", ma io non sono
mai riuscito a trovarlo. Sul libro di Louis Kentner "Il
pianoforte" c'è qualche riferimento, tecnico e no,
sulla struttura delle singole sonate.
Per Leonardo, vedi anche questo link per una bibliografia
italiana più completa:
http://www.lvbeethoven.com/Biblio/Beethoven-Bibliografia-CataloghiEAnalisi.html
ciao
c.
--------------------------------
Inviato via 
http://usenet.libero.it

Il 19 Ago 2003, 14:07, "Leonardo"
<leonardo.vacc...@tiscaliRIMUOVILOORA.it> ha scritto:

Certamente .
Sergio Leoni : Le sonate per pianoforte di Beethoven
F.lli Bocca Editori Milano
I Ed. 1920
Ciao
Demba contadino romagnolo-friulano


 > già che sono torna qui...non è che c'è qualcosa in italiano?
A quanto ricordo io l'unico libro analitico (e analitico vuol dire max
due-tre pagine per sonata) è quello di Gaspare Scuderi ("Le sonate di
Beethoven", mi sembra), ma è vecchiotto e non è un granchè.
Altrimenti all'interno dei libri che già ti hanno consigliato trovi in
certi casi alcune analisi piuttosto dettagliate.
Carli-Balolla, Charles Rosen, Pestelli...
Se sei in Lombardia qui
http://biblioteche.regione.lombardia.it/SEARCH/OPACRL/catleg/SF
trovi una maschera di ricerca di tutte le biblioteche lombarde!
Ciao
Gab
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Ho trovato altre cose tra i miei vecchi appunti sul renano :
Vincenzo Cantani - Il pianoforte (Beethoven nella storia del pianoforte)
Tumminelli e C. 1937
Antonio Bruers - Le sonate per piano di Beethoven op. 26, 31/2, 57, 78, 111.
Alessandro De Bonis - Analisi della forma delle sonate per pianoforte di
Beethoven. Muccio Editore Catania 1928.
L. Perrachio - Le ultime sonate di Beethoven, in "Rassegna musicale" Torino
1929.
Gaspare Scuderi - Beethoven : Le sonate per pianoforte. Sonzogno Milano
1933.
Luigi Alberto Villanis - Beethoven e le sonate per pianoforte Roma 1904.
Naturalmente sono libri quasi introvabili.
