Newsgroup: it.arti.cinema
Titolo: (Time.com) Is Bellucci the new Loren?

http://www.time.com/time/magazine/article/0,9171,1101030310-428056,00.html
Adesso ho capito che significa per gli americani essere attrice!

 Adesso ho capito che significa per gli americani essere attrice!
Beh,era risaputo,esaltano attori come N. Cage......

 Adesso ho capito che significa per gli americani essere attrice!
Beh in fondo anche la Loren non è che fosse tutto sto mostro di 
recitazione, anzi. Magari è solo che la dirigevano meglio.
vanz
-- 
"If you want to make an apple pie from scratch, you must first create 
the universe."
- Carl Sagan

recitazione, anzi. Magari è solo che la dirigevano meglio.
 
" è che mi disegnano cosi'"  :)))
il riferimento era voluto?
Sully

 il riferimento era voluto?
no, però volendo ci sta.


 Adesso ho capito che significa per gli americani essere attrice!
Riposto per chi non puo` navigare troppo liberamente.
Mio commento: a parte le cazzate tipo la monica-mania (quanto sono americani, 
cazzo!) sono d'accordo che e` "gifted". Deve trovare chi la dirige come si 
deve, e per esempio in RdM ha trovato un Muccino in forma smagliante.
Quando lo dico in giro nessuno ci crede: la Bellucci e` BRAVA! eppure, 
provare per credere.
A R T S / M O V I E S
 It's Monica Mania
 A gorgeous, gifted Italian actress brings the lost art of sensuality back to 
Hollywood
 By RICHARD CORLISS
Tuesday, Mar. 04, 2003
 The Navy Seals' mission is simple, if next to impossible: rescue an Italian 
doctor from a Roman Catholic outpost in the besieged jungle of Nigeria. Just 
the doctor, none of the African patients. But even a tough guy like Lieut. 
A.K. Waters (Bruce Willis) can't resist a plea to take the wounded on a 
perilous trek - because the doctor is idealistic, the doctor is passionate, 
and the doctor is played by Monica Bellucci.
 Granted, the plot of Tears of the Sun requires that Willis' military mission 
become a humanitarian one. But Bellucci, 34, tends to have a mesmerizing 
effect on men, onscreen and off. Despite herself, she's a sublime succubus: 
Monica demonica. With her voluptuous figure, majestically sullen face and 
exquisite eyelashes, she projects a quality sadly absent in most Hollywood 
star-babes: a knowing, passionate womanhood. That could be why in so many of 
her European films she plays the sort of woman who brings out the obsessive 
in men just by walking past them.
One glance at her in Malena (a darker, hornier Summer of '42), and an Italian 
kid skyrockets into puberty. One glimpse of her legs as she scampers out of 
sight, and the hero of the superb French thriller The Apartment jettisons his 
fiance and a good job to stalk her. Vincent Cassel, the star of The 
Apartment, must have felt similar stirrings. He has appeared in six more 
films with Bellucci. And in 1999 he married her. 
Monica mania is no longer a secret hoarded by European cinephiles. In this 
year's avidly awaited sequels to The Matrix, she plays Persephone, Queen of 
the Virtual World. She will be Mary Magdalene in Mel Gibson's Jesus film, The 
Passion. But why wait? Tears, a smart, sturdy war film with a lot of heart 
and a little cleavage, opens this week. And in the art houses there's more, 
much more of Bellucci in Gaspar Noe's defiantly lurid Irreversible, in which, 
for nine minutes, her character endures the most brutal rape scene in movie 
history. 
Doctor, biblical strumpet, cyberroyalty, rape victim - she plays them all, 
with ferocious conviction. "It's important for me to find different things 
and prove I can do them," she says. "Someone told me that inside all actors 
are many sleeping princesses, and each time we do a role, one of those 
princesses wakes up. Inside us there is everything. We just have to look for 
it." 
Born in Umbria, Bellucci began modeling to support her law studies at the 
University of Perugia. Her work as a model got her a small, revealing role as 
a vampire bride opposite Keanu Reeves (her Matrix co-star) in Francis Ford 
Coppola's Dracula. Soon the actress-model was a model actress in French and 
Italian films and one American suspense drama, Under Suspicion, as Gene 
Hackman's wife.
 Serious actress, sex goddess. Movies haven't seen that combo since the era 
of Sophia Loren and Claudia Cardinale, when European stars commuted between 
homegrown and Hollywood films. A later generation had less luck: Isabelle 
Huppert's first big U.S. film was Heaven's Gate, and Isabelle Adjani's was 
Ishtar - two signal flops of the '80s. Penelope Cruz has yet to look 
comfortable in a U.S. film. Bellucci knows the odds, and she has the 
ambition. "It's so difficult for a European actress to have the chance to 
work internationally," she says. "But if you want to make it as an 
international actress, you have to work in America."
 She will do fine if she has even half the impact on U.S. filmgoers that she 
did on the men in the Tears crew. "They were going crazy for her," director 
Antoine Fuqua says with a laugh. "I had guys coming in - just nutty. Their 
hormones were going nuts. What are you going to do? I had to keep them 
focused. Hey, I had to look through that lens every day myself. Sometimes I'd 
just look at her and go, 'Wow.'" 
Monica Bellucci's conquest of America begins this week at a theater near you.
- Reported by Jeffrey Ressner/Los Angeles
-- 
e prima di un altro giro
ho tessuto ogni respiro
con le strisce d'un cielo blu.

recitazione, anzi. 
ecco, subscribe.
-------------------
-non sono un medico, non sono un avvocato, non sono nemmeno
 laureato ad harvard, e non sono luterano.
-non sei luterano?
ufv: essere e avere/ricordati di me/peut-etre/
     sognando beckham/prova a prendermi/il fiore del male/

recitazione, anzi. Magari è solo che la dirigevano meglio.
eh, sticazzi. immaginati la bellucci che fa la ciociara.

eh, sticazzi. immaginati la bellucci che fa la ciociara.
la ciociara
una giornata particolare
e riga.


e riga.
avercene, anche solo un paio di picchi del genere.