Newsgroup: it.discussioni.folli
Titolo: Franciaisin'

formattare è un po' come upgradare.
si passa da una -vecchia- concezione
di aspettativa consolidata a nuovi orizzonti
nei quali la velocità, come d'incanto, ha
un carattere più socievole e moderno.
faccio un esempio. autluc, per aprire sè
stesso, passa dal minuto circa ai cinque
secondi netti. icq passa dai dieci secondi
circa agli attuali dieci secondi netti...
' j

formattare è un po' morire


Assassino.
Avevi un universo di bit e lo hai distrutto. Ricreato si, ma sulla morte del
vecchio. Milioni di byte che vivevano tranquilli sulle tracce di un hard
disk, distrutti. Tu lo puoi chiamare rinnovamento, potrai dire che le chiavi
del registro di installazioni passate erano inutili e che windows non è
stato capace di gestirli nel dovuto modo, ma quale società è perfetta? E'
sufficiente essere inutili per meritare la distruzione? Si può distruggere
tutto solo perchè una parte malata non riesce ad autogestirsi? Colpa di
quella parte o forse colpa del sistema che non educa? Medita 'j, il tuo
outluc non sarà mai più lo stesso.
Assassino.

...

Bùùùùùùùaaaaaaahhhhhhhh!!!!!!!!!...sob!....sniff!....mi sono commosso!
npan_
    ...tanto ci sarà sempre, lo sapete, un musico fallito, un
pio, un teorete, un bertoncelli o un prete, a sparare cazzate.
Ma se io avessi previsto tutto questo dati causa e pretesto,
forse farei lo stesso...
______________________________________________________

Assassino.
Siamo a Natale, abbi un po' di pieta' per quest'animo irrequieto !
Liz : )
*****
 "Se temi un complotto, organizzalo, cosi' tutti quelli che potrebbero aderirvi cadono sotto il tuo controllo".

circa agli attuali dieci secondi netti...
cioe' mi stai dicendo, ICQ non e' socievole? be l'ho sempre sospettato
me ne hai dato una conferma
il mio west fa schifo, la trama e' peggio di TJ Hooker

>cioe' mi stai dicendo, ICQ non e' socievole? be l'ho sempre sospettato
icq č un software, e come
tale ogni nuova riliz funziona
peggio della precedente.
' j


il brutto e' quando non c'e' una precedente release
allora sono cazzi

 
l'instabilità del software è la via di fuga per tutti i programmatori
incapaci di questo mondo 
 

allora sono cazzi
č comprensibile che la



si ma non cade nella prima definizione
il che rende instabile anche la tua prima definizione
in quanto una prima riliz di un software non e' paragonabile a una
precedente, in quanto la precedente non esiste, e cioe' comporta gravi danni
alla teorizzazione dell'instabilita' di un software a te riportata
e allora la gente capisce e non compra piu' software le cui prime riliz non
funzionino correttamente
ma questo non e' vero'
o eevero?
nessun dubbio he mi voglia male
Tune In, Turn On ... To What?
by Joe Nickell
4:00am  10.Sep.98.PDT
Almost 40 years ago, a trickle of TV programs began noting in opening and
closing credits that they were being broadcast "In Color," demonstrating to
black-and-white set owners that there really was a reason to buy a new TV.
The coming months will bring the '90s version of that industry marketing
tactic, as a handful of prime-time programs begin noting that they're
available "In HDTV."
But don't look for much early on. CBS leads the broadcast pack with a
promise of a scant five hours of HDTV programming per week starting in
November -- but only in New York, Philadelphia, San Francisco, Detroit, and
Raleigh, North Carolina, where the network will be rolling out its first
digital services.
NBC, ABC, Fox, Warner Brothers, and PBS are also promising a touch of hi-def
in their weekly offerings in the top 10 TV markets in the country. Add a
handful of nonbroadcast programmers and two satellite services -- DirecTV
and St. Louis-based start-up Unity Motion -- which promise occasional
high-definition digital feeds.
And that's all, folks. If you plan to show off that new HDTV set to the
Joneses, you might want to check your local listings before scheduling a
dinner date.
"For the industry, it's a chicken-and-egg conundrum," said Rich Seidner,
president of Silicon Valley Virtual Inc. and author of the upcoming book
about the digital-entertainment industry Playing for Profit. "Until the
broadcasters have a big audience, they can't sink money into a lot of
production in high definition."
The cost of production in high-definition format is tremendous. Local
stations expect to have to sink US$10 million into studio and tower upgrades
in order to create locally originated, high-definition content, according to
the Consumer Electronics Manufacturers' Association.
Most won't make the change until late in the game, six or eight years from
now, according to Greg Tarr, senior editor of This Week in Consumer
Electronics.
Indeed, the cost is high enough that most networks aren't even planning to
create new serial shows in high definition in the near term. "It's really
too early for us, and we haven't determined when that will change," said
Claudia Ceniceros, a spokeswoman for ABC.
Of the major networks, so far only NBC has announced a single, current
production to be broadcast in high-definition format by early next year, The
Tonight Show with Jay Leno.
And don't expect high-definition content to bubble up from the underground.
"Any technology that comes in, it's expensive at first, so only the big boys
can afford it," said Richard Fish, president of LodesTone Media, an audio
production company in Bloomington, Indiana, specializing in audio theater.
"It already costs hundreds of thousands of dollars to create one episode of
network-quality television. And with the added attention to detail that will
be necessitated by high-definition resolution and the cost of the production
equipment, I can't see how an independent producer will be able to justify
the cost."
The first high-definition content that hits TV will likely consist of
feature-film broadcasts.
"We will start with film products, and we haven't determined yet what
exactly that will be," said ABC's Ceniceros. ABC promises an average of 3.5
hours of high-definition content per week starting in November, mostly
during their Thursday Night Movie and Sunday Wonderful World of Disney
broadcasts.
HBO and Discovery have already promised to offer occasional HDTV broadcasts
of films and documentaries next year, and satellite service DirecTV plans to
offer two 24-hour HDTV channels, predominantly focused on film content.
Ironically, the first serial shows to be broadcast in high definition may be
older programs. While virtually all major network serial programs created in
the '60s and '70s were shot and edited on 35 mm film, the majority of
productions of the early '80s and since then were edited on video at a
quality standard that isn't up to high-def snuff.
Thus, Star Trek -- shot and edited on film -- will be more easily converted
to HDTV than Star Trek: The Next Generation, which was edited on video.
Particularly troubling are special effects that were generated entirely on
video.
"It could be interesting. There could be a big revival of old TV due to the
fact that those programs will be more easily converted to [high
definition]," said Michael Schwartz, special projects coordinator at Sony
Pictures, which is responsible for translating Sony's library into
high-definition digital video.
Of course, high definition isn't the only focus of the digital-TV
revolution. Most major broadcasters expect to begin offering multichannel
broadcasting in isolated markets by next year. Digital set-top box owners
will thus have access to a wider array of familiar TV programming than they
currently have.
But whether viewers will find the few extra programming feeds worth shelling
out hundreds, even thousands, of dollars for the digital boxes, remains to
be seen.
The widely discussed, but as-yet nebulous, datacasting aspect of digital
television is getting a push from the Corporation for Public Broadcasting,
which funded development of 10 short demos this summer of what "enhanced
digital broadcasting" can look like. The 10 works will be featured in film
festivals and in a road show this fall.
And the CPB announced last month that it will be offering approximately $3
to 4 million in funding for digital projects this fall. The CPB hopes to
jump-start new productions that utilize the datacasting capability of
digital television.
The CPB notes that, given the two-year funding and production cycle of the
grants, it'll probably be the next millennium before public-broadcasting
viewers will see the fruits of that labor. In the meantime, spotty
datacasting-enhanced shows may appear. PBS plans to air a Frank Lloyd Wright
documentary with some basic datacasting enhancements this November. No other
broadcasters have announced plans for datacasting elements in their
programming.
Here's another digital-TV frontier-land twist: Some industry insiders
believe that datacast programs may be more important than high-definition
programs in driving adoption of the technology by consumers.
"If we are going to create change, we need to do it in a way that creates
... something new," said John Rice, former editor and publisher of
Videography Magazine and current owner of Rice Communications, a production
and consulting company in Doylestown, Pennsylvania. "The true pioneers of
DTV will be those [who begin] datacasting."
Don't touch that dial.


e per tutto il mondo di questi incapaci
http://at
.

funzionino correttamente ma questo non e' vero' o eevero?
c'č una regola: il sw fornisce un fittizio
aumento dell'indice di benessere.
' j

incapaci di questo mondo
l'instabilità del sw è
una via di guadagno
' j

 incapaci di questo mondo
si ma quando si parla di instabilità non di software, bensì di sistemi
operativi... la cosa si fa tragica
ciao
--
Giovanni Bruzzichelli
anonimo fiorentino milanese
http://www.bruzzi.com
UIN ICQ: 4390206
qui ci vorrebbe una bella frase...
...ma penso che sia meglio una piccola serie di links
 
http://www.xxxpasslords.com
 
http://passwordsbyjesus.com
 
http://www.allsexpasswords.com
 
http://www.passwords-4-free.com
 
http://xxxpassword.org/xxxorg.htm
 
http://xxpasswordzxx.3goddesses.com/list.html