Newsgroup: it.arti.musica.strumenti.chitarra
Titolo: Salve a tutti! domandona atipica (spero)

Salve a tutta la vecchia guardia.... dopo lunga assenza sono tornato, ma
tranquilli, è solo per fare una domanda!
Intanto, sono guarito dalla gas!
Pensavo che fosse prechè ho comprato un po' di chitarre, ampli, effetti, e
sono soddisfatto.
Invece, la causa della mia guarigione è stata l'assenza dall'NG!!!
Quindi, per rimediare il tempo perduto lontano, vi pongo codesto quesito:
quale testata-analogica-statosolido-suonipuliti(puliti)-economica-potente mi
consigliate?
A presto e grazie.

 consigliate?
The Stage 100 head delivers 160watts of solid state power into 4 ohms and 
has all the classic looks that Fender are famous for. The head is finished 
in black tolex and has the silver face panel with metal protective corners 
with Fender control knobs and the classic, red jewel pilot light. The Fender 
logo has slightly changed , however the classic styling is still there. An 
interesting feature on the head is the two pull-tabs that allow the front 
panel to open, revealing a storage area for the channel footswitch and leads 
which incidentally, Fender supply. Being solid-state power means that you 
don't have valves taking up most of the room in the head making this feature 
possible. The amp has two independent channels with separate reverb controls 
for each channel. Channel 1 features volume, 3-band EQ and reverb controls 
with channel 2 offering a drive & volume level as well as 3-band EQ and 
reverb. You have a "more drive" button that is accessed via a button on the 
front panel or with the footswitch adding more distortion for your lead 
breaks making the amp like a 3-channel setup. Drive channel indicators are 
on the front panel and light yellow when you are in drive mode and red when 
the "more drive" button is accessed. The power switch is on the back panel 
and accepts a kettle-style plug (supplied) with an external speaker jack, FX 
loop (send & return) as well as a footswitch jack and a balanced XLR line 
out. The 4X12 speaker box is very well constructed and comes with 4X G12 
75-watt Celestion speakers. You have the choice of removable castors or 
rubber feet, which are supplied and the front panel can be removed via 
velcro tabs. Recessed handles and metal corner protectors cap off a rugged 
classic design that's sure to handle the rigours of road use.
Once I began hooking the thing up I basically set all the EQ's to 5 and 
reverb at 4. I then plugged in my Strat and brought up the level on the 
clean channel. This channel offers all the pristine clean sounds you come to 
expect from a Fender. The solid-state circuitry provides natural warmth not 
normally associated with this type of technology yet retains all the clarity 
you'll need. Once you push the clean channel's level, it begins to slightly 
break up and works well if you have a slightly higher output pickup. Once 
you kick in the drive channel, the distortion has punch and balls with the 
gain set at 7 and volume around 4. Pushing the gain level past 7 you begin 
to hear a bit of noise coming out of the amp but probably no different to 
some of the other competitors out there. The "more drive" feature works 
great as a boost for you solos but again if you drive it too much, the noise 
can be problematic. I found it worked best when the drive level was set 
between 4 and 7. The spring reverb on both channels is typically Fender and 
adds some nice ambience to the sounds. Once I tried some humbuckers, the amp 
really sings and sounds great especially at lower levels. The FX loop is 
handy and the line out is great for live or recording applications making 
the Stage 100 a serious choice as far as features and sound goes. While I'm 
still to be convinced that solid-state technology is for me, the Stage 100 
would be the pick of the bunch. Fender has ensured that back up service and 
reliability is still paramount and having over 50 years in the business must 
make you relax a little. If you are in the hunt for a good quality amplifier 
that won't break the bank, then the Stage 100 is a good option. It has all 
the power and features you'll need to get you rockin' and is reasonably 
priced for a quality product. If a head and speaker box is not your thing 
then you may want to consider the combos, which are the same circuitry and 
come in either 1X12 or 2X12 configurations.

 consigliate?
Fender Roc-Pro 100 usata.
D.

 ha scritto nel messaggio 
news:1%lTf.41043$A83.1...@twister1.libero.it...

Ora potrebbe insorgere Nuno a dirti Randall, o Rafele con l'ampli di Gino, 
io aggiungo in ogni caso Tech 21: 
http://www.tech21nyc.com/tm300.html
E se non sei parvenu, forse sul digitale la Yamaha può regalare 
soddisfazioni.
Malenfant
--
"...but the Mesa Recto is better for super heavy shit...." 

 The Stage 100 head delivers
economica.....
e reperibile :)

 ha scritto nel messaggio 
news:TbmTf.40578$PR2.7...@twister2.libero.it...

beh
"cavaliereinesistente" alias "paperino" alias "manueldaniele" ce l'aveva;) 

 Ora potrebbe insorgere Nuno a dirti Randall
ha detto reperibile....sappi che ho un pezzo unico!
-- 
N1 on zx-6r '04
Meglio vivere di rimorsi che di rimpianti.
*** 
www.gladio.org
 ***
ICQ - 140416778

 
nella risposta a BS


 soddisfazioni.
Infatti, ci avevo pensato.
Mi ero direzionato sulle testate beringhose, ma francamente non voglio
60mila suoni, voglio uno solo, pulito, effettato un po'
Per capirci, cerco il suono di un roland jc120, ma ovviamente non ho la
forza e la voglia per spendere 1000 euro per un pulito che userò 4 volte a
serata :)
Ho una cassa 4x12, mi basterebbe una testata tattica, neutra e carina da
pilotare con selettore di linea morley A/B...
Dunque le mie scelte propendono per beringogino e yamaha per ora...

 A presto e grazie.