Newsgroup: it.fan.starwars
Titolo: [OT] Hook

Ufficiale: la Columbia TriStar Picture "divulgherà" il dvd del film "Hook" a
partire dal mese prossimo!!! Yupphididuuuu (il mio portafogli esulta un pò
meno)
--
Mabou
"Sono come una moneta falsa, spunto sempre fuori"
Henry Jr. "Indiana" Jones



Abbi pazienza, Mab...
Come fai a usare una frase del mitico Indy nella signature e essere
felice di spendere 50mila per il DVD di Hook?
Con rispetto parlando, IMHO Hook è una gran cagata, forse il film più
brutto di Spielberg..
Ciao
Quinn
__________________________________
"Hokey religions and ancient
 weapons are no match for a 
 good blaster at your side, kid."
"Hey, I like the color of your car,
 man. What's that supposed to be? 
 Sort of a cross between piss yellow
 and puke green, ain't it?" 
=================================
Prequels Italian Headquarters
http://utenti.tripod.it/darthmaul
Indiana Jones Italian Headquarters
http://digilander.iol.it/ij/
=================================

 brutto di Spielberg..
Ehm... Forse non hai visto IL MONDO PERDUTO... Eh eh eh...
Ciao,
Beppe
PS: a me HOOK č piaciuto molto!

 PS: a me HOOK è piaciuto molto!
ah, mi pareva..
Quinn: Indy è sempre il più frisko, ma Hook mi piace lo stesso.. saluti
Mabou

 brutto di Spielberg..
Seee e il colore viola sugarland express mondo perduto amistad dove li metti
allora? Hook e' un film che sarebbe potuto essere stupendo e einvece e' solo
carino con delle scene stupende. Resta il fatto che ha la migliore colonna
sonora non SW che sia mai stata scritta.
--
Laz
"You labeled me, I'll label you"
°°°°°°°°
"Good girls go to Heaven,
But the bad girls go everywhere"

 Seee e il colore viola sugarland express amistad dove li metti allora?
Ora ho la conferma.... : )
Ciao,
Beppe.


ma... il colore viola non era un capolavoro? così dicono... (mai visto...
argh)
Mabou

 argh)
Mab, lassa perde... È notorio che Laz 'n capisce 'n tubo! : ))))))
Ciao,
Beppe.


My God, che vaccata indegna, quel film.
--
Kaleb
--
"L'Italia è il settimo paese industrializzato."
"Guarda un po' Bitonto a che posto sta."
Andrea Pazienza


E qui ritorniamo ad un mio vecchio post... mancano SW, Anna Praderio, John
Williams ed Heinlein - quindi per Inshal - Laz è uno spreco di pellicola.
;))


PS: a me HOOK č piaciuto molto!
Sě, č un film simpatico.
-----Alkaid Oto -----
---Apprendista cavaliere Jedi.----
"La violenza č l'ultimo rifugio degli incapaci"
Salvor Hardin - Isaac Asimov
ICQ: 57303687
E-mail: 
bro...@tiscalinet.it

 argh)
Zzzzzzzzzzzzzzzzzzzzzzzzzzzzz
(Manco c'e' Williams poi.. )


 Ora ho la conferma.... : )
Ehm di cosa? O__o per una volta che ero d'accordo con te ^________^


 Mab, lassa perde... È notorio che Laz 'n capisce 'n tubo! : ))))))
Mab, lassa perde... E' notorio che Beppe 'n capisce 'tubo :-))))))


allora? 
A me sono piaciuti (forse Sugarland Express un po' meno...)
Ma Hook proprio no...
Quinn
__________________________________
"Hokey religions and ancient
 weapons are no match for a 
 good blaster at your side, kid."
"Hey, I like the color of your car,
 man. What's that supposed to be? 
 Sort of a cross between piss yellow
 and puke green, ain't it?" 
=================================
Prequels Italian Headquarters
http://utenti.tripod.it/darthmaul/
Indiana Jones Italian Headquarters
http://digilander.iol.it/ij/
e dal 21 Maggio 2000
Star Wars Italian Headquarters
http://digilander.iol.it/swih/
=================================

Ehm... Forse non hai visto IL MONDO PERDUTO... Eh eh eh...
La vera storia del "Mondo Perduto":
Crichton decide di spremere un po' di piů la macchina commerciale di
Jurassic Park. Allora scrive un libro che in effetti non č un libro,
ma degli appunti che scrive la mattina dovo essersi grattato per circa
15 minuti il suo famoso brufolo sulla chiappa destra. L'editore di
Crichton lo prende per buono, tanto comunque č analfabeta.
Crichton chiama Spielberg e gli dice che ne pensa di raggranellare
qualche milionata di dollari, cosě, a tempo perso. 
Spielberg ci pensa e accetta. Allora, siccome non gliene puň sbattere
di meno di fare un altro film con i dinosauri e con una storia che
sembra presa dalle avventure di Capitan Findus, dice a Lucas e ai suoi
alla ILM: " mi fate un software per il nuovo film?". La ILM accetta,
incassa praticamente tutto il budget del film e consegna il software a
Spielberg. Il buon vecchio Steve lancia il software, chiamato "Summer
Blockbuster Builder v1.1", e dopo 8 ore consegna il film alla
Universal. 
MTFBWY



Ciao


Ciao


 Ryan vi dice niente?)
No, all'epoca stava lavorando su AMISTAD, non SALVATE IL SOLDATO RYAN...
Ciao,
Beppe.

| Williams ed Heinlein - quindi per Inshal - Laz è uno spreco di pellicola.
                                                    ^^^^^^^^^
ROTFL
--
Horus
ICQ 49134477
----------------
"Truth might be changed by victory"
----------------
"Linux non e' un sistema operativo, ma un modo diverso di affrontare la
propria esistenza"
----------------


Boh.. i miei l'avranno visto 20 volte, ma a me pare solo un film come tanti
altri. Realizzato bene, comunque.
Ciao! :-)
Alecs®
alza...@tin.it
http://members.xoom.it/Alecs
Addio amico mio. Io ero mille volte piu' malefico di te.
E poi lascio' la Terra con un balzo sfrecciando verso l'alto 
e con voce selvaggia rise beffardamente della bilancia 
cosmica, saturando l'universo della sua empia gioia.
Michael Moorcock

sonora non SW che sia mai stata scritta.
Sono pienamente d'accordo. Con un solo tema, Williams ha realizzato
un'intera colonna sonora.



wrote:

oops...cmq, Amistad a me č piaciuto, e sicuramente lo considero
superiore a Lost World..


 superiore a Lost World..
Beh, ci vuole anche poco... Comunque AMISTAD č un film bellissimo! : )
Ciao,
Beppe.

 un'intera colonna sonora.
Un solo tema? O__o
Ciao,
Beppe.

 altri. Realizzato bene, comunque.
Ce ne fossero di "film come tanti altri" cosě! : )))
Ciao,
Beppe.

 Comunque AMISTAD è un film bellissimo! : )
Concordo pienamente, e secondo me è stato fortemente sottovalutato





 Un solo tema? O__o
E quale? O__o
--
Laz
"You labeled me, I'll label you"
같같같같


riparliamo...
Ma è del gruppo di romanzi Fantascientifico-Avventurosi  o tipo quelli
più sulla critica della società attuale (Sol Levante, Rivelazioni, che
non mi sono piaciuti molto :-)) ?
-----Alkaid Oto -----
--- Cavaliere Jedi.----
"La violenza è l'ultimo rifugio degli incapaci"


non mi sono piaciuti molto :-)) ?
ti piacerà, ti piacerà...fidati
se vuoi saperne di più...
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ok....penso che bastino  :-)
 Siamo nel futuro prossimo venturo..la tecnologia ha raggiunto dei
livelli impressionanti...le informazioni passano da punto a punto a
velocità impensabili.
Così un gruppo di storici può condurre una ricerca sul campo nella
Francia del 14° secolo...letteralmente.
In questo libro, secondo la critica il più bello dai tempi di Jurasic
Park, Crichton mischia sapientemente una delle scienze del futuro
immediato, la tecnologia quantistica, e la complessa realtà del
medioevo. 
Se questo non vi stuzzica la curiosità, ecco un brano tratto dal
romanzo: 
His good mood vanished when he arrived to find the stockbroker couples
again, sitting at their table. Apparently they'd been invited for a
second night. Chris was about to turn around and leave, but Kate got
up and quickly put her arm around his waist, and steered him toward
the table. 
"I'd rather not," he said in a low voice. "I can't stand these
people." But then she gave him a little hug, and eased him into a
chair. He saw that the stockbrokers must be buying the wine tonight --
Château Lafite-Rothschild '95, easily two thousand francs a bottle. 
And he thought, What the hell. 
"Well, this is a charming town," one of the women was saying. "We went
and saw the walls around the outside. They go on for quite a distance.
High, too. And that very pretty gate coming into town, you know, with
the two round towers on either side." 
Kate nodded. "It's sort of ironic," she said, "that a lot of the
villages that we find so charming now were actually the shopping malls
of the fourteenth century." 
"Shopping malls? How do you mean?" the woman asked. 
At that moment, Marek's radio, clipped to his belt, crackled with
static. 
"André? Are you there?" 
It was Elsie. She never came to dinner with the others, but worked
late on her cataloging. Marek held up the radio. "Yes, Elsie." 
"I just found something very weird, here." 
"Yes. . . ." 
"Would you ask David to come over? I need his help testing. But I'm
telling you guys -- if this is a joke, I don't appreciate it." 
With a click, the radio went dead. 
"Elsie?" 
No answer. 
Marek looked around the table. "Anybody play a joke on her?" 
They all shook their heads no. 
Chris Hughes said, "Maybe she's cracking up. It wouldn't surprise me,
all those hours staring at parchment." 
"I'll see what she wants," David Stern said, getting up from the
table. He headed off into the darkness. 
Chris thought of going with him, but Kate looked at him quickly, and
gave him a smile. So he eased back in his seat and reached for his
wine. 
"You were saying -- these towns were like shopping malls?" 
"A lot of them were, yes," Kate Erickson said. "These towns were
speculative ventures to make money for land developers. Just like
shopping malls today. And like malls, they were all built on a similar
pattern." 
She turned in her chair and pointed to the Domme town square behind
them. "See the covered wooden market in the center of the town square?
You'll find similar covered markets in lots of towns around here. It
means the town is a bastide, a new, fortified village. Nearly a
thousand bastide towns were built in France during the fourteenth
century. Some of them were built to hold territory. But many of them
were built simply to make money." 
That got the attention of the stock pickers. 
One of the men looked up sharply and said, "Wait a minute. How does
building a village make anybody money?" 
Kate smiled. "Fourteenth-century economics," she said. "It worked like
this. Let's say you're a nobleman who owns a lot of land.
Fourteenth-century France is mostly forest, which means that your land
is mostly forest, inhabited by wolves. Maybe you have a few farmers
here and there who pay you some measly rents. But that's no way to get
rich. And because you're a nobleman, you're always desperately in need
of money, to fight wars and to entertain in the lavish style that's
expected of you. 
"So what can you do to increase the income from your lands? You build
a new town. You attract people to live in your new town by offering
them special tax breaks, special liberties spelled out in the town
charter. Basically, you free the townspeople from feudal obligations."
"Why do you give them these breaks?" one of the men said. 
"Because pretty soon you'll have merchants and markets in the town,
and the taxes and fees generate much more money for you. You charge
for everything. For the use of the road to come to the town. For the
right to enter the town walls. For the right to set up a stall in the
market. For the cost of soldiers to keep order. For providing
moneylenders to the market." 
"Not bad," one of the men said. 
"Not bad at all. And in addition, you take a percentage of everything
that's sold in the market." 
"Really? What percentage?" 
"It depended on the place, and the particular merchandise. In general,
one to five percent. So the market is really the reason for the town.
You can see it clearly, in the way the town is laid out. Look at the
church over there," she said, pointing off to the side. "In earlier
centuries, the church was the center of the town. People went to Mass
at least once a day. All life revolved around the church. But here in
Domme, the church is off to one side. The market is now the center of
town." 
"So all the money comes from the market?" 
"Not entirely, because the fortified town offers protection for the
area, which means farmers will clear the nearby land and start new
farms. So you increase your farming rents, as well. All in all, a new
town was a reliable investment. Which is why so many of these towns
were built." 
"Is that the only reason the towns were built?" 
"No, many were built for military considerations as -- " 
Marek's radio crackled. It was Elsie again. "André?" 
"Yes," Marek said. 
"You better get over here right away. Because I don't know how to
handle this." 
"Why? What is it?" 
"Just come. Now." 
The generator chugged loudly, and the farmhouse seemed brilliantly lit
in the dark field, under a sky of stars. 
They all crowded into the farmhouse. Elsie was sitting at her desk in
the center, staring at them. Her eyes seemed distant. 
"Elsie?" 
"It's impossible," she said. 
"What's impossible? What happened here?" 
Marek looked over at David Stern, but he was still working at some
analysis in the corner of the room. 
Elsie sighed. "I don't know, I don't know. . . ." 
"Well," Marek said, "start at the beginning." 
"Okay," she said. "The beginning." She stood up and crossed the room,
where she pointed to a stack of parchments resting on a piece of
plastic tarp on the floor. "This is the beginning. The document bundle
I designated M-031, dug up from the monastery earlier today. David
asked me to do it as soon as possible." 
Nobody said anything. They just watched her. 
"Okay," she said. "I've been going through the bundle. This is how I
do it. I take about ten parchments at a time and bring them over here
to my desk." She brought ten over. "Now, I sit down at the desk, and I
go through them, one by one. Then, after I've summarized the contents
of one sheet, and entered the summary into the computer, I take the
sheet to be photographed, over here." She went to the next table,
slipped a parchment under the camera. 
Marek said, "We're familiar with -- " 
"No, you're not," she said sharply. "You're not familiar at all."
Elsie went back to her table, took the next parchment off the stack.
"Okay. So I go through them one by one. This particular stack consists
of all kinds of documents: bills, copies of letters, replies to orders
from the bishop, records of crop yields, lists of monastery assets.
All dating from about the year 1357." 
She took the parchments from the stack, one after the other. 
"And then" -- she removed the last one -- "I see this." 
They stared. 
Nobody said anything. 
The parchment was identical in size to the others in the stack, but
instead of dense writing in Latin or Old French, this one had only two
words, scrawled in plain English: 
HELP ME 4/7/1357
"In case you're wondering," she said, "that's the Professor's
handwriting." 



wrote:
Mi hai incuriosito molto davvero: mi sono trattenuta dal leggere il
resto del mex dopo la presentazione. Cercherň il libro .
Grazie e ciao
-----Alkaid Oto -----
--- Cavaliere Jedi.----
"La violenza č l'ultimo rifugio degli incapaci"


resto del mex dopo la presentazione. Cercherň il libro .
Lo trovi in librerie che vendono libri in inglese. Non č ancora stato
tradotto. La versione Hardcover costa 50.000, la versione tascabile
dovrebbe uscire tra un mesetto, cmq prima della traduzione.
MTFBWY
Quinn


(Manco c'e' Williams poi.. )
Scusa Laz, ma ti pare il caso che Spielberg disturbasse il Maestro per un
film simile? ;-)


__________________________________
Credo che lo aspetterò in biblioteca.
Grazie comunque 
Ciao
Alkaid


Sono una barca di tracce, ma il tema di Peter Pan impera dapperttutto.
Comunque la mia non e' un giudizio negativo, anzi... e' tutto il contrario.
Per poter realizzare tanta musica in quel modo bisogna avere due affari
cosi'.
