Sabah To Open For Tourism! Aren’t Y’all Excited?

The new norm of travelling ain’t gonna be a piece of cake. Gone were the days where we would excitedly book flight tickets just a day before embarking on our next travel destination. Those splendid escapades from the HARSH REALITIES of life are history now. Since the COVID-19 pandemic took the world by an uneventful storm, travelling has become a privilege.
In the new normal, only those who have been fully vaccinated are allowed to travel and you would be lucky enough if the destination you intend to travel to does not require you to do a troublesome and expensive SWAB test!
While the Malaysian government has allowed the Langkawi travel bubble, Malaysian travel enthusiasts are flocking the mystical island, taking hold of every opportunity to satisfy their deprived travelling hobby that has almost been put on hold for nearly two years.
Apart from Langkawi, the Tourism Ministry said it will be planning to open up Genting Highlands in Pahang, historical Malacca and breathtaking Pulau Tioman to the rest of Malaysia. On a good note, Sabah is expected to allow travel starting with local Sabahans within its districts.
“We are moving towards the new normal of travelling and it is about time for our industry to be reactivated, starting with local travellers within Sabah,” said state tourism, culture and environment minister Jafry Ariffin.
Slowly, our country is adjusting to the new norm of learning to live with COVID-19 and its many variants.
However, Jafry believes that this decision will be successful only if travellers follow the SOPs imposed by the National Security Council.
Picture credit: The Star
“I must stress that if we wish to continue this advantage of travel and leisure, we must seriously abide by the SOPs as well.”
People in Sabah can now begin travelling within their districts because all tourism sites in the state are now allowed to welcome visitors from the districts in which they are located.
They must, however, ensure that they are fully vaccinated and have a low-risk status on their MySejahtera application. Even travel agencies should be aware of the following issues:

Before conducting a tour or allowing a stay, travel agencies and hotels must obtain pre-approval from the state COVID-19 disaster management committee.
Guests must be transported from point to point using pre-booked arrangements while maintaining contactless travel.
Tour operators, hotels, resorts, and homestays must have all of their employees fully vaccinated.

Picture credit: Laugh Travel Eat
Soon, we will be able to enjoy the luxury of travelling even further, but this will only be possible if we, as Malaysians, understand and follow the SOPs responsibly.
I beg you, follow the SOPs well, so we can all travel again.
Source: FMT
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Filed Under sabahSabah open to travellerstravelling restrictions


WATCH: Tookkam Illaiye From BGW’s Much Awaited ‘Neeyum Naanum’

Actor, singer, TV presenter, and now film director Bala Ganapathi William has released yet another single from his highly anticipated movie, Neeyum Naanum.
The song is entitled “Tookkam Illaiye”, and it features BGW’s vocals along with Saint’s kickass rap. What we love the most about the song is the lyrics – cheeky and playful and yet romantic.
This lyrical video by Ramses Rao also has dope visuals and we think you’ll love it too!
Watch the video here:

Neeyum Naanum is set to hit cinemas nationwide on the 20th of September. The film stars BGW and Jasmine Michael in leading roles.
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Filed Under BGWNeeyum Naanum


Andrea Jeremiah Is A Cop & A Princess In Her Next Film ‘Maaligai’

That is SO confusing!
Andrea Jeremiah in dual roles for Maaligai
We really don’t know how this storyline will allow her to play such diverse roles but at least Andrea Jeremiah will have a platform to flex her acting chops. Under the direction of Dil Sathya, Andrea will be playing a dual role in Maaligai, one a cop and the other a princess. The film will also star debut actor Karthik Jayaram, Ashutosh Rana, KS Ravikumar, Mano Bala, Jangiri Madhumitha and Tollywood comedian Ali in its cast.

In describing his next film, Dil Sathya says, “The film is a mix of many genres — action, fantasy and horror. The princess character is part of the fantasy portion, which makes for more than an hour of the film’s running time. These scenes are set about 400 years in the past. The plot revolves around cop Andrea who goes to a palace to investigate, and she learns something about her past there.”

More updates to follow.

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Filed Under Andrea Jeremiahdil sathyamaaligai


Rakul Preet Launches Her YouTube Channel!

Rakul Preet has now launched her own YouTube channel. She announced it on her Instagram page in conjunction with World Health Day. The actor revealed that the revenue generated through her YouTube channel will go to the PM-CARES to help fight the novel coronavirus pandemic.
She also requested her fans to spread joy and happiness in whatever way they can. She wrote, “A lot of time on hand so I thought of launching my YouTube channel which will have all things fun !! The revenue generated will go to PMO India fund ! Let’s spread joy and happiness in whatever way we can. Subscribe now to make a difference !! and because it’s world health day we kickstart with… umm check out the video. (sic).”

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A post shared by Rakul Singh (@rakulpreet)

In one of her earlier posts, the actress stressed on the importance of mental, physical and emotional health while quarantining.
She wrote, “Times like these make us realise the importance of good health and how grateful we should be for it! Health to me is not just physical but also mental and emotional well being. How joyful and happy you are at all times irrespective of the external factors determines your health. Making the right choices is the key and if you haven’t already started then do it now. We need to be healthy more so now than ever before !! This world health day takes a step towards your well being!! Eat right, think positive, live happily, Stay Safe, Stay home.(sic).”

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On the professional front, the actress is currently working on Kamal Haasan’s upcoming film, Indian 2. She is also shooting for her long-delayed film, Ayalaan, which has Sivakarthikeyan in the lead role.
The film is touted to be a science-fiction thriller, directed by R Ravikumar.
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Filed Under covid-19indianPMO fundRakul Preet Singhyoutube


Captivating Kolam Designs To Brighten Up Your Home This Deepavali

Have you ever been intrigued by a lovely kolam in front of a Hindu home during the festive season?
Well, in fact, kolams are not only drawn during the festive season, but they are practised daily in some regions in India. It’s part of their daily routine to draw a kolam on their doorstep.
Based on one of the tales mentioned in the ‘Puranas,’ Goddess Lakshmi is believed to have lived in a clean house, a clean entrance purified with cow-dung and adorned with beautiful ‘kolams’
Here are a few pretty kolam designs to choose from since Deepavali is just around the corner and a home without a lovely kolam is going to be very bare.
Floral Kolam
Floral kolam is the simplest of all styles. This design begins from the middle and extends the circumference with an easy petal design. However, the colour palette for this kolam should be vibrant and vivid, as this style is more colour-oriented.
Peacock Kolam
The peacock and its feather are of great significance in Hinduism. Lord Krishna wears a peacock feather on his crown. Lord Karthikeya uses the peacock as his mode of transport. It illustrates grace, defence and life.
Ganapati Kolam
The elephant-headed lord in Hinduism is idolised as a God of beginnings. His sacraments expressed in a kolam’s art form will be a great blessing to all the guests visiting your home. Honestly, he is also one of the cutest gods to be featured in your kolam artwork.
Oil lamp Kolam
This kolam has an oil lamp or ‘aghal vilakku’ custom designed for the Deepavali festival. A shloka that says Tamasomā jyotir gamaya means “lead me to light from darkness.” It’s the ideal design to reflect the true meaning of the festival.
Sanskrit Aum Kolam
This is a very important word when it comes to Hinduism. The holy sound and the divine symbol are the source of the true truth, consciousness or Atman. Welcoming the visitors thus getting this sign in the kolam would also increase spiritual vibration and well-being.
It is believed in Hinduism that designing A ‘kolam’ outside the doorway brings blessings and prosperity, while also making the place look so beautiful and welcoming.
As such, enjoy this Deepavali whilst also decorating your home with these gorgeous Kolam designs.
You might also want to ask Mr. Google for more creative designs. Quickly pick your favourite kolam and get prepared with the coloured rice, since Deepavali is just a week away.

On that note, we from Varnam wish all Malaysian Hindus a great Deepavali celebration with your family. Also, stay safe and stick to the SOPs imposed by the government.
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Filed Under deepavali 2020Deepavali kolam designdiwaliKolam designs. Rangoli designs


‘If you can’t slap, touch your woman wherever you want, I don’t see emotion’; Says Kabir Singh’s Director Sandeep Reddy Vanga!

DISGUSTED!
Kabir Singh director Sandeep Reddy Vanga, defending the controversial Kabir Singh has said, “If you can’t slap, if you can’t touch your woman wherever you want, I don’t see emotion.”
What the hell is that even supposed to mean?
In his first major interview post the release of his latest film, Kabir Singh, director Sandeep Reddy Vanga has defended some of the most controversial aspects of the Shahid Kapoor-starrer, which has become this year’s latest blockbuster despite negative reviews.
One of the reasons why I think the film became a blockbuster hit is because the mentality of the society is still there. The people resonate with the values that Kabir believes in. And that it is okay to hit your partner.
During his interview with Anupama Chopra, Vanga said, “When I started this film, I knew it would be a big success at the box office, but I never thought that the rage would be repeated, and it has multiplied four times now.”
The film has made Rs 218 crore domestically, and Vanga says that it can cross the Rs 300 crore mark, which would make it the most successful Bollywood film of 2019. The film has already become Shahid Kapoor’s biggest solo release of his career.
Asked about the allegations of toxic masculinity and poor treatment of women in the film, Vanga said, “When you are deeply in love and deeply connected to a woman (and vice versa), if you don’t have the liberty of slapping each other, then I don’t see anything there.” Vanga had previously directed the Telugu hit Arjun Reddy, which was also a major box office success, and had attracted similar criticism, albeit on a smaller scale.
Singling out critics who’ve slammed his film, Vanga described them as ‘parasites who are the real threat to the film industry’ and said, “Probably they never experienced (love) in the right way.” He added, “They were only on the feminist side, they didn’t speak about anything else.”
The director was surprised that the conversation was mostly centred around the themes, and not the technical aspects of his film. He said this was perhaps because “They (the critics) hate me.”
Feminist side? It is so sad that people use words without knowing its meaning.
Vanga repeatedly made references to Rajeev Masand’s scathing review of the film and referred to the critic as “Some fat guy who reviewed my film.”
“He gave two (stars) and audience gave Rs 200 crore,” Vanga continued.
“I see him giving more than three (stars) to stupid films.” Providing the example of the Sanjay Dutt biopic Sanju, directed by Rajkumar Hirani and produced by Anupama’s husband Vidhu Vinod Chopra, Vanga said, “Rajeev Masand gave 3.5 (stars) to Sanju. ‘Sanju where is my mangalsutra?’ What happens after that, you can talk volumes about it. Everybody loved it. When he says he slept with 300-odd women, we were all cheering and whistling in the theatre.”
Speaking about a particular scene in the film, in which Kabir Singh physically assaults Kiara Advani’s character, Preeti, he said, “She slapped him without a reason, at least Kabir had a reason to slap her. If you can’t slap, if you can’t touch your woman wherever you want, if you can’t kiss, I don’t see emotion there.”
The film has been strongly criticised from several quarters. The Hindustan Times review of Kabir Singh, awarding the film one-and-a-half stars out of five, noted that “Kabir Singh applauds its pathetic protagonist, and ends up an obnoxious celebration of toxic masculinity.”
Shahid in a message of gratitude to fans, posted on his Instagram account on the occasion of Kabir Singh crossing Rs 200 crore at the domestic box office, had written, “He is flawed. So are we all. You didn’t judge him you experienced him. You understood him. I have never ever felt so thankful.”

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A post shared by Shahid Kapoor (@shahidkapoor)

Fans left mixed reactions in the YouTube comments section of the interview.
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Filed Under Arjun reddyhindikabir singhshahid kapoorvanga


Arvind Raj feat. Music Kitchen’s Nandu Kathe, Sure To Get You Grooving On The Floor

It’s not every day that a whole generation recaptures the art of old-school hip-hop and rap, a genre that reaches well beyond its roots and into society’s underlying core.
While most of us are still grooving to the 2 weeks old song, Nandu Kathe has definitely attracted nationwide attention. Released on Goodfellas Entertainment YouTube channel, this music video has been in the top favourites of youngsters who love rap songs.
Helmed, penned and sung by the ever talented Malaysian musician and rapper Arvind Raj, he has oozed his confidence by dropping this brand new music video with the powerful lyrics. Rather than feeling like hollow nostalgia, he raps solely on his own charisma and understated style.
One thing the writer would highlight: the music video is DOPE!

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A post shared by Arvind Raj (@iamarvindraj)

Music Kitchen, a name that needs no introduction as they have certainly pulled a rabbit out of the rapper’s hat as close as it can get to any masterpiece. The amazing rap takes this tune to another level as the lyrics never fail to make us feel the fire while listening to it.
Not to forget the team members Mathubalan, Saii Narayanan, Devesh & Reihan who have stayed as a pillar for the team for making this video a one to remember. From the editing skills to bringing out the visuals beyond our expectations, one word, brilliancy.
Now, if you’re ready to ride on the beat, be sure to catch the rhythmic flow with good quality earphones!
Watch the full music video below:

https://youtu.be/abgtuyiXVtAVideo can’t be loaded because JavaScript is disabled: Nandu Kathe – Arvind Raj feat. Music Kitchen (https://youtu.be/abgtuyiXVtA)

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Oru Teddy Bear; A New Music Video To Inspire You In The Face Of Adversity

‘Oru Teddy Bear’ simply summarises a message in which a first love may not always be destined to end up together, but it never fails. It may cause us pain, but there is an inspiration in every distressing emotion. It’s all up to you how you take it.
Beginning the video with cute gestures of a boy who has been in love with a girl since he was young may have brought us back to some fond memories. Ihsan deserves credit for brilliantly enhancing the emotions of the music video in the first half with his vfx editing aptitudes.

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Shane Extreme, who has worked on many major projects, including Swara Layam, a local musical series, composed this song. Siva Sree, a multi-talented upcoming artist acted, sang, and directed the music video.
Cellina Jay Saravanakumaran, the music video’s main lead, has also stated;
“This is my first time working as a female lead, and I feel truly blessed to be a part of this. Also, the team with which I worked was amazing. They made certain that the environment remained enjoyable, and they all did their jobs perfectly.”
It’s an entertaining music video that ends with a beautiful message, which is something that most of us would appreciate.
The entire team has done an outstanding job. It is important for all of us to recognise and acknowledge local talents in order for them to reach tremendous growth. Congratulations on your first music video, Siva Sree!
This song is also available on Spotify, Apple Music, Amazon Music, Deezer, and Anghami, among other platforms.
Have you watched the music video? Please watch and let us know what you think of the song.

https://www.youtube.com/watch?v=Gg7w0B0L3Z0Video can’t be loaded because JavaScript is disabled: Oru Teddy Bear – Siva Sree ft Apple.PAC | Shane Extreme | Official Music Video (https://www.youtube.com/watch?v=Gg7w0B0L3Z0)

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Filed Under local talentsnew music videooru teddy bearShane extremeSiva Sreeswara layam


Interesting Fact to Ponder Upon; Why Do Hindus Offer Bananas and Coconuts To The Gods?

In Hindu conventions, one invariably finds customs and rituals. On the surface, they seem to be innocuous, but dig deeper, and you will find that there is a reason behind everything. Similarly, we’re trying to figure out whether there’s a purpose for the coconut and banana offers, and there is.
Coconut and bananas are the only two fruits which are considered to be “Sacred fruits”. The rest of the fruits are contaminated (fruits that have been half eaten), which means they have seeds and may proliferate!
Coconut is referred to as Shri Phal or a divine fruit or God’s fruit. But in the case of a coconut, if you eat its flesh and throw out its outer shell, nothing will grow out of it. If you want to grow a coconut tree, you have to sow the entire coconut itself. The outer shell of a coconut is the Ahamkara or ego, which one has to break.
Image Credit: Tidelimpex
Once the ego is shed, the mind will be as pure as the white tender coconut inside. The Bhavaavesha or Bhakthi will pour like sweet water in it. The 3 eyes on the top is described as Satwa, Raja and Tama or Past , Present and Future or Sthoola, Sukshma and Karana Sareera or body etc.
Additionally, bananas are in the same boat as well. Nothing will sprout out of a banana if you eat it and toss the skin out. A banana tree is grown on its own when a banana plant starts producing fruits.
Image Credit: Anveshane
Our ancestors discovered this reality a long ago and they had turned it into a custom which is still followed rigorously today!
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Filed Under BananasBhakthiBhavaaveshaCoconutsGodsHindu traditionsKarana SareeraRajaSatwaShri Phal


PETTARAP MASHUP: Benny Dayal & Andrea End the Decade With a Spectacular, Game-Changing Concert

“Ada get up and dance, it’s a darn new chance, un kayil ellame irukkudhada,” It was as if Benny Dayal was dancing to these very words, he commanded the stage and commandeered the audience.
When PettaRap Mashup Live was announced a few months ago, we flinched. Arena Global International, yet another first-time Tamil concert organiser? Their lineup, however, piqued our interest. Only Andrea Jeremiah and Benny Dayal with their respective bands over a period of four hours.

This was a risk. Most first time concert organisers would have brought over veteran singers or a young singer with a stupendous following.
Don’t get us wrong, both Benny and Andrea have their respective fan bases, but bringing two singers who don’t have a Sid Sriram-like following during the year end holidays is asking for trouble. Arena Global International went forward with it. And boy, did it pay off.
Bye-bye icky StarXpo!
The venue change from StarXpo Centre to PGRM hall was a welcome move. We didn’t have to walk through the horribly dilapidated KWC Fashion City, nor traverse through a carpark.
Multiple working lifts greeted concert goers within a few feet of the entrance and before we knew it, we were at the foyer of the concert space. The exchange of tickets for a stamp on the back of our hands was a quick process.

In spite of a venue space that resembled a banquet hall, the stage was at a good height. The crowd was significantly smaller, but that worked fine, as we were closer to the stage, plus the air conditioning was on full blast. The food sold outside was reasonably priced, with beer only allowed inside the hall in plastic cups.
Usherers were aplenty, and they had been briefed clearly about what is where. There were so many of them that it was almost impossible for someone to not find their way around.
The backdrop of PettaRap Mashup comprised of five LED screens. There was the main one, a wide screen extending the entire stage, as well as two shorter panels on either side. In addition to this, there were two screens on either side on which the performance was projected on.
The visuals on the LED screens were some of the best we had ever seen in a Malaysian Tamil concert. Big Show Asia deserves a standing ovation for that alone.
What time start, ah?
There was the initial confusion of the starting time. On the Airasiaredtix website, it was stated to be 7.15 pm, whereas on Arena Global International’s social media, it was 7 pm. A few hours before the event, the organisers updated their social media channels with a post saying the event begins at 6.30 pm. This was quite alarming to those of us who had planned our journeys.
Nevertheless, hosts Theyvekgan and Revathy announced that the concert will commence at 7.20 pm. The first act walked onto the stage five minutes later.
Well done, hosts!

The hosts were an amalgamation of Astro and RTM. Theyvekgan was absolutely brilliant as the emcee. It is puzzling why he doesn’t handle more live shows. Revathy did well too. The two were initially struggling to buy time between the performers, they eventually were candid with us, and told us what they were tasked with. Things were a lot smoother from then on. Well done, both of you.
Havoc Brothers – fantastic openers
Havoc Brothers opened for the two big names. It came as a pleasant surprise that Naven and Mathan were excellent on stage. Their stage presence was great, and they interacted well with the audience. Most importantly, their rapping skills were on point.

https://varnam.my/wp-content/uploads/2019/12/80541076_151247706164377_587945224104655288_n.mp4
Their 8 tune set, while a little longer than expected, saw the two of them giving it their all, to the point that they had to be handed tissues as they were perspiring uncontrollably. They ended with their tune Karat, which had a fantastic visual backdrop on the LED screen.
Tiamo Dancers then came in for a brief fire dance in their glittery costumes.
The sultry songstress, Andrea
In a gorgeous glittering blue minidress, Andrea started off with a beautifully rearranged Idhu Varai. The sound system began a little loud, but it was quickly rectified.
Image credit: Instagram @mrj_pr
Andrea’s energy levels never wavered throughout the one hour set, with rock version of the classic Vaa Vaa Pakkam Vaa, followed by Crazy Minnal, Kalyana Vayasu and Kannum Kannum Nokia. The slow numbers, too, were close to perfection, especially her rendition of Ennadi Mayavi Nee.
Her sensuality was in full form as she performed Aasai Adhigam Vechu, much to the audience’s delight. There was a moment during the song, where all we could see was Andrea’s silhouette dancing against the neon striped background while Keba strummed his electric guitar. We were momentarily transported to musical heaven.
The music transitioned into a kuthu beat seamlessly as she began to sing Who’s The Hero, and her final note took the concert up a notch.
Related:  Yash Of "KGF" Fame Is Coming To Malaysia To Grace The Opening Of The Second Store Of MS Gold On 8th July 2023Image credit: Instagram @mrj_pr
The popular Nee Partha Parvai received an incredible rock facelift thanks to Andrea and her band. She was evidently comfortable performing with The Jeremiah Project. Comprising of Leon James on keyboard, famed guitarist Keba Jeremiah, Navin Joseph on bass as well as David Joseph on the drums and Krishna Kishore on percussion, the band certainly didn’t disappoint.
Andrea’s well-paced set list, which balanced high-energy numbers with slower breathers, ended with her singing both the male and female parts of Google Google.
As she ended her hour long set, the singer thanked the audience, “This is the best birthday present, I just love being on stage!” It certainly shows, Andrea.
It was then time for Theyvekgan and Revathy to buy some time as the next band set up. Luckily they stumbled upon a few people in the mosh pit who could sing. This is where the organisers faltered a little. Why not schedule a filler? The dancers would have worked too.
Benny stole the show
From the first note of Benny’s Taxi Taxi, the audience was swept into another world. With the funky background visuals on the LED screen, it is as if we were on a hallucinogen for the two full hours that Benny took the stage.
Clad in a funky multi coloured blazer with short pants and sport shoes, Benny launched into Unnakenna Venum Sollu. The audience knew that things are going to get crazy when Benny took his jacket off. Sure enough, he broke into Usilampatti Penkutti before chugging into Chikku Bukku.
https://varnam.my/wp-content/uploads/2019/12/video_2019-12-24_09-31-17.mp4
He unabashedly flaunted his incredible vocal range, ending Omana Penne with a high note that we might never forget, casting a cozy blanket over the crowd. At one point, the music begins, but he stops the band, and sings, “Anbe…” As he holds the note, we swoon, knowing that he’s getting into into Ennai Kaanavilliye.
He also sang a few of his Hindi hits, including Bang Bang and the epic Badtameez Dil. Besides his tremendous voice, Benny’s hip hop dance moves and body waves were met with an avalanche of screams.

Remember the five LED panels we told you about? Benny’s live on-stage performance was splayed onto the smaller panel, a feat we have never seen before.
The insanity level peaked during Benny’s performance of Petta Rap. As he began to sing, he picked up a gun like object from the ground. The audience was left deliberating what this object does, but that didn’t stop us from rapping along with Benny for one of A R Rahman’s most iconic tunes. As Benny gets into the hook of Petta Rap, he shoots, and a steady stream of smoke is expelled from the gun, and we realise, goodness, this is a freaking smoke gun!

At this point, we, the audience, lost ourselves, and were immersed completely in Benny Dayal’s awesomeness. We later learn that the gun is a carbon dioxide gun.
Benny’s set ended with the audience on their feet, dancing to Mukaala and his single, Tamil Fever, smoke gun in hand.
The Funktuations were the unsung heroes of the night, with David Joseph, Alok Merwin, Carl Fernandes, Joshua Satya and Alwyn Jeya Paul keeping the energy up the entire time. They were joined by trumpet and trombone duo, The Hornflakes, Rahul Joshua Thomas and Rakesh MS.
Benny Dayal is the antithesis to the cliched Tamil singer. He sings, he dances, he performs, and he makes you feel like he’s doing it all for you, not the others in the audience, just you. His charisma and vocal versatility shine bright with every song. Benny is undoubtedly one of the best Tamil performers of our time.
Utter satisfaction
Going home after PettaRap, it was as if we finally had a super satisfying session of something that we’d been deprived of for a long time.
Let’s call the PG version of this a cupcake. You enjoy cupcakes, and you’ve had some pretty good ones in the past, but the moment you took a bite out of this Arena Global International creation, you realised that it’s a game-changer. You aren’t going to be able to have another mediocre cupcake, because this one was so damn good.
The layers of music, visuals and vocals resulted in a rich, eargasmic experience one might never forget. The competitors need to up their game if they want to match the first time organiser. That night, we went to bed satisfied. Fulfilled. The orgasmic, I mean, eargasmic performance that Benny had put out is something that will be difficult to top in 2020.
I dare you to prove me wrong.
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Filed Under Andrea Jeremiaharena globalBenny Dayalconcertspetta rap mashup


ATM Interbank Cash Withdrawal Fee, RM 1 Will Be Reinstated From TODAY!

Take note guys!
According to announcements made on the banks’ social media accounts, the reimposition of the RM1 Malaysian Electronic Payment System interbank ATM withdrawal fee will be starting 1st February 2022 (TODAY).
In April 2021, the government waived the levy to ease Malaysians’ financial burden during the Movement Control Order period, while also allowing them to access financial services supplied by these machines without traveling too far outside the previously set bounds, stated FMT.

Starting from 1 February 2022, the ATM interbank cash withdrawal fee of RM1.00 will be reinstated. Maybank customers can continue to perform cash withdrawal transactions at Maybank’s ATM for free*. Info: https://t.co/NSXArsSJGu*T&C apply. pic.twitter.com/khZsUXKGm2
— Maybank (@MyMaybank) December 15, 2021

Dear Valued Customers,
Please be informed, effective 1 Feb 2022, the banking industry will reinstate the transaction fee of RM1.00 when you perform Interbank Cash Withdrawal at an ATM or CRM.
For any enquiries, you may contact our Contact Centre at 03-2178 8888.
Thank you pic.twitter.com/dQFCQMoICd
— AmBank (@AmBankMY) December 15, 2021

Almost most of the Malaysian banks, including CIMB, Maybank, Ambank, Bank Islam, RHB Bank, Hong Leong Bank, HSBC, Public Bank, and Citibank, have already issued official statements by announcing the reinstatement of the RM1 fee.
Besides that, netizens been constantly responding by stating that the RM 1 charge would cause people return to a long queues at ATMs at the certain banking facilities. Every RM1 paid through MEPS is allocated to Payments Network Malaysia Sdn Bhd (PayNet), which is known as one of the largest stakeholder, Malaysian central bank, Bank Negara.
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Filed Under AmbankATM Interbank CashBank IslamCIMBHong Leong BankHSBCMaybankmovement control order (MCO)Public BankReinstatementrhb bankRM 1Withdrawal


Varalaxmi Sarathkumar Does Backflip In Fight Sequence For Her Next Film ‘Chasing’

We looked really close and we still couldn’t find any type of suspensions or support. Varalaxmi really did a backflip on her own!
Varalaxmi Sarathkumar won own her hearts when she made her debut in the 2012 film ‘Poda Podi’ with Simbu and has continued to accept challenging roles in films. She studied acting at Anupam Kher’s Acting School in Mumbai and also has a Master’s in Business Management degree from the University of Edinburgh. Varalaxmi was last seen in Maari 2 as a politician who was at loggerheads with the lead actor Dhanush.
Today, a video she released on social media has gone viral and spread like bushfire. Varalaxmi uploaded a video of her performing a backflip and action stunt for a fight scene in her upcoming film ‘Chasing’. She wrote, “Girls just wanna have fun.!!!! Heheheh so much fun doing my own stunts for my movie #chasing totally worth all the hard work.”
Her caption further clarified our doubts when she wrote, “#shootinprogress#fightsequence #norope Please don’t try this at home. There’s nothing you can’t do, all u gotta do is try”.
https://www.instagram.com/p/ByC7yLyA7TW/?hl=en
Varalaxmi will be playing a biker in Chasing and was recently shooting in Malaysia. The film is directed by Veerakumar, also stars Yamuna Chinnadurai, Bala, Jerrold and Swiss Raghu.
This teaser stunt video has got us all excited for the film and chanting #GirlPower!
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Filed Under chasingVaralaxmi Sarathkumar


T Nhaveen’s Murder Star Witness Revealed Shocking Information On Death

T Nhaveen’s murder trial, which had been postponed for the fourth time on March 8th and 9th owing to the lead counsel’s illness, was finally held on April 11th, 2022.
T Previin, the star witness in T Nhaveen’s murder case, claimed he had received a revenge threat from a friend of the accused who claimed the money had been given to unnamed individuals, indicating the murder case had already been settled through corrupt methods, during the trial on Monday.
T Previin (left) shows judicial commissioner Radzi Abdul Hamid (fourth from right) the spot where the accused initially abused him and Nhaveen last December. Yazid Mustaqim Roslan, a deputy public prosecutor, is with them (right).Image credit: fmt
The 23-year-old said that two years ago, a guy named Paravind alias “Belang” made the shocking claim at his workplace.
“Belang said they (the accused) will all be freed. He said we have paid for everything. He then said when they (the accused) are out, they will come after me,” he stated.
Last year December, Previin testified that the same Belang had dragged Nhaveen to Padang Openg, where the 18-year-old was attacked and ultimately died from his injuries.
Previin also remembered being threatened by two men, named Gopi and Vignes, who had called him for a face-off at their residence. Along with that, Vinod warned him not to inform the cops that his brother, Kugendran, was present at the crime scene when Nhaveen was assaulted.
Previin also claimed that two guys taunted him at a restaurant three years ago, threatening to murder him over the issue, however, the police report was filed on the matter last year.
He further disclosed that after he was released from Penang Hospital after recovering from a fractured cheekbone and injuries incurred in the same brawl that resulted in Nhaveen’s death, the police did not record his statement.
In his examination-in-chief, Previin was replying to questions from deputy public prosecutors Khairul Anuar Abdul Halim and Amril Johari.
Naran was given the chance to cross-examine Previin after he finished his testimony. Naran has replaced lawyer Ranjit Singh Dhillon, who died on March 18.
The judicial commissioner Radzi Hamid of the High Court dismissed a plea by lawyer Naran Singh to postpone the trial because he had just taken over the case and needed time to review the notes before Monday’s proceedings.
Radzi also turned down the prosecution’s plea to have the balance of the day’s proceedings vacated since one of the prosecutors was in Butterworth. He then told the prosecutor that he needed to appear in court by 11am.
Then, Naran pleaded with the court for extra time, claiming that he had only recently been appointed as defence counsel.
In the interest of justice, Radzi granted the request, advising all parties that the issue was of public interest and should be resolved soon. He stated that all 2018 cases must be settled by the end of the year. Radzi then cancelled the five-day trial dates for this week and scheduled 12 new ones. The court will meet next from June 29 to July 1, then again from August 22 to 25, and last from September 19 to 23.
Image credit: fmt
Suspects J Ragesuthan, 22, S Gokulan, 22, S Gopinaath, 30, along with two others have been accused of Nhaveen’s murder. The other two unnamed suspects were minors at the time of the crime and in December 2021, Gopinaath was accused midway through the trial.
They are accused of killing Nhaveen at the Jalan Bunga Raya park on 9th June 2017.
Under Section 326 of the Penal Code, the four are also accused of committing grievous assault against T Previin at the Karpal Singh Learning Centre, Jalan Kaki Bukit, Bukit Gelugor, between 11 pm and midnight.
Let us all hope that justice will be served once and for all for the victim and his loved ones.
Source: [1]
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Filed Under T NhaveenT Previin


Indian American Comedian, Hasan Minhaj, Wins Prestigious Journalism Award Twice

The Peabody Award, named for the American businessman and philanthropist George Peabody, has been honouring journalists, documentarians and filmmakers for powerful, enlightening, and invigorating stories in television, radio, and online media. Since its establishment in 1940, the Peabody Award has recognised many credible works such as CNN’s Coverage of Kidnapped Nigerian School Girls, Propublica and Caliphate.
In a rare double win, Indian-American comedian, Hasan Minhaj, has bagged an award for his Netflix political commentary show, Patriot Act With Hasan Minhaj. Last year, he won a Peabody Award for his comedy special called #HasanMinhaj: #HomecomingKing which was also aired on Netflix.

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In “Homecoming King”, Hasan share a personal memoir of Minhaj and chronicles his immigrant experiences as an Indian American. The Patriot Act With Hasan Minhaj is a weekly commentary show on Netflix that dissects political agendas, capitalism and social issues.

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Earlier this year, Netflix blocked an episode of Patriot Act With Hasan Minhaj from streaming in Saudi Arabia as it heavily criticizes Saudi Crown Prince Mohammed bin Salman and Saudi Arabia claimed that the criticism violated its cybercrime laws. Prince Mohammed bin Salman, or MBS, is also widely believed to be responsible for the murder of Washington Post journalist Jamal Khashoggi.
Hasan and his team of writers have persevered, through harsh criticism and government threats, to deliver thought-provoking and insightful content.

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Congratulations Hasan!

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Filed Under hasan minhajpatriot actpeabody awards


Amy Jackson & George Panayiotou Welcome Baby Boy

Amy is a mummy!
The smoking hot actress who starred in films like 2.0, I, Singh Is Bling, Madrasapattinam and Theri shared the great news on her Instagram. Amy and her fiancé, George Panayiotou, welcomed a healthy baby boy and have named him Andreas.
https://www.instagram.com/p/BxzcA03lHbd/
The couple got engaged at the picturesque Zambia and are planning their wedding in Greece next year. Amy shared a photo of her new little family and captioned it, “Our Angel, welcome to the world Andreas.”
https://www.instagram.com/p/B2wCaALpayw/

Both mother and child are doing very well.

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Filed Under Amy Jackson


Thanuja Ananthan Launches Her Own Ayurvedic Product Line, ByThanuja

Thanuja Ananthan has launched her own Ayurvedic product line called ByThanuja.
Her first product, the Health and Beauty Powder is a secret concoction that the former Miss Malaysia Universe herself takes every night. She says that this her mother’s Ayurvedic recipe which she has finally decided to sell, upon many requests from her fans.
https://www.instagram.com/p/CBzhuLKhUGO/?utm_source=ig_web_copy_link
The Varnam team wishes Thanuja the very best on her latest business endeavor!
Keep up with Thanuja on Instagram here.
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Filed Under Long-kept Mother’s recipethanuja ananthanTraditional Ayurvedic


Tamil Film Stalwarts Supportive of #metoo, but Continue to Walk on Eggshells

With fresh allegations abound, the #metoo movement that began trending earlier this month has unveiled the ugly side of the Tamil film fraternity. Singer Chinmayi and the other victims who have come forward with their stories have been not only subjected to victim blaming and even more harassment online and in the real world.
Action King is all words, no action

New allegations have surfaced against actor Arjun, who is said to have harassed his co star on the set of Nibunan. Shruthi Hariharan tweeted the allegations a day ago, and has been chided vehemently by Twitterati. Arjun has threatened to take legal action and he has been quoted saying, ” I am saddened by the allegations and I don’t know I can correct this.  I will speak about improving the shots and dialogues but I don’t have the cheap mentality of using this profession to touch women inappropriately,”
Arjun also says that this accusation has diluted the #metoo movement due to the lack of evidence,  “I respect and value the #metoo movement. It should be used for good purposes and bring to light injustices but not in situations like this when there is no proof or sense to the claims. When this happens, the movement loses value,”
A R Rahman speaks up, albeit quietly

The Isai Puyal who has worked with Vairamuthu for decades has kept mum throughout the numerous allegations direction towards the poet. Tweeting his support for the movement earlier this week, Rahman says “Been observing the #metoo movement… Some of the names have shocked me… both the victims and their perpetrators… I would love to see our industry become cleaner and respectful of women… More power to all the victims coming forward!”
The tweet was replete with a disclaimer at the end, reminding netizens that this shouldn’t be an avenue for social media justice, and not to misuse the platform.

Prakash Raj tweets his support

With regards to the Arjun allegations, Prakash Raj tweeted that he stands by the victim. “Let us not forget that Arjun Sarja is the pride of Kannada film industry and a veteran actor. But in the wake of the allegations made by Sruthi Hariharan, let us also try to understand the pain, helplessness and insult experienced by the woman for so many days. Even if Arjun dismisses the allegations, it would be best if he apologised for the pain he has caused on the day (of the shoot).”
Related:  Happy World Music Day: 10 Tamil Songs That You Should Listen On WMD!The Superstar weighs in cautiously too

During an interview, Rajinikanth states that #metoo is a good initiative and that the safety of women is of utmost importance. He too, felt the need to add a disclaimer and state that the platform should not be misused.
“Don’t misuse #metoo,”
Arjun clearly said what he did in self defense. But why did both Rajinikanth and A R Rahman advise people not to misuse the #metoo wave? Neither one of them voiced support for these predators, but we can’t help but to wonder what was insinuated by these stalwarts with their little disclaimer. Perhaps this was their way of standing up for their compatriots in the industry. Or maybe they’re just struggling to admit that the industry has failed the victims?
People of sound mind know that this isn’t something to misuse. Knowing how harsh the Tamil audience is on a woman who doesn’t wear a dupatta, it would take a lot for a woman share her experience of sexual harassment by a powerful, famous man in the industry.
The victims were merely sharing their stories of being wronged. The literally have everything to lose, and nothing to gain. After decades of sweeping this under the rug, isn’t it time we provide a safe space for victims to be heard, without any room for dismissal?
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Filed Under #metooAR RahmanArjunchinmayiPrakash RajRajinikanthsexual harassment


Confirmed: Malaysia’s Censorship Board Bans “Padmavaat”

Our worst nightmare has unfolded into reality. The highly anticipated Bollywood epic Padmavaat, starring Ranveer Singh, Deepika Padukone and Shahid Kapoor, has been banned from all cinemas in Malaysia.
According to a report by FMT, Malaysia’s film censorship board (LPF) decided to list the movie as “not approved” and a “not relevant” remark placed on its age restriction section.
FMT added that this decision usually happens when a movie is deemed likely to “incite hatred and uneasiness among the community”.
Source: Indian Express
The decision seems a tad absurd – especially since India’s film censorship board approved the movie despite people threatening ‘self-immolation’ and other form attacks if the movie was released to the public.
Padmavaat, which is based on an epic written by poet Malik Muhammad Jayasi in 1540, did not agree with some Hindu right-wing groups in India.
The movie stirred controversy as it supposedly (I guess we’ll never know now) portrays a Hindu queen and a Muslim king in an intimate scene.

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Production crews were attacked during filming, while director Sanjay Leela Bhansali and lead actress Deepika Padukone received multiple death threats from protesters.
However, despite all the chaos, the movie has already passed the Rs 50 crore mark only 3 days after release.
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Filed Under Padmavaat


Here’s 9 Reasons Why Rajinikanth’s Kaala Is Perfect From Every Angle

We are not sure if it was the movie itself, or the incredible crowd that we gathered. The atmosphere at Varnam’s Kaala screening on the opening night was electrifying, to say the least. This movie of Rajinikanth’s may be bereft of all the hype that Kabali came with, but to say that the movie delivered would be an understatement. It blew our minds! And here’s why.
The Superstar Himself

Needless to say, Rajinikanth’s charisma hasn’t left him. He plays Kaala, the titular character, based in Dharavi, a slum in Mumbai. Pa Ranjith appears to have honed Superstar with his trademark entry scene, the brilliant song and dance that followed and just subtle moments here and there throughout the movie. It was reminiscent of Baasha minus all the unnecessary pomp, a don that has aged gracefully but still makes our hearts skip a beat.
Rajini fans, like this writer, were in awe of his trademark moments, the little nuances that Ranjith has factored in while meticulously executing this film. Simply brilliant! Oh, and there’s an awesome fight scene in the rain which beats Enthiran’s flyover bridge fight scene. How Rajini carries this signature style of his decades later baffles us. But then again, can we expect any less from our Thalaivar?
Santosh Narayanan’s Music

The reviews of Kaala’s audio before the movie was released weren’t that great. As with Santosh’s previous projects, the songs feature beautifully as the story unfolds and we fall in love with the tunes we initially dubbed ‘a Kabali hangover’. Dopeadelicz, a rap crew hailing from Dharavi themselves were on point at every appearance throughout the movie. Nikkal Nikkal was fantastically timed, and we almost felt like chanting with them. Kudos to Santosh for bringing beatboxing into Tamil films. Thanga Sela was a superb dance number, redolent of Kicku Eruthe from Padaiyappa. Kannamaa was lilting, and we almost floated into the screen with Rajini and Huma Qureshi.
A Deviation From the Usual Rajini Movies

In most of his movies, Rajinikanth dons two roles – father and son, or youth Rajini and older Rajini. In Kaala, it was just one persona. And it was one hell of a persona, that we didn’t even need a second character to do him justice. This movie is also devoid of the usual heroines on the Superstar’s arm. Two senior actresses, Huma Qureshi and Eswari Rao feature opposite the Superstar. While the two are polar opposites, they are both endearing, especially Eswari Rao.
No Unnecesary Songs

One pitfall of an average Tamil movie is the placement of a song that has absolutely nothing to do with the storyline (We’re looking at you, Athinthom from Chandramukhi!). The songs in Kaala are not only well timed, they are absolutely necessary. And yes, an introductory song for Rajinikanth is something we NEED.
Related:  Santosh Narayanan on Vetrimaran's Rajan VaigayaraA Lesson on the Slums of Dharavi

The movie is based in Dharavi, a locality in Mumbai that is the third largest slum in the world. Dharavi is occupied by Tamils who came to Mumbai seeking a better future in the 1920s. Their origins from Tamil Nadu, their way of life and the problems they face are all articulated beautifully in Kaala. A scene where the slum dwellers take turns to voice their needs leaves us wanting to laugh and cry, because there really is too much that we take for granted.
Glimpses of the Proletarian Movement

The usage of the colour black, Kaala’s son named Lenin, his dog named Asami. It was the “Let’s show the government that the people have the power,” slogan that rings throughout the movie. It was Huma Qureshi yelling that the fate that befell them is facsism, when they are clearly simply victims of capitalism.
Or is it the Ramayana?

In the movie, Kaala is likened to be the Raavanan of his time, with his multiple heads that pop up when one is killed. Pa Ranjith has weaved the Ramayana in addition to the themes Kaala has to offer, all of which keep the viewer at the edge of her seat.
Finally, Some Gender Equality in a Rajinikanth Movie!

Pa Ranjith may be a feminist at heart. We saw it with Dhansika’s character in Kabali. In Kaala, there is no needy damsel in distress to be saved. All the female actors are strong in different ways, a testament to what women are capable of if we put our minds to it. Anjali Patel’s role is full of grit and determination, even when pushed to her limits. She carries it out effortlessly. Huma Qureshi carries her role with poise and elegance while Eswari Rao is lovable and steadfast in her own ways. The relationship between Kaala and his wife is nothing less of couple goals, with mutual respect and camaraderie.
The Last 10 Minutes

We are going to go out on a limb here and say that the last 10 minutes or so of Kaala are the BEST OF ANY RAJINIKANTH MOVIE EVER. The cinematography by G Murali praises the use of colour and having our own Yogi B’s Katravai Patravai play in the background still gives this writer goosebumps! It was the perfect ribbon to tie up the gift of Kaala.
Kaala isn’t a movie for the classic Rajini fan who is expecting the fanfare and “Oru thadava sonna” punch dialogues. It is a movie the mature Tamil audience will enjoy. It is nuanced and paced. Why rush a Rajini movie anyway?
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Filed Under KaalaPa RanjithSantosh Narayanan


A Critical Semiotics of Caste: Maamannan Trailer Analysis

Though the song I sing is the same,
I shall continue to sing it through my lifetime.
I shall rip my guts from my stomach,
and transform it into a lute,
making its strings echo through each street.
I will always seek the ears who yearn to hear the truth.
– Telugu Poet Nangamuni.

Land and Generations

Vadivelu’s heavy voice recites this eerie poem against a wide shot of the land of Salem. It acts both as an introduction to the film’s characters and the film’s director himself, Mari Selvaraj, who had previously directed the critically acclaimed Karnan and Pariyerum Perumal. The poem is haunting, morbid, and defiant. Vadivelu’s articulation gives the pain-filled poem a soul. It constructs the feel of the film as something that cannot be ignored. It is both the character of Maamannan and the director, Mari, declaring that he will continue to create his art, to reap his body before the earth, to lay the seething sorrow of caste before all, for there will be someone out here in this cruel world who will come to listen to these histories.
This forceful and gruesome poem is presented against the backdrop of Vadivelu and Udhayanidhi Stalin on a mountain top, watching over the overpowering landscape. The shot is spectacular in capturing the finite body of man before the earth. It reveals just how frail human life is, compared to the world around it. But there is also a sense of confrontation—that no matter how vast or infinite the struggle of living is, one must continue to liberate oneself from enslavement. The subtextual generational conversation between Vadivelu and Udhayanidhi Stalin is also symbolised here. The fact that the struggle will continue from one generation to the next, contains echoes of the Chinese folktale, The Foolish Old Man Who Removed the Mountains, a tale that was weaponized by Chairman Mao Zedong to urge the masses in China to fight against US imperialist and Chinese feudal lords.
“When I die, my sons will carry on; when they die, there will be my grandsons, and then their sons and grandsons, and so on to infinity. As high as they are, the mountains cannot grow any higher, and with every bit we dig, they will be that much lower. Why can’t we clear them away?”

The Dialectical Nature of The Hunting Dog
The sight of hunting dogs running after something quickens the pace of the trailer, an urgency mounts against the visuals. They are chasing something. Hunting something. Waiting to ravage something. Or someone. The shots of the running dogs, interjected with images of people getting brutalised, wounds a texture of anxiety through the screen. The stakes are high. The memories of Karuppi from Pariyerum Perumal return. An antithesis emerges between Karuppi and these hunting dogs. Mari often uses these animals as metaphors to explain the dialectical nature of caste society. In the real world, hunting dogs are sometimes used to abuse and violate Dalits, while at the same time, a Dalit in possession of a hunting dog is punished for it because it is an act that subverts the power structure. Karuppi in Pariyerum Perumal was killed because a Dalit boy should not be in possession of such a powerful creature.
In Pariyerum Perumal, the image of Pariyan, a scared Dalit boy running after Karuppi, who is about to be killed by a moving train, completely collapses in this scene, where the hunting dogs are instead alluded to as running after a scared Dalit boy (assumed to be a young Vadivelu). This inverse of imagery presents a discourse on the dialectical state of power and authority. The hunting dog is a weapon that can be possessed by the oppressor and the oppressed. Its meaning is related to the matter that possesses it. It is through that interaction between matter and thought that the philosophical nature of its significance emerges. This dialectical perspective is brilliantly brought out by the semiotics of the hunting dog.

The Politics of Caste
Mari Selvaraj is not a director who cowers away from cinematically capturing the political landscape of Tamil Nadu. He had very briefly alluded to the Manjolai Massacre, the gruesome murder that took place in the Thamaribarani River, where 16 Dalit Plantation workers were murdered under Karunannidhi’s government. It is very likely that there would be a political rivalry between the characters of Vadivelu and Fahadh Fasil, not just an ideological one but an electoral one. It is not an unknown fact that caste is foundational to the political system of Tamil Nadu, as it is in the rest of India. The imagery of political posters perfectly captures how visual mediums are used to express political power and caste dominance. It can be understood that Fahadh’s political party is represented by the colours Black and Yellow, while Vadivelu’s party is represented by the colours Black and Grey. Colours hold immense ideological meaning in the Tamil political landscape. So it will be very interesting to see what contradictions unfold between the two rivals and how much of the cinematic interpretation can stay true to the material conditions of Tamil Nadu Politics.

Political Theology and Emancipation
In order to escape the enslavement of caste, the Dalits of Tamil Nadu, just as the Dalits of the rest of the subcontinent, weaponized conversion as a way to emancipate themselves from caste oppression. The emergence of Christianity and Islam as theologically prominent religions in the Indian Subcontinent was catalysed by the anti-caste liberation movements. Among the oppressed castes, there have been many politically theological movements that have occurred across centuries.
This particular shot features an amalgamation between man, politics (represented by Vadivelu and Maamannan’s political party’s black and grey flag), and religion. The scene expresses the interconnected locusts of ideas that form behind the action of Man. The focal point of the scene being the Buddha and the political flags, while the character of Maamannan himself is blurred, alludes to the fact that theology and political ideology often intersect, subsuming the individual, whether they be the oppressed or the oppressor.
The Buddha in the background here expresses one such religious political movement that can be traced back to both Ambedkar and Iyothee Thaas Pandithar. Tamil Nadu has a long and proud history of Revolutionaries who have fought against oppressive structures. One such icon that belongs to that history is Pandithar Iyothee Thass. He had been one of the most pioneering and prominent voices for conversion to Buddhism as a way of emancipating oneself from the misery of caste society. The Tamil intellectual has theorised that the Dalits of the Tamil Lands were indigenous Buddhists who needed to reclaim their religious identity away from the oppressor castes. He as well as Dr. Ambedkar, a successor of Iyothee Thassar’s time, both utilised political theology as a form of liberation for the Dalit masses. In contemporary times, Ambedkarites, those who abide by the political, philosophical, and ideological thinking of Ambedkar, see the sect of Nayavana as a way of emancipating themselves from caste enslavement, but some have criticised the legitimacy of this political maneuver as just another reformist method by which to pacify the Dalit masses.
Related:  Indian 3: Is Shankar Reuniting With Kamal Haasan Again?
Of Constraint and Attention
While Tamil cinema has a long history of visualising caste society, it has always been done to protect the caste-feudal, capitalist structure of Tamil Nadu. It has never been visualised in a way that is critical of the aesthetic itself. This particular shot of Fahad Fasil acts almost as an inverse of the shot from Karnan, where Karnan was riding a horse. There is a sense of stagnation and control in this imagery. The horse in this image is domesticated, controlled, and chained. It shows the caste oppressor’s authority over other living creatures. It is a direct contrast to Karnan, where the horse is not subjugated by power but lives as the adopted pet of a young boy. The sleek saddle and straps reveal the wealth with which Fahadh Fasil is bestowed. A saddled horse is also more comfortable to ride. The allegory of how nature is subsumed and enslaved into violent and unjust power for the luxury of reactionaries is perfectly captured by the image of the saddle. Here we can see Fahadh dominating the screen, the landscape, and the entire ecosystem. He demands the attention of the viewer. Attention is a critical element that is utilised by the oppressor to impose itself upon a people. Attention to narrative, attention to history, and attention to pain. These attentions are manipulated by those in power to maintain their structural advantage. The masses must see beyond what is given; they must read the subtleties and truth embedded deep within the anatomy of a scene to comprehend the power structure of caste society.

Reclaiming Self-Respect Through a Name
As the screen fades to black, a voice in the background shouts “Dei Maamanna”. These two words, when we deeply analyse them, voice the disparity between self-perception and the hegemony of the caste system. The character of Vadivelu is said to be a redux of Esaki from the 1992 film Thevar Magan. Mari had said that the film was foundational for his creation of Maamannan. It is from the wounds of Thevar Magan, a film that glorifies caste-feudalism, that Maamannan arises. The demoralised character of Esaki, who is a humble and devoted servant to the Thevars, becomes a dignified man of his own right in this film. This retelling presents the subversion of power; Esaki is now a Maamannan. Although he gives himself an esteemed title, the casteist world around him does not accept it. They dishonour and degrade it. The dei is meant to undermine the power of Esaki. It was meant to degrade him and deteriorate the image of self-respect he has created for himself. There is an immense amount of negation between the words “dei” and “Maamanna”. It recalls the scene from Karnan where the abusive police officer says, Nethu ninga pera mathingana inniki ninga raajava da?

Man and Creature as One
Within the Tamil cultural context, pigs don’t receive any form of dignity. Unlike cows, which are associated with divinity, pigs are often associated with sloth and filth. Mari Selvaraj interestingly brings attention to this dichotomy of how caste society affects not only people and land but the creatures that live amongst them as well. By having one of the main protagonists hold on to the little piglet in an endearing manner, the author allegorizes the vulnerability of souls that have been debased and violated by caste violence. It emphasises the urgency of defending those who are powerless. The shot reverberates the truth that the innocent, defenceless, and vulnerable need to be protected from violence. This also speaks of the parallelism between Udhayanidhi Stalin and the piglet itself; just as in Pariyerum Perumal, both Pariyan and Karuppi were signified as being one of the same, this shot connotes the vulnerability of both man and animal and the need for one to arm itself, to weaponize its anger, for the survival of its bloodline.
The trailer has embedded in itself many crucial and critical symbolisms, metaphors, allegories, and negations. Mari Selvaraj has truly demonstrated his cultural intellect with just a trailer. With each of his films, his instrumentalization of the visual medium immensely improves, reaping the structure of Tamil cinema from its spine and constructing a new subversive narrative. Both the technology of film and the politics of stories are deconstructing the old architecture of Tamil cinema while simultaneously birthing something new. Mari Selvaraj’s films are trying to bring out the intellectual in the masses. Urging them to analyse their environment and deeply interpret the power structures that exist in their worlds, because just as in his films, in real life, power and liberation are expressed through semiotics. Land, language, animals, clothing, landscapes, and histories all bear meanings beyond themselves. They all bear the symbol of power, and to question that structure of authority, and organise an insurrection against the existing tyranny of caste, one must first know how to perceive it. And for the act of perspective to flourish among the new generation, Mari’s films are an exemplary starting point. Let us hope the film lives up to the expectations it has placed on itself.
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Filed Under arrahmanFahadh Faasilmaamannanmari selvarajreviewtrailer decodingUdhayanidhi Stalinvadivelu


Aishwarya Rajesh Opts Out Of Shankar’s ‘Indian 2’!

Priya Bhavani Shankar has been signed as her replacement in the film.
Aishwarya Rajesh, who was roped into essay a pivotal role in Shankar’s Indian 2, is believed to have opted out due to date clashes with her other projects. Apparently, Priya Bhavani Shankar has been signed as the replacement for Aishwarya.

“I couldn’t work out the dates. We mutually agreed to part ways. I feel really bad. I missed out on working with Shankar sir and Kamal sir. It was a dream project for me. I wish I get a chance to work with them again.”

Indian 2, which also stars Kajal Aggarwal, Rakul Preet Singh and Siddharth, marks the reunion of Shankar and Kamal Haasan after two decades. Actors Samuthirakani and Vivek also essay crucial roles in the film.

Having teased fans with the first poster of the film on the occasion of Pongal earlier this year; the makers hope to wrap up the shooting portion in the next six months. The first poster featured Haasan displaying his ‘varma-kalai’ skill as the octogenarian vigilante Senapathy from Indian.
A week ago, Kamal Haasan revealed in an episode of Bigg Boss Tamil 3 that he has gotten rid of his mustache because he’s required to shoot with a clean-shaven look for both Indian 2 and his upcoming political thriller, Thalaivan Irukkindran.
It was also revealed recently that lensman Ravi Varman opted out of Indian 2 to keep himself available for Mani Ratnam’s Ponniyin Selvan. Apparently, Shankar had immediately roped in cinematographer Rathnavelu, who had previously worked in Enthiran, as a replacement for Ravi Varman.
Follow us on Instagram, Facebook or Telegram for more updates and breaking news. Related:  Moviethon: New Films That You Can Catch This Weekend In Theatres
Filed Under Aishwarya RajeshTamil


Dhanush’s ‘Pattas’ Might Clash With Rajinikanth’s ‘Darbar’?

Actor Dhanush is all set to resume the shooting for Durai Senthilkumar’s ‘Pattas’ as he has wrapped up the shooting for his film with director Karthik Subbaraj in London.
The final leg of shooting for ‘Pattas’, which has Sneha and Mehreen Pirzada playing the female lead is set to happen in Chennai. Looks like the shooting is planned to be wrapped up soon in a couple of weeks time and is likely to release for Pongal 2020.
Interestingly, Rajinikanth’s ‘Darbar’ directed by AR Murugadoss is also scheduled to release for the Pongal holiday weekend. Looks like Dhanush’s ‘Pattas’ will clash with Rajinikanth’s ‘Darbar’. Produced by T.G. Thyagarajan under the banner Sathya Jyothi Films has music by Vivek-Merwin. Meanwhile, the shooting of ‘Darbar’ has been wrapped up last month and the post production works are on full swing.
It is to be noted that Sathya Jyothi Films released their production venture ‘Viswasam’ starring Ajith opposite Rajinikanth’s ‘Petta’ earlier this year for Pongal holidays.
Follow us on Instagram, Facebook or Telegram for more updates and breaking news. Related:  Happy World Music Day: 10 Tamil Songs That You Should Listen On WMD!
Filed Under darbarDhanushpattasrajini


Sugu Pavithra Returns With A New Video!

After a recent domestic dispute that caught public attention, the couple Sugu and Pavithra made a comeback to meet their fans after posting their latest Mutton Dalcha video. As usual, the couple posted a video of traditional cooking tutorials on some simple and delicious dishes.
The couple took to their Instagram page to update the fans on their comeback video, at the same time apologised for what took place previously.
Check out the post below:

View this post on Instagram

A post shared by SuguPavithra Official Insta (@official_sugupavithra)

Netizens showered the 28-year-old with messages of encouragement and support on their YouTube channel. Pavithra has also been praised by netizens for her humility and fluency in Bahasa Malaysia.

For those who want to try their hand at making Dalca, Pavithra is here to show you the easiest way!

On July 24th, Sugu pleaded not guilty at the Ipoh Sessions Court on the charge of carrying a weapon and causing injury to his wife with a mobile phone and a sickle. Pavithra however, withdrew the case with Sugu’s lawyer Mahinderjit Singh and said she had forgiven her husband.
Pavithra also said the couple will decline any recognition or honour from anyone in the future and wants to instead focus on producing cooking videos on Youtube.
Fans of YouTube sensation ‘Sugu Pavithra’ would love to see the duo go further and break through the glass ceiling!
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Filed Under Back with new videoMutton Dalchasugu pavithra


Enga Veetu Mapillai: Arya Gets Intimate With Susanna & Swetha

The latest episode of Enga Veetu Mapillai was very special for all the girls; all six of them scored a special date with Arya.
All six girls; Abarnathy, Swetha, Agatha, Susanna, and Naveena were also given complete freedom to plan and curate their ideal date with Arya. Basically, they got to do what most girls can (including you and I) only dream of.
Want to know how all the dates went? We got you:

Abarnathy took Arya on a pot-making workshop in the village

For the first time ever, Abarnathy was calm and polite – and also did not force Arya to hug or kiss her – perhaps she read our article! ;) Even Arya expressed his shock multiple times, and said he was surprised that he had a good time with her.
While working on pottery, Abarnathy made sure that Arya did a good job because according to the villagers, the bigger the pot, the bigger the love between two people.

2. Swetha took Arya horse riding

This was our favourite date of the day. Swetha arranged for horse-riding even though she had never done it before.
“I tried it before and I was really afraid, so I never did it again. But maybe with you next to me, I’ll feel better.” Swetha told Arya.
And what guy wouldn’t feel like a Superman when a girl tells him things like that? He obliged.
Their horse riding was followed by a fancy afternoon tea, where Swetha got the yes-you-can-sit-on-my-lap pass from Arya. Things…got a little heated up from there, which resulted in us squealing and punching the wall.

3. Naveena engaged in paint fight with Arya

While Naveena said she had the best time with Arya, the hunky actor looked a bit bored during the date. We feel like Naveena may have wasted a golden opportunity with Arya, because all she really did was paint a funny picture, and then channelled her cheeky side by panting on his face and shirt.
Related:  Tamil Movies Releasing In Theatres This June 2023
4. Arya took Agatha to the Taj Mahal

Nope, we didn’t type wrongly. While all the other girls planned their dates for Arya, it was Arya who took Agatha on a surprise trip to see the Taj Mahal. And no, we don’t know know why. Is Arya sending us a secret message?

5. Susanna enjoyed a romantic dinner & barbecue with Arya
Susanna and Arya hung out and talked about a lot of things; mostly about their future, her son, Naidan. Both of them seemed to be getting closer and closer each day.
In fact, we can almost see Arya’s face lighting up whenever he talked to Susanna. They also shared an intimate dance and stared into each others’ eyes – while we clenched our first in utmost envy.

6. Seetha Lakshmi finally got her first date with Arya

Seetha Lakshmi has incessantly complained that she never got a special date with Arya. In fact, she was the only one in the Top 6 that she never went on a date wit him or received a ‘Token of Love’ from him. The closest she got to a date was the pre-wedding photoshoot that they had.

However, during the date, both of them looked a bit awkward and did not appear to be very comfortable with each other. Kunju seemed nervous for the most part, while Arya tried his best to be nice and sweet to alleviate the awkwardness.
Varnam’s Top 3 Prediction: Based on his interaction with all the girls, we think the Top 3 girls will be Susanna, Agatha, and Swetha.
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Filed Under AryaEnga Veetu Mapillai


‘Raagavin Nadana Sooraavali’ Is Looking For Talented Young Dancers

Do you know of any Kuttis who break into dance moves at almost any family gatherings? Or the little ones who are glued to the TV for hours learning the choreography of Rowdy Baby?
If your answer is yes, then you have come to the right place!

RAAGA’s Raagavin Nadana Sooraavali is a dance competition on the look for young dancers aged between 6 – 11 years. Raagavin Nadana Sooraavali aims to discover raw Malaysian talent and provide them with a platform to showcase their grooves and jives! Winners from each category will walk home with a cash prize of RM2000.
The competition is split into 2 categories: Rowdy Baby (6 – 8 years old) and Rowdy Junior (9 – 11 years old). The walk-in audition for ‘Raagavin Nadana Sooraavali’ will be held on this Sunday, 17 March 2019, at MYDIN Subang Jaya from 3pm to 4pm.

Here is what you’ve got to do:
1. Choose one of these 10 songs for your solo audition:
Macho Ennacho – Mersal

https://varnam.my/wp-content/uploads/2019/03/AR_Rahman-Maacho-Ennacho-2.mp3
Aalaporan Tamizhan – Mersal
https://varnam.my/wp-content/uploads/2019/03/AR_Rahman-Aalaporan-Tamizhan-2.mp3
Simtaangaran – Sarkar
https://varnam.my/wp-content/uploads/2019/03/AR_Rahman-Simtaangaran-2.mp3
Marana Mass – Petta
https://varnam.my/wp-content/uploads/2019/03/Anirudh-Marana-Mass-2.mp3
Thappad Maara – Petta
https://varnam.my/wp-content/uploads/2019/03/Anirudh-Thappad-Maara-2.mp3
Sodakku – Thaana Serndha Koottam
https://varnam.my/wp-content/uploads/2019/03/Anirudh_Ravichander-Sodakku-2.mp3
Maari Thara Local – Maari
https://varnam.my/wp-content/uploads/2019/03/Anirudh-Maari-Thara-Local-2.mp3
Jiguru Jiguru – Rajinimurugan
https://varnam.my/wp-content/uploads/2019/03/D_Imman-Jiguru-Jiguru-2.mp3
Damaalu Dumeelu – Bogan
https://varnam.my/wp-content/uploads/2019/03/D_Imman-Damaalu-Dumeelu-2.mp3
Karuthavanlaam Galeejaam – Velaikkaran
https://varnam.my/wp-content/uploads/2019/03/Anirudh_Ravichander-Karuthavanlaam-Galeejaam-2.mp3
2. Practice your dance moves for the audition
3. Come to the walk-in auditions happening this Sunday, 17 March 2019, at MYDIN Subang Jaya from 3pm to 4pm.
For more information, head over to RAAGA.MY
Terms & Conditions:

Participating children must be between 6 – 11 years old and will be divided into two
categories: Rowdy Baby (6 – 8 years old) and Rowdy Junior (9 – 11 years old)
Parents/participants must choose one of the 10 songs listed on the RAAGA website for their 2-minute solo audition performance
10 shortlisted candidates from each category will compete in the finale on 23 March 2019

Good luck!
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Kaala Director Pa Ranjith to Direct a Hindi Movie Soon

Acclaimed Tamil filmmaker Pa Ranjith, known for his films like Madras, Attakathi and most recently the super hits Kabali and Kaala starring Rajinikanth is set to make his Hindi directorial debut. According to firstpost, Pa Ranjith will be directing an epic period film in collaboration with Namah Pictures.

This production company notably produced Majid Majidi’s Beyond the Clouds as well as Karenjit Kaur: The Untold Story of Sunny Leone. According to sources, Pa Ranjith will be directing a period film based on a true story and it will begin production next year. However, no further information was revealed regarding the general premise of the film.
Here’s what the spokesperson from Namah Pictures had to say:
We at Namah Pictures are quite excited to collaborate with Pa Ranjith for a film. Really looking forward to it.

Pa Ranjith is currently working on Kuthirai Vaal, with four other directors. The film will consist of five stories, each directed by a different helmer.
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Filed Under Pa Ranjith


Artist, Karthine Maniam, Creates GOT & Avengers-Themed Henna Art

Karthine Maniam recognises herself as a full-time rainbow, and we can’t help but agree!

Karthine Maniam is a graphic designer and self-taught henna artist who spreads positivity through her love of vibrant hues and work of art. She is highly sought-after for her intricate henna art and how she enjoys experimenting with henna outside of the traditional motifs and textures. Karthine has swapped the ‘paisleys’ for ‘Padaiyappa’ and ‘flowers’ for ‘KL city skyline’.

This time around, Karthine has decided to use her art to pay an ode to Avenger’s End Game and Game Of Thrones. A few days ago, she shared a henna art of the Avengers that featured Black Panther, Iron Man, Doctor Strange, Thor and many more, in a post captioned, “I HAD to create this piece after watching the End Game! Which is your favorite superhero and why?”. This image quickly gained popularity and has been liked over 3,300 times.

A few hours ago, Karthine posted another henna art, this time for Game Of Thrones fans. The HBO fantasy drama has amassed a huge fanbase across the world and Karthine has managed to capture all that excitement in a henna art that featured Khaleesi, Jon Snow, Arya Stark and Tyrion Lannister.
All we have to say is, “Winter is coming. Avengers… Assemble”.
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Filed Under avengersAvengers: Endgamegame of throneshennakarthine maniamtmk henna


WATCH: Shakthisree Sizzles In This Video Clip Of Bhoomi Bhoomi

One of the best singers of our era, Shakthisree Gopalan, nails it in the newly released video clip of the song Bhoomi Bhoomi from the film Chekka Chivantha Vaanam. Released by the YouTube channel SonyMusicSouthVEVO, the video clip compiles the important scenes from the film interspersed with Shakthisree singing.
Her beautiful voice is laden with emotion as AR Rahman’s music weaves its way into the tune. Shakthisree emotes brilliantly to the lyrics of the tune. Though it isn’t a new song, this one still gives us goosebumps.
Check it out here, and tell us what you think!

https://youtu.be/ejX_gTSHYqAVideo can’t be loaded because JavaScript is disabled: Chekka Chivantha Vaanam – Bhoomi Bhoomi Video (Tamil) | A.R. Rahman | Mani Ratnam (https://youtu.be/ejX_gTSHYqA)

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Filed Under AR Rahmanbhoomi bhoomiChekka Chivantha Vaanamshakthisree gopalan


10 Little-Known Yet Interesting Facts About The Tamizh Language

Tamizh is an interesting language. Apart from being an interesting language, there are so much of interesting facts behind this beautiful language. Here are some Tamizh facts that will make you go mind-boggling and wow about the language.

Are you pronouncing ‘Tamizh‘ right?

Actually, Tamil is pronounced as Tamizh (தமிழ்) and not Tamil  (டமில்).
The “zh” has to be pronounced as ழ. It is the unique alphabet in the world and no language has the equivalent of that. Even some Tamil people will find it difficult to pronounce that word correctly with the correct phonetic sound.

Oldest living classical languages

Tamizh is not the oldest language, but it is among the oldest living language that is still being used today.

Tamizh is part of UNESCO’s “Memory of the World”

The largest collection of Shaiva Siddhanta manuscripts was preserved at the French Institute and consists of 11,000 palm-leaf and paper writings written in Sanskrit, Tamizh, and Manipravalam.

The Tamizh language worshipped as God

According to a source, it is believed that the Tamizh language is born out of a pellet drum that fell from Lord Shiva while he was dancing. As per mythology, it is believed that Lord Shiva played ‘Thiruvilayadal’ to test the knowledge of Tamizh poets. The above would only mean that the Tamizh language is connected with Gods.

Official Language of three countries

Tamizh is the official language of three countries: India, Sri Lanka, and Singapore It is also the official language of the Indian state of Tamil Nadu and the Union Territory of Puducherry.

Tamizh is the first Indian language to be printed and published

Thambiran Vanakkam, a Tamizh prayer book written in an ancient Tamizh script, was produced in 1578 by Portuguese Christian missionaries, making Tamizh the first Indian language to be printed and published.
IMAGE CREDIT: தமிழ் (FACEBOOK)

Root words of Tamizh are found in languages across the world

Tamizh is not just a complex of words but it’s used and known as grammar in almost 400 languages. For instance, in Egypt, more than 4000 town names are in Tamizh.

The only language to have a separate community ruled by kings

In the ancient period, Tamizh is the only language to have a separate community named Mudhal Tamizh Sangam (முதல் தமிழ்ச்சங்கம்) and ruled by 89 kings, 4400 years long ago.

Google and Tamizh have similar phonetics

Google has a similar pronunciation in Tamizh.  In Tamizh, it is written as Koogil.

Koo is koovu: one meaning is to call
kiLL is kiLLudhal which has meanings to pluck/search/analyze

The word ‘Tamizh’ has several meanings

Apart from being the name of the language, ‘Tamizh’ also means things like beauty, sweetness, and nature.
Source : (1)
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Filed Under Google has a similar pronunciation in Tamilhow to pronounce Tamizh right?Tamil is an interesting languageTamil is pronounced as Tamizh (தமிழ்) and not Tamil  (டமில்)Tamil is the first Indian language to be printed and publishedTamil part of UNESCO’s “Memory of the World”Tamil the oldest living classical languageThe Tamil language worshipped as a god


“No Staring, Leering, Whistling With Intention To Discomfort Another” – Nagarjuna’s Production House

Actor Nagarjuna’s production house, Annapurna Studios, has come up with a sexual harassment policy that is displayed in their premises. The list, which consists of dos and don’ts, covers verbal and non-verbal sexual harassment, as well as physical harassment.
Singer Chinmayi tweeted the poster, saying that she has never seen a poster like this displayed at any set, studio, channel office and TV show set in South India.
The poster even comes with the contact number of an ombudsman, an official who represents the interest of the public by investigating and addressing complaints of violation of rights.
Annapurna Studios is located in the heart of Hyderabad, spanning a massive 22 acres. They produce Telugu films and provide production and post-production facilities, including sound stages for set construction, outdoor sets, editing, dubbing and Digital Intermediate suites. The production house was set up in 1975 by Nagarjuna’s father, the late Nageswara Rao Akkineni.
Keep up the good work, Annapurna Studios!

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Filed Under annapurna studiosnagarjunapolicysexual harassment


Sugu Pavithra Receive First Salary From YouTube

Malaysia’s latest YouTube sensation, Sugu Pavithra have finally received their first salary from the video-sharing platform. Yesterday, housewife Pavithra made her way from Sungai Siput to Perak’s main post office to claim their deferred salary since she and her husband became YouTube Partners in January.
The mother of two said she would use the payment to buy clothes for herself and her family, among other things. “We are not rich people. We are so happy to receive the salary although the sum is not as large as people claimed on social media, because my husband and I have been patiently waiting for this,”

Source: Bernama

All she wanted to do was help out with the family’s finances by generating some profit from videos uploaded on YouTube, she never expected those cooking videos will blow up to this scale.
Meanwhile, Pavithra and her husband M. Sugu, 29, denied that they have created Facebook and Instagram accounts bearing the same name as their YouTube channel ‘Sugu Pavithra’ since May 16.
“I hope all of you (social media users) can assist in reporting these accounts to the authorities because I’m worried irresponsible people might take advantage of this,” she said.
Pavithra also expressed her gratitude to Bernama for being the first media organisation to publish a report of an interview with her on May 8, which helped boost the number of ‘Sugu Pavithra’ subscribers from 160,000 to 559,000.
Source: Bernama
The housewife, who speaks fluent Malay, added that following the report, many companies and individuals have called her to contribute food, cooking essentials and electrical appliances. However, she admitted that what she already has is more than enough.
Pavithra said she was also proud to have received a congratulatory message from Prime Minister Tan Sri Muhyiddin Yassin, along with some gifts which have motivated the couple to continue sharing their cooking videos.
“After the interview was released, I began to receive dozens of calls every day including from a radio station in India that wanted to interview me because my husband is shy. Our lives have changed and I even have to prepare a book to organise meetings or visits,” she added.
“Our lives have changed and I even have to prepare a book to organise meetings or visits”
Pavithra said following the increase in incoming calls, the couple could not upload their videos as frequently as before because they only have one mobile phone and were worried the calls might interrupt their recordings.
If you haven’t done so, subscribe to Sugu Pavithra’s YouTube channel here.
News Credit: The Star Malaysia
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Filed Under Malaysian YouTube SensationsReceive First Salarysugu pavithra


5 Home Cooks To Follow This MCO

We are on our last week of the Malaysian government imposed Movement Control Order (MCO) and many of us have taken on new roles, from amateur singer to yoga junkie. As we were trying hard to block out rumours that the MCO is going to be extended, we decided to list down recipes from 5 Malaysians who are experts in their own fields, but now have become supercooks.
Kavin Jay

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A post shared by Kavin Jay (@kavinjay)

Don’t let Kavin Jay’s grumpy mood fool you, this stand up comic is a really good cook. Or so we think, from his pictures. His recipes are easy to follow and always have the much needed dash of humour. Try out Kavin’s dumpling recipe for starters! Alternatively, if you need laughs more than you need to cook, check out Kavin’s The Macha Men Podcast here.
Anuja Ananthan

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A post shared by Anuja Ananthan Vijayendran (@anujaananthan)

Those familiar with yoga teacher Anuja’s profile know that she occasionally shares recipes. With the MCO, however, her recipes have become a guide for the many of us who have just begun to venture into the kitchen. Not only are they easy to follow, she helpfully lists down the vegetarian options too! Thank you Anuja!
Nehsan Selvaraj

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Tag who loves Biryani!!! . Not only me, all of us are addicted to Biryani! So I decided to make My special Chicken Biryani Recipe for everyone since many of you guys requested to me personally! Follow the ingredients and method, give it a try at home! You can also try it without chicken or you can add, vegetables, mutton, crab, prawn, fish etc. . Do not forget to share your pictures to me! 🥰 Enjoy my recipe! . Love you guys!
A post shared by  Nehsan Selvaraj Official (@nehsanselvaraj) on Mar 29, 2020 at 6:45pm PDT

Journalist turned singer Nehsan Selvaraj is making the most of his lockdown period by exploring his culinary side. Currently based in Dubai, this 21 year old genuinely enjoys cooking, and it shows through many of his IGTV recipes. Inspired by his parents, Nehsan revealed that he always wanted to be a chef. Although his journey now involves music, it will never deter him from cooking, he says. Fantastic!
Dr Revady

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Sambal Ikan Kembong Goreng❤ . Fry ikan kembong (I marinated only with salt). Keep aside. . For sambal: Blend one big onion (more of you want more sambal paste) + ginger + garlic Cooking oil (I‘m using @medellacoco coconut oil) Put in onion/ginger/garlic paste Ground chilli (I used my mum’s homemade ground chilli)- 2 tablespoons . Salt ( CED Himalayan salt) + sugar ( @hexafood cane sugar) to taste . One medium sized tomato diced . 1 Cili padi . Sliced onions . 1 teaspoon asam jawa from @officialadabi . Stir well and cook till tomatoes are soft. Pour sambal on top of fish. Serve hot.
A post shared by  Revady (@revady_n) on Apr 6, 2020 at 10:57pm PDT

Known for her Instagram profile that is oozing with positivity, Dr Revady has build a brand for herself that revolves around fun, fashion and the law of attraction. She often shares her meals and the recipes with her followers too. What we absolutely adore about her recipes are how they don’t require any ingredient that is difficult to get, especially now. Thanks for the recipes for food and our mental health, Dr Revady!
Dharshamini Kesavan

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“Biskut Goreng” used to be the “war food” those days when people can’t go out and have nothing much to cook. Therefore, the taste would be very minimal. However, we can add cheese, ketchup, other seasonings and sauces to make it great! #biskutgoreng #warfood #quarantinefoodideas #curfewfood #poormanfood #eveningsnack #dudukrumahchallenge #quarantineactivities #cooking #simplecooking #easyrecipe #dudukrumahchallenge #cooking #easycooking #eatlovepray #food #foodporn #foodgasm #foodstagram #foodie #foodie Music by Santhosh Narayanan @musicsanthosh
A post shared by  Dharshamini Kesavan (@dharshamini_kesavan) on Apr 8, 2020 at 5:19am PDT

Stand up comic Dharshamini has been sharing her numerous recipes through IGTV during the MCO, and we are ecstatic. Her recipes are incredibly unique, it isn’t exactly google-able and they are classic recipes, most that us millenials have never heard of. Seriously, have you even heard of biskut goreng?
While staying indoors is difficult for many of us, doing things like cooking, if you are up to it, helps. Give it a shot!
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Filed Under anuja ananthanDharshamini KesavanDr Revadykavin jayNehsan Selvaraj


‘Bigg Boss’ Abhirami’s Next Film Is A Local Tamil Film ‘Gajen’!

Tamil reality television show Bigg Boss fame Abhirami Venkatachalam’s upcoming project will be Malaysian movie Gajen, starring our Denes Kumar and Jasmin Michael. The film will be written and directed by S Mathen. The actress released the title look of the film on her Instagram page.
https://www.instagram.com/p/B4AJO-aFb1F/?utm_source=ig_embed
“So blessed to be with this team… first project in Malaysia… malaysiavin anbirkaga waiting…Denes Kumar & Dr. Vimala Perumal proudly presents the Title Release of our upcoming feature film #GAJEN,” Abhirami said in her post. She further added that the movie’s filming had commenced and that it was awaiting a 2020 theatrical release.
Abhirami made her Tamil film debut with Vinoth’s Nerkonda Paarvai, starring Ajith, Shraddha Srinath and Andrea Tariang. The actress will next be seen in Gautham Menon-Vikram’s long-delayed Dhruva Natchathiram.
Follow us on Instagram, Facebook or Telegram for more updates and breaking news. Related:  Viral: Two Malay Girls Vibing To A Local Tamil Song Went Viral On TikTok
Filed Under abirami bigg bossDenes KumarMalaysianTamil


Sarathkumar Praises His Varalaxmi For Her Boldness!

Varalaxmi Sarathkumar was last seen on screen in the snake thriller Neeya 2 as the snake woman, and prior to that she had scored as the evil villain in movies like Sarkar and Sandakozhi 2.
She has always been so vocal about her opinions and posses a very strong character.
Recently, the actress had shared an interesting video from the sets of her next action movie Chasing, directed by Veera.
In the video, the actress was performing an action sequence without using a stunt double and the video went viral for her involvement and dedication.
Now, her father, popular action hero of the 90s, Sarathkumar has praised her efforts, and tweeted “Strong, stronger, strongest! proud watching you getting there. Your action speaks your mind. Be bold. Love, Daddy. Fearless! That’s Varalaxmi. An action sequence well executed for the movie  ‘Chasing’ Do not try this at home”.

Strong, stronger, strongest! proud watching you getting there. Your action speaks your mind. Be bold. Love, Daddy. Fearless! That’s Varalaxmi @varusarath An action sequence well executed for the movie ‘Chasing’ Do not try this at home @Dir_Veera #SuperSubbarayyan pic.twitter.com/TkiIDqjxGF
— R Sarath Kumar (@realsarathkumar) June 2, 2019

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Filed Under kollywoodsarath kumarstuntTamilVaralaxmi Sarathkumar


‘Don’t Touch Me’ By Yuvan Shankar Raja Features Stylish Thamizhachi Fame, Yunohoo

Don’t Touch Me, a new song by Yuvan Shankar Raja, is an awareness song about violence against women. It is regarded as an anti-rape anthem, written in support of victim torture in conjunction with ‘The United Nations International Day.’

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A post shared by U1 (@itsyuvan)

This song is sung by our Stylish Thamizhachi fame, Yunohoo. She is our very own Malaysian artist, also previously known as Rubba Bend.
The independent artist previously collaborated with Yuvan on the song Kaalam, which appeared in the Ajith-starrer Nerkonda Paarvai. She is one of many Malaysian artists who flew out to flourish her country’s name.
The music director stated on his Twitter account;
“We dedicate our track to all women who have faced abuse & torture”
To speak of the song, it is critical to incorporate messages like this in the form of art in order to reach the audience. It may have a meaningful impact on the audience in terms of current and real issues because our world is becoming more evil.
Every time we hear about abuse and rape against women, our hearts break. As a result, expressing feelings through art would have a profound impact on the world.
Hats off to Arivu for bringing up the truth in his lyrics, and I suppose that is what distinguishes him to other artists. To say nothing but the truth, without sugarcoating it.

Here we go!!!#DontTouchMe @thisisysr ft., @yunohooooo @therukuralarivu 💣🎶
Streaming now in your favorite platforms 🎧@spotifyindia ▶ https://t.co/eXEmhpo8kE@AppleMusic ▶ https://t.co/X5ZS30gskd@AmazonMusicIN ▶ https://t.co/dfC4bfX465 pic.twitter.com/LskdEd0SdU
— U1 Records (@U1Records) June 26, 2021

The song is available on Spotify and other music streaming platforms.
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Filed Under ArivuDont touch meEnjoy EnjaamiIndependent musicThe United Nations International DayYunohooYuvan Shankar Raja


Perverted Psychiatrist Charged Again in Court

Psychiatrist Dr Gurdeep Singh has been charged again at Magistrate Court for allegedly insulting the modesty of a former patient through improper conversation.

He was accused of uttering sexually charged words against the 26 years old victim with the intention for her to hear him at Kota Damansara Thomson Hospital. The incident has took place on February 12th last year and charged under Section 509 of the Penal Code for insulting the modesty of a former patient.
According to a report by the Malay Mail on October 18th when he was charged, he was accused of uttering offensive words at his former patient – who is also a rape survivor – at Thomson Hospital Kota Damansara at around 4.30pm on February 12th last year.
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Lydian Nadhaswaram Is A 13 Year Old Indian Piano Prodigy Who Plays Mozart Blindfolded

13 year old Indian prodigy pianist, Lydian Nadhaswaram, is taking the world by storm with his incredible skills at playing the piano. Lydian appeared on a recent episode of The Ellen Show to perform a masterpiece by Mozart BLINDFOLDED!
Watch HERE:

https://www.youtube.com/watch?v=_mGMJ_W8-pcVideo can’t be loaded because JavaScript is disabled: Kid Piano Prodigy Lydian Plays Blindfolded (https://www.youtube.com/watch?v=_mGMJ_W8-pc)

In his interview with popular talkshow host, Ellen Degeneras, Lydian spoke with confidence and eloquence as he thanked the producers of The World’s Best and the United States of America for allowing him the opportunity to represent India.
Just 4 years ago, Lydian picked up piano lessons from his father, Tamil cinema music director Varshan Satish, and older sister, Amirthavarshini. Besides playing the piano at mind-boggling speed and while being blindfolded, Lydian can also play different music on 2 pianos at the same time.
Youtube videos have been an integral part in the development of his skills, as Lydian learned how to play Rimsky-Korsakoff’s The Flight of the Bumble Bee just by watching a YouTube video. Lydian now learns piano under the tutelage of Augustine Paul, a veteran music educator and music director of the 125-year-old Madras Musical Association.
The young lad has been invited to speak at prestigious TED talks and has played at many international events including NBC’s Spanish-language TV show Siempre Niños in Miami.
With all these incredible achievements at a tender age, the Mozart playing boy even got a nod from the Mozart of Madras, Academy Award winning music composer, AR Rahman. AR Rahman shared 2 videos of Lydian playing the piano in Los Angeles recently and his 2.8 million followers were all in awe of this young talent.
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Filed Under AR RahmanEllen DegenerasLydian NadhaswaramRimsky-KorsakoffVarshan Satish