Fashion
Spring/Summer 2021 Fashion Month: The 10 most talked-about moments you really shouldn’t miss

08.10.2020
By Joan Kong

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Couture wedding gowns that will make you feel like a fairytale princess

Fashion Month has come and gone again; this season, many designers have adapted to staging runway shows in the New Normal, presenting their new collections via an array of virtual and phygital formats. If you’ve caught up on the best SS21 looks that were sent down the runway, below, we round up the highlights from the month that have set the internet abuzz.
Below, the 10 most memorable moments from SS21 Fashion Month:
Versace’s size-inclusive model line-up

Jill Kortleve

Precious Lee

Alva Claire

Lots of firsts happened this season, but one of the most noteworthy moments? Versace’s SS21 show featuring not one but three plus-size models for the first time ever—yay to size inclusivity! Alva Claire, Jill Kortleve, and Precious Lee walked the “Versacepolis” underwater-themed show that focused on the Italian Maison’s iconic ‘trésors de la mer’ print.
Moschino’s puppet show

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A post shared by Moschino (@moschino) on Sep 26, 2020 at 9:09am PDT

While the Moschino SS21 invitation card reads “no strings attached”, its show was the total opposite. To distinct itself from a long list of phygital shows this season, Jeremy Scott—with the help of the famous Jim Henson’s puppet shop—staged a show with marionette models in gowns that are fit for a princess. And that’s not it. The front row featured the likes of Anna Wintour and Hamish Bowles who were also given the doll treatment.
Raf Simons’s Prada debut

After months of anticipation, Raf Simons has finally unveiled his debut collection—created alongside his co-creative director Miuccia Prada—at Prada. From the vivid colour play to the pops of graphic prints, the Belgian designer fused his design signatures with the brand’s house codes, and let the nylon material and the triangular logo shine. The duo also spent some time post-show to answer some of the questions that were submitted across the world. Watch the full video above.
A protester crashed Dior’s runway show

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A post shared by WWD (@wwd) on Sep 29, 2020 at 8:23am PDT

Dior’s creative director Maria Grazia Chiuri is no stranger to featuring protest messaging on the runway, but at the end of the show this season, the catwalk saw an unexpected guest—a protester from climate activist group Extinction Rebellion, holding a sign that reads “We are all fashion victims”. While guests were unsure whether it was a planned stint, it was later revealed that it wasn’t actually part of the show. In an interview with WWD, Pietro Beccari, chairman and CEO of Christian Dior Couture said, ″it was a surprise for everybody. It was so well done, you couldn’t tell what it was.″
Virtual FROWs were all the rage

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A post shared by BALMAIN (@balmain) on Oct 3, 2020 at 8:38am PDT

Fashion week is never complete without A-list guests, and regardless whether it’s a virtual or phygital show, it’s no different. Balmain and Miu Miu both staged an audience-less live runway show this season, but they made sure to include their celebrity friends in their show. How? The former lined up three rows of LED screens that each showed a different guest (Machine Gun Kelly, Megan Thee Stallion, and Usher were some of them), while the latter had screens—featuring Elle Fanning, Yoona of Girls’ Generation, Zoey Deutch and more—projected on the walls as part of the runway.

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Watch: Our favourite virtual shows from the first digital London Fashion Week

17.06.2020
By Joan Kong

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Haute Couture Week AW23: The best moments from Valentino, Balenciaga and more

There’s no doubt that the COVID-19 pandemic has deeply impacted the fashion industry. Sales and business—down to the bottom of the supply chain—are all affected, but on the bright side, it has also sparked a (much-needed) awakening. Brands are all reassessing their business models and strategies, and due to the lockdown, more and more designers had to adapt to the ‘new normal’ by exploring different formats to present their collections.
The first digital London Fashion Week was held last weekend, and it’s kick-starting a series of digital fashion weeks (namely Milan, Paris, and Haute Couture) in the following month. All you need to do is head to its host site and browse and explore away. According to the British Fashion Council (BFC), the LFW platforms—including its website, Instagram, Facebook, and Linkedin—has garnered over 3.5 million impressions over the event dates.
Below, some of the best virtual films that were presented during London Fashion Week:

Stephen Jones Millinery

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A post shared by Stephen Jones (@stephenjonesmillinery) on Jun 11, 2020 at 2:17am PDT

No (real) models? No problem. This season, Stephen Jones Millinery went virtual all the way by tapping digital influencer Noonoouri to star in his short film dubbed Analogue Fairydust—a preview of what to expect from his Spring/Summer 2021 collection. Viewers can immerse themselves in the milliner’s fantastical world, from a sneak peek of the sketches down to the materials and embellishment used in the collection.
Watch it below:

Preen by Thornton Bregazzi

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A post shared by Preen By Thornton Bregazzi (@preenbythorntonbregazzi) on Jun 14, 2020 at 1:05pm PDT

Preen by Thornton Bregazzi’s shows during London Fashion Week have always been a grand affair, but this season, the brand chose to present “a pause in time, a reset, a seasonless campaign“. In the short film, the model can be seen running through an open field and basking in the sun, dressed in midi dresses that feature its signature ruffle and floral details.
Watch the full video here or the short snippets from Instagram below:

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A post shared by Preen By Thornton Bregazzi (@preenbythorntonbregazzi) on Jun 14, 2020 at 10:16am PDT

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Lifestyle
Two days only: Thailand’s celebrity Chef Ian Kittichai at The St. Regis KL
“The Golden Boy” of Thai cuisine

06.11.2017
By Rachel Au

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His full name: Pongtawat “Ian Kittichai” Chalermkittichai. His achievements: Plenty. If you’ve yet to visit his restaurant Issaya Siamese Club in Bangkok, this is a good chance to sample just some of his signature dishes. From 10 to 11 November 2017, Chef Ian Kittichai will be taking up the reins of the kitchen at The Brasserie of The St. Regis Kuala Lumpur.

But the “Golden Boy” of Thai cuisine’s gastronomical talents came from humble beginnings and has since served the world beyond Bangkok. Perhaps rising early to accompany his mother to the market, selecting the best products to use in her curries, built him a strong foundation. But being a chef had never crossed his mind. After finishing high school, he moved to London to study English and worked at Waldorf Hotel THF where the hotel chef saw his potential and sponsored his culinary studies.

Since then, his career path has led him to Four Seasons Hotel Bangkok, Paris’ Georges V, Napa Valley’s French Laundry, Spain’s El Bulli and Tokyo’s Four Seasons Chinzan-so. With all the experience he had gathered, he finally opened a progressive Thai comfort food restaurant in 2011 with Chace Restaurant Group in New York called Ember Room. In the same year, he became a partner and culinary director of Spot Dessert Bar in there as well as debuted his flagship Thai restaurant in Bangkok, Issaya Siamese Club. The restaurant was awarded the 21st spot on the Asia’s 50 Best Restaurants 2017 list. You might even find his face familiar if you’re a fan of Iron Chef as he has appeared on various episodes of the American and Japanese version.

Diners can opt for Chef Ian Kittichai’s 5-course lunch (from RM338 nett per person) or his 7-course dinner (from RM438 nett per person).
For more information or to make a reservation, contact 03 2727 6666 or email [email protected].

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Lifestyle
Could these be the best destinations in the world for wedding photos?
Locations of love

07.09.2017
By Gwen Ong

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

You’re in love and you want to shout it out to the world, so what do you do? One of the simplest yet often complex ways to immortalise your affection for each other is through photographs. Each shot has to speak of the relationship and how far you’ve come. Hence, destination photos have become part of a pre-wedding requisite in the last decade as couples take the next step forward in their lives together.
But not just any location will do as the best of the best destination photo contest showcased. Organised by Junebug Weddings, a number of stunning images have been submitted by photographers from around the world and presented for our viewing pleasure. With breathtaking backdrops and clever play of lights, shadow and colours, these wedding photos celebrate the beauty of both love and destinations. Kudos to the professional shutterbugs.
Take a peek below and get inspiration for your wedding photography:

1/10

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Head over here if you want to see more ‘best of the best’ destination photos.
For all your other wedding needs and wants…
7 Amazing places to have a garden wedding in Malaysia
5 Breathtaking locations worldwide for the ultimate destination wedding
5 Gorgeous wedding venues to consider for your big day in KL

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Film, TV + Theatre
You don’t want to miss this musical tribute to the legendary Sudirman
Toe-tapping

22.09.2017
By Gwen Ong

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Sudirman, mentioned his name and you’ll instantaneously hear his greatest hits like Balik Kampung, Chow Kit Road and more in your head. He may have left us 25 years ago but his legacy leaves on.

The talented singer and songwriter, who was once billed as Asia’s number one performer, had the kind of stage presence that united people from all walks of life and races. His open-air concert at Chow Kit Road in 1986 drew a 100,000-strong crowd that had Kuala Lumpur in a standstill. Such was Sudirman’s charisma that many still fondly remember him till today.

Now to commemorate the 25th anniversary of his passing, a musical called One Thousand Million Smiles, which premiered in 2016, will be held once again in his memory. KLPAC will be hosting the limited run this 27 and 28 October.

Among those who will be paying him honours include Malaysian Idol finalist Nikki Palikat and winner of ntv7’s Audition reality show, Tria Aziz. They will be joined on stage by a full orchestra under the baton of Lee Kok Leong and a five-piece ETA band led by Loh Ui Li. Dato’ Faridah Merican is the director and executive producer, Joe Hasham takes on the role of artistic director while choreography is handled by Melody Tee.

Save the dates – 27 and 28 October – to clap and sing along to Sudirman’s classics. Tickets are on sale now – get it before the show sold our again.

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MFW SS16 Street Style: That extra touch

Features
MFW SS16 Street Style: That extra touch
Gimme your deets

25.09.2015
By Buro247

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Fashion Insider: Content creator Eros Erfe on the inspiration behind the ‘Bags of KL’ series

Whether it be a quirky purse or glittery pink shoes that whisper “there’s no place like home”, Milan Fashion Week brought the sunshine and all the best accessories to play. Despite being the second last stop of our fashion week journey, Milano show-goers are by no means slacking with their details, making a statement with a splash of bright summer colours, eye-catching prints and eccentric shapes. Have a look at our selection of the best details so far.
{insert gallery tpl=”slide-freesize.tpl” id=”MFW SS16 Street Style: That extra touch” rid=”3457″ order=”a_tstamp”}

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Features
Milan Men’s Fashion Week AW17 Street Style: Outerwear goals
Cushy coats

17.01.2017
By Wei Yeen Loh

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Fashion Insider: Content creator Eros Erfe on the inspiration behind the ‘Bags of KL’ series

It seemed like editors, bloggers, and the majority of Milan Fashion Week’s attendees were layered in the warmest gear possible—and we’re not surprised, given the biting cold that’s enveloped the city this month. While shearling coats and biker jackets will always reign every winter, puffy jackets (what Demna Gvasalia made popular at Balenciaga) and super plush fur coats in glorious hues (Esther Quek’s indigo pick is major love) are all the rage this time around. Woolly coats and leather jackets are punctuated with myriads of colours—almost as if to welcome springtime with open arms. If there’s one takeaway from these stylish folk, it’s that winterwear for crisp temperatures don’t always mean unfashionable layering to unrecognisable proportions. More street style inspo ahead:
{insert gallery tpl=”slide-freesize.tpl” id=”Milan MFW Fall 2017 Street Style Coats” rid=”4733″ order=”a_tstamp”}

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Travel
Check in: 4 best boutique hotels in Paris
Effortlessly chic

05.03.2016
By Rachel Au

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Seeing all the highlights of Paris Fashion Week AW16 has convinced us to make the city of love our next travel destination (not that we needed much persuading, to begin with). Since we’ve already settled on the food guide in Paris, this time, we’ve rounded up some of the most gorgeous boutique hotels in the city. Which one would you be checking into on your (next) trip to Paris?

Hotel Thoumieux

Located strategically between the Eiffel Tower and Les Invalides, and with rooms decked in designer India Mahdevi’s signature bright, contemporary style of floral wallpaper and animal print throws,, the beauty of Hotel Thoumieux doesn’t just end there. A two Michelin star restaurant by notable Chef Jean-Francois Piege sits at the top of the building offering a dining palate you won’t want to miss.

Hotel Amour

There’s something for everyone at Hotel Amour as each of the 20 rooms is decorated by a different artist or designer, which includes the talents of Terry Richardson (images of Batman and Robin like you’d never have imagined), Sophie Calle (disquieting photographs), Pierre Le-Tan (arsenic green walls with the most beautiful yet playful graffiti) and Marc Newson (perfect for those who has an affection for leather).

Hotel Original Paris

If fairytales and whimsical designs are your cup of tea, French fashion designer Stella Cadente’s first hotel will be the one to check in to. The rooms are called boudoir and all of them carries a fantastical theme-Tim Burton style-though mostly inspired by Alice in Wonderland. The prettiest of them all, however, would have to be the one that took inspiration from mermaids with a bathroom tiled in iridescent mosaics.

Le Burgundy Paris

A haute couture boutique hotel, Le Burgundy Paris embodies the classic Parisian chic style fused with a contemporary design. If shopping is high on your to-do list, it’s located close to several high-end brands. And if you’re a foodie, it is home to Michelin starred Le Baudelaire which promises a menu with exquisite flavours.

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Film, TV + Theatre
What we know about ‘Avengers: The Infinity War’ so far
It's gonna be massive

17.07.2017
By Su Fen Tan

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The Avengers #InfinityWar footage brought every single person to their feet. We absolutely cannot wait for you to see this – Epic! #D23Expo
— Marvel Entertainment (@Marvel) July 15, 2017

Epic was definitely the word that came to mind when we read what went down in the teaser footage. No we haven’t seen it yet, because it hasn’t been released, and apparently won’t be, so there is some waiting to go before we get to watch the official trailer. But fret not as we’ve scoured the web to bring you the gist of what was revealed at D23—you might want to sit down for this:

Most, if not all, of your favourite Marvel superheroes are in it
Yes, even the Guardians of the Galaxy are here. “Almost every single hero we’ve ever introduced is going to be in that film. Why, you ask? Because of one person,” says Marvel Studios president Kevin Feige, before introducing Josh Brolin, who plays Thanos. He proceeded to bring on Paul Bettany (Vision), Elizabeth Olsen (Scarlet Witch), Dave Bautista (Drax), Don Cheadle (War Machine), Pom Klementieff (Mantis), Anthony Mackie (Falcon), Karen Gillan (Nebula), Sebastian Stan (Bucky), Benedict Cumberbatch (Doctor Strange), Tom Holland (Spider-Man), Chadwick Boseman (Black Panther), Mark Ruffalo (Hulk), Chris Hemsworth (Thor), and Robert Downey Jr. (Iron Man).

And that’s not even all of them that will be on the film. We missed Chris Pratt (Star-Lord), Chris Evans (Captain America) and Brie Larson (Captain Marvel) at the presentation, to name a few.

Again, it’s going to be massive
Here’s a rundown of that elusive footage:
The Guardians of the Galaxy emerge in a field of asteroids and red gas, a space where destruction has just taken place. “Okay, Guardians, don’t forget this might be dangerous, so let’s put on our mean faces,” says Star-Lord to his fellow Guardians. Then, an unconscious and beaten-up Thor collides with their ship, and they bring him in. Mantis revives him up. Thor wakes up and asks “Who the hell are you guys?”

The Guardians, along with Thor, then make their way to another planet. When they arrive, another scene of destruction greeted them.

Rapid-fire imagery followed from thereon. Loki presents the Tesseract to a figure who is taller than him – presumably Thanos. In Queens, Spider-Man’s senses tingles and the hairs on his arm stand up on end while he reads on a school bus. A ship is seen flying towards a planet. “We have one advantage,” says Tony Stark. “He’s coming to us.”

The ship crashes. “Fun really isn’t something one considers when balancing the universe. But this… does put a smile on my face,” says Thanos as he emerges from a smoky portal.

A fight ensues, and we see Doctor Strange, Star-Lord, Spider-Man (in his upgraded suit that was shown at the end of Homecoming) and more in action. The montage flashes continue: a shot of Vision behind bars, a Wakandan army which includes Bucky, Captain America with a full beard, Black Widow is sporting blonde hair, and Iron Man in a sleek new armour.

It seems that Thanos already has two of the Infinity stones (it looks to be Purple and Blue). In the heat of the battle, with the Infinity Gaunlet in his hand, he starts to draw a planet, bringing into the realm where he is battling the Avengers. Debris starts to fly… and the footage comes to an end.

Phew, that is a lot to take in. But for now, the wait continues. Avengers: Infinity War is expected to hit cinemas on 26 April 2018.

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Culture
In pictures: The ‘blood moon’ as the world saw it

30.07.2018
By Su Fen Tan

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All the exciting live concerts in KL to look forward to in 2023

On 27 July 2018, the world was treated to the longest total lunar eclipse of the 21st century. Also known as a ‘blood moon’ for the reddish hue that the moon takes during the eclipse, it also coincided with Mars’ closest approach to Earth in 15 years. If you caught sight of two reddish orbs in the sky, it wasn’t your eyes playing tricks on you.

Europe, Asia, Antarctica and Africa are the lucky continents for this historic celestial occurrence, as we were able to witness most of the eclipse—only parts of South America were able to witness the phenomenon. See how the moon looked oh-so-beautiful in red across the world here:
{insert gallery tpl=”slide-freesize.tpl” id=”[Стандартная] Blood moon 2018″ rid=”6412″ order=”a_tstamp”}

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Lifestyle
7 Things you can do this weekend: 15–16 July 2017
Mid-month rendezvous

10.07.2017
By Rachel Au

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

1. Grow, Cook & Eat Gardening and Cooking Workshop by CY Phang at Garden to Table, Section 14, 3pm – 8pm, 15 July
From the co-author of Grow, Cook, and Eat and owner of private kitchen Garden to Table comes a delicious and informative workshop where you’ll learn the basics of becoming a savvy home gardener and cook. Afternoon tea, snacks, dinner and wine are included in the fee.
RM200 nett per person. For more info, visit the event page.

2. Cocktail Class with David Hans at The Berlin KL, 3pm – 6pm, 15 July
David Hans recently won the 2017 Giffard West Cup in France and has been hailed as one of the best mixologists in Asia. Join this one-time only workshop to learn how to make a cocktail, his way.
RM150 per person. For more info, visit the event page.

3. Bastille Day at Alliance Francaise de KL, 7pm – 11pm, 15 July
It’s the French National Day! Join in the fun and celebrations to discover more about the culture.
RM20 per person. For more info, visit their Facebook.

4. Yoga in the Park: 100 minutes of Flow into your Light at KLCC Park, 10.30am – 12.30pm, 15 July
Breathe in, breathe out. How have your goals for 2017 been coming along? In this session, the instructor will lead you through an 80-minute yoga session to stretch, build flexibility, strength and balance; then 20 minutes of guided meditation.
RM50 per person. For more info, visit the event page.

5. CreativeMornings KL with Photo Artist Nadirah Zakariya at Uppercase Bangsar, 10am – 1pm, 15 July
Start off your weekend with an inspiring session with Nadirah Zakariya who started her photography career in New York and explores a woman’s role through her art. Bring your own mug for freshly brewed coffee by Beans Depot or organic tea by SevenTeaOne.
Free admission. For more info, visit the website.

6. Pastry and wine pairing course at Pastry Institute of St. Honoré, TTDI Plaza, 7pm – 11pm, 14 July
In conjunction with Bastille Day, Chef Frederic Oger, the Master Pastry Chef of PISH and Master Sommelier Edouard Oger, a Wine and Spirit Consultant for the Court of Master Sommeliers “Europe” will be conducting a one-of-a-kind experience where you’ll learn exercises and games designed to revolve around wine tasting and pairing, as well as the art of plating and combining flavours and textures for pastries.
RM298 nett per person. For more info or to reserve your spot, call 03 7732 9468 or email [email protected].

7. Check out a new bar in KL
We’ve rounded up three here.

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Standing tall in flatforms this SS16

Fashion
Standing tall in flatforms this SS16
Lift-off

13.10.2015
By Wei Yeen Loh

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Couture wedding gowns that will make you feel like a fairytale princess

Summer’s hottest footwear trend since 2011, flatforms have been seeing a reemergence on the runways of SS16. Touted to be the ugly-pretty sister to the platform, the flatform this season has been reinvented for good measure—from gladiatior flatform sandals that snake up the calves to chunky black creeper-like sandals. While Philipp Plein’s rockstar flatforms were heavily-studded and thickly-strapped, Tommy Hilfiger went for a lush, beachy vibe with colourfully printed, slip-in flatforms. It’s undeniable that the flatform’s versatility makes it the perfect summer footwear that can deliver extra length without the discomfort of a 5-inch stiletto.
{insert gallery tpl=”slide-freesize.tpl” id=”Flatforms SS16″ rid=”3567″ order=”a_tstamp”}

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Hair
This is the real reason why you need hair oil in your routine

23.10.2021
By Redzhanna Jazmin

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How does volumising shampoo actually work? Plus, expert tips for keeping your hair looking lush

If you’ve ever yearned for shiny, silky tresses as seen on hair advertisements and the silver screen alike, good luck.
Just kidding! With a little TLC and a careful brush-through, you really can take your hair from drab to fab—and all it takes is just one product. Introducing: Hair oil, a modern miracle in a bottle.
Ahead, we’re covering all the benefits of hair oil, why you should be including it in your routine, and our top pick for the cream of the crop:
What is hair oil and why do you need it?

Simply put, just as facial oil nourishes and conditions your skin, hair oil does the same thing to your lengths. Hair oils are specifically formulated to smooth and soften the hair while providing some much-needed nourishment.
Further, the oil coats each strand, filling in any gaps within the hair cuticle. This veil of oil then offers protection against environmental damage, regular wear and tear, and even hygral fatigue. This added armour can also strengthen your hair, leaving you with healthier, thicker locks in the long run. Does this sound too good to be true? Surprise—it isn’t!
If this isn’t enough to convince you of the benefits of this hair essential, there is more. In addition to hair that feels (and is) healthier, hair oils can make your hair look healthier too! That’s right—if you’re ever in need of a boost in shine, all it takes is a few drops of the good stuff.
Plus, if you struggle with knots, hair oil is here to save the day once again! When brushing out your locks, try distributing some product through your hair. It works as a lubricant to make the detangling process exponentially easier. Plus, it helps to stave away the knots throughout the day.
Of course, not all hair oils are created equal—some are too heavy, some too greasy, and some are just plain ineffective. Fortunately, we’ve found the perfect hair oil so you don’t have to trouble yourself with trying and testing them all.
What is BURO’s hair oil of choice?

The Hair Rituel by Sisley Paris Precious Hair Care Oil has won the “Best for Damaged Hair” category in our BURO Beauty Empties—and for good reason, too. In addition to boasting a wonderfully nourishing formulation that delivers enviable shine and healthier locks, it also has the added advantage of a super lightweight texture that doesn’t weigh the hair down. Simply start from your ends and work your way up the hair shaft, being cautious around the roots. From there, the results are guaranteed to speak for themselves.
The star ingredients in Sisley’s Precious Hair Care Oil include a blend of passionfruit, shea, cotton, and moringa oils. This indulgent cocktail is what makes the oil so unique. Shea oil works to smooth the cuticle, which improves shine and limits dehydration. Moringa oil sheathes the strand to offer extra protection. Passionfruit oil and cottonseed oil then softens and nourishes the hair, leaving your crowning glory looking more glorious than ever before.
It’s the final step in your hair care routine; the step that preps you for styling and leaves your hair looking silky smooth all day long. Plus, the oil includes a delightful fragrance that is perfect for a day-two pep-up, should you need it. Is there anything else you could possibly ask for?
The Hair Rituel by Sisley Precious Hair Care Oil is available online here and in-store. Find all the winners of the BURO Beauty Empties here.

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Food + Drink
The age of Instagram: The triumph of style over substance?
#foodporn

18.10.2015
By Buro247

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Review: Sky35 KL presents an omakase experience plated on Hermès finery

I refer not to the salacious shenanigans of the frisky cucumber and horny carrot when nobody’s in the kitchen but to the odious and now apparently pervasive habit of letting your eyes (and phone camera) feast before your mouth even gets a bite. Don’t get me wrong. I’m as guilty as the next person of snapping pictures of my food, but in my defence, I do it because it’s actually my job and I have a civic duty to inform my followers what to eat and what to eschew.

Moreover, I make it an absolute point to take the photo within five seconds. Nothing is more unsupportable than dining with a large group of people and watching as a steaming hot plate of food is passed from person to person like a newborn baby over whom one has to offer the obligatory simpering compliments, so that by the time you are actually allowed to consume the food it’s already tepid (if you’re lucky) and disgustingly coagulated. As Nordic Food Lab alumni chef Benedict Reade unceremoniously says, “When I…put a beautiful hot plate on the table but they are so concerned to post and food gets cold because they are trying to find the perfect caption before they eat the f***ing food. Do you know how much I sweated to make the food the right temperature for you? Are you here to show off to your friends?”
I make it an absolute point to take the photo within five seconds.
And yet, despite the reasonable protestations of self-respecting chefs everywhere, #foodporn is now as integral to the dining experience as the food itself. Consider this: more than 178 million photos on Instagram are tagged #food while there are 56 million tagged #foodporn alone. You don’t need to be a math genius to deduce that that’s a lot of hashtags dedicated to food (and we haven’t even factored in #foodgasm, #whatieat and #instafood yet!). Forget the pamphlet drops of yore: in this era of digital ubiquity, social media is today’s word-of-mouth marketing tool of choice, and-increasingly aware of its capacity to put bums on seats in their restaurants-many chefs are now harnessing the power of photographs to promote their food (Jamie Oliver alone has 2.8 million followers).

Chefs routinely post photos of everything from inspirational quotes to dishes-in-progress, thus affording followers-and fellow chefs-an insight into their creative process, and in the process, build momentum for reservations/sales when a new menu/restaurant/TV programme/cookbook is launched. Interestingly, Instagram, beyond being a food voyeur’s wet dream, is now morphing into a tool in the kitchen. Where, erstwhile, chefs had to dine at rival restaurants to discern the latest developments in that kitchen, now all you needed was an Instagram account. “I like to check…what is Rene Redzepi doing…If I like the colour scheme, technique, plate…I can duplicate it in my own kitchen. It’s about sharing ideas,” says Jair Tellez from Mexico’s MeroToro.
 Interestingly, Instagram, beyond being a food voyeur’s wet dream, is now morphing into a tool in the kitchen.
But when it comes to serving food in the Instagram era, is taste regularly forfeited in favour of visual aesthetics? Because let’s face it, it’s no secret that some of the best tasting food isn’t the most prepossessing. Ergo, is the dastardly crime of style triumphing over substance being regularly perpetrated at restaurants just to ensure that their food has the best chance of going viral? I’m sure I’m not alone when I say that I’ve regularly been deceived by sexy looking food only to discover, upon eating it, that it’s all artifice. In an extreme example of pandering to Instagramming diners, Tel Aviv’s Catit even boasts crockery that’s specially designed for food photographers, with iPhone stands and 360˚ spinning capabilities to theoretically enable shutterbugs to capture distinctive shots at any angle. And in order to forestall accusations of flavour being sacrificed for visual acrobatics, Catit purportedly uses ingredients like flowers, dust, cream and drizzled sauces to prevent food from getting congealed even as they are being manipulated and photographed.

It would be fanciful, and foolish, to dismiss this phenomenon as being merely a transient fad, saying that “this too shall pass”. But perhaps it’s high time rules of dining etiquette are imposed to ensure that good food isn’t routinely squandered so that aspiring photographers can get the money shot, if they get it at all. Because-correct me if I’m wrong-aren’t restaurants places you visit to actually dine in?

Follow Fay on Twitter and Instagram at @misskhoo.
Source:https://www.buro247.my/lifestyle/food-and-drink/five-star-tinned-cuisine.html

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Fashion
Safari chic: Venture into the urban jungle in style
It's a wild world

29.01.2016
By Su Fen Tan

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Couture wedding gowns that will make you feel like a fairytale princess

Reality check—it’s an urban jungle we live in, whether we like it or not. But the question is: Are you dressed appropriately for it? Of course, the safari theme isn’t exactly new when it comes to the world of fashion. Over the years, we have seen it take many forms, from classic animal prints to modern utilitarian chic. At SS16, it seems that notions of an urban safari have come out to play. Think feminine, billowy silhouettes, exotic palm prints coupled with satin sheens, updated animalistic features and bold punches of colour.

Flowing silhouettes: Alberta Ferretti

Draped in comfort and soft femininity, Alberta Ferretti adds a pop of chunky accessories to the ensembles to seal the safari chic look.

Sophisticated hues: Dries Van Noten

Take a cue from Dries Van Noten and dress in clashing exotic colours or jewel tones (that work), it will definitely score you ample style points.

Urban jungle glam: Versace

Trust Versace to bring utilitarian glamour accompanied by jungle influence to the table — how cool is that sequined leopard print-adorned organza number?

Structural + print galore: Rochas

Bold and beautiful is how Rochas does it, with a staple side of sophistication. Pair your look with a dainty pair of shoes for a quaint finish.

Related stories:
Versace’s new bag is all about the urban jungle
Unpredictable colour combinations from SS16 you can try
Perk me up buttercup: Shades of yellow at SS16

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PFW SS16: Balenciaga

Fashion
PFW SS16: Balenciaga
A boudoir-laced exit

03.10.2015
By Wei Yeen Loh

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Couture wedding gowns that will make you feel like a fairytale princess

What a befitting theme it was, that Alexander Wang’s final collection for Balenciaga was romantic as it was boudoir-chic in the most feminine way possible. Although ironic as his signature dark, street couture nuances were absent, the off-white collection had plenty of silk, cotton, linen ruched with ruffles, feathers and ribbons to make up for it.
A lineup of models and stars glided down the runway, from Suki Waterhouse and Anna Ewers to Zoë Kravitz to Riley Keough, all clad in sensual lace-inserted slips, summery frocks, and lace slippers. But when Wang deviates off his usual course, there’s always still a few elements (racerback tops and low-slung trousers) from the collection that makes it his.
Interesting details to note include fringed bags, satin fanny-packs, and a few matelassé jackets that offered a peek of underwired bras beneath. Wang’s excitement was discernable as he skipped down the catwalk and waved thanks to his spectators post-show—perhaps it was a glimpse of the finer things to come at his eponymous label, while we wait with bated breath to see what Balenciaga’s new chapter entails.
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Lifestyle
40 years of design innovation by Zaha Hadid Architects — now showing at Publika
A must visit

12.07.2017
By Su Fen Tan

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

While Dame Zaha Hadid might not be with us anymore, the first lady of modern architecture’s legacy lives on and continues to flourish with her design firm, Zaha Hadid Architects (ZHA). Through the years, innovation is undoubtedly key for ZHA, but their work has remained grounded in Zaha Hadid’s signature take on design with dynamic lines and complex yet fluid spaces.

This month, delve into ZHA’s 40 years of design innovation at the ‘Reimagining Architecture’ exhibition, on show as part of Kuala Lumpur Architecture Festival 2017. Running until 26 July 2017 at White Box, Publika, the exhibition provides a fascinating insight into the inventiveness of ZHA’s work through a selection of seminal projects. Along with the architectural works, there will also be custom furniture by Zaha Hadid Design on display.

A post shared by Zaha Hadid Architects (@zahahadidarchitects) on Jul 10, 2017 at 11:24am PDT

Entry to the exhibition is free.

More on Zaha Hadid…
A look at Zaha Hadid’s greatest works

Muse of the month: Zaha Hadid

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Culture
Lauren Ho: The Malaysian-born author writing stories about ambitious Southeast Asian women

10.11.2021
By Adelina Tan

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All the exciting live concerts in KL to look forward to in 2023

If you are—or have been—single, career-driven and in no hurry to settle for anything less than your heart’s desires (despite what your family has to say about that), you’ll recognise yourself within the pages of Last Tang Standing.
This sensational debut novel of Malaysian-born author Lauren Ho places us in the well-heeled shoes of Andrea Tang: A successful lawyer who relishes her comfortable and cosmopolitan life in Singapore. While the 33-year-old has her sights on making law partner ASAP, her Chinese-Malaysian family is concerned about the lack of a different sort of partner in her life. In an attempt to survive her thirties with her heart and pride intact, Andrea takes on the challenge of reconciling family expectations with personal happiness, while simultaneously navigating interracial dating (shh, don’t tell her family!) and workplace politics.
All these wouldn’t be as entertaining if Last Tang Standing didn’t serve up home truths with plenty of humour. Reminiscent of Crazy Rich Asians in its depiction of large and very involved Asian families, and Bridget Jones’s Diary in its honest look at dating as a career woman, this novel is Ho’s witty love letter to the pursuit of happiness.

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As a former legal counsel who lived and worked for a time in Europe before moving with her family to Singapore, Ho is intimately familiar with her protagonist’s dilemmas and goals. Though there are differences between Andrea and herself—Ho has said that she’s not as obsessed with rank—we can relate to this fictional character because we see ourselves, and the people in our friend group, in her. We empathise with her struggles to be respected for her ambition and brains, and perhaps with the complicated relationship she has with her family.
In every family where there are nosy uncles and aunties, there’s a juicy story of outrage and exasperation. Got asked who you’re dating and when you’ll be handing out wedding invitations? Been there. Dodged comments on your appearance with as much wit and politeness as you could muster? Done that. A relative you barely know clucked her tongue and not-so-subtly hinted that you’ll soon be too old for kids? Take a seat and join the support group.

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Meddlesome families in fiction
If tales of colourful families are your guilty pleasure—to know you’re not alone, and also to measure just how out there your relatives are—we’re thrilled to share that the Singapore Writers Festival has gathered three authors (including Ho!) for a chat on ‘The Blurse of a Meddling Family’.
Ho will be joined by Akshita Nanda (Nimita’s Place) and Jesse Q. Sutanto (Dial A for Aunties) in the session that’s taking place on 11 November at 7.30pm to 8.30pm. In what is bound to be a lively discussion, they’ll talk “the lengths to which a determined family can go to meddle in their protagonists’ love lives”, followed by a live Q&A.
You can tune in to the livestream remotely through Sistic Live by purchasing a festival pass at $20 (Singapore dollars). This pass grants you access to many other bookish conversations that are part of the programme, including ‘Beware the Smell of Frangipani At Night’ (on Asian horror; 14 November from 11.30am to 12.30pm) and ‘For the (Young) Love of Southeast Asia’ (on love stories set in Southeast Asia; 14 November, 3.30pm to 4.30pm).
Click here to find out more about ‘ The Blurse of a Meddling Family and to purchase a festival pass

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Ahead of Ho’s session at the Singapore Writers Festival, we reached out to her to find out where she gets her sense of humour; whether her family likes having an author among their ranks; and her upcoming second novel which zooms in on elective co-parenting, a rising movement whereby two people who are not romantically involved decide to raise a child together.
Q: Did your parents recognise traces of themselves and your extended family in Last Tang Standing? What did they have to say about that and your publishing deal?
Lauren Ho: “I think writers drawn from what they know, but the world in Last Tang Standing is fictionalized, and I made sure my parents understood that. They were really happy when they heard I was getting published. They had always encouraged me to write and were never tiger parents in the sense that they didn’t push me to pursue certain careers or restrict my career choices.”
Q: What’s your take on the saying that when you marry someone, you’re marrying their family? Having lived in Asia and Europe, is it really more of an Asian thing?
Ho: “I don’t like generalising, but I do think that it is true that when you marry someone, you marry their families—especially if your spouse is close to their family members. I think this is universal no matter what your cultural background, although in my experience, it is especially true of the Malaysian-Chinese culture I come from.”
Q: Pleasing others vs pleasing yourself: Is it an ongoing struggle for you, or have you found the sweet spot that (mostly) satisfies all?
Ho: “I doubt you can live your life just pleasing yourself, because we don’t live in isolation, so I think it’s more important to live your life so you have as few regrets on your deathbed as possible.”

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Buro Loves
Tried-and-tested: Expensive beauty products that are actually worth it

20.09.2021
By Redzhanna Jazmin

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BURO Beauty Empties Giveaway Week 2: Win up to RM4,500 worth of beauty prizes

Life’s greatest pleasures are all around—and they don’t come cheap. From the best in anti-ageing skincare to the most sophisticated of fragrance bouquets, here are the beauty buys Team BURO has splurged on in recent memory (and why we think they were 100 per cent worth it).
READ: This is why the world’s most expensive skincare products cost so much
La Prairie Platinum Rare Haute-Rejuvenation Cream, RM8,363

“La Prairie has always been known for harnessing the benefits of unique ingredients with potent results. It’s especially known for its caviar research, but my first experience with the Swiss luxury brand was with the Platinum Rare collection. Again, ‘platinum’—who would have thought that it would be used for skincare? The La Prairie Platinum Rare Haute-Rejuvenation Cream was glorious to use. From the deep shade of glistening purple for its jar to the rich cream within, everything about it was luxurious—but the price tag was justified when I learnt more about the science behind it.
“The rejuvenating cream—strengthened by Exclusive Cellular Complex and enriched with pure, rare platinum—not only refined my skin texture, but I noticed my skin felt softer and looked more radiant. Of course, other products can deliver such results, but none have proven it as quickly as the La Prairie Platinum Rare Haute-Rejuvenation Cream—none that I have tried, at least. Considering I rarely find time to go for a facial, this cream makes up for it all by just me applying it day and night. After all, you can’t put a value on time, and this cream suspends time for my skin.” — Rachel Au, Editor
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Hermes Un Jardin sur le Toit, RM517

“In this line of work, we’re very privileged to have access to many fragrances. It was, therefore, through work that I came to have my first bottle of Hermès’ Un Jardin sur le Toit. It was also the start of an ongoing love affair: With the creations of perfumer Jean Claude-Ellena; and with fresh, green-inspired scents. Part of a collection of garden-inspired fragrances, the muse for it is the hanging garden perched on the rooftop of Hermès‘ 24 Faubourg Saint-Honoré headquarters, in the heart of Paris, during spring.
“This fragrance equivalent has notes of apple, pear, magnolia, green grass, basil, and (interestingly) compost. To my nose, it’s fresh and slightly sweet, bringing to mind a light-filled garden in full bloom—and petrichor, that earthy smell of wet soil after the rain (which explains the compost note) that I actually really like! Anyone who has seen me in a jungle (which isn’t often) would scoff if I were to say I love nature. But I do, just of the more genteel kind: some of my favourite places are gardens and parks.
“Alas, as much as I love it, this isn’t a scent I can wear all the time. On very hot days, on my skin and in combination with a raised body temperature, it’s a little too intense for those around me. On an overcast day or when aborad in a cooler climate, the scent is beautiful and beautifully uplifting. I got myself a second bottle as a treat—and because I missed the joie de vivre associated with Un Jardin sur le Toit.” — Adelina Tan, Deputy Editor
Available at Hermes counters.
Foreo UFO, RM1,250

Image: Foreo
“I briefly mentioned this in my evening beauty routine, but the Foreo UFO is one beauty device that I would recommend time and time again if you enjoy masking like me. (Disclaimer: I’ve been slacking off in my masking routine as of late, but the device is still a go-to when I’m in the mood for self-pampering.) It’s a hand-held smart masking device that combines signature T-sonic pulsations with LED therapy, cryotherapy, and thermotherapy (basically, light, heating, and cooling effects) to elevate your masking game to home-spa level.
“You can use it with Foreo’s mini round sheet masks that are designed specifically for use with the device, so all you have to do is pick the selected mask preset on the Foreo app, lie back, and glide the device all over your face (and neck, if you like) for it to work its magic. Alternatively, try my personal hack of soaking a thin cotton pad with your favourite serum (or leftover serum from other sheet masks) and fitting it onto the device to maximise their benefits while saving precious ingredients from going to waste! Each treatment only takes 90 seconds, which is really convenient compared to the typical 15- to 30-minute masking time. If that feels too short, you can also repeat the treatment or manually customise your preferred settings to enjoy the process for as long as you like. I personally live for the latter.
“Although there’s a whole spectrum of LED colours to play around with, I typically set it to either blue (for acne treatment) or red (for anti-aging benefits). I particularly love the heating and cooling sensations, as well as the intensity of the pulsations, which allows my skin to absorb the mask better and just feels so soothing on the skin. Seriously, I’ve even tried it on my boyfriend and a few male friends and they loved it too, so anyone can enjoy the Foreo UFO. (P.S. there’s also the newer, upgraded Foreo UFO 2, which boasts all these features and more, so that might be an even better investment to add to your vanity.)” — Natalie Khoo, Senior Lifestyle Writer
SHOP HERE
Dyson Corrale Hair Straightener, RM2199

“I don’t often heat style my hair as I’m rather attached to my bedhead (AKA styling is too much effort), but this straightener honestly makes me wish that I did. Whenever I feel like I’m in the mood for a sleek, salon finish, the Corrale is the second thing I reach for (the first is a heat protectant, of course). Whether I’m looking to sport loose waves or pin-straight tresses, this straightener does it all—in record time. It heats up very quickly, keeps the temperature stable throughout the styling process (no fried tresses here!), and it’s totally cordless. It’s a dream and worth every penny.” — Redzhanna Jazmin, Beauty Writer
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La Mer The Lip Balm 9g, RM300

“I have a huge problem with picking and biting my lips, so an effective lip balm is an absolute must for me. This lip balm is a game-changer for my chronically chapped pout—it thoroughly moisturises my lips without leaving them feeling greasy and tacky, and doesn’t require constant reapplication throughout the day.
“Performance aside, this is also the only mint-flavoured lip balm I’ve ever actually liked—most have a very mouthwash-y aftertaste that I find really unpleasant, but the La Mer Lip Balm’s flavour is sweeter and milder. Plus, though it has a hefty price tag, this little tub has lasted me for literal months.” _ Redzhanna Jazmin, Beauty Writer
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Charlotte Tilbury Charlotte’s Magic Cream Moisturiser 50ml, RM432

“For someone with skin that is super sensitive and usually can’t really handle anything, I have to say that the magic cream really is as ‘magic’ as it claims. The creamy formula has a thick, whipped texture that is light as air and has that just-out-of-the-dryer freshness in aroma. I have combination skin, so it keeps me hydrated in my dry spots (ideal for winter weather as I used to live abroad) without being too heavy on more oily spots. Though it is quite expensive, I would say that if you’ve got super dry or damaged skin, it’s worth a shot. Plus, the jar lasts for quite a long time, especially if you use it as a night cream.” — Kelly Lim, Fashion Writer
SHOP HERE
Sisley Paris Le Phyto Rouge, RM228

“I’m a bit of a lipstick addict, but my perpetually chapped lips limit me to certain formulations. I cannot wear matte lipstick without it flaking off immediately, and I cannot wear any balms under my lipstick unless I’m really going for the bleeding lip line look (I’m not). Le Phyto Rouge is one of the best formulations I’ve ever tried. It’s part lip care, part makeup, and it uses the hydrating powers of hyaluronic acid and Konjac Glucomannans to keep the lips hydrated while depositing impactful pigment. I love how plump and soft my lips feel with it on, and how versatile it is.
The packaging is the most obvious plus—I love the gold zebra print packaging and the luxurious velvet case that it comes with, and the shape of the lipstick is unlike anything I’ve ever seen before. My go-to shade is 14 Beige Copacabana—it’s a gorgeous, rich brown that I reckon would look amazing on a range of skin tones. It’s every bit worth the hefty price tag, in my opinion.” — Redzhanna Jazmin, Beauty Writer
SHOP HERE
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Lifestyle
Andy Warhol’s work on show and up for online auction at NYFW
Going, going, gone

09.02.2017
By Gwen Ong

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

He was a maestro who played a key role in the pop art movement and many of his creations showed the connections in art, celebrity and fashion. Through his magazine, Interview, he was able to establish personal relationships with the likes of Karl Lagerfeld, Yves Saint Laurent, Jerry Hall, Bianca Jagger and Diane Von Furstenberg among others. It was apparent that everyone from designers to socialites vied to have their portraits taken by the artist.

Now a selection of Andy Warhol’s work will go display at the Skylight Clarkson Sq in the Big Apple during New York Fashion Week from 9 to 16 February. Many of these works obtained from the Andy Warhol Foundation for the Visual Arts are fashion-related portraits of designers and stylish celebrities.

The works including original photographs, prints and drawings have also been made available for an online-only sale dubbed ‘Andy Warhol @ Christie’s with New York Fashion Week: The Shows’. Collectors can bid for the artwork at christies.com/warhol with starting price of $1,500. The proceeds will benefit artists and non-profit arts organisations under the Warhol Foundation’s grant-making programmes.

Check out the artworks that are currently up for sale.

Related stories:
Jared Leto to play Andy Warhol in upcoming biopic
See thousands of MoMA’s exhibition images now online

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Fashion
Haute Couture Week SS23: The best moments from Schiaparelli, Valentino and more
Beautifully constructed

29.01.2023
By Benedict Unang

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Couture wedding gowns that will make you feel like a fairytale princess

Just as Men’s Fashion Week wraps up, Haute Couture Week Spring/Summer 2023 begins at the City of Lights, drawing the fashion world’s elite for packed days of high fashion. From January 23 to January 26, fashion aficionados were treated to four days of beautifully handcrafted garments, fashioned from the finest materials by the toughest hands. These lavish presentations are a visual feast for the eyes and a chance to highlight each house’s exceptional talents.
Schiaparelli had the honour of kicking things off with a collection that sent the internet into a meltdown. In attendance were rapper Doja Cat, who was covered head to toe in 30,000 Swarovski crystals, and Kylie Jenner, who was dressed in a custom-made lion head gown. Elsewhere, Valentino unveiled its collection in what felt like an underground club, attended by a star-studded lineup that included Suga of BTS, Anne Hathaway, and Charli XCX. Ahead, we’ve rounded up five of the best shows during haute couture week—scroll through to see the best of the best looks.

Schiaparelli

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Schiaparelli raised the bar high with its Inferno collection. Taking cues from Dante’s Divine Comedy, Schiaparelli’s SS23 Haute Couture collection by Daniel Roseberry was a bold portrayal of pride and gave even more authority to women to overcome insecurities. From extreme hourglass silhouettes that were corseted in the back to bustiers decorated with mother of pearl, marquetry, and broken glass jewellery, each piece enthralled the audience as they walked down the runway.
Of course, the ensembles donned by supermodels on the runway, inspired by the three sinful animal symbols Dante talked of—lion, leopard, and wolf—were the real scene-stealers. Roseberry and his team poured effort into shaping, sculpting and embellishing each piece, which garnered unexpected intense attention across the internet.

Giorgio Armani Privé

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Inspired by a painting of a Harlequin—an Italian comedic character in pantomime—Giorgio Armani coupled his love for embellishments and Italian tailoring for the Haute Couture SS23 collection. Seventy-seven exquisite pieces were centred on this single premise and displayed on the diagonally-chequered painted runway that immediately left the audience in awe.
Sleek coats, fitting skirts, and seductive dresses alike sparkled and shimmered along the runway, displaying Armani’s love—or obsession—with dazzling sequins. Ruffled collars, headgear, and balloon pants, to name a few, were more explicit nods to the Harlequin. Meanwhile, cropped jackets paired with ankle-grazing cigarette pants and billowing gowns appeared in between everything, illustrating Armani’s versatility when creating the show-stopping line.

Dior

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Maria Grazia Chiuri’s latest Haute Couture collection for Dior was inspired by African-American performer Josephine Baker who made her name in Paris in the 1920s. Set against a backdrop designed in collaboration with African-American artist Mickalene Thomas, the collection captured the glamorous icon who embodied the modernity of the decade. In what appears to be a mostly black-and-white colour palette—with liquid silver, metallic gold and muted green in between—the expansive line revived Baker’s style and era.
Models strolled the runway in velvet-embroidered, ankle-strap platform sandals, wearing everything from dressing robe-inspired pieces to corseted dresses and belted overcoats. Other items, like the black gown that was subtly tightened at the waist, and coat jackets that flowed away into crisp pleats, looked stunning in their simplicity. Chiuri also adds feminine touches, including floral appliques on sheer tops and playful tassels swinging at the hems of voluminous skirts.

Chanel

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Gabrielle Chanel’s apartment at 31 Rue Cambon is the inspiration for Virginie Viard’s latest Haute Couture collection. In particular, the animal iconography that was interpreted by artist Xavier Veilhan in the show’s set. Tweed skirt sets and dresses are adorned with various creatures that reflect Chanel’s sartorial playfulness throughout the entire collection.
Parade and circus garments were highlighted as well, with capes and tailed jackets rendered with an elaborate technique of the Maison’s couture atelier. The elegant line gradually transitions to intricate layers of transparency, where floral Chantilly lace and organza ruffles lend a feeling of lightness. A modest, shortened bridal gown appeared towards the end, complete with a thin veil adorned with a flock of swallows, adding a sensual touch.

Valentino

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Dubbed ‘Le Club Couture’, Pierpaolo Piccioli unveiled the Valentino collection that perfectly straddles two different universes: couture and club. Set in a club by the Seine river, Piccioli took the theme as a literal invitation for anyone to be free to be themselves. Boldness is conveyed across the seductive collection with voluminous silhouettes, scandalous cut-outs and never-ending embellishments.
Even so, the whimsical elements did not detract from the awe-inspiring craftsmanship that was always present. Individualism was abundantly clear in all eighty-nine looks— from a dress with cut-out polka dot to men’s suits in vibrant colours like emerald green and electric blue. Also, we love how a pop of the iconic Valentino’s Pink PP colour can be found among the accessories.

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Lifestyle
Ballet Festival opens this weekend at the Petronas Philharmonic Hall
Divine dancing

05.01.2016
By Buro247

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

The fine performance art of ballet becomes the highlight this weekend as the first of Ballet Festival opens at the Petronas Philharmonic Hall (Dewan Filharmonik Petronas) in KLCC. Now in its second instalment, the Malaysian Philharmonic Orchestra (MPO) teams up with the Ballet Stars of Moscow to present two iconic performances: Adolphe Adam’s Giselle and Sergei Prokofiev’s Romeo & Juliet.

Giselle
Famously written by Adolphe Adam in 1841, Giselle has plenty of historical significance and is one of the most famous full-length ballet scores. Now in its 175th anniversary, this iconic performance will be led by Ciaran McAuley.
Dates and times:
Friday, 8 January at 8.30pm
Saturday, 9 January at 8.30pm
Sunday, 10 January at 3pm

Romeo & Juliet
Perhaps known as the world’s most famous love story, Shakespeare’s tragic drama was musically interpreted by composer Sergei Prokofiev. Known as Prokofiev’s finest and most popular work, it has become one of the most successful three-act ballet scores of the 20th century. Conductor Stanislav Kochanovsky will lead the set.
Dates and times:
Friday, 15 January at  8.30pm
Saturday, 16 January at 8.30pm
Sunday, 17 January at 3pm

As their name says it all, the Ballet Stars of Moscow comprises young artists hailing from the best ballet theatres in Moscow, Russia. The company consists of principal dancers from leading troupes such as the Bolshoi Ballet, Moscow Classical Ballet, the Russian National Ballet and many more. Established in 1990, the company has toured the globe.
For more information and ticketing, head to the MPO website.

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Lifestyle
Rizman and Ruzaini’s new obsession: HP Spectre Folio

22.07.2019
By Alyssa Lee

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

If you think about it, technology and fashion have always been intertwined. When technical knowledge advances, the prevailing taste evolves. Similarly, as fashion changes with the times, it reflects the progress of technology, past to present.
Both are dependent on intricacies—the smallest details affect the big picture—and neither can be engineered without a fusion of form and functionality. Until now, that bond has been reticent, revealing itself only to those in the know. But that is about to change.

Looking through the eyes of well-loved local design duo, Rizman Ruzaini, the integral part that tech plays in driving their business forward is unmistakable.
“We live in a world where everything moves at break-neck speed. Keeping up would be impossible without relying on the agility of innovation. When we chose to venture into this field, we knew that a wealth of knowledge on the fundamentals—such as materiality, production techniques, and demographic insight—would build a solid foundation. But our commitment towards impeccable craftsmanship is the thing that would put us on the map in the realm of luxury.”

Likewise, the reverence of beautiful craftsmanship is what propels the highly anticipated HP Spectre Folio laptop above its counterparts. Eschewing the expected route of cold, metallic surfaces, this sleek convertible laptop comes enshrined within rich cognac brown, chrome-tanned leather, replete with immaculate stitching for artisanal appeal. Besides reinventing the way cutting-edge hardware is presented, HP has created a seamless coalescence between work needs and lifestyle.

Such reinvention also echoes through the legacy of Rizman Ruzaini. “Our sophisticated designs and personal touch have been a mainstay within our identity in the past 15 years. Banking on those things alone for so long, however, would make any brand stale. Constant reinvention—creating newness using available resources and drawing inspiration from history—is the way we stay ahead of trends while keeping our DNA intact.”
Keep a lookout for a collaboration between Rizman Ruzaini and HP at the upcoming Kuala Lumpur Fashion Week (KLFW) 2019. The collection will take cues from the new Spectre Folio, its refreshing design philosophy, and the idea of ‘reinventing lifestyles’.
Words (by the designers) to bear in mind till then: “No technology, no life!”
Find out more about the HP Spectre Folio here. Reinvent your world – the featured product in Cognac Brown is available now from RM7,999.
Credits:Videography: Octopost StudioPhotography and art direction: Yi Suen ChongCreative direction, styling and text: Alyssa LeeAssisted by: Angel YauMakeup: Warnabilla

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Lifestyle
Want to be a wedding planner? Evan Chee of Precious Moments shares her advice
How to be a fairy godmother

30.04.2018
By Rachel Au

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Weddings are a beautiful affair, especially when things go according to a great plan. The highlight is always the couple and these two people can only truly enjoy the day when they know someone is on the ball with everything. Some brides prefer to plan everything (or some of the things) on their own while others love the stress-free luxury of hiring a wedding planner. Being surrounded by gorgeous things and working magic for a happy occasion may seem like a good idea but it’s not without its share of challenges. If you’ve always thought of becoming a wedding planner but unsure of how to start, Evan Chee of Precious Moments has a few pieces of advice.

Hi Evan! How did you get into the wedding planning business?
I’ve always loved beautiful things and I started wondering how to make it possible for me to witness beautiful moments every day. Then, one day, a friend asked me to help her with her church wedding. People must have liked what they saw because slowly, I was asked to plan other weddings and parties. And here I am.

What does a day in your shoes look like?
A wedding planner always has to be the first person to arrive at the venue, and sometimes the last person to leave. I’d be organising the details of the event with the vendors as well as coordinating the setup for the venue. It’s a whole day’s worth of work where I probably won’t have a chance to sit down for a break till late in the evening.

What was one of the worst experiences you had?
I’ve had several but the worst was this one time when everything was paid for but the couple called off the wedding. They decided not to get married. It felt quite sad.

What are some of the challenges you’ve faced as a wedding planner?
1. Managing work and life balance – It’s not the same as a typical 9-to-5 job and it requires a lot of commitment and time. I have gotten texts or calls after working hours – even at midnight!
2. Unreliable vendors – If a client wishes to hire their own, I’d need to ask who the vendors are in case I’ve worked with them before and they’ve proven to be unable to deliver at previous events.
3. Keeping up with wedding trends – They change every few months before you know it.
4. Bridezillas – Of course, a bride would sometimes feel a lot of pressure. It’s normal.

How do you overcome these challenges?
Let me answer it this way instead. To be a wedding planner, it’s important to have a calm personality to face any of these unpredictable situations. You also need to be a good problem solver and be prepared to be a source of comfort.

What else do you need to be a wedding planner? Is it necessary to have any certified qualifications?
I’d say it helps. A degree in hospitality is useful but so are certificates from short-term courses by organisations like International Special Events. But the reality is, it’s not necessary if you already possess the relevant know-how of the business such as coordinating, being good with design and colour, networking and so forth. After all, brides depend more on reviews and referrals. But if you’re inexperienced and not quite confident yet, taking a course is the right first step.

For those looking to start their own wedding planning business, what’s an estimated amount for the capital they should expect to invest?
It depends on the individual. For example, some might want to start with a website (and that will cost more) while others just use Facebook or Instagram (essentially free unless you’re going to advertise). Then there’s equipment as well. All in all, I’d say between RM10k to RM20k.

Career aside, let’s talk about what the brides want to know. What are some tips you can share for those want to plan the wedding on their own?
1. Learn to multitask. You’ll have to be able to juggle your work and planning your own wedding
2. I’d suggest to start researching on themes, vendors and so forth between 18 to 24 months in advance
3. You can opt to pay a wedding planner for consultation. Alternatively, ask your married friends for advice.

A wedding photographer you’d recommend.
I have connections with over 20 wedding photographers and videographers in town and usually, we will choose according to the couple’s budget and wedding date. Then we will arrange for the team to meet the couple. If I really have to pick one, I’d say Zung. He’s also known as the “Ninja Photographer”. I’m personally impressed with his skills and how he is able to capture the right moments. Before the wedding (or shoot), he’d meet the client and get to know their personality first.

A caterer you’d recommend.
One of my favourite caterers is Bucolic Cafe & Catering. Its founder Nicole Sue-Lynn Tong is passionate, experienced and takes pride in creating menus that go beyond taste and style to truly reflect the couple and the overall feel of the wedding – be it for a party of 50 or a huge occasion for 1,000.

What’s one of the advantages of hiring a wedding planner?
Some couples might forget to plan certain things and only realise it when it’s too late. Or they might not have a Plan B (or C) in the event an unpredictable predicament arises. A wedding planner will have you covered from A to Z in all matters of the big day, while you have fun, be the star and spend time with the people who matter.

How much should a couple expect to pay for a wedding planner’s service?
Between RM5k to RM10k.

Three questions a couple should ask a wedding planner before making the decision to hire him/her.
1. What are the services you offer? Do you offer day-of coordination or full-service wedding planning?
2. Are you available for my date?
3. Do you help out with the Registration of Marriage?

For more info on Precious Moments, find them on their website, Facebook and Instagram.

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Beauty
Your guide to enchanting makeup in under 7 steps
Starry-eyed

21.04.2017
By Buro247

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As enchanting as the couture frocks were, the magic of the moment would be lost without the ethereal beauty looks crafted and styled by Peter Philips for the Dior Spring-Summer 2017 Haute Couture repeat show in Tokyo.

With a Dior Show Backstage beauty pass and the inside scoop from Creative and Image Director for Dior Makeup, Peter Philips, himself, we are about to give you a guide to recreating the pre-Raphaelite dreamscape on your own:

STEP 1.
Akin to the fairytale vibes the show gave out, complexions should be kept light and pure. Philips explains: “To get this ultra luminous and natural glow effect, I didn’t want too much texture. I needed to keep the fine texture of the skin.” Apply Diorskin Forever & Ever Wear Primer as a base.

STEP 2.
Prep the skin with gentle touches of the Dior Forever Perfect Cushion Foundation that covers imperfections for an even canvas.

STEP 3.
“Next I perked up the cheeks.” A light cloud of Diorblush n°756 and 876, along with touches of Diorskin Nude Air Luminiser n°001 on the highpoints of the face gives off a pearly and rosy effervescence.

STEP 4.
Doe-like eyes can be achieved sans mascara. Keep lashes nude but draw light in with an innocent sweep of Diorshow Mono n°826 “Backstage” over the eyelids.

STEP 5.
Top the peepers off with a barely-there line of Diorshow Khôl n°529 in beige.

STEP 6.
Lightly enhance the lips for a sensual but natural effect with Dior Addict Lacquer Stick n°550 “Tease” by dabbing it in the middle of the lower lip. “When you keep application light, its creamy texture and discreet shine give the lips a plumped look.”

{insert gallery tpl=”slide-freesize.tpl” id=”Dior Couture SS17 Backstage Beauty” rid=”5020″ order=”a_tstamp”}
STEP 7.
The magic touch to starry-eyed wonders: Starshaped glitter to adorn the eyes. “I created several variations to personalise each girl.” Likewise, pick a style that suits your tastes and the occasion best. “Stardust” showers from temples to cheekbones deliever ultimate fairy-vibes but there is “metallic purity” in a single, bigger star placed either on the inner corner of each eye or at the centre of the lower lid.

ET VOILÀ.

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Style
Recap: How to shop ethically and sustainably during and after the MCO

19.04.2020
By Stephanie Boey

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Can fashion truly be sustainable? We speak to Fashion Revolution Malaysia’s Sasibai Kimis for ways to help.

Earlier in the week, we had a chat with Sasibai Kimis, coordinator of activist group Fashion Revolution Malaysia and founder of fair-trade Malaysian brand Earth Heir, to talk about ethics in fashion and sustainability. At the end of the interview, we concluded that individual action can cause a positive impact in the fast-paced world of fashion, and it may seem like an uphill battle to overcome the system in place, but not impossible.
The key takeaways were:
1) Make conscious purchases
Think about the life cycle of your new buy. They should preferably be pieces you’ll love and wear over and over.
2) Check the labels
Opt for natural fibres such as cotton and linen or other fabrics that are biodegradable.
3) Buy well
Save up and purchase a well-made item that will last you for years, decades and generations.
Watch or read the full interview below:

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A post shared by BURO Malaysia (@buromalaysia)

How has the COVID-19 pandemic affected the fashion industry?
I think a lot of fashion businesses (both garment manufacturers and designers), everybody’s having a huge drop in income because you can’t sell [product] physically. I think e-commerce has definitely picked up, but everybody’s revenue is definitely affected.
On a global scale, one of the issues that I’ve seen happening is because of [COVID-19], and because retail significantly dropped, a lot of the large scale brands have cancelled their orders from garment manufacturers like in Vietnam, Cambodia, Bangladesh and India. So a lot of these business, they depend on on these large brands to order from them. For example, their order book is filled for the whole year. So now suddenly a brand comes along and says, “Okay, we’re gonna cancel our orders for the whole year”.
All these factories have hundreds and thousands of people working for them, so all of these people are now jobless. It has really affected things in a sense, but I feel like as much as that could be a negative thing in terms of a lot of people not having jobs. I really do hope that there will be a huge change in the fashion industry.
This whole idea of consuming and [over] buying lifestyle has to change. We really have to start thinking about the things that are being made. Where are they coming from? How much are we making? What happens to this product when it can no longer be used? How is it affecting the environment? How is it affecting the person who made the product?
I also think that the fashion industry and even the whole idea of capitalism has been changed and come to a stop during this time. The whole world has to review how we live. How are we living in this world? How are we earning money? How is the economy being run? How is GDP (gross domestic product) calculated?
A big part of GDP is calculated by how much we consume. Consumption numbers and retail numbers matter for GDP calculation. So, the more people buy, the better the GDP is. But, is that really the right way of measuring well-being and growth of a nation and of a people? So I think a lot of these things need to be rethought and it has been going on like this for a hundred years? Now, things need to change.
Circling back to your point about factories, are they still able to operate because of the MCO?
In Malaysia, I think only factories that are making essential products. So, if you’re stitching PPE or you’re making something out of a non-woven material or something that is needed in the country at this time, then you’re allowed to work. So let’s say you’re a shoe factory and you’re makings shoes for the army or the police. If you’re part of a supply chain that is supporting the front liners or supporting industries in the nation (like provision of electricity, water, internet) [that] keep the basic bits of the country running.

What can an individual do in this time of need?
For me, if you are able do contribute to the many NGOs, social enterprises and civil society organisations that are distributing food. Earth Heir, Biji biji, Batik Boutique, Suri Lifestyle, Sew for Dignity are sewing PPE for hospitals, clinics and medical organisations in Malaysia. We need support in donations, so that can help.
I hope this time away from regular life has given people time to think about how they live. When you don’t get access to things, you start appreciating them. Global supply chain in anything that you buy in the world has come under stress and I hope that encourages all of us consumers to think about the impact of our decisions, and that comes from asking “Where is the product that I’m buying made?”, “Is the person who’s making it paid fairly?”, “Are they being treated well?”, “When I finish using this product, where does it go?”
We need to put up our antennas and see the world around us. And I hope other people get to learn is that we cannot live in our silo lives anymore. My actions can have impact on your life. This pandemic has shown us how connected we all are and how important it is to be good citizens and be socially responsible.
What can we do differently in a post-COVID-19 world?
[When it comes to fashion], read the label. I always look where it’s made and the materials used. I look out for natural fibres and avoid synthetic fibres as much as I can. I look for cotton, linen and silk because these are fabrics that are biodegradable and easy recycleable, while polyester and nylon are synthetic petroleum-based materials which are essentially plastic. So when you can no longer wear it, you’re throwing away plastic and that has a significant impact on the environment.
Are synthetic materials recycleable?
Yes, but they are non-biodegradable. The thing is, once you make it, it’s in the system and you have to think about how to get rid of it, and that’s the challenge.
What are the other ways we can change our shopping behaviour?
Doing your research in the brands that you buy from. Go to a brand’s Instagram page, website, read up about who they are. Do they share [information on] their supply chain? Do they share information about how they pay people?
For example, at Earth Heir we share how much money goes into materials, labour, marketing and transportation, so people understand what makes up the price of a product that is fairly priced.
You mentioned looking at countries where your clothes are made in. Is there a particular reason behind this?
There are certain countries that may not have as good of a reputation when it comes to labour laws and protection of the workers. If a garment is made in those countries, it’s important to figure out if those factories in those countries are safe and treating the workers well.
The Fashion Revolution movement started because 1,200 people died in the Rana Plaza disaster in Bangladesh…and they were making our clothes. It was a very unsafe building and very crowded. It’s going to be hard to figure out where exactly your clothes are made, but if you can find out the country of origin and check on the labour laws and check that the people that work in that country are protected.
What does sustainability mean to you, in your own words?
Everybody has different abilities to be ethical and sustainable. Sometimes being sustainable is seen as a luxury. A lot of people have told me, “I think that being sustainable is only for rich people. I don’t earn that much and I can’t afford to be sustainable”.
Why do people see sustainable fashion as a luxury?
I think it’s because the way fast fashion has reduced prices by reducing the amount paid to people. For example, if a t-shirt costs RM1, can you imagine the amount the person who made it is getting? It’s not a fair price for that product. So if you compute the fair price of a product, it is more. Because when you start paying people more, recycling waste from the factory and making sure it doesn’t damage the environment and doing things correctly and right by respecting the environment and people, prices of products will be slightly higher.
And that’s why I think the whole idea of consuming a lot at low and cheap prices is no longer valid in the world. We need to consider all of these other issues, and consider that the right price for a product may be higher. And that means, I will do my research, buy less, and buy higher quality.
Not enough people are aware of or practise sustainable fashion choices—what do you think is the biggest challenge for these individuals. Or why is that, in your opinion?
One is definitely lack of information. It’s hard to find information when you want to buy from a brand. For example, how many brands are actually transparent about supply chain or how they’re paying people?
And that’s why we as consumers we have the power to pressure brands and ask them questions. We have to use our influence and the ability that we have to ask brands to be more transparent.
Another challenge as mentioned earlier is cost. Because when you are paying for products fairly, the cost might be slightly higher.
What are your thoughts on fashion brands’ sustainable collections?
It’s definitely a good start and I’m glad more brands are starting sustainable lines. But it’s still very vague if brands don’t define what they qualify as sustainable. For example, a brand might decide to name a collection as sustainable because they used 1% organic cotton. So they need to share why they what they are doing is sustainable. More transparency and traceability of supply chains is needed and it can’t just be lip service. I also think brands need to consider environmental and human issues. Impacts on humans, like the people who make the products cannot be ignored and fair wages and other good labour practices must exist.
Where is Malaysia in terms of sustainability? How are we faring against other countries?
We are definitely not where I’ve seen other countries at. In 1998, I was living in Stockholm, Sweden. And back then, every single home in Sweden was already separating their trash and recycling their rubbish. All the waste is managed.
Look at Malaysia 22 years later, we’re still not even there. For me, I think there’s so much more we can be doing to be a sustainable society and country. It’s important for our cities and our leaders to start thinking more holistically about makes a society happy and successful.
How do you hope fashion to change after the pandemic subsides?
For fast fashion to drop! [laughs] I hope this period of lack has made people realise why its important to buy things that last. Because now when you don’t have access to cheap clothing anymore, you have to rely on what you have and hope that what you have is good enough to last you a long time.

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Beauty
Review: Shiseido White Lucent facial treatment
For glowing complexion

03.04.2017
By Gwen Ong

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Bright, glowing skin is usually the beauty wish of many women. Knowing the heart’s desire of the ladies, Shiseido has introduced the White Lucent range to help bring out our inner radiance. As an extension to the new Shiseido White Lucent range, which you can read about here, you can now also book yourself in for a facial treatment of the same nature.

What this treatment promises to do is to bring luminosity to dull and tired skin – something which I can relate to. My skin has been less than stellar from late nights and stress in the past few weeks. I made my way, bare-faced, to the Shiseido beauty cabin at Isetan The Gardens one afternoon to get my beauty fix. While limited in capacity, the Shiseido treatment room was cosy and warm.

The Shiseido White Lucent treatment started with the Brightening Cleansing Foam. My therapist was thorough in carrying out a double cleanse; first to remove any traces of makeup and second to clean my skin of impurities. I was glad the cleansing foam used is formulated to retain skin’s moisture level without overdrying it.

Next, the therapist used the Luminizing Infuser to soften and prep my skin with an ion device that was rolled on the face in a circular motion. I was told this step helps to enhance penetration of the product so that the skin is able to better absorb the subsequent treatment, which of course centres on the Shiseido Ultimune. The therapist then applied the MicroTargeting Spot Corrector on my concerned areas—forehead and cheeks, which I’ve been conscious about as these areas look rather uneven and sallow. This was followed by the Power Brightening Mask to further lock in moisture and brighten the skin evenly.

After the mask, the therapist applied the Brightening Massage Cream using firm strokes to enhance the blood circulation around the face and neck. The Luminizing Surge was used next to protect the skin and support its radiance. With the ion device, the therapist then gently rubbed the MultiBright Night Cream to stimulate the rate of absorption as well as the luminous glow of the skin. As part of the final step, the new All Day Brightener SPF50++ was dabbed on my face and the OnMakeup Spot Correcting Serum blended on my sunspots to give it a more even, radiant look.

While I wouldn’t say my complexion were all luminous following this treatment, I appreciated the benefits of giving my skin a bit of well-deserved pampering to bring back its balanced moisture. I left feeling lifted; I guess the short break did do wonders for my tired skin and soul afterall.

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Sitting down with Kino

Lifestyle
Sitting down with Kino
Inspiring yogi

08.08.2017
By Su Fen Tan

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Earlier this year, Oscillation Yoga and Hotel Stripes Kuala Lumpur had the pleasure of hosting Kino MacGregor, international yoga teacher and one of the pioneering yogis to embrace both the traditional teaching of yoga and the contemporary social media channels of today—she has over 1 million followers on Instagram. Before we sat down for the interview, I caught a glimpse of Kino in her element, slipping in a little practice on the rooftop of Hotel Stripes overlooking the city skyline.

A post shared by Kino MacGregor (@kinoyoga) on Apr 28, 2017 at 7:13am PDT

How and when did you find yoga?
“I started the practice of yoga out of the desire to live a more peaceful life. When I did my first class at the age of 19, yoga left an impression on me that it was a path of healing, and when I wanted to make some major lifestyle changes it was to the path of yoga that I turned, to lead me out of a period of intense searching.

I went to my first yoga class when I was 19 years old, then I started practising Ashtanga yoga daily when I was 22 years old—so yoga has been a part of my life for 20 years. And I’ve been making trips to India every year for the last 17 years to continue my practice with my teacher there. I think that is one of the reasons why my practice has gone so deeply, it’s because I’ve made the commitment to be a student each year.”

What drew you to Ashtanga yoga?
“I didn’t research Ashtanga yoga when I started, it was just the class that seemed to work best with my schedule. When I started practising, it was more the experience of peace that the practice gave me that really drew me into it. There was an aspect of the discipline and the tradition that I trusted. It was when I went to India to meet Sri K. Pattabhi Jois and his grandson R. Sharath Jois that I really began to understand the depth and the power of the practice.”

Ashtanga is typically seen as one of the most intense methods of yoga. Is that a misconception, or do you agree with the statement?
“There are some things that the traditional practice asks of you in the Ashtanga yoga method that some of the more contemporary styles of yoga don’t. For example, if you drop in for a beginners Ashtanga class, everything will be relatively approachable, but if you joined a traditional class, first thing they’ll say is that you have to practise for six days a week—that’s already hard. Even if the poses were easy, just to do them six days a week is challenging.

There’s an element of discipline and rigour that gives Ashtanga yoga its reputation of being challenging, but I think that’s also the magic of the practice, because Ashtanga yoga wants to make a lifestyle change in the hearts and minds of practitioners. So by asking students to do it everyday when they’re serious about the practice, that opens up the doorway for transformation.”

What was the biggest challenge you faced on your yoga journey, and how did you overcome it?
“My biggest challenge in the practice is always strength. I was never a dancer or gymnast, so it’s not something that comes naturally for me. To really work on the powerful moves, to lift up and jump back or to do a handstand, all that stuff was almost impossible when I first started the practice. So I work on strength everyday, because if I don’t, there’s a residual level of strength that stays with the practice, but I do my own strength drills everyday, just kind of like therapy techniques to build strength and stability in my body. And I find that I have to keep those up in addition to my regular practice.”

How do you think yoga has changed or impacted your life?
“The first thing that yoga taught me was how to believe in myself. I never learned that, I never really had a discipline of any type—I’d do the things that I excelled in, but when it came to things that I was bad at, I didn’t do them. But when I came to yoga, there was a whole bunch of stuff I was bad at, yet I kept doing it. So it taught me how to believe in myself, to achieve the things I wasn’t naturally good at.

Yoga has also given me a forum to experience a relationship with God. This was something I never grew up with, I never thought it was possible for people to have that in a really meaningful and personal way, and my practice created a foundation for that.”

Tell us about your yoga journey in Mysore, India.
“When I first went to India, I had no idea what to expect. I was just this American girl from Florida who flew to India, and it was completely overwhelming. I had no idea where I was, I had almost no form of communication with people back home—this was almost 20 years ago, so there was almost no internet, nobody had phones. It was before the whole technology revolution hit India.

There were only 40 students in the class, and that number dwindled to half before I left, so there were only 20 of us in that trip to India. It really just changed my whole perspective. I realised that the first gift that India gave me was patience. When I came home, I appreciated so many things about home that I just took for granted before. There were so many things that I was so grateful for, and had more patience about—just small little things.”

What are some of the most important lessons you’ve learnt from your guruji, Sri K. Pattabhi Jois?
“When I first met guruji, I’ve never met anyone like him. The first thing about guruji is that his presence seemed to give me hope, first in the practice and then ultimately in myself—when he believed that I could do this practice and all these poses, then I started to believe that I could too. The second thing that he gave me is the gift of faith, in God and the sense of divine. Guruji used to say when you do your practice, you think about God. It took me almost 10 years to hear what he said, to realise he really means that—he means for you to find the divine, to find it for yourself.”

A post shared by Kino MacGregor (@kinoyoga) on Jul 7, 2017 at 10:04am PDT

Your journey in yoga has brought you to many places around the world. Do you have a favourite city you love going back to?
“No matter where I am, I tend to genuinely love where I am. It is really interesting to see the world through the eyes of yoga and it never ceases to amaze me.”

What’s a typical day like for you?
“Most of my classes are special events around the world. On a typical teaching day, I don’t force myself to wake up too early in the morning—I make sure I get enough sleep, so that I’m an effective teacher. I wake up with enough time to do my meditation and spiritual practice, and then I’ll make tea, have a little bit of breakfast before I go teach in the morning. I usually teach twice a day, and I’ll do my own practice in between the classes. At the end of the day when I’m done teaching, I feel that it is important for me to balance my energy, so I’ll usually kind of withdraw and zone out, this is the time where I might be really quiet, or I’ll call my husband and parents back home, or maybe take a walk—it’s really just some me-time.”

Tips for practising yoga at home?
“Try to practise at the same time everyday. This might be challenging for many people because their schedules fluctuate, but try to make a programme and stick to it—that is really important because if you have a routine around it, then the people in your life start to respect that routine. Also, try to practise in the same spot everyday. Don’t take your mat and migrate around the house, you want to have a spot that is kind of like your space, and that is important because it builds a sense of energy and respect, so it’s kind of like a sacred space.

The last thing is don’t be too hard on yourself. Don’t feel like you have to hit it real hard and do like three hours of practice—as little as five minutes a day can make a difference.”
“Yoga taught me how to believe in myself, to achieve the things I wasn’t naturally good at.”
What is your life mantra?
“Let go and let God. That is something that I would say to myself to give myself a sense of deep peace, and it’s this idea that I may want all of these things. But those things might not be in alignment with my destiny or my life path.”

And finally, what is your parting advice for those who aspire to pursue yoga?
“For anyone who desires to pursue yoga, I would say just do it. Just start. Don’t talk yourself out of it, and don’t feel like you’re the wrong shape, size, age or anything like that—it’s just about starting, and there are so many ways to start now. If you don’t feel comfortable going to a yoga class, you can watch some videos at home. I just created this online channel called Om Stars with Kerri Verna, so people can actually practise with those online, and it’s a really good tool for people who live far away from the studio or can’t afford a class. Just get the ball rolling.”

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