News
7 Fun things you can do in KL this weekend: 14 & 15 December 2019

11.12.2019
By Ronn Tan

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

1. Winter Signature Set Menu at Hilton Kuala Lumpur, 14 & 15 December 2019
Head over to the hotel’s Chynna restaurant to feast on Chef Lam’s signature dishes. The à la carte menu consists of braised lobster soup with Shanghai crab meat, honey glazed chicken cubes topped with crispy ginger, wok-seared Hokkaido scallop, and many more. Looking for an early reunion dinner this year? There is also a six-course signature menu priced at RM188 nett per person.
For more information, call 03 2264 2596.
2. Big Bad Wolf Book Sale at Mines International Exhibition and Convention Centre, 14 & 15 December 2019
The popular 24-hour book sale is back until 16 December 2019. This year marks its 10th anniversary! This year, the sale will showcase 4.5 million books with a variety of 50,000 titles. Whether you’re new to this or are a regular, the Big Bad Wolf Book Sale is not one you’d want to miss out on.
For more information, visit this website.
3. Wolf Blass Wine Pairing Dinner at Ember Modern Bistro, 7pm, 15 December 2019
This Sunday, indulge in a six-course meal curated by Chef Gary Anwar of Ember Modern Bistro. The dishes will be paired with wines from the Wolf Blass Gold Label series and the Wolf Blass Grey Label McLaren Vale Shiraz. This exclusive menu is planned in conjunction with the Australian wine brand’s partnership with Michelin guide—through the launch of Find Your Flavour. It’s a regional campaign aimed at encouraging consuming of unique food and wine pairings. It is priced at RM250++ per person.
For more information, visit this website.
4. First Year Anniversary Celebration at The Linc KL, 14 & 15 December 2019
Is it one year already? The Linc KL is celebrating its first year anniversary through carnivals, daily redemptions, grand prizes, and new art installation. The celebratory carnival this weekend will feature a variety of activities such as games, bazaars, and special performances.
For more information, visit this website.

5. Visit Adidas’ Brand Center at Sunway Pyramid, 10am – 10pm, 14 & 15 December 2019
It’s finally here. The first-ever Brand Center in Malaysia is Adidas’ largest store in the country. Spanning over 1,328 square metres, the store carries the full Adidas range from sports performance to sports style. You will find two big floor-to-ceiling LED screens on its facade and 23 digital screens throughout the Brand Center. In addition to that, there are many experiential and personalised services to expect—in-store categories’ specialists, the Originals section with the widest range of Originals products, and Test & Create; a space to try on footwear on treadmills with an outdoor running simulation. If you’re into hype launches, there is a section that tells you all the dates—so you know when to start queuing for your next splurge. Take this weekend to check out the Adidas Brand Center.
For more information, visit this website.
6. Sunny Side Up Market Christmas Edition at Slate at The Row, 11am – 6pm, 14 & 15 December 2019
What’s better than a little retail therapy during the weekends? This three-day festival is a festive-filled experience featuring a plethora of homegrown brands, such as Bingka, Quest, Lynn Handmade, Honey Hearts, Crush Beauty, Hako Neko, Bueno Blocks, and Hijau Philosophy. It’s Christmas shopping time!
For more information, visit this website.
7. The Winds of Time—Kuala Lumpur at Yellow Brick Road, 8pm – 10pm, 15 December 2019
Follow UK-based gambist Ibrahim Aziz as he leads this lecture-recital. But what is this about? Get to know Baroque music from its beginning in the Renaissance right up to the 18th century—beyond the Classical and Romantic periods. The entry fee of RM30 is by donation and will be held at the venue’s Wicked Pancake Parlour.
For more information, visit this website.
To see what you missed on our last weekend’s list of things to do, click here.

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Lifestyle
Joss Whedon gathers his famous friends to deliver an ‘Important’ message
We can relate

23.09.2016
By Su Fen Tan

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

You have probably seen this video making its rounds in your social media circle—a bunch of Avengers including Robert Downey Jr., Scarlett Johansson, Don Cheadle and Mark Ruffalo join hands with other actors like Neil Patrick Harris, Julianne Moore, Cobie Smulders, Hamilton star Leslie Odom Jr. and many more in this tongue-in-cheek video by Joss Whedon. The message delivered is veiled yet clear: register and vote (they didn’t say for who, but it is implied), because your voice makes a difference.

So how is it different, but same to us? The answer is pretty simple: they may be talking about the American elections, but the core message on the importance of every vote applies to us too. If you are eligible to vote but haven’t registered to do so, it is perhaps wise to put it in your to-do list soon, because registrations for the quarter is due to close soon. Although the dates for the next Malaysian general elections are not decided yet, it will be within the next two years—it is definitely advisable to act now rather than later.

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Beauty
Why Diptyque’s Le Sablier 2.0 is the hourglass you need
A unique olfactory experience

02.05.2017
By Su Fen Tan

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” My favourite pastime is letting time pass, having time, taking my time, wasting my time, living out of time […] Each minute, which could be a gift, is nothing more than a gap between two other minutes. So, each minute—and this is the meaning of life itself—should be a minute that’s full. Of anything: happiness, sun, silence, a true feeling.”

That is a beautiful excerpt on time taken from Réponses, the autobiography of renown French writer Françoise Sagan. It illustrates the importance of having time for oneself, a moment of escape—or as Diptyque proposes: a magical moment of scented escape with the Hourglass Diffuser, also known as Le Sablier.

60 minutes. That is how long it takes for the fragrance to travel through the new hourglass diffuser from Diptyque, slowly releasing the scent into the room. In other words, that is one hour of me-time for you—whether you’d like to indulge in your favourite TV show, enjoy a good book, or simply sit back and relax—while basking in your favourite scent.

Upgraded from its predecessor, the new Hourglass Diffuser bears an exquisite new look, with a long glass form adorned with a perforated gilded metal sheath; an elegant ornament that will fit quite beautifully in your living space or bedroom when not in use. The scent diffuses in an area of three to four metres around the hourglass, perfect for scenting small spaces, but also ideal to create lightly perfumed ambiances in larger rooms.

The Diptyque Hourglass Diffuser 2.0 is available in six fragrances: 34, Baies, Figuirer, Orange Blossom, Ginger, and Roses—each scent featuring a different coloured glass.
{insert gallery tpl=”slide-freesize.tpl” id=”diptyque hourglass” rid=”5045″ order=”a_tstamp”}
The Diptyque Hourglass Diffuser 2.0 is now available at Diptyque Pavilion Kuala Lumpur and Kens Apothecary Bangsar Shopping Centre, KENS Apothecary Bangsar Village II, KLCC, The Gardens & One Utama.

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Features
24 Minutes with Tomas Maier on his first collaboration with Uniqlo
Vacation ready

12.04.2018
By Wei Yeen Loh

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This month, Japanese fast fashion retailer Uniqlo is giving us good reason to revamp our summer wardrobe with its first ever resort collection that will be launched this May 18 — designed in collaboration with Tomas Maier, the creative director of Italian luxury brand Bottega Veneta and his 21-year old eponymous label. While Uniqlo has dabbled with swimwear previously (collaborating with French luxury womenswear brand Princesse Tam.Tam), this new foray into resortwear is a unique direction for Uniqlo, as it boasts a complete range of men’s and women’s apparel that can be worn from the beach to the city with effortless ease — think polo knits, languid cotton poplin frocks, and chic chino shorts that you can layer over two-toned swimsuits.

Recently, we had the opportunity to check out the Tomas Maier x Uniqlo collection in Tokyo, where we also managed to catch half an hour of Maier’s time on how this collection came about, the distinction between designing for Uniqlo and for his namesake label, along with a day in his life as a creative director.
On how the collaboration came about:
Tomas Maier: “Uniqlo was interesting to me — I like the idea of their LifeWear concept and to create accessible clothes that last. Uniqlo’s a go-to for me as well. I like to buy my sweatshirts and tee shirts there. Its staple everyday clothes are rather similar to the clothes I design for my own brand. We [Tadashi Yanai and Maier] met in July 2017 to talk about this project that was supposed to be out a year later, but I was like, ‘Why wait? We should do this for this Spring 2018 season.’ It’s a great collaboration. It was very pleasant to work with the company and the design team, and we used innovative and natural materials for this collection. I like to look to the future so we had some good discoveries together throughout the process, and there was good input that went into the collection. We used materials that were really futuristic and breathable for the humid climate, materials that dry very quickly — there’s finesse and simplicity to it, which is what I like.
On Maier’s favourite pieces from this collection:
TM: “I think I like all the pieces from the collection because otherwise, I wouldn’t be designing it! From the tee shirts and swim trunks to the shorts and cashmere sweatshirts, these are all very easy pieces for guys. Obviously there is a lot more for women and I think it’s going to be better once it’s worn and broken in because it becomes more you, essentially.”
On a second Tomas Maier x Uniqlo collection:
TM: “I wanted to go through with this all the way, so everything will be in stores in May. I’d like to see the reaction to this collection and then if there’s interest on both sides to grow together another time, then we’ll work together again, definitely. I’d like to see the results first then take it from there.”
On the details of the collection:
TM: “I wanted to use a colour palette that’s very happy and summery — a touch of orange, red and stark whites — to make it really joyful and mood lifting at the same time. I like swimwear that can dry extremely fast. I think this is key in swimwear, you want to have a suit that you can wear to the ocean and also not have to change out of it because it can dry easily. The material needs to keep you cool and it needs to feel pleasant on the skin in this climate, yet can dry fast. The clothes can go many different ways, whether to the beach or the city. Clothes need to be more functional and I don’t think people buy clothes for specific occasions anymore — it’s pieces that you can use again and in different ways.”
On designing for this collection vs. designing for his namesake label:
TM: “If you’re designing garments in high quantities at low price points, then yes, the design process is different. It is interesting yet challenging. It’s great to try to make something that looks really good with low prices for the market, and to be able to reach out a wider range of consumers. I always say, ‘If we make somebody spend that much money, it really needs to be special.’ It needs to be exceptional, including the craftsmanship. I think it’s the challenge everyday that I face — to make the clothes really good, and to make the person wearing my clothes look and feel good. This is what I like about Uniqlo — it is not knockoff clothes from runway brands. There is integrity to the clothing and designs, and it is well made. These are clothes that you can lounge in and still look good after.”
On Japan and what his daily life in Florida is like:
TM: “I love Japan. I’ve been here many times and I love the culture, architecture, food and definitely the people. I’ll be coming back soon because there are always more reasons for me to come to visit again. My life in Florida is as such — I have a design studio in Palm Beach and the same setup in New York and Milan. I travel between these three cities depending on the collections and the time of the year. I’m in the studio early in the morning at 9am. We don’t go out for lunch, we usually order in because once we’re on a roll we don’t like to take a break, and after the break it’s hard to pick the pace back up. My team travels often to see each other, so we’re always on the road. I think it’s interesting to expose people to pick up different cultures and vibes. We design for people all around the world so we might as well know how they travel and live, what’s their lives like and what they might need and so on.”
Take a look at the Tomas Maier x Uniqlo collection here:
{insert gallery tpl=”slide-freesize.tpl” id=”[Стандартная] Tomas Maier Uniqlo Spring 2018 Collection” rid=”6223″ order=”a_tstamp”}

Tomas Maier x Uniqlo drops in all Uniqlo stores and online this May 2018.

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Fashion
Easy, breezy, beautiful: Tory Burch Resort 2017
Beach, please

05.11.2016
By Buro247

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Couture wedding gowns that will make you feel like a fairytale princess

Upon entering Spago by Wolfgang Puck in Singapore, one could not help but to feel like they were instantly transported to a holiday resort. From the Arecaceae leaves decorating the room to palm arrangements on the table, Tory Burch had beach aesthetics at the 57th level terrace lounge down to pat.

The collection notes read, “Resort 2017 takes us back to Round Hill, Jamaica, in its heyday and plays on the spirit of island living. We balance relaxed with refined, taking inspiration from Lauryn Hill, whose style epitomizes cool elegance.” It is no surprise why these were the main touch points for the resort collection – it is not the first time Burch brings Jamaican influences to her shows and collections. Also, the designer is a fan of Hill’s, even having the musician performed at her Paris store opening in July 2015. However, the Jamaican inspired lineup is far from literal, and anything but Rasta.

Looking around the room, it is apparent that Burch stayed true to her word. Island ease is reflected in the fluidity and movement of the collection: from airy hostess dresses to billowy wide-legged pants. Whether it flows around the body, falls to the ankle or floor, the relaxed, elegant silhouettes are prominently featured. Although voluminous accents are seen in a bell sleeve and a cascade of ruffles, there was nothing too bohemian. Instead, the lineup is finished off with a clean, sporty vibe with pieces such as the side-striped pants, a raffia tweed suit and wrap dresses with contrast piping, balancing the feminine touch with a laidback, tomboy attitude.

A photo posted by Buro 24/7 Malaysia (@buro247malaysia) on Oct 5, 2016 at 9:02pm PDT

The island flair does not stop at roomy silhouettes: Burch drew inspiration from nature’s lines and colours for Resort 2017: indigo tie-dye that depict ocean waves seen from above, abstract lines that evoke the watery ripples of a changing tide and vibrant array of flowers and foliage. Tropical shades dominate the colour palette with the likes of sky and sea blue, palm green and sunset hues like samba red and goldenrod. Burgundy and white round out the refined palette, punctuated by the stark contrast of ivory and black.
The collection displayed an emphasis on texture, exemplified by fringe, jacquard and weaving. The accessories are no exception as they are presented embellished: shells, seed beads, pom poms and tassels appear throughout. Lending a sporty element, there are the sequined slide shoes, metallic bungee cord necklaces and a nylon backpack printed to look woven. Burch also kept it playful with parrot motifs and dangling earrings in the shape of fishbones.

Take a walk to tropical paradise through the Tory Burch Resort 2017 looks in the gallery below. If the collection does not make you want to take everything along with you to the Caribbean (or anywhere else for that matter), we don’t know what will.
{insert gallery tpl=”slide-freesize.tpl” id=”Tory Burch Resort 2017″ rid=”4548″ order=”a_tstamp”}

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Fashion
Wedding dress fabrics and materials to know before making your own wedding dress
A classic piece to last a lifetime

18.02.2023
By Benedict Unang

Featured images: @lilyjcollins / Instagram

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Couture wedding gowns that will make you feel like a fairytale princess

Planning on getting married? Congratulations! So, what’s next? Finding the perfect wedding dress, of course! Whether you are buying in a boutique or having one tailored just for you, it’s worth knowing about the many fabrics that will wrap around your body on your big day—considering not all materials are made the same for wedding dresses. While some are better suited for structured designs that hold their form, others are wonderful for flowing styles that sway effortlessly as you twirl.
Although silk and lace are very popular choices for bridal wear, crepe is also highly sought-after for its flowy yet striking appeal. Once you understand the fundamentals—knowing what types of fabrics you favour and how they ought to be worn—the process can become less intimidating, and you will be more confident and informed. Before you start your mission, here are six gorgeous fabrics you should know.

Satin
First off, let it be known right away that satin is a fabric finish rather than a fabric in itself. You’ll come across different terms like silk satin and charmeuse satin when shopping for fabrics, but essentially, it’s a delicate, opulent fibre made of silk, polyester, or a blend of the two. Satin lends a smooth, lustrous sheen to the exterior of the fabric and is less likely to crease or wrinkle, which makes it perfect for structured gowns. Due to its versatility in flattering every body type, satin is also an excellent choice for ruched, romantic A-line, and ball gown styles. If you need some inspiration, check out Miranda Kerr’s Dior satin dress.

Miranda Kerr

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Chiffon
Thanks to its incredibly sheer and transparent nature, many brides opt for chiffon dresses for their special day—including supermodel Kate Moss, who wore a custom-made, 1930s-inspired chiffon gown made by John Galliano when tying the knot with Jamie Hince. Chiffon is a light woven fabric that lends a romantic and ethereal feel when worn as an accent detail, an overlay, or in layers. It is a versatile fabric that can be used to make everything, including bridal wings as well as A-line and empire-waist style gowns. Additionally, the flowy nature also makes it a great choice for beach weddings and outdoor ceremonies. Keep in mind, though, that chiffon does fray and snag more easily than other materials, so be sure to discuss ways to avoid this with your seamstress.

Kate Moss

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A post shared by Love My Dress™ (@lovemydress)

Organza
There are plenty of sheer fabrics available, but none have the same shiny finish and crisp, understated drape of organza. Traditionally composed of silk, this airy fabric is frequently used to create trains, veils and layered gowns to add more volume underneath, much like Angelababy did when she wed her ex-husband in a Dior bespoke ivory satin organza wedding gown. Alternatively, adding fewer layers of organza is also a solid choice since it will make slimmer skirts lighter. In contrast to chiffon, this material is significantly stiffer and more structured yet still light and dreamy, making it ideal for sunny days. However, keep an eye out for snags and pulls, as the fabric is quite delicate.

Angelababy

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A post shared by Dior Official (@dior)

Tulle
The next time you see a ballerina’s tutu, know that it is made of tulle. Made from various fibres, including nylon and polyester, this wispy, lightweight material with an open weave is a favourite for wedding veils, gloves and skirts. Similar to how Son Ye-Jin donned a hand-draped French tulle gown by Vera Wang, tulle gives extreme volume to a ball gown or mermaid silhouette—creating a style that is reminiscent of a fairytale. For petite brides, tulle is an appealing choice because its hemlines are easy to adjust for length. Also, the best thing about it is that it can be worn all year round, so you can always fall back on it if everything else fails.

Son Ye-Jin

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A post shared by VAST엔터테인먼트 (@vast.ent)

Lace
From Lily Collins’ stunning custom-made Ralph Lauren dress to Hailey Bieber’s Off-White gown, lace is a classic fabric that brings grace to any gown. This gentle, romantic fabric is typically used as an overlay material and frequently paired with other textiles to create the overall look. Lace works well with all silhouettes, but mermaid and fit-and-flare are two of the most common styles. There are many different kinds of lace, including Chantilly and Venise, each of which gives your bridal dress a unique appeal. Chantilly, for one, is ideal for outdoor weddings, whilst heavier, more textured fabrics, like Venise, are better suited for cooler settings. Another thing about lace is that it travels well, so any wedding location would not alter its quality.

Lily Collins

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A post shared by Lily Collins (@lilyjcollins)

Crêpe
If you wish to flaunt your curves on your wedding day as Ellie Goulding did when she walked down the aisle in a stunning silk double crepe Chloé gown, you will love a crêpe that hugs the body without being clingy. Made for sheath and draped silhouettes, this medium-weight silk blend fabric has a smooth and crisp finish that gives it an enchanting touch, making it ideal for minimalists. Sure, the fabric is gorgeous on its own, but embellishments like lace and beaded bodices can magically transform this simple material into a major piece. Additionally, classic silhouettes like the mermaid or A-line are always a wise choice. Similar to tulle, this sophisticated fabric is appreciated all year round and is perfect for warmer days.

Ellie Goulding

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A post shared by elliegoulding (@elliegoulding)

For more bridal reads, click here.

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Fashion
Street glam — amplified is the way to go, according to Marc Jacobs
Go for (retro) gold

01.08.2017
By Su Fen Tan

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Couture wedding gowns that will make you feel like a fairytale princess

Respect. So titled Marc Jacobs’ Fall 2017 collection, and that was what it garnered after its showing at New York Fashion Week earlier this year. And we say that for many reasons: from the unusually stripped down but effective show set, to the diverse casting and detail-rich clothes that came down the runway.

For Fall 2017, Marc Jacobs was inspired by a documentary called ‘Hip-Hop Evolution’. The designer, born and raised in New York City, described the collection as “an acknowledgement and gesture of respect for the polish and consideration applied to fashion from a (hip-hop) generation that will forever be the foundation of youth-culture street style”.

One of the main takeaways we gathered from admiring the Marc Jacobs Fall 2017 collection up-close at a press event recently was this: textures are a pleasure—and the collection was a rich display of a variation of fabrics and patterns. The fur-collared coats, track suits, corduroy pants and turtlenecks were bold nods to the style of hip-hop, as were the accessories of statement hats by Stephen Jones, beanies, heavy gold chain necklaces and dangling “key” earrings.

In the warm neutral palette of camel, ginger, brown, red and maroon, the Marc Jacobs girl will find her party outfit in the form of glittery gold mini dresses—paired with chunky platforms or high boots for a tasteful retro spin (looks 2, 9 and 27). On the other side of the spectrum, we can see the corporate woman donning the coats as seen on looks 13 and 29, proving just how the collection is a brilliant ode to the diverse street culture of New York.
{insert gallery tpl=”slide-freesize.tpl” id=”Marc Jacobs AW17″ rid=”5342″ order=”a_tstamp”}
Fall 2017 also sees the debut of Marc Jacobs new IT bag: the Hotshot. Like the popular Snapshot bag, this mini rectangular crossbody features the gold Double J logo front and centre. The gold chain strap renders it bold, chic and versatile—the perfect fit for the street-tinged collection. In case you missed it, see how you can wear it this nifty little bag as a statement necklace in our Instagram post.

A post shared by Buro 24/7 Malaysia (@buro247malaysia) on May 18, 2017 at 3:18am PDT

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Beauty
Celebeauty: Priyanka Chopra opens up about her botched plastic surgery, Jennifer Lopez gets a pixie cut

13.02.2021
By Redzhanna Jazmin

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This week is full of surprises: From heart-felt confessions to crazy hair makeovers to even crazier impromptu boob jobs, find out what your favourite stars were up to this week!
Priyanka Chopra opens up about her nose job

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A post shared by Priyanka Chopra Jonas (@priyankachopra)

In case you missed it, the model-slash-actress is releasing a new memoir, entitled Unfinished. The memoir is set to cover the last two decades of Chopra’s life and career through her perspective— including both the highs and the lows. According to Insider, Chopra recollects her experience with a nose surgery gone wrong. Apparently, a polypectomy surgery was scheduled after she found a polyp—a benign growth—in her nasal cavity. However, what should have been a straightforward, routine procedure ended up going awry.
“My original nose was gone. My face looked completely different. I wasn’t me anymore,” writes Chopra. “I felt devastated and hopeless. Every time I looked in the mirror, a stranger looked back at me, and I didn’t think my sense of self or my self-esteem would ever recover from the blow.”
Following the surgery, the then-18-year-old opted to have “several corrective surgeries” to normalise the appearance of her nose. However, shortly after her surgery, Chopra’s career took a turn for the worse: Once producers caught wind of her post-surgery, the actress was dropped from two out of four movies that she had signed on for.
Recalling the painful time, she laments, “My career, a career based so much on physical appearance, seemed to be over before it had even really started. As if the physical and emotional pain of the original and subsequent corrective surgeries weren’t enough, this was a terrible blow.“
On the bright side, over time, the star has become “accustomed” to her face: “Now when I look in the mirror, I am no longer surprised. I’ve made peace with this slightly different me.”
Jennifer Lopez debut a pixie cut

Image: Daniella Midenge for Allure
We’ve seen her with every length under the sun: from hip-grazing tresses to shoulder-length lobs, Lopez’s mane has seen it all. However, her latest cut caught our eye purely because it has been a hot minute since we last saw her with it: The singer sported a tight pixie crop on the cover of Allure, which had us doing some major double-takes.
The look was created by her trusted hairstylist, Chris Appleton, who used the Color Wow Dream Coat For Curly Hair for definition and the Color Wow Pop and Lock Frizz-Control and Glossing Serum for shine. As for the cut, we can’t be 100 per cent sure, but judging by a tutorial Lopez posted to her Instagram, we’re going to go out on a limb and say it was a wig.
Either way, we love the look!
Elle Fanning debuts her baby bump

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A post shared by Elle Fanning (@ellefanning)

Okay, so maybe the alleged baby bump is actually a prosthetic—in fact, it is 100 per cent a prosthetic. That said, are we really that crazy in thinking that this was legit? If you ask us, it’s pretty convincing!
The false belly has been crafted for a special occasion; namely, for the release of the second season of Fanning’s Hulu show, The Great.
Lil Nas X flaunts his… boobs (yes, boobs)

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A post shared by Lil Nas X (@lilnasx)

If you were looking for a real brain teaser, we raise you: This post by Lil Nas X. If you’ve been following his Twitter, you may have already gotten a taste of this headline, but we thought it would be criminal not to share the wonders of modern-day technology.
If you’re wondering where—ahem—those came from, allow us to shed some light. The breasts seen here on the ‘Old Town Road’ rapper are, in fact, prosthetics, and were used as a part of a Nicki Minaj costume worn by the fashionista for Halloween last year.

NAS MARAJ !!!pic.twitter.com/wd1h7CHw8z
— nope (@LilNasX) October 31, 2020

Zöe Kravitz gives us a sneak peek at her delicate tattoo

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Film, TV + Theatre
Is HBO’s ‘The Idol’ really that bad and disturbing of a show?
Sick and twisted

15.06.2023
By Marissa Chin

IMAGES: HBO

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14 Thrilling new TV shows and films to stream in July 2023

The debut of HBO’s racy new series The Idol hasn’t been pretty. The show was embroiled in controversy after Variety reported in March that the script went through a drastic overhaul, turning it from a piece on female empowerment to “twisted torture porn” (you can catch up on the scandal here). Viewers were concerned over the graphic nature of the show as Sam Levinson, creator of Euphoria and fervent fan of female nudity, would direct the series alongside The Weeknd AKA Abel Tesfaye—also known for his raunchy objectification of women in his music. Coupled with the fact that it stars Blackpink’s Jennie Kim in her first acting gig and love-or-hate-her nepo baby Lily-Rose Depp, there was plenty for internet vultures to descend upon when The Idol premiered on 4 June. And descend, they did.

The show currently has an abysmal score on Rotten Tomatoes of 26 per cent and 4.8/10 on IMDb. While most netizens bring up the disturbing sex scenes and questionable acting, I was determined to watch the show for myself to gather my own thoughts. As it were, the premise of the show still intrigued me. Audiences follow Jocelyn, a singer who dreams of being America’s greatest pop star, and her complicated relationship with self-help guru (*cough* cult leader *cough*) Tedros. There aren’t many shows delving into the seedy side of Hollywood and I was interested to see how The Idol would tackle the dark underbelly of the music industry behind all its glitz and glamour. After catching up with both episodes, I definitely see some glaring flaws…but also some redeeming qualities, believe it or not.
Is The Idol really that horrible of a show? I go over the main criticisms of the series and give my thoughts below.
Warning: spoilers ahead for Episode One and Two!

The Idol is soft porn packaged into a well-shot TV show

Probably the most damaging and disturbing part of The Idol is how sexualised everything is. I mentally prepared myself for this show but I was still shocked at how explicit it was. Really, I should’ve known better since Levinson is the type of director who is adamant about making women go nude on screen or wear the skimpiest clothes for whatever reason. In episode two, there was a character who doesn’t speak a single word yet we’re given a full view of her naked body as she plays on the piano. There are also multiple scenes of Jocelyn pleasuring herself, choking herself and saying she likes the fact that Tedros is “rape-y” (“and for what?” is a question I often ask myself throughout the show).

A lot of the scenes are extremely male gaze-y, and it literally is because the show is directed and created by two men about a poor young woman trying to climb up the pop music ladder. For a show that’s trying to tackle the exploitation and objectification of women in the music industry, it sure feels like it’s doing the same exact thing to its female stars. It doesn’t sit well with me knowing that Tesfaye himself wrote these graphic sex scenes into the show for his own character to play in. The 10-minute sex scene at the end of episode two was one of the hardest scenes I’ve had to sit through in recent memory. We have Tedros saying things such as “feel my fat tongue” and “suffocate on my c*ck” while he watches Jocelyn pleasure herself as she’s being asphyxiated by a scarf.

I will never see the weeknd the same after this #theidol pic.twitter.com/m2kTrDLDJw
— Melissa 🥀 (@melissaxperez_) June 12, 2023

The entire scene felt so voyeuristic and disturbing that I had to ask myself who this show was actually for. Is it for young women to feel empowered? Or does it purely pander to male audiences and their sexual fantasies? Perhaps, this is how it’s meant to be. After all, it is a widely known fact that women are commodified in the music industry so it’s meant to feel icky, gross and uncomfortable. However, to me, the sex scenes come across as entirely self-gratuitous and almost an abuse of power if I think about it for too long. The Idol is brought down by its unnecessarily excessive sexual content, which is unfortunate because it has other aspects going for them.

Jocelyn is a great main character

Say what you want about Depp being a privileged nepotism baby but she can act. In fact, Depp’s performance is hard carrying the entire show on her back. While the first episode didn’t do much other than being an over-glorified music video, the second episode really changed my perspective of her for the better. I found myself rooting hard for Jocelyn and this is largely due to Depp’s ability to impart a great deal of empathy, vulnerability and authenticity behind her sexed-up persona.

& just for the record , lily ate UP this scene pic.twitter.com/BVXMk4z9lR https://t.co/bDReg6MzyG
— autumnミ☆🩸 (@autumnasasadboy) June 12, 2023

Not going to lie, I actually teared up during a scene where the pressure gets too much for Joycelyn and she calls out for her mum who passed away. At that moment, all you see is a scared and insecure young girl who had to grow up too soon and had little time to mourn her loss. As someone who has personally lost a parent, the way the show portrayed grief in this scene felt all too real and raw.

The Idol is good when you just focus on the idol in question

The show definitely has great moments and a lot of it has to do with Jocelyn. I found myself more engrossed in Jocelyn’s story and would have loved The Idol to focus on her personal journey than her twisted love story with Tedros. Those moments establish her as a complex and multi-dimensional character. When we follow her, specifically, The Idol is actually quite poignant and emotional. It’s only when Tedros appears that the show takes a sleazy and depraved turn, almost as if I’m watching two different shows in one. I’ve also seen criticism on how easy it was for Jocelyn to fall for Tedros, but a lot of it makes sense in the context of her character. After all, she’s dealing with the loss of her mother, her music career is tanking, and she abuses alcohol to escape her thoughts.

Yes, she’s going to make foolish and bad decisions because she’s literally mentally unwell and pushed to her limits. All of this makes her a prime target for the predator Rat King (yes, I’m calling him that because that rat tail on him is unforgivable) to prey on her. Jocelyn is a young star looking for validation and stability in an industry full of backstabbers and provocateurs. Personally, this premise alone is compelling enough without the need for Tedros’ character, which is why I find their relationship a slog.

Everyone else is yet to make a real impression

There’s no beating around the bush or sugar-coating it: Tesfaye cannot act. Perhaps I’ve expected too much from his cameo in Uncut Gems but the singer unfortunately suffers from One Expression Syndrome. Whether it’s electrocuting his cult member with a shock collar, telling Jocelyn he’s going to “devour her” or playing the charismatic club boss, Tesfaye doesn’t show any real emotion and his robotic line delivery is justifiably meme-worthy. How am I supposed to believe that Joycelyn, who doesn’t think it’s all that bad that people call her a “human c*m sock”, is having mind-blowing sex with a man that counts dirty talk as, *flips through notes*, “let me see them titties”?

me watching the weekend makin a damn fool of himself tryna act sexy #TheIdolHBO pic.twitter.com/K3Dml8wNOY
— Zaire🥱 (@Zaire29154748) June 12, 2023

Unfortunately, I wouldn’t say Jennie as Dyanne completely hit the mark either. It’s clear that she still needs more time to be comfortable acting in front of a camera. Her back-stabbing character is much more than I anticipated for her, though, and I’m glad to see that Dyanne will have a bigger role down the line rather than just being mere eye candy.

Troye Sivan is unfortunately severely underutilised and I don’t find myself particularly caring about any of Jocelyn’s entourage as of yet. Maybe it’s because they try too hard with their pretentious woke progressivism and say things such as “mental illness is sexy”…just maybe…

The cinematography is top-notch

I will give Levinson credit where it’s due and say that The Idol is shot beautifully. Apart from the slow-motion gyrating and overly excessive smoking scenes (seriously, I stopped counting after the 10th shot of Depp sexily lighting up a cigarette), the show delivers great visuals. The opening close-up of Jocelyn in the pilot episode is memorable, as well as shots of her in frames that establish her isolation and also reflect how we, as the audience, are voyeurs peeking into Joycelyn’s private life.

However, I do find pacing and editing to be an issue in the show. There’s a scene in episode two when Jocelyn is filming her music video and it cuts back and forth with her managers talking about Tedros’ shady background. The whole scene was hard to follow and it’s unclear why Chaim even brings up the cuts on her legs if it’s not going to be mentioned again. Further, Nikki mentions how Dyanne is outdancing everyone and yet, she’s not seen anywhere despite the first episode establishing that she is positioned right next to Joycelyn.

Overall, the criticism of The Idol’s graphic sex scenes and the vulgar script is justified. It gives me a nauseating amount of discomfort and makes my toes curl in cringe and secondhand embarrassment. I can’t stand Tedros and his predatory behaviour. The man is a walking ick and if that was Tesfaye’s goal all along, then maybe he did a far better job than I gave him credit for. In saying that, while The Idol is far from being a perfect show, it does have its shining moments on stage. Only time will tell if the show will be more than just a viral hit.
The Idol is available to stream on HBO Go and on HBO Astro Channel 411 every Monday.

For more film and TV reviews, head here.

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BEST OF WEEK


Features
Statement accessories we loved at New York Fashion Week AW17
This is how you turn heads

17.02.2017
By Wei Yeen Loh

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The attendees at New York Fashion Week sure know how to make a statement, demonstrated by a slew of accessories that they’ve been donning over nine days. As far as footwear stands, boots in all forms (from outrageous platforms to feminine, knee-highs) made it on the list as the must-have shoe this season—no qualms over that if you take into account the windchill factor this past week. Other standouts in our books include: Alexander Wang’s ‘No After Party’ tights that were already seen on the streets shortly after his show five days ago; pint-sized crossbody bags that seem to be coming back in trend again; and of course, bold earrings because those always punctuate a stylish yet sensorially uplifting touch to any look. Click through the gallery below to learn how to accessorise the chic-est way possible:
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Discovering the allure of Miss Dior

Beauty
Discovering the allure of Miss Dior
Blooming beauty

02.05.2016
By Su Fen Tan

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In 1947, Christian Dior created Miss Dior—his first-ever fragrance. It was inspired by Catherine Dior, his younger sister, a passionate young woman full of life and desire, with a heart that lives for freedom and adventure. More than just a fragrance, the original Miss Dior ignited the olfactory senses with fresh, sophisticated green and floral notes. It was a scent that embodies the charm of sparkling youth; the perfume of freedom. Today, Miss Dior is as charming as ever, with a multi-faceted personality in tow.

Evidently, Miss Dior is of a rich and telling heritage, and we were fortunate enough to experience the couture fragrance at the ‘Let Miss Dior Bloom’ exhibition in Singapore. A fragrance savoir-faire dedicated to the iconic perfume, the exhibition offered a fascinating display of heritage photographs and drawings, as well as the precious amphora bottle—the signature bottle of the House of Dior. And the distinctive star of ‘Let Miss Dior Bloom’? The beautiful floor-to-ceiling installation of 300,000 myriad paper flowers designed to look like jasmines, a stunning structure inspired by the petal-adorned Miss Dior Haute Couture dress.
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A rather rare sight: guests were able to see the Dames D’Atelier—French craftsmen from the Dior Fragrance Atelier—perform the art of baudruchage (a traditional way of sealing the bottle) and the perfumer bow. Also in attendance was Dior International Fragrance Training Manager Cendrine Fournier, who was there to take us through Miss Dior’s interesting history. Here, we speak to Cendrine, to discover more about the emblematic Dior fragrance:

What does Miss Dior mean to you?
I would say it is very “Miss”, very “Dior”—one is about femininity and the other is about elegance. It is a very symbolic fragrance for the brand. When you think about Dior, not only the fragrance comes to mind, but also couture, while “Miss” also symbolises modernity and young age.

What aspects of the fragrance or Christian Dior himself, inspired the original amphora-shaped bottle?
The amphora was originally used in traditional bottles for perfumes in the antiquity, even in Greece or in Italy, and Christian Dior was really fond of traditional shapes. He was also inspired by the balustrade at the Trianon Palace in Versailles, which has the shape of the amphora as well. To him this shape was something that was extremely feminine, and from the start, he always had this strong vision of femininity. So, to him it was quite obvious to choose amphora as a mythical first bottle for Miss Dior.

What are the qualities that embody Miss Dior?
As far as the image, we talk about a young, modern and feminine woman. We like to talk about audacity, we like to talk about seduction as well, you know, in the story (of the Miss Dior short film starring Natalie Portman), it’s really about seduction—seducing men, of course, and being free, joyful and happy.

Could you tell us about the meaning behind the iconic couture bow?
The bow, like the amphora, is traditional in France. There is a story behind it: King Louis XIV went hunting with his mistress one day. They were horseback riding, so the mistress’s hair went from being prim and proper to becoming a huge mess. And what she did was, she took off her garter and used it to tie her hair. It made a bow that was quite nice, and the king thought she looked beautiful with it. That particular style became known as the Fontanges bow, and it is the original inspiration for the bow that we have around the neck of Miss Dior and also in one of the first logos for Christian Dior.

And the houndstooth motif?
Before Christian Dior opened his House of Dior, he was working as a modelist in Paris and had the opportunity to create designs. He loved the houndstooth motif, which was inspired by the masculine, British style. His first dress design was created in houndstooth fabric, making him the first couturier to use the motif for women. Thus, when he started Dior, he wanted to keep this as a trademark for himself and his brand. It then became important for us to use the motif, which provides an interesting and modern visual for the fragrance.

In the process of creating a new fragrance, how do you ensure that it has a universal appeal?
The thing is, when you create a fragrance, even when you believe it is going to be the best fragrance ever created—you never know. But how François Demachy (Dior’s Perfume-Creator) does it is that he likes to run blind tests, whether by wearing the fragrance himself or letting other women try it, and see how people react to it.

Christian Dior himself said this about the first Miss Dior fragrance: “I don’t care if people like it or love it, I want people to remember it”. Thus I think it’s very important for a fragrance to have its signature, something that people remember it by, or something that brings emotions to you—then you know it’s going to be a success. Ultimately, time will tell.

Where are the best spots on the body to apply perfume?
There are no rules in fragrance; it is really the choice and freedom of the woman to use the fragrance the way she wants. One can choose to focus on pulse points, which could be the wrists, the neck or behind the knees, specifically when using perfumes with high concentrations of fragrance, like Elixir or J’Adore. (Editor’s note: pulse points are where your heart rate can be felt. The warmth of the blood at these points helps activate the perfume). The fragrance is a living product, it changes on the skin—spritzing perfume at the pulse points allows the scent to grow and evolve. Well-moisturised skin and layering, too, help the scent last longer.

The many facets of Miss Dior:
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Buro Loves
In new light: Gabrielle Chanel Essence is Chanel’s most expressive fragrance to date

02.03.2020
By Wei Yeen Loh

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The Gabrielle Chanel Essence is opulence personified-a warm fragrance through and through, both the bottle and formula are reinvented for an enigmatic expression.
There is something incredibly moving that comes with laying one’s personality bare. It speaks of liberation and inner strength, not to mention a passion in embracing one’s identity without compromise. Such is Gabrielle Chanel Essence-the reiteration of the 2017 Gabrielle Chanel fragrance; a tribute to Coco Chanel before she was Coco Chanel.
A reinvention that’s no less vibrant with a dash of decadence, the Gabrielle Chanel Essence is a new olfactory variation that celebrates the freedom of expressing one’s mind.
“With Gabrielle Chanel Essence, I wanted to cut to the essentials, to the heart of the fragrance and reaffirm it with a more voluptuous trail.” Olivier Polge, Perfumer-Creator at Chanel
You can expect the same exceptional blooms from Grasse in the Gabrielle Chanel Essence-specifically, four white flowers carefully picked and revered by the house of Chanel. Tuberose for its creamy, velvety warm scent; jasmine to heighten its intensity, ylang-ylang from Comoros to add a hint of radiance, and Tunisian orange blossom for a fresh finish.
What makes the Gabrielle Chanel Essence different from its original predecessor lies in the formula-revisited by Polge himself. Notes of citrus and red berries give it a tang, while base notes of sandalwood, vanilla and white musk leave a voluptuous, sensual trail to the fragrance.
The Gabrielle Chanel Essence is a beauty in its own right. The beveled bottle is made of ultra-thin glass that has four transparent sides that taper into the background, allowing light to pour through to illuminate the golden hue of the fragrance. The formula is warmer and more ambery, echoing the new shade of gold that’s spotted on the label and bottle stopper. The previous lamé is eschewed for an intense shade of gold, leaving for a perfectly luxurious silhouette that toes the line between elegance and luminosity.
Now, you can revel in this faceted perfume with a complete range comprising Gabrielle Chanel Essence Hair Mist and Moisturising Body Lotion-fragrance layering has never looked this good. The reinvented fragrance also comes in a variety sizes that would fit your to-go bag and traveling kit perfectly: twist & spray, 30ml, 50ml and 100ml.
Who worthier than golden girl Margot Robbie as the face of this redolent fragrance? The award-winning actress and producer shares her take on the Gabrielle Chanel Essence here:
What’s your relationship with fragrance?
“Like so many girls, I grew up seeing my mum’s perfumes on her counter and they always seemed like a symbol of a woman. I knew that, one day, I would grow up and be able to wear it: I felt like the day I started wearing fragrance I would know who I was. Over the years, I’ve come to realize that it’s really a means of self-expression. And there’s such a strong association with memory. It’s cool to look back and see how your tastes evolve as your personality does.”
Is it true that you wear a different fragrance for every role you play?
“Yes. I pick a fragrance for every character I play because I feel that certain smells can transport you to a time and place, or create a specific feeling. I like to be able to differentiate my characters, to place them in the timeline of my life. When I go on set and apply the fragrance, I find it’s easier to get into character. It’s a very powerful tool!”
Gabrielle Chanel is perhaps the most personal of the Chanel fragrances because it bears its creator’s name. How does that make you feel?
“I think Gabrielle Chanel, the woman, means so many things to so many people. The House has explored different facets of her life and personality through fragrance but to me Gabrielle Chanel Essence feels like her truest self. The fragrance feels like it cuts to exactly who she was as a woman. If feels direct but a sense of effortless elegance. The scent feels vibrant, opulent, like it captures both the woman and the House in its entirety. It’s very specific, inviting and warm. You instantly understand who Chanel is.”
Did Gabrielle Chanel Essence teach you anything about Chanel that maybe you didn’t know before?
“Even before I started working with Chanel, I always associated the name with the height of luxury. Elegance. Timelessness. There was this sense of history. Now that I know the House on a more personal level, it means something more intimate to me. But I also feel incredibly lucky to participate behind the scenes and experience the archives. I feel like I’m a part of the extended family.”
What makes Gabrielle Chanel Essence the right fragrance for you?
“I think you know immediately when a fragrance is ‘you’. There are so many fragrances I distinctly associate with other people, but they’re not necessarily for me. Gabrielle Chanel Essence feels incredibly feminine and powerful. It feels warm. It has a creaminess, radiance and an effortless quality that I associate with Chanel. I especially love tuberose, which was already present in Gabrielle Chanel Eau de Parfum, but for Gabrielle Chanel Essence it’s been showcased even more. To me, this is a fragrance with force of character. It feels distinct. It feels vibrant.”

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Collections
The best of MFW AW19 day 1: Gucci and Jil Sander

21.02.2019
By Stephanie Boey

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Gucci
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Who: Gucci Gang Jared Leto, Lucy Boynton and Saoirse Ronan arrived dressed up in creative director Alessandro Michele’s designs. OG influencers Bryanboy and Susie Bubble were spotted, too.
Where: The Gucci hub was converted into a theatric runway, with all show guests on one side. On the other, a floor-to-ceiling panel of pulsating LED lights set the backdrop for the Gucci Autumn/Winter 2019 runway. The light show was accompanied by a singing choir, pounding drums and an audio clip of angry barking dogs snarling in the background, which set a dark and ominous tone to the affair.
The low-down: According to the show notes, Michele explored the concept of personas as the running theme. The personas and ‘faces’ we put on and project to the world were illustrated through the masks that were worn by the models. As for the neck downwards, the clothes and the styling of the pieces told a story of who people really are behind the masks they put on. One look in particular continued Gucci’s geek-chic aesthetic with an argyle sweater worn over a turtleneck with a blue pin-striped shirt and tie, accessorised with a large gold cross, signalling convention and routine. But upon closer inspection, were long sharp talons on the left hand, perhaps clueing in on something dark and sinister underneath all those layers. The other favourite was the double-breasted houndstooth jacket paired with the silver foil on powder blue trousers plus chunky sneakers to boot. It’s business from the waist above and hype down below.
Buro loves: The juxtaposition of portrayal and reality. The show notes explain that the persona is “the possibility to choose how to exercise our freedom to show ourselves through a powerful filter that constantly selects what we want to share about us and what we want to conceal instead”. The best way we can easily decipher this and extrapolate it to real life would be to use Instagram as an example. Beneath all the filters, how much are we putting out there is real?

Jil Sander
{insert gallery tpl=”slide-freesize.tpl” id=”[Стандартная] MFW Day 1 – Jil Sander” rid=”6979″ order=”a_tstamp”}
Who: Husband and wife team Luke and Lucie Meier tell Vogue days before the show that this season focuses on being “sculptural, but delicate at the same time and not just a pile of layers”.
The low-down: Minimalistic and pared down; the clothes are beautiful without the need of being ostentatious. The silhouettes are relaxed but controlled, and exhibits a particular architectural soundness to it — an oversized wool jacket hits all the sweet spots on the hemlines (right above the knee and a little above the finger tips for the sleeves), while a long white lightweight tunic breezes through but cuts with sharp detailing. As for the colours used, palette is very composed, compromising of neutrals and muted hues. The single standout being the canary yellow silk co-ord.
Buro loves: The clothes exude a strong presence without doing too much. Perfect for the power woman who prefers flying under the radar, in fashionable stealth mode. Also, satin outerwear? Totally here for it.

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Guide to The Linc

Culture
Guide to The Linc

01.04.2019
By Su Fen Tan

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All the exciting live concerts in KL to look forward to in 2023

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Beauty
How to slow down and get more out of your beauty (and life) routine
Be mindful

08.06.2017
By Terry Saw

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“One of the biggest misconceptions is that we don’t have time for mindfulness or that mindfulness is a luxury that some people can’t afford. I disagree of course, and believe that anyone can incorporate mindfulness into their lives,” says Kelsey Schiavon.
We recently reached out to the certified holistic nutritionist and mindful green beauty educator all the way from Calgary, Canada, to learn about her personal journey to mindfulness as well as to get her insights on how we too, can get a head start on ours.

Sure, mindfulness isn’t going to pay your bills, do your ironing (sorry, no luck there too!), nor will it take away your problems, but what it can offer is a life-changing perspective on how we live day by day and after personally testing it out for close to a year now, there is no denying what a little inner peace and joy can do for you when you live in the now.
Here are some of Kelsey’s tips to getting started:

You only need 30 seconds!
“That’s really all it takes while washing your face or applying facial oil, or slowly and mindfully enjoying that first sip of coffee in the morning. It doesn’t have to be an hour-long daily practice—it can be as simple as you need it to be, and the benefits are truly endless.”

Reinvent your beauty ritual
“I love beauty rituals, so I often have clients start here with something super simple like brushing their teeth, flossing or cleansing off their make-up. These are tasks that most of us complete every single day—but slowing down and approaching them with mindfulness and intention results in a completely different experience.

“By slowing down the mind and paying attention to what we’re doing, suddenly we can feel the toothbrush against our teeth, notice the beautiful aroma of our face wash or appreciate the texture of our luxurious facial oil. This attention to the present moment allows us to check in with ourselves, and intentionally spend time showing ourselves care.”

“Mindfulness plays a huge part in helping us remember that life is much bigger than what’s happening on social media.” – Kelsey

Consciously disconnect
“Don’t get me wrong, I love social media and it has absolutely helped me build my business but if we don’t intentionally disconnect every once in a while, unrealistic expectations start to take over and we start paying more attention to other people’s lives than our own.”

“I think it’s really important to intentionally shut off the phone or computer a few times a day. I also always tell clients how important it is to curate their social media networks – ask yourself; do the accounts I follow inspire me or make me feel bad about myself? Choose to follow the people that offer you something of value, the same way you would select your real life social circle.”

“Comparison is the thief of all joy.” – Kelsey

Remember to slow…down…
“We’re always rushing around and often have packed days that seem to not have a spare second for mindfulness. An easy way around this? When you wake up in the morning, before reaching for your phone or checking emails, Instagram or Facebook, just close your eyes for a couple of seconds, stretch, roll your ankles and wrists around, bring awareness to your body and think of one thing you’re grateful for.

“This takes only a few minutes and sets your day off on a completely different foot than just jumping out of bed into the chaos of the day. I also always carry some type of aromatherapy on me to help reduce acute stress in the moment (frankincense, cedarwood and lavender are a few of my favourites) and I love Woodlot face and body mists to help cool and refresh my body and mind on the go!

“Herbal teas are also an excellent option to help calm the nervous system and one of my favourite nighttime rituals is a cup of warming tea before bed. I love mixing up a combination of rose, lavender and lemonbalm or skullcap and chamomile to help soothe an overactive mind and prepare the body for sleep!”

Follow @kelseyschiavon and check out her beauty blog for more beauty tips and reads to cultivate your own mindful beauty journey.

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Features
Ace that understated swagger seen at Copenhagen Fashion Week
Scandi-swag

02.02.2017
By Buro247

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The capital of Denmark got its time under the spotlight as Scandinavian sartorialists stepped out in full force for Copenhagen Fashion Week AW17. Braving almost freezing temperatures, showgoers marched onto sets sporting ensembles that spoke the ease of spring while wisely maintaining the snug inclinations of winter dressing.

T’was a masterclass in understated aesthetics. In spite of frostbitten clime, the street style showcased the best of understated Scandinavian sophistication without compromise on swagger and flair. Besides the indisputable nordic eye for design, this cosy-cool factor may well be a mirror of the Danes’ mastery of hygge. Pronounced hue-gah and loosely defined as “the art of creating intimacy, hygge is basically the warm and fuzzy feeling of holding a mug of hot cocoa while snuggled under covers by a fireplace on a cold winters’ night.

Almost every outfit that made our list (save a good lineup of killer footwear—possibly a necessity when the rest of your outfit looks like fashionable lounge wear) was an amalgamation of sensible pieces, layered to perfection. Below, an album of looks to study to ace that coveted Scandi-swag:
{insert gallery tpl=”slide-freesize.tpl” id=”Copenhagen Fashion Week Street Style” rid=”4788″ order=”a_tstamp”}
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#FitnessFriday: Flyfight at Flyproject

Beauty
#FitnessFriday: Flyfight at Flyproject
It was a hit!

16.01.2018
By Rachel Au

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Back in 2016, a certain new gym came into the scene promoting spin classes in a LED-lit room. It was refreshing for KL folks thus starting a new trend—one that has stayed on until today. Since then, Flycyle has grown in heaps and bounds, leading to the founders’ vision to expand. Not just in terms of size or opening a second outlet, but creating a synergised brand with more workouts to offer. The result is Flyproject at DC Mall, offering Flylab and Flyfight. The latter is a rhythmic boxing class with some HIIT (and some dance moves) weaved into the routine. For now, the workout might seem fairly easy for some but founder Jason Choong explained the strategy is similar to when they first launched Flycycle. They want people to get used to their classes first before introducing more advanced levels. The Buro 24/7 Malaysia team is a group of people with varying levels of fitness so our review session was a great way to test that out.
Watch the video below to see what a Flyfight class looks like and read on for our testimonials.

Cai Mei Khoo, Editor-in-Chief
You might have already seen the space on Instagram—in reality, Flyproject is just as cool as it looks in photos. The minimalist space features two studios, and for this episode of FitnessFriday, we tried out Flyfight. I’ve been to a few boxing classes elsewhere and felt that in comparison, Flyfight felt more ‘choreographed’ because we had to move to the beat, similar to at Flycycle. While it was a good cardio workout that had me sweating buckets, it was perhaps more of a beginners level than I’m used to (or maybe I’m just competitive?) That said, I’m sure in time, Flyfight will be offering more classes for intermediate/advanced Flyfighters. Definitely a great class for those wanting to get some boxing into their fitness routine.
Rating: 4/5

Gwen Ong, Deputy Editor
At the office, I’m known as Zen Gwen—I think simply because my name rhymes with the word. But the truth is I’m far from zen; I have my moments and days when I really just want to hit the wall and vent my frustration. I’ve not found a way to do so that will not warrant a warning letter. But now rather than suppress my emotions, I know I can let it all out at Flyfight—the workout that combines boxing with a little bit of dancing. The choreographed moves can be a little confusing for someone who doesn’t have the best coordination around, like yours truly, BUT what a relief it is to channel the energy into the punching bag and throw a mean punch or two. Yes, I do have issues.
Rating: 4/5

Joan Kong, Senior Fashion Writer
I’ve vowed to exercise more regularly this year as part of my #NewYearNewMe resolution so to be honest, I was actually really looking forward to this workout. Having been to a Flycycle class before, I kind of knew what to expect in terms of exercising to the beat. However, as Flyfight was my first boxing class ever (does Taekwando sort of count?), it was still an unfamiliar territory. Thankfully we started with the basics, so I still managed to get a good and enjoyable workout. My favourite part was when we went all out on the punching bag at full speed and intensity—it was a good stress-reliever, for sure. I’ll be back if I’d like to build my upper-body strength!
Rating: 4/5

Rachel Au, Senior Lifestyle Writer
Out of all the #FitnessFriday sessions we did in the past, only one gym managed to win my unwilling couch potato heart to sign up and work out there regularly. Yes, everyone on the team was ‘shook’ and yes, that was Flycycle. However, I realised I did quite like boxing classes too so Flyproject’s introduction of Flyfight couldn’t be more timely. Unlike the other ones we’ve tried, this one is seemingly less serious since there’s a music element to it (to help get your mind—and muscles—off the hard work). You hit according to the beat. In between, there are high knees and a minute or two of jogging on the spot. They HIIT my weakness and my enthusiasm dwindled a little. Then there’s the fact that I’m horrible at coordination. His right confused my left, and I ended up doing my 1, 3 and 5s (they number the boxing patterns) in opposite directions. That’s not to say I couldn’t do it at all. I was just slower in catching up and once I got it, it was a thrill. I was sore by the afternoon (is that a sign I did it wrong or too passionately?). I’ll be back for a second match.
Rating: 4/5

Yi Suen Chong, Art Director
I have been frequently going to Flycycle ever since we did our previous #FitnessFriday there. What I like about their routines is that it’s always rhythmic-based so I was pretty excited to try Flyfight out as it’s the first rhythmic boxing in town. To be honest, I’ve never been a big fan of boxing but Flyproject’s class sure changed my mind. As we boxed along to the pumping music (and within such a great atmosphere—those glowing lights!), it added elements of fun and got us sweating buckets in no time. However, I do have to say that it wasn’t as intense as I had imagined it to be so I’d say it’s perfect for beginners if you’re worried about keeping up. They’ll have advanced classes in the future so I’ll definitely be back for more then.
Rating: 4/5

Flyfight is offered at the new Flyproject in DC Mall. For more info, check out their website, Facebook and Instagram.

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Features
24 Minutes with Coach’s creative director, Stuart Vevers

03.07.2019
By Joan Kong

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In conjunction with its 15th anniversary in China, Coach presented its Pre-Fall 2019 collection in a star-studded runway show Shanghai (read all about it here). Fast forward seven months later, the pieces are now in store, and if you’ve yet to check them out, here’s a reason why you should. Aside from the brand’s signature Americana aesthetic, for the first time ever, the brand partnered up with four different creatives in China, namely graphic artist Guang Yu, contemporary ink painter and abstract artist, Zhu Jingyi, sculptor Sui Jianguo, and music collectives Tom and Arthur Bay, also known as Yeti Out. Dubbed the Rexy Remix, each artist gave the brand’s oh-so-beloved mascot their own reinterpretation, where one-of-a-kind elements help inject a fresh and modern touch into the American fashion house’s signature aesthetic. We had the chance to sit down with Coach’s creative director, Stuart Vevers, who gave us more insight into the Pre-Fall 2019 collection and more:
1. You collaborated with four artists for the Rexy Remix capsule collection this season. Tell us more about it.

I’m good friends with Angelica Cheung, and when I came to Shanghai, she held a cocktail event for me in her home and introduced me to the local creatives. I asked her—and the China team—for a lot of advice, and like most people today, I turned to Google a lot when it came to researching and looking for artists whose imagery I like. I’ve seen Sui Jianguo’s work in the art district in Shanghai—he’s a renowned sculptor. For the collaboration, I deliberately chose people with very different styles to reinterpret Rexy. When I was in Shanghai and Beijing back in the summer, everyone mentioned Rexy when they talked about Coach. So I knew she has to be featured a lot in this collection.

2. Let’s go back to the start. How did the idea for Rexy come about?

It was just one of the randomly wonderful things. We were working on our first show after the first three seasons of presentations and we were researching on graphics. I got a good friend to work on some ideas surrounding dinosaurs, we ended up loving it and included it on a sweater in that collection, and the feedback was great. I had friends calling and texting me saying: “I want that sweater”, and we had Zayn Malik, Kate Moss, Julia Roberts, Michael B. Jordan and more spotted wearing it—it just exploded. So many people fell for Rexy, and she’s now the mascot for the new Coach.

3. What are some of the highlights from the collection?
One of the very first things we were thinking about was colour. We generally present things in quite an eclectic way—an evening dress can sit next to a cool biker jacket—but this season, we had this idea of a colourwash effect which was very complex in terms of ordering our fabrics and materials. After that, we worked through the rainbow of the colours in a very disciplined way, and I think that gave the show an impact. You could also see great individual pieces as you pull the collection apart.

4. What is your favourite look from the Pre-Fall 2019 collection?

I always say it’s look #1 because there’s always a reason why I chose that particular look as the first of the show. For the Pre-Fall 2019 runway, we were originally opening with a women’s look, but as soon as we put the look on that model, I knew we should open the show with that. I love the vibrant colour.
5. How do you see the importance of a pre-collection to the Coach narrative now?
I think generally a pre-collection is more about the wardrobe. We were very thoughtful of the collection—we wanted to launch an impactful one, but it still has to feel like a wardrobe.
6. You’ve been exploring the idea of craft. What’s your take on it now?
It’s all about finding new ways to approach craft. One of the things that I really enjoyed working on in the last few collections was reinventing the things the brand is most known for—our leather, fur, and shearling—super light. The jackets are almost cardigan-like. We incorporated the leather with jersey to have that lightness and softness, and we also used new techniques like perforating the shearling to make it lighter. I think collections are best when things can work over a lot of different seasons. We’re a global company and the weather’s different all around the world at different times so if things can be multi-season it can be more interesting.

7. You’ve explored quite a fair bit of Americana in the past few collections. Was that always your vision for Coach, or did it grow organically as you got to know the brand more?
It’s interesting—before I even knew I was going to join Coach, I spent five summers in a row travelling around America. My husband and I, unfortunately, can’t drive, so as a couple, we did our version of a road trip, which was by train. It’s amazing getting off the stops in the middle of nowhere, and sometimes I would get off in the middle of the night to explore that town for a couple of days. I think that’s where all the first ideas came from. I’m not American, and I learn about America like most people around the world, which is through the movies. The American gas station, the suburbs, and the subways…they have been references for where we show the collection, but also our campaigns. Coach is a fashion house that’s grounded in reality, so I love that our sets have been a junkyard and a gas station—blue collar references that are very real.
8. You’ve named a few things you like about America. What’s your favourite thing about New York?

That’s a good question (laughs). The diversity—there’s people from all over the world in New York either living there or passing through, and it’s truly exciting. The characters of the individuals who you see and meet on a daily basis in the Big Apple is always incredible.

9. Michael B. Jordan was announced as the brand’s first ever global men ambassador last year. Why was he selected, and how does he represent the Coach man?

He’s very, very nice to my mum (laughs). But in all seriousness, we got to know each other over a period of time. He’s been to a few Coach shows, and he’s the most charming guy you could ever meet. He’s articulate, smart, very authentic; he’s got a million-dollar smile, he’s handsome, and super talented—I mean, what’s not to like? He’s a really great guy and it was something that happened organically. We have always talked about working together at some point and it eventually came about.

10. What would you like to ultimately achieve with Coach?

I’m not a big planner, honestly. I think fashion is about living in the moment and looking forward. It’s about following your passion and your instincts, and constantly creating from the things that you love. I remember when we first said that we were going to introduce ready-to-wear, a lot of people were uncertain about it. But now we are a reference at New York Fashion Week. It’s not only something that’s on the runway, it’s something that people wear, and this is always something that’s very important to me, which is to be believable and authentic.
Coach’s Pre-Fall 2019 collection is now in stores.

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Features
Virgil Abloh, creative director of Off-White: “It’s built off that feeling that it’s okay not to be in a box”
In the grey

19.09.2016
By Buro247

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Travis Scott is neither hip hop nor rock ‘n’ roll. Do I behave black, or do I behave white?”, says Virgil Abloh. “It’s like those things are from a generation before, where everything had to be boxed and put into categories for marketing – for people to understand and for a certain level of respect,” he emphasises.
Just 10 minutes with the creative director slash DJ, and you get the sense that he’s got it all layed out. From the way in which he plans on keeping the label relevant to whom he tips as the future of streetwear (Heron Preston and A$AP Bari of Vlone), and how he believes that not all creative directors are fashion designers. “Our generation is more in the middle, and that’s okay.”

And perhaps, that’s how Abloh became the Sid Vicious to the cool kids of today. An unabashed articulation of our generation’s culture – music and arts – unified in a clothing label known as Off-White. “I’m changing the vibe of the collection each season to match the vibe of the time. I think it’s important. My philosophy is based on culture, and not based on being irreverent.”
It works, judging by the queue that’s formed outside the new Off-White store in Singapore -the first standalone in Southeast Asia – eight hours ahead of the time it’s slated to open its doors. At the front of the line, teens decked in tees distinguished by the label’s signature logo. On the tail end, working men who’ve somehow managed to escape the confines of their desks for the day.
Being able to connect with the youth on a level that only music legends speak of, is a phenomenon that not just Abloh is a part of. Most recently, Demna Gvasalia of Vetements (coincidentally, also his friend) and of course, the longtime ringleader of skate-inspired clothing, Supreme. So, how did Abloh get to where he’s at today? Here, the straight talker tells us how one creative directs Kanye, who he’d love to see in Off-White clothing, and ultimately, what goes on behind those coveted diagonal stripes.

Let’s start from the very beginning. Tell us how you started designing.
You know in New York right now, there’s a scene of young designers. This new wave of streetwear largely started from us kids in the city, maybe three or four years ago. A$AP Rocky and Bari coming downtown wearing different brands in a different way. We were a little bit older, and doing parties and screen printing on T-shirts so I started with Pyrex Vision – a one-time art project that evolved into this version. A fashion brand called Off-White.
What’s your design process like? How and where do you start with each collection?
I start with my friends, conversation and travelling. The line is referenced by culture and time. It’s not one of those brands that are irreverent to all that. If these things are of the culture, be it Levi’s jeans or graphic T-shirts or certain styles of women’s dress, I’m changing the vibe of the collection each season to match the vibe of the time. I think it’s important. My philosophy is based on culture. It’s not based on being irreverent.
There’ve been hype around streetwear brands that fizzle out in awhile. How do you plan on keeping Off-White in the game?
Of being aware and awake; participating in the culture and not just peering at or studying it. You have to participate. You have to also respect the nuances around the culture that influences fashion. That’s music, art, architecture, and the people. It’s the lifestyle, the restaurants, the travel, clubs, the art scene… that’s all very tied into how I approach the design element and what the brand represents.

Being a DJ yourself, who are the musicians you can’t get enough of right now?
Travis Scott, Frank Ocean, James Blake, and always Radiohead. Kanye West, A$AP Rocky, Drake, and 21 Savage. They’re making music and culture that I relate to.
Could you also tell me about what you do for Kanye. If you disagree over ideas, how do you work it out?
I respect him, you know, he’s my boss. I’ve worked with him for 14 years. The title is creative director, but I would word it more as an assistant. Someone who’s that creative and important to culture… it’s almost in a way impossible to creative direct an artist of that magnitude. I’m honoured to be friends with him for this amount of time and in a large part, he’s the warrior for kids like us all over the world – the ones who believe in their ability to be creative and launch things that are independent. Things that aren’t driven top down from a big corporation. What we do goes from the trend all the way up. Building a store here is part of that story. We went from going to fashion shows to being invited, and to now launching stores in Singapore. All off the engery that’s happening in music and art.
Is there a story behind the brand logo – the stripes?
Yeah, it comes from Pyrex. It was at a time where I was doing the word and the number on the back and I’d seen that it was sort of being adopted by other brands and at a certain point, I was over it. In order to cancel it out – but still keep a memory of what was there – the first Off-White collection had the year 13 on them, with diagonals to say that it’s the last time I’d use the name and number. The leftover part was the lines, and so they’re the beginning of Off-White. You know, from my background in construction and architecture – I have a degree in engineering and a masters in architecture – it’s a visual language that’s international, and I think that it relates to how styles are adopted in this era. Diagonal lines on the street that are the same in Singapore, in Chicago, and in Paris, and you can sort of read that and respect the language you speak. That’s what Off-White is: Multi-cultural fashion.
What would you say is the most rewarding moment of your career?
This. Opening a store in Singapore.

And who would you love to see in your stuff?
A 50-year-old fashionable woman.

There are many other fashion designers who attend your runway shows, but whose show do you personally like to watch?
Demna of Vetements, Chitose of Sacai, Jun Takahashi of Undercover, Riccardo at Givenchy, Olivier at Balmain, Kim Jones at Louis Vuitton. And Raf.
Is there a designer that you think the world should be paying attention to right now?
Heron Preston. He’s one of my closest friends and I call him the Azzedine Alaïa of streetwear. He’s a thinker and a designer – so him or Bari of Vlone. He to me, is the future of streetwear. Mainly those two.
With social media, there’s so much information out there today and things move at breakneck speed. Do you think it’s easier or tougher to be a designer these days?
I think it’s way easier. To me, it’s because I have social media to communicate and you can build a following very fast. But I think I wouldn’t use the word fashion designer loosely. Fashion designing is not the same as how it was 10 years ago. I still think that there’s the art of fashion design. This is different. These are like creative directors of brands, and not to be confused with fashion. Like you know, Alexander McQueen is doing something very different. I wouldn’t even say McQueen, but maybe more like Hussein Chalayan or Valentino himself. That’s like a different genre of design. This is a new genre and it’s different. I think it’s imporant to respectfully understand the history of design, and not just participate in the new version and claim it as fashion.
And what do you see yourself as?
Creative director is my thing, you know. I’m participating in fashion design to a degree, and that’s the beauty of having a brand. I have an understanding of both. The women’s side of Off-White is more fashion design. The men’s side of the brand is the core, and it’s new, and more of creative directing. When you put the two together, you have Off-White, and that’s what it means – between black and white. There are no more rules – a brand doesn’t do just streetwear or high fashion. It’s a grey area and in our generation, things have merged. Travis Scott is neither hip hop nor rock ‘n’ roll. Do I behave black, or do I behave white? It’s like those things are from a generation before, where everything had to be boxed and put into categories for marketing – for people to understand and for a certain level of respect. Now, our generation is more in the middle, and that’s okay. And that’s what Off-White is. It’s built off that feeling that it’s okay not to be in a box.
{insert gallery tpl=”slide-freesize.tpl” id=”Off-White Resort 2017 lookbook” rid=”4385″ order=”a_tstamp”}
Off-White c/o Virgil Abloh is brought in by Surrender Store. The Singapore “Windows” boutique is located at #01-01, 268 Orchard Road.

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Lifestyle
Stay Updated: Highlights of the Apple Special Event
Game changing

10.09.2015
By Buro247

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7 Things to do in the Klang Valley this weekend: 15 & 16 July 2023

Including the major announcements, here are 6 things you need to know.

1. iPhone 6s and iPhone 6s Plus

The announcement that everyone has been waiting for arrived at the end of the event and it did not disappoint. The iPhone 6s announcement confirmed the rumours of the stunning Rose Gold finish. With a brand new glass on the phone, Apple was proud to announce the 3D Touch, which is the major game changer on the S versions. The 3D Touch recognises force and is able to give you shortcuts on your home screen. It is so intuitive that you can peek on links before you decide to open them or preview messages instead of opening them.

The camera on the cameras have finally increased to a wonderful 12MP, which is 50% more pixels than before. It also take extremely detailed 4K videos on video mode, with 8 million pixels in every frame. The front camera has also received a major upgrade to a 5MP camera and the retina display now works as a flash when the front camera is used in low light conditions, which we’re sure is an upgrade everyone has been waiting for for years.

Another impressive camera update on the iPhone 6s is Live Photos that will allow users to take moving pictures by utilising the 3D Touch screen. The Live Photos are captured by extending the photo before and after the shot to give each image a very slight movement. When scrolling through pictures in the gallery, Live Photos will move and add life to each pictures. Users can also view movement by pressing down on the 3D Touch screen. Live Photos will be available on all Apple Devices.

2. iPad Pro

Apple has claimed the iPad Pro to be the most capable and powerful iPad they have ever created. With a much larger screen that its predecessors, the iPad Pro boasts more power and performance on it’s 12.9” screen. The iPad Pro has the most advanced retina display that Apple has ever made 5.6 million pixels. It also comes with a 4 speaker audio system that will deliver volumes 3x louder than the iPad.

3. Smart Keyboard

An accessory to the iPad Pro, the Smart Keyboard is clearly made to compete with Microsoft’s Surface. The Smart keyboard uses key domes that Apple developed for the new MacBook and is covered entirely with cloth.

4. Apple Pencil

The rumours were true; apple is developing their very own stylus and now it is officially presented to the public. The stylus is called the Apple Pencil and it packs a punch in its incredibly sleek design. The pencil is so precise, it detects position, force and tilt, making drawing on a tablet more intuitive that it has ever been.

5. Apple Watch x Hermès

Apple is collaborating with Hermès to create a hand-stitched leather version of the Apple Watch that will come in 3 different types of bands; Single Tour, Double Tour, and Cuff. The face of the Apple watch will also be designed to reflect the Hermès heritage, iconography and craftsmanship.

6. Apple TV

Apple TV has reconstructed itself to make Siri the best TV companion you can ask for. Ask Siri anything before, during, or after watching your favourite shows and she will deliver the information that you need. The touch surface remote has also upgraded the feel of Apple TV and increased it’s possibilities, allowing for games on your TV using this incredible device. This is why apps are now being introduced to Apple TV, which includes shopping right from your own couch. These upgrades will probably make it very difficult for anyone to leave the comfort of home.

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Here’s the real reason why Pantone chose two colours for 2021

10.12.2020
By Melissa Foong

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As 2020 is coming to an end, Pantone has already made an uplifting statement to welcome 2021 with colours that will best reflect the year ahead. While last year’s Pantone Colour of the Year (Classic Blue) was met with lukewarm response—a pale blue to “reflect on a reliable comfort against the tumultuous chaos of the ensuing year”, 2021’s colours certainly won’t disappoint.
The colour institute has announced not one, but two shades for its Colour of the Year selection for 2021. The two independent colours, Pantone 17-5104 Ultimate Grey and Pantone 13-0647 Illuminating, make for an aspirational colour pairing, “conjoining deeper feelings of thoughtfulness with the optimistic promise of a sunshine filled day”. In short, it’s quite a perfect representation of the metaphor: the light at the end of the tunnel.

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With over 20 years of forecasting the colour for the year ahead, this is only the second time Pantone has chosen two shades for the annual task—the first time being 2015, when Rose Quartz and Serenity were selected for 2016. Not only that, it is also the first time an achromatic (without colour) shade—grey has earned the honour of being included in the lineup.
The warm yellow shade has been selected for its bright and sparkling vivacity, imbued with solar power while the grey connotes solid and dependable elements—akin to pebbles on a beach that have the ability to stand the test of time.
Resilience and Hope

“The selection of two independent colours highlight how different elements come together to express a message of strength and hopefulness that is both enduring and uplifting,” said Leatrice Eiseman, Executive Director of the Pantone Colour Institute.
Eiseman also described the pairing as “Practical and rock solid but at the same time warming and optimistic, this is a colour combination that gives us resilience and hope. We need to feel encouraged and uplifted, this is essential to the human spirit.”
Laurie Pressman, vice president of Pantone has also added that the annual Pantone tradition reflects on what is taking place in our global culture while expressing what people are looking for, that colour can hope to answer. “As society continues to recognise colour as a critical form of communication, and a way to symbolise thoughts and ideas, many designers and brands are embracing the language of colour to engage and connect.”
What do you think of Pantone Colours of 2021?
For the latest in culture, click here.

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Buro Loves
Team BURO’s Beauty Empties of 2020: The best in hair, makeup, skincare and fragrance

01.12.2020
By Wei Yeen Loh

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BURO Beauty Empties Giveaway Week 2: Win up to RM4,500 worth of beauty prizes

As we welcome December and begin counting down the last 31 days of 2020, we take a look back at the best—and most memorable—beauty buys that have garnered a permanent position on our vanities. From Dyson’s new, super-savvy cordless hair straightener to all-time skincare favourites from SK-II and Shiseido, these are Team BURO’s Beauty Empties of 2020:
Hair
Dyson Corrale

“A hair straightener that doubles as a curling tool while taking care of your hair so you don’t have to feel guilty about heat damage? The Dyson Corrale hair straightener is my new lifesaver and thanks to it, I’ve been able to create natural-looking curls easily—15 minutes and I’m out the door. The fact that it’s cordless makes things even easier, especially for someone like me with poor coordination skills.” – Rachel Au, Editor
Skincare
SK-II Facial Treatment Mask

“This saved my skin during MCO when WFH-induced stress gave me acne (amongst other skin problems). Just one sheet works wonders in reducing redness and reviving my complexion.” – Loh Wei Yeen, Deputy Editor
Shiseido The Perfect Protector SPF50+ PA++++

“I’m a forever fan of Shiseido’s range of suncare and this has been my third bottle of SPF from the brand. The formula absorbs easily and doesn’t leave a greasy or icky finish (even at my sweatiest). Plus, it’s SPF50+, which is more than my skin can ask for.” – Loh Wei Yeen, Deputy Editor
Makeup
Decorte AQ Radiant Glow Lifting Cushion Foundation Tone Up SPF30/PA+++

“I don’t usually wear foundation, but I discovered this cushion foundation during a shoot and it’s my new go-to. It’s lightweight and buildable, but most importantly, it doesn’t break me out. While this isn’t technically empty yet, it’s definitely on its way there.” – Redzhanna Jazmin, Editorial Assistant
Laura Mercier Translucent Loose Setting Powder

“While I love looking dewy and glowy, there’s nothing worse than hitting 3pm on a full-face day and feeling the oil slick pool up on my T-zone. Needless to say—this setting powder was a huge game-changer for me.” – Redzhanna Jazmin, Editorial Assistant
Fragrance
Gabrielle Chanel Essence

“With an exotic and sparkling blend of jasmine, ylang-ylang, orange blossom and Grasse tuberose, it’s my go-to fragrance to embody the spirit of a confident and feminine woman—like Coco Chanel was.” – Rachel Au, Editor
Check out the complete list of Beauty Empties here.

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Fashion
All the Chanel picks on our holiday wish list (that should be on yours too)

23.11.2018
By Joan Kong

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Couture wedding gowns that will make you feel like a fairytale princess

When it comes to gifting, Chanel is always a good idea. There’s just something about seeing the black box—adorned with the brand’s logo, tied with a white ribbon and a camellia—that makes our hearts flutter; so is it really a surprise that it’s on our holiday wish list this year? Cue the Cruise 2019 collection, where Karl Lagerfeld pulled out all the stops and built a 330-foot ocean liner—named La Pausa—in the Grand Palais for a nautical-themed show. It has surely come a long way since Gabrielle Chanel presented a small collection at the end of Autumn 1919, intended for the holidays and for herself to wear in one of her favourite destinations, Biarritz. Guests were all invited to have a good time on the larger-than-life voyage, and now, at its newly reopened Suria KLCC store, it’s our turn to join in on the fun.

Here are the lust-worthy bags and accessories this season:

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{insert gallery tpl=”slide-freesize.tpl” id=”[Стандартная] Chanel Cruise’19 holiday guide” rid=”6741″ order=”a_tstamp”}

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