Food + Drink
5 Easy recipes from ‘Jamie Oliver: Together’ for your next house party
Food for your favourite people

24.02.2022
By Natalie Khoo

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From taco parties to steak nights, Jamie Oliver covers all the bases of hosting at home in his timely new series, ‘Jamie Oliver: Together’—recipes ahead

Food has brought people together since the beginning of time. Now that we’ve learnt not to take for granted the simple joy of being able to share a meal with our loved ones, there’s nothing like coming together to create memories over a hearty feast. This is exactly what celebrity chef Jamie Oliver set out to do with his new show, Jamie Oliver: Together.

“It’s about more than food—it’s about spending time together and ultimately, about making memories. I see my job here to make it as easy as possible for you to get ahead, plan and cook up extraordinary food, in such a way that you can enjoy maximum time with your guests,” the chef reveals about the show.
“A lot of us are keen to get out into the world again and support our local restaurants, but alongside that, showing your nearest and dearest how much you care by cooking up a storm in the intimacy of your own home, which has been off limits for so long, will feel so comforting, safe and memorable.”
From taco parties to steak nights, Jamie covers all the bases of hosting at home in his timely new series. And if you’re looking to recreate some of his dishes for your own house party, read on for his delicious, easy-to-follow recipes.

Celebration Meal

Slow roasted lamb
Fennel, sage, onion, and merguez stuffing
Serves 12
INGREDIENTS

Olive oil

5 merguez sausages (250g total)

1 bunch of sage (20g)

2 small bulbs of fennel

2 red onions

250ml white wine

250g sourdough bread

3kg lamb shoulder, bone in (see tip below)

1 bulb of garlic

2 heaped tablespoons plain flour

1 tablespoon blackberry or blackcurrant ham

Red wine vinegar

Green sauce, to serve (optional)

METHOD
Get Ahead
1. For the stuffing, put a high-sided roasting tray (25cm x 30cm) on a medium-high heat with two tablespoons of olive oil. Squeeze the sausage out of the skins straight into the pan, breaking it up with the back of a spoon. Let the sausage start to crisp up, stirring occasionally, then tear in the sage leaves.
2. Trim the fennel, peel the onions, then roughly chop both, add to the tray, and cook on medium heat for 20 minutes, or until soft and caramelised, stirring occasionally.
3. Pour in the wine and let it completely cook away, then season to perfection, tasting and tweaking. Chop the bread into 2cm chunks and stir in, then turn the heat off and leave to cool completely.
4. Lay out the lamb on a clean work surface. Scrunch and spread the cold stuffing all over the meat, then roll it up, sealing the filling inside (if any falls out, just poke it back in at the ends once tied up).
5. Cut yourself eight 60cm lengths of string, slide them underneath the lamb at regular intervals, then tie them up at the top. Wipe out the tray, chuck in the lamb bones, break apart and add the unpeeled garlic bulb, then sit the lamb on top. Cover and refrigerate overnight.

Tip: Ask your butcher to debone the lamb, then slice into it so you can open it out like a book. Get them to break up the bones, too—epic gravy, incoming!

On the day
1. Pre-heat the oven to 240°C/475°F.
2. Get the lamb tray out of the fridge, rub the meat with a little olive oil, place in the oven, and turn the temperature down to 150ºC. Roast for 4 hours, or until tender, basting every hour with the tray juices and adding a splash of water each time.
3. Remove from the oven and transfer the lamb to a serving platter. Cover with tin foil and a clean tea towel, and leave to rest for 1 hour. Use a spoon to skim the fat off the tray of bones (save it in a jar for another day).
4. Put the tray over medium heat on the hob and stir in the flour, jam and a swig of red wine vinegar, scraping up all the sticky bits from the base of the tray. Cook for a couple of minutes, then pour in 1.2 litres of water. Let it simmer on a low heat to the consistency of your liking, stirring occasionally.
5. Pass the gravy through a sieve into a pan and season to perfection, tasting and tweaking. Simmer on the lowest heat until needed.
6. To serve, uncover the lamb, spooning any resting juices into the gravy. Cut away the string, then spoon over the Green sauce. Take it to the table, ready to carve in front of your guests.

Thank You Meal

Stuffed salmon
Serves 8
“What I like about this recipe is that the method, which is incredibly easy to follow, elevates the salmon to a new level. It makes a real event of this incredible fish and, while it cooks, the flavours all mix and mingle together, amplifying utter deliciousness.”
INGREDIENTS

1 heaped tablespoon baby capers in brine
10 anchovy fillets in oil
2 sprigs of rosemary
10 mixed-colour olives
1 fresh red chilli
1 lemon
Olive oil
1.2 kg side of salmon, skin on, pin-boned

METHOD
Get ahead (you can also do this on the day)
1. Put the capers into a small bowl, then tear in the anchovies and strip in the rosemary leaves.
2. Squash and destone the olives, tearing the flesh into the bowl, then finely slice and add the chilli.
3. Finely grate over the lemon zest, squeeze in the juice, add two tablespoons of olive oil, and mix well. Cover and refrigerate overnight.
On the day
1. Place the salmon skin side down in the middle of your largest roasting tray and use the tip of a small sharp knife to make deep cuts into the flesh at 3cm intervals.
2. Stuff each cut, using the knife to help you. I start by dividing up the olives and anchovies, then add the rosemary, chilli and capers. Take your time and enjoy the process. Sprinkle any excess around the salmon.
To serve
1. Preheat the oven to 180°C/350°F.
2. Roast the salmon at the bottom of the oven for 20 minutes. Let it rest for 10 minutes, then serve.

Taco Party

Slow cooked pork belly
Serves 12
INGREDIENTS

4 fresh bay leaves
1 heaped teaspoon smoked paprika
1 heaped teaspoon ground coriander
1 heaped teaspoon ground cinnamon
1 heaped teaspoon ground allspice
olive oil
1.5 kg piece of boneless pork belly , skin off and reserved (see tip below)

Tip: Ask your butcher to remove the pork skin in one piece, ready to roast.

METHOD
Get ahead
1. Preheat the oven to 180°C/350°F.
2. Tear the bay leaves into a pestle and mortar (discarding the stalks), and pound into a mush. Muddle in the spices and one teaspoon each of sea salt and black pepper, then loosen with a little olive oil so you can rub it all over the pork belly (leaving the skin as it is for now).
3. Sit the belly in a snug-fitting roasting tray, cover tightly with tin foil and roast for two hours. Remove, cool and refrigerate overnight.
On the day
1. Preheat the oven to 200°C/400°F.
2. Season the piece of pork skin with a pinch of salt and pepper, then lay on a baking tray and roast at the top of the oven for one hour, or until golden and crunchy.
3. Transfer the pork belly to a board, slice 1cm thick, then lay across a large baking tray.
4. Roast the pork for 30 minutes, or until crisp, sizzling, and golden. Carefully drain off any fat from the crackling tray and save in a jar for another day, then snap up the crackling.
5. Serve up at the table with all the sides, ready for taco building.

Garden Picnic

Jam Jar Prawn Cocktails
Cocktail sauce, avo, tomatoes, and crispy pancetta crumbs
Serves 6
INGREDIENTS

1 clove of garlic
4 rashers of smoked pancetta
Olive oil
100g breadcrumbs
3 tablespoons free-range mayonnaise
3 tablespoons natural yoghurt
3 tablespoons tomato ketchup
1 lemon
Worcestershire sauce
Tabasco sauce
2 little gem lettuces
1 cucumber
200g ripe cherry tomatoes
1 punnet of cress
1 ripe avocado
100g cooked brown shrimp, from sustainable sources
200g cooked peeled prawns, from sustainable sources
Cayenne pepper

METHOD
On the day
1. Peel the garlic and finely chop with the pancetta, then place in a non-stick frying pan on a medium heat with 1 teaspoon of olive oil. Add the breadcrumbs and fry until crunchy and golden, tossing regularly. Leave to cool.
2. For the sauce, whisk up the mayo, yoghurt, ketchup, half the lemon juice, and a dash each of Worcestershire and Tabasco sauce, then season to perfection, tasting and tweaking.
3. Finely shred the lettuces. Halve the cucumber lengthways and scrape out the seeds with a teaspoon, then chop into 1cm dice. Quarter the cherry tomatoes. Snip the cress.
4. Halve and destone the avocado, squeeze the flesh into a blender with the remaining lemon juice and blitz until smooth, loosening with a splash of water, if needed, then season to perfection.
5. Line up six clean wide-necked jam jars or glasses ready to fill. Divide the lettuce between them, followed by the cucumber and tomatoes, gently pressing down as you build the layers.
6. Spoon in the cool, crispy pancetta crumbs, top with the cress, then sprinkle in the shrimp and prawns.
7. Drizzle in the sauce and add a pinch of cayenne to each. Spoon over the blitzed avo, cover and you’re done.

Steak Night

Rosemary roasted rump steak
Fragrant rosemary and butter
Serves 6 with leftovers
“This meal is such a fantastic reimagining of steak and chips. It allows us to truly enjoy and celebrate the rump cut as a bigger joint, and as the oven does the hard work for you, all the last-minute smoke and stress is removed from the process. This piece of steak is slightly bigger than you need, but it cooks well at this size and is worth it for the leftovers.”
INGREDIENTS

1.5 kg piece of thick rump steak
1 bunch of rosemary (20g)
2 knobs of unsalted butter
2 tablespoons balsamic vinegar

METHOD
On the day
1. Get the meat out of the fridge an hour before you want to start cooking it, then you can do this first stage an hour or two before you roast it.
2. Rub the steak all over with one tablespoon of olive oil, then sear on every side in a screaming-hot griddle pan, or on a hot barbecue, until pleasingly bar-marked.
3. Strip half the rosemary into a roasting tray, sit the seared steak on top, strip over the rest of the rosemary, dot and rub over the butter, drizzle with another tablespoon of oil, then season generously with sea salt and black pepper.
To serve
1. Preheat the oven to 200°C/400°F.
2. Roast the steak on the bottom of the oven for 20 minutes for medium-rare, or 25 minutes for medium, turning halfway and basting with the juices from the tray.
3. Remove from the oven, spoon over the balsamic, then cover with tin foil and leave to rest for 15 minutes, basting occasionally.
4. Thinly slice and serve, drizzling each portion with resting juices. The leftovers will make an epic sarnie.

Watch new episodes of Jamie Oliver: Together on BBC Lifestyle every Tuesday at 7:25pm, on UnifiTV channel 512 and BBC Player | Astro channel 717.
Together by Jamie Oliver is published by Penguin Random House© Jamie Oliver Enterprises Limited (2021 Together).

For more recipes, click here.

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Beauty
Just in: Aesop Blue Chamomile Facial Hydrating Masque
Ultimate skin saviour

22.09.2015
By Terry Saw

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Aesop. Blue Chamomile. Masque. My four favourite key words in a sentence-in a single product even-have set up a wonderful premise for my first experience of the brand’s latest skincare offering.
I appreciate the all-results, no-fuss naming of the Blue Chamomile Facial Hydrating Masque, which is spot on with its mission to intensely hydrate the skin with a soothing cocktail of botanicals. I had the privilege of testing this out firstly on my usual skin condition back home in KL, then on dry, fatigued, Winter-beaten skin in Sydney. It was definitely a nice change, being able to maintain well-hydrated and suppler skin despite the cold, crisp mornings.

The Blue Chamomile in this masque balances and purifies the skin while an aromatherapeutic blend of Bisabolol and Ginger Root, as well as Rosemary Leaf and Lavender oils work a treat to calm and soothe the skin whilst giving your senses a rejuvenating boost. Also, you’ll enjoy the masque’s multi-level benefits, which go beyond the surface with its infusion of Sodium Carrageenan, which promote deep hydration by drawing moisture from the environment to your skin, while dramatically enhancing the skin’s water retention skills.
And for time-poor individuals like myself, I recommend you apply this at least once or twice a week because it takes you literally under a minute each time! I apply an even layer over my face and neck and leave it on for 20-30 minutes before wiping off excess with a tissue or a damp cloth and head straight to bed. But because the texture – a lightweight emollient gel – feels so comfortable on my skin, I sometimes apply and leave it on overnight, especially on days where I feel my skin has taken more than a little beating. And frankly, with the usual stress, pollution, topped by the less than favourable haze situation we’ve been putting ourselves through recently, this is the least we can do for ourselves in the name of good skin!
Tip: To enjoy maximum results from your home-pampering session, exfoliate regularly with a deep-cleansing solution prior to applying the Blue Chamomile Facial Hydrating Masque.
Blue Chamomile Facial Hydrating Masque, RM170 for 60ml will be available at all Aesop signature stores Aesop Online from October 2015.

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Culture
Pop Culture Catch-Up: Michelle Yeoh’s doctorate, Jennette McCurdy’s tell-all memoir, and more
Shock waves

19.08.2022
By Marissa Chin

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Johnny Depp to direct his first film in 25 years

Photo: Samir Hussein / Wire Image
According to The Hollywood Reporter, the actor will be going behind the cameras to direct Modigliani, a biopic about Italian artist Amedeo Modigliani. The film will be co-produced by Al Pacino and Barry Navidi. Based on the play by Dennis McIntyre, the biopic will follow the trials and tribulations of the painter and sculptor in Paris in 1916, particularly an eventful 48 hours that will eventually come to be the artist’s most significant, cementing his name as one of Europe’s greatest art visionaries.
“The saga of Mr. Modigliani’s life is one that I’m incredibly honoured and truly humbled, to bring to the screen,” said Depp in a statement to THR. “It was a life of great hardship, but eventual triumph — a universally human story all viewers can identify with.”
Depp’s directorial effort marks the actor’s endeavours to return to the Hollywood scene after his highly publicised defamation trial against ex-wife Amber Heard back in April 2022.

Michelle Yeoh is conferred an honorary doctorate

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A post shared by Michelle Yeoh 楊紫瓊 (@michelleyeoh_official)

In case you missed the good news, our very own Malaysian icon has recently been conferred an honorary doctorate by the American Fine Arts Institution on August 13 at the Hollywood TCL Chinese Theatre.
Yeoh’s Everything Everywhere All At Once directors, Daniel Kwan and Daniel Scheinert, were there to present the honour to their film’s protagonist. In her speech, the Crazy Rich Asians actress reflected on her acting journey, starting out as an aspiring ballet dancer who had to find another path in life due to an injury. After pivoting to the Hong Kong action cinema scene, she learned many things from professional stuntmen who most importantly, trained her how to fall.
To the class of graduating students before her, Yeoh left them with an inspiring message: “Be courageous. Take chances. Break barriers. Be proud of what makes you unique. And most importantly, don’t be afraid to fall because you are learning to fly.” Congratulate Dr. Michelle Yeoh on her Instagram!

BTS’ Jungkook solo photo book series sells out in just one minute

Photo: Big Hit Label
Following in the footsteps of bandmates J-Hope and Suga, Jungkook is the next BTS member to release solo material since the group announced they would be pursuing individual projects back in June. The first teaser came on August 13, with Big Hit dropping a mysterious photo of the youngest member on Twitter simply titled ‘Me, Myself and Jung Kook’.
In the latest production film released on BTS’ YouTube channel, full details of the project were revealed. ‘Me, Myself and Jung Kook’ is a photo portfolio that captures the life of a man trapped in time as a vampire. As Jungkook personally took part in the styling and conceptualisation of the project, fans were eager to get their hands on the Photo-Folio. Unsurprisingly, when pre-orders opened on August 18, the photo book was quickly sold out—30 seconds in the Weverse USA store and one minute in the Weverse Global store to be exact. The Photo-Folio has since been restocked three times as of today. The set includes a hardcover photo book (there are eight available covers), photo cards, posters, coasters and stamps. Lucky fans can expect the photo book set from September 1, which is the youngest member’s birthday.

Jennette McCurdy reveals the horrors of child acting in memoir ‘I’m Glad My Mom Died’
[Trigger warning: Eating disorders, sexual abuse and physical abuse of a minor]

Photo: Brian Kimskey
Former iCarly and Nickelodeon star Jennette McCurdy has been making headlines all over the Internet in the midst of promotions for her memoir ‘I’m Glad My Mom Died’. When the book was released on August 9, it caused a lot of controversy amongst the public for its explosive title. However, it wasn’t until McCurdy started going on talk shows in the past week that opinions started to change.
In her appearance on ABC News on August 10 (which has already garnered close to seven million views in one week), the former actress revealed the emotional traumas and abuse she had experienced at the hands of her late mother during her early Hollywood life as a child star. McCurdy also recounted disturbing details of actions off-set whereby an individual only dubbed as ‘The Creator’ would frequently encourage her to consume alcohol as a minor, gave her shoulder massages, and took them out to clubs with fake IDs. McCurdy was around 14 or 15 at the time.

After her mother passed away from breast cancer in 2013, McCurdy saw this as her means of escape and freedom, and subsequently halted all acting activities including her titular hit Nickelodeon show, Sam and Cat. The former star has been working on her memoir for two years and still stands firmly on her chosen title. I’m Glad My Mom Died is currently number one on the New York Bestsellers List in the Non-Fiction category and is reportedly sold out in major stores such as Target, Walmart and Barnes & Noble, which are awaiting second reprints.

Apple TV+ unveils trailer for documentary film ‘Sidney’, produced by Oprah

Another historical figure getting the Hollywood treatment is the legendary Sidney Poitier who made his name as an actor, filmmaker and activist at the centre of the Hollywood and the Civil Rights Movement. The documentary will feature interviews with the likes of Denzel Washington, Halle Berry, Spike Lee, and many more.
The Bahamian American actor passed away in January of this year at the age of 94. The documentary film will premiere globally on Apple TV+ on September 23, 2022. Watch the trailer below:

For more on the latest pop culture news, head over here.

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Lifestyle
13 Best Twitter reactions to the current “betrayal” in our Malaysian politics scene

24.02.2020
By Rachel Au

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UPDATE: 24 February 2020, 7:47pm
In conclusion (for now):

JUST IN: Malaysia’s King has accepted Dr Mahathir Mohamad’s @chedetofficial resignation as Prime Minister but has asked him to stay on as interim PM until the appointment of a new one. https://t.co/I1IvCUeE60 https://t.co/yYFJEwBkpJ
— Sumisha Naidu (@sumishanaidu) February 24, 2020

According to The Star, Chief Secretary to the Government, Datuk Seri Mohd Zuki Ali said this is in line with Article 43(2) (a) of the Federal Constitution.
“During this period, Dr Mahathir will manage the country’s administration until a new prime minister is appointed and a new Cabinet is formed,” he said in a statement.
UPDATE: 24 February 2020, 7:10pm
The meeting between Tun Dr Mahathir Mohamad and Yang Di-Pertuan Agong (YDPA) has finally ended. According to MalaysiaKini, “the PH presidential council is not meeting tonight. They will meet tomorrow” and “according to IGP Hamid Bador, the chief secretary to the government will issue a statement later this evening on what transpired during Dr Mahathir Mohamad’s audience with the Yang di-Pertuan Agong.”
Earlier on, Datuk Seri Anwar said that he was with Tun Dr Mahathir when he decided to resign and had pleaded to him to change his mind. MalaysiaKini further reports:
“I was with him, I was informed but I could not tell until he releases publicly. I did appeal to him on behalf of PKR and Pakatan (Harapan).
“(That) this treachery could be dealt with together. But of course, he was of a different mind, he thought (he) shouldn’t be treated that manner, to associate him with working with those literally corrupt,” says Anwar.
UPDATE: 24 February 2020, 4:15pm
It’s official: Tun Dr Mahathir Mohamad has resigned as Prime Minister of Malaysia, as well as chairman of Parti Pribumi Bersatu Malaysia. He has been summoned to meet the Yang Di-Pertuan Agong (YDPA) at 5pm today, according to The Malay Mail.

WHAT A PLOT TWIST
Game of Thrones is nothing compared to politics of Malaysia https://t.co/9MOkaRoHz2
— PS Starbucks Japan awak (@pja_chan) February 24, 2020

Also: “A source told the Malay Mail that Dr Mahathir has designated Dr Wan Azizah as an interim prime minister after his PPBM party opted to leave the ruling Pakatan Harapan administration.”
Both Dr Wan Azizah and Datuk Seri Anwar have met the YDPA, although there’s no news on what was discussed.
*
In a sudden turn of events, Malaysia is currently facing political anxiety as Sunday night ended with much mystery, vagueness and shock. This, after “the political parties of Bersatu, Umno, PAS, Gabungan Parti Sarawak, Parti Warisan Sabah, and the PKR faction aligned with Datuk Seri Azmin Ali gathered for meetings that each tried to play down as “normal” despite their patently atypical nature,” as reported by The Malay Mail.
Like a tennis ball match, all eyes then shifted to PKR president Datuk Seri Anwar Ibrahim, who later said, in a Facebook Live broadcast, that, “We were shocked today by developments that, to me, were a betrayal because promises were made.”
As murmurs of a new government continue to spread, PKR communications chief Fahmi Fadzil has urged Malaysians to remain calm and refrain from spreading rumours. “There are a lot of news, rumours and speculation regarding the Pakatan Harapan administration that is going around or is being spread. On behalf of PKR leadership, I urge all Malaysians especially party members to remain calm and be patient while following the law and not to spread unverified information,” said Fahmi.
After all, there are several meetings to be had today by all the parties and individuals involved. Anwar has arrived at the Prime Minister’s Office to meet Tun Mahathir, along with Finance Minister and DAP secretary-general Lim Guan Eng, as well as Deputy Prime Minister Datuk Seri Dr Wan Azizah Wan Ibrahim. Later today, “Dr Wan Azizah and Anwar, are scheduled to have an audience with the Yang di-Pertuan Agong Al-Sultan Abdullah Ri’ayatuddin Al-Mustafa Billah Shah at 2pm” as reported by The Star.
While we all wait for concrete news, here are some of the best Twitter reactions so far to the Malaysian political drama:
1.

Tun M and Malaysian politics deserve their own Netflix series
— robb (@rabbanimalek) February 23, 2020

2.

me at 2am still scrolling feed abt Tun M pic.twitter.com/pibtSusDED
— bün (@bunnyshatweet) February 23, 2020

3.

me when realising istana negara, tun m and malaysia trending pic.twitter.com/Qac5VUiRpj
— hisyam (@basithisyam) February 23, 2020

4.

Everyone : What actually happen?
Tun M : pic.twitter.com/HhPpt9FNZP
— Malaysmemes (@malaysmemes) February 23, 2020

5.

auto lose pic.twitter.com/BAFVRgPjGp
— qim.z (@muskepok) February 23, 2020

6.

me trying to understand what is going on with politics in malaysia and Tun M’s strategies pic.twitter.com/I4FuMOZzQE
— (@svgarhOneyy) February 23, 2020

7.

Agong: “Can’t believe you political party leaders dare to kacau me at home on a Sunday when all I want to do is drive down the MEX and help as many road accident victims as I can find.”
— Amirul Ruslan (@amirulruslan) February 23, 2020

8.

wonder how spm sejarah is gonna be in the future with Tun M playing uno reverse cards and chess in the politics
— Thines (@tthiness) February 23, 2020

9.

*Adults talking about the future of Malaysia right now*
Meanwhile school students : pic.twitter.com/Ha6j0Q3G1U
— Dęn (@_danishlatif) February 23, 2020

10.

Tun M : resignedMalaysian right now: pic.twitter.com/U7610A8AUq
— ammar (@_MuhdAmmar) February 24, 2020

11.

Tun M saving Malaysia be like: pic.twitter.com/zGhrBsPCiV
— (@zrlamr) February 24, 2020

12.

malaysia right now……..//// pic.twitter.com/sdMEuF8WS9
— Faizal Othman (@fzlthmn) February 24, 2020

13.

Kepada rakan2 media di luar HQ, tadi bila ditanya how I felt, saya kata “I have a good filling”, merujuk kepada sandwich & kopi yg saya bawa tadi…! (Sedap, oktxbai) pic.twitter.com/LJLKtebJAt
— Fahmi Fadzil (@fahmi_fadzil) February 24, 2020

Again, keep calm and refrain from making any assumptions (and spreading false information) until the relevant parties have made an official statement. In the meantime, we’ll just leave this here:

Malaysia’s Constitution states: “If the Prime Minister ceases to command the confidence of the majority of the members of the house of Representatives, then, unless at his request the yang di-pertuan Agong dissolves Parliament, the PM shall tender the resignation of the Cabinet” pic.twitter.com/qaYqVsZDcA
— Sumisha Naidu (@sumishanaidu) February 24, 2020

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Music
BadBadNotGood: The progressive jazz band you need to know about
Refreshing + electrifying

27.11.2016
By Su Fen Tan

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BadBadNotGood started out as trio back in 2010, when keyboardist Matthew Tavares, drummer Alexander Sowinski and bassist Chester Hansen met while studying jazz at Humber College in Toronto. The three bonded over their love for hip-hop music and began incorporating it into their collaborations, which included jazzy Odd Future-inspired pieces. Their experimental sounds, while not well-received by their jazz performance instructors, caught the attention of Tyler, The Creator (leader of Odd Future) on YouTube. Tyler helped the trio’s instrumental cover video of his group’s tracks go viral, and even recorded a live jam session with them in Sowinski’s basement.

From there, the trio went on to work with the likes of Earl Sweatshirt and Danny Brown, and appearing on Drake and Rihanna’s songs – they also played Frank Ocean’s backing band at Coachella in 2012. Their newest addition, saxophonist Leland Whitty, featured in their second album BBNG2 before officially joining the band in 2016, completing the lush, layered sounds of BadBadNotGood seamlessly. The band’s live sets are “improvised and crazy”, as described by Tavares on keys, and are not to be missed, as the members bring a compelling brand of refreshing breakneck punk energy to their genre-defying tracks.

Five albums in five years, and BadBadNotGood shows no signs of stopping in pushing the boundaries of their progressive jazz endeavours. Young and creatively fearless, they are definitely a band to keep an eye (or ear) out for.

BadBadNotGood plays at Le Noir KL on Tuesday, 29 November. For more information, visit the Facebook event page.

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Features
Meet Mats Gustafson, the artist capturing the allure of Dior in beautiful illustrations
Buro 24/7 exclusive

04.03.2017
By Cai Mei Khoo

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Last month marked the 70th anniversary of Christian Dior’s debut in the world of fashion, a significant milestone of a brilliant legacy. With his signature watercolour illustrations and cut-outs, fashion illustrator Mats Gustafson captures the remarkable journey, the clothes from then and today, in a brilliant illustrated ode to the enduring allure of the maison—Dior by Mats Gustafson.

Fresh off his book signing in Paris yesterday evening, Cai Mei caught up with the artist for an exclusive interview:

Tell us about your relationship with Dior. How did it start?
“I was approached by House of Dior in 2012—around the same time that Raf Simons started—to illustrate for Dior magazine based on the collections. This was five years ago, and we’ve continued to do the same for more or less every collection.”

How do you interpret the Dior woman in your watercolour paintings?
“It’s a mystery. I leave it up to the viewer to decide. I don’t decide. I just make her carry the clothes, as my focus is on the clothes. If I manage, that’s my intention—I want to leave it open to any woman to interpret.”

When you look at the clothes, what do you see first—do you look at the details, silhouette etc? What do you remember of the outfit before translating it into your artwork?
“All of these, I think. When I look at a collection, I get a first impression—of course, there’ll be access to photographs later—but I do get a first impression and it’s of all the components: the shape, colour (or the lack of it), texture, and movement, which is very important for me. So it’ll be all these elements, and I also try to see the intention of the designer.”

And with that intention you create the artwork?
“Yes. I have to interpret it and respect the designer’s vision. At the same time, I have to make it my own, and hopefully the viewer will enjoy it and read into what I try to express.”

Tell us about the book. How long did you work on it?
“Dior presented the idea for the book to me about a year ago. At the time, I have already done a body of work for the brand, but there was still a bit of pressure, knowing my illustrations will go into the book for Dior’s 70th anniversary.

But it was good because I had the chance to look back at some of the collections, see if I had missed a few things and also add some pieces to the book. We also included in a few looks by Christian Dior from the ’40s—it was important to have that as the core of the book.”

What are some of your all-time favourite Dior looks?
“I think the very first collection by Christian Dior is just timeless, it is such a classic. I mean, we wouldn’t be sitting here today if it wasn’t for what was created 70 years ago and that is amazing.”

What are your thoughts on the new Dior under Maria Grazia Chiuri?
“It is very exciting, and it is still very new to me. It is her third collection now, and I am starting to see her vision, her message, as well as her aesthetics and sensibilities, and I am excited to get to know it more. It is wonderful material for an illustrator, very appealing and beautiful.”

What else inspires you? What feeds your imagination outside of work?
“I am a sucker for beauty. That’s obvious I guess, but at the same time you have to challenge beauty. I am drawn to beauty and I try to create beauty. It is not without effort, because it’s work and I want it to be perceived as beautiful. If I manage, then I’m happy.”
“I think the very first collection by Christian Dior is just timeless. We wouldn’t be sitting here today if it wasn’t for what was created 70 years ago and that is amazing.”
I love your illustrations, how it is so beautiful, simple and minimalistic. Why did you choose watercolour as the primary medium for your work?
“Because it goes with my temperament. With watercolour, you have to work rather fast, and you can’t go back and change much. If I’m not happy with it I’ll have to do a new one. Before getting to the final artwork, it is usually a body of sketches.

I also do cut-outs sometimes, which is a totally different process. It is like sketching in a way, but more playful. I cut out a sketch, play around with it, then attach it. It is not digital or computerised, but all made by hand, and I love to work with my hands.”

How long does it take for you to work on a drawing?
“It depends. I used to want people to think that I did it in five minutes but it is never the case (laughs). It is many hours before it is five minutes. I always think that I can improve it and make it better, so I’ll take a new piece of paper and make a new drawing. I can go on forever – but I have to stop, because there are deadlines.”

Have you always wanted to be in fashion illustration specifically?
“Not really. I studied theatre and had another idea in mind. But early on, without any background in fashion, I just started to do fashion illustrations, and I realised this was something I had a gift for. It brought me to places like Paris and New York – it is an international language, and I am happy I pursued it.

When I started, drawings were already out of fashion, but I am very proud that we are still looking at fashion illustrations. I hear from people that there has been a real resurgence in fashion illustrations, and that is wonderful.”

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#WednesdayWishlist: Party gear

Fashion
#WednesdayWishlist: Party gear
Watch the ball drop

28.12.2015
By Wei Yeen Loh

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Cai Mei Khoo, Editor in Chief: Art collector Dakis Joannou’s mega yacht, Guilty

Transportation of choice for Russian billionaires, Saudi princes and Entourage-types, a yacht has to be the ultimate party gear with swimming pools, jet skis, multiple decks to lounge on, with a different DJ on each, and helipads, should you be flying in to your sailing destination of choice (you’ll make it in time for this New Year’s Eve party at St. Barths that Roman Abramovich is hosting). Covered in a colourful, geometric pattern done in a technique called Razzle Dazzle, Guilty‘s exterior is a Jeff Koons’ masterpiece that’s painted by hand, and at 115-feet long, is also one of his largest pieces of work. The yacht itself is a floating art gallery carrying works by artists like Anish Kapoor, Martin Creed and Sarah Morris scattered throughout. Lavish, fantastical and smells of money? Guilty as charged.

Loh Wei Yeen, Fashion & Beauty Writer: Crystal and daisy headband from Dolce&Gabbana

While everyone’s going to be sporting a party-hat headband during the countdown to 2016, I much prefer donning a fine piece of bejeweled hair accessory (also because I don’t think I pull off a conical hat perched askew on my head.) This Dolce&Gabbana gold-tone brass headband is the only way to deliver class while making a statement, thanks to its embellishments of enamel daisies and gemstone-hued faceted crystals. If there is one place and time to wear this without looking OTT, it’d be when I’m about to make a toast to the new year with my umpteenth glass of bubbly at a lavish NYE party.

Tan Su Fen, Editorial Assistant: Klementina embellished tulle mini dress by Temperley London

Mini dress? Check. Party bling? Done beautifully in intricate beadwork, the Temperley London way. While slinky, formfitting dresses will probably be of an abundance on the dance floor, the comfortable silhouette of this lovely, soft beige number is a lot more appealing to me—easy to move around in and just what I need to accommodate the inevitable NYE feasting.

Jessica Fang, Culture Writer: Coldplay’s A Head Full of Dreams

Yes, yes, I know, Coldplay doesn’t exactly resonate with the word “party.” But if you’ve had a listen to their album, you would’ve already figured out that they aren’t depressing anymore. Instead, this unusually happy, upbeat and uplifting album seems to be one that’s perfect for the new year. It’s fresh, it’s a total recovery from the band’s previous, most depressing album ever—Ghost Stories—and it’s inspiring just by being so darn positive. And not to worry, there are quite a few danceable tracks in there too. It wouldn’t be so bad to have this album playing while the clock strikes twelve and we all can finally start afresh.

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Beauty
How to: Achieve chiseled cheekbones via draping
Pile on the blush

07.10.2016
By Wei Yeen Loh

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This Spring/Summer 2017, it seems like a few good beauty trends from the past decades are coming back in full force, including sparkly shimmery eyes that were given a refreshing update at Marchesa. And just when we thought that contouring has taken a slight backseat this season, Chanel Spring/Summer 2017 levels up by reviving draping—pretty much the IT way to achieve flushed angles today.
Made popular by American makeup artist Way Bandy back in the ’60s and ’70s, draping involves contouring your features with blush instead of a typical dark shade of brown—think the au naturel flush you get after partying the whole night away. Here’s how you can ace the look effortlessly as demonstrated by makeup artist Tom Pecheux backstage at the show:

Step 1: Prep the skin with Hydra Beauty Micro Gel Yeux and La Solution 10 De Chanel for moisturised skin before applying makeup.
Step 2: Blend Les Beiges Healthy Glow Foundation over the complexion and dab Éclat Lumière Highlighter Face Pen and Correcteur Perfection Long Lasting Concealer to conceal dark areas and imperfections on the face. Finish with Les Beiges Healthy Glow Sheer Colour SPF15 for a sheer, luminous finish.
Step 3: Blend out the silver grey and dark grey shade from Les 4 Ombres Multi-Effect Quadra Eyeshadow in Tissé Smoky 246 over your eyelids, then apply the highlighting shade on the middle of your lids to make your eyes pop. Define brows with La Palette Sourcils De Chanel.

Step 4: Contour your cheekbones with the dark brown shade in Coco Code Blush Harmony and then buff it out with the coral pink colour. Extend upwards to the area next to your eyes and below your brow bone if you prefer.
Step 5: Complete your look with Rouge Allure Velvet and glide a layer of Rouge Allure Ink for a matte finish. Apply a dab of Gloss Volume Pumping Lipgloss in the middle of the lips for a pouty effect.

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Beauty
Cannes 2019: Stars brought old Hollywood glamour to the red carpet with this beauty look

15.05.2019
By Wei Yeen Loh

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It’s that time of the year again, when the French Riviera is swamped with A-listers and the most recognised faces in the international film industry, some of whom will bestow awards to deserving actors after taking in all the film screenings. Hot on the heels of last week’s Met Gala (where happy campers reveled in the most spectacular ensembles), celebrities brought class and restraint to the red carpet, giving us every reason to look forward to this 10-day long festival.

The first day of Cannes Film Festival 2019 kicked off with the likes of Elle Fanning, Selena Gomez, Chloe Sevigny, Tilda Swinton and more serving glamour in more ways than one. Stars took the opportunity to pull off a mini-trend in the form of old Hollywood glamour—crimson lips, full lashes, radiant complexion, complemented with pared back hairdos that showcase their stunning visages. Gomez upped the ante with a perfect cat eye, courtesy of celebrity makeup artist Hung Vanngo (tip: she’s wearing Marc Jacobs Beauty’s Le Marc Lip Creme in Oh! Miley, in case you’re obsessing over that lip perfection.)
Others who brought colour to the red carpet favoured a more subtle look by way of a pink lip. Thai socialite and actress Araya A. Hargate let her Ralph & Russo tulle creation steal the limelight by opting for a matte lippie and her signature full lashes, while Brazilian supermodel Izabel Goulart went with a monochromatic makeup look with a smoky pink eye makeup and matching rose-pink lips. Our personal favourite is Tilda Swinton, who never disappoints when it comes to going against the grain—we can’t decide what we love more: her edgy, tousled quiff or the surprising pop of bubblegum pink on her lips.
Below, our favourite first-day scene-stealers at Cannes Film Festival 2019:
{insert gallery tpl=”slide-freesize.tpl” id=”[Стандартная] Cannes 2019 Beauty” rid=”7232″ order=”a_tstamp”}

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Fashion
Just in: Olivier Lapidus is Lanvin’s new artistic director
An exploratory approach

11.07.2017
By Wei Yeen Loh

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After Bouchra Jarrar’s abrupt exit announced four days ago, Lanvin has appointed a new artistic director for womenswear: Olivier Lapidus. The designer will show his first collection for Lanvin during the upcoming Spring/Summer 2018 ready-to-wear season.

“My DNA is couture. I see the value in Jeanne Lanvin; I want to speak to the person she is and mine her DNA. I want to explore techniques and detail and give the brand meaning. We must get back to the fundamentals,” says Lapidus in an interview. “There’s a story to tell at Lanvin. In all modesty, I’d like to say that I’m going to do Jeanne by the book.”

Lapidus recently launched what he termed “the world’s first web-based couture house“, with a focus on experimental and innovative fabrics that customers can choose from via a see-now-buy-now option. The designer also holds more than 11 patents for innovations including a material made from fiber optics. While his inventive approach to couture might give a new lease of life to France’s oldest fashion house, it has been surmised that the appointment was not a joint decision by members of the board. Lanvin has been facing financial woes since 2012, with eroding revenues that Jarrar was unable to turn around during her 16-month stint.

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Bouchra Jarrar leaves Lanvin after only 16 months

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Fashion
Founder of Net-a-Porter Natalie Massenet joins rival, Farfetch
Not so farfetched

01.03.2017
By Buro247

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In 1999 when I first thought about selling fashion online, the world was just waking up to the possibility. Today we expect access to everything, anytime, anywhere.

Founder of Net-a-Porter, Natalie Massenet shocked the industry with her departure almost a year and a half ago. Now, she has garnered a collective gasp yet again with the announcement of her position as non-executive co-chairman at Farfetch, a rival to her previous company. Massenet will be working alongside executive co-chairman, founder and CEO José Neves to further the movement of e-commerce in the world of luxury fashion.

A post shared by Natalie Massenet, DBE (@nat_mass) on Feb 28, 2017 at 5:57am PST

Admitting his admiration for Massenet, Neves claims that “She really is the undisputed pioneer, paving the way for the rest of us by demonstrating that not only could luxury be sold online but also that the internet would eventually become the primary way consumers engage with brands, globally.”

The respect between the co-chairs appears mutual as Massenet expressed her excitement on joining the Farfetched team: “What Farfetched has done to rewrite rulebook on how technology can work alongside bricks and mortar to elevate the customer experience stands out in the industry – when José asked me to come on board it was an opportunity I couldn’t turn down.” “José is the best of our entrepreneurs; a brilliant mind, a visionary leader and a gentleman. I have been a fan since he founded Farfetch in 2008, admiring how José and his team have forged their own path in luxury e-commerce.”

Farfetch has released that they look forward to the proven business acumen, intuitive feel and passion Natalie Massenet will bring. A particular focus on growing the global brand and strengthening partnerships with the fashion industry are amongst the renewed goals the company has in sight.

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NFTs in fashion: A Balmain dress by Olivier Rousteing, Vogue Singapore digital covers and more

25.08.2021
By Buro Malaysia

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What is an NFT? Well, it stands for non-fungible tokens, and despite them growing increasingly popular, NFTs have actually existed since the mid-2010s. And while most people may have first heard of NFTs through the sale of a tweet—CEO of Twitter, Jack Dorsey’s first tweet was sold for US$2.9 million—or a meme, there is another universe in this metaverse that pays tribute to designers and creators.
For digital artists, in particular, it meant having a platform to sell their work and be acknowledged in this league of its own. So, yes, NFTs seem like a means to get bragging rights—since each NFT is one of its kind, literally—but the bigger picture is the support given to this new age of creators. The fashion industry has already jumped on the bandwagon: from Louis Vuitton celebrating its 200th birthday with an NFTs-filled game (and more) to virtual influencers releasing NFTs of their own to the sale of digital fashion itself.
There are obviously more to come, but if you’re in the market for it now, there are several exciting NFTs closer to home that might pique your interest—starting with the exclusive digital-only dress by Balmain. The NFT, titled ‘Flame Dress’, was created to celebrate Olivier Rousteing’s 10th anniversary as creative director and is a world-first made in collaboration with gaming company Altava for Vogue Singapore.

Olivier Rousteing’s sketches of the ‘Flame Dress’ designed exclusively for Vogue Singapore. | Note: Actual NFT is an animation.
The virtual off-shoulder emerald green gown set against an apocalyptic backdrop and set aflame will be available for auction as part of the Vogue Singapore September NFT collection.
The winner of the bid will receive the 3D rendering and fire animation of the ‘Flame Dress’; a digital Balmain Certificate of Authenticity; Rousteing’s sketches of the ‘Flame Dress’ showing both the front and back of the garment; and the ability to port the NFT dress into the fashion gaming app Altava.’
That’s not all. Vogue Singapore has revealed a unique print cover for its September issue—a QR code. Scan it, and the user will be led to two digital-only Vogue Singapore covers that will also be available for purchase as NFTs. Both covers—’Triumphant Awakening’ and ‘The RenaiXance Rising’—were a collaborative effort involving local and international digital designers such as Chad Knight, virtual world artist and 3D designer for Nike; digital fashion house The Fabricant; Singaporean fashion photographer turned 3D virtual model creator Shavonne Wong and more.

Vogue Singapore September Issue 2021 print cover

‘Triumphant Awakening’ by Chad Knight and Baëlf Design| Note: Actual NFT is an animation.

‘The RenaiXance Rising’ by The Fabricant and Shavonne Wong | Note: Actual NFT is an animation.

Following the global theme of ‘New Beginnings’, the NFTs galore doesn’t stop there. There are also stunning beauty NFTs designed with Korean makeup maestro Dain Yoon and a design NFT with Singaporean-Italian studio Lanzavecchia + Wai.
To enjoy the complete ‘New Beginnings’ experience, you can check out Vogue Singapore’s dedicated microsite here or scan the QR code on the print cover. You’ll be able to click on the animated digital covers, read more about the artists behind the artwork, purchase the print issue of the magazine, or be directed to purchase the NFT covers.

‘Peacock’ by Dain Yoon

‘Living Vase 01’ by Lanzavecchia + Wai | Note: Actual NFT is animated.

In addition, there are Vogue Singapore Mystery Boxes, which contain NFT artworks, to collect. These pieces of art portray the moment of sunrise in 10 cities around the world (Hong Kong, London, Milan, New York, Paris, Rio de Janeiro, Seoul, Shanghai, Sydney and Tokyo), accompanied by a Vogue astronaut. The collector of the entire series of ten Vogue Mystery Boxes will have the opportunity to purchase an eleventh and limited-edition Singapore sunrise NFT.

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Launched on August 20 via Binance NFT, the collection was created in partnership with Brytehall, an upcoming premium NFT platform, and NFKings Productions, a Binance-invested creatives and productions agency.

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The Vogue Singapore September NFT collection will be available for auction from September 20 on the Binance NFT marketplace. The auction is in collaboration with Brytehall—a premium NFT platform developed by Media Publishares in partnership with Vidy and Binance, the world’s largest cryptocurrency exchange. To receive updates and announcements regarding the NFT auctions dates, please register here.
Follow Vogue Singapore on Instagram, Facebook and Twitter.

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Culture
A guide to Chinese weddings for the clueless guest

26.02.2020
By Redzhanna Jazmin

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Us Malaysians really have a thing for complicated weddings riddled with symbolism and tradition. On one hand, it’s a wonderful opportunity to become truly immersed in the multicultural society we live in but on the other, keeping track of what’s going on at any given time can be a nightmare.
Like in Malay and Indian weddings, there sure are a lot of steps before a couple ties the knot. For the bride and groom, the pre-wedding rituals are extensive and it certainly doesn’t get easier on the wedding day itself. Lucky for you, you’re just a guest, so we can skip the nuances and focus on 1) giving you some context and 2) what you have to do.
Pre-wedding rituals
Betrothal Ceremony
This is the official proposal, and the formal meeting between the couple’s parents prior to the actual wedding day. Guo Da Li (过大礼) is where the groom’s family offers the bride’s family gifts to make the betrothal official. During this event, the gifts that the groom presents the bride’s family with include betrothal gift money, two pairs of Double Happiness candles (including two dragons and two phoenixes), cakes, fruits and jewellery for the bride.

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The bride’s family then returns the groom’s favours with their own gifts, including a portion of the betrothal gift money back (usually half), a gift for the groom, fruits and cakes. They also gift the groom a set of items to bring to the bridal chamber, where the bridal bed is set up, with each item symbolising a different pillar of marriage.
At the same time (or some time before), the couple’s families will pick a wedding date. Just like in Indian weddings, the ceremony must be held at an auspicious date and time. To ensure this, experts such as Buddhist monks and trusted fortune tellers are consulted to pick a day that doesn’t clash with the four pillars of the bride and groom’s birth time. once picked, the official wedding invitations are then sent out to relatives and friends to announce the wedding, along with gifts that include Double Happiness Cakes and other foods.
Bridal Bed (An Chuang 安床)

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A woman of good fortune from the groom’s family (with a living husband, children and grandchildren) will prepare the bridal bed a few days before the wedding (at an auspicious date and time). The bed is covered with new red linen, a plate of dried longan, lotus seeds, red dates, persimmons, pomegranate leaves and, of course, two red packets (ang pau). The significance of this ritual is to symbolise a long and healthy union.
If they really want to tie it all together, a young, healthy boy will be made to jump on the bed. That sounds a little rogue, but it’s meant to symbolise fertility for the couple. After that, no one is allowed to sit or sleep in it until after the wedding!
(Don’t worry. You’re not needed here.)
Hair combing ceremony (Shang Tou)
This occurs the night before the wedding, or early in the morning on the wedding day itself. Held at both the homes of the bride and groom, the couple are both bathed in water with pomelo leaves to cleanse the body and protect them from evil spirits.

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Then, the parents of the couple then perform the hair combing ceremony on them, which symbolises the ‘coming of age’ or attainment of maturity of the couple. In total their hair is combed four times, and with each stroke of the comb a different blessing is pronounced. The blessings include everlasting marriage, harmony in the marriage, fertility and fortune and good health.
Once the ceremony is complete, the couple is fed glutinous rice balls in syrup to bring about sweetness to their relationship.
(Again, you’re scot-free for this part.)
Wedding day
The first course of action for the big day is the groom making his way over to his bride’s house, where he will be received by a younger brother (or any young boy in a pinch) of the bride. The start of the journey is accompanied by firecrackers, drums and gongs to ward off bad spirits (and add to the excitement, of course).
For couples who practice Buddhist or Taoist customs, the bride’s family will set up a table of offerings for the gods and their ancestors to bless the couple with a long, happy marriage—while waiting for the groom to arrive. Apart from foods and sweet treats there will, of course, be incense sticks to burn.
Before the groom can meet his bride, he must complete a few novel tasks. Cue in: gate crashing.
Jip San Leong/Heng Tai Games

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Also known as ‘Gate Crashing’/’Collect the Bride’, these are a set of obstacles set by the bride’s friends (or bridal party) for the groom and his entourage to complete.
The objective of this ritual is to prove himself worthy of the bride (and for the bride’s friends to give the groom and his friends a healthy dose of humiliation). In short, if you’re in the bridal party this will probably be a lot of fun and if you’re in the groom’s entourage–good luck!
Once the groom and his friends complete their challenge—by bribing the bridal party into releasing his bride back to him with a red packet, the happy couple can make their way over to the groom’s house. As they arrive at their new home, a red carpet is laid out so as to prevent the bride’s feet from touching the ground. Once in the groom’s home, the groom is able to then officially ask for the bride’s hand in marriage, exchange rings and lift her (traditionally red) veil for a smooch.

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If you’re wondering when the vows are gonna happen, you’re out of luck. Vows are typically the shortest part of the wedding day (they don’t even take place during the ceremony!) This may be confusing, but the vows happen at a local government office before the celebration where the paperwork is signed in an intimate ceremony. Dependent on religion/customs observed, the couple stand at the family altar and pay their respects to nature, their ancestors and their gods during the ceremony. No guests watch the actual unionisation of the couple—just the celebration of it!
Tea Ceremony

This is the ceremony that makes the marriage ‘official’, and it is held either on the day of the marriage ceremony or the day after at both the bride and groom’s respective family homes.
In the tea ceremony, the bride and groom serve Tsao Chün tea to their parents and their older married relatives to signify love, respect and gratitude. The order is as follows: the groom’s parents, then the rest of the relatives from oldest to youngest. After the elders sip their teas, they hand the newlyweds a red packet.
Reception
Typically held in a hotel ballroom, the reception is usually a Chinese banquet—a huge feast with all the friends and family of bride and groom present. During the reception, the couple will make their rounds and greet their guests who will be dining and dancing to their hearts content.
Like at any wedding reception, if you’re not particularly close to the couple it’s likely you’ll be attending the reception only. Either way, it’s an opportunity for the guests to mingle, party and celebrate the newlyweds, so relax and and enjoy yourself!

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As in a traditional western wedding, the bride and group will cut the cake. Although it isn’t part of any Chinese tradition, modern couples have made this an increasing phenomenon at their weddings—the only catch is that the cake is barely real (for some at least). Yes: the delicious five-tiered extravaganza your mouth watered over is predominantly inedible, and just for show. Cruel deception aside, to the newlywed’s credit, it’s a great way to save on wedding expenses.

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One thing that may leave you particularly confused, especially as a novice attendee at a Chinese wedding, is the Grand Toast. In other words, this is the part of the night where the bride and groom and their parents stand on stage and toast with the guests three times. The toast simply requires you to say ‘Cheers’ in Cantonese, phonetically spelt as “Yam Seng“. All you have to remember is to drag out the “Yam” as long as possible, then finish off with a loud, celebratory “Seng!“. If this is all too much don’t fret—if you’re not sure what to do, follow thy neighbours actions.
Customs of the wedding reception:

As in Malay and Indian weddings, you will be bringing an ang pau (monetary gift) for the newlyweds in a red packet. There is no set amount to give, so depending on how close you are to the couple and where the wedding is hosted at, it can range anywhere from RM100-RM5000.
Remember not to give your ang pau in a white or black envelope as these colours are associated with funerals.
Respectfully congratulate the elders, which means be polite and definitely don’t attempt auspicious wishes unless you’re sure you’ve nailed it (you could just end up offending them).
Don’t bring a plus one if your invitation is addressed only to you (ditch the kids and have a night out!)
Good luck trying to speak to the newlyweds, especially if the reception is on the larger side—with all their guests, it’s nearly impossible for them to address everyone personally .

How to dress for the wedding

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Just because the bride has four outfit changes (yes, the bride is likely to have multiple outfits) doesn’t mean you have to! You could wear a traditional Chinese outfit (click here for some inspo), or just opt for a formal evening gown or suit.
Avoid black or white outfits as these are associated with funerals (men, we know a black suit is hard to avoid, but try to spice it up with a coloured shirt or tie!)

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Features
Selangor’s Princess Zatashah, Celest Thoi and Izrin Ismail on creating Disney Princess-inspired couture for charity

01.12.2021
By Kelly Lim

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Who was your favourite Disney Princess when you were growing up? Was it Belle, who dared to be different? Or Moana, who was always up for new challenges? Highlighting the values and strengths of its star heroines, this year’s global Ultimate Princess Celebration by Disney sees leading Malaysian designers––Alia Bastamam, Celest Thoi, Fiziwoo, Innai Red, Khoon Hooi, Melinda Looi, Mimpikita and Variante––join forces with Make-A-Wish Malaysia Royal Patron, Her Highness Princess Zatashah of Selangor, to bring to life a one-of-a-kind Disney Princess-inspired couture collection.

From L-R: Designers of Khoon Hooi, Nurul Zulkifli, Alia Bastamam, Melinda Looi, Yang Amat Mulia Tengku Zatashah binti Sultan Sharafuddin Idris Shah, Hafizi Radzi Woo, Izree Kai Hafiz, Celest Thoi, Leslie Variyan and Izrin Ismail

From L to R: Ensembles inspired by Pocahontas, Jasmine, Mulan, Rapunzel, Snow White, YAM Tengku Zatashah, Ariel, Belle, Moana, Aurora, Cinderella, Anna and Elsa

In celebration of courage and kindness, each designer brings their distinct styles and interpretations to the tales of Disney’s most iconic heroines, injecting them with a local, modern twist––from Celest Thoi’s regal five-in-one Cinderella dress inspired by the stitching and sewing helped by her animal friends, to Izrin Ismail of Innai Red’s Kebaya top adorned with a statement embellished rose to reflect of Belle’s inner beauty and bravery. The collector’s pieces will be up for auction this December, with proceeds going to Make-A-Wish Malaysia, which grants life-changing wish experiences for children with critical illnesses in Peninsula and East Malaysia. Worldwide, more than 145,000 wishes have been granted through Disney’s partnership with Make-A-Wish.
Ahead, we spoke to Princess Zatashah herself, as well as designers Celest Thoi and Izrin Ismail of Innai Red, on the dream-come-true collection and auction:
Princess Zatashah

BURO: How did the idea behind the Ultimate Princess Celebration and couture designs by the Disney Princesses came about?
Princess Zatashah: “Globally, Disney has been working with Make-A-Wish for over 40 years, and embarked on more local team-ups up with Make-A-Wish Malaysia since 2018. With the launch of the Ultimate Princess Celebration, which shines a spotlight on how Disney heroines inspire courage and kindness, it was the perfect moment for all of us to come together to benefit a great cause.”
“The Ultimate Princess Celebration is close to my heart as it embodies values I believe in, such as staying fearless in the face of challenges and being kind in thought, word and deed. We’re so glad that eight of Malaysia’s top designers embarked on this journey with us. I have always admired these designers’ unique styles, so it was incredible to see how they incorporated their signature styles with each Disney Princess. This has been my most exciting project in 2021 for sure!”
BURO: Could you tell us a little bit more about your work with Make-a-Wish Malaysia?
Princess Zatashah: “I’ve been Royal Patron of Make-A-Wish Malaysia since 2015 and not only do we embark on fundraising projects, charity runs, but the best part of what we do is our Wish Granting. I have been involved with granting many wishes over the years, from our Wish Kids wanting to be Rapunzel and inviting them to the palace for a tour, afternoon tea and games, to organising special movie screening of Disney’s Frozen 2 for all our Wish Kids at the cinema, alongside a Winter Wonderland stay at SnoWalk theme park. I try to attend as many wishes as I can whether it is online due to pandemic lockdown or physical wishes in the toy store. I love gifting toys that I’ve bought for our Wish Kids. Nothing beats seeing the smile and laughter from our children.”

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BURO: What can we expect from the upcoming auction and how will it benefit the organization?
Princess Zatashah: “The public may learn more about the couture designs and register their interest for the auction from now until December 8 here. There, they may click on “I am interested to buy a dress”. The twelve winners of the auction will be announced on December 9. Proceeds from the auction will go towards Make-A-Wish Malaysia to grant life-changing wish experiences for children with critical illnesses in Malaysia.”
BURO: As a real-life princess yourself, you also embody the characteristics of courage and kindness through your countless philanthropic initiatives, activism, and achievements. Is there a Disney Princess that you relate to the most, and why?
Princess Zatashah: “If I had to pick one Disney Princess it would have to be Snow White. I loved Snow White as a kid—I love her kindness and compassion, and how she befriends the forest animals and beloved by the Seven Dwarfs who became her friends. Although she went through adversity, faced against evil, she confronted her fears with resilience and optimism. She has a wonderful story!”

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“Having said that, I do love all the Disney Princess characters. Like many people, I grew up with Disney Princess stories and still have a connection with them today. They show us that we can all become extraordinary heroes by being our authentic selves and impacting the world through actions big and small. I truly believe that courage and kindness is an intrinsic way of life, and to have empathy and compassion for those around us.”
Celest Thoi

BURO: Could you explain the concept and inspiration behind your design?
Celest: “I grew up with Disney and still have memorable moments imprinted in my mind like Aurora singing and dancing with her cute animal friends, as well as the iconic Cinderella moment when the Fairy Godmother transforms her ragged clothes into a grand ball gown. With these moments in mind, I designed an Aurora- inspired dusty blush pink gown with rose gold glitter that one can dance and dazzle in. With a soft tulle cape as the icing on the cake, exuding that regal final touch.”

“For Cinderella, I wanted to pay homage to the iconic transformation scene, so I designed a five-in-one ensemble. This idea was to have any modern “Cinderella” seamlessly transform from her day look into something more formal with added detachable straps and an overlay skirt. The base is a short strapless lace pencil cut dress with detachable straps. An optional nude tulle bodysuit with embroidered lace for a more modest look. Add on the lace cascading overlay skirt for an evening look.”
BURO: What was the creative process like?
Celest: “We started with sketching a few looks to narrow down what we have created. We wanted to keep the iconic colours that are recognisable and signature to both the Disney Princess characters: powder blue for Cinderella and dusty blush pink for Aurora.”

“After determining what we wanted to create, we had to source fabrics in the right texture to build the right silhouette that I envisioned. It was more challenging than normal as these creations were completed during the nationwide lockdown. However, what kept us going was that we were inspired by Cinderella’s “Dare to Dream” attitude as she believes her circumstances will change, and she does not give up easily.”
BURO: Could you describe how details of the couture piece reflect the unique traits of the Disney Princess with a local, modern twist?
Celest: “Normally, I design with the subject’s personality and environment in mind. As for the couture creations inspired by the Disney Princess characters, I used mainly soft tulle and satin for Aurora to give that flowing, romantic feel as Aurora is feminine and graceful. The soft tulle cape is an optional add-on to create a more regal feel to the whole outfit. The wearer can achieve an elegant look with or without the cape which is great for any formal dinner or occasion.”

“For my Cinderella-inspired ensemble, I used powder-blue embroidered lace to give the dress a modern yet timeless look. Then I created a classic bustier full-lace pencil cut dress as the base with add on details like a pair of soft tulle detachable straps, an optional illusion V-neck bodysuit with patched laces and a long overlay organza skirt to transform it into a dreamy, floating ballgown befitting a dreamer like Cinderella. I can imagine ‘A Dream Is a Wish Your Heart Makes’ playing in the background. I envisioned a modern working lady wearing this pencil cut dress to the office with a jacket. And when it is time to go to a party, she will throw the overlay skirt over and voila! It’s an evening number suitable for black-tie.”
BURO: How did designing for this project differ from designing bespoke pieces for bridal or evening wear?
Celest: “Disney stories and heroes will forever be part of our culture, transcending generations to come. It is consistent with my core design principle of timeless elegance. I was honoured to work with Disney, and I wanted to find a unique way to translate Aurora and Cinderella’s courageous and kind personalities into gowns. There are not many differences in terms of design processes. This is because when I work with my brides and clients, I spend time with each of them to find out more about them before I start sketching. In other words, I need to understand their characters first to draw inspiration before sketching anything.”

BURO: What is one wish you have for the future of local fashion?
Celest: “I grew up admiring the major designer Maisons like Dior and Chanel. I still do. Their legacy, innovation and quality continue to set the benchmark for industry standards. Although some local fashion brands have stuck around for some time, there has yet to be a lasting one within the luxury segment. My hope is for one of us to be able to stand shoulder to shoulder with any atelier in the world. To achieve this, the business of fashion requires an ecosystem.”
“Firstly, locals should always support locals. Secondly, government agencies should also provide more support to the fashion industry similar to how the organisers from Tokyo, Hong Kong, New York, Paris and Milan are fully supported by the government, which then attracts global buyers. And finally, to have better understanding from financiers to give fashion startups a chance.”
Izrin Ismail

BURO: Could you explain the concept and inspiration behind your design(s)?
Izrin: “There were two couture creations that I created: the first piece was inspired by Belle from The Beauty and the Beast. My team and I were inspired by the scene when Belle walked down the grand staircase in her iconic yellow gown. It is arguably one of the most memorable scenes and recognisable, stunning outfits for Belle. With this in mind, we wanted to embrace designing a look that was whimsical with a fresh outlook.”
“Instead of focusing on designing a one-piece gown, we decided to opt for a two-piece ensemble. We injected a local twist: a reimagined Kebaya top with overlap detail and a statement embellishment of the “Enchanted Rose”. The rose is an iconic symbol in the movie, and I feel that it represents not only the fragile nature of life and the Beast’s need to reform from his previous life of vanity and excess, but also Belle’s compassion and courage to always see the best in people, and help break the curse. This modern top is paired with a tea-length tulle pleated skirt that forms scallop tiers.”

“My second piece was inspired by Moana. As Moana is a character that is deeply rooted in Polynesian tradition, we decided to recreate a modern translation drawing inspiration from the volume, texture, and color palette of Moana’s outfit. The outcome is a dress designed in sunset shades, a soft nude tulle that was then pleated in a sun-ray pattern. The upper bodice features a draped tulle in overlapping halter fashion with turquoise crystal beads embellishing the outlines. The lace applied on the waistline of the dress features mixed tones of coral, orange, and sea blue with fully beaded 3D floral appliqué––colours representing Moana’s love for the coastal outdoors.”
BURO: What was the creative process like?
Izrin: “We started by rewatching the movies, both Beauty and the Beast and Moana, to gain inspiration. Throughout the two movies, we then decided which scenes and traits of each Disney Princess we wanted to capture.”

“After that, we put together a mood board of each Disney Princess and their aesthetics, details, and songs from their movies. As we were working on these couture creations during the lockdown, my team and I faced challenges sourcing fabrications, but we were able to find beautiful fabrics that suited the designs that we intended for each Disney Princess. We passed it on to our team, which included the cutter, pleating supplier, and our seamstresses to complete the finished creation. The whole process took two months, which was slightly longer than usual, due to the lockdown. The two couture creations were finally completed during the lockdown period.”
BURO: Could you describe how details of the couture piece reflect the unique traits of the Disney Princess with a local, modern twist?
Izrin: “Our design pieces reflect Belle’s confidence in always being true to herself, with a fitted re-imagined Kebaya top in concoctions of yellow rose and gold leaves adorned with the embellished enchanted rose replacing the Kerongsang. Before creating the dress, we had to find the right shade of yellow that is evocative of Belle.”

“As for Moana, she daringly sails after her dreams and is an inspiration to us all with her strong nature, forging her path and overcoming obstacles in front of her. As the design of her dress was also deeply rooted in tradition, it did pose a challenge for us especially since Polynesian fabrications and design tend to be meticulously hand-crafted. Therefore, we decided on a modern translation drawing inspiration from the volumes to the textures and coloration of Moana’s outfit and tried to incorporate as much without overwhelming the design.”
BURO: How did designing for this project differ from designing bespoke pieces for bridal or evening wear?
Izrin: “The creation processes for the couture pieces inspired by these two Disney Princess heroines did not differ much from designing bespoke pieces for bridal or special evening wear occasions. The design processes remain the same. However, the slight difference was that we needed more time sourcing for the fabrications and elements that can better represent the characters in our design and make it more wearable and avoid being costume-like.”

BURO: What is one wish you have for the future of local fashion?
Izrin: “My wish for future local fashion is to see more collaborations with reputable global brands whether in the fashion or non-fashion fields.”
For more information on Disney’s Ultimate Princess Celebration and ongoing auction until December 8, go here.
Read more fashion insider stories here.

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Watches
Van Cleef & Arpels unveils new Perlée bracelets

16.10.2018
By Angelyn Kwek

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You know a jewellery design is iconic if even the everyday layman has to give it only a passing glance before that lightbulb of recognition goes off. Chief among them is the Perlée by Van Cleef & Arpels — actually, let’s round off the list with the Alhambra and Frivole while we’re at it — with its beautifully vintage aesthetic and that distinctive beaded design. And the maison knows it too; as it expands the Perlée collection with two new bracelets that plays up the signature beaded look like you’ve never seen before.

Inspired by its famed Between the Finger Ring, the new additions gleam with a volume and radiance that magnifies what was once simply a beaded trim into an all-over embellishment across the open bracelet design. Capped on either ends by diamonds and cabochons of hard stones in malachite, carnelian, or turquoise, the Perlée look thus becomes a sparkling cascade encircling the wrist. These beaded beauties are pretty diverse too for all your layering and stacking tendencies, available in iterations of yellow, pink and white gold as well as a secondary design that features a more traditional make — that of a classic band with the Perlée border, except elevated with glittering diamonds running across its surface.
Already thinking of how many ways you can get your Perlée on? Then check out the gallery below for more ways to wear and a close-up of the new bracelets:
{insert gallery tpl=”slide-freesize.tpl” id=”[Стандартная] Van cleef arpels perlee” rid=”6679″ order=”a_tstamp”}
The Perlée collection is available at all Van Cleef & Arpels boutiques.

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Motoring
The Aston Martin DBX—now available in Malaysia—is a luxury SUV with the soul of a sports car

10.10.2020
By Ronn Tan

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The British automaker made waves in the motoring industry when they announced the release of the DBX back in December 2020. This is Aston Martin‘s inaugural SUV in its 106-year-old history after all. Marking a new horizon for the brand with its arrival, the DBX is finally available here in the Malaysian market—and its thoroughly exciting.

Introduced by Aston Martin Kuala Lumpur, the DBX is founded on the principles of beauty, luxury and driving dynamics as well as powered by the spirit of adventure. These are elements you are sure to notice in the vehicle. Virtual development for the DBX began in 2015 and physical testing started in Wales in 2018.

Using bonded aluminium, the body structure of the DBX is described as both light and stiff—helping in the delivery of an overall kerbweight of 2,245 kilogrammes. To provide the new SUV with a huge breadth of ability, the latest 48-volt electric anti-roll control system (eARC) and electronic adaptive dampers are combined with adaptive triple volume air suspension.

The DBX is powered by a new version of the four-litre, twin turbocharged V8 engine found in DB11 and Vantage—and paired with a nine-speed torque convertor automatic gearbox. The new SUV can go from zero to 100 kilometres per hour in 4.5 seconds and has  a top speed of 290 kilometres per hour. Oh, this is also Aston Martin’s first ever full-size five-seater.

On the outside, this is an Aston Martin from first glance to detailed inspection. It’s apparent with the signature ‘DB’ grille at the front, the sculptured sides, design feature line, and the tailgate with a flip that draws inspiration from Vantage. That isn’t all as sleekness and elegance are added through the presence of the hidden side glass seals on the frameless doors and glass B-pillar finishers.

To reduce both drag and lift while also cooling the brakes, the daytime running lights (DRLs) have an integrated aerodynamic duct at the car’s front—channelling air through the front wheel arches and along the side. In addition, cabin noise is said to be kept to a minimum at speed using computational aeroacoustics technology.

As for the interior, you will find a full-length glass panoramic roof and frameless door glass, separate central armrests, and glovebox design. The seats are trimmed in full grain leather, sourced from long-term partner, Bridge of Weir—and both the headlining and electric roof blind are available in Alcantara finish. This is an industry first.

The Aston Martin DBX comes with a myriad of innovative materials and another industry first—the application of a fabric made from 80 per cent wool. There is a 10.25-inch TFT screen in the centre console and a huge 12.3-inch TFT screen providing information to the driver. Other things to note include the 360º camera system and ambient lighting offering 64 different colours in two zones.

With its all-wheel drive system, the DBX will be built in Britain at the automaker’s new manufacturing plant in St Athan, Wales. Priced at RM818,000, the DBX is now available for viewing. Clearly, this is a vehicle that Aston Martin is truly proud of and rightly so. What are your thoughts on the DBX?
For more information, visit this website.

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Lifestyle
A look at popular Instagram aesthetic feeds: What are they and should you have one?

27.07.2020
By Marissa Chin

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We all know Instagram has morphed into a different sort of animal from its debut back in 2010. Unlike its previous “snap and post” days, people are pouring tons of effort into their Instagram feeds to achieve #FeedGoals. Every post is meticulously planned (and pre-planned), hours (yes, hours) are spent on perfectly balancing the shadows and highlights—you get the gist.
Everyone’s IG game seems to be in tip-top shape and it’s mostly because of these Instagram feeds they are following. If you have been wanting to do the same, here are up-and-coming (and familiar) feed themes you can consider adopting:

White borders

@_lifethrougha.lens_
Ah, who can forget the iconic white borders that just about everyone sported at one point in their Instagram career? Back then, posting full-squares was a big no-no (oh, how the tables have turned) and the only way to rack up cool points was to add white borders around your photos. We’re not going to talk them down, though—the borders immediately add a clean minimalistic feel to your feed. It’s also making a serious comeback, which we’re not mad about.

Favourite filter

@ellesenparlent
You know how the saying goes: “If it ain’t broke, don’t fix it.” So if you like how a particular filter looks, why not use it for, well, every photo? If you can’t decide which aesthetic to commit to, reusing the same filter is a sure-fire way of creating an aesthetically-pleasing IG feed, stat. Not only will it save you hours in the editing room, but your feed will also immediately look cohesive which is the goal of any feed theme.

Minimalist

@minimaliststyle
Don’t be mistaken: a minimalist feed doesn’t mean that you have to hold back on the colour, although you can if that’s your vibe. This aesthetic theme mainly plays around with negative space, giving the subject the “breathing space” it needs without assaulting the eyes too much. This theme doesn’t restrict you in what colour palettes you choose, rather it’s the experimentation with space that ties the whole feed together.

Greyscale

@carlycristman
Not everyone is a fan of bright colours, we get that. Here’s a popular aesthetic theme that’s perfect for a monotone look without being too dull. With this theme, your feed looks controlled, clean and chic sans any potential colour distractions. It’s the perfect swaths of shades of grey Christian would be proud of.

Vintage tint

@seventiees
The 90s is definitely the new 2000s. If you’re a fan of all things vintage, then consider a vintage filter that casts a soft and shiny glow over your shots for that retro effect. As you can see, the content of the images doesn’t matter as much, so you have free reign there. All you need is a mellow filter to do the trick and you’re done.

Colour-coordinated

You can never go wrong with sticking to one colour story. The sky’s the limit with what colours you want to coordinate your feed with: you can use earth-toned hues like social media personality Bella Fiori (@isabella_fiori) or go completely pastel, like photographer Maria Marie (@cestmaria) pictured above. But if you’re particularly finicky and can’t stick to one colour palette, then…
Rainbow technicolour

@sarah_peretz
Let the rainbow colour wheel be your guide. This is definitely a niche aesthetic theme that’s not for everyone but it’ll definitely elicit some “oohs” and “ahhs” from your peers. As they scroll down your feed, each image slowly fades into the next in a beautiful colour gradient that’s oh-so-pleasing. Popular makeup guru Michelle Pan even gave it a whirl!

Should you have an Instagram feed theme?
We’ve given you a whole list of feed themes to try out so it seems a tad counter-productive to suggest otherwise—but, these themes won’t be the answer to everything. Here are some things to bear in mind:

It will be challenging to commit to any theme because every photo you post has to match it—what if you really like a photo but it looks out of place on your feed?
You might fall into the trap of taking pictures for your feed instead of taking pictures for you. Hear us out: if your feed is beige-themed, then you’re going to look for beige objects to snap. And that’s a chore if you’re going to eat Mala for lunch.
Creating a themed Instagram feed means that your followers expect certain photos from you. If you decide to post outside of your aesthetic, there’s a huge chance you’ll quickly lose those followers. Eek.

Read: Team BURO Answers—Reacting to our first instagram photos
Not everyone’s life is that cohesive and planned out, is it? Instagram is all about how you present yourself online but if your life is a whirlwind of clashing colours and mismatched backgrounds, there’s no shame in showing that off either.

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Lifestyle
Kit Kat sushi is the latest bizarre hybrid food you’ll want
We’re not kit-ding

31.01.2017
By Rachel Au

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Thanks to our #InstaLove series, we’ve seen quite a number of interesting desserts and snacks from around the world. That, and Coachella. After seeing sushi donuts (and learning how to make them), we didn’t think anyone could top another sushi hybrid – until now. The limited edition Kit Kat sushi will come in three flavours: maguro (tuna), tamago (egg) and uni (sea urchin).

Don’t worry though as they’re only flavours in name that are inspired by its looks, and not taste. Also, the Kit Kat bars aren’t actually placed on top of real sushi rice, but on puffed rice – although it does use real seaweed.

So what will they taste like? Well, maguro uses a raspberry-flavoured Kit Kat on top of puffed white chocolate rice, tamago is pumpkin pudding-flavoured with puffed white chocolate rice, and uni is Hokkaido melon and mascarpone cheese Kit Kats wrapped in seaweed.

These limited edition Kit Kat sushi will be available for 3,000 yen from 2 – 4 February at Tokyo’s first street-facing Kit Kat shop.

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Culture
Where you can experience a unique scent experience by Aesop
Linking scent and memory

17.08.2017
By Su Fen Tan

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Scent is a simple yet rather powerful sensory cue. Smells have the ability to trigger strong memories, and even emotions at times. Building on this intimate link between scent and memory, Aesop presents ‘Nostos: Records of the Self’—an immersive scent experience initiated by light—which will run in conjunction with the Singapore Night Festival from 18 to 26 August.

The sensory experience takes inspiration from the Greek word nóstos, which means homecoming or return. Paired with álgos, meaning ache, the two words form ‘nostalgia’—a feeling for which scent is an evocative trigger. ‘Nostos: Records of the Self’ hopes to invoke a nostalgic homecoming.

As Singapore Night Festival celebrates its 10th anniversary this year, a unique scent is crafted by Aesop to mark the occasion and inspire the festival. Light will be used to heat essential oils in 10 handcrafted steel wells, prompting the scent to permeate the space and create a calming environment of respite and reflection. Visitors will be invited to navigate the space by way of olfactory senses, imprinting the scent to memory for future recollection.

“An anniversary is a moment to reflect, and this experience pauses on the connection between scent and memory. Scent has the ability to attach to specific moments in our minds and hence to transport us through personal recollections,” says Marsha Meredith, Aesop’s Creative Director. “It has always been central to Aesop’s expression, evident as a by-product of the combination of botanical ingredients selected for their efficacy, but also in our environments. In this instance, Bergamot, Sandalwood and Olibanum have been selected to foster an environment for lasting impressions.”

‘Nostos: Records of the Self’ will run from 18 to 26 August 2017 at Gallery 10, National Museum of Singapore.

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Body + Wellness
3 Indulgent ways to kickstart your #selfcare weekend right now

13.12.2019
By Wei Yeen Loh

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All the new facials you need to try for better, brighter skin this 2023

As we count down to the last two weeks of 2019 (where has time gone), it’s only fitting to treat yourself to a seriously decadent experience of head-to-toe treatments. From a facial that promises to turn back the effect of time on your skin to an Oriental meridian massage that promotes blood circulation, these are the best ways to put the capital S in #selfcare before the year ends:
#1 Explore this all-in-one wellness hub

“The future of wellness is now in Kota Damansara. We recently checked out the luxurious Future of Wellness (FoW), Malaysia’s first integrated wellness hub, featuring an impressive array of hair and beauty, spa, wellness and medical services across four floors, making it the latest (and much needed) self-care sanctuary for the weekend.
“A unique space where western treatments meet eastern healing techniques, FoW is also spearheading a downshifting movement, a crucial reminder for us to slow down, regain balance and live more intentionally through restorative treatments and practices from up to 10 leading ‘residents’ in its vast 23,000 sq ft space including:

OhanaJo Studio, the largest yoga and sound healing centre in Malaysia
Jari Jari Spa, winner of ASEAN Best Spa Standards Award and the only spa in Malaysia to offer ethnic Borneo massages with Himalayan sound healing elements
BondHaven, a modern breastfeeding centre integrating traditional Malay maternal care
1TCM, where traditional Chinese treatments meets modern science
WorkWell, Malaysia’s first wellness themed co-working space, and more.

“FoW is the brainchild of founder Patrick Wee, a key player in the Malaysian wellness scene following his success in bringing quality and affordable treatments to the masses at 36 (and counting) HealthLand outlets nationwide. Continuing his path, which was largely inspired by his personal strive to overcome health challenges over the years, FoW is a new and elevated concept dedicated not just to health and beauty but a much larger conversation surrounding mindful living, and is set to revolutionize how Malaysians can find some inner calm in our incredibly busy and fast-paced city lives.” – Terry Saw, Editor-in-Chief
Future of Wellness (FoW) is located at 22A, 26, 28 Jalan PJU 5/4, Dataran Sunway Kota Damansara. Hours are 10am-11pm (daily), call +603 2106 6888 for more details.
#2 Turn back the effects of time with a facial

“I guess it’s true when they say youth is wasted on the young. I wasn’t quite the believer of sunscreen and serum in my younger days. But now that I’m in my mid-30s, I understand more than ever the importance of taking care of one’s skin and doing whatever I can to stop slow down the effects of time. I’m blessed in the sense that I have good genetics but anti-ageing skincare has become an important part of my beauty routine.
“I gladly visited Neal’s Yard Remedies at The Gardens recently to have my face kneaded and rolled back into shape with its OxyLift Carat Facial that is targeted at “unwinding the effects of time” while learning more about its premium frankincense range. Since ancient times, frankincense has been highly sought after for its many positive benefits including enhancing spiritual practice and beauty routines.
“‘Scientific research has found that frankincense has antioxidant, anti-inflammatory and anti-bacterial properties,’ explained Gloria Yuan, Neal’s Yard Remedies international trainer and certified aromatherapist. ‘Frankincense is one of the most precious aromatic resins that you can find in skincare today because of these beneficial properties. Harvesting it takes a long time as frankincense resins (saps from tree) can only mostly be found in Oman, Yemen and some parts of Africa. There are 25 known species and most grow in the desert or rocky mountain and in harsh climates.’
“With my newfound knowledge on frankincense, I went into the spa room to fully experience its benefits coupled with modern technologies. My session started off with a manual “inspection” by the therapist using touch, feel and keen-eye scrutiny across every inch of my face. This was done to determine my skin type, concerns and prescribe the best product combo for all my needs.
“Apparently, my skin is dry. Many times I’ve gone to a facial and been told my skin is akin to a Sahara desert but I don’t really see it as there aren’t any noticeable tight sensation or flakiness. Ageing causes a weaker barrier function and thus lead to drier skin, wrinkles, fine lines, and more.
“As the therapist started on a double cleansing, she explained that the OxyLift Carat Facial is really good for my face to bring back the glow, plump, firm and contour, and reduce the signs of ageing. She followed this with a facial steam and extraction, which thankfully didn’t leave me screaming bloody murder. To calm down my skin, the therapist gave me a soothing massage with a blend of a few essential oils that include jojoba, rosehip and frankincense (from the brand’s Rejuvenating Frankincense range). She then used the ReFa Carat platinum roller to get the circulation pumped up and reduced puffiness. This was my favourite part as it was totally relaxing. With the oxygen jet spraying over my face, my skin was infused with a blast of oxygen and frankincense toner followed by moisturiser.
“The facial ended with the most relaxing hands and shoulder massage. Post treatment, my serotonin was on a high and I’ve not felt more rejuvenated at a facial than I did before, plus my skin was positively firmer with less dark circles around my eye area.” – Gwen Ong, Associate Editor
OxyLift Carat Facial ((105 minutes / RM428) is available at Neal’s Yard Remedies boutiques
#3 Pamper your body in an Oriental meridian massage

“Anyone who’s looking for a personalised full-body ritual can opt for Mandarin Oriental Kuala Lumpur’s signature Oriental Qi body oil treatment. What sets it apart from the other customised spa treatments in the market is the incorporation of Traditional Chinese Medicine techniques (via oriental meridian massage strokes) and holistic practices with custom-blended essential oils.
“I was looking for a way to relieve the tension in my shoulders—no thanks to terrible desk posture; and was curious to see how Oriental Qi would help alleviate these tense knots. After filling out a questionnaire to glean whether my body’s disposition was more Yin or Yang (I scored higher on the latter), I was asked to pick one out of five aromatherapy oils categorised under five elements i.e. wood, earth, fire, water and metal.
“My choice was ‘Flourish’ (earth), a combination of lemongrass and coriander that smelled invigorating to boot. My treatment then started out with a warm foot soak, followed by a meticulous massage that included kneading strokes with just-enough pressure to sort out my stiff shoulders and back. According to my therapist, the massage technique is applied along the meridian lines of the body to help remove “blockages” and release qi (energy flow) for better blood circulation.
“I admit—a part of me was skeptical about this treatment’s efficacy, but an hour and 50 minutes later, my body was testament that one should always keep an open mind when it comes to spa treatments as such. My shoulders were free of the tense knots from before the session, while my limbs hovered between a state of jelly-like and wonderfully stretched-out. I may or may not have lulled in a zoned-out state of mind (and body) after the treatment—if only it was a weekend that I had taken up this review.” – Loh Wei Yeen, Beauty Editor
Oriental Qi is priced at RM 730 nett (1 hour 50 minutes). Book it now before 31 December to receive a personalised elemental oil and a mini guide with each treatment. Advance booking is required—call The Spa at 03-21798772 or email [email protected].

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