title: Even Cowgirls Get the Blues (John Cale album)
The Blank Generation
Koyaanisqatsi
Garage (band)
Victor Dominicis
Alphabet City (film)
Urban Waste (band)
Amos Poe
Terry Ork
Hardcore punk
sentences: Even Cowgirls Get the Blues is the third live album by Welsh musician John Cale.
 It was originally released on LP in 1986 and then later reissued on cassette in 1987 with a different cover and drastically altered track listing.
 In 1991 it was reissued on CD with a third cover design, but with contents identical to the cassette edition.
 It was recorded in CBGB club in New York between 1978 and 1979 with three former members of Patti Smith Group, bassist Ivan Kral, keyboardist Bruce Brody and drummer Jay Dee Daugherty.
 The LP version contains different track listing than CD.
The Blank Generation is the earliest published D-I-Y "home movies" of New York punk's birth filmed by Amos Poe and Ivan Kral, legendary 1970s guitarist with Iggy Pop, Blondie and Patti Smith.
Koyaanisqatsi ( ), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke.
Garage (formerly "Garáž") is a rock band from the Czech Republic.
 The band was founded in Prague in 1979 by Ivo Pospíšil from DG 307.
 In 1980s there he played on guitar Milan Hlavsa from The Plastic People of the Universe.
 After the Velvet Revolution in 1989 Garage concerts in abroad (New York, Switzerland, Germany, Belgium and France).
 At that time the band played Joe Karafiát, one of the most acclaimed solo guitarists in Prague, who lived in Canada before the revolution.
 In 1994 was released album "Garage", produced by Ivan Kral (former member of Patti Smith Group).
Victor Dominicis is a New York punk rock guitarist known for the bands Nausea and for playing bass guitar in Reagan Youth .
 He is notable for being a pioneer in the American crust punk style blending punk and heavy metal.
 His influence can be seen in countless metal and punk bands that have followed.
 He currently plays lead guitar in the New York-based surf/instrumental group The Coffin Daggers.
Alphabet City is an American 1984 crime drama film directed by Amos Poe.
 The story follows a young gangster of Italian descent named Johnny, who has been given control over his own neighborhood by the Mob.
 Then unknown actors Vincent Spano (as Johnny), Jami Gertz, and Michael Winslow give compelling performances in this low-budget crime/drama/thriller.
 Acclaimed film and stage actress Zohra Lampert plays Johnny's mother.
 The film is set in Alphabet City, a part of the East Village in New York City.
Urban Waste (active 1981-84) was a hardcore punk band that was part of the New York renaissance of hardcore punk in the early 1980s.
 Much more raw, visceral, and overtly confrontational than their New York punk predecessors, they were contemporaries of Reagan Youth (of which bass player Andy Apathy was an early member), the earliest incarnation of the Beastie Boys, and Bad Brains.
 They belonged to a group of bands coming out of the borough of Queens that included Kraut, Gilligan's Revenge (later called Token Entry), Murphy's Law, and The Mob.
 The band, like many others of the era, was short-lived, and after the breakup several members went on to form Major Conflict.
Amos Poe is an American New York City-based director and screenwriter, described by "The New York Times" as a "pioneering indie filmmaker."
William Terry Ork was an American band manager and record producer for the new wave/punk music scene in New York City in the mid 1970s.
 Ork is associated with the success of the club CBGB as manager for punk band Television and musician Richard Hell.
 Ork arrived in New York City in 1968 to help Andy Warhol with Warhol's movies.
 While working as the manager of a film bookstore called "Cinemabilia", Ork met Billy Ficca, Tom Verlaine and Hell of the Neon Boys and introduced them to Richard Lloyd.
 Ork began managing the new band when they reformed as Television.
 In 1975, he founded Ork Records which released Television's "Little Johnny Jewel" (1975), Richard Hell's "Blank Generation", The Marbles' "Red Light" (1979) and Mick Farren's "Lost Johnny", among other recordings.
 Farren said, "Terry Ork was an idealist, as true to the punk ethic as you could be, which means that when it all started getting slick, and the bands were getting deals, Terry was left behind."
 He died in San Diego on October 20, 2004.
Hardcore punk (often abbreviated to hardcore) is a punk rock music genre and subculture that originated in the late 1970s.
 It is generally faster, harder, and more aggressive than other forms of punk rock.
 Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time.
 It was also inspired by New York punk rock and early proto-punk.
 New York punk had a harder-edged sound than its San Francisco counterpart, featuring anti-art expressions of masculine anger, energy and subversive humor.
 Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics".

Question: Question: What is the earliest published D-I-Y "home movies" of New York punk's birth filmed by Amos Poe and Ivan Kral, Koyaanisqatsi or The Blank Generation? 

 Your answer will be verified with exact match score. To ensure correct verification, only provide the answer within the <answer> </answer> tags. Do not put any sentences or reasoning process within the <answer> </answer> tags. 

Supporting Information: Paragraph 0 

 Even Cowgirls Get the Blues is the third live album by Welsh musician John Cale.
 It was originally released on LP in 1986 and then later reissued on cassette in 1987 with a different cover and drastically altered track listing.
 In 1991 it was reissued on CD with a third cover design, but with contents identical to the cassette edition.
 It was recorded in CBGB club in New York between 1978 and 1979 with three former members of Patti Smith Group, bassist Ivan Kral, keyboardist Bruce Brody and drummer Jay Dee Daugherty.
 The LP version contains different track listing than CD. 

--------------------------------

Paragraph 1 

 The Blank Generation is the earliest published D-I-Y "home movies" of New York punk's birth filmed by Amos Poe and Ivan Kral, legendary 1970s guitarist with Iggy Pop, Blondie and Patti Smith. 

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Paragraph 2 

 Koyaanisqatsi ( ), also known as Koyaanisqatsi: Life Out of Balance, is a 1982 American experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron Fricke. 

--------------------------------

Paragraph 3 

 Garage (formerly "Garáž") is a rock band from the Czech Republic.
 The band was founded in Prague in 1979 by Ivo Pospíšil from DG 307.
 In 1980s there he played on guitar Milan Hlavsa from The Plastic People of the Universe.
 After the Velvet Revolution in 1989 Garage concerts in abroad (New York, Switzerland, Germany, Belgium and France).
 At that time the band played Joe Karafiát, one of the most acclaimed solo guitarists in Prague, who lived in Canada before the revolution.
 In 1994 was released album "Garage", produced by Ivan Kral (former member of Patti Smith Group). 

--------------------------------

Paragraph 4 

 Alphabet City is an American 1984 crime drama film directed by Amos Poe.
 The story follows a young gangster of Italian descent named Johnny, who has been given control over his own neighborhood by the Mob.
 Then unknown actors Vincent Spano (as Johnny), Jami Gertz, and Michael Winslow give compelling performances in this low-budget crime/drama/thriller.
 Acclaimed film and stage actress Zohra Lampert plays Johnny's mother.
 The film is set in Alphabet City, a part of the East Village in New York City. 

--------------------------------

Paragraph 5 

 Urban Waste (active 1981-84) was a hardcore punk band that was part of the New York renaissance of hardcore punk in the early 1980s.
 Much more raw, visceral, and overtly confrontational than their New York punk predecessors, they were contemporaries of Reagan Youth (of which bass player Andy Apathy was an early member), the earliest incarnation of the Beastie Boys, and Bad Brains.
 They belonged to a group of bands coming out of the borough of Queens that included Kraut, Gilligan's Revenge (later called Token Entry), Murphy's Law, and The Mob.
 The band, like many others of the era, was short-lived, and after the breakup several members went on to form Major Conflict. 

--------------------------------

Paragraph 6 

 William Terry Ork was an American band manager and record producer for the new wave/punk music scene in New York City in the mid 1970s.
 Ork is associated with the success of the club CBGB as manager for punk band Television and musician Richard Hell.
 Ork arrived in New York City in 1968 to help Andy Warhol with Warhol's movies.
 While working as the manager of a film bookstore called "Cinemabilia", Ork met Billy Ficca, Tom Verlaine and Hell of the Neon Boys and introduced them to Richard Lloyd.
 Ork began managing the new band when they reformed as Television.
 In 1975, he founded Ork Records which released Television's "Little Johnny Jewel" (1975), Richard Hell's "Blank Generation", The Marbles' "Red Light" (1979) and Mick Farren's "Lost Johnny", among other recordings.
 Farren said, "Terry Ork was an idealist, as true to the punk ethic as you could be, which means that when it all started getting slick, and the bands were getting deals, Terry was left behind."
 He died in San Diego on October 20, 2004. 

--------------------------------

Paragraph 7 

 Hardcore punk (often abbreviated to hardcore) is a punk rock music genre and subculture that originated in the late 1970s.
 It is generally faster, harder, and more aggressive than other forms of punk rock.
 Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time.
 It was also inspired by New York punk rock and early proto-punk.
 New York punk had a harder-edged sound than its San Francisco counterpart, featuring anti-art expressions of masculine anger, energy and subversive humor.
 Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics". 

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Answer: The Blank Generation