title: A Black Mass
Passage to Marseille
Recitatif
Fo Deuk Revue
The Cricket: Black Music in Evolution
James Norman Hall House
James Norman Hall
Amiri Baraka
Dutchman (play)
Blues People
sentences: A Black Mass is a play written by Amiri Baraka and performed at Proctor's Theatre in Newark, New Jersey in 1966.
 Baraka also recorded a version of the play with Sun Ra's Myth-Science Orchestra in 1968.
 The play is based on the religious doctrine of Yakub as taught by the Nation of Islam.
 The story of Yakub describes the origin of "colored" people according to this doctrine.
Passage to Marseille, also known as Message to Marseille, is a 1944 war film made by Warner Brothers, directed by Michael Curtiz.
 The screenplay was by Casey Robinson and Jack Moffitt from the novel "Sans Patrie" ("Men Without Country") by Charles Nordhoff and James Norman Hall.
 The music score was by Max Steiner and the cinematography was by James Wong Howe.
"Recitatif" is Toni Morrison's only published short story.
 It was first published in 1983 in "Confirmation: An Anthology of African American Women", an anthology edited by Amiri Baraka and his wife Amina Baraka.
Fo Deuk Revue is an album by David Murray released on the Justin Time label.
 Recorded in 1996 and released in 1997 the album features performances by Murray with Darryl Burgee, Ousseynou Diop, Assane Diop, Craig Harris, Robert Irving III, Abdou Karim Mané, Oumar Mboup, Hugh Ragin, Doudou N'Diaye Rose, Moussa Séné, El Hadji Gniancou Sembène and Jamaaladeen Tacuma.
 The album features a wide array of vocalists including Amiri Baraka, Amiri Baraka Jr., Didier Awadi and Amadou Barry from Positive Black Soul, Tidiane Gaye, Hamet Maal and Junior Soul.
The Cricket, subtitled "Black Music in Evolution", was a magazine created in 1968 by Amiri Baraka (then LeRoi Jones), Larry Neal and A. B. Spellman.
 Baraka has said: "Larry Neal, AB and I realized the historical influence of music on African /Afro American Culture.
 I saw the magazine as a necessary dispenser of this influence as part of a continuum.
 And that attention to the culture was a way of drawing attention to the people’s needs and struggle."
 The headquarters was in New York City.
The James Norman Hall House is a historic residence located in Colfax, Iowa, United States.
 This was an early home of author James Norman Hall.
 His first book was written here, and it figured into his other works, notably "Oh Millersburg!"
 He is best known as a co-author of the novel "Mutiny On The Bounty".
 Most of Hall's life, however, was lived outside of Colfax and the United States in his later years.
 The two-story, frame house, follows an L-plan.
 There is a single story wrap around porch on the west, south and half of the southeast sides.
 It was listed on the National Register of Historic Places in 1984.
James Norman Hall (22 April 1887 – 5 July 1951) was an American author best known for the novel "Mutiny on the Bounty" with co-author Charles Nordhoff.
 During World War I, Hall had the distinction of serving in the militaries of three Western allies: Great Britain as an infantryman and then flying for France and later the United States.
Amiri Baraka (born Everett LeRoi Jones; October 7, 1934 – January 9, 2014), previously known as LeRoi Jones and Imamu Amear Baraka, was an African-American writer of poetry, drama, fiction, essays and music criticism.
 He was the author of numerous books of poetry and taught at several universities, including the State University of New York at Buffalo and the State University of New York at Stony Brook.
 He received the PEN Open Book Award, previously known as the Beyond Margins Award, in 2008 for "Tales of the Out and the Gone".
Dutchman is a play written by African-American playwright Amiri Baraka, born Everett LeRoi Jones.
 Dutchman was first presented at the Cherry Lane Theatre in Greenwich Village, New York City, on March 1964.
 The play, which won an Obie Award.
 was made into a film in 1967, starring Shirley Knight and Al Freeman Junior.
 "Dutchman" was the last play produced by Baraka under his birth name, LeRoi Jones.
 At the time, Baraka was in the process of divorcing his Jewish wife, Hettie Jones and embracing Black Nationalism.
 The Dutchman may be described as a political allegory depicting black and white relations during the time Baraka wrote it.
Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963.
 In "Blues People" Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music.
 It is considered a classic work on jazz and blues music in American culture.
 The book documents the effects jazz and blues on American cultural, at musical, economic, and social levels.
 It chronicles the types of music dating back to the slaves up to the 1960s.
 "Blues People" argues that "negro music"—as Amiri Baraka calls it—appealed to and influenced new America.
 According to Baraka, music and melody is not the only way the gap between American culture and African-American culture was bridged.
 Music also helped spread values and customs through its media exposure.
 "Blues People" demonstrates the influence of African Americans and their culture on American culture and history.
 The book examines blues music as performance, as cultural expression, even in the face of its commodification.

Question: Question: Are James Norman Hall and Amiri Baraka from the same country? 

 Your answer will be verified with exact match score. To ensure correct verification, only provide the answer within the <answer> </answer> tags. Do not put any sentences or reasoning process within the <answer> </answer> tags. 

Supporting Information: Paragraph 0 

 A Black Mass is a play written by Amiri Baraka and performed at Proctor's Theatre in Newark, New Jersey in 1966.
 Baraka also recorded a version of the play with Sun Ra's Myth-Science Orchestra in 1968.
 The play is based on the religious doctrine of Yakub as taught by the Nation of Islam.
 The story of Yakub describes the origin of "colored" people according to this doctrine. 

--------------------------------

Paragraph 1 

 Passage to Marseille, also known as Message to Marseille, is a 1944 war film made by Warner Brothers, directed by Michael Curtiz.
 The screenplay was by Casey Robinson and Jack Moffitt from the novel "Sans Patrie" ("Men Without Country") by Charles Nordhoff and James Norman Hall.
 The music score was by Max Steiner and the cinematography was by James Wong Howe. 

--------------------------------

Paragraph 2 

 Fo Deuk Revue is an album by David Murray released on the Justin Time label.
 Recorded in 1996 and released in 1997 the album features performances by Murray with Darryl Burgee, Ousseynou Diop, Assane Diop, Craig Harris, Robert Irving III, Abdou Karim Mané, Oumar Mboup, Hugh Ragin, Doudou N'Diaye Rose, Moussa Séné, El Hadji Gniancou Sembène and Jamaaladeen Tacuma.
 The album features a wide array of vocalists including Amiri Baraka, Amiri Baraka Jr., Didier Awadi and Amadou Barry from Positive Black Soul, Tidiane Gaye, Hamet Maal and Junior Soul. 

--------------------------------

Paragraph 3 

 The James Norman Hall House is a historic residence located in Colfax, Iowa, United States.
 This was an early home of author James Norman Hall.
 His first book was written here, and it figured into his other works, notably "Oh Millersburg!"
 He is best known as a co-author of the novel "Mutiny On The Bounty".
 Most of Hall's life, however, was lived outside of Colfax and the United States in his later years.
 The two-story, frame house, follows an L-plan.
 There is a single story wrap around porch on the west, south and half of the southeast sides.
 It was listed on the National Register of Historic Places in 1984. 

--------------------------------

Paragraph 4 

 James Norman Hall (22 April 1887 – 5 July 1951) was an American author best known for the novel "Mutiny on the Bounty" with co-author Charles Nordhoff.
 During World War I, Hall had the distinction of serving in the militaries of three Western allies: Great Britain as an infantryman and then flying for France and later the United States. 

--------------------------------

Paragraph 5 

 Amiri Baraka (born Everett LeRoi Jones; October 7, 1934 – January 9, 2014), previously known as LeRoi Jones and Imamu Amear Baraka, was an African-American writer of poetry, drama, fiction, essays and music criticism.
 He was the author of numerous books of poetry and taught at several universities, including the State University of New York at Buffalo and the State University of New York at Stony Brook.
 He received the PEN Open Book Award, previously known as the Beyond Margins Award, in 2008 for "Tales of the Out and the Gone". 

--------------------------------

Paragraph 6 

 Dutchman is a play written by African-American playwright Amiri Baraka, born Everett LeRoi Jones.
 Dutchman was first presented at the Cherry Lane Theatre in Greenwich Village, New York City, on March 1964.
 The play, which won an Obie Award.
 was made into a film in 1967, starring Shirley Knight and Al Freeman Junior.
 "Dutchman" was the last play produced by Baraka under his birth name, LeRoi Jones.
 At the time, Baraka was in the process of divorcing his Jewish wife, Hettie Jones and embracing Black Nationalism.
 The Dutchman may be described as a political allegory depicting black and white relations during the time Baraka wrote it. 

--------------------------------

Paragraph 7 

 Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963.
 In "Blues People" Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music.
 It is considered a classic work on jazz and blues music in American culture.
 The book documents the effects jazz and blues on American cultural, at musical, economic, and social levels.
 It chronicles the types of music dating back to the slaves up to the 1960s.
 "Blues People" argues that "negro music"—as Amiri Baraka calls it—appealed to and influenced new America.
 According to Baraka, music and melody is not the only way the gap between American culture and African-American culture was bridged.
 Music also helped spread values and customs through its media exposure.
 "Blues People" demonstrates the influence of African Americans and their culture on American culture and history.
 The book examines blues music as performance, as cultural expression, even in the face of its commodification. 

--------------------------------

 


Answer: yes