title: Calamity Jane (musical)
With Six You Get Eggroll
Send Me No Flowers
Pillow Talk (film)
Rock Hudson's Home Movies
Normal as Blueberry Pie – A Tribute to Doris Day
Edie Adams
The Deadwood Stage (Whip-Crack-Away!)
Lover Come Back (1961 film)
Down with Love
sentences: Calamity Jane (A Musical Western) is a stage musical based on the historical figure of frontierswoman Calamity Jane.
 The non-historical, somewhat farcical plot involves the authentic Calamity Jane's professional associate Wild Bill Hickok, and presents the two as having a contentious relationship that ultimately proves to be a facade for mutually amorous feelings.
 The "Calamity Jane" stage musical originated as a live adaption of "Calamity Jane", the 1953 Warner Bros. movie musical with Doris Day.
 First produced in 1961, the stage musical "Calamity Jane" features six songs not heard in the movie.
 According to Jodie Prenger, star of the "Calamity Jane" 2014 - 15 UK tour, the songs added for the stage musical had been written for but not included in the "Calamity Jane" movie ("Love You Dearly" had been used in the 1954 Doris Day musical film "Lucky Me").
With Six You Get Eggroll is a 1968 American romantic comedy film directed by Howard Morris, and stars Doris Day, Brian Keith, Barbara Hershey (in her film debut), George Carlin (in his film debut) and Pat Carroll.
 It marked Day's final film role before she starred in the sitcom "The Doris Day Show".
 It also marked the first film that was produced by the CBS Television Network's film unit, Cinema Center Films.
Send Me No Flowers is a 1964 American comedy film, directed by Norman Jewison and starring Rock Hudson, Doris Day, and Tony Randall.
 After "Pillow Talk" and "Lover Come Back", it is the third and final film in which Hudson, Day and Randall starred together.
Pillow Talk is a 1959 Eastmancolor romantic comedy film in CinemaScope directed by Michael Gordon.
 It features Rock Hudson, Doris Day, Tony Randall, Thelma Ritter and Nick Adams.
 The film was written by Russell Rouse, Maurice Richlin, Stanley Shapiro and Clarence Greene.
Rock Hudson's Home Movies is a 1992 documentary by Mark Rappaport.
 It shows clips from Rock Hudson's movies that could be interpreted as gay entendres.
 Eric Farr speaks to the camera as if speaking Rock Hudson's words from a posthumous diary.
 Film clips from more than 30 Hudson films illustrate ways in which his sexual orientation played out on screen.
 First there are tenuous and unresolved relationships with women, then clips of Rock with men, cruising and circling.
 Second, there is pedagogical eros: Hudson with older men.
 Rock is seen with his male sidekicks, often Tony Randall.
 Next, the film looks in depth at comedies of sexual embarrassment and innuendo: films in which Hudson sometimes plays two characters, "macho Rock and homo Rock."
 Lastly, the film reflects on Hudson's death from AIDS.
Normal as Blueberry Pie – A Tribute to Doris Day is the fourth studio album by American singer-songwriter, Nellie McKay.
 Released by Verve Records, it is McKay's first cover album, composed of songs previously recorded by American singer and actress Doris Day, except the track "If I Ever Had a Dream", which is an original song written by McKay in tribute to Day.
Edie Adams (born Edith Elizabeth Enke, April 16, 1927 – October 15, 2008) was an American businesswoman, singer, actress and comedian.
 Adams was an Emmy Award and Tony Award winner.
"The Deadwood Stage (Whip-Crack-Away!)"
 is a song in the 1953 film "Calamity Jane", written by Sammy Fain and Paul Francis Webster, and performed by Doris Day.
 It was also used in the London stage show "Calamity Jane" in 2003 and the musical based on Doris Day's greatest hits, "A Sentimental Journey".
Lover Come Back is a 1961 Eastmancolor romantic comedy released by Universal Pictures and directed by Delbert Mann.
 The film stars Doris Day and Rock Hudson in their second film together.
 The supporting cast includes Tony Randall, Edie Adams, Ann B. Davis, and Donna Douglas.
Down with Love is a 2003 comedy film directed by Peyton Reed and written by Eve Ahlert and Dennis Drake.
 It stars Renée Zellweger and Ewan McGregor, and is a pastiche of the early 1960s American "no-sex sex comedies" such as "Pillow Talk" and "Lover Come Back" (both which starred Rock Hudson, Doris Day and Tony Randall) and the "myriad spawn" of derivative films that followed. "
Time" film critic Richard Corliss, estimating conservatively, wrote that "Down with Love" "is so clogged with specific references to a half-dozen Rock-and-Doris-type comedies that it serves as definitive distillation of the genre."

Question: Question: Who directed the film in which American Businesswoman Edith Elizabeth Enke appeared alongside Doris Day and Rock Hudson? 

 Your answer will be verified with exact match score. To ensure correct verification, only provide the answer within the <answer> </answer> tags. Do not put any sentences or reasoning process within the <answer> </answer> tags. 

Supporting Information: Paragraph 0 

 With Six You Get Eggroll is a 1968 American romantic comedy film directed by Howard Morris, and stars Doris Day, Brian Keith, Barbara Hershey (in her film debut), George Carlin (in his film debut) and Pat Carroll.
 It marked Day's final film role before she starred in the sitcom "The Doris Day Show".
 It also marked the first film that was produced by the CBS Television Network's film unit, Cinema Center Films. 

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Paragraph 1 

 Send Me No Flowers is a 1964 American comedy film, directed by Norman Jewison and starring Rock Hudson, Doris Day, and Tony Randall.
 After "Pillow Talk" and "Lover Come Back", it is the third and final film in which Hudson, Day and Randall starred together. 

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Paragraph 2 

 Pillow Talk is a 1959 Eastmancolor romantic comedy film in CinemaScope directed by Michael Gordon.
 It features Rock Hudson, Doris Day, Tony Randall, Thelma Ritter and Nick Adams.
 The film was written by Russell Rouse, Maurice Richlin, Stanley Shapiro and Clarence Greene. 

--------------------------------

Paragraph 3 

 Rock Hudson's Home Movies is a 1992 documentary by Mark Rappaport.
 It shows clips from Rock Hudson's movies that could be interpreted as gay entendres.
 Eric Farr speaks to the camera as if speaking Rock Hudson's words from a posthumous diary.
 Film clips from more than 30 Hudson films illustrate ways in which his sexual orientation played out on screen.
 First there are tenuous and unresolved relationships with women, then clips of Rock with men, cruising and circling.
 Second, there is pedagogical eros: Hudson with older men.
 Rock is seen with his male sidekicks, often Tony Randall.
 Next, the film looks in depth at comedies of sexual embarrassment and innuendo: films in which Hudson sometimes plays two characters, "macho Rock and homo Rock."
 Lastly, the film reflects on Hudson's death from AIDS. 

--------------------------------

Paragraph 4 

 Edie Adams (born Edith Elizabeth Enke, April 16, 1927 – October 15, 2008) was an American businesswoman, singer, actress and comedian.
 Adams was an Emmy Award and Tony Award winner. 

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Paragraph 5 

 "The Deadwood Stage (Whip-Crack-Away!)"
 is a song in the 1953 film "Calamity Jane", written by Sammy Fain and Paul Francis Webster, and performed by Doris Day.
 It was also used in the London stage show "Calamity Jane" in 2003 and the musical based on Doris Day's greatest hits, "A Sentimental Journey". 

--------------------------------

Paragraph 6 

 Lover Come Back is a 1961 Eastmancolor romantic comedy released by Universal Pictures and directed by Delbert Mann.
 The film stars Doris Day and Rock Hudson in their second film together.
 The supporting cast includes Tony Randall, Edie Adams, Ann B. Davis, and Donna Douglas. 

--------------------------------

Paragraph 7 

 Down with Love is a 2003 comedy film directed by Peyton Reed and written by Eve Ahlert and Dennis Drake.
 It stars Renée Zellweger and Ewan McGregor, and is a pastiche of the early 1960s American "no-sex sex comedies" such as "Pillow Talk" and "Lover Come Back" (both which starred Rock Hudson, Doris Day and Tony Randall) and the "myriad spawn" of derivative films that followed. "
Time" film critic Richard Corliss, estimating conservatively, wrote that "Down with Love" "is so clogged with specific references to a half-dozen Rock-and-Doris-type comedies that it serves as definitive distillation of the genre." 

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Answer: Delbert Mann