title: Thésée (Gossec)
Thésée (Mondonville)
New Jewish Publication Society of America Tanakh
Rokstarr
Young's Literal Translation
La Loca (opera)
American Standard Version
Ariadne auf Naxos discography
Jean-Baptiste Lully
Revised Version
sentences: Thésée ("Theseus") is an opera by the composer François-Joseph Gossec, first performed at the Académie Royale de Musique (the Paris Opéra) on 1 March 1782.
 It is a setting of a revised version in four acts of a libretto by Philippe Quinault, originally set by Jean-Baptiste Lully in 1675.
Thésée ("Theseus") is an opera by the French composer Jean-Joseph de Mondonville, first performed at Fontainebleau on 7 November 1765.
 It takes the form of a "tragédie en musique" in five acts.
 The opera is a new setting of a libretto by Philippe Quinault, originally set by Jean-Baptiste Lully in 1675.
 Mondonville's version was not a success and did not get to enjoy its public premiere at the Paris Opera until 13 January 1767, but audience rejected it calling for the restoration of Lully's original music.
 Mondonville's opera was withdrawn for good after its fourth performance.
The New Jewish Publication Society of America Tanakh, first published in complete form in 1985, is a modern Jewish translation of the Masoretic Text of the Hebrew Bible into English.
 It is based on revised editions of earlier publications of subdivisions of the Tanakh such as the Torah and Five Megillot which were originally published from 1969–1982.
 It is unrelated to the original JPS Tanakh translation, which was based on the Revised Version and American Standard Version but emended to more strictly follow the Masoretic text, beyond both translations being published by the Jewish Publication Society of America.
Rokstarr is the second studio album by English recording artist Taio Cruz.
 It was released on 12 October 2009 in the United Kingdom.
 On 11 June 2010, a revised version of the album was released in Europe and the United States, appearing as Cruz's debut album there.
 On 22 May 2011, a second revised version of the album was released in Brazil, other South American countries and Europe.
 The album debuted at number 14 on the UK Albums Chart and number eight on the U.S. "Billboard" 200.
Young's Literal Translation (YLT) is a translation of the Bible into English, published in 1862.
 The translation was made by Robert Young, compiler of "Young's Analytical Concordance to the Bible" and "Concise Critical Comments on the New Testament".
 Young used the Textus Receptus (TR) and the Majority Text (MT) as the basis for his translation.
 He wrote in the preface to the first edition, "It has been no part of the Translator's plan to attempt to form a New Hebrew or Greek Text--he has therefore somewhat rigidly adhered to the received ones."
 Young produced a “Revised Version” of his translation in 1887, but he stuck with the Received Text.
 He wrote in the preface to the Revised Edition, "The Greek Text followed is that generally recognized as the 'Received Text,' not because it is thought perfect, but because the department of Translation is quite distinct from that of Textual Criticism, and few are qualified for both.
 If the original text be altered by a translator, (except he give his reasons for and against each emendation,) the reader is left in uncertainty whether the translation given is to be considered as that of the old or of the new reading."
 After Robert Young died on October 14, 1888, the publisher released a new Revised Edition in 1898.
 The 1898 version though was based on the TR, easily confirmed by the word "bathe" in Rev. 1:5 and the word "again" in Rev 20:5.
 The "Publishers' Note to the Third Edition" explains, "The work has been subjected to a fresh revision, making no alteration on the principles on which the Translation proceeds, but endeavouring to make it as nearly perfect in point of accuracy on its present lines as possible."
La Loca "(The Madwoman)", also known as Juana la Loca "(Crazy Joanna)," is an opera by Gian Carlo Menotti, composed in 1979.
 It is a romantic drama about the life of Joanna of Castille (1479–1555).
 It was written as a vehicle for soprano Beverly Sills and received its premiere on June 3, 1979, at the San Diego Opera, followed by the New York City Opera.
 Critical response was largely negative, so Menotti completely reworked it.
 The revised version premiered in 1982 at the Festival of Two Worlds in Spoleto, Italy.
 The American premiere of the revised version took place at the Spoleto Festival USA in Charleston, South Carolina, on June 1, 1984.
The Revised Version, Standard American Edition of the Bible, more commonly known as the American Standard Version (ASV), is a Bible translation into English that was completed in 1901, with the publication of the revision of the Old Testament; the revised New Testament had been released in 1900.
 It was originally best known by its full name, but soon came to have other names, such as the American Revised Version, the American Standard Revision, the American Standard Revised Bible, and the American Standard Edition.
 By the time its copyright was renewed in 1929, it had come to be known by its present name, the American Standard Version.
 Because of its prominence in seminaries, it was in America sometimes simply called the "Standard Bible".
This is a list of recordings of Ariadne auf Naxos, an opera by Richard Strauss with a German-language libretto by Hugo von Hofmannsthal.
 The work was first performed at the Hoftheater in Stuttgart on 25 October 1912.
 A radically revised version was performed in at the Hofoper in Vienna on 4 October 1916.
 (All the recordings listed on this page are of the revised version.)
 This list is incomplete.
Jean-Baptiste Lully (] ; born Giovanni Battista Lulli ] ; 28 November 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France.
 He is considered a master of the French baroque style.
 Lully disavowed any Italian influence in French music of the period.
 He became a French subject in 1661.
The Revised Version (RV) or English Revised Version (ERV) of the Bible is a late 19th-century British revision of the King James Version.
 It was the first and remains the only officially authorised and recognised revision of the King James Version in Britain.
 The work was entrusted to over 50 scholars from various denominations in Britain.
 American scholars were invited to co-operate, by correspondence.
 The New Testament was published in 1881, the Old Testament in 1885, and the Apocrypha in 1894.
 The best known of the translation committee members were Brooke Foss Westcott and Fenton John Anthony Hort; their fiercest critic of that period was John William Burgon.

Question: Question: Who originally set the revised version of Thesee in 1675? 

 Your answer will be verified with exact match score. To ensure correct verification, only provide the answer within the <answer> </answer> tags. Do not put any sentences or reasoning process within the <answer> </answer> tags. 

Supporting Information: Paragraph 0 

 Thésée ("Theseus") is an opera by the composer François-Joseph Gossec, first performed at the Académie Royale de Musique (the Paris Opéra) on 1 March 1782.
 It is a setting of a revised version in four acts of a libretto by Philippe Quinault, originally set by Jean-Baptiste Lully in 1675. 

--------------------------------

Paragraph 1 

 Thésée ("Theseus") is an opera by the French composer Jean-Joseph de Mondonville, first performed at Fontainebleau on 7 November 1765.
 It takes the form of a "tragédie en musique" in five acts.
 The opera is a new setting of a libretto by Philippe Quinault, originally set by Jean-Baptiste Lully in 1675.
 Mondonville's version was not a success and did not get to enjoy its public premiere at the Paris Opera until 13 January 1767, but audience rejected it calling for the restoration of Lully's original music.
 Mondonville's opera was withdrawn for good after its fourth performance. 

--------------------------------

Paragraph 2 

 The New Jewish Publication Society of America Tanakh, first published in complete form in 1985, is a modern Jewish translation of the Masoretic Text of the Hebrew Bible into English.
 It is based on revised editions of earlier publications of subdivisions of the Tanakh such as the Torah and Five Megillot which were originally published from 1969–1982.
 It is unrelated to the original JPS Tanakh translation, which was based on the Revised Version and American Standard Version but emended to more strictly follow the Masoretic text, beyond both translations being published by the Jewish Publication Society of America. 

--------------------------------

Paragraph 3 

 Rokstarr is the second studio album by English recording artist Taio Cruz.
 It was released on 12 October 2009 in the United Kingdom.
 On 11 June 2010, a revised version of the album was released in Europe and the United States, appearing as Cruz's debut album there.
 On 22 May 2011, a second revised version of the album was released in Brazil, other South American countries and Europe.
 The album debuted at number 14 on the UK Albums Chart and number eight on the U.S. "Billboard" 200. 

--------------------------------

Paragraph 4 

 Young's Literal Translation (YLT) is a translation of the Bible into English, published in 1862.
 The translation was made by Robert Young, compiler of "Young's Analytical Concordance to the Bible" and "Concise Critical Comments on the New Testament".
 Young used the Textus Receptus (TR) and the Majority Text (MT) as the basis for his translation.
 He wrote in the preface to the first edition, "It has been no part of the Translator's plan to attempt to form a New Hebrew or Greek Text--he has therefore somewhat rigidly adhered to the received ones."
 Young produced a “Revised Version” of his translation in 1887, but he stuck with the Received Text.
 He wrote in the preface to the Revised Edition, "The Greek Text followed is that generally recognized as the 'Received Text,' not because it is thought perfect, but because the department of Translation is quite distinct from that of Textual Criticism, and few are qualified for both.
 If the original text be altered by a translator, (except he give his reasons for and against each emendation,) the reader is left in uncertainty whether the translation given is to be considered as that of the old or of the new reading."
 After Robert Young died on October 14, 1888, the publisher released a new Revised Edition in 1898.
 The 1898 version though was based on the TR, easily confirmed by the word "bathe" in Rev. 1:5 and the word "again" in Rev 20:5.
 The "Publishers' Note to the Third Edition" explains, "The work has been subjected to a fresh revision, making no alteration on the principles on which the Translation proceeds, but endeavouring to make it as nearly perfect in point of accuracy on its present lines as possible." 

--------------------------------

Paragraph 5 

 La Loca "(The Madwoman)", also known as Juana la Loca "(Crazy Joanna)," is an opera by Gian Carlo Menotti, composed in 1979.
 It is a romantic drama about the life of Joanna of Castille (1479–1555).
 It was written as a vehicle for soprano Beverly Sills and received its premiere on June 3, 1979, at the San Diego Opera, followed by the New York City Opera.
 Critical response was largely negative, so Menotti completely reworked it.
 The revised version premiered in 1982 at the Festival of Two Worlds in Spoleto, Italy.
 The American premiere of the revised version took place at the Spoleto Festival USA in Charleston, South Carolina, on June 1, 1984. 

--------------------------------

Paragraph 6 

 This is a list of recordings of Ariadne auf Naxos, an opera by Richard Strauss with a German-language libretto by Hugo von Hofmannsthal.
 The work was first performed at the Hoftheater in Stuttgart on 25 October 1912.
 A radically revised version was performed in at the Hofoper in Vienna on 4 October 1916.
 (All the recordings listed on this page are of the revised version.)
 This list is incomplete. 

--------------------------------

Paragraph 7 

 Jean-Baptiste Lully (] ; born Giovanni Battista Lulli ] ; 28 November 1632 – 22 March 1687) was an Italian-born French composer, instrumentalist, and dancer who spent most of his life working in the court of Louis XIV of France.
 He is considered a master of the French baroque style.
 Lully disavowed any Italian influence in French music of the period.
 He became a French subject in 1661. 

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Answer: Jean-Baptiste Lully