title: Khairy Beshara
Ayyamna al-Holwa
The Blazing Sun (1954 film)
Zaki Rostom
Hussein Kamal
Mahmoud Kabil
Ezzat El Alaili
Al Haram
Method acting
Amr Saad
sentences: Khairy Beshara (Arabic: خيري بشارة‎ ‎   ] ; born June 30, 1947 in Tanta, Egypt) is an Egyptian film director active in the Egyptian film industry since the 1970s.
 He is considered one of the Egyptian directors who re-defined Realism in Egyptian cinema in the 1980s.
 In a recent book published by Bibliotheca Alexandrina in 2007 about the most important 100 films in the history of Egyptian cinema, three of his movies were listed.
 Namely;
Ayyamna al-Holwa    (Arabic: أيامنا الحلوة‎ ‎ , English: Our Best Days or Our Beautiful Days) is a 1955 Egyptian romance/musical film directed and co-written by the Egyptian film director and writer Helmy Halim.
 It starred Abdel Halim Hafez, Ahmed Ramzy, Omar Sharif, and Faten Hamama.
 In 1996, during the Egyptian Cinema centennial, this film was selected one of the best 150 Egyptian film productions.
The Blazing Sun    (Arabic: صراع في الوادي‎ ‎ , Ṣira‘ Fī al-Wādī ) is a 1954 Egyptian romance/drama film directed by Egyptian film director Youssef Chahine and written by Helmy Halim and Ali El Zorkani.
 It starred Omar Sharif and Faten Hamama.
 This was the first film role that Omar Sharif played.
 In 1996, during the Egyptian Cinema centennial, this film was selected one of the best 150 Egyptian film productions.
 It was presented in the 1954 Cannes Film Festival under the name "The Blazing Sky".
Zaki Rostom (Arabic: زكي رستم‎ ‎ ) (1903–1972) Zaki Moharram Mahmoud Rostom was an Egyptian actor.
 A method actor known for portraying intimidating and often asocial villains, Rostom is regarded as an one of the influential and important actors of Egyptian cinema.
Hussein Kamal (Arabic: حسين كمال‎ ‎ ) (17 August 1932 – 24 March 2003) was an Egyptian television, film and theatre director.
 He is considered to be an important director of traditional Egyptian cinema.
 One of his most famous films is "Chitchat on the Nile" (1971), a critique of the decadence of Egyptian society during the Nasser era.
 His 1972 film "Empire M" was entered into the 8th Moscow International Film Festival in 1973.
Mahmoud Kabil (Arabic: محمود قابيل‎ ‎ , born May 19, 1946) is an award-winning Egyptian actor and political activist.
 He is also the UNICEF Goodwill Ambassador for the Middle East and North Africa.
 Kabil served as an officer in the Military of Egypt's Special Forces before becoming a promising actor in Egyptian cinema during the 1970s.
 Blacklisted in 1980, Kabil moved to the United States and took a 14-year hiatus from acting.
 He made a successful comeback upon his return to Egypt in 1993, and has since starred in more than 50 films and TV series on his way to becoming one of Egypt's most popular actors.
 After years of involvement with the United Nations, Kabil was named a UNICEF Goodwill Ambassador in November 2003.
Ezzat El Alaili (born 1934) is an Egyptian actor who has starred in multiple films.
 He won a lifetime achievement award from the Dubai International Film Festival in 2015.
 He was also honored at the Sharjah International Book Fair "for his significant contribution to Egyptian cinema over many decades and his highly creative interpretations of the best Egyptian and Arabic novels through a huge collection of films and TV series".
Al Haram    (Arabic: الحرام‎ ‎ , English: The Sin ) is a classical 1965 Egyptian drama film directed by Henry Barakat.
 The film stars Faten Hamama, Zaki Rostom, and Abdullah Gaith and is based on a novel by the same title by Yūsuf Idrīs.
 The film was nominated for the Prix International award at the 1965 Cannes Film Festival.
 It was also chosen as one of the best Egyptian film productions in the Egyptian cinema centennial.
 A survey by "Al-Fonoon" magazine in 1984 chose it as one of the best ten films in the history of Egyptian cinema.
Method acting is a range of training and rehearsal techniques that seek to encourage sincere and emotionally expressive performances, as formulated by a number of different theatre practitioners, principally in the United States, where it is among the most popular—and controversial—approaches to acting.
 These techniques are built on the Stanislavski's "system" of the Russian actor and director Konstantin Stanislavski.
 Though many have contributed to the development of the Method, three teachers are associated with "having set the standard of its success", though each emphasized different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects).
 The approach was first developed when they worked together at the Group Theatre in New York.
 All three subsequently claimed to be the rightful heirs of Stanislavski's approach.
 His three major books were "An Actor Prepares", "Building a Character", and "Creating a Role".
Amr Saad (Egyptian Arabic: عمرو سعد‎ ‎ ), Egyptian film actor.
 He made his debut in the Egyptian Cinema with director Khaled Youssef in a film called "Heena Maysara" "(When Things Get Better)" then secured later the title role in Khaled's film Dokkan Shehata ("Shehata'S shop") along with Haifa Wehbe and many others.

Question: Question: What is the name of the Egyptian method actor regarded as one of the most influential and important actors of Egyptian cinema? 

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Supporting Information: Paragraph 0 

 The Blazing Sun    (Arabic: صراع في الوادي‎ ‎ , Ṣira‘ Fī al-Wādī ) is a 1954 Egyptian romance/drama film directed by Egyptian film director Youssef Chahine and written by Helmy Halim and Ali El Zorkani.
 It starred Omar Sharif and Faten Hamama.
 This was the first film role that Omar Sharif played.
 In 1996, during the Egyptian Cinema centennial, this film was selected one of the best 150 Egyptian film productions.
 It was presented in the 1954 Cannes Film Festival under the name "The Blazing Sky". 

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Paragraph 1 

 Zaki Rostom (Arabic: زكي رستم‎ ‎ ) (1903–1972) Zaki Moharram Mahmoud Rostom was an Egyptian actor.
 A method actor known for portraying intimidating and often asocial villains, Rostom is regarded as an one of the influential and important actors of Egyptian cinema. 

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Paragraph 2 

 Hussein Kamal (Arabic: حسين كمال‎ ‎ ) (17 August 1932 – 24 March 2003) was an Egyptian television, film and theatre director.
 He is considered to be an important director of traditional Egyptian cinema.
 One of his most famous films is "Chitchat on the Nile" (1971), a critique of the decadence of Egyptian society during the Nasser era.
 His 1972 film "Empire M" was entered into the 8th Moscow International Film Festival in 1973. 

--------------------------------

Paragraph 3 

 Mahmoud Kabil (Arabic: محمود قابيل‎ ‎ , born May 19, 1946) is an award-winning Egyptian actor and political activist.
 He is also the UNICEF Goodwill Ambassador for the Middle East and North Africa.
 Kabil served as an officer in the Military of Egypt's Special Forces before becoming a promising actor in Egyptian cinema during the 1970s.
 Blacklisted in 1980, Kabil moved to the United States and took a 14-year hiatus from acting.
 He made a successful comeback upon his return to Egypt in 1993, and has since starred in more than 50 films and TV series on his way to becoming one of Egypt's most popular actors.
 After years of involvement with the United Nations, Kabil was named a UNICEF Goodwill Ambassador in November 2003. 

--------------------------------

Paragraph 4 

 Ezzat El Alaili (born 1934) is an Egyptian actor who has starred in multiple films.
 He won a lifetime achievement award from the Dubai International Film Festival in 2015.
 He was also honored at the Sharjah International Book Fair "for his significant contribution to Egyptian cinema over many decades and his highly creative interpretations of the best Egyptian and Arabic novels through a huge collection of films and TV series". 

--------------------------------

Paragraph 5 

 Al Haram    (Arabic: الحرام‎ ‎ , English: The Sin ) is a classical 1965 Egyptian drama film directed by Henry Barakat.
 The film stars Faten Hamama, Zaki Rostom, and Abdullah Gaith and is based on a novel by the same title by Yūsuf Idrīs.
 The film was nominated for the Prix International award at the 1965 Cannes Film Festival.
 It was also chosen as one of the best Egyptian film productions in the Egyptian cinema centennial.
 A survey by "Al-Fonoon" magazine in 1984 chose it as one of the best ten films in the history of Egyptian cinema. 

--------------------------------

Paragraph 6 

 Method acting is a range of training and rehearsal techniques that seek to encourage sincere and emotionally expressive performances, as formulated by a number of different theatre practitioners, principally in the United States, where it is among the most popular—and controversial—approaches to acting.
 These techniques are built on the Stanislavski's "system" of the Russian actor and director Konstantin Stanislavski.
 Though many have contributed to the development of the Method, three teachers are associated with "having set the standard of its success", though each emphasized different aspects of the approach: Lee Strasberg (the psychological aspects), Stella Adler (the sociological aspects), and Sanford Meisner (the behavioral aspects).
 The approach was first developed when they worked together at the Group Theatre in New York.
 All three subsequently claimed to be the rightful heirs of Stanislavski's approach.
 His three major books were "An Actor Prepares", "Building a Character", and "Creating a Role". 

--------------------------------

Paragraph 7 

 Amr Saad (Egyptian Arabic: عمرو سعد‎ ‎ ), Egyptian film actor.
 He made his debut in the Egyptian Cinema with director Khaled Youssef in a film called "Heena Maysara" "(When Things Get Better)" then secured later the title role in Khaled's film Dokkan Shehata ("Shehata'S shop") along with Haifa Wehbe and many others. 

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Answer: Zaki Rostom