title: Boom Boom Satellites
DJ mixer
Nu skool breaks
Volsoc
Cereal Killaz
TCR (record label)
Rennie Pilgrem
Acid house
David Tipper
Florida breaks
sentences: Boom Boom Satellites (ブンブンサテライツ , Bun Bun Sateraitsu ) were a Japanese electronic music duo consisting of guitarist and vocalist Michiyuki Kawashima and bassist and programmer Masayuki Nakano.
 While their music can be mostly classified as big beat or nu skool breaks with heavy jazz influences, they are famous for the heavy usage of electric guitars in their music, and the final product often has a strong rock or punk influence.
 They are currently signed to Sony Music Entertainment Japan, with whom they have released all of their albums in Japan.
A DJ mixer is a type of audio mixing console used by DJs for two different purposes: some DJs use the mixer to make seamless transitions from one song to another when they are spinning a set at a dance club.
 Hip hop DJs and turntablists use the DJ mixer to play record players like a musical instrument and create new sounds.
 DJs in the disco, house music, electronic dance music and other dance-oriented genres use the mixer to make smooth transitions between different sound recordings as they are playing.
 The sources are typically record turntables, compact cassettes, CDJs, or DJ software on a laptop.
 DJ mixers allow the DJ to use headphones to preview the next song before playing it to the audience.
 Most low- to mid-priced DJ mixers can only accommodate two turntables or CD players, but some mixers (such as the ones used in larger nightclubs) can accommodate up to four turntables or CD players.
 DJs and turntablists in hip hop music and nu metal use DJ mixers to create beats, loops and "scratching" sound effects.
Nu skool breaks (or nu breaks as it is sometimes referred) is a subgenre of breakbeat originating during the period between 1998 and 2002.
 The style is usually characterized by more abstract, more technical sounds, sometimes incorporated from other genres of electronic dance music, including UK garage, electro, and drum and bass.
 Typically, tracks ranged between 125 and 140 beats per minute (bpm), often featuring a dominant bass line.
 In contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and acid-type sounds, instead emphasizing dance-friendliness and "new" sound produced by modern production techniques using synthesizers, effect processors, and computers.
Volsoc is an American electronica project, consisting of Justin Maxwell and Jean-Paul Bondy.
 The project formed after a series of collaborative live performances in the Southern California rave scene in 1999-2000.
 Combining their individual monikers, Stupid Octave Cat ("soc") and Volum, the two first recorded under this name for the 2001 Abduction Productions compilation, "SCR.COMP.002".
 They were originally approached for further releases for Exzakt's Monotone USA label, but released their first 12" on Germany's World Electric.
 This debut vinyl release earned them immediate international recognition in the Electro and Breakbeat communities, and the title tracks, the slightly electroclash "Compuphonic Intelligence" and minimal "Shout Out" became two of the most popular electro tracks of 2002-2003.
 This EP, as well as their subsequent one on breakbeat producer Si Begg's label Noodles Institute of Technology, serves as an archetypical release for the nu skool electro genre.
Cereal Killaz is an international producer and DJ consisting of Alan Linhart (Aka zarbizarre - Born August 6, 1975 in Philadelphia, Pennsylvania and raised in Bowie, Maryland).
 The music style of the act is classified as breakbeat and nu skool breaks, and has many other influences including nu metal, Florida breaks, drum and bass, industrial and indie rock.
 The Cereal Killaz have been listed by Annie Nightingale of BBC Radio 1 as one of the movers and shakers in the breakbeat scene.
Thursday Club Records more commonly known as TCR is a nu skool breaks record label based in London.
 The label was founded in 1993 by Rennie Pilgrem to provide a solo output outside his membership of the Rhythm Section.
 The early releases were mainly house but it was a trip to Florida in 1994 that convinced Rennie to start experimenting with breaks.
Rennie Pilgrem is an electronic music producer from England who is often considered responsible for the creation of the nu skool breaks genre.
 Before moving into breaks Rennie produced techno and acid house and was part of the influential rave group Rhythm Section along with Ellis Dee.
 Rennie is also the boss of Thursday Club Recordings aka TCR a label which he founded in 1993.
 TCR records is major force in the nu skool breaks scene.
Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago.
 The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer.
 Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes.
 By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles.
David Tipper, or Tipper for short (born c. 1976 in Wimbledon, London) is a British composer and producer specialising in electronic music that ranges from ambient, through trip hop, to uptempo nu skool breaks.
 His live performances consist largely of his own unreleased compositions, and he is noted for scratching his own sounds over his music, creating a live element of turntablism stemming from prowess early in his career as a vinyl DJ.
Florida breaks, referred to as Florida breakbeat and Funky Breaks, is a genre of broken beat music which, as the name suggests, is most popular in the areas around the US state of Florida.
 Its sound has a lot in common with UK nu skool breaks although it also contains influences of other music popular in the same area such as freestyle, electro and Miami bass due to the parallel electronic dance music subgenre of electro bass being billed at many of the same events as Florida breaks.
 Also may be referred to as Orlando breaks, Tampa Breaks, or The Orlando Sound.
 genre of breakbeat dance music that originated in central region of the State of Florida, United States.

Question: Question: Nu skool breaks (or nu breaks as it is sometimes referred) is a subgenre of breakbeat originating during the period between 1998 and 2002, in contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and sounds of Acid house, a subgenre of house music developed around the mid-1980s by DJs, from which location? 

 Your answer will be verified with exact match score. To ensure correct verification, only provide the answer within the <answer> </answer> tags. Do not put any sentences or reasoning process within the <answer> </answer> tags. 

Supporting Information: Paragraph 0 

 Nu skool breaks (or nu breaks as it is sometimes referred) is a subgenre of breakbeat originating during the period between 1998 and 2002.
 The style is usually characterized by more abstract, more technical sounds, sometimes incorporated from other genres of electronic dance music, including UK garage, electro, and drum and bass.
 Typically, tracks ranged between 125 and 140 beats per minute (bpm), often featuring a dominant bass line.
 In contrast with big beat, another subgenre of breakbeat, the sound set consisted less of hip hop samples and acid-type sounds, instead emphasizing dance-friendliness and "new" sound produced by modern production techniques using synthesizers, effect processors, and computers. 

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Paragraph 1 

 Volsoc is an American electronica project, consisting of Justin Maxwell and Jean-Paul Bondy.
 The project formed after a series of collaborative live performances in the Southern California rave scene in 1999-2000.
 Combining their individual monikers, Stupid Octave Cat ("soc") and Volum, the two first recorded under this name for the 2001 Abduction Productions compilation, "SCR.COMP.002".
 They were originally approached for further releases for Exzakt's Monotone USA label, but released their first 12" on Germany's World Electric.
 This debut vinyl release earned them immediate international recognition in the Electro and Breakbeat communities, and the title tracks, the slightly electroclash "Compuphonic Intelligence" and minimal "Shout Out" became two of the most popular electro tracks of 2002-2003.
 This EP, as well as their subsequent one on breakbeat producer Si Begg's label Noodles Institute of Technology, serves as an archetypical release for the nu skool electro genre. 

--------------------------------

Paragraph 2 

 Cereal Killaz is an international producer and DJ consisting of Alan Linhart (Aka zarbizarre - Born August 6, 1975 in Philadelphia, Pennsylvania and raised in Bowie, Maryland).
 The music style of the act is classified as breakbeat and nu skool breaks, and has many other influences including nu metal, Florida breaks, drum and bass, industrial and indie rock.
 The Cereal Killaz have been listed by Annie Nightingale of BBC Radio 1 as one of the movers and shakers in the breakbeat scene. 

--------------------------------

Paragraph 3 

 Thursday Club Records more commonly known as TCR is a nu skool breaks record label based in London.
 The label was founded in 1993 by Rennie Pilgrem to provide a solo output outside his membership of the Rhythm Section.
 The early releases were mainly house but it was a trip to Florida in 1994 that convinced Rennie to start experimenting with breaks. 

--------------------------------

Paragraph 4 

 Rennie Pilgrem is an electronic music producer from England who is often considered responsible for the creation of the nu skool breaks genre.
 Before moving into breaks Rennie produced techno and acid house and was part of the influential rave group Rhythm Section along with Ellis Dee.
 Rennie is also the boss of Thursday Club Recordings aka TCR a label which he founded in 1993.
 TCR records is major force in the nu skool breaks scene. 

--------------------------------

Paragraph 5 

 Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago.
 The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer.
 Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes.
 By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. 

--------------------------------

Paragraph 6 

 David Tipper, or Tipper for short (born c. 1976 in Wimbledon, London) is a British composer and producer specialising in electronic music that ranges from ambient, through trip hop, to uptempo nu skool breaks.
 His live performances consist largely of his own unreleased compositions, and he is noted for scratching his own sounds over his music, creating a live element of turntablism stemming from prowess early in his career as a vinyl DJ. 

--------------------------------

Paragraph 7 

 Florida breaks, referred to as Florida breakbeat and Funky Breaks, is a genre of broken beat music which, as the name suggests, is most popular in the areas around the US state of Florida.
 Its sound has a lot in common with UK nu skool breaks although it also contains influences of other music popular in the same area such as freestyle, electro and Miami bass due to the parallel electronic dance music subgenre of electro bass being billed at many of the same events as Florida breaks.
 Also may be referred to as Orlando breaks, Tampa Breaks, or The Orlando Sound.
 genre of breakbeat dance music that originated in central region of the State of Florida, United States. 

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Answer: Chicago