IMPROVEMENTS IN THE TREATMENT OF DRAWINGS OR DESIGNS PRINTED UPON PAPER OR OTHER SUITABLE MATERIAL FOR THE PURPOSE OF IMITATING STAINED, GROUND, CUT OR EMBOSSED GLASS, OR TO BE EMPLOYED FOR OTHER USEFUL AND ORNAMENTAL PURPOSES 3 PRO SP
Year: 1883

page_text: LETTERS PATENT to George Rydill, of 41 Southampton Buildings, Holborn,
in the County of Middlesex, for an Invention of "IMPROVEMENTS IN THE
TREATMENT OF DRAWINGS OR DESIGNS PRINTED UPON PAPER OR OTHER
SUITABLE MATERIAL FOR THE PURPOSE OF IMITATING STAINED, GROUND,
CUT OR EMBOSSED GLASS, OR TO BE EMPLOYED FOR OTHER USEFUL AND
ORNAMENTAL PURPOSES
3
PROVISIONAL SPECIFICATION left by the said George Rydill at the Office
of the Commissioners of Patents on the 4th August 1883.
GEORGE RYDILL, of 41 Southampton Buildings, Holborn, in the County of
Middlesex, " IMPROVEMENTS IN THE TREATMENT OF DRAWINGS OR DESIGNS
PRINTED UPON PAPER OR OTHER SUITABLE MATERIAL FOR THE PURPOSE OF
IMITATING STAINED, GROUND, CUT OR EMBOSSED GLASS, OR TO BE EMPLOYED
FOR OTHER USEFUL AND ORNAMENTAL PURPOSES
נו
..
My invention consists in the mode of treating printed copies of drawings or
designs; either upon white, tinted or coloured paper, satin, cotton, or other suitable
material, printed from wood blocks, stone, metal, glass, engraved or etched metal
plates, or by any of the known methods of printing in one or more colours. In
order to describe my invention in the simplest manner and so that it may be
clearly understood I will here describe one process for producing the printed copy
of drawing or design.
I make a drawing on stone of a landscape or other picture or design, or the same
may be transferred from an engraving on to stone, and by the ordinary method of
lithography the colouring matter of one colour is applied to the stone; then the
paper or other material is laid on the stone and an impression of the landscape or
other picture or design produced. When the ink or colouring matter has become
dry on the printed surface of paper, satin, cotton or other material which I will
"

page_text: call the front side, then from a second stone on which the landscape or other
picture or design has been drawn reversely or transferred the ink or colouring
matter is applied in the usual manner of lithographic printing when the backsido
of the paper is laid on the stone, so placed that every line is exactly opposito the
first impression on the front side causing the impression to be printed on each side
of the paper or other material. I have named only one colour but the impression
may be printed in any required number of colours.
Instead of printing on both sides two or more sheets of paper or other material
may be printed on one side and placed together, or the colouring matter may be
prepared a little stronger for one printing.
My improvements relate to the materials and the modes and various processes of
producing transparent paper pictures, figures or designs and to preserving oil,
water colours and inks printed on paper, satin or cotton adapted for making
windows in imitation of stained glass, also serving for various useful, necessary
and ornamental purposes. After the landscape or other picture or design has
become dry it is made translucent as follows:-
I take castor oil in its bleached or natural state and boil it in a jacketted
vessel with steam or in an ordinary copper with or without water or in any
suitable vessel. I then add to the hot castor oil I am about to use a cement
composed of isinglass dissolved in proof spirit or acetic acid to which I add gum
mastic, gum ammoniacum or resin mastic dissolved in alcohol, proof spirit, and to
enable the oil and cement composition to work freely into the paper or other
material I mix with the castor oil and cement-composition-any-required-quantity_
of methylated spirit that will enable it to work freely on the paper or other
material, and while warm I immerse the printed landscape or other picture or
-design in the vessel. containing the oil and cement composition, then raise the
paper or other material and allow it to dry.
When the drawings or designs are printed on a web of paper and become dry
I pass the printed web of paper through the castor oil and cement composition
placed in a sizing machine such as is used by paper-makers, keeping the oil and
cement composition warm by means of pipes heated with steam passing round the
bottom of the sizing machine. An agitator is made to revolve at the bottom to
keep the oil and cement composition evenly mixed while the paper is passing
through the oil and cement composition. The excess of the oil and cement
composition on the paper is pressed out into the bottom for re-use.
Or I lay printed or unprinted paper on a table or on a warm metal jacketted
plate which may be heated with warm water, steam, hot air, or gas, and I apply
with a brush to the paper the warm castor oil and cement composition and to
enable the mastic and isinglass to settle into the paper I let it lay flat for an
hour or more, then hang up the paper to dry, or place it in a Hydro-extractor to
assist the drying.
When the printed translucent sheets are dry each sheet is cut to a little less
than the size of a sheet of glass of which two sheets are employed of one colour or
they may vary in colour. I place the printed translucent sheet of paper or other
material on which the landscape or other picture or design has been printed
betwixt two sheets of glass, then the paper and the two sheets of glass are brought
close together with string or cramps and with a cement made of isinglass dissolved
in proof spirits or acetic acid to which I add gum mastic, gum ammoniacum or
resin mastic dissolved in alcohol or proof spirit, and while the isinglass and mastic
are in a dissolved state they are made hot and mixed together forming a cement,
and while the cement is in a hot fluid state I mix with it ground glass and lay it
along the edges of the two sheets of glass and then allow it to set for 12 or more
hours. The cramps are then removed and any of the parts not coated while
cramped together are now coated with cement. With a view to further protect
printed translucent or other sheets placed betwixt sheets of glass against damp or
atmospheric influence I coat over the coment and ground glass with a solution of

page_text: gutta-percha, india-rubber, asbestos cement, asbestos paint, water glass or enamel
paint, to protect and to enable the two sheets of glass to be suspended when
unframed. I place grooved steel, tin, brass, lead or other metal or composition
round the edges of tho two sheets of glass which thoroughly protects them so that
dust and moisture is effectually excluded. Ground earthenware, marblo, stone,
sand, or other substances may be mixed with the cement.
Another part of my invention consists in making white, tinted or coloured
paper or other material translucent in the web, prior to its being printed upon.
Or I make paper or other material translucent after being printed upon from
wood, stone, metal, glass, engraved or etched metal plates, composition, or by any
of the known methods of printing in one or moro colours, figures or designs, with
a mixed composition of olive oil, lac or sanderack dissolved in alcohol or proof
spirit, which fixes the oil or fats quickly, so that paper or other material can bo
printed upon, but I prefer to print first on plain white, tinted, or coloured paper or
other material by any of the known methods of printing any drawing, figure, or
design, in any colour or colours. I then apply to the printed paper or other
material, the olive oil mixed with dissolved lac or sanderack in alcohol, or the lac
or sanderack may be mixed separate with the olive oil.
Or any other vegetable, mineral, or animal oils or fats may be mixed with the
lac or sanderack separate or combined.
Or I make a compostion of olive oil, white wax, dissolved mastic and dissolved
copal either in oil of turpentine or alcohol, the copal having been first acted upon
with ammonia, and isinglass dissolved in acetic acid, and when these ingredients
are made hot and amalgamated together I add methylated spirit to make tho
translucent composition work freely, and the same is applied to the paper or other
material as named in the first part of my description.
Or any of the vegetable, mineral or animal oils or fats may be used separately or
mixed with dissolved gum, juniper, gum kowie, shellac or other dissolved gums or
resins to form a translucent composition.
Another part of my invention consists in forming untranslucent facings, panels
or partitions for various purposes, and when panels or partitions are to be faced on
both sides, I take two printed or stencil sheets of paper, satin or cotton and place
them back to back, or they may be placed on a sheet of glass, back to back, or on
each side of cardboard, sheet metal, wood or asbestos cardboard, assisted or
embellished with gold, silver, brouze or other metallic alloy, either in the leaf, or
liquid or powder state; the two printed sheets forming panels or partitions or
facings are placed betwixt two sheets of glass which are cemented together with
the cement and ground glass as described or cemented together with parchment,
bladder or asbestos cement or with any other material so that dust or moisture is
effectually excluded and the facings, panels or partitions so formed are printed to
represent the richest or rarest woods, marble, granite, or works of art of any
figure or design in one or any number of colours.
Or when used for facings the front side of the printed paper or other material
may be glass, tale or muscovite or oblique mica, and the back side may be of wood,
asbestos, cardboard or other material, which is cemented to the glass at the edges
to form one piece, in the same manner as when the two sheets of glass are cemented
together.
In some cases I prefer to impregnate the paper or other material with the oil
and cement composition as described, or the saine may be varnished or coated with
collodion.
Or the printed paper or other material is varnished on the face side and when
dry the oil and cement composition is applied to the backside.
Or in some cases when the paper or other material is varnished on both sides
and becomes dry I force the oil and cement composition into the paper by placing
it in a vessel and either by first forming a vacuum with an air pump or by
hydraulic pressure.

page_text: Another part of any invention relates to piercing, printing and making trans-
lucent paper or other material with oil and cement composition having an
appearance of ground, embossed or stained glass. I will describe it first as a
pierced sheet or screen for a window; round the outer edge of the screen I pierce
any description of border and also pierce sinall stars or other figures or devices in
the centre.
I prefer to form the border with border-type, for instance such as are to be found
in any large printing office. In the centre I place a metallic or wood block of a
coat of arms or other figure or design, and with little stars here and there, placing
the forme in a frame under a printing press. I then mix with fine powdered
asbestos or any other substance sulphuric or muriatic acid or alum liquid to bring
the same to the consistency of printer's ink and with a printers roller I cause the
acid composition to be spread over the face of the type in the same manner as
printers ink is applied; then the paper or other material is placed over the type
and printed upon in the ordinary way. When the composition has become dry by
employing a gentle heat, the paper or other material is left pierced the exact same
copy as the forme. The paper is then placed betwixt two sheets of glass which are
cemented together at the edges.
In order to make the same border, coat of arms and stars have a rich appearance
without anyone being able to see through, I transfer to a stone with transfor
paper and ink an exact copy of the former. I then lithograph the border on to the
paper in one or more colours, the coat of arins in one or more colours, and the stars
the same or any other colour; when the colours-are dry I. make.tho. printed sheet
translucent with oil and cement composition; when the translucent picture is dry
it is placed betwixt two sheets of glass which are cementod together.
1-also-make-printed photographs translucent with the oil and cement composition;
when dry I varnish the photograph or varnish and then coat it with collodion, or I
inake the photograph translucent after it is varnished or coated with collodion, and
prefer to print the photograph in a large printing frame that will allow of the
paper on which the photograph is printed having a large margin, so that the
margin may be printed upon or pierced with any suitable figure or design to
represent ground, cut or embossed or stained glass for windows or adapted for
other purposes, which I place betwixt two sheets of glass cemented together at the
edges, or the saine may be used for facings or panels as before described.
Or a translucent photograph or other printing having no margin is placed upon
translucent paper to form a margin.
Another part of my invention relates to fireproof printing with asbestos or
other fireproof paints, colouring matter, or ink, any figure or design on asbestos
fireproof paper or other material and enclosing the same betwixt two sheets of
glass, the edges of the glass being cemented together with asbestos cement.
Or asbestos or other paper or material is coated over with asbestos or other
ordinary paint now in use, to form a smooth face covering, and is then printed over
with asbestos or other fireproof paints or inks in any figure or design, enclosing
the same with plate, sheet or moulded glass, and it may be used for facing walls or
floors, or it may be cemented to tiles or form panels in recesses.
When asbestos or other fireproof paper or other material is printed upon with
fireproof paints or inks, when requisite I place the printed asbestos paper or other
material betwixt two sheets of glass and unite the edges together by molting and
pressing, or with a flux and by using a blow pipe Hame I unite the two edges
together.
Another part of my invention has reference to the disposition of the materials.
In some cases I print on gelatine placed on paper or on varnished paper that has
had the colouring matter mixed with the varnish but I prefer to print on white,
tinted, or coloured paper or other material any figure or design in one or more colours
for making windows, in imitation of stained glass, translucent pictures, signs and
lamps, for making cabinet work represent a variety of inlaid or other woods, which

page_text: is also applicablo for architectural purposes such as the ornamentation of interior
or exterior of buildings, chimney pieces representing facings of marble, granite, or
other stones, in producing ornamental designs or works of art attached to metal
or other material for making panels for imitation of stained glass, finger plates, or
for advertisements. When the printed colours are dry I pass the printed paper
through a varnishing machine such as are now in general uso and when the
varnish is dry, I then pass the printed and varnished paper through another
machine of the same kind containing any of the oil and coment compositions I
have named, which gives a body and strength to the paper, fills up the pores,
provents the varnish from cracking and brings up a deeper tone of colour and takes
off the sickly glaze, and causes the paper to have more the appearance of stained
glass when the printings are inserted betwixt two sheets of glass and cemented
together.

page_text: SPECIFICATION in pursuance of the conditions of the Letters Patent filed
by the said George Rydill in the Patent Office on the 4th February 1884.
GEORGE RYDILL, of 41 Southampton Buildings, Holborn, in the County of
Middlesex, "IMPROVEMENTS IN THE TREATMENT OF DRAWINGS OR DESIGNS
PRINTED UPON PAPER OR OTHER SUITABLE MATERIAL FOR THE PURPOSE OF
IMITATING STAINED, GROUND, CUT OR EMBOSSED GLASS, OR TO BE EMPLOYED
FOR OTHER USEFUL AND ORNAMENTAL PURPOSES
"
My invention consists in the mode of treating printed copies of drawings or
designs, either upon white, tinted or coloured paper, satin, cotton, or other suitable
material, printed from wood blocks, stone, metal, glass, engraved or etched metal
plates, or by any of the known methods of printing in one or more colours. In
order to describe my invention in the simplest manner and so that it may be clearly
understood I will here describe one process for producing the printed copy of
drawing or design.
Imake-a-drawing-on-stone of a landscape or other picture or design, or the same
may be transferred from an engraving on to stone, and-by-the-ordinary_method_of
lithography the colouring matter of one colour is applied to the stone; then the
paper or other material is laid on the stone and an impression of the landscape or
other picture or design produced. When the ink or colouring matter has become
dry on the printed surface of paper, satin, cotton or other material which I will
call the front side, then from a second stone on which the landscape or other
picture or design has been drawn reversely or transferred the ink or colouring
matter is applied in the usual manner of lithographic printing when the back side
of the paper is laid on the stone, so placed that every line is exactly opposite the
first impression on the front side causing the impression to be printed on each side
of the paper or other material. I have named only one colour but the impression
may be printed in any required number of colours.
I.
Instead of printing on both sides two or more sheets of paper or other material
may be printed on one side and placed together, or the colouring matter may be
prepared a little stronger for one printing.
My improvements relate to the materials and the modes and various processes of
producing transparent paper pictures, figures or designs and to preserving oil,
water colours and inks printed on paper, satin or cotton adapted for making
windows in imitation of stained glass, also serving for various useful, necessary
and ornamental purposes. After the landscape or other picture or design has
become dry, it is made translucent as follows:-
I take castor oil in its bleached or natural state and boil it in a jacketted vessel
with steam or in an ordinary copper with or without water or in any suitablo
vessel. I then add to the hot castor oil I am about to use a cement composed of
isinglass dissolved in proof spirit or acetic acid to which I add gum mastic, gum
ammoniacum or resin mastic dissolved in alcohol, proof spirit, and to enable the oil
and cement composition to work freely into the paper or other material I mix with
the castor oil and cement composition any required quantity of methylated spirit
that will enable it to work freely on the paper or other material, and while warm
I immerse the printed landscape or other picture or design in the vessel containing
the oil and cement composition, then raise the paper or other material and allow
it to dry.
When the drawings or designs are printed on a web of paper and become dry I
pass the printed web of paper through the castor oil and cement composition placed
in a sizing machine such as is used by paper-makers, keeping the oil and cement

page_text: composition warm by means of pipes heated with steam passing round the bottom
of the sizing machine. An agitator is made to revolve at the bottom to keep the
oil and cement composition evenly mixed while the paper is passing through the
oil and cement composition. The excess of the oil and cement composition on the
paper is pressed out into the bottom for re-use.
Or I lay printed or unprinted paper on a table or on a warm metal jacketted
plate which may be heated with warm water, steam, hot air, or gas, and I apply
with a brush to the paper the warm castor oil and cement composition, and to
enable the mastic and isinglass to settle into the paper I let it lay flat for an hour
or more, then hang up the paper to dry, or place it in a hydro-extractor to assist
the drying.
When the printed translucent sheets are dry each sheet is cut to a little less than
the size of a sheet of glass, of which two sheets are employed of one colour, or they
may vary in colour. I place the printed translucent sheet of paper or other
material on which the landscape or other picture or design has been printed
betwixt two sheets of glass, then the paper and the two sheets of glass are brought
close together with string or cramps and with a cement made of isinglass dissolved
in proof spirits or acetic acid to which I add gum mastic, gum ammoniacum or
resin mastic dissolved in alcohol or proof spirit, and while the isinglass and mastic
are in a dissolved state they are made hot and mixed together forming a cement,
and while the cement is in a hot fluid state I mix with it ground glass and lay it
along the edges of the two sheets of glass and then allow it to set for 12 or more
hours. The cramps are then removed and any of the parts not coated while
cramped together aro now coated with cement. With a view. to further protect
printed translucent or other sheets placed betwixt sheets of glass against damp or
atmospheric influence I coat over the cement and ground glass with a solution of
gutta-percha, india-rubber, asbestos cement, asbestos paint, water glass or onamel
paint, and to enable the two sheets of glass to be suspended when unframed I place
grooved steel, tin, brass, lead or other metal or composition round the edges of the
two sheets of glass which thoroughly protects thom so that dust and moisture is
effectually excluded. Ground earthenware, marble, stone, sand, or other substances
may be mixed with the cement.
Another part of my invention consists in making white, tinted or coloured papor
or other material translucent in the wob, prior to its being printed upon.
Or I make paper or other material translucent after being printed upon from
wood, stone, metal, glass, engraved or etched metal plates, composition, or by any
of the known methods of printing in one or more colours, figures or designs, with
a mixed composition of olive oil, lac or sandarac dissolved in alcohol or proof
spirit, which Bixes the oil or fats quickly, so that paper or other material can be
printed upon, but I prefer to print first on plain white, tinted, or coloured paper or
other material by any of the known methods of printing any drawing, figure or
design, in any colour or colours. I then apply to the printed paper or other
material, the olive oil mixed with dissolved lac or sandarac in alcohol, or the lac or
sandarac may be mixed separate with the olive oil.
Or any other vegetable, mineral, or animal oils or fats may be mixed with the
lac or sandarac separate or combined.
Or I make a composition of olive oil, white wax, dissolved mastic and dissolved
copal either in oil of turpentine or alcohol, the copal having been first acted upon
with ammonia, and isinglass dissolved in acetic acid, and when these ingredients
are made hot and amalgamated together I add methylated spirit to make the
translucent composition work freely, and the same is applied to the paper or other
material as named in the first part of my description.
Or any of the vegetable, mineral or animal oils or fats may be used separately
or mixed with dissolved gum, juniper, gum kauri, shellac or other dissolved gums
or resins to form a translucent composition.
Another part of my invention consists in forming untranslucent facings, panels
or partitions for various purposes, and when panels or partitions are to be faced on

page_text: both sides, I take two printed or stencil sheets of paper, satin or cotton and place
them back to back, or they may be placed on a sheet of glass, back to back, or on
each side of cardboard, sheet metal, wood or asbestos cardboard, assisted or
embellished with gold, silver, bronze or other metallic alloy, either in the leaf, or
liquid or powder state; the two printed sheets forming panels or partitions or
facings are placed betwixt two sheets of glass which are cemented together with
the cement and ground glass as described, or cemented together with parchment,
bladder or asbestos cement or with any other material so that dust or moisture is
effectually excluded, and the facings, panels or partitions so formed are printed to
represent the richest or rarest woods, marble, granite, or works of art of any figure
or design in one or any number of colours.
--
Or when used for facings the front side of the printed paper or other material
may be glass, talc or muscovite or oblique mica, and the back side may be of wood,
asbestos, cardboard or other material, which is cemented to the glass at the edges
to form one piece, in the same manner as when the two sheets of glass are
cemented together.
In some cases I prefer to impregnate the paper or other material with the oil
and cement composition as described, or the same may be varnished or coated with
collodion.
Or the printed paper or other material is varnished on the face side and when
dry the oil and cement composition is applied to the back side.
Or in some cases when the paper or other material is varnished on both sides
and becomes dry I force the oil and cement composition into the paper-by placing
it in a vessel and either by first forming a vacuum with an air pump or by
bydraulic pressure.
Another part of my invention-relates-to-piercing, printing and making trans-
lucent paper or other material with oil and cement composition having an appearance
of ground, embossed or stained glass. I will describe it first as a pierced sheet or
screen for a window; round the outer edge of the screen I pierce any description
of border and also pierce small stars or other figures or devices in the centre.
I prefer to form the border with border-type, for instance such as are to be
found in any large printing office. In the centre I place a metallic or wood block
of a coat of arms or other figure or design, and with little stars bere and there,
placing the forine in a frame under a printing press. I then mix with fine
powdered asbestos or any other substance sulphuric or muriatic acid or alum
liquid to bring the same to the consistency of printers' ink and with a printers'
roller I cause the acid composition to be spread over the face of the type in the
same manner as printers' ink is applied; then the paper or other material is placed
over the type and printed upon in the ordinary way. When the composition has
become dry by employing a gentle heat, the paper or other material is left
pierced the exact same copy as the forme. The paper is then placed betwixt two
sheets of glass which are cemented together at the edges.
In order to make the same border, coat of arms and stars have a rich
appearance without anyone being able to see through, I transfer to a stone with
transfer paper and ink an exact copy of the former. I then lithograph the border
on to the paper in one or more colours, the coat of armis in one or more colours,
and the stars the same or any other colour; when the colours are dry I make the
printed sheet translucent with oil and cement composition; when the translucent
picture is dry it is placed betwixt two sheets of glass which are cemented
together.
I also make printed photographs translucent with the oil and cement
composition; when dry I varnish the photograph or varnish and then coat it with
collodion, or I make the photograph translucent after it is varnished or coated with
collodion, and I prefer to print the photograph in a large printing frame that will
allow of the paper on which the photograph is printed or fixed having a large
margin, so that the margin may be printed upon or pierced with any suitable

page_text: figure or design to represent ground, cut or embossed or stained glass for windows
or adapted for other purposes, which I place betwixt two sheets of glass cemented
together at the edges, the same may be used for facings or panels as before
described.
Or a translucent photograph or other printing having no margin is placed upon
translucent paper to form a margin.
Another part of my invention relates to fireproof printing with asbestos or
other fireproof paints, colouring matter, or ink, any figure or design on asbestos
fireproof paper or other material and enclosing the same betwixt two sheets of
glass, the edges of the glass being cemented together with asbestos cement.
Or asbestos or other paper or material is coated over with asbestos or other
ordinary paint now in use, to form a smooth face covering, and is then printed
over with asbestos or other fireproof paints or inks in any figure or design,
enclosing the same with plate, sheet or moulded glass, and it may be used for
facing walls or floors, or it may be cemented to tiles or form panels in recesses.
When asbestos or other fireproof paper or other material is printed upon with
fireproof paints or inks, when requisite I place the printed asbestos paper or other
material betwixt two sheets of glass and unite the edges together by melting and
pressing, or with a flux and by using a blow pipe flame I unite the two edges
together.
Another part of my invention has reference to the disposition of the materials.
In some cases I print on gelatine placed on paper or on varnished paper that has
had the colouring matter mixed with the varnish but I prefer to print on white,
tinted, or coloured paper or other material any figure or design in one or more
colours for making windows, in imitation of stained glass, translucent pictures,
signs and lamps, for making cabinet work represent a variety of inlaid or other
woods, which is also applicable for architectural purposes such as the ornamentation
of interior or exterior of buildings, chimney pieces representing facings of marble,
granite, or other stones, in producing ornamental designs or works of art attached
to metal or other material for making panels for imitation of stained glass, finger
plates, or for advertisements. When the printed colours are dry I pass the printed
paper through a varnishing machine such as are now in general use, and when the
varnish is dry, I pass the printed and varnished paper through another machine of
the same kind containing any of the oil and cement compositions I have named,
which gives a body and strength to the paper, fills up the pores, prevents the
varnish from cracking and brings up a deeper tone of colour and takes off the
sickly glaze, and causes the paper to have more the appearance of stained glass
when the printings are inserted betwixt two sheets of glass and cemented
together.
Having now described my Invention and the manner in which the same is to be
carried out, I wish it to be understood that I do not limit myself to the precise
details hereinbeforo described as they may be varied without departing from the
nature of my said Invention, but what I claim is :—
First. Printing and producing figures and designs in imitation of stained glass
for decoration of furniture, lamps, signs, and advertisements, and for the decoration
of the interior and exterior of buildings as described.
Second. The placing of one or more sheets of translucent or untranslucent paper
or material one behind the other to bring up the colour or design of the front
translucent printing and placing the same betwixt two sheets of glass and
cementing and binding the same together as described.
Third. The use of vegetable, mineral or animal oils, fats, wax, or gums for
producing translucent figures or designs as described.
Fourth. Impregnating paper or other material either before or after it is printed
by forming a vacuum or by forcing the various liquids into material under
hydraulic pressure as described.

page_text: Fifth. The piercing or forming various designs on paper to represent cut, ground,
embossed or stained glass as described
Sixth. Making printed photographs translucent as described and having a border
as described.
Seventh, Printing with asbestos as described.
In witness whereof, J, the said George Rydill, have hereunto set my hand and
seal, this fourth day of February in the year of our Lord one thousand eight
hundred and eighty-four.
GEORGE RYDILL (LS.)