text: What we have here is a classic case of TOO much patriotism. This is what happens when you live in a small country with very little (next to none, even) cinema history. Whenever somebody does come up with a slightly more ambitious film project  other than the usual dramas about struggling farmer families or long feature slapstick movies of local comedians  everybody feels obliged to love it and even responsible to spread favorable reviews across the countries' borders. This is especially the case when the writer/director of this particular film is already a nation's sweetheart, because he's also the founder and lead singer of a popular rock band. "Any Way The Wind Blows" is by no means a bad film, but it's definitely overrated (if that is even possible within the boundaries of a small country) and has absolutely nothing new or even remotely original to offer. This is basically the Flemish version of classic movies such as "Short Cuts" and "Magnolia" and illustrates a mosaic of characters whose daily lives initially appear to be unrelated but eventually come together in the end. The only thing that seems to unite the eight protagonists at first is the city of Antwerp, where they all live and work, but gradually the deeper relationships between them become transparent and near the climax they all gather for a party. The main problem with "Any Way The Wind Blows", at least according to yours truly, lies with the characters. They really are random, uninteresting and honestly don't experience anything that could be considered out of the ordinary. It was presumably writer/director Tom Barman's intention to depict the average & regular inhabitant of Antwerp but then, seriously, what is the point? One of the characters gets fired from his film projectionist job, another one is a failed novelist struggling with a marriage crisis, two siblings recently lost their father and the most "mysterious" one of them all is followed by the wind wherever he goes. There are a couple of more characters regularly walking through the screen, but they're even less worth mentioning. These people simply drivel on and on about very random topics (like life in the 80's, dates and each other's bowel motions) and philosophy about matters nobody cares about. Some of the dialogs do evoke mild chuckles, especially the interactions between the two twenty-something guys from Ghent, but still nothing extraordinary or even memorable. The film actually works best as a touristy video to promote the city of Antwerp and as an extended & versatile music documentary. There are several stylish & nifty sightseeing images of Antwerp and there's always beautiful music playing, whether really loud or subtly in the background. Generally speaking "Any Way The Wind Blows" is a competently made and stylish effort, but too mundane and slightly boring, and I honestly wonder most of its fans would even had bothered to watch if it weren't a Flemish production.