text: The movie has a distinct (albeit brutish and rough) humanity for all its borderline depravity - the zippy/lyrical score points up the comic side of their misadventures, and even when they're at their most thuggish (like terrorizing the woman on the train), a semi-pitiful vulnerability lurks never far away (Dewaere sucks on her breasts like a baby). Blier cuts away from the scene where Depardieu may be about to rape Dewaere, so we're never sure how explicitly to read the manifestly homoerotic aspect of their relationship - either way, that incident is the start of their relative humanization (so the movie could certainly be read as pro-gay, although it could likely be read as pro-anything you want). The movie has many objectionable scenes and points of sexual politics and is probably best taken as a general cartoon on the foibles of both sexes, making a mockery of the whole notion of sensitivity and honesty, and hitting numerous points of possible profundity on the basis that if you fire off enough shots, some of them are bound to hit.