text: As with all environmentally aware films from the 1970s SOYLENT GREEN has a rather cheesy view of what ecological meltdown is . Overpopulation means there`s too many people to feed ? I was under the impression that famines were caused by either war or failed economic policies . Stalin`s policy in the Soviet Union in the 1930s left millions dead because of famine and to this day the greatest man made tragedy was Mao`s rural policy in China which led over 30 million starvation deaths in the 1950s . And let`s not forget the great famines in the horn of Africa in the 1980s and 90s which were to do with conflicts not overpopulation . You might like to also consider that two of the most heavily populated areas on Earth , Hong Kong and Macau , have never suffered a famine in modern times . Likewise the expansion of shanty towns around cities as seen here isn`t strictly down to overpopulation - it`s down to economic factors where people flock to cities to find better paid work than in the countryside ( It`s a symptom of industrial progress - not of too many births ) so the image of the streets of New York city being too congested to walk through and of having people sleep in stairwells is somewhat laughable<br /><br />But don`t be fooled into thinking SOYLENT GREEN is a pile of corny tree hugging crap because I consider this to be the best ecological film of the<br /><br />70s . It plays on the contempary audience`s knowledge of the world where Sol and Thorn are beside themselves with joy at finding fruit , brandy and fresh meat . Thorn gasps in amazement at having ice in his whisky , puffs on a cigarette and delivers the classic line " If I could afford it I`d smoke two , maybe three of these a day " . But it`s the visage of the euthanasia chamber that`s memorable as Thorn gazes at the images of wild animals , flowers , running water and snow covered mountains , a world Thorn`s generation has never known . This is a very haunting scene which makes SOYLENT GREEN a very memorable film , combined with the fact it features the final screen appearance of Edward G Robinson as the wise old Jew Sol Roth