Doktor Rudolf von Hacklheber is standing in a long skinny car decorated like the anteroom of an upper-class whorehouse, with Persian runners on the polished hardwood floor, heavy furniture upholstered in maroon velvet, and curtains so thick that they look bulletproof. At one end of the coach, a French maid hovers over a table set with breakfast: hard rolls, slices of meat and cheese, and coffee. Rudy’s nose tells him that it is real coffee, and the smell draws him down to the end of the car. The maid pours him a cup with trembling hands. She has plastered thick foundation beneath her eyes to conceal dark circles, and (he realizes, as she hands him the cup) she has also painted it onto her wrists.