And then it was flashback time and I was in the pod with all my sockets plugged, rocking Man-O-War through the wires, giving him the meat and bone that made him Man-O-War and the machines picking it up, sound and vision so all the tube-babies all around the world could play it on their screens whenever they wanted. Forget the road, forget the shows, too much trouble, and it wasn’t like the tapes, not as exciting, even with the biggest FX, lasers, spaceships, explosions, no good. And the tapes weren’t as good as the stuff in the head, rock ‘n’ roll visions straight from the brain. No hours of set-up and hours more doctoring in the lab. But you had to get everyone in the group dreaming the same way. You needed a synthesis, and for that you got a synthesizer, not the old kind, the musical instrument, but something—somebody—to channel your group through, to bump up their music and their tube-fed little souls, to rock them and roll them the way they couldn’t do themselves. And anyone could be a rock ‘n’ roll hero then. Anyone!