The bas-relief on the synthwood door was amateurish, maybe even intentionally so, but the images trapped there were still easily made out. Snakes twisted around skulls and sometimes through them, coiling beside beaches facing dark water, which had been rendered by the artist or artists burning the necessary area with a low-level flame to provide the depthless color. Handmade drums and large alligators were represented in the hellish mix as well. Men and women wearing frightened faces bowed before impossibly figured gigantic beings that showed no trace of mercy and little humanity of any sort.