Though in truth ’twas not the Room they saw first, but what lay beyond its windows, which faced to the east: the Pool of London, so crowded with vessels of all sizes and descriptions that it struck the eye not so much as a body of liquid water as a morass, congested and nearly rafted over by floating wood. Aboard Prudence they had been maneuvering through it—which was to say, they’d been part of it—for a few hours, and so one might not expect the scene to’ve drawn their notice as strongly as it did. But viewed from above, and framed thusly in the lattice-work of the windows, it gave an entirely different impression; the hundreds of ships, variously bobbing, rocking, steaming, smoking, loading, unloading, undergoing diverse mendings, splicings, paintings, caulkings, and swabbings, shrugging off the rain from above while holding back and riding upon Thames-pressure from below, seemed as if they had been arrayed thus solely to be viewed by the Clubb from these windows. As if some tyrant prince had conceived an enthusiasm for seascape-painting and commanded that all the Realm’s trees be cut and all its men pressed into service to create a striking Scene below his easel.