In a narrow-hulled double-outrigger boat in the South China Sea, America Shaftoe stands astride a thwart, her body pointing straight up at the sun, despite the rollers, as if she is gyroscopically stabilized. She is wearing a sleeveless diving vest that reveals strong, deeply tanned shoulders, the walnut-brown skin etched with a couple of black tattoos and brilliantly jeweled with beads of water. The handle of a big knife projects from a shoulder holster. The blade is that of a regular diving knife but the handle is that of a kris, an ornate traditional weapon of Palawan. A tourist can buy a kris at the duty-free shop at NAIA, but this one appears to be less flashy but better made than the tourist-shop jobs, and worn from use. She has a gold chain around her neck with a gnarled black pearl dangling from it. She has just emerged from the water holding a tiny jeweler’s screwdriver between her teeth. Her mouth is open to breathe, displaying crooked, bright white teeth with no fillings. For this brief moment she is in her element, completely absorbed in what she is doing, totally unself-conscious. At this moment Randy thinks he understands her: why she spends most of her time living here, why she didn’t bother with going to college, why she left behind her mother’s family, who raised her, lovingly, in Chicago, to be in business with her father, the wayward veteran who walked out of the household when America was nine years old.