"Just a frame-grab," Inchmale said. He had had the idea, when Hollis and Odile told him about Bobby Chombo deserting the locative artists of L.A., and about Alberto losing his River, of his going to Bobby with a video proposal from the Bollards. The song was called "I’m the Man Who Shot Walt Disney," Inchmale’s favorite of the material he was to produce for them in L.A. Bobby would direct, and the video would jump a platform, introducing locative art to a wider audience while helmets like Hollis’s were still in the beta-test stage. In order to make certain that Bobby picked up his abandoned obligations in L.A., Inchmale had pretended to be a particular fan of Alberto’s. With Odile as go-between, things had come together very quickly, and they’d managed to make it necessary for Bobby to get everyone else’s work back up on new servers, which he’d already done.