"So: clues, and there are two ways in which she might be revealed. In one she succumbs to her interrogators and she loses. She gives up everything she knows. In the other, the pieces fall together to convey a message. We must assume it is concealed in the narratives. You do not really see the painter or the banker, you see aspects of the woman herself. They are not only camouflage, they are information. The human eye—the human mind—sees relationships, not objects. A lizard on a branch is a leaf until it moves. We are things that see volitional patterns like ourselves. We see them even when they are not there, in clouds and in bathwater. When the pieces are correctly aligned—in the conjunction, yes?—all will be revealed."