This— put a volcano in it —had been Roger’s first and last instructions to Daniel concerning interior decoration. Daniel had fobbed that part of it off on a silversmith—not a money one, but an old-school silversmith who still literally smote silver for a living. This had left Daniel free to design the Temple of Vulcan itself, which had presented no difficulties at all. A lot of Greeks had figured out how to make buildings of that general type two thousand years ago, and then Romans had worked out tricks for banging them out in a hurry, tricks that were now second nature to every tradesman in London.