There was the mantelpiece, the one with the commemorative plastic tray whose duplicate he’d seen in Clovis Fearing’s shop in Portobello Road, a pale oblong propped against the wall. He rolled forward, the camera bobbing annoyingly, until he could make out "Clanton Bicentennial," and the dates. And seventy-some years on from the year of celebration, he sat at Lev’s grandfather’s desk in the Gobiwagen, the band of the Wheelie-emulator across his forehead, looking back through this clumsy toy at this strange world, in which worn things weren’t meticulously distressed, but actually worn, abraded by their passage through time. A fly buzzed heavily past, above the Wheelie Boy. Anxiously, he tried to track it, then remembered that here it was more likely a fly than a drone, and that the mesh on the weirdly fragile auxiliary door was meant to keep it out. He turned the camera, studying the shabby, shadowy tableau of lost domestic calm. At the end of its arc, he discovered a cat glaring at him, on its haunches. As he saw it, it rushed the Wheelie, hissing, batting it fiercely back, the rear of the tablet striking the wooden floor. As the gyro whined, righting the Wheelie, he heard the cat push the mesh door far enough open to escape, and then the sound of it closing.