When they got out to the car, he saw that he’d parked it right in front of this mural of J. D. Shapely wearing a black leather biker jacket and no shirt, being carried up to heaven by half a dozen extremely fruity-looking angels with long blond rocker hair. There were these blue, glowing coils of DNA or something spiraling out of Shapely’s stomach and attacking what Rydell assumed was supposed to be an AIDS virus, except it looked more like some kind of rusty armored space station with mean robot arms.