"Then stare at me now, dears - because that's why George, bless his sweet soul safe in heaven, put them on me.  To be stared at... and studied.  Now right up here under my chin is the birth scene of our prophet, the holy Archangel Foster - just an innocent babe and maybe not knowing what Heaven had in store for him.  But the angels knew - see 'em there around him?  The next scene is his first miracle, when a young sinner in the country school he attended shot down a poor little birdie... and he picked it up and stroked it and it flew away unharmed.  See the school house behind?  Now it kind of jumps a little and I'll have to turn my back.  But all of 'em are dated for each holy event in his life." She explained how George had not had a bare canvas to work with when first the great opus was started - since they had both been sinners and young Patricia already rather much tattooed... how with great effort and inspired genius George had been able to turn "The Attack on Pearl Harbor" into "Armageddon," and "Skyline of New York" into "The Holy City."