Avi meets Randy in the hotel lobby. He has burdened himself with a square, old-fashioned briefcase that pulls his slender frame to one side, giving him the asymptotic curve of a sapling in a steady wind. He and Randy take a taxi to Some Other Part of Tokyo—Randy cannot begin to fathom how the city is laid out—enter the lobby of a skyscraper, and take an elevator up far enough that Randy’s ears pop. When the doors slide open, a maître d’ is standing right there anticipating them with a radiant smile and a bow. He leads them into a foyer where four men wait: a couple of younger minions; Goto Furudenendu; and an elderly gentleman. Randy was expecting one of these gracile, translucent Nipponese seniors, but Goto Dengo is a blocky fellow with a white buzz-cut, somewhat hunched and collapsed with age, which only goes to make him seem more compact and solid. At first blush he seems more like a retired village blacksmith, or perhaps a master sergeant in a daimyo’s army, than a business executive, and yet within five or ten seconds this impression is swallowed up by a good suit, good manners, and Randy’s knowledge of who he really is. He’s the only guy in the place who isn’t grinning from ear to ear: apparently when you reach a certain age you are allowed to get away with staring tunnels through other people’s skulls. In the manner of many old people, he looks vaguely startled that they have actually shown up.