He looked up at the decor of the cabin, remembering Hollis’s room at Cabinet, how much he’d liked it. Designers from Hermès had based these cabins on ones in transatlantic prewar German airships, though nobody was making much of a point of that. Frosted aluminum, laminated bamboo, moss-green suede, and ostrich in one very peculiar shade of orange. The three windows were round, portholes really, and through them, if he looked, an empty sea, gone bronze with the setting sun.