She lifts her hands before her face as if to pray, then begins doing things 
with her fingers, linking them together, folding, unfolding, forming pyramids, 
triangles, circles, complex knottings that rush from one configuration to the 
next. She calls it the emblemology of power, these finger-signs she makes. 
Hammer doesn’t much care about that. All he knows or cares about is that
whatever she does, however she does it, it works.