Richard had once looked D-squared up on Wikipedia and learned that he was a laird or an archduke or something. This castle, however, was not his ancestral demesne. He had bought it, cash on the barrelhead. At first his staff had made use of a trailer parked outside its south bastion, placed there to serve as a portable office for the contractors who were fixing the place up. It was equipped with Internet and a laser printer on which emails that merited the attention of the lord of the manor could be printed up on A4 paper and conducted into the donjon in a leather wallet. Later the white paper was discontinued in favor of light brown pseudoparchment. This was a simple matter of taste. Modern paper, with its eye-searing 95 percent albedo, simply ruined the look that was slowly coming together inside the walls. The sans-serif typefaces were swapped out for faux-ancient ones. But it was not as if a man of Donald Cameron’s erudition could be taken in by a scripty-looking typeface chosen by an assistant from Word’s mile-long font menu. And the style and content of these messages from Seattle were every bit as jarring as the paper they were printed on. A medievalist, he quite liked being in a medieval frame of mind; in fact, had to be, in order to write. Sitting in his tower "with prospects, on a fair day, west to Donaghadee and north to Cairngaan," writing with a dip pen at a thousand-year-old desk, he entered into a flow state whose productivity was rivaled only by that of Devin Skraelin. Suddenly to be confronted by a hard copy of an email in which a twenty-four-year-old Seattleite with a nose ring wrote something like "we r totally stressing out cuz chapter 27 is not resonating with 16 yo gamer demographic" was, to say the least, inimical to progress. Some way needed to be devised for important communications to get through to him without disturbing the requisite ambience.