"I only know that the one constant in history is change: The past changes. Our version of the past will interest the future to about the extent we're interested in whatever past the Victorians believed in. It simply won't seem very relevant." What she's actually doing here is channeling Parkaboy from memory, a thread with Filmy and Maurice, arguing over whether or not the footage is intended to convey any particular sense of period, or whether the apparently careful lack of period markers might suggest some attitude, on the maker's part, to time and history, and if so, what?