Lönnrot or Anna? Very well, Lönnrot may be unpredictable, but is Lönnrot all there is to Anna Magdalena? Or vice versa? Is that what Neith should assume? The broken woman taking on the part of Gnomon in who knows what weird psychological extremis after the killing of Hunter to become Lönnrot. A defensive fugue, after the death of the woman in whom she vested...what? Identity? Stability? Love? Is Lönnrot acting on Hunter’s orders, or simply in line with what it is to be an ancient intelligence from the future, entering this universe through a hole in time?