This meeting essentially becomes a venue within which the organist, Mr. Drkh, can vent his opinions on the sneakiness of the Japanese, why the invention of the well-tempered tuning system was a bad idea and how all music written since has been a shabby compromise, the sterling qualities of the General, the numerological significance of the lengths of various organ pipes, how the excessive libido of American troops might be controlled with certain dietary supplements, how the hauntingly beautiful modes of traditional Qwghlmian music are particularly ill-suited to the well-tempered tuning system, how the king’s dodgy Germanic relatives are plotting to take over the Empire and turn it over to Hitler, and, first and foremost, that Johann Sebastian Bach was a bad musician, a worse composer, an evil man, a philanderer, and the figurehead of a worldwide conspiracy, headquartered in Germany, that has been slowly taking over the world for the last several hundred years, using the well-tempered tuning system as a sort of carrier frequency on which its ideas (which originate with the Bavarian illuminati) can be broadcast into the minds of everyone who listens to music—especially the music of Bach. And—by the way—how this conspiracy may best be fought off by playing and listening to traditional Qwghlmian music, which, in case Mr. Drkh didn’t make this perfectly clear, is wholly incompatible with well-tempered tuning because of its haunting and beautiful, but numerologically perfect, scale.