"Sooooee pig-pig-pig! Sooee pig!" Fingo called, cupping his hands to his mouth and broadcasting the hog-call across the ruins as if he had not seen Francis waiting for him beside the trail. "Pig pig pig!-Oh, there you are, Francisco! I mistook you for a bone pile. Well, we’ll have to fatten you up for the wolves. There you are, help yourself to the Sunday slops. How goes the hermit trade? Think you’ll make it a career? Just one waterskin, mind you, and one sack of corn. And watch Malicia’s hind feet; she’s in rut and feels frolicky-kicked Alfred back there, crunch! right in the kneecap. Careful with it!" Brother Fingo brushed back his hood and chortled while the novice and Malicia fenced for position. Fingo was undoubtedly the ugliest man alive, and when he laughed, the vast display of pink gums and huge teeth of assorted colors added little to his charm; he was a sport, but the sport could scarcely be called monstrous; it was a rather common hereditary pattern in the Minnesota country from whence he came; it produced baldness and a very uneven distribution of melanin, so that the gangling monk’s hide was a patchwork of beef-liver and chocolate splashes on an albino background. However, his perpetual good humor so compensated for his appearance that one ceased to notice it after a few minutes; and after long acquaintance, Brother Fingo’s markings seemed as normal as those of a painted pony. What might have seemed hideous if he were a sulking fellow, managed almost to become as decorative as clown’s make-up when accompanied by exuberant good cheer. Fingo’s assignment to the kitchen was punitive and probably temporary. He was a woodcarver by trade, and normally worked in the carpenter’s shop. But some incident of self-assertion, in connection with a figure of the Blessed Leibowitz which he had been permitted to carve, had caused the abbot to order him transferred to the kitchen until he showed some signs of practicing humility. Meanwhile, the figure of the Beatus waited in the carpentry shop, half-carved.