It is possible that someone has chosen, quite deliberately, to take on the image of Diana Hunter’s failure-turned-pupil, or that Neith’s own pattern recognition, faced with a reasonable likeness and a low-resolution image, is playing tricks. Remember Marcus James Dean and Adolf Hitler: it would be typical of Lönnrot to invoke such a spectre. Hunter’s fiction implies that Anna has become—has swallowed or been swallowed by—Gnomon, and ultimately emerged as Lönnrot; but that cannot be relied upon as an absolute truth.