"What in Christ’s name—" he began, but the rest of his utterance was drowned out by a sound that—compared to hundreds of cannons firing at once—made up in shrillness what it lacked in volume. Listening to it in amazement, he began to detect certain resemblances between it and musick. Rhythm was there, albeit of an overly complicated and rambunctious nature, and melody, too, though it was not cast in any civilized mode, but had the wild keening intonations of Irish tunes—and then some. Harmony, sweetness of tone, and other qualities normally associated with musick, were absent. For these Turks or Moors or whatever they were had no interest in flutes, viols, theorbos, nor anything else that made a pleasing sound. Their orchestra consisted of drums, cymbals, and a hideous swarm of giant war-oboes hammered out of brass and fitted with screeching, buzzing reeds, the result sounding like nothing so much as an armed assault on a belfry infested with starlings.