They have to walk past the desk in order to reach Göring, who is spread across an equally massive couch at the end of the car, underneath a Matisse, and flanked between a couple of Roman busts on marble pedestals. He is dressed in red leather jodhpurs, red leather boots, a red leather uniform jacket, a red leather riding crop with a fat diamond set into the butt of the handle. Bracelet-sized gold rings, infected with big rubies, grip his pudgy fingers. A red leather officer’s cap is perched on his head, with a gold death’s head, with ruby eyes, centered above the bill. All of this is illuminated only by a few striations of dusty light that have forced their way in through tiny crevices between curtains and shutters; the sun is up now, but Göring’s blue eyes, dilated to dime-sized pits by the morphine, cannot face it. He has his cherry-colored boots up on an ottoman; no doubt he has trouble with circulation in his legs. He is drinking tea from a thimble-sized porcelain cup, encrusted with gold leaf, looted from a chateau somewhere. Heavy cologne fails to mask his odor: bad teeth, intestinal trouble, and necrotizing hemorrhoids.