But presently the pavement slowed and stopped. The horses—who must be driverless now—had decided that the place they had reached—the front court of the Opera, by the looks of it—was safer than any other place in view, and resolved to stop here. Eliza began trying to squirm out of the half-open door; she phant’sied there was enough space between the ground and the flank of the carriage to admit her body. This very soon turned out to have been overly optimistic, for the door was not open quite wide enough to let her out. She got her head, a shoulder, and an arm free, but the remainder of Eliza would not come unless the door were removed. It was held in place by hinges of ox-hide. Eliza’s left arm was still imprisoned, but she could move it around, and find one of the hinges by groping. She had a little Turkish watered-steel dagger in the waistband of her dress: a nasty old habit. She found it with her left hand, and drew it out. A few moments later she was sawing away at one of the leather hinges.