One of them had been rented by a clock-maker. Or so it might be guessed from the new-made sign that had been hung out over the street on a clever wrought-iron cantilever. This sign had been constructed around the carcass of an ancient clock that looked to have been salvaged from a bell-tower in some Continental town—perhaps a Belgian hôtel de ville laid low by a mortar-bomb during the late war. At any rate it had been very old even before whatever sequence of fiery disasters, salvagings, soakings in brine, and rough trans-shipments had brought it to Clerkenwell. With its bent, gap-toothed gears and its scabrous corrosions it served better as an Emblem, than as a Keeper, of Time. All by itself it might have served as a conversation-piece, like a Roman ruin. But to it had been added a muscular figure, put together of wood and plaster, and styled after a God, who was with one hand supporting the clock and with the other reaching up to adjust its hour-hand. All this to advertise a shop so small that its proprietor could stand in the middle of it and touch both side-walls with his fingertips.