Since the time of the Babylonian astronomers, solar eclipses had from time to time caused ominous shadows to fall upon the land. But England in winter sometimes afforded its long-suffering populace a contrary phenomenon, which was that after weeks of dim colorless skies, suddenly the sun would scythe in under the clouds after it had seemed to set, and wash the landscape with pink, orange, and green illumination, clear and pure as gems. Empiricist though he was, Daniel felt free to ascribe meaning to this when it went his way. Ahead all was clear light, as if he were riding into stained glass. Behind (and he only bothered to look back once) the sky was a bruise-colored void, the land a long scrape of mud. The tavern rose up from the middle of the waste on a sheave of pilings that leaned into each other like a crowd of drunks. Its plank walls pawed a bit of light out of the sky, its one window glowed like a carbuncle. It was the sort of grotesque sky-scape that Dutchmen would come over to paint. But come to think of it, a Dutchman had come over and painted it.