She turned to Garreth, but saw that he was mounting his black laptop in a sort of clasp that extended from a framework of black plastic pipe. The pipe, like a geometric model of a rectangular solid, almost filled the interior of the van. Like Garreth’s chair, it was held in place with that nonreflective black tape that kept film sets together. There were things mounted on the framework: two plasma screens, one above the other, cables, boxes and bits the cables plugged into, and several very stylish-looking LED lamps.