Anyway, it worked in the sense that they broke out of those woods a minute later at one end of the long straight earthen dam that she had spotted just before the crash. They could not see over it to the right, but obviously the lake must be on that side. Before them was an open grassy slope, unnaturally regular, angling down to a stream that (as she could see as more of the scene came into view) was fed by the spillway: a concrete and steel edifice, pierced by a row of gates, that was integrated into the grass-and-earth dam a couple of hundred meters distant. Saskia, or for that matter any Dutch person, could see at a glance how all this worked. It might have green stuff growing on it and birds—(Were those vultures !? Like in Westerns !?)—soaring above it, but that natural stuff was just a tegument, like paint on a house, allowed to cling to a structure that was in fact absolutely unnatural and engineered. Manholes and standing pipes erupted from little square islands of concrete: the visible bits of a huge buried infrastructure. Every surface that met her eye had been architected by some Texan engineer who was paid to do nothing, every day of his career, except think about what water did.