Looking quite a bit more cheerful than that was Catherine Sedley, Countess of Dorchester, who'd been rich to begin with and had now secured her pension by producing two of James's innumerable bastard sons. She was not an attractive woman, she was not Catholic, and she hadn't even bothered to pull on green stockings – yet she had some mysterious unspecified hold over James exceeding that of any of his other mistresses. She was strolling down the gallery tête-à-tête with a Jesuit: Father Petre, who among other duties was responsible for bringing up all of James's bastards to be good Catholics. Daniel caught a moment of genuine amusement on Miss Sedley's face and guessed that the Jesuit was relating some story about her boys' antics. In this windowless gallery, lit feebly by some candles, Daniel could not have been more than a dim apparition to them – a pale face and a lot of dark clothing – a Puritan Will-o'-the-wisp, the sort of bad memory that forever haunted the jumpy Royals who'd survived the Civil War. The affectionate smiles were replaced by alert looks in his direction: was this an invited guest, or a Phanatique, a hashishin ? Daniel was grotesquely out of place. But his years at Trinity had made him accustomed to it. He bowed to the Countess of Dorchester and exchanged some sort of acrid greeting with Father Petre. These people did not like him, did not want him here, would never be friendly to him in any sense that counted. And yet there was a symmetry here that unnerved him. He'd seen wary curiosity on their faces, then recognition, and now polite masks had fallen over their covert thoughts as they wondered why he was here, and tried to fit Daniel Waterhouse into some larger picture.