AND THAT HE DID, by means of a mysterious conversation that took place inside the factory, out of their view. This was the biggest courtyard they'd seen in Leipzig: narrow but long, lined with vaulted arcades on both sides, a dozen cranes active at once elevating goods that the von Hacklhebers expected to rise in price, and letting down ones they thought had reached their peak. At the end nearest the street, mounted to the wall above the entry arch, was a skinny three-story-high structure cantilevered outwards over the yard, like balconies on three consecutive floors all merged into one tower. It was enclosed with windows all round except on the top floor, where a golden roof sheltered an open platform and supported a pair of obscenely long-necked gargoyles poised to vomit rain (should it rain) out onto the traders below. 'Reminds me of the castle on the butt-end of a galleon,' was Eliza's comment, and it wasn't for a few minutes that Jack understood that this was a reminder of the naughty business off Qwghlm years ago, and (therefore) her oblique female way of saying she didn't like it. This despite the gold-plated Mercury, the size of a man, bracketed to it, which seemed to be springing into flight above their heads, holding out a golden stick twined about with snakes and surmounted by a pair of wings. 'No, it's a Cathedral of Mercury,' Jack decided, trying to get her mind off the galleon. 'Your Cathedral of Jesus is cross-shaped. This one takes its plan from that stick in his hand – long and slender – the vaults on the sides like the snakes' loops. The wings of the factory spreading out from the head of it, where is mounted the bishop's pulpit, and all of us believers crowded in below to celebrate the Messe. '