Just so: after a ceremonial cup of coffee in the street, Jack bid adieu to St.-George (who had immediate responsibilities in the cellar) and to Christopher (who had coffee to vend), stepped through the tiny door, and began to ascend stairs – past the wig-maker's shop on the ground level, and then, on the first story, his dwelling – the fine parts of it anyway, such as parlour and dining-room. Then a story for the family bedchambers. Then a story where his servants had their quarters. Then one he had rented out to a tradesman of lesser rank. As the storys mounted, the quality plunged. In the bottom levels the walls and steps alike were solid stone, but this gave way to wooden steps and plaster walls. As Jack continued to climb, the plaster developed cracks, then began to bulge and flake off the lath. At the same time, the stair-steps became creaky, and began to flex beneath his weight. In the top story there was no plaster on the walls at all, just birds' nests of straw and wattle spanning gaps among timbers. Here, in one large room interrupted by a few struts to shore up the roof, lived Christopher's family: countless Armenians sleeping and sitting on squarish bales of coffee-beans. A ladder in the corner gave access to the roof, whereupon a sort of lean-to shack, called by the grand name of entresol , had been improvised. A sailor-hammock hung corner-to-corner. Several bricks were shoved together to form a pad where a fire could be lit. On the tile roof downhill of the entresol, a tissue of brown streakage gave a hint as to where previous occupants had done their shitting and pissing.