The yurt, as Ash called it, proved worse than Netherton could have imagined, having been fully lined, he’d discovered on entering, with her living cloned skin. A pallid veldt, across which roamed, grazed, and stalked the simple black line-drawings, animated tattoos, that had annoyed him when they’d worked together. Given the demodding of her eyes, he assumed she no longer wore them, and so had created this preserve for them, every creature depicted representing an Anthropocene extinction. He suspected the sheer yardage of flesh of making the air warmer, moister, but tried not to think about it, now that the two of them were settled on uneven layers of faded carpet.