The knowledge that the color scheme of blueprints was an accidental feature of those ancient drawings lent impetus to his plan. A glorified copy of the Leibowitz print could be made without incorporating the accidental feature. With the color scheme reversed, no one would recognize the drawing at first. Certain other features could obviously be modified. He dared change nothing that he did not understand, but surely the parts tables and the block-lettered information could be spread symmetrically around the diagram on scrolls and shields. Because the meaning of the diagram itself was obscure, he dared not alter its shape or plan by a hair; but since its color scheme was unimportant, it might as well be beautiful. He considered gold inlay for the squiggles and doohickii, but the thingumbob was too intricate for goldwork, and a gold quid would seem ostentatious. The quiggles just had to be done jet black, but that meant that the lines should be off-black, to assert the quiggles. While the unsymmetrical design would have to stay as it was, he could think of no reason why its meaning would be altered by using it as a trellis for a climbing vine, whose branches (carefully dodging the quiggles) might be made to furnish an impression of symmetry or render asymmetry natural. When Brother Homer illuminated a capital M, transmuting it into a wonderful jungle of leaves, berries, branches, and perhaps a wily serpent, it nevertheless remained legible as M. Brothex Francis saw no reason for supposing that the same would not apply to the diagram.