At some point in its history, Dunkerque must have been an apt name for this place. For it literally meant Dune-church, and one could easily see it, some centuries back, as a dune with a church on, below, or near it, and nothing else, save an indifferent creek that reached the sea there, not so much impelled by gravity as blundering into it by accident. This stark dune-church-creek-scape had over ages been complicated, though never obscured, by the huts, houses, docks, and wharves of a modest fishing-and smuggling-port. More recently it had come to be thought of as a strategic asset, and been juggled back and forth between England and France for a while; inevitably Louis XIV had made it his, and begun to aggrandize it into a base navale, which was a little bit like mounting cannons and armor-plates on a fishing-boat. To anyone approaching the place from England, it looked fearsome enough, with a massive stout rubble-wall along the shore for cannonballs to bounce off of, and divers fortifications and batteries set up wherever the sand would bear their weight. But seen from within—which was how Eliza and Monsieur Bonaventure Rossignol were seeing it—the place looked like a perfectly innocent little port-town that had been hurled into a prison, or had had a prison erected around it.