After spying on one of the clandestine meetings of the young lovers, I mused in a dark corner for an hour, then went to see the copper giant Apostle Thomas. He was the only human form to live so high in the Cathedral. He carried a ruler on which was engraved his real name—he had been modeled after the Cathedral’s restorer in times past, the architect Viollet-le-Duc. He knew the Cathedral better than anyone, and I admired him greatly. Most of the monsters left him alone—out of fear, if nothing else. He was huge, black as night, but flaked with pale green, his face creased in eternal thought. He was sitting in his usual wooden compartment near the base of the spire, not twenty feet from where I write now, thinking about times none of the rest of us ever knew: of joy and past love, some say; others say of the burden that rested on him now that the Cathedral was the center of this chaotic world.