He sees a beggar seated beneath a jeweler's windows. In those windows are small empty pedestals, formal absences of precious things, locked away now for the night. The beggar has wrapped his legs and feet in brown paper tape, and the effect is startlingly medieval, as though someone has partially sculpted a knight from office materials. The trim calves, the tapered toes, an elegance calling out for ribbons. Above the tape, the man is a blur, a spastic scribble, his being abraded by concrete and misfortune. He has become the color of pavement, his very race in question.