The characteristic movements of gatka were gracile. Hopping and twirling that sometimes caused Westerners to misconstrue it as mere sword dance—an artistic endeavor that might have been derived from martial roots but was now far removed from anything that would work in practice. In fact those movements all made perfect martial sense when you were on uneven ground, outnumbered, and engulfed in murderous opponents—which in a broader Sikh history context was pretty much all the time. Not just Alexander’s Macedonians but Persians, Afghans, Pathans, Baluchis, Mughals, Gurkhas, Rajputs, Marathas, and British at one time or another had attempted to seize control of the Breadbasket. The list of tortures used to put prisoners of war to death was long and incredibly imaginative. So constantly moving around to see who was coming up behind you—considered a bad idea in some martial arts—made sense here.