'It's how my mind works now. As in a play, where only the most dramatic parts of the story are shown to the audience, and the tedious bits assumed to happen offstage. So: I gallop out of the Place Royale; the curtain falls, there is a sort of intermission; the curtain rises again, and I'm in Dunkirk, in Mr. Foot's finest bedchamber, upstairs of the Bomb & Grapnel, and I'm with Yevgeny, and stacked around us on the floor are all of his furs and skins and amber.'