They passed out of the central hall and entered a gallery that stretched away for some hundred yards. On the right it was lined with windows admitting light from the sky over Moor Fields. On the left was a succession of closely spaced doors, each sporting a small barred window at head-height. Except for the very noblest and the most destitute, the full range of Londoners—men, women, gentry, commoners, adults and children, small gangs of rowdy apprentices, flocks of well-dressed young women, solitary females even better-dressed (these were whores), doughty gaffers and crones taking their constitutionals, dashing squadrons of boys, strutting Mohawks, preening dandies, and perpetually amused Cockneys—strolled from door to door, peering in at each window to behold whatever spectacle lay within. Costermongers fed and beered the visitors from their push-carts. From place to place a knot of indigo-suited attendants ganged up on some inmate who had gotten out of hand. But for the most part the prisoners mixed freely with the visitors, or as freely as men could when ankle was fettered to ankle, and wrist to wrist, with generous lengths of heavy chain. Some of them—melancholicks—sat huddled on the floor, or shuffled to and fro, ignoring even those visitors who poked them in the ribs with walking-sticks. Others—maniacs—carried on furious disputes with entities not visibly present, or raved about whatever phant’sy was most on their minds; the most animated drew small crowds, which laughed at those rantings of a sexual or political nature, and goaded them to further outbursts. A maniac was trying to tell the world that Louis XIV was controlling London from a secret ærie atop the dome of St. Paul’s, employing an army of Jesuits who could, through sorcery, metamorphose into gray doves. A young man told him that a whole flock of such doves had been sighted entering the cupola of Bedlam through a broken window. This news drove the maniac into transports of horror and sent him back to his cell as fast as he could waddle. The violent jangling of his chains mixed with the laughter and applause of the onlookers, making the gallery too noisy for conversation.