The Leibowitz print, another abstraction, appealed to nothing, least of all to reason. He studied it until he could see the whole amazing complexity with his eyes closed, but knew no more than he had known before. It appeared to be no more than a network of lines connecting a patchwork of doohickii, squiggles, quids, laminulae, and thingumbob. The lines were mostly horizontal or vertical, and crossed each other with either a little jump-mark or a dot; they made right-angle turns to get around doohickii, and they never stopped in midspace but always terminated at a squiggle, quiggle, quid, or thingumbob. It made so little sense that a long period of staring at it produced a stupefying effect. Nevertheless he began work at duplicating every detail, even to the copying of a central brownish stain which he thought might be the blood of the Blessed Martyr, but which Brother Jeris suggested was only the stain left by a decayed apple core.