JONATHAN DAVIS: Vocals
JAMES “MUNKY” SHAFFER: Guitars
In the song ‘"Evolution,” Jonathan Davis lyrically speaks to mankind’s distinct lack of evolution--while the entity known as Korn has made amazing progress since their self-titled 1994 debut. That growth is evident on the 13 tracks populating Korn’s untitled, eighth studio album. The follow-up to 2005’s multi-platinum See You On The Other Side, Korn’s latest, Davis says, is “about us growing up and our minds opening up more. We weren’t necessarily worried about ‘oh, is this too poppy? Or too this or that? We started thinking that way when ‘Got The Life’ came out and we thought, ‘oh, we can’t put this out, it’s got a disco beat and it’s too dancey.’ It made us scared. But that’s something we like doing,” he emphasizes. “If we do a song and put it out and we’re not scared about it, I guess we’re not doing it right, because we always want to evolve, experiment and change.” Further proof of that credo? The lack of an album title. “This album felt like it didn’t need to have a title or boundaries,” Davis says. “We thought it would be cooler for fans. Metallica had a Black album, the Beatles had a White album, and Peter Gabriel put out a bunch of albums he didn’t title. We’re throwing it out there and letting people use their minds and imaginations.”
The experimentation, change and growth doesn’t stop there. Guitarist Brian “Head” Welch left the band in 2005, and drummer David Silveria has been on a hiatus from Korn since 2006. Davis notes: “The dynamics and chemistry have of course changed, and it’s reflected musically and creatively on this album. Munky has done an amazing job taking on all the guitar duties; he’s really grown as a player. We’ve all had to step it up, and the core of us--me, Fieldy and Munk--we share a passion. I don’t think we’d be alive if we didn’t have our music and weren’t able to do this.”
In 2007, that passion is channeled into the making and release of the band’s triumphant untitled album and the 2007 FAMILY VALUES TOUR which last year sold close to 500,000 tickets. The groundbreaking festival was founded in 1998 by Korn and management company the Firm. Korn, who have sold more than 25 million records worldwide and earned six Grammy nods and two wins to date, have upped the ante with each successive record and project, always innovators in the use of media, fan interaction, collaborations, business models, and most importantly, music. On the untitled album, produced by innovative British programmer/remixer Atticus Ross with The Matrix also taking production credit on 4 of the album’s key tracks, band favorites include “Starting Over,” “Hold On,” and “Innocent Bystander.” Shaffer notes, “Musically, I feel our last record was songs we wrote and put on an album, whereas this time it’s much more cohesive; you have to listen to the whole thing for it to tell the story.” From the record’s “Intro,” the tone is set—the creepy demented circus-influenced ditty portends what’s to come, which includes the primal industrial power of “Starting Over,” which is balanced with the song’s haunting bridge section and beefy bottom end. With ambient touches, cool melodies and the return of Davis’ bagpipes, Korn’s newest may be its most dynamic and experimental effort. Of course, that’s not unexpected, coming off the heels of the MTV Unplugged: Korn release, which debuted Top 10 in the Billboard 200 in March, 2007.
Since the band’s inception Davis has been venerated for his visceral personal tales, and on the new untitled album, he does not disappoint. “Innocent Bystander” is self-referential, as he sings, “I’m a spectator/the motivator.” Davis explains: On the road, he is (and has been for several years) completely sober, but that said, he laughs, “I love to pour drinks, roll joints, do whatever to get the party started. But I am now the ‘innocent bystander.’” “Innocent Bystander,” with its raw, taut musicality and insinuating riffs, even contains a Korn first—a guitar solo. Then there’s a song that’s in the signature Korn style, “Hold On,” which takes its cue from death metal, a genre that Davis loves. That commanding, aggro vibe of the dramatic and epic “Hold On” was achieved with the help of one of the three drummers on Korn’s latest album: Terry Bozzio (Frank Zappa, Missing Persons), Brooks Wackerman (Bad Religion, Suicidal Tendencies) and even one Mr. Jonathan Davis, in his first recorded drumming since Issues. Bozzio is on “Hold On,” and Davis raves, “Terry has gotta be the best drummer in the world; he brought a more progressive feel to the band. His drum kit was huge, and all the colors and sounds he made pushed our music in different directions we might not ever have thought about going.” Adds Fieldy, “The drums are amazing on this new album; you get a big variety instead of just one drummer doing the same style throughout.” Playing live drums for Korn on tour is another stellar player—Slipknot’s Joey Jordison, who jumped at the chance to tour with a band he cites as one of his main musical influences Rounding out Korn’s touring line up is Clint Lowery of Sevendust on guitar and keyboardist Zac Baird. In addition to Zac being on the road with the band since 2005, he played keyboards and took on writing chores for the new album.
With all the successful and liberating change evident on the untitled record, one thing remains constant: Davis does not shy away from exploring his anger, inner life and the painful closeness between love/hate, which made the singer both famous and infamous thanks to songs like “Daddy,” “Shoots and Ladders” and “Hollow Life.” On the untitled CD, the songs “‘Ever Be’ and ‘Love and Luxury’ “are me, venting about our ex guitar player. I didn’t get it all out on the last record!” Davis laughs. “This is the last time I’ll write about it, and I love the guy; I’m glad he’s happy and doing his thing.” “Evolution,” a grooving, heavy and strong representative kick-off for the album, is the first single. Musically, Davis says, “I wanted to stay away as much as possible from just beating on cymbals, which just make this crazy white noise over the music, and you can’t really hear what's going on. Lyrically, ‘Evolution’ is about us as a human race, who has basically not evolved since monkeys. If you look back and compare us, animals and humans are pretty much the same.” An apt analogy is also drawn in “Killing.” “A bird on a wire, you have a gun pointed at it, but it sits there and stares at you. The same goes for people--we like to take abuse, that’s our human nature, our trained response. Anything horrible happens to us, we’re preset to reset to dumb.” Another intensely personal track is “Starting Over,” which was inspired by Davis’ near-death experience with ITP, a blood disease that struck the frontman while on tour in Europe.
In their 14 years of togetherness, the L.A.-based lineup has both survived and thrived, and the songs on the untitled record are rife with detritus of decadence and lessons learned. That fervor and authenticity is felt and appreciated by both fans and peers, Korn’s groundbreaking sound spawned a plethora of imitators. But the fans know where it began, and show their loyalty. “Now we have a new generation of young kids at our shows,” observes Davis. “When we started, most of our fans were 14, 15, and now they’re lawyers and doctors who are bringing their kids. We’re transcending generations. It’s cool.” And Korn will not disappoint. On the 2007 FAMILY VALUES TOUR, the band serves up its biggest stage show ever, and in the set list are songs they haven’t performed in 10 years. “It’s definitely different for us. Fans are going to be very happy,” believes Davis. “The statement Korn wanted to make with this record and tour was, ‘yes we're down three members, but we're still very creative and still love making music.’ We're so happy to be doing this 14 years later. This is our eighth studio album, but eleventh release overall. [And eight of those releases sold platinum or platinum-plus]. What a career, and we don't see any end coming soon! I measure my success by challenging myself and seeing if I can help take Korn to new levels,” Davis concludes. “If we wrote the same records over and over but were still commercially successful, I would consider that a personal failure.”


21-year-old Young Steinway Artist Constance Kaita is a recent graduate of the Peabody Conservatory where she studied under Yong Hi Moon. Constance made her orchestral solo piano debut with the Westfield Symphony in New Jersey when she was nine years old. She has also performed as a soloist with the Bravura Philharmonic Orchestra, the Baroque Orchestra of New Jersey, the Shanghai Chamber Musicians Orchestra, the Ambler Symphony, the Olney Symphony, and the Cairn (formerly Philadelphia Biblical) University Orchestra. Constance has performed in prestigious venues including Alice Tully Hall in Lincoln Center and Weill Recital Hall of Carnegie Hall numerous times as a result of winning competitions such as the Cecilian Music Club and National League of Performing Arts competitions. Constance has won numerous music awards, including first prize four times for her age group in the New Jersey Music Teachers Association Young Musicians Competition and first prize three times in the Steinway Scholarship Competition. Constance was a semifinalist in the 2012 Thomas and Evon Cooper International Piano Competition and a finalist in the 2014 New York International Piano Competition. She also won first place in the open division and received the Richard Tang Yuk award for best overall performance at the 2015 Princeton Festival Piano Competition.
Constance was a featured Rising Star in the 2004 Beijing Music Festival, the first international exchange of its kind sponsored by the Chinese Ministry of Culture. She performed in the Forbidden City Concert Hall and the People’s Congress Hall in Beijing. These performances were broadcast on national television across China and around the world. She has also appeared as a soloist in the Shanghai Grand Theatre and the Shanghai Oriental Art Center during the Sino-American Cultural Exchange gala concerts in 2007 and 2009. In 2012, she performed in the Taipei City Hall Family Theater as a member of IMPACT (International Musicians’ Performing Arts Cultural Troupe). In 2009, Constance was invited to perform at the United Nations headquarters in New York City in a performing arts gala celebrating the 30th anniversary of U.S. – China diplomatic relations.
In addition to her musical accomplishments, Constance received a dual degree from the Johns Hopkins University where she majored in English and creative writing. She is also an avid runner, finishing the 2015 NYC Marathon, and has published poems in several literary magazines including The Legendary and J. Mag.


Trixie and Twinkle are bound to get you in the holiday spirit! Choose your elf (or two!) and join in on this fun and festive crochet along! Read on for all of the details.
Each elf measures 12 inches tall when legs are extended, including the hat. The legs are sewn on separately so they can sit independently, but they can also stand if leaned against something. Whether you choose to make one, or the pair, these elves are perfect for cuddling, decorating, or gift-giving this holiday season!
Crochet Along Details
This pattern will be split into 3 parts. Each part will be released on my blog (links below) a few days apart, starting Monday, December 10. A lot of the fun of a crochet along is working on a pattern together with fellow crocheters. Join the Loops & Love Crochet Group on Facebook to share progress, questions, questions, photos, etc.
Each part of this pattern will be released here free on my blog. If you prefer to work from an ad-free, printable PDF version, or maybe you don’t want to wait for each part to be released, you may purchase the complete pattern from my Etsy or Ravelry shop starting Monday! Thank you so much for supporting Loops & Love Crochet!
Disclosure: This post may contain affiliate links, which means I may receive a small commission if you click a link and purchase something that I have recommended. This is done at no extra cost to you. Thank you for supporting Loops & Love Crochet!
- Worsted-weight yarn – You can use any worsted-weight yarn for this project. You will need red, green, and white yarn plus a skin color and a hair color. Specifically, I used Bernat Satin in Crimson, Caron Simply Soft in Bone, and Red Heart Soft in Guacamole, White, and Toast.
- 4 mm crochet hook
- Safety eyes – 8mm size
- Black embroidery thread for the eyelashes.
- Yarn needle for sewing pieces together and weaving in ends. Bent needles are my favorite for amigurumi!
Each part of the pattern will be linked below on the release date. Make sure you don’t miss pattern announcements by liking Loops and Love Crochet on Facebook or following @loopsandlovecrochet on Instagram!
I hope you join in on this CAL and have as much fun making these elves as I did!
**You may make and sell any items made from my patterns, but please link back to my blog or Loops & Love Crochet as the designer. Please do not copy and post claiming it as your own. Please do not re-publish my photos as your own. Thank you!**


Need legal advice for your next film, tv or theatre production?
The ever-evolving TV, film and theatre industries bring their own unique complexities. Our clients include TV hosts, actors, media personalities, talent management entities, production companies, directors, writers, animators, composers, and distributors.
We’re also legal counsel for and proud sponsors of the Melbourne International Film Festival.
Our expertise includes:
- Talent, performers and key-creatives’ rights, agreements and releases;
- Music clearances and composer agreements;
- Television Format rights;
- Chain of title;
- Script options and purchases;
- Distribution, broadcast, syndication rights and deals;
- Production and co-production;
- Merchandising and sponsorship;
- Rights acquisition and management;
- Venue hire, stage shows and touring.
To find out how we can help you with your legal requirements, please submit the following form and we’ll contact you shortly.
Otherwise, you can learn about our other areas of expertise here: www.mediaartslawyers.com


"We communicated frequently and there were so many photos that I never felt left out of the process" Tonya, USA
Having worked with customers both locally and around the globe, the custom process has been perfected. The customer has as little or as much involvement as they wish from stone selection and design drawings all the way to the final polish. The end result - a one-of-a-kind piece with a unique story behind it!
gemstones and materials:
Whether you're wanting to create a piece from new, or something from sentimental jewellery, I will work closely with you to produce something truly special, within your budget. With the choice of gold (yellow, white or rose) or sterling silver and a vast array of fine quality stones, the finished piece really is personal to you.
Choice of gemstones can be the most important part of the process and this part can be the most detailed in terms of communication. I have built up a large selection of quality gem suppliers, globally, and will hunt down the perfect stones to your spec. Videos, photos and measurements can be sent including scenarios for stone arrangements positioned on existing rings to help visualise the end results.
Each piece has a different time scale for completion, which will be discussed at this stage but if you have a date in mind, I will try and work to this where possible.
Once the initial consultation has taken place, where stones, materials, budget and ideas have been discussed, I will draw various designs to talk through with you. This is where your ideas are brought to life into a visual representation and any final, personal touches can be added.
THE HANDCRAFTING BEGINS:
Once a design is agreed, a 50% deposit is required to start the making. This is done through secure PayPal invoicing (which you do not need a PayPal account for). The remaining balance is due prior to shipping and payment plans can be discussed if required.
If you wish, I will keep you updated with the entire process including putting the gold through the rolling mill, making the stone settings and the final polish. Once all is complete, you will then receive a tracking number with which you can track your parcel in detailed steps from collection to customs, through to delivery no matter where you are in the world!
"With Fran I have definitely experienced the most professional and friendly service I have ever come across and I would completely recommend her to anyone who is looking for a unique and special ring for any occasion" Rob, UK


Paulette Verlée, the alter ego of Veerle Pollet, learned to play the piano at a very young age with the works of Bach and Schumann. For her first album, released last year, it was Erik Satie who formed the starting point. For her new album 'Les Barricades Mystérieuses' the inspiration came from François Couperin. Under the spell of his “leçons de ténèbres”, she first made her idiosyncratic piano version of “MEM”. Then created new, own work based on his somewhat funny and mysterious titles of his “pièces de clavecin”.
The new album has become a refined collection of neoclassical music, with the recognizable touch of Paulette and this time with a musical wink to baroque music.
Not only Paulette was inspired by Couperin's wonderful titles. Painter René Magritte made no less than 2 works bearing the same title, 'Les Barricades Mystérieuses'. As a resident of Jette and great admirer of Magritte, she could not help but refer to him with the artwork of the album.
On stage, the piano is accompanied by well thought-out cello parts performed by Maaike Organe. This time the video footage projected behind them, comes largely from the Berlin film pioneer Walter Ruttmann. His abstract animation films from the 1920s fit in perfectly with Magritte's surrealistic image.
With this record, Paulette Verlée delivers a worthy successor to “choses vues à droite et à gauche (sans lunettes)” that received airplay on Radio 1 and Klara. Nils Frahm also showed his enthusiasm and included the single 'Reprieve for Piano Solo' in his personal Spotify playlist. Recently, Paulette was in the spotlight with her personal rework of the song “11.10” by Sohnarr (the band around Patricia Vanneste, ex-violinist with Balthazar), alongside artists such as Chantal Acda, Brueder Selke, Justin Lockey and Ansatz Der Maschine.
07/05/23 – Try out privé-concert, Mechelen
12/05/23 – GC de Kroon, Sint-Agatha-Berchem
04/06/23 – Trekstaal Diest (12u30)
10/06/23 – 't Smiske, Asse
20/10/23 – GC De Zeyp, Ganshoren
25/10/23 – CCHA, Hasselt
12/01/24 – GC Spikkerelle, Avelgem
10/02/24 – Cultuurcentrum, Poperinge
17/02/24 – Cinema Walburg, Hamont-Achel
03/03/24 – Kasteel Coloma, St Pieters Leeuw (15u00)
28/03/24 – CC Het Bolwerk, Vilvoorde
MEM is the fourth part of the “Troisième leçon de ténèbres pour le mercredi saint”.
The title immediately appealed to me. At first I didn't know what this strange word meant. It’s the Hebrew letter of the first word of the original text (the first lamentation of the Old Testament by prophet Jeremiah about the destruction of Babylon) used in the song.
MEM is also the only work of Couperin where I consciously borrowed thematic material from the original composition. The beginning and end are based on Couperin's first 8 bars; the middle part is newly composed.
Mem stands for the letter 'm'. To me ‘m’ is one of the softest and most meaningful letters of the alphabet. This letter alone can say many things. 'Mmm' can be used to approve or question something; it can sound wailing, comforting or very happy. I think that versatility is reflected in my version MEM.
pauletteverlee @ gmail.com
Manu @ maandacht.be
Teddy.Hillaert @ livenation.be
An.lesneuck @ v2benelux.com


The overlaps between practice and design research
Sonder’s Co-Principal Wendy Christie is a PhD Candidate within the Department of Art, Design and Architecture at Monash University. Her practice-based research compliments the studio design work produced at Sonder Architects. We provide in-kind support to this research via sharing resources, time, creative inspiration, and challenging ideas through rigorous debate.
In 2015, Cyclone Pam tore through Vanuatu, leaving about 75 thousand people homeless. While most people rebuilt from salvaged materials, they were left with the same problem: Unsafe housing.
A typical response to disaster housing in developing countries is prefabricated housing; however, these usually well-meaning ‘solutions’ inevitably lack cultural and environmental context and arrive when people are at their most vulnerable. During my time living in Vanuatu, I observed unique dwelling patterns that do not suit a ‘one size fits all’ approach.
Now, imagine you are an architect in Vanuatu, as I was, working on a community housing project. Where would you start? There’s no housing policy. No department of housing. Few suitable precedents. You know the links between poor housing, health, and social outcomes. You also know the importance of culturally specific design. If only there were some kind of guidebook…
The Universal Declaration of Human rights states that everyone has the right to an adequate standard of living…. So how can a country like Vanuatu work towards achieving this basic human right? And this is where my research begins, asking, “How can design research contribute to appropriate, long-term housing in Vanuatu?”
Using creative design as the primary research tool, I seek to produce new knowledge to inform future housing in Vanuatu. This process has identified culturally distinct housing arrangements that include wood-fire cooking houses and outside living rooms.
A collaborative design process will include a series of interviews and design exhibitions in Vanuatu. The participants will be primarily ni-Vanuatu professionals who will ultimately shape the design research conclusions. Design case studies will also be developed in collaboration with local homeowners in urban, peri-urban, and rural locations.
This case-study design process is comparable to the approach that we offer through our practice: The place is appreciated; the site’s physical features considered; the family consulted; and future needs assessed. From here an iterative design process, allowing for feedback and amendments, will culminate in a final masterplan for each household.
Using a hybrid drawing mode that mixes architectural drawing and graphic ethnography (aka comic books) the drawings will impart technical, narrative, and emotional detail. The outcome will be a design anthology or “guidebook” that can be used by future architects and policy makers to inform future housing in Vanuatu, for both disaster and long-term applications. It will also create a precedent of place specific design research for other Pacific Island countries.


Made from recycled oil drums. The artist makes a frame with galvanised wire and then welds each piece onto this frame. These sculptures are all unique and vary in size depending on the shape of neck and position of head. The small giraffe's stands between 7 and 8 ft tall.
Each piece is coated with yacht varnish before it leaves our warehouse and will not need re-treating for at least 2 years. A beautiful feature piece for home or garden.
Please contact us if you would like details of the giraffes we have in stock or would like to make an appointment to visit us.


Dayton Metro Library will display submissions from their Teen Art Contest in the Main Library’s Patterson Opportunity Space from Tuesday, March 1 – Tuesday, March 22, for artists and patrons to enjoy.
“The Dayton Metro Library is so rich in artist talent and opportunity,” said Laura Chamberlain, Dayton Metro Library Teen Services Coordinator. “We encourage our youth to pursue their passions and are happy to have the opportunity to showcase their talents.”
Teens in grades 7-12 who live in or attend school in Montgomery County submitted work in two grade divisions: 7-9 and 10-12.
Winners in each age division and category will be notified no later than Monday, March 7, with gift card prizes being awarded soon after. One winner per age division in each of the following art categories will be awarded: photography, watercolor, selfie, oil and acrylic, 3D (sculpture, etc.), and mixed or other medium.
The exhibit will be available for viewing during Library operating hours.


Hi! We are Mitch & Melissa, and we are SO glad you are here. We are dedicated to capturing candid, real, and raw emotions, so that your special moments can live on through the test of time.
Coming from technical backgrounds, we often found ourselves looking for a creative outlet that we could share as a couple. You will find Melissa behind the camera, while Mitch works behind the scenes to keep our business going.
Mitch was born in Berwick, Nova Scotia, Canada, and obtained his civil engineering degree at Dalhousie University. Moving to the west was an easy decision, as his interests are all found in the mountains. He currently works full time as a structural engineer. Melissa was born in Bogota, D.C., Colombia, and grew up in Calgary, Alberta, Canada. Melissa obtained her mechanical engineering degree at The University of British Columbia, and currently works as a project manager. And yes, if you are wondering, we did meet through work.
Melissa has been pursuing photography as a hobby for over a decade. It started as a way to capture her own joyful memories, and she slowly branched off into photographing other's special moments. Mitch's biggest passion includes bow hunting, and it was while exploring the outdoors to pursue this that he began photographing landscapes and wildlife.
Whether it's a special event, business branding, your love story, new Instagram photos, or just a casual Sunday with family, let's chat about how we can help capture your vision!
Photo by Kadie Hummel Photography
mwoodworth & co.


Elevating Brands Through Professional Graphic Design Services
In today’s visually-driven world, captivating and impactful design is essential for businesses to make a lasting impression. At Extension Marketing, we specialize in providing exceptional graphic design services that bring brands to life, engage target audiences, and elevate businesses to new heights. With our team of expert designers and a commitment to excellence, we offer a comprehensive range of graphic design solutions tailored to meet the unique needs of our clients. From logos and branding to print materials and digital assets, we have the expertise to transform your vision into visually stunning designs.
Building a strong and cohesive brand identity is crucial for business success. Our graphic design services encompass comprehensive branding solutions that align with your business goals and values. We dive deep into understanding your target market, competition, and brand essence to create a visual identity that is consistent and impactful. From carefully chosen color schemes and typography to detailed brand guidelines and visual elements, we ensure that every aspect of your brand’s visual representation is thoughtfully crafted to effectively communicate your unique story.
A well-designed logo serves as the cornerstone of your brand’s visual identity. Our talented graphic designers understand the importance of creating captivating and memorable logos that accurately reflect your brand’s personality, values, and positioning. Through a collaborative process, we work closely with you to understand your brand identity and develop a logo that resonates with your target audience. From initial conceptualization to final execution, we ensure that your logo stands out and leaves a lasting impression in the minds of your customers.
User Interface (UI) and User Experience (UX) Design
User-centric design is crucial for websites, applications, and software interfaces. Our UI/UX designers are skilled in creating intuitive and visually appealing designs that enhance user engagement and satisfaction. We conduct extensive research to understand your target audience’s needs and behaviors, translating those insights into seamless and aesthetically pleasing user interfaces. By optimizing the user experience, we help you create digital experiences that leave a positive and lasting impression.
Despite the digital age, print materials still hold significant value in marketing and communication strategies. Our graphic design expertise extends to creating compelling print materials that leave a lasting impression. Whether it’s brochures, flyers, business cards, or promotional materials, we combine creativity with strategic thinking to design print collateral that captures attention and effectively communicates your brand’s message. With meticulous attention to detail and a deep understanding of print production processes, we ensure that your print materials are of the highest quality, making a strong impact on your target audience.
In today’s digital world, having visually engaging digital assets is crucial for capturing and retaining the attention of your online audience. Our graphic design services include creating impactful digital designs that resonate with your target audience across various digital platforms. From social media graphics and website banners to email templates and online advertisements, we design visually stunning digital assets that enhance your brand’s online presence and drive engagement. Our designs are optimized for different devices and platforms, ensuring a seamless user experience and maximum impact.
Infographics and Data Visualization
Transforming complex information into visually appealing and easy-to-understand visuals is our specialty. Our graphic designers excel in creating infographics and data visualizations that simplify complex data, statistics, and concepts. Whether you need to present annual reports, industry insights, or educational content, we will design visually compelling infographics that engage your audience and effectively communicate your message. With our expertise in visual storytelling and data visualization techniques, we ensure that your information is conveyed in a clear and visually engaging manner.
Packaging design plays a pivotal role in attracting customers and communicating your brand’s value. Our graphic designers specialize in creating packaging designs that not only stand out on the shelf but also effectively communicate your product’s key features and benefits. We understand the importance of packaging in making a memorable first impression, and we guide you through the entire design process, from concept development to print production. Our goal is to create packaging designs that captivate your target audience and elevate your product’s appeal.
At Extension Marketing, our graphic design services are driven by creativity, strategy, and a commitment to excellence. We believe in the power of compelling visuals to elevate your brand’s presence and leave a lasting impression on your audience. Whether you need a stunning logo, cohesive branding, captivating print materials, engaging digital designs, intuitive user interfaces, eye-catching packaging, or informative infographics, our team of expert graphic designers are here to bring your vision to life. Contact us today to unlock the full potential of captivating and impactful designs for your business.


What they say is true: every labyrinth walk is different. If my first two experiences felt playful and rejuvenating and deeply spiritual, my next walk was … decidedly not.
I had been eagerly anticipating the opportunity to walk this path, the beautiful and historic Chartres pattern with its complexity and symbolism. Perhaps I had inflated my expectations so greatly that no reality could possibly compare.
But I don’t think that was it. Not entirely anyway.
The Chartres pattern is geometric, not organic like the classical path. It is
precise in its layout, with each curve formed in uniform channels and widths—unlike the uneven lines of the hand-drawn or stone-carved Cretan path. And it is designed in four interconnected quadrants, in contrast with the fetal curl of its womb-shaped cousin.
I have become quite familiar with the meandering journey under the tip of my stylus when the entire labyrinth sits in the palm of my hand. I feel intimately connected to its circuits when the ceramic glaze grows warmer under my fingertip and on my lap.
But to stand at the entrance of the “life-sized” canvas labyrinth and to begin the long walk with slow and careful steps—well, I had not walked more than a single quadrant before my spirit began to whine like an irritable child.
Are we there yet?
This felt more like work than it seemed like worship. It demanded focus and balance to stay on the correct path. I felt my muscles growing increasingly stiff—until my neck, shoulders, and back ached from the tension.
And I was so tired I could weep.
I was irritated by the woman sitting on the perimeter, not bothering to whisper as she heaped unsolicited advice on her hapless neighbor.
I grew impatient with the need to step aside and allow others to pass on the path. (And why was I the only one giving right of way?)
Even the quiet comings and goings of others in the room grated on my nerves.
Shut up and get out! Can’t you see I’m trying to have a deeply meaningful spiritual experience here?
So much for my theological commitment to community.
Even as I found that shred of self-deprecating humor, I began to notice other marks of community … of those who had gone before me.
The coffee stains on the white canvas.
The names signed along the scalloped edges of the circle.
The unevenness of the painted lines that testified to human hands, not assembly-line creation.
And it occurred to me, slowly, as I continued to walk, as I had to steady myself on the sometimes dizzying circuits, as I yielded yet again to a fellow pilgrim, as I acknowledged the tedium I found in the time-consuming journey…
This is life.
Labyrinths, it seems, are sometimes deeply spiritual and powerfully insightful and divinely exhilarating, like life. But other times, they are pedantic, protracted slogs with intersections that create collisions more often than connections, where companions are sources of irritation more than inspiration, where expectations far exceed reality.
And yet, even in the disillusionment of that discovery, I realized something more: Emmanuel was in this labyrinth experience too.
Teaching me to read traces of those who preceded me on the path—those who left their mark intentionally, with purple marker, and accidentally, in spilled coffee.
Tutoring me in the contrasting gifts of attending to the path under my feet—and of casting my vision ahead to anticipate the needs of others.
Alternately soothing my spirit and steadying my steps as I walked, one foot in front of the other, the apparently interminable way which was both work and worship.
If that isn’t a microcosm of life, I don’t know what is.
And while I wouldn’t trade my first joyous and playful experiences in the labyrinths that went before, I find I am grateful for this more challenging experience too.
It is one I will choose to repeat when given the opportunity—to build stamina, to cultivate the physical and spiritual discipline of persevering
on the path.
Because in this year’s first week of Advent, that life-sized and life-like labyrinth reminded me that my favorite liturgical season is essentially one of waiting—and not necessarily waiting with sanctified patience. Advent is also (and even primarily) an interval of impatience, of clamoring, of whining with that inner child,
How long, O Lord? Aren’t we there yet?
Come, O come, Emmanuel. Come to us in our work and in our worship, in our pacing and in our play. And in your coming, let us become more like you.


© 2021 All Rights Reserved.
Kiln Fusing Studio.
Thursday, January 11
Create a beautiful and colorful fused glass votive holder in this fused glass class at Glass Art Kalamazoo! You will learn how to safely cut and assemble flat glass using multiple styles and colors of glass for your project. Your candle holder will be finished using a draping method in our kiln.
Open to all skill levels, no previous glass art experience necessary.
Students must be 12 years or older. Students under 14 years old must be accompanied by an adult.
All tools, materials, and finished project included with ticket price.
Projects created in our studios will be ready for pickup 5-7 days after completion.
Classes may be cancelled due to low enrollment. See our full Cancellation Policy HERE.
If you require special accommodations to take this class, please contact us prior to booking the class. While we do everything possible to make our classes accessible, extra preparations or restrictions may be necessary for your safety.
(If using the “Add To Calendar” button below, make sure the class time for your calendar event matches the time on your ticket!)


13 May – 25 June 2023
- Press Release
Les Yeux du Monde is pleased to present Axis Mundi, an exhibition of new work by New York-based artists Dorothy Robinson, Kurt Steger, and Meg Hitchcock. The exhibition will run from Saturday, May 13th to Sunday, June 25th, with an opening reception taking place on Saturday, May 13th from 4-6pm.
Axis Mundi, a Latin term referring to the cosmological axis of the Earth between the celestial poles, is a recurring and important trope in the history of art representing the conceptual connection between the higher and lower realms. As a symbolic link between Heaven and Earth, it is often understood as a reference to the sacred. This notion finds relevance in each of the exhibiting artists’ work: Robinson’s paintings, Steger’s sculpture, and Hitchcock’s text-based mixed-media pieces.
Dorothy Robinson’s imaginative oil landscape paintings invite viewers to see and appreciate the natural world in new ways. Her mesmerizing compositions suggest a world coming into being. Characterized by swirling brushwork, rich texture, and vibrant colors, some of them made from powdered pigments of earth and rocks themselves, Robinson’s works invoke the organizing role of the Axis Mundi, the means by which cosmic order is imposed upon primordial chaos. Her approach to painting is intuitive and open-ended, resulting in fantastical imagery that echoes, in her words, the “larger, invisible forces constantly at work in the world.” Dorothy Robinson holds an M.F.A. from UC Berkeley, has exhibited at museums and galleries throughout the US, and has won many awards for her art, including one from the Pollock Krasner Foundation.
Kurt Steger’s striking sculpture represents a fusion of his interests in shamanism, Western psychology, and environmental issues. In his Environmental Structures, Steger juxtaposes organic materials like found rock with geometric man-made forms, inviting viewers to reflect on humanity’s relationship with the natural world. If these pieces lead viewers to consider the ground below, his Outdoor Sculptures encourage us to consider what’s above. In the latter, compositions of angular forms reach heavenward, connecting earth with sky. As part of this exploration of the link between the above and the below, Steger has hosted noteworthy interactive sculpture and healing ceremonies, including one at the Smithsonian Institute in Washington D.C. honoring the ten-year anniversary of 9/11. Steger has had work commissioned for public spaces in California and New York, has been the recipient of awards including a grant from the NYFA Foundation, and has work in significant museum and private collections nationally and internationally.
Meg Hitchcock is known for text-based work that explores spirituality, language, and faith systems, and invites us to consider how these structures shape our experience of the world. Methodically cutting letters from one sacred text to create intricate compositions that form the writings of another, Hitchcock creates space for the consideration of multiple religious traditions at once, and asks whether their essential meanings might be the same. In her latest work, Hitchcock combines sacred texts with painting, sewing, and burning, incorporating visual elements and shadows that represent a diversity of perspectives and light sources in dialogue with the text in her pieces. Per Hitchcock, “In the process of deconstructing and reconstructing sacred texts, I found a way to express my deep reverence for the word of God.” Hitchcock received her B.F.A. from the San Francisco Art Institute and studied classical painting in Florence, Italy. She has been awarded prestigious residencies throughout the US, most recently at the Foundation for Spirituality and the Arts in Charleston, South Carolina, where she was the artist-in-residence in fall of 2022. Her work can be found in important public and private collections in the US and abroad.
Join us for an opening reception with Dorothy Robinson, Kurt Steger, and Meg Hitchcock at LYDM on Saturday, May 13th from 4-6pm. A luncheon and conversation with the artists will take place on Sunday, June 25th from 12:30-1:30pm and requires RSVP. The gallery is located at 841 Wolf Trap Road, Charlottesville VA 22911 and is open Thursday through Sunday 1-5pm or by appointment. For more information, visit LYDM.co, write firstname.lastname@example.org, or call 434-882-2622.
- Exhibition Works
- Installation Shots


The music program at First Presbyterian Church of Murray has a long tradition of excellence in bringing quality music to each worship service. The music at FPC is always performed live by our Chancel Choir or music staff and often features guest musicians from the Department of Music at Murray State University. Music is a large part of every service, from the choral introit to hymns robustly sung by the congregation to an instrumental postlude. Church attendees can expect to be treated to music that offers them moments of reflection as well as soul-stirring, toe-tapping inspiration.
The Chancel Choir is at the heart of the music ministry at FPC. The choir is made up of 20-25 church members and friends who dedicate themselves to attending weekly Wednesday evening rehearsals and Sunday services. The choir’s repertoire ranges from traditional hymn-tune arrangements to spirituals and gospel-style anthems. Members of the choir enjoy singing together and rehearsals are not only filled with music making but often laughter and fellowship. In addition to weekly choral anthems, the choir traditionally presents a larger-scale cantata with guest musicians for Advent/Christmas or Lenten/Easter seasons.
The Chancel Choir is led by mezzo-soprano Kate Tombaugh, who is originally from Streator, Illinois. She holds dual undergraduate degrees in English Literature and Vocal Performance from Illinois Wesleyan University, and a masters degree in Voice, Opera Performance from CCM, the College-Conservatory of Music at the University of Cincinnati.
Kate has a rich background in choral singing. She grew up singing in her home church’s junior and senior choirs at Park Presbyterian Church under the direction of her mother; in later years, she served as their Cherub Choir Director. She was the Youth Choir Director at Second Presbyterian Church in Bloomington, IL for one year where she also served as a three-year choral intern while studying at IWU. During all four years of college, Kate sang and toured with the Collegiate Choir, including an overseas trip to Russia and the three Baltic States. While studying in Cincinnati, Kate was a three-year choral intern at St. Thomas Episcopal Church.
Kate runs a private voice studio in Murray and is the Executive Director of a new arts organization, Poco a Poco, which hosts a week-long Summer Music Festival and training program in Illinois every June. An avid performer, Kate has sung as a young artist with the Santa Fe Opera, Utah Opera, and Opera Theatre of St. Louis, in addition to portraying leading roles with Indianapolis Opera, Winter Opera St. Louis, and the Cincinnati Chamber Opera. She has also soloed with the Paducah Symphony, Utah Symphony, Jackson Symphony, and the Lexington Philharmonic, among others.
Christina D’Ambrosio, our pianist/organist, holds degrees in piano performance from Miami University (Ohio) and Cincinnati College Conservatory of Music. She is an adjunct professor at Murray State University where she teaches keyboarding and frequently performs with other music faculty members. She is also a certified Suzuki piano teacher and has a private studio of young musicians in Murray.


I have a lot of exciting exhibitions and submissions keeping me busy this month.
The RUA Annual in Belfast opened last week. It was great to get to the participating artists preview and see my two pieces (Tree Cathedral 1) hanging in this lovely space. Really enjoyed meeting up with everybody and getting a good look at this very dynamic show. It stays open to the public until the end of January in the Ulster Museum and is well worth a visit.
I was delighted to be included in The Royal Society of Physicians of Irelands first ‘Climate & Change’ Exhibition, and completely taken by surprise to be awarded a prize on the opening night for my piece ‘Presence’, which was selected by a panel of three judges. Lots of great work included in this exhibition.
‘Samhain’, an exhibition of giclee prints opens in The Copper House Gallery from 2nd November.
My print ‘Tree Treasure’ is included in a group of forty artists selected from an Open Call and is a great way to purchase contemporary artists prints at a very reasonable price, open to the public through November and December.
I’m also looking forward to taking part in various Curated Winter Group Shows including SO Fine Art (Tree Cathedral 2), The Doorway Gallery (Cypress 2&3), Art @The House, Howth (Tree Treasure 2) and ArtNetdlr at Walters Dun Laoghaire.
It’s been a busy time for submissions and applications, and one of the most important fixtures in the artists calendar year is the RHA Annual Exhibition. I finished my piece ’Lengthening the Bright’ just before the deadline for entering, and was relieved to hear it had made it through the first round of the open submission system. Last week I was thrilled to hear it has made it through the final round and will be included in this years’ exhibition.
The competition to get into this show gets more difficult every year, so many artists from all over Ireland and abroad submit work, with only a fraction making the final cut. It’s always well worth a visit, a gorgeous spacious gallery and lots of interesting work of the highest quality. Opens May 22nd until mid-July.
In other news I have been invited to give a two-day drawing workshop in Schoolhouse for Art in lovely Enniskerry, June 10th & 11th, details on their website, really looking forward to this!
Artnet dlr are busy with their ongoing group shows in Walters Dun Laoghaire. I’m always delighted to be included in this artists-driven collective, and have just heard the good news that my ‘Only Connect’ has been selected through open submission by Charlie Tyrell RHA, opens at the end of April.
Last month I went to Cork city to visit The Lavit Gallery Members’ Exhibition. Really bright atmospheric gallery space in a converted industrial building at Wandesford Quay.
Honoured that my piece ‘Fullness of Time ’was bought by the Chairman of The Board of Directors on the opening night.
Meanwhile I’m busy in the studio getting some larger scale new work finished off and photographed.
Great to be included in various group shows this month alongside many interesting artists.
I have a large charcoal drawing - the biggest I have made to date - titled ‘At Times Like These’ in Art @ The House Group Show, which opens this week.
‘Winter Exhibition 2022’ opens on Saturday 3rd at SO Fine Art Gallery, where my ‘Treasure of Memory’ will be in good company in this gorgeous space. Always worth a visit.
I also have work in The Hamilton Gallery Invited Artists Group Show in Sligo, and some smaller pieces in The Doorway Gallery Christmas Show (‘Deerpark Group’).
I’m looking forward to visiting the RUA Annual Exhibition this month - delighted to have a piece included in this prestigious show. ‘Here & Now’ has been selected by Dorothy Smith for the next ArtNetdlr Open Submission Exhibition opening in Walters on the 12th.
And, meanwhile, I’m kept busy with some local commissions... deadlines looming!
Plenty of new work going on here in the studio, some almost finished, and a few taking their time to resolve. One well-behaved piece (although it took four months, and a lot of tweaking, before it finally got some manners) called ‘destination’ has been accepted into this years RUA Exhibition in Belfast. I’m delighted - it’s great to be selected. This show is always well worth a visit, and it opens to the public on 14th of October.
Meanwhile, and closer to home, I will have two pieces included in this years’ Dublin Painting & Sketching Exhibition, which takes place in Windmill Lane, Dublin 2, at the end of September, and Art Netdlr will have a new show ‘Pause’ opening in Walters, Dun Laoghaire in October.
My piece ‘The air is still’ has been selected by Rachel Joynt.
I’ll be busy in the studio for the next two months getting new work finished off and framed in time for various Winter shows... where did the summer go?!
Very busy here getting work finished off , tidied up, and into to the framers.
I’m delighted to be an Invited Artist in various Winter Group Shows in Dublin, Sligo and Waterford.
I will be bringing ‘ remains of the day’ into Catherine at SO Fine Art Gallery, Dublin 2 this week.
Cathy Boyle will be hanging the Winter Show at The House, Howth, this week, I will have four pieces in this, including ’Winter Duo’.
Later in the month I’ll be travelling to Sligo to leave five pieces into Martina at The Hamilton Gallery, including ‘Tree Island 1’ and ‘Tree Island 2’, then on to The Quay gallery in Waterford with ‘Distant Copse’.
It was great to see such interest and footfall at this years RHA Annual, with plenty of red dots including one for my piece ’this day,this promise’ which I was delighted to see sold on the Opening Night.
Looking forward to visiting these,and other interesting exhibitions, over the next few months, great to see such a lively interest in the visual arts at the moment !
137th Royal Ulster Academy Exhibition
I'm delighted that two of my drawings have been selected to be exhibited at the 137th Royal Ulster Academy of Arts exhibition 2018/19
I’m delighted to have ‘Field of Dreams’ included in the 192nd Royal Hibernian Academy Annual Exhibition, open free of charge to the public May 23rd - July 24th 2022, Ely Place Dublin 2.
Always a great exhibition, well worth a visit, loads to see in this beautiful gallery space.
Also delighted and very grateful to hear that I’ve been awarded a Bursary from Fingal Arts Office, who are consistently supportive to artists, musicians and writers in the Fingal area.
In early June a small group of invited artists, including myself, will take part in an exhibition titled ‘Lapis Lazuli’ at The Hamilton Gallery, Sligo . My ’Old Civilisations I & II’ will be included .This exhibition will then travel to China to be shown at the Irish Embassy, Beijing. Very exciting!
Meanwhile, I’ve been busy getting work ready for Art @The House Spring Exhibition, and I am really enjoying working with talented Irish poet Sonya Gildea on illustrations for her chapbook ‘The Nine Beats of Owenrea’.
Sorca O'Farrell - award winning landscape artist
Sorca O’ Farrell is a landscape artist from Howth, Co. Dublin.
She attended D.L.A.D.T. and N.C.A.D., receiving an honours degree in Fine Art, and continuing to complete a H .Dip, with distinction.
Recent awards include the Drawing Prize at the Royal Ulster Academy exhibition 2017, and the Hamilton Gallery award at Cairde Visual 2016.
Her work has been included in the exhibition ‘A Celebration of Drawing’ at the National Gallery of Ireland. She has also exhibited in the Royal Hibernian Academy s Annual exhibition (2018, 2017, 2016, 2015) , the Royal Ulster Academy 2018, 2017, 2016), and many other group shows.
‘Re-Visits’ was the title of her most recent solo show at The Hamilton Gallery Sligo in 2017.
In 2018 she was short-listed for the Royal Academy Annual Exhibition in London.
Her current work is a direct and emotional response to the landscape close to where she lives, a place with many memories.
Her work is represented in the public art collections of ; The National Gallery of Ireland, Allied Irish Bank Collection, The Office of Public Works, Dunlaoghaire/Rathdown County Council , The Department of Transport Northern Ireland, along with many private collections both in Ireland and abroad.


KERSA welcomes you to the world of European hand puppets. You remember Kasper, Punch, or Guignol from your childhood. Puppet play is an unforgettable and valuable childhood experience. KERSA artisans understand this better than any other puppet crafters.
- The Classic series is KERSA's most popular line of figures. Every cloth head is stuffed by hand, shaped, embroidered and painted with loving care. These puppets are very light and well suited for the hands of children and of adults.
- The Lina series with cloth head is stuffed by hand, shaped and handpainted. These puppets are very light and well suited for the hands of children.
- KERSA's charming Beni series features heads of lathed natural wood. The light grain gives the figures a natural and life-like appearance. Especially endearing is the funny nose on their hand-painted faces. A world of adventure awaits you with these charming hand-made puppets.
- The hand-carved Micha puppets are created by our wood sculptor - a true master in his field. Carving and painting every head by hand is part of the elaborate process of creating these unique figures.
- KERSA’s cute wooden finger puppets have a total height of 10 cm. Each of them is hand-painted.
All KERSA products are developed in close cooperation with child experts and pre-school professionals. Pre-schools recommend KERSA products to foster creativity and expression. Whether you are looking for a toy that stimulate child's imagination or are an avid toy collector, we're sure you will be pleased with our world-class products.
About us - KERSAFamily
KERSA is Europe's leading handpuppet maker. Puppet crafting has been a family tradition for four generations. Each puppet is hand-made in Mindelheim, Germany. By continuing to use traditional techniques, each puppet retains its unique character and charm and brings joy for a lifetime. Our products don´t need a "power button" or batterie - they are powered solely by the child´s imagination.
Come and play with Kasper and his friends.
Kasper theater is fun for the whole family. Kasper and his friends come alive for children as soon as the plays start. In this world of make-believe, children are free to express their thoughts and creativity. At the same time, the children also develop their motor and verbal skills.
KERSA GmbH & Co. KG • Ifenstrasse 7 • D-87719 Mindelheim
Phone: 0049 (8261) 76 57- 0 • Fax: 0049 (8261) 76 57- 50 • e-mail: firstname.lastname@example.org


I just had to share my recent experience with radiointernetowe.online! 🎶 This platform has completely transformed my music journey, and I couldn't be more thrilled. From the moment I landed on the website, I was blown away by the diverse range of radio stations they offer. Whether I'm in the mood for chart-topping hits, indie gems, or soothing jazz melodies, they've got it all covered.
What sets radiointernetowe.online apart is the exceptional audio quality. I'm no audiophile, but I can definitely tell the difference - it's like the artists are performing live in my room! And the user-friendly interface makes navigation a breeze.
But wait, there's more! The personalized playlists and recommendations have introduced me to tracks I'd never have discovered otherwise. It's like having a music-savvy friend who always knows what I'll enjoy.
The best part? It's free! Yep, you read that right. High-quality music without any subscription fees. I've already bookmarked the site on my browser and it's now my go-to for all things music.
So, if you're tired of the same old playlists and want to explore a world of musical possibilities, do yourself a favor and check out radiointernetowe.online. Trust me, your ears will thank you later! 🎵🎧


Hugo, the latest film from the legendary Martin Scorsese, is an amazing movie for audiences of all ages. Scoresese’s new family adventure has been eagerly anticipated by many, but the premise also confused some film-buffs. Some felt that the overall story and target audience, a family movie that would appeal to kids and adult film-lovers, wouldn’t catch on. Maybe it would be too “kiddy” for an older audience, or would be enjoyable for adults but too complicated for children to understand. Tonight I brought my entire family out to watch ‘Hugo‘ in theaters, and we all left the theater speechless. Every one of us took something different away from the film, but agreed that it was a fantastic piece of cinema that will be cherished for years to come. As Isabelle says in the movie, it’s truly a magical adventure.
My brother Jeremy is ten years old, and a huge fan of the novel the film is based on. He’s read The Invention of Hugo Cabret twice and went into the film with a reader’s critical eye. “I think it was really close to the book, almost exactly the same,” he says. “The book is really good, so you can imagine how the movie would be. The book had a lot of pictures…so you can see how the characters would look. The actors were all almost identical [to the illustrations].”
Next, my sister Amy is 17, and studies film at an art high school. She is very interested in all aspects of movie-making, but unlike Jeremy went into the film not knowing anything about the story. “I didn’t know anything about Hugo when I walked into the theater other than it was a Martin Scorsese movie based off of a children’s book. I left the theater completely blown away.” Amy also enjoyed the themes that were present throughout the movie, that may be a bit over young audience’s heads, but that mature audience-members would appreciate. She says, “It had so many relevant and accessible themes that anyone could relate to and they all came across so subtly in a captivating story. It explored purpose, family, friendship, imagination, loneliness, and I especially loved the focus on the importance of creativity and everyone’s unique experience with creating something of value.”
Lastly, my 55 year old father Steve reminds audiences not to be misled by the fact that the movie is a children’s story on the surface. “Scorsese has crafted every frame with the love and commitment of a precision clock maker,” he says. “Hugo explores dreams, memory, old age, love, friendship, loss, regret, purpose, family, longing, bitterness, and perseverance.” Older audience members can also appreciate the homage to the origins of film-making that are included in ‘Hugo.’ My dad added that he enjoyed the “beautifully layered” aspect of the film that “honored the pioneers of film.” I had the great experience of attending a semester-long film class where I saw classic movies with Charlie Chaplin, and learned about the first films ever made. Children these days will never see movies like ‘Safety First‘ with Harold Lloyd, or the many great films of Méliès, so Scorsese wanted to change that. Did that small history lesson cause children to be confused? According to Jeremy, the answer is no, and I agree. I think that many film pundits underestimate the intelligence of young kids. The ten-year-old says, “I think a lot of other kids my age would like it because of all the suspense, and you don’t want to leave because of all the action. It pulls you in, you don’t want to stop watching! The station inspector guy (Sacha Baren Cohen) was really really good actor, because the whole movie you hate him! He never loses character.”
I agree with my family’s perspective, and I’m 19 years old. One of my favorite aspects of the movie was the performance of Chloe Grace Moretz, who truly shined as quirky, book-smart Isabelle. She had that glowing likability that just radiated from her performance, and I see the comparisons that have been drawn with Audrey Hepburn, from whom she drew some of her inspiration. Asa Butterfield was also believable in his demanding role as Hugo, and in a pivotal moment near the end of the movie when he’s clutching the automaton while being grabbed by the station inspector, he completely blew me away. His performance was so raw, emotional and human, I’ll admit, it made me cry. I was a fan of him before, in ‘The Boy With the Striped Pajamas,’ where he gave a heartfelt performance. Butterfield has had an amazing jump-start to his film career and will become better and better with experience. I’m excited to see what’s next for him! Also, like many others, I loved the comedic relief that Sacha Baren Cohen’s station inspector brought to the movie. Ben Kingsley also shone in his role as Papa Georges, with Helen McCrory also giving a great performance as Mama Jeanne. They were both just so breathtakingly real and emotional. It was obvious that apart from the obvious talent of the actors, Scorsese really worked with them to get a great performance.
Overall, the whimsical vibe, cinematography, layered story, and fantastic acting in Hugo just draws you in, which was supplemented by the creative use of 3D technology. Overall, the movie is a fantastic escapist experience that truly is Scorsese’s love letter to the pioneers of past film-makers, made using the most modern technologies available today. I believe it will become a classic that is loved for many years to come, and everyone should go out and see it this Thanksgiving holiday with their families. It is my favorite film of the year.
“Once upon a time, I met a boy, named Hugo Cabret. He searched to find a secret message. Now that message is his way…all the way home.” – Hugo (2011)
Excellent Experience For All Ages


LAKE HAVASU CITY BALLOON FESTIVAL
Enjoy the spectacular family-centered event for a thrilling weekend of spectacular hot air balloons, and non-stop activities. Dramatic eye candy in the sky will delight all with balloon ascensions, colorful skydivers and magical balloon glows in the evening dusk. Over 50 balloons will drift over The London Bridge and dip into Lake Havasu.
Take the chance to stroll among the many Balloons and chat with the pilots as they prepare for flight.
Everyone is invited to enjoy a day of "Fun Fair" activities at the balloon field. Our 4 day festival and fair is jam packed with skydivers, an Art Village, face painting, dog shows, paper balloon launching, a carnival, musical and theatrical groups, classic cars, remote control planes, tethered and untethered balloon rides, delicious food in the food court, and much more!
For more information: Balloon Festival


|The upcoming musical titled Once Upon A One More Time will be using Britney Spears greatest hits. / Photo by: rhysadams via Flickr|
The 90s was a very indulging era for music lovers, especially those who loved pop music. This was when popular artists such as Christina Aguilera, Madonna, Fergie, and Britney Spears had the best years of their careers as pop music became even more influential among listeners.
Their popularity is still evident even in today’s generation. People can still hear some of their songs on the television, while there are fortunate times that these artists are able to make a comeback to the limelight and have their names appear in the news once again because of their new music.
One of these artists is the 90s superstar Britney Spears who became popular for her songs, Toxic, Baby One More Time, and Womanizer. Recently, news about an upcoming musical which will be using the pop superstar’s greatest hits has rattled fans coming from different ages and different parts of the world.
Once Upon A One More Time
Children of the 90s who used to dance around their rooms to songs by Britney Spears will be delighted to hear that the musical called ‘Once Upon A One More Time’ will be featuring most of the songs from the pop superstar.
The Sun reported in their article that the story is about a book club attended by classic princesses such as Cinderella, Snow White, and other popular fairytale princesses, who will be performing the pop princess’ greatest hits that defined a generation.
The pop princess herself said that the upcoming musical is a ‘dream come true’ and the news about this already made a lot of fans very excited. “I’m so excited to have a musical with my songs especially one that takes place in such a magical world filled with characters that I grew up on, who I love and adore,” said Britney Spears in an interview.
‘Once Upon A One More Time’ will also feature an original book created by Jon Hartmere (The Upside, Bare), and will be directed by Tony Award nominee Kristin Hanggi. The choreography will be led by MTV Video Music Award nominees Keone & Mari Madrid.
Furthermore, the musical will be having its first performance at the James Nederlander Theater on October 29, 2019, and they will be holding an opening night on November 13, 2019. After its planned run in Chicago, the production is planning to bring the Britney Spears musical to Broadway.
What is a Jukebox Musical?
The ‘Once Upon A One More Time’ is a type of jukebox musical. Theatermania defined it as a catch-all term used for stage shows that are created using the popular music that many people are familiar with. A jukebox musical has three different types of shows including The True Jukebox Musical, The Bio-Musical, and the Devised Plot Jukebox Musical.
According to Theatermania, the True Jukebox Musical is a show that comprises songs from different artists in order to relay the story of the musical. Also, these songs can be obtained from different genres or eras and they can also come from different parts of the globe.
The Bio-Musical, on the other hand, is a stage show that uses songs from a specific band or musical artists to tell their life stories. It is also reported that most Broadway producers stay away from making bio-musical productions since several flops happened in 2005: the Beach Boys musical called, ‘Good Vibrations’, and the Elvis musical called ‘All Shook Up’.
Finally, the Devised Plot jukebox musical uses the songs of one artist to tell a brand new story which has nothing to do with the life of the artist. One famous example of this kind of music is the Mamma Mia! Musical production that ran very successfully on the Broadway stage.
Are We Ready For A Britney Spears-inspired Musical?
‘Once Upon a One More Time’ will be a devised plot jukebox musical which will show how the fairy-tale princesses figure out the existing patriarchy of their existence as a rogue fairy godmother drops a copy of a book called ‘The Feminine Mystique’ while they are meeting for their book club.
Theatermania shared in their article that the idea of using Britney Spears’ music to tell a story about feminism could give a fun perspective while also planting the potential to spark a subtle rebellion amongst the audience, especially women. Imagine beating toxic masculinity using a dream ballet which is played while the song “Toxic” is playing.
Also, using the devised plot model on this musical is being hailed as a smart choice since it will not make the musical too much of a memoir to the artist. Choosing Britney Spears’ music for a musical may also attract the millenials who used to love her music, and who are also now already capable of buying their tickets for the musical.
|The ‘Once Upon A One More Time’ is a devised plot jukebox musical which will show how the fairy-tale princesses figure out the existing patriarchy of their existence. / Photo by: Getty Images|


Deborah Liv Johnson: Home
I'm hoping to be visited by some active songwriting elves this year, so I can back into the recording studio. I do feel inspired by the daily surprises and challenges and gifts of everyday life, and I know the songs have been brewing for quite some time. I can almost feel them rapping on my head to come out.
Feel free to visit my Web site now and then to check the calendar. I plan to book more gigs this year and you never know when I might land in your neighborhood.
Thank you again for supporting my music and for giving a lift to independent music everywhere. We musicians are eternally grateful.
Here's to the New Year and rocking fun 2014!


Wet Wet Wet have officially released the 30th Anniversary Edition of their debut album Popped In Souled Out which originally launched in 1987. Fans now have the opportunity to take a trip back in time as this iconic album is now available in the form of a Super Deluxe Edition
. Featuring the full original album (remastered) plus favourites from the Memphis Sessions as well as unique B-Sides, Demos and Remixes!
Popped In Souled Out 30th Anniversary Super Deluxe Edition:
The 5 Disc Super Deluxe Edition contains 4 CD’s and a DVD presented in a 12”x12” 72 page book which features the band telling the stories behind the making of Popped In Souled Out in their own words, along with unseen photographs from the band’s private collection.
Full Info & Track Listing | Buy Here


Are you looking for a sofa but you don't know which one to choose? This is where Tarmeko can help you. Tarmeko Pehmemööbel's selection is wide and has many different styles. The designers together with the technical engineers create sofas and armchairs that are elegant and classical or on the other hand innovative and modern. The CF Collection has a lot of new models to choose from.SMOOTH
Smooth - a product that combines visible quality and design. While creating this sofa the designer Tobias Jacobsen's wish was to make an overall light and simple looking sofa. A crucial element in this idea is the wooden frame, which brings the upholstered part more forward. The contrast between the frame and pillows gives the sofa a lighter look. Hence the name - Smooth. The sofa has also horizontal lines that together with the models' overall softness make Smooth an elegant addition to the living room or lounge environment.CURVE
Curve is a sofa that has a long creation story. Everything started with the designer's childhood. Tobias grew up in his grandfather's (Arne Jacobsen
- famous Danish architect and designer) "design universe". For him, the most important thing in life is to value your family and the time spent together with them in a time where technology and constant information overflow surround us. Tobias believes that the Curve collection can create, for example during a meeting, a calm and comfortable atmosphere. Why? The sofa has almost like endless curves and is a work of art while contributes to the creation of a beautiful interior.
While talking about Smooth and Curve one can't go on without talking about their designer Tobias Jacobsen. Who is Tobias Jacobsen?
Tobias has described himself as a nostalgic designer, who creates modern and dynamic products that suit into all kinds of the living environment while remembering craftsmanship and history. More information on the designer can be found here.
Raahe is a Spanish designer Carlos Guijarro made sofa. The designer's main goal was to create something unique while using a new approach. This model is suitable for kitchens and waiting rooms. The most ergonomic way to use this sofa is to use it at a dining table because of its comfort and design. Raahe's main strengths are that it can be used for many purposes and has Scandinavian design elements, which consider limited space. All of the previous is important because nowadays homes and offices have smaller spaces and the furniture in them has to be cleverly compact.
Kides (also designed by Carlos Guijarro) sofa range was created to bring a fresh and Nordic style into living rooms. Available in two versions, double seater and modular corner, this model presents an elegant and cosy combination of materials by having a solid base with a fluffy seat and backrest. The detailed stitching together with a curated selection of fabrics and colours create an elegant model that will allow users to enjoy and relax in full comfort.FORSSA
The Forssa (the latest design from Carlos Guijarro) sofa is characterized by deep ample seats and medium-high backrest. The combination of square and slim outer body with thick and rounded cushions generate an impression of comfort at first sight. The essential idea behind Forssa sofa is to bring an extra pleasant and homey sofa for living experiences.
Who is Carlos Guijarro?
He is a rational but also emotional designer who has been influenced a lot by the Mediterranean lifestyle. While designing, his inspiration is his life experience, Scandinavian design and southern joy of life. To read more about Carlos, click here
The Plenty sofa, designed by Kasper Meldgaard, is both elegant and classic. It works as a modern reinterpretation of the traditional roll arm sofa and offers great comfort with its good back support and soft rearrangeable scatter back cushions. The timeless profile, the Nordic feel of the oiled oak legs and the great comfort goes perfectly hand in hand. The back and the armrests merge seamlessly for an elegant look and furthermore creates comfortable cosy corners. The back pillows are large scatter backs that are comfortable and can be rearranged to add a personal touch to the sofa. The curved armrests and back provide great comfort. The legs are conical oiled solid oak. Cushions are quality foam with fibre wrapping. Who is Kasper Meldgaard?
Kasper's furniture design is rooted in the great traditions of Scandinavian design and its love for simplicity, minimalism and functionality. He is part of the New Scandinavian Design movement. If you wish to read more about him, click here
If you have any questions/comments about this article, please do not hesitate to write to us at firstname.lastname@example.org


As we stated a few weeks ago, we’ll be providing regular updates leading up to the release of the second volume of Coranox.
Today, we’re happy to announce Tales of Moriana, a series of short stories in the Coranox universe. This collection will provide an even deeper exploration of our themes and setting by expanding on the characters and lore within the world of Coranox, occasionally tying into the main novels themselves.
Three installments are slated for release this year, with the first scheduled to be available digitally in July, and in print shortly afterward. We’ll be back with more details soon!


Japanese physicist Dr Ukichiro Nakaya said ‘Snowflakes are letters sent from heaven’. His words inspired me to design this typeface based on the geometry of snowflakes and a typing interaction application named Snow Crystal Type. This project aims to foster an appreciation for snowflakes among viewers and stimulate their interest in the natural sciences.
I began by sketching the individual letters, digitalised them, and then cut them out of an acrylic board with a laser cutter. This digital to analogue process gives a more realistic impression of snowflakes within the letters.
The idea came from Dr Ukichiro Nakaya’s famous word ‘Snowflakes are letters sent from heaven’. Snowflakes give us some information such as weather conditions or pollution levels. I also found that the geometric shapes of snowflakes could be transformed into alphabets.
There are some general patterns in the shapes of snowflakes: hexagon plates, hybrid plates, sectored plates, fenlike stellar dendrites and 12-branched stars. The shapes of snowflakes are combinations of those patterns. I found similarities between those patterns and alphabets, and designed letters using features of snowflakes.
After I vectorised the letters and made a font, I realised the font was still far from the beauty of real snowflakes. To give a more realistic impression of snowflakes within the letters, I came up with the idea of using a laser cutter. I cut the letters out of an acrylic board.
At the final stage, I took pictures of the acrylic letters against a black background to use them in digital environments. I edited them with digital tools to give a more realistic look and texture of snowflakes within the font.
To create an interactive typing application with the font, I used openFrameworks.
The typing interaction was exhibited at the degree show and Snow and Ice Museum in Japan. The video was filmed at the degree show. Snow Crystal Type was projected to a w3600mm x h2400mm screen.


Hello! I'm so happy you are here! My name is Anna Pauly and I am a photographer in Springfield, Illinois, specializing in senior portraits, families, and children.
I have always had a passion for creating: whether it be photographs, paintings, drawings, or with the written word. When I discovered photography, though, it was love at first sight.
I first learned the art of photography over 20 years ago in a dark room, rolling my own film, developing, and printing the old-fashioned way. While my process has evolved out of the smelly darkroom, my passion and love for the art has remained the same. I love capturing the beauty of a moment and preserving it forever. It is a great honor to be able to provide this service to others.
Photo credit: Crista Hilmes
Aside from being a photographer, I am a mother to four crazy (crazy wonderful!) kids, wife to an amazing man, and travel enthusiast. It is my mission to see as much of this world as possible before I leave it, and I'm incredibly lucky to have an awesome bunch of people (my friends and family) to see it with.


Abby spent her formative years in Jackson Hole, Wyoming, where she developed a true love of high peaks and the solace of open spaces, not to mention all the activities an outdoor lifestyle has to offer. In 2011, she summited the Grand Teton—the impressive mountain in whose shadow she grew up—an accomplishment she’s not sure she’ll ever beat.
Abby’s graphic design career spans nearly two decades and includes stints at agencies both large and small. After graduating summa cum laude from Syracuse University, she landed in Kansas City, where she cut her early design teeth working on several big accounts, including Hallmark, Sprint, Bayer, the Kansas City Zoo / IMAX Theater, Farmland National Beef, Missouri Bank, and Blue Cross & Blue Shield. In demanding environments with tight deadlines and high expectations, Abby quickly learned the value of working with a solid team. After several years, she felt pulled west by the mountains and relocated to Denver, where her client list included Volant Skis and Wyoming Travel and Tourism—both of which provided challenging and exciting creative opportunities.
Seeking to return to a simpler life in a small, mountain town, Abby escaped to Bozeman to deliver inspired design for the Museum of the Rockies and in 2007, she joined Brickhouse as our Lead Designer and Creative Strategist. A strategy maven who loves to deliver creative work that is both clever and relevant to our clients’ demographics, she acts as co-creative director with David, heads up our design department, writes copy (did we mention her MFA in poetry?), project manages when necessary, and is our HR director as well. Sometimes, we even let her answer the phone.
A fitness enthusiast, Abby is a group fitness instructor at the local Ridge Athletic Club (she recruited Jessie to teach as well) and has also created quite a busy niche for herself with disarmingly simple folk dog paintings called Folk Dog Art. In her free time, she’s outside chasing sunshine with her golden retriever pup, George.


Back to Justonic Home page
The Problem :
To play pure harmonic music, every note must be flexible. Since piano strings and guitar frets are fixed, not moveable, these instruments are tempered, always slightly out of tune.
Some synthesizers on the market today allow you to create an harmonic scale. For example, you can retune your synth to a C harmonic scale. You can then play a beautiful C chord or C melody. However, when you move to a D, E or other chord, you are hopelessly out of tune. Likewise, you can tune guitar strings to pure harmonics, but when you do this the two E-strings are out of tune, and as you play up the neck, the frets are not in tune with the harmonics. You're stuck.
The Solution :
Justonic Tuning's revolutionary new software - Justonic Pitch Palette.
How does the Pitch Palette software work?
To play pure harmony, all notes must be flexible, and they must be precisely retuned, on the fly, in real-time as you play.
The Justonic software makes tuning adjustments to the pitch tables of your microtunable synthesizer. It accomplishes the task in under 3 milliseconds. This allows pianos and guitars, with MIDI interface, to play and modulate in just, or any other intonation, in real time.
The Pitch Palette uses any 12-tone just, or harmonic scale based on whole-number ratios. A default scale is ready to go, other harmonic scales are provided, and the user can create his or her own scales to use with the system.
From this basic scale the system creates a 3-dimensional array of tones based on the parameters of musical key, chord or tonal center, and selected intervals. Rather than twelve tones per octave, the Pitch Palette employs - depending on the scale being used - anywhere from 100 to 150 tones per octave.
There are four levels of interfacing with the program :
During performance, the scale, key and tuning root may be changed in real time by several means:
There are an infinite number of scale choices. In addition to allowing pure harmonic tuning, the Justonic system allows musicians to experiment with international and historic scales, Indian raga scales, Arabic scales with quarter-tone thirds, harmonic blues scales, and other choices. One of the serious aesthetic limitations of tempered music is that we have locked ourselves into one chromatic scale. It's as if painters were forced to throw out all but a few simple colors from their palette, or if dancers hobbled themselves with leg irons.
We have virtually ignored the harmonic seventh, the neutral thirds and sevenths of middle eastern music, the alternative minor thirds, and variety of wholetones. For example, the "septimal" blues scale bases the minor-third and minor-seventh on the seventh harmonic. These bluesy notes are much flatter than the tempered versions, they are harmonically pure, and they give the blues scales a rich but haunting sound. All of this we have relinquished for simplicity. Modern technology allows us to reclaim these lost musical scale resources. The Justonic system allows the composer or musician to use any cultural, historical, or newly created just scale. This opens the whole world of tonal possibilities to modern musicians.
Blues scales, quartertone scales, Raga scales, and hundreds of other choices are available and simple to use with the Justonic system. One difficulty musicians have had in the past with these just scales is that they require flexibility with each note if one is to play polyphonically. Arabic music, for example, has developed with very little harmonic embellishment because of this problem. Justonic is working with musicians around the world to solve this problem for any harmonic or just scale.
The Scale Editor below, makes it easy for Musicians to add, clone and alter scales in Pitch Palette: (for more screen shots press here.)
Who is the Pitch Palette for?
Each generation, each culture, gives something new to music. Music evolves. It is the goal of Justonic Tuning Inc. to restore the lost harmonic foundations of music that were sacrificed because of the limits of an earlier technology. Music evolves, and returns to where it all started. This is only the beginning. Musicians will soon discover that with the Justonic system the tonal palette has been expanded to allow virtually infinite combination of scale and tonal flexibility. Music has at last been unchained from the mechanical, seventeenth century, equal tempered scale.
Back to Justonic Home page


The New Tottenham Singers are proud to offer four Jojo Choral Scholarships each year for new choristers, in memory of former chorister John ‘Jojo’ Sagoe (1960-2013), to commemorate his life and pay tribute to his proud contribution towards the choir during his lifetime.
The Jojo Choral Scholarships are open to singers of any voice (soprano, alto, tenor or bass) between the ages of 16-30, and from any social or ethnic background.
Here’s what Ruth Lynch, a former Jojo Sagoe scholar, has to say:
“Since joining the New Tottenham Singers I can only admire how much I’ve grown both in skill and as a person. Before joining the choir, I had a very limited background in singing and music however, have always had the desire to widen my knowledge in the area. When first stepping into the Bernie Grant Arts Centre I was filled with so many nerves, however, the choir were so welcoming and the family like feel put me in an instant state of comfort.
From joining the choir I have not only built up my repertoire, but have also learnt how to follow sheet music and identify symbols such as the Crotchet Rest (something I knew nothing of before).
This past year of my life in the choir has been amazing, and I feel incredibly privileged to have been taken in, and taken care of with such honesty and kindness from every member that makes up the choir. The Jojo Sagoe Scholarship is a prime example of why it is so important to encourage and involve young people in a professional environment, where they can both learn and progress as an individual.
The choir has been an integral part of my musical development, and I feel so heart broken to have to say goodbye to it during my time at drama school. I can only wish that in the future I can make a return, as I have loved every minute of it!”
Scholarships are offered for one season, September-July, and the three choir terms per season are roughly in line with local school terms, with breaks for holiday at Easter, Summer and Christmas. Up to four scholarships for new choristers are available per season and existing scholars are welcome to reapply.
The scholars themselves should represent Jojo’s commitment to the choir in terms of attendance, and will be expected to reflect his love for the choir in terms of their positive attitude and contribution to the life of the organisation.
The qualities sought in prospective Jojo scholars are:
- Either an ability to read sheet music through traditional musical tuition, demonstrable ability to learn and retain melodic and harmonic musical lines by ear;
- A commitment to attend all weekly term-time Tuesday evening rehearsals, as well as occasional pre-arranged Saturday rehearsals, reasonable absences by arrangement with the Musical Director notwithstanding;
- An ability and willingness to support other members of the section during rehearsals and performances in addition to being a positive role model within the choir, both musically and in terms of attitude;
- The confidence and ability to hold the correct musical line, thus acting as a musical leader informally within the section where appropriate;
- Dedication to high-quality musical performance within a community and amateur context.
In return, the choir, its Directors and committee will:
- Waive all and any subscription fees for scholars;
- Provide all necessary sheet music free of charge;
- Cover all reasonable travel expenses for or provide transport to events and concerts on the rare occasions they occur outside of London;
- Cover all travel and accommodation costs or provide travel and accommodation for any concert tours or residential events within the UK or abroad;
- Provide the scholars with any educational advice or support they may require, and provide positive, supportive references or personal recommendations where appropriate.
If you would like further information please get in touch via email at firstname.lastname@example.org.
To download a PDF with full details click here.


Multiplied is an annual art fair hosted by Christie’s which showcases the very best contemporary art in editions by leading artists, as well as bright new talent. Featuring exhibitors and institutions from around the world it offers editions in a range of mediums, from prints and artists' books to photography, digital art and 3D multiples.
Multiplied is the only art fair of its kind in the UK. With free entry and works of art priced to suit every budget, Multiplied provides a unique opportunity for collectors, curators and enthusiasts to see and buy contemporary art in editions.
We would like to thank everyone who visited Multiplied 2013, and look forward to welcoming you to Multiplied 2014 which will run from 17-20 October.
View photos from Multiplied 2013 >
Congratulations to the Multiplied 2013 raffle winner, Beatrice Masi, the proud new owner of Bob and Roberta Smith's Birdsearch. Thanks to all those who entered and raised essential funds for Vital Arts.
For visitor enquiries please contact:
+44 (0) 20 7930 6074
CONNECT WITH US
If you would like to receive updates regarding Multiplied and join our mailing list,
please enter your contact information below:


Hey there, fellow creative minds! 🎨 Have you ever found yourself staring at a blank canvas, desperately seeking inspiration? Fret not; you’re not alone! We’ve all been there, scratching our heads, waiting for the elusive spark of creativity to strike. But what if I told you that there’s a secret weapon in the world of design that can kickstart your imagination? Enter graphic design templates, those unsung heroes of innovation. In this informal yet insightful blog post, we’re going to explore how these free graphic design templates can be a catalyst for creativity, helping you push the boundaries of your artistic journey.
The Art of Convenience with Graphic Design Templates
Life moves fast, and as designers, we often find ourselves juggling multiple projects with tight deadlines. This is where free graphic design templates swoop in to save the day. With a few clicks, you can have a stunning design foundation ready to roll. No more hours spent reinventing the wheel. Templates provide a structured starting point, allowing you to focus on what really matters – the creative process.
A Canvas for Inspiration
Templates aren’t just about convenience; they’re a canvas for inspiration. Think of them as a springboard, launching your creative ideas to new heights. When you start with a well-structured template, you can focus on customizing and adding your unique touch. This process often sparks unexpected ideas and innovations that you might not have stumbled upon from a blank slate.
Effortless Branding Consistency With Graphic Design Templates
For businesses and individuals alike, maintaining a consistent brand image is vital. Graphic design templates play a crucial role in achieving this consistency. They often come with predefined color palettes, typography choices, and logo placements, ensuring that every piece of your brand puzzle fits seamlessly together.
Rapid Prototyping for Innovation
In the fast-paced world of design, innovation often hinges on speed. The quicker you can iterate and experiment, the more likely you are to stumble upon groundbreaking ideas. Graphic design templates facilitate rapid prototyping, allowing you to churn out multiple design concepts in a fraction of the time it would take to create each from scratch.
Picture this: you’re part of a team developing a new mobile app. You need to create a series of user interface elements, from buttons to icons. Instead of painstakingly crafting each element individually, you opt for a UI design template. This gives you a head start, enabling you to see how various design elements work together. As you customize and tweak the template, you discover innovative ways to enhance user interaction, all thanks to the time-saving power of templates.
Breaking Creative Blocks
Ah, the dreaded creative block – the arch-nemesis of every artist and designer. It strikes when you least expect it and can leave you feeling frustrated and uninspired. Free graphic design templates can be your trusty sidekick in defeating this formidable foe.
Suppose you’re working on a logo for a client’s startup, and you find yourself stuck in a creative rut. You’ve sketched countless concepts, but nothing feels right. That’s when you decide to take a breather and explore some logo design templates. The variety of styles and approaches within these templates can serve as a jolt to your creativity.
Learning by Deconstruction
Every designer stands on the shoulders of giants, drawing inspiration from the work of others. Free graphic design templates offer a unique opportunity to learn and grow by deconstructing existing designs. It’s like peeking behind the curtain to understand the wizardry of design principles and techniques.
Let’s say you’re passionate about poster design. You’ve always admired the posters for your favorite movies but have never been sure how to achieve that cinematic flair. By studying movie poster templates, you can dissect the layout, typography, and color choices used in these professional designs. This process of deconstruction can be incredibly educational, providing insights into the strategies employed by top-notch designers. Armed with this knowledge, you can infuse your own projects with newfound innovation.
A Treasure Trove of Resources
The world of design is dynamic, with trends evolving faster than you can say “Pantone.” Staying up-to-date can be a challenge, but free graphic design templates are a treasure trove of current design trends and techniques. They offer a peek into what’s hot in the design world, giving you a chance to incorporate these trends into your work.
Consider you’re working on a website redesign project for a trendy fashion brand. You want to ensure the website reflects the latest design trends in the fashion industry. Instead of scouring the internet for hours, you dive into a bundle of free graphic design templates. Here, you discover cutting-edge layouts, font choices, and color palettes that resonate with the brand’s image. By leveraging these resources, you infuse innovation into your project and keep your design game on point.
Collaboration Magic in Free Design Templates
Design is often a collaborative effort, with multiple minds coming together to create something remarkable. Graphic design templates provide a common starting point for collaboration, ensuring that everyone is on the same page, both figuratively and literally.
Cost-Efficiency and Accessibility
In the realm of design, innovation doesn’t always require a bottomless budget. Free graphic design templates offer an economical way to access high-quality design resources. They level the playing field, ensuring that even designers with limited resources can experiment and innovate.
Think about launching a personal blog where you share your passion for cooking. You want your blog to stand out with eye-catching recipe cards, but you’re not ready to invest in a professional designer. That’s where free recipe card templates come into play. They provide you with visually appealing, customizable designs that make your blog look like a culinary masterpiece. By utilizing these cost-effective resources, you’re free to explore innovative ways to present your recipes without breaking the bank.
Fostering Creativity in Education
Graphic design templates aren’t just for professionals; they also play a vital role in education. Design students and aspiring artists can benefit immensely from these ready-made resources, using them as learning tools to foster creativity and skill development.
Environmental Impact and Sustainability
In today’s world, sustainability is at the forefront of our minds. Graphic design templates can contribute to a more sustainable design practice by reducing waste. When designers reuse and repurpose existing templates, they minimize the need for creating new designs from scratch, which can lead to excessive resource consumption.
Consider a scenario where you’re designing packaging for an eco-friendly product. You want the packaging to convey sustainability and environmental consciousness. By selecting a template that aligns with these values, you’re not only saving time but also reducing the environmental footprint of your project. This commitment to sustainability is not only innovative but also socially responsible.
Evolving with Free Graphic Design Bundles
Last but certainly not least, let’s talk about the ever-evolving world of free graphic design bundles. These bundles are like treasure chests filled with a wide range of templates, each offering a unique approach to design. They’re a testament to the versatility and adaptability of graphic design templates.


The Universalist Players is the intergenerational theatre company from the Universalist Church in West Hartford, who has staged a family-friendly theatre production for the past 33 years.
Based on the beloved 1970s animated film, “Disney’s The Aristocats KIDS” takes place in the heart of Paris. It’s the story of a kind and eccentric millionairess, who wills her entire estate to Duchess, her high-society cat, and her three little kittens. When the greedy, bumbling butler pulls off the ultimate catnap caper, it's up to the rough-and-tumble alley cat, Thomas O'Malley, and his band of swingin' jazz cats to save the day.
“Disney’s The Aristocats KIDS” is directed by West Hartford-resident Gretchen Fountain. “’The Aristocats’ is a story about cooperation and cross-cultural understanding. The music is jazzy and catchy, and it’s a wonderful show for children of all ages,” said Fountain. “And, in today’s world of racial tension, it reinforces an important message that animals of all species (including humans) can learn from each other and work together toward a common goal.”
Disney's The Aristocats KIDS!
Friday, April 1, 2016 at 7:00 p.m.
Saturday, April 2, 2016 at 1:30 p.m.
Sunday, April 3, 2016 at 1:30 p.m.


My name is Molly and I like to make things, hence the name Made by Molls.
Made by Molls began when I decided to use my hobbies as a means of fundraising for a missions trip in 2014. Volunteers go on these trips to Maneadero, Mexico to build houses during winter for families in need. This is organized with Baja Bound and Baja Missions. Proceeds from Made by Molls will continue to go towards this cause. Thanks for your support!
I’m a business student at Cal State Fullerton concentrating in marketing and information systems. I love to create, this being in the form of baking, drawing, and photography. My favorite things include dogs, funny TV shows, and quality time with family and friends.