Udd is an Indian ethnic wear brand that breathes life into the rich tapestry of Indian Folk Art. Inspired by nature and the ever-changing cultural landscape of rural India, Yuti Edwards started Udd as a brand for the free-spirited woman, who lives life with zeal. Udd weaves captivating designs from the threads of Kalamkari, Rabari, Mughal, and more.
Theme My Party is an e-commerce brand specializing in decoration supplies for a wide range of events, from birthdays to weddings. Theme My Party's brand identity is centered around the idea of making parties more fun and memorable. The company offers a wide range of high-quality party supplies and decorations, at competitive prices.
PowerSutra is a reputable brand that specializes in providing high-quality formal wear for women. Their product line includes a wide range of clothing items, such as dresses, pantsuits, and skirts, all offered at affordable prices. With a commitment to quality and style, PowerSutra has gained recognition for its exceptional clothing.
Harry's, founded in 2011, revolutionized men's grooming by offering high-quality, affordable alternatives to overpriced products. Gaining rapid popularity for its mission, Harry's is celebrated for its straightforward, effective grooming range. Its commitment to accessibility and quality makes it a leading brand in men's grooming, simplifying routines with efficacy.
Janasya is a leading Indian fashion brand that offers a wide range of ethnic wear for women and girls. The brand is known for its affordable prices, trendy designs, and high quality fabrics. Janasya's product range includes kurtas, sarees, lehengas, dresses, tops, tunics, and bottom wear. The brand also has a plus-size collection called XL Love.
Phuljhadi, a distinctive jewelry brand, marries trendiness with affordability, offering stunning pieces handcrafted by skilled Indian artisans. Emphasizing elegance, love, and meticulous attention, it was founded by Prachi Khanduja with a vision of spreading joy through each creation. Phuljhadi stands as a testament to self-love and the beauty of artisanal craftsmanship.
Label Reyya, a Bohemian Fashion brand, embraces the essence of free-spirited fashion, drawing inspiration from Bohemian culture and aesthetics. Founded by visionary designer Arjun Saraf and Anushree Saraf, Label Reyya is a canvas for artists and a celebration of bohemian style in both fashion and home decor.
Enter the realm of RB Organics, a sanctuary for sustainable living, real beauty, and holistic wellness. At RB Organics, the commitment to the community's wellbeing is embodied in eco-luxurious products, meticulously crafted with pure organic ingredients and a profound love for the planet.
Mini Klub is a renowned children's clothing brand, dedicated to providing a diverse range of clothing items for kids, including dresses, skirts, pants, shirts, and outerwear. Mini Klub has carved a niche for itself with its stylish and affordable designs, making it a go-to choice for parents who seek both quality and affordability.
LEAF is a pioneering audio brand that is committed to redefining the way people experience movies and TV shows. They believe that watching isn't just about viewing; it's about becoming part of the story.Paras Batra co-founded Leaf with an ideology of creating products which have cutting edge technology inside but look extremely simple from outside; just like a Leaf.
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Fiona - 4.5 Years
Our Fiona is 4.5 years old. She is still our sweet girl who is ready with hugs and will make the rounds to sit on family member's laps. She loves to make art for her loved ones. A few other items about Fiona:
My crazy girl
- Chris makes up nicknames for Fiona that she loves. The most popular names are "Sugar-shine" and "Moonbeam."
- Fiona loves crunchy apples, especially pink lady apples. She likes me to cut up an apple for her and say, "Here's a pink lady for my pink lady."
- She loves apples, raspberries, yogurt, beans (kidney, garbanzo, black), pizza, broccoli, tomato soup, pulled pork and PB&J.
- When she needs something, she still says, "eed" instead of "need." I love that pronunciation.
- Fiona prefers to dress in twirly skirts and fancy dresses. It's a process every morning to find something for her that satisfies Fancy Fiona.
- When we come to an agreement with her on something, she says we have "dealed" on something. For example, she may say, "Dad and I dealed on going to the pool tomorrow."
- Fiona loves to color, draw and paint. She spends hours on the weekend coloring pictures. She stayed home sick one day a couple weeks ago and created her own portfolio by looking at pictures from a published art book and creating her own Fiona copies.
- She tries to enforce manners on Eloise. If Eloise asks for something, Fiona will say, "Please? Can you say 'please'?"
- Fiona and Eloise love to play together (sometimes), although Eloise still tends to knock down whatever Fiona is building (duplos, train tracks, magna-tiles).
- Fiona isn't very interested in cartoon or Disney movies because she really dislikes scary parts. She has also never shown interest in live action shows; however, before Christmas, we watched Home Alone together, and she absolutely LOVES the movie.
- Fiona loves to play kitchen and mix up cupcake or cookies soups on her play stove.
- Fiona is progressing with leaps and bounds at her Montessori school. She works at her own pace through BOB books for reading and can spell many three letter words by sounding out the letters. She can also add numbers together using her fingers.
- Fiona loves to swim at the pool. Chris has been taking her there since she was a year old, and she's at the point now that she can swim across the whole pool by herself without any assistance from Chris or flotation devices. It takes her a while, but she can do it.
Fiona's thinking face while playing memory
Showing me her metal inset work at school
Pre-reading work at school last fall. She is now reading three letter words.
My crazy girl
Cupcake on her half birthday
She is at equilibrium when she's coloring elaborate pictures in rainbow colors.
Explaining one of her drawings


Japanese Museum and `Imiloa Astronomy Center Collaborate to Create a Special Astronomical Event
December 22, 2009
Many astronomical events are held around the world to celebrate the International Year of Astronomy 2009. In one such event, `Imiloa Astronomy Center, located in the immediate neighborhood of the Subaru Telescope's base facility, collaborated with Katsushika City Museum in Tokyo, Japan (www.city.katsushika.lg.jp/museum/index-e.html) to jointly develop a special planetarium show suitable for viewing in English at `Imiloa planetarium.
|Planetarium during Dr. Fuse's Discussion|
The original Japanese planetarium show, called "Hawai`i, the Stars and the Oceans", was created by Tatsunori Arai, who is in charge of Katsushika City Museum's planetarium. Shawn Laatsch, the planetarium manager at `Imiloa, worked with Arai to adapt the material into a format appropriate for `Imiloa"s planetarium. The shows presented on September 4th (one in English) and 5th (two shows in succession, first in Japanese, then in English) were the culmination of almost three years of preparation and collaboration. The presentation at `Imiloa served as a demonstration and trial run of Arai's and Laatsch's innovative form of presentation. Rather than having a soundtrack included with the visual package, Arai and Laatsch preferred to narrate the images as part of a live presentation to the audience.
The shows at `Imiloa integrated a variety of media to enhance the experience of the event. The program debuts with images of the cosmos from Subaru Telescope as well as Hawaiian star lines. Master Navigator Kalepa Baybayan narrated the presentation of Hawaiian star lines. Dr. Tetsuharu Fuse, an astronomer and longtime PIO staff member at Subaru Telescope, discussed "The Universe Revealed by Subaru Telescope" as pictures of Subaru's discoveries were projected on the planetarium wall. Yumi Ishikawa, a noted slack key musician and composer from Japan, and Pono Lani offered Ishikawa's interpretation of Hawaiian music and slack-key performance as a tribute to the Japanese love of Hawaiian culture. The audience could simultaneously enjoy beautiful music and images.
The flexible format of the events at `Imiloa showed how planetaria can present the visual projection materials according to their own needs and context. Dr. Fuse summed up the delight of the audiences by saying, "Hopefully, we will hold a similar event at `Imiloa in the future." Such a wonderful experience is a catalyst for even more innovative presentations.
|(from right to left) Tatsunori Arai, Tetsuharu Fuse, Pono Lani, (skip), Yumi Ishikawa, Shawn Laatsch.|


Sound artist from Copenhagen release new album on PAN where passion, aggressiveness, and lyricism melt together, turning its 9 tracks into one noisy experiment.
In 2016, an album called The Spiral and released by Posh Isolation shook the experimental music scene. The artist behind it was Frederikke Hoffmeier aka Puce Mary, a sound sculptor from Copenhagen. At that point she had already released several LPs and EPs since 2010 and her live performances were known among noise lovers for their abrasiveness. Although not a newcomer, the album significantly elevated her profile. And last October it rose even further with the release of The Drought [Pan, 2018].
Undoubtedly one of the most inspiring and surprising works of 2018, The Drought represents a step forward in terms of concept, composition and sound. Often compared with Pharmakon, Vit Fana or Acronym, among others, her power electronics amount to a lyrical offering where harsh sounds intermingle to create an industrial poetry book.
In fact, this LP is a piece of art in its entirety, from the album cover, designed by Torbjørn Rødland, to the last of its nine tracks, mastered by Rashad Becker. Upon gloomy apocalyptic soundscapes the Danish musician develops a world that pivots on a myriad of wisely-combined dramatic layers, mesmerizing repetitions, and industrial effects. While her usual raw intense distortion has not gone anywhere, the compositions provide listeners with quieter phases, which paradoxically bring about a sharper unrest. It is especially the case in To Possess is to Be in Control, where her reverberated voice articulates the words: “It makes me sick to open my body to you to give you all I have. If I can possess you. Why can't I possess my own body? To possess is to be in control”. A Feast Before the Drought speaks about lamenting, rage and sadness, igniting a war to challenge our very existence and our approach to life. As Puce Mary has said: “[these]compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control.” The Drought unquestionably ratifies Vladimir Jankélévitch’s postulates on music’s underlying capability to speak the unspeakable. The album brings together texts by Charles Baudelaire and Jean Genet, but their purpose seems to be to lead listeners in a certain direction rather than to communicate a precise and clear message. That’s exactly where we, as the audience, need to let ourselves get lost, and it is just then that we start to understand what a huge work this is. A real sonic poem: touching, evocative, enriching and empowering. For many, ranging from Ian Svenonius to James Baldwin, this is the true meaning of art. And I agree.
All in all, Puce Mary’s The Drought is, without any kind of doubt, one of the albums of 2018. It shows the real power of music in terms of expressiveness and reaching corners of the mind no word can reach. It provokes a whole palette of emotions: primary, personal, social, political… It speaks about freedom, danger, power… Both a poem and a manifest, this evocative, revolutionary and deeply beautiful album is a passionate invitation to feel and, therefore, to thrive.


I have to admit that off the bat the synopsis of The 57 Lives of Alex Wayfare wasn’t something that called to me. I don’t usually go in for anything that involves reincarnation or any kind of time shenanigans: mainly because stories I have encountered that involve such things in the past are either very predictable or become so confusing and tangled that the plot either seems to break or not hold water. But hey, I have this blind trust in Strange Chemistry that comes from liking all the books I have read by them so far, and so I picked up The 57 Lives of Alex Wayfare without thinking too much about it.
And oh boy was I surprised. Within two pages I was hooked, within ten I already loved Alex and how the story was narrated. By fifty pages, this book quickly became one of those I just couldn’t put down (which wasn’t healthy for mine or my brother’s bedtime as I was being his audiobook for this one!). Alex is geeky, nerdy, different, and a whiz with technology. It’s nicely refreshing to have a female character being a whiz with technology without her being some kind of genius mechanic in a sci-fi context. Plus Alex is instantly likeable, and it’s impossible to not feel for her from the start: the eldest of three children, Alex is different. Since she was little, she’s had flashbacks, or deja vu, or whatever she decides to call the flashes of other lives that feel so much like hers without being. She’s terrified of cats and Ferris Wheels because of those flashes and has become an outcast at school for her strangeness. With her sister suffering from cancer, parents working hard to find a cure, and a younger sister who is ashamed to be related to her, Alex would give anything to be normal.
But normal isn’t for Alex, as she realises when, after a strange vision that takes hold of her out of the blue whilst she’s in class, she finds a note, addressed especially to her, that tells her that someone holds answers to her questions. So Alex goes, unprepared for the truth she is about to uncover and the ripples it threatens to have on her life. Alex is a Descender, but she is also more than that: hidden within Limbo lies the way to 56 past lives that Alex can travel to, taking over the body that her soul occupied and reliving events that have happened. But changing the past can have dire circumstances, and Alex has to watch what she does, which becomes especially hard when every time she travels back in time she meets the same blue-eyed boy who she feels inexorably drawn to. But to find who he is and what is going on, Alex may well have to risk everything she has and loves.
The 57 Lives of Alex Wayfare is one of those books that doesn’t give the reader much time to breathe as we’re thrown from one discovery to the other, being made to doubt everything and everyone around Alex until it becomes impossible to know who can be really trusted. Buehrlen weaves the tale with perfect pacing and a deft efficiency when skipping in between Alex’s past and present without ever seeming to drag anything on or give too much or too little away. As I said above, Alex is a likeable, believable POV who becomes entangled in something far bigger than she could have ever imagined. And yes, she has a couple of freak outs that have regrettable consequences, but at least she is capable of not only owning up to them, but also moving past them, to becoming a better and stronger person.
The romance in between her and Blue is wonderfully built in the past through her adventures in 20s Chicago and is so totally believable that it’s hard to not feel heart broken when she has to be torn away from him. But then Blue keeps appearing, despite the fact that he should either be dead or could not possibly have been born yet. Blue’s story is linked far more closely to Alex’s fate than she realises and the book leaves us on one of the sweetest cliffhanger I have come across in a while. I can’t wait for book two to know if my theory is right or not, and I really, really hope it is (mainly because otherwise I am going to feel damn silly!).
But Blue isn’t the only boy of interest in Alex’s life. At school there is Jensen, the boy she has had a crush on for years and who is being nicer and nicer to her all of a sudden, a fact that Alex has problems coming to terms with. Jensen is the popular boy who all the girls love and who is said to flit from one to another. But as Alex finds out as they grow slowly closer, there is more to Jensen than what rumours suggest and he is just as much a victim of them as she is. It was nice to see a boy in the situation of being painted as a ‘man slut’ by those around him even though he is nothing of the sort. It was a nice change from girls being portrayed that way and it was also refreshing for it to be shown that just because people are popular, it doesn’t always mean they want to or aren’t suffering because of it.
The 57 Lives of Alex Wayfare had me from the get-go. There was no going back after reading those first few pages that spoke to the reader with such honesty that it was impossible to not want to find out the ins and outs of the story. Alex can go proudly sit next to all the female heroines that kick ass whilst her book sits very much so near the top of my best books of the year list so far. There’s nothing to dislike about this book, nothing annoying and everything I want in a book: a good plot that takes time to be unravelled and fully understood, adventure, a very villainous and creepy villain, and a romantic relationship that I can’t wait to see coming more to fruition because these two deserve a bit of happiness, damnit!


Blue Man Group Luxor Las Vegas Review
I had the incredible opportunity to witness a mind-blowing performance by none other than the iconic Blue Man Group at the Luxor Las Vegas. And let me tell you, it was an experience that left me speechless and utterly captivated from start to finish.
From the moment I stepped into the Luxor Theater, the atmosphere was electric. The anticipation in the air was palpable, with the audience buzzing with excitement for what was about to unfold. As the lights dimmed and the curtains drew back, a sense of wonder washed over me, and I knew I was in for an unforgettable evening.
The Blue Man Group’s unique blend of music, comedy, and multimedia artistry was nothing short of sensational. Their performance was a symphony of lights, colors, and sounds that transported me to a world where creativity knows no bounds.
One of the highlights of the evening was the mesmerizing use of technology and interactive visuals. The way the Blue Man Group seamlessly integrated cutting-edge technology into their act was awe-inspiring. Giant LED screens, mesmerizing projections, and state-of-the-art lighting effects worked in harmony with the performers to create an immersive experience that felt like a journey through the cosmos.
Of course, no Blue Man Group show would be complete without their signature percussion performances. The way they transformed everyday objects into musical instruments was pure genius. The rhythmic beats and infectious energy had the entire theater clapping, tapping, and grooving along. It was impossible not to be swept up in the sheer joy and enthusiasm that radiated from the stage.
But perhaps what struck me the most was the underlying message of the performance – the celebration of human connection and the universality of communication beyond words. Through their playful antics and thought-provoking skits, the Blue Man Group reminded us all that laughter and shared experiences are a universal language that transcends cultural barriers.
As the show reached its grand finale, I found myself on my feet, applauding and cheering alongside fellow audience members. The sense of camaraderie and sheer exhilaration in that moment was something truly special. Leaving the Luxor Theater, I couldn’t help but reflect on the incredible journey I had just been a part of.
In the end, my night with the Blue Man Group at Luxor Las Vegas was more than just a performance; it was an unforgettable adventure into the realms of imagination, artistry, and human connection. If you ever find yourself in Las Vegas and are craving a one-of-a-kind experience that will leave you both awe-inspired and elated, make sure to catch a show by the Blue Man Group – trust me, you won’t be disappointed!
BUY TICKETS TO BLUE MAN GROUP LAS VEGAS


Antica pasticceria Castino and Miradolo Castello
On December 24, 2014, the Cosso Eynard family, originally from Pinerolo, reopened the Antica Pasticceria Castino in the heart of the city, reviving the historic establishment that had unfortunately been closed for years. The brand was reintroduced with the kind permission of Gemma Castino, the daughter of the founding pastry chef, known in the first half of the twentieth century as the “Michelangelo of chocolate”.
The pastry shop was completely renovated and restored, preserving the nineteenth-century design. During that era, Pinerolo was known for cavalry, animated by illustrious figures such as Captain Federico Caprilli, to whom the historic Cavallerizza of 1910 (the famous riding school) is now dedicated, once the largest and one of the most beautiful in Europe.
The pastry shop has its own artisanal workshop, led by Master Pastry Chef Davide Muro, where delightful sweet and savory treats are produced daily with the utmost attention to the quality of raw materials and artisanal production processes.
The tradition of Piedmontese pastry meets the innovation and creativity of the pastry chef. This features a production of small, fresh and dry pastries, in sweet and savory versions, ideal for cocktail hour. In addition, there is a rich selection of cakes, panettones (Christmas sweetbread), other leavened products, artisanal pralines, marron glacé (candied chestnuts), glazed citrus peels, assorted croissants, and many other delicacies created with passion and love for tradition and the city of Pinerolo.
Antica Pasticceria Castino has another branch and a café inside the Miradolo Castle in San Secondo di Pinerolo, where you can enjoy Castino’s specialties all day long. During the warm season, the outdoor seating amidst the lush greenery provides an oasis of tranquility in the intimate courtyard, surrounded by aromatic plants and flowers.
Countess Sofia Cacherano of Bricherasio, the owner of the residence until 1950, used to visit Giuseppe Castino’s “realm”, especially on Sundays, to buy pastries and baked goods for festive occasions. It was in his Pinerolo workshop that Castino created the famous cake, Torta Zurigo-Castino, commissioned by Princess Yolanda of Savoy.
Today, the Miradolo Castle serves as the headquarters of the Cosso Foundation, which has been planning and promoting cultural and social events ranging from exhibitions to musical concerts since 2008. From March 23 to December 25, 2024, the castle will host a major exhibition dedicated to Giorgio Griffa, also featuring specific works created by the Turin-based artist in the park, showcasing his role in contemporary painting research.


Inspired by the 1930s Maison de Verre in Paris by Pierre Chareau, this home is renowned for its masterful engineering with entire walls and ceilings of structural glass, but more importantly, its thoughtful design that discretely accommodates full handicap accessibility. The marriage of the two blends in harmony with a result that is both beautiful and functional. Precision craftsmanship is apparent inside and out – from the entire front façade of glass block to the breathtaking gallery entrance spanned by a glass ceiling. The juxtaposition of natural materials, like vertical grain cedar and Tasmanian oak, with the clarity of glass creates a rich meditative tone accentuated by the beauty of the surroundings.
A focus concept in creating a house of “light” was to have natural light bathing the principal rooms on all four sides. This challenging yet stunning achievement is something rarely experienced.
Throughout the home’s two levels, connected by elevator or a glass tower staircase, the entire ambiance is traditional modernism. Vast walls are comprised of nothing but frameless glass while others are set beneath perfectly placed lighting for the display of fine art. A sleek chef’s kitchen stands ready to host festive gatherings in the formal living and dining rooms, a recreation room doubles as a media center, and a customized office is designed for two.
All the main floor room have a most unique connection to the garden. However, the living room and master bedroom have a most unusual ambiance as a result of the beautiful glass walls that bring the garden into the room.
The home’s personal accommodations comprise five sumptuous bedroom suites with three on the main level and two more privately located on the lower level. The grounds are equally captivating and designed with the same simplicity of the home. Quiet sitting areas are tucked beneath towering redwoods, native plantings respect the environment, and a soothing fountain adds a Zen quality. With its exceptional Menlo Park address, unparalleled construction, and rare functionality, this is indeed a very special place to call home in Silicon Valley.
Architect John Thodos was a noted residential architect located in Carmel. He died in 2009 when the house was about 2/3 complete so it was his last project after a string of most notable houses. He was a consumate modernist and most unwilling to compromise the design integrity in any way. The fact that the house won an AIA award (hanging in the kitchen) honors John’s position amongst California’s best.
As you can imagine I went to great lengths to select one of the best contractors on the west coast. I have contact with and have toured many houses in OR, Wash, and CA and chose Marrone and Marrone with considerable care. Not only was his project history most impressive, Greg’s personal involvement goes beyond outstanding, and his choice of subcontractors was exceptional. He also had a project superintendent, Steve Gonzales, who I insisted should be on the project full time. Steve’s contribution put this project over the top and based on my 50 years in the construction business that opinion is more than well founded.
In the five years since moving into this exceptional house I have to say that the service, support, and follow-through that Greg Marrone has provided is an asset not to be taken lightly. Greg takes enormous pride in this house and while there has been little to attend to he is always there to make sure any question or issue is properly and totally taken care of.
With the contractor and the extensive list of service providers we have developed the new owner can rest assured that all the support necessary to care for this outstanding house is in place.


'To Your Heart's Content' is my 10th release, although it feels like my first. It's the first full length album of "actual" songs (e.i. not remixes, sound collages or incomplete ideas) that I've completed as well as the first time that I've managed to play all of the instruments on a record.
The album was conceived of in 2014 when I was speaking to my friend Joe about putting together a full length album. Back then the album didn't contain half of the songs it does in it's current form. A couple songs that I remember considering for the album back then were: 'Fish Tacos' and 'Caravan 4', for what it's worth.
This collection of songs was written between 2014 and 2016. They were recorded between 2016 and early 2017 mostly at my house (guitars, bass, vocals, keys) and at Humphry Davy School (drums, grand piano).
I don't usually charge for music, but I feel this release holds value.
I sincerely hope this album is heard and enjoyed.
released February 10, 2017
Written, produced and performed by Roger Heathers
Mixed and mastered by Roger Heathers
Artwork by Charles Esperanza (www.cgesperanza.com
Thanks: Mum, Dad, Katherine and all of my family for your constant support, Joe O'Neill for your friendship, musicianship and for always listening to my demos and sequences (this album's working title was, 'Shark Side Of The Moon' for the longest time!), Declan Kitchener for being a music fan with me and a good friend, Lizzy, Sammy, Siobhan. Charles Esperanza for the album's amazing artwork. Also, thanks to Annie at Humphry Davy for booking recording time for me and putting up with my late payments.


This musical tells the tragic story of a young teenager who experiences a life-altering accident, leaving him paralyzed for the rest of his life. While it's a sadly familiar narrative that likely unfolds in hospitals from time to time, what makes "The Little Big Thing" extraordinary is the depth of emotion it conveys.
For the family and the young boy, this event is more than just a typical sad story; it's a life-changing trauma that inflicts deep wounds on their hearts. The audience is given a raw and unfiltered glimpse into the family's pain and their relentless struggle to find solace amidst this tragedy.
What sets this production apart is the remarkable inclusion of disabled performers, many of whom have likely faced similar challenges in their lives. Their disabilities do not impede their ability to deliver outstanding dance, singing, and acting performances. Their dedication to their craft shines through, contributing to the overall high quality of the show. While the stage design remains elegantly simple, the lighting design is a standout feature. The lighting not only complements the story but also plays a pivotal role in setting the emotional tone for each scene, effectively enhancing the audience's connection to the characters' experiences and emotions.
In summary, "The Little Big Thing" is an unforgettable theatrical experience that deeply resonates with its audience. It transcends conventional storytelling by featuring a cast of disabled performers who elevate the narrative with their exceptional talents. Director Sheppard's vision, coupled with outstanding performances, creates a moving testament to the resilience of the human spirit in the face of adversity. This production is a masterclass in storytelling and a testament to the power of theater to inspire, educate, and touch the heart.
I wholeheartedly recommend "The Little Big Thing" to theater enthusiasts and anyone seeking a profoundly emotional and resonant theatrical experience. It is a production that will leave an indelible mark on your heart and soul.


Floral Wedding Hanging Heart
Availability: In stock
A lovingly made personalised ceramic hanging heart perfect for a wedding or anniversary gift.
A beautiful floral gift and acts as a date reminder for those forgetful minds. Hand made from clay with an ivory satin ribbon. A beautiful and personalised keepsake that will look great in any home. Can be hung on door handles or put up on display.
Hand pressed flowers with sliver, sage green and soft pink details.
Please enter the name of both Bride and Groom and the wedding date. Please note names can only be a maximum of 10 letters long.
Made from: 100% designed and handmade in Britain from ceramics and ribbon.
Dimensions: Approx 8.5cm x 9cm
|MADE IN BRITAIN||Yes|
|Can Be Personalised||Yes|
|Standard Delivery||In 3-5 Days||£2.75|
|Tracked Two Day Delivery||In 2 Days||£6.95|
You have 28 days, from receipt of cancellable goods, to notify the seller if you wish to cancel your order or exchange an item.
Please note: goods that are personalised, bespoke or made-to-order to your specific requirements, perishable products and personal items sold with a hygiene seal (cosmetics, underwear) in instances where the seal is broken are non-refundable, unless faulty.
Should you choose to return or exchange your order you will need to deliver the item(s) to the UK, where this seller is based.


While designing the progression system, we had to think about how exactly we were going to make each level of an item upgrade feel. There had to be more than just a visual upgrade. Each upgrade should feel more efficient, more fun, as well as look prettier.
This is where the flamethrower comes in. The flamethrower is one of the upgrade levels of the oven. We thought it should feel more efficient than taking the time to put the batter into the oven. It should feel a lot more fun considering guns feel pretty awesome in VR. Last but not least, it should look badass cause it’s a freaking flamethrower.
I find it handy sometimes to draw what I want to model before I 3D model it. Whenever I’m creating an art asset, I NEED to look at references. It helps with visualizing what I want the final version of my model to look like. It also helps me find ideas that I really like and want to include in my model.
So this version of the flamethrower made it all the way into game before I realized one major flaw….If the player uses the trigger button to pick up the object, and they’re holding that trigger button to keep that object in their hand…How are they going to “shoot” the gun… Both of us HATE when VR games use the Vive’s grip buttons to pick up items, so it was back to the drawing board to design a better functioning flamethrower.
The solution was easy, I just needed to add a push button on the flamethrower (and any other gun type object we design) to replace the pulling of a trigger. It was a really silly oversight.. But sometimes I guess I imagine so hard in the back of my head exactly how something will/should look that I forget to question how it’s going to work exactly.
So this is what the flamethrower looks like today so far. The texture/materials aren’t final at all. Nothing is ever really final until we ship.. This design should hopefully feel intuitive enough to the player that they press on the pad on the Vive controller instead of pulling the trigger in order to shoot. But that’s something we should be able to figure out with some quick play testing.


Born and raised n Montreal, Joanne Hunt is a professional artist living in Truro, NS. A contemporary realist, she creates both oil and watercolour paintings with a tonal softness and quiet mood which has become her signature. With a passion for luminosity and depth, Joanne's art investigates the subtle details found in nature and everyday subjects. She was elected to the prestigious Canadian Society of Painters in Water Colour (CSPWC) in 2002, the Society of Canadian Artists (SCA) in 2005 and the International Guild of Realism in 2015. Her work has won numerous awards at national exhibitions and can be found in collections across Canada, the US and abroad.


Hi, I’m Nicole! I’m an experienced editor, commerce leader, and content strategist with a passion for editorial that helps people live their best lives. Obsessed with big, creative ideas, I am currently the Executive Commerce Editor at Mashable, where I’ve grown the Shopping vertical from its initial trial of a few stories a week to a multi-channel revenue stream that has become woven into the entire ethos of the publication.
I have always followed passion projects on the side, keeping my reporting skills sharp by freelancing for publications like The Boston Globe and Fresh Magazine, and as an author-for-hire on nonfiction book projects like Words You Should Know, You Can’t Be Everywhere, and You’re the Only One I’ve Told. In 2022 I founded Appleseed Flower Farm, where I grow organic flowers to share with my community and help florists surround couples with beauty during life’s biggest moments.
I received a B.S. in Journalism with a minor in Anthropology from Boston University and have an MFA in fiction writing from The New School. I live in Maine with my husband and daughter.
Photo credit: Kayla Tiffany Photography


(1922, Kladno – 2011, Kladno)
Painter, graphic artist. Her work is closely connected with the work of her twin sister Květa Valová. From 1945 to 1950 Jitka Valová studied under Professor Emil Filla at the Prague Academy of Arts, Architecture and Design. Her early works focused on glass-engraving – a technique she learned at the glassmaking college in Železný Brod. She was a core member of the Trasa 54 (“Route 65”) group, and in 1990 she joined the Umělecká Beseda artists’ association. Her work from the 1960s belongs to the New Figuration movement; her focus was purely on monochromatic drawings, paintings and graphic works depicting the human figure in motion, which acts as a dynamic artistic sign. Valová’s entire career was closely linked to her native town of Kladno, whose industrial atmosphere provided a powerful source of inspiration for her. She projected the toil of the workers into her bent, deformed figures. Her work symbolically expresses people’s struggle against the harsh times they lived in, expressing a stance of strong disagreement and opposition. Besides the deformed and bent figures mentioned above, Valová’s work was also inspired by the existential motif of Calvary. From the 1960s onwards both sisters produced poured drawings, which embodied musical melodies that they listened to. Both Jitka and Květa Valová were active on the unofficial art scene. In 1983 they held a joint exhibition in Cheb, which marked a turning-point in their careers. After the collapse of the communist regime in 1989, they presented their works together at exhibitions abroad, and in 1994 they were awarded the Herder Prize in Vienna. In 2010 the Prague Academy of Arts, Architecture and Design awarded Jitka Valová an honorary doctorate.


Peter Rofé is a national voice talent, sought-after voice acting coach, and owner of PDR Voice Over Coaching, on Broadway in New York City's Greenwich Village.
As a voice talent, Rofé's credits include countless commercials, promos, narrations and video games.
At his full-service recording studio, Rofé coaches new and veteran talent, and produces voice-over demos. He has also taught voice-over courses at The Barrow Group and New York University's Tisch School of the Arts.
For producers, casting directors and agents, he offers the PDR Online Master Reel - a resource of reliable voice-over artists available for auditions and bookings.
He is also co-author, with voice actor Randy Thomas, of the book "Voice For Hire."


In this art history course, students will develop a comprehensive understanding of the artistic process by exploring the decision-making and judgment involved in viewing and creating works of art. They will gain insights into the impact of emerging cultures on art and architecture, recognizing the lasting artistic contributions made by major civilizations throughout history. The influence of Christianity on art and artists between the Roman Empire and the Renaissance will be examined, highlighting the significant changes in art techniques and purpose during the Renaissance, Baroque, and Rococo periods. Furthermore, students will explore the diversity of art during the modern era and understand how modern artists continue to be influenced by art from the past. Through these understandings, students will develop a rich appreciation for the historical and cultural context of art, and how it continues to shape artistic expressions today.
Throughout this course, students will discuss various artworks, research artists, and create documents and presentations demonstrating concepts learned.


Issue 1 of the new filmcraft magazine The Illusion Almanac is available now as an 80-page* digital magazine formatted for Kindle. Download it from Amazon online stores worldwide — just search for “illusion almanac.”
- The Illusion Almanac: Creating Godzilla vs Kong — Amazon UK
- The Illusion Almanac: Creating Godzilla vs Kong — Amazon US
- The Illusion Almanac: Creating Godzilla vs Kong — Amazon Canada
Focusing exclusively on a single motion picture or streaming show and illustrated with a selection of stunning imagery, each issue boasts in-depth coverage of some of the craft disciplines involved in the production, including design, cinematography and visual effects.
The Illusion Almanac: Creating Godzilla vs Kong covers the making of the epic monster movie from Legendary Pictures and Warner Bros. Pictures. Key interviewees include production designer Owen Paterson, cinematographer Ben Seresin, visual effects supervisor John ‘D.J.’ DesJardin and special effects supervisor Mike Meinardus, plus the concept design teams at Amalgamated Dynamics, Inc. and Legacy Effects, and the visual effects teams at Scanline VFX, Weta Digital, MPC and Luma Pictures. There’s also a brief history of the giant ape Kong and the fire-breathing lizard Godzilla, whose heritage goes back to the original 1933 film “King Kong,” directed by Merian C. Cooper and Ernest B. Schoedsack, and “Gojira,” first released in 1954 and directed by Ishirô Honda.
“I enjoy a good long read that takes me behind the scenes on a movie I love,” says creator Graham Edwards, “and that’s exactly what I’ve set out to create with The Illusion Almanac. The idea of the magazine is to combine all those juicy ‘making-of’ details with a real breadth of subject matter, and then top everything off with a dusting of historical context. The only thing I can’t provide is the comfortable chair, fresh cup of coffee, and indulgent hour or two required to read it all!”
Don’t have a Kindle? No problem. Just download one of the free Kindle apps for iOS, Android, Mac or PC.
[…] The Illusion Almanac: Creating Godzilla vs Kong — Out Now […]


Jennifer is a 24 year old published Fine Artist; Draughts-woman and Illustrator from Manchester, specialising in the human form, biology and anatomy.
Devoted to gaining knowledge that informs her practice she finds her inspiration from statues and sculpture, renaissance art, medical illustration and has a passion for drawing from life.
Although Jennifer has spent the entirety of her art career drawing, she has a new found love for painting. With an eye for finer details she has a passion for creating accurate and realistic depictions whilst conveying an essence of the subject. After a short but inspiring stint of painting expressively, she discovered her own style of realist painting and after attending dissections was able to draw inspiration, delving deeper and leading to her recent paintings focusing on the inside of the heart.
After her first life drawing experience back in 2015, she has been infatuated with drawing the human form from life and has devoted hundreds of hours trying to master the skills to create the most precise portrayal.


Eneida is a Chilean-born Latina with Puerto Rican roots who writes about people, animals, and magic. In her career, she has been a nonprofit executive and fundraising consultant based in Washington, DC—working on behalf of education-focused organizations such as Edu-Futuro, CentroNía, and the Inspired Teaching Public Charter School. She is also a Returned Peace Corps Volunteer who served in Bolivia, the heart of Latin America. Eneida holds dual bachelor’s degrees from Penn State and is working toward her Master’s in Creative Writing and Literature through Harvard University’s Extension School. Her fiction and poetry have appeared in literary outlets such as The Acentos Review, Stoneboat Literary Journal, As/Us Journal, and From Everywhere a Little: A Migration Anthology from 100 Thousand Poets for Change. Her short story "Duende" was selected as the first place winning entry for the 2018 Kaaterskill Basin Literary Journal's Short Fiction Contest. She is thrilled to be the Associate Fiction Editor for Oyster River Pages' Emerging Voices, an initiative which seeks to uplift underrepresented voices in literary fiction. Eneida alternates her place of residence between Singapore and the United States.


In case you missed it see what’s in this section
ELF: THE MUSICAL, BOURNEMOUTH INTERNATIONAL CENTRE, BOURNEMOUTH
About: The hugely popular hit Hollywood film comes to life on stage with this Christmas spectacular production, complete with Santa’s flying sleigh, an immersive snowball fight in the audience, indoor snowstorm and the giant candy cane journey from the North Pole. This is an epic festive show for the whole family and one not to be missed!
Dates: 15th & 16th December 2023
Tickets: From £26.75 per person
THAT’LL BE THE DAY CHRISTMAS SHOW, BOURNEMOUTH INTERNATIONAL CENTRE, BOURNEMOUTH
About: Always a classic, That’ll Be The Day returns with their timeless rock ’n’ roll show with Christmas flair. Journey on a nostalgic sleigh ride through rock and pop hits, with some much-loved Christmas classics sprinkled in for good measure. This is a show guaranteed to bring some festive cheer to your December.
Dates: 17th December 2023
Tickets: From £34 per person, 12+
SNOW WHITE & THE SEVEN DWARFS, BOURNEMOUTH PAVILION, BOURNEMOUTH
About: Join Noel Brodie and the gang for another hilarious pantomime on stage at the Bournemouth Pavilion theatre. This year it’s time to tell the tale of Snow White, with plenty of laughs in the rags to riches show with a beautiful princess, wicked queen, hilarious jester and, of course, the seven dwarfs plus a poisoned apple and magic mirror, it’s sure to be a must-see spectacular!
Dates: 2nd December to 31st December 2023
Tickets: From £17 per person
CINDERELLA, TIVOLI THEATRE, WIMBORNE
About: Arguably the most magical pantomime of them all, The Tivoli Theatre in Wimborne brings the story of Cinderella and her Prince Charming to life on the stage. Will the Ugly Sisters prevent Cinders from her happy ever after or will faithful sidekick Buttons save the day? You’ll have to book your tickets to find out!
Dates: 15th December 2023 until 1st January 2024 (adult only performances on 29th & 30th December)
Tickets: From £14.85 per person
TWISTED CHRISTMAS, THE MINSTER THEATRE, THE ALLENDALE CENTRE, WIMBORNE
About: Twisted Christmas returns with their dark side of Christmas show. Featuring several micro-plays, including how to buy the perfect gift for your unloved ones, depraved cracker jokes and why you should never turn your back on a pantomime dame…. It’s not your typical Christmas show, that’s for sure!
Dates: 1st December 2023
Tickets: From £6 per person, 14+
BEST CHRISTMAS SHOW EVER, THE MINSTER THEATRE, THE ALLENDALE CENTRE, WIMBORNE
About: A brand new adventure awaits for Christmas 2023. Wimborne’s ever-popular Best Christmas Show Ever returns for more festive frolics.
Dates: 15th December until 24th December 2023
Tickets: From £12.31 per person
CHRISTMAS SPECTACULAR IN THE ST NICK OF TIME, THE REGENT, CHRISTCHURCH
About: Something’s wrong with Santa’s time machine and Christmas is in danger. Luckily Squash the Christmas Elf and Santa’s daughter, Joy, are on hand to travel through time and save Santa. Dazzling dance routines and costumes will give the whole family a warm, fuzzy feeling in this year’s Christmas Spectacular, In The St Nick of Time.
Dates: 16th December until 24th December 2023
Tickets: From £18 per person
CINDERELLA, THE MOWLEM THEATRE, SWANAGE
About: Will Cinderella make it to the ball, despite the best efforts from her Wicked Stepmother and two stepsisters? Can Prince Charming meet the girl of his dreams? Find out the answers and cheer and boo along at Swanage’s annual family pantomime at The Mowlem Theatre.
Dates: 12th December 2023 until 20th January 2024
Tickets: From £8 per person
SANTA’S CHRISTMAS WISH,SHAFTESBURY ARTS CENTRE, DORCHESTER
About: Join a fun, festive musical adventure and help Dasher, PomPom, Dotty and Snowy give Santa the best Christmas ever before meeting the man himself at his home in the North Pole. Every child in the audience will receive a special gift from Santa in the popular meet & greet session following the show. With songs including festive favourites Jingle Bells and When Santa Got Stuck up the Chimney, this is guaranteed to get you feeling jolly!
Dates: 20th December 2023
Tickets: From £9.50 per person (to include a gift for every child). Suitable for children aged 2-8 years old.
SNOW ANGEL, CORN EXCHANGE, DORCHESTER
About: Celebrate all that is Christmas with classics such as Michael Bubble and the John Lewis Christmas ad with this delightful festive show that will bring a smile to even the most Scrooge-like audience members. Shamelessly festive and totally mad-capped, this is the Christmas show you didn’t know you needed for 2023!
Dates: 8th December 2023
Tickets: From £13 per person
SNOW PLAY, CORN EXCHANGE, DORCHESTER
About: If Winter moved to your house, what would you do? This snowy spectacular show is a showdown between Spring and Winter, guaranteeing a white Christmas regardless of of the weather outside! The immersive show allows you to make a giant snowman, have a snowball fight and cover a whole house in snow. Fun for the whole family!
Dates: 9th December 2023
Tickets: From £8 per person, 3+
A CHRISTMAS CAROL, CORN EXCHANGE, DORCHESTER
About: A visit from three phantoms one memorable Christmas Eve makes miserly Ebenezer Scrooge rethink his life. This unique take on the well-known tale promises to be a feast of festive foolery you won’t forget in a hurry. With puppetry, silly songs and enough Dickensian daftness to see you through the night, this show is anything but traditional.
Dates: 5th January 2024
Tickets: From £13
SNOW WHITE, WEYMOUTH PAVILION
About: Will Snow White be forever doomed to live unhappily ever after with her wicked stepmother? Or will she manage, with the help off her friend Muddles the Jester, to meet the handsome Prince and have all her dreams come true? This classic tale is told in a family pantomime full of excitement and a fantastic soundtrack, bringing you a festive treat not to be missed this December!
Dates: 16th until 31st December 2023
Tickets: From £18.50 per person


Rev. Bruce G. Epperly, PhD
In my first piece in this series (March 2022), I began with a quote from United Nations Secretary-General Dag Hammarskjold (1953-1961), whose book Markings I read each year, either on New Year’s Day or my Fall birthday. This year I read it on my seventieth birthday.
It both inspires and challenges me as I ponder endings and beginnings, and gratitude and adventure.
For all that has been – thanks!
For all that shall be – yes!
This short poem describes the intersection of past and present, and the blessings of the past and our hopes for a new year.
“For all that has been – thanks!” This has been a challenging year, and the international and national challenges have been mirrored in many of our personal lives. We have been unsettled by the invasion of Ukraine, Supreme Court decisions, the continuation of the “big lie” in elections, and the public rise and apparent acceptance in many Christian quarters of white supremacy and neo-fascism. We have faced changes in our personal lives that may have been equally dramatic in our micro world. My wife and I continue to adapt to retirement (now 18 months in), balancing in my case, writing, teaching at our and at the seminary, occasional pulpit supply, with a new spaciousness in terms of time and care for our grandchildren.
Each morning as I take my pre-dawn walk, often with foxes and deer as my only companions some mornings, I give thanks in the silence, and each day there is much for which to be thankful: the quiet of the morning with no sounds of dropping bombs, the ability to walk, my early morning writing, my sleeping wife, having a lovely home and neighborhood, family nearby, good enough health to do what I want, the hope of travel, my grandchildren and their family, the opportunity to teach and write, a good pension with the UCC and TIAA which gives me the freedom to choose when to take on a class, sermon, or consultation.
Gratitude puts my worries – often small by comparison to others – in perspective and is an anti-dote to impatience and complaining. Meister Eckhardt said that if the only prayer you make is “thank you,” that will suffice. God has brought us safe thus far, and we give thanks that God’s grace will lead us home.
At New Year’s, there is also the big “yes” of what is to be. What will the next year or decade be like? At seventy, I hope for another decade of creativity and health. I take confidence in studies that suggest that the decade between seventy and eighty is the second most creative time of life, with the sixties, the most creative. Grounded in gratitude, I can embrace the “yes” of the future, joining my plans and vision with the uncertainties of life, and trusting that I will receive the inspiration and energy to respond to whatever comes my way.
At New Year’s, we can, like the African Sankofa bird, look backward and forward. Amid the parades, football games, celebrations, and family gatherings, we can spend time giving thanks, and “count our blessings,” naming them “one by one.” We can count the blessings of resilience in times of challenge, the gift of vaccines and health care, people who have supported us and whose love sustains us, and our own achievements. We can, as a young child added to his prayers, “thank God for being God,” and making a way where we thought there was no way.
We can spend time on the “yes” of the future. Where is the future calling you? Where are your gifts meeting the world’s needs? What new thing beckons you – a trip, volunteer project, new avocation, care for your health? We can name these one by one, and then pray for guidance in embodying the most important of these callings in the year ahead and working for a world in which what we take for granted can become the norm. We can ask God to give us the ability to see new possibilities and notice holy encounters and new friendships. Providence is constantly placing possibilities in our lives, and occasionally we notice. We can ask God for greater vision and the energy and insight to act on these visions.
This is not pie-in-the-sky but a recognition that with the New Year, when we woke up on January 1, we can be “woke” to a world of challenge and possibility. We can seize the day that God has made. Rejoice in the wonder of life and be God’s companions in bringing healing and wholeness to the world.
For all that has been – thanks!
For all that shall be – yes!.


This month’s DIY at Home Challenge is Thrift Store Upcycle – so of course I scoured a few of my local thrift stores just waiting for inspiration to strike and – it did: a basket cat bed!
I scored this cute basket from a local shop for just $6. It seemed like the perfect base for a new cat bed for the office. With four cats, it’s pretty much guaranteed that one of them will be sleeping on my keyboard whenever I want to use my computer.
Maybe I could tempt them away from the apparently super comfy keyboard, and instead into a soft and cuddly bed. Well, mission accomplished!
Now let me say right away, this was a “quick and dirty” sewing project – my cat doesn’t care about perfect seams, and if I can’t see it, I wasn’t going to worry about it.
With that in mind, here’s how I made this cat bed!
First I measured the inside of the basket to determine how big I wanted the cushion to be (17” x 11” x 3”).
I started by cutting two rectangles of fabric, for the main cushion.
- Top : 18” x 12” (measured size + 1” seam allowance)
- Bottom : 23” x 18” (measured size + 3″ height on each side + 1” seam allowance)
With a marker I made a small mark 3″ in from each corner on the bottom piece (the larger rectangle).
Now, line up the top and bottom pieces (wrong sides together) along one edge between the to marks and sew them together with a 1″ seam allowance – stop sewing about 1/2″ – 1″ before you get to the edge.
OMG Casey, there’s a huge seam allowance of fabric on the outside of the cat bed!! Are you bananas? I know, I know, just stay with me (and yes, I am).
The seams will eventually be trimmed and will be hidden by the basket.
Sew along the next two edges in the same way, bringing your pieces together between the marker points. I did not sew the corner togethers so they just droop and it starts to take on a bag-like-shape.
For the last edge I sewed in about 3″ from each corner but left a gap in the middle – use this gap to stuff your cushion with pillow filling then sew the gap closed.
The next step is to make the little bumper to go around the edges of the cushion – this is why I made such a weird pillow – I wanted the seam to be at the top of the cushion, not down in the middle.
Measure the inside circumference of the basket and determine how high you want the bumper to be. Cut a piece of fabric based on those measurements and this formula:
(Bumper height x 2) + 2” x inside basket circumference + 1”
Sew the ends right sides together with a ¼” seam allowance to create a loop (make sure it isn’t twisted) and see how it fits in your basket if you need to make it smaller you should have enough wiggle room to adjust.
Fold the loop and sew the long edges (wrong sides together) with a 1″ seam allowance creating a tube. As you’re sewing, pause every 6” or so to add some stuffing (this will make your life easier, believe me). Once you have about a 4” left to sew, add the last bit of stuffing, you can put in a little less to make it easier to sew the gap closed, then squish the stuffing around to even everything out.
Now, this is where those long seam allowances come in handy – with the loop on top of the cushion, sew the two seam allowances together as close to the pillow as you can (I did this roughly by hand).
Trim the excess and place the cushion inside the basket – the seams are now hidden!
Pro tip: if you really want to get your kitty to use their new basket cat bed, sprinkle some catnip in with the stuffing.
Make sure to check out all the other challenge participants and their thrift store upcycle projects!


Limited Edition Water Bottle - Astronaut Nicole Stott
Signature black stainless steel water bottle with CASE Space School logo in silver
- A portion of proceeds from each water bottle purchase goes to Astronaut Nicole Stott's Space For Art Foundation, a wonderful charity that brings healing through art to brave young patients in children's hospitals around the world.
- NICOLE STOTT
- NASA Astronaut, Aquanaut, Engineer, and now Artist and SciArt advocate. Nicole completed two spaceflights, 104 days working on the ISS and Space Shuttle, and painted the first watercolour in space.
- • Limited edition
- • 500ml
- • Insulated stainless steel
- • Double-wall vacuum insulated
- • Wide drip-free mouth and no-drip insulated lid
- • BPA and phthalates free


The Crescent Charm is the perfect accent piece for any charm stack. Featuring 7 round, brilliant-cut diamonds alternating in size, the Crescent charm is handcrafted in 18-karat and is a modern take on the half moon celestial motif. Its oblong shape perfectly frames any charm that is layered next to it.
- Charm Only. Chain Is Not Included.
- Color: 18K Yellow Gold
- TCW: 0.56tcw
- Dimensions: 30mm


Thank you for visiting Macdonald Images
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What makes Jeremy special to collaborate with is his ability to effortlessly marry an over-arching thematic vision with the smaller details and nuances of human stories. That combination of strategic vision and honesty in approach to people makes everything he directs ring with a truly powerful feeling of authenticity. He’s got a great eye for photography, while also understanding what it takes to extract a great performance from his subjects. That’s because he’s genuinely interested in hearing their stories; it’s always a very real conversation, he’s never simply reading a questionnaire. The result, is always a moving piece of film that connects with the people watching.
EVP, Group Creative Director, Hill Holliday
Few people have the magic touch to elicit a pure response, one that touches you every time you see it. One that cuts to the heart of the matter. Because we all know its not group think where connections are unearthed it is in true human connection. Jeremy is a guy that can get it and capture it.
The Mars Agency
Jeremy is the consummate interviewer. Jeremy has a unique gift of making you feel like you are the most important person in the world at that moment. He makes non-actors feel safe on a set, allowing them to open up and tell him things they never thought they could. Plus he’s pretty funny and good guy to grab a pint with.
EVP, Director of
Content production, Saatchi and Saatchi Wellness
Jeremy is the Svengali of real-people interviewers. Instantly charming and disarming, he manages to get people to confide in him in front of the camera as if they were alone. I myself have told him secrets I probably shouldn’t have, but no, he did not blackmail me to say all these nice things about him. He’s skilled and experienced in all the aspects of a director; so much so that it seems effortless and intuitive. He doesn’t draw attention to himself or the many decisions he’s making as he works. And he’s hilarious. We’ve worked together on at least a dozen projects over the past twenty years, and he has always made it fun and productive for everyone involved – interview subjects, agency, crew, and clients alike.
Creative Director, R2C Group
It’s quite rare to work with a director who can bring as many strengths to a project as Jeremy has been able to do for me. Recently, my agency was asked to produce a film to document the national catastrophe that is caused by obesity. What most impressed me about Jeremy was his grasp on the subject. He was able to collaborate with me and put together a road map for getting our interviewees to give us the content needed. He’s a great interviewer who can make his subject feel relaxed and natural on camera. If you can get over his Britishness, and the resulting sense of humor, you’d do well to work with him.
Creative Director, Munn Rabot
How do you get the best performance out of actors or real people? Hire a director who knows how to coax a performance as well as he knows how to frame a shot. That’s Jeremy Warshaw.
Creative Director, Publicis North America
Jeremy Warshaw is a gem to work with. He elicits responses in a way that others cannot while delivering beautiful visuals that enhance the message at the same time. Not everyone can do this successfully. I have worked with Jeremy many times - on jobs with small and large budgets - and he nails it every time. He is flexible and collaborative and I welcome the opportunity to work with Jeremy in the future.
Jeremy Warshaw is a consummate professional. He gets brilliant performances from both professional talent and real people, using his focused direction and warm personal style.
Jeremy's hand is, at the same time, apparent and invisible in everything he creates. In the end, all that remains is the subject, well and true.
SVP Group Creative Director, Digital Health LifeBrands
W orking with Jeremy is many things.
A lways after the perfect take.
R elentlessly creative
S trategic and organized
H ilarious. (Don’t get caught in the crosshairs of his wit)
Director of Production, J. Walter Thompson New York
Jeremy and I have collaborated together on both big budget TV shoots and smaller scale content projects. Invariably, he’s proven himself to be a true master of his craft who is able to deftly evolve his creative vision to the ever-changing needs of the project – and without ever compromising the output. This is an especially highly-prized skill in a business where timelines, budgets, and creative ideas are tweaked, pinched, and “optimized” more than ever before.
Creative Director, Facebook
I have worked with Jeremy Warshaw on a number of short documentary films over the years for clients like United Airlines, and I can confidently state that he’s the real deal.
Jeremy is resourceful, has great taste, and produces beautiful, compelling film that rises above most of the “content” schlock you see out there these days.
Also, he’s ticklish. I’ll leave it up to you to discover where.
Hire the man, and you won’t regret it.
Partner, Executive Creative Director
Barrie D’Rozario DiLorenzo
Jeremy is great at filming real people. He knows exactly how to catch that little bit of reality that gives us a candid glimpse into their lives. He understands strategy very well and always comes prepared with a full list of interview questions based on our objectives. He has the kind of personality that really opens people up and gets them talking. He worked with us on a pitch and his film helped us win a very large piece of business. I would highly recommend Jeremy if you are looking for natural performances out of real people.
Creative Director, Publicis
I’ve partnered with Jeremy a number of times, and not only is he a great partner, but he helps to elevate the creative work he’s shown at all times. He knows how to connect with real people, and can pull a strong performance out of just about anyone! I thoroughly enjoy partnering with Jeremy, and his sense of humor will carry you through any rough patches during production. I’m looking forward to working with him again.
Director Broadcast Production, FCB Healthcare
Jeremy’s ability to understand the underlying strategy behind an initiative is not only critical to the ultimate outcome but also quite unique among documentarians.
CEO, MullenLowe Group
Jeremy has the fantastic ability to understand the content required to drive a business strategy, and then elicit those elements in authentic, emotional, sincere, simple language from real people. The resulting interview footage cuts together to make the most amazing stories.
But don’t let Jeremy’s unusually perceptive and empathic interviewing skills distract you from noticing how well he understands putting together the entire documentary process—from identifying the right people to executing the thousands of details that a successful production effort requires.


I chose the following assignments because they were fun, creative and represented an engagement on my part that I am particularly proud of. The purpose of these assignments was to employ a variety of digital tools and design choices in order to convey a message or tell a mini-story. Most of my assignment choices had to do with music. Completing these assignments allowed me to experiment with video, audio, and visual design in ways that were new to me. The assignment bank component of the DS106 course was unique in that all of the tasks were conceptualized by DS106 participants. Anyone involved in the course could develop an idea and publish it to the site for public use. This is a great example of students co-designing alongside of facilitators.
The Metal Bunch visual assignment was supposed to imitate the famous collage portraying TV's favorite mixed family, The Brady Bunch. I chose eight of my friends and dubbed our crew The Metal Bunch for our mutual love of heavy metal music.
The web-based assignment that I chose was created through an online tool called Kumu that maps organizational relationships in a visually appealing manner. I work at a very large organization and I think about the organizational structure of our departments a lot, since our offices interact with our "customers" in various ways that are interrelated. We depend on each other, but we don't always work together. I wanted to show visually the interactions that I already knew existed. After creating a PDF of the photo, however, I noticed a connection that I missed! Can you find it? Here's a hint: once a student is enrolled, they have to start paying their tuition bill:
The Kiss this guy audio assignment was probably the most fun of all. My focal theme is hip hop music, so I tried to find a hip hop lyric that I've always misunderstood or not been able to decipher. I googled the question and found several lists which I then perused to find one that I was already familiar with and had been confused by. It didn't take long at all to find a lyric that I've never understood, but that I'd almost forgotten about because the song it comes from is almost 30 years old. Executing this assignment forced me to reflect on how media was presented a generation ago compared to today. The entire reason that I and many others misunderstood this lyric in the first place is because there wasn't an effective way to transmit them. Today, however, annotation websites like Rap Genius make it possible for everyone to easily find hip hop lyrics. It was really fun to record myself rapping the wrong lyric over the actual recording. I love playing this sound clip for people because I think it's pretty funny. Click on the screenshot below to listen:
Finally, Endless cycle of waffles is a humorous creation that represented a fleeting thought that I had randomly. I was making waffles one day - bear with me - and listening to a song by a band called Cephalic Carnage. While I was mixing the waffle batter with an electric beater and listening to a soundtrack of thrashing guitars and a screaming vocalist in the background, I wondering if there was an Assignment Bank task that could be applied to this situation. The song I was listening to was called Endless Cycle of Violence. Right then and there I decided to make a music video for a new song called Endless Cycle of Waffles. I turned on my camera's video recorder and started filming.
All in all, the assignment bank portion of our creative requirements was a fun way to think out of the box, spark our imaginations, and experiment with a variety of ways to present information and tell short stories. They were not time-consuming, so they also represented a way to work in quick bursts of ideas and creative thought.


Stay in Touch
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September 28, 2018 — The Indonesian Film Forum (IFF) has successfully organized its second annual film festival in collaboration with the Consulate General of the Republic of Indonesia. IFFestNY 2018 took place at the SVA Theater from Friday, September 28 to Sunday, September 30. The festival showcased a selection of five outstanding feature films that have garnered international acclaim and recognition.
The festival commenced with a screening of “Emma’ (Mother),” a film that received numerous accolades including Best Film, Best Director, Best Adapted Screenplay, Best Leading Actress, Best Art Director, and Best Costume at the 2016 Indonesian Film Festival (FFI). The FFI, renowned as Indonesia’s most prestigious film awards event, has elevated “Emma'” to prominence within the Indonesian film industry. Moreover, the film has been showcased at over 20 international film festivals, captivating audiences worldwide.
Riri Riza, the director of “Emma’,” shared his personal insights during the opening ceremony of IFFestNY 2018 on Friday. He expressed, “Emma’ provided me with an opportunity to present a compelling portrayal of Indonesia during its nascent years of independence, specifically in South Sulawesi where I was born and raised. This film embodies the essence of the place I know and love.”
On Saturday, the festival featured screenings of two remarkable films: “Istirahatlah kata-kata (Solo, Solitude)” inspired by the life of a prominent Indonesian poet, and “Posesif,” which explores the tender complexities of first-time teenage romance.
Concluding on Sunday, the festival presented “Lima” and “Night Bus” (Best Film award at the 2017 FFI). These films captivated audiences with their exceptional storytelling and creative execution.
IFFestNY 2018 not only celebrated the artistic achievements of Indonesian cinema but also fostered cultural exchange and appreciation among diverse audiences in New York. The event provided a platform for Indonesian filmmakers to showcase their talents and promote the rich cultural heritage of Indonesia on the global stage.
The Indonesian Film Forum and the Consulate General of the Republic of Indonesia extend their heartfelt gratitude to the organizers, filmmakers, sponsors, and attendees for their invaluable contributions to the success of IFFestNY 2018. With each passing year, the Indonesian Film Festival in New York continues to flourish, further solidifying the indomitable spirit and artistic prowess of Indonesian cinema.


In 2011 Lizzy Cakes Cupcakes was founded with the goal of providing the best cupcakes made with the best local ingredients and giving you the best service around. I have always had a passion for baking, ever since I was a little girl. I remember baking up lots of delicious goodies with my mom and grew up in a household where the kitchen aid mixer was used more than the microwave. I always had homemade birthday cakes and they were the talk of the party. Now as a mom of two girls, I always include them in my baking adventures. The memories these moments carry last a lifetime….for all of us. I have always been the one that my friends ask to bring sweet goodies to get togethers. I have always enjoyed being that dessert go-to gal. But, I always thought of it as a hobby and never a business. Until I literally woke up one morning and said, “Why not?” I knew that I was meant to do something more. My dream is to do what I love each and every day…..and I am now lucky enough to be sharing my passion with you.
Cupcakes are little handheld smiles. They transport you back to childhood and bring back memories of more carefree times. There is a flavor for everyone and they brighten up all occasions. They are beautiful works of art, in the simplest form. These things inspire me to make the best cupcakes around.
Owner of Lizzy Cakes Cupcakes


Exploring the Unique Cultural Experiences of Being an Indian in Singapore
Singapore is a unique and vibrant melting pot of cultures, and the experience of being an Indian there is no different. As one of the largest ethnic minorities in the country, Indians bring their own unique cultural experiences to the city-state. From vibrant festivals to delicious food, being an Indian in Singapore can be an incredibly rewarding and enriching experience.
For starters, Indian culture is celebrated throughout the city with a variety of festivals, such as Diwali and Thaipusam. During these festivals, the Indian community comes together to celebrate their religion and culture through traditional performances, music, and art. Additionally, the bustling Little India district is full of Indian restaurants, shops, and cultural activities, allowing the Indian community to experience their heritage in an immersive and exciting way.
The food scene in Singapore is also a particularly vibrant part of the experience of being an Indian in Singapore. From savory curries to sweet desserts, the city is full of delicious Indian cuisine. Whether you're looking for a quick bite at a local Indian restaurant, or you're in the mood for a traditional feast at a family-run eatery, there are plenty of options for Indian food lovers to explore.
Finally, the Indian community in Singapore is a tight-knit and welcoming one. From cultural organizations to Hindu temples, there are plenty of ways for Indians to connect with one another. Not only that, but the Indian community is also highly involved in politics and social issues in Singapore, meaning that being an Indian in Singapore can be an incredibly rewarding experience.
All in all, being an Indian in Singapore is a unique and enriching experience. With vibrant festivals, delicious food, and a strong sense of community, there's something for everyone to enjoy in this incredible city.
Finding a Balance Between Indian and Singaporean Values as an Indian in Singapore
As an Indian living in Singapore, it can be difficult to find a balance between Indian and Singaporean values. On the one hand, India is a country with a rich and vibrant culture, with an ancient history and a deep-rooted sense of identity. On the other hand, Singapore is an incredibly diverse and progressive nation, with its own unique culture and identity.
For an Indian living in Singapore, it can be difficult to reconcile the two cultures. This can be especially challenging when it comes to balancing traditional Indian values with the more liberal and progressive values of Singapore. In some cases, Indian values and beliefs may clash with those of Singapore, and vice versa. The challenge for an Indian in Singapore is to find a way to integrate both cultures and values into their lives.
One way to do this is to recognize that both cultures have something to offer. While it is important to remain true to one’s own culture and values, it can be beneficial to explore and learn about the culture of Singapore. By doing this, an Indian in Singapore can better appreciate and understand how both cultures can work together.
It is also important to remember that both Indian and Singaporean cultures are dynamic and ever-evolving. While some values may remain constant, others may change over time. As an Indian in Singapore, it is important to be open to change and to be willing to adapt to new ideas and values.
In the end, finding a balance between Indian and Singaporean values as an Indian in Singapore is not easy. However, with an open mind and a willingness to learn, it is possible to create a unique and harmonious blend of both cultures.
Building a Home Away from Home: How Indian Expats in Singapore Adapt to Life in a New Country
Singapore is home to a vibrant community of Indian expats who have come to the city-state in search of a better life. For many, the transition to living in a new country has been a challenging experience, as they must learn to adapt to a new culture, language, and lifestyle. However, it is also an opportunity to create a new home away from home.
For many Indian expats, adapting to life in Singapore begins with learning about the culture and customs of the city-state. This includes understanding the different religions and beliefs of the population, as well as the different ethnicities and races that make up the country. It also involves understanding the dress code, language, and etiquette of Singaporeans.
Indian expats in Singapore also need to find ways to build a sense of community. This could involve attending festivals, joining Indian expat groups, or participating in Indian cultural events. These activities can provide a sense of familiarity and connection to their homeland, while also helping them build relationships with other expats.
Living in Singapore also means making adjustments to everyday life. This could include adjusting to the tropical climate, learning how to navigate the public transportation system, and finding the best places to buy groceries and other essentials.
Ultimately, Indian expats in Singapore have to learn how to balance their culture and traditions with those of the city-state. It takes time and patience, but with the right approach and attitude, it is possible to create a home away from home in Singapore.
Overcoming Challenges as an Indian in Singapore: Tips for Navigating a Multicultural Society
As an Indian living in Singapore, you may face a unique set of challenges. From adapting to a new culture to navigating a multicultural society, there are many obstacles to overcome. Fortunately, with a few tips, you can make the transition easier and make the most of your stay in Singapore.
1. Learn the language. One of the best ways to acclimate to a new culture is to learn the language. In Singapore, the primary language is English, so it's important to become familiar with the language and its nuances. Taking a language class or downloading a language-learning app can be a great way to get started.
2. Connect with other Indians. It can be difficult to adjust to a new culture, so it's important to find a support network. Connecting with other Indians in Singapore will help you feel more connected to the culture and can provide a source of comfort and support.
3. Get involved in the community. Participating in local activities and community events is a great way to make connections and become more familiar with the culture. It's also a great way to meet people and make friends.
4. Celebrate your own culture. It's important to celebrate your own culture and heritage while living in Singapore. Whether it's celebrating Indian festivals or organizing cultural events, it's important to remember where you come from and stay connected to your roots.
Living in a multicultural society like Singapore can be a challenge, but with a few tips, you can make the transition easier and make the most of your stay. With a bit of effort, you can find your place in the community and enjoy all that Singapore has to offer.


Hola! I’m David Aiello (pronounced ay-low), the content curator here at Triangle Love Affair. I established this blog as a channel to document a few of my passions, namely traveling, writing and photography. Here I write about my travel experiences and other topics, post images, and provide inspiration and insight on travel destinations.
What Makes David Happy?
I was born and raised in Buffalo, New York, a city of hardy residents with a strong work ethic. Looking back, I was never aggressively taught to pursue what really made me happy. Hard work was expected. Everything around me, family, friends, the neighborhood, the community reinforced the notion that I was to go to school, get a job, get married, spawn more laborers, die. Mission complete! Well done! I too played it safe!
I tried selling my labor to some of the most recognized brands in the world including Blue Cross Blue Shield, Intel, Kodak and Nike. However, from day one, my gut was pleading with me that this was not where I should be. The work I performed was not fulfilling, it was slowly suffocating my soul. But it was comfortable, it was safe. But okay is not thrilling, it isn’t passion, it’s not life changing or unforgettable. To paraphrase Woody Allen, “Metabolically, it was not my rhythm.”
A Personal Metamorphosis is Underway
But no more! I’ve adopted the role of corporate-refugee and creative soul, living in Portland, Oregon. I walked away from being “okay.” It took me a half-century to build the courage to follow what really gets me jazzed. This means creating. It means traveling, capturing images and writing – my Triangle Love Affair! In my spare time I also like pretending I am the Hercules of the rock and roll bass guitar! But that’s another story!
I hope you enjoy what you find here. Please let me know!
Take a Look and Listen to Some of My Other Work
Photography… As you’ve probably guessed, I like to take photographs. I’ve made available a number of my images for sale. Please take a look.
Music… I mentioned earlier I play the bass guitar. No better mind exercise than playing music! Have a listen to some of my work (warning: I’m still a punk at heart).!


Saturday, April 13th @ Uno Lounge (The Hub, Greenfield District) - Mandaluyong, Philippines
Friday, April 12th @ Uno Pizzeria (Mall Of Asia) - Pasay City, Philippines
Who is Robert Rhythm?
DJ Robert Rhythm, a.k.a. Robert Mattson, based in Chicago, remembers his love for music at the young age of 10. He took his first drum lessons then and looks to that moment as the starting point when music took over his world.
Throughout school he perfected the art of playing drums. He played to all kinds of grooves, and listened to songs over and over until each song was perfected. By the age of 15, he expanded his horizons and traded his drum set for a PA system and mixer. He later bought a drum machine and started recording his own beats.
By the age of 19, he was in and out of the recording studio. He sent in a few tapes to record companies and talent agencies, with minimal success. By 24, he was working full-time and had to put his musical career on hold.
Soon, a dramatic change altered his course when he met someone, who later turned out to be his best friend, at a popular mega-club in Chicago's Excalibur/Vision. It was at that point when he started getting serious with his music.
He would frequent the club each weekend to make contacts, and enjoy dancing and listening to mingling with many world-class DJ's.
He made it a point to learn the club scene and get to know the people quickly. His efforts took him to new heights and awoke the passion that was locked inside of him for years. He made it a point to study the art of producing and mixing.
Almost daily he scours through his list of music websites to look for new sounds concentrated in Progressive House, Trance, and French Clubhouse.
Finding the best music out there is a passion for him and is also the driving force that gives him the ability to create different mixes of his own.
He joined with record label/promoter Spankin' Muzik in 2005 and eventually moved on in 2006 to start his own company, Full Fever Productions.
He has opened up for world-class DJ's such as DJ Dan, Carl Cox, DJ Lego, Marco Morales, and DJ Lady D just to name a few.
He also has been a promoter in the past and was the first to bring in the highly talented female sensation, DJ Heavygrinder from California.
Not only has he graced the decks in his hometown of Chicago, he has done other gigs in San Francisco (with DJ Agent A), Los Angeles, St. Louis, West Palm Beach and has even played overseas in the Philippines.
In 2010, he has already begun working with other record labels and plans to have new original work released soon.
With his undying energy and passion for the love of music, he is one to watch out for.
Need a DJ for your next event?
When you need a DJ for your party, wedding, reunion, or corporate event, and you need it done right… look no further!
Ask yourself... how many times have you requested a song that the DJ doesn’t have?
Or maybe the DJ noted your request but forgot to play it?
This is a big problem for me, and I have found my own solution.
I am a computer programmer by trade and I have invested much of my time over the years creating software to keep track of songs using data from the Billboard Charts.
The Billboard Charts ranks songs based on sales/airplay and reports the top songs each week.
My software incorporates the following Billboard Charts:
# Songs Reported Weekly
Hot Country Songs
Hot Dance Club Play
Hot Mainstream Rock Tracks
Hot R&B/Hip-Hop Songs
The Billboard Hot 100
Below is a partial screen shot from the software:
When taking requests, my software incorporates a custom request list.
When someone requests a song, the software puts the song in order of when it was requested along with who it was requested by as well as any public announcement to be made with the song, if needed.
I can search for songs by artist name, song title, year, peak position (on the Billboard Chart), genre, BPM (beats per minute), and key (used for harmonic mixing).
In addition, I also include notable songs that were not on the Billboard Chart.
I have also invested a lot of time and resources in my gear and have the latest advances in technology.
All of my music is stored on dual large capacity hard drives, just in case one hard drive fails.
In the slim chance both hard drives fail, I also have my music stored on DVD’s.
All of my music is in full, uncompressed digital quality giving you the best sound possible.
I also have wireless microphones.
If your thinking... "Wait! I can not afford a good DJ"... think again.
My prices are fair and very competitive.
My price includes all setup/breakdown time with no hidden fees.
My initial deposit to secure your event is only $100.00 (which is applied towards your final cost), and my minimum playing time is only 3 hours.
Up to 3 Hours
Up to 4 Hours
Up to 5 Hours
Up to 6 Hours
Any additional hours over 6 hours will be billed at $100.00/hour.
If your event runs 7 hours, your price would be $750.00.
(6 hours @ $650.00 + 1 additional hour @ $100.00 per hour).
Also, all times are rounded to the next hour (after 15 minutes).
For example, if your event runs 3 hours and 15 minutes, your price would be $350.00.
If your event runs 3 hours and 30 minutes, your price would be $450.00.
Send me an e-mail with your event information by filling out my handy contact form.


Present Perfect (documentary feature, work in progress)
Set in a preschool housed in a retirement home, Present Perfect is a story at once simple and intricate about the poetry that lies in the day-to-day interactions between the very young and the very old- those at the beginning of life and those nearing the end- and ultimately what those relationships can reveal to us all about the way we live each moment.
This film is currently in post-production. To support this film with a tax-deductible donation, click here.
Click on the below images to view film.
A short little video the kids and I made for Father's Day 2014...


The Japan-America Society of Hawaii (JASH) held its bi-annual Japan Day, sponsored by JASH Board Director Jean Rolles, on October 27, 2016 at Pacific Beach Hotel.
The Japan Day program, now in its 24th year, is the Society’s longest running educational program that brings together – in a single location- numerous experts in traditional Japanese arts and culture to provide students with hand-on experiences to make their study of Japan come alive. Nearly 150 students representing Damien Memorial School, Kapolei High School, Nanakuli High School, St. Joseph High School and University Laboratory School took part in the various cultural classes.
Members of the Taiko Center of the Pacific invigorated the atmosphere with their taiko demonstration during the Welcome Ceremony. As one student wrote, “You could feel the beat going around you; it was such an amazing thing to experience. The performances were absolutely amazing and beautiful.”
Following the Ceremony, students then completed a rotation of cultural classes presented by 30 volunteer experts on bon dance, calligraphy, ikebana (flower arranging), kimono/yukata wear, origami, soroban (Japanese abacus), and “Life Skills and Personal Success: Attributes of a Global Citizen.” Each student had the opportunity to participate in four different cultural sessions.
After Japan Day, the students shared their thoughts on the various sessions.
Some focused on the volunteer instructors, “The instructor made the story-gami (origami) unique, and it was so addicting playing with the bats that we all made. I wish we could do it again.” Another student enjoyed the soroban instructor, saying that, “he was enthusiastic, made the session interactive, and lots of fun. I liked how he made solving each equation like a race and challenged us.”
Other students focused on the cultural aspect of Japan Day. One student said, “Calligraphy is something really nice. It makes me feel closer to my culture.” Another commented, “The history behind the bon dance was very interesting. My teammates and I very much enjoyed dancing and having a fun time.”
For others, the Japan Day sessions allowed students to reflect on their own lives. A student from Damien Memorial said that ikebana “was very interesting, and the values taught through the rules we’re inspiring.”
A Kapolei student who attended the life skills session said, “I learned a lot about how I should strive to do better to get somewhere I am happy with in life.”
Since 1993, over 5,800 students from 59 different schools have participated in Japan Day. This unique program is one of two programs offered by JASH to Hawaii’s high school students, with the other being the Japan Wizards Statewide Academic Team Competition. Japan Day provides students with hands-on experience in traditional Japanese arts and culture while reinforcing and complementing what is taught in the classroom. Japan Day also illustrates how art and culture in different societies can influence and enhance people’s lives, and how these cultural values are perpetuated by devotees of the arts. Through promoting the understanding and respecting of different cultures and customs, JASH continues to bridge the gap that leads to friendship and cultural appreciation.
Prior to attending Japan Day, students were asked to rate their familiarity with each of the sessions that they were going to participate in. This prepared the students for the event itself and helped them focus further on the various activities they participated in.
JASH thanks all the volunteer experts for sharing their respective crafts. Without such support, this JASH program would not be possible. These sensei are Ms. Betty Dela Cuesta and members of Hawaii Shin Kobukai; calligraphy master Mrs. Setsuko Tokumine, her assistant Joyce Wong and Mr. Stanley Hashiro; Mrs. Jessie Nakata and her daughter Ms. Dawn Kanno of MOA Hawaii; Mrs. Jean Sakihara and members of Kimono Project USA; Ms. Ashley Nishihara and Ms. Lynn Masumoto of Hawaii Origami Club; Mr. and Mrs. Hideaki Oshima from Araki Hiroya Soroban School; and Mr. Earl Okawa.
A big mahalo to the Pacific Beach Hotel for the use of their facilities, and Chizuko Endo and the Taiko Center of the Pacific for their inspirational taiko performance and demonstration. Please visit the JASH Facebook page for more photos of the event. For more information on this educational program, please contact Elizabeth Stanton-Barrera at 524-4450 or via email at firstname.lastname@example.org.


In the fast-paced world of business, the design of office spaces plays a crucial role in shaping the work environment. Beyond the ergonomic furniture and modern layout, the inclusion of art in office spaces has emerged as a significant factor influencing both productivity and creativity. As companies strive to create workplaces that inspire and motivate, understanding the impact of art becomes essential in achieving these goals.
What Kind of Art to Put in the Office?
Choosing the right type of art for an office requires a thoughtful approach. The selection should resonate with the company’s identity and the nature of its work. Commercial interior design experts often recommend a mix of visually stimulating elements that foster creativity without overwhelming the space. This could include vibrant paintings, strategically placed sculptures, or even digital art installations. Each piece should contribute to the overall aesthetic while complementing the company’s values and mission.
Why is Art Important in the Office?
Art in the office is more than mere decoration; it serves as a powerful tool to enhance the well-being of employees and elevate the work atmosphere. Research has consistently shown that exposure to art can reduce stress levels, increase job satisfaction, and boost creativity. In a world where employees spend a significant portion of their lives at work, creating an environment that promotes a positive mindset is not just a luxury but a necessity. Incorporating art into office design is a proactive step toward achieving this goal.
Three Types of Space Art
- Wall Art: Wall art serves as a focal point in many offices. From inspiring quotes to abstract paintings, the walls can become a canvas for creativity and motivation. Consider incorporating pieces that align with the company’s values or showcase its journey.
- Sculptures: Sculptures add a three-dimensional aspect to office spaces. They can be strategically placed in common areas, providing employees with points of interest and encouraging them to engage with their surroundings.
- Interactive Installations: Modern office design embraces interactive elements. Installations that respond to movement or touch not only add a contemporary flair but also foster a sense of engagement and collaboration among employees.
How to Arrange Art in an Office?
The placement of art in an office is as important as the selection of the pieces themselves. Design and build professionals emphasize the significance of strategic placement. Consider placing art in areas where employees gather, such as break rooms or collaborative spaces. Additionally, ensure proper lighting to accentuate the artwork and create a welcoming ambiance. By strategically arranging art, companies can enhance the overall visual appeal of the office while promoting a positive and inspiring work environment.
As companies continue to recognize the importance of a well-designed workspace, the integration of art emerges as a key factor in achieving a harmonious balance between productivity and creativity. By carefully selecting and thoughtfully placing art in the office, businesses can create environments that not only attract top talent but also empower employees to thrive. The journey toward a more inspiring workplace begins with a brushstroke, a sculpture, or an interactive installation – each contributing to a canvas that fosters innovation and success.