SaleBestseller No. 1
Tombow Fudenosuke Brush Pen 2 Pens Set
- Contains both the soft and hard tip Fudenosuke Brush Pens
- Features a flexible brush tip for different lettering and drawing techniques
- Create extra-fine, fine or medium strokes by a change in brush pressure
- Great for calligraphy and art drawings
- Soft tip and hard tip- water-based, pigmented black ink
SaleBestseller No. 2
Apple Barrel Acrylic Paint Set, 18 Piece (2-Ounce), PROMOABI Best Selling Colors I
- Quality selection and value
- Formulated for use on all surfaces including wood, styrofoam, plaster, terra cotta and tin
- Colors glide on smoothly, dry quickly and stay beautiful as the day they were painted
- Can be brushed, stamped, stenciled or sponged on
- Easy cleanup with soap and water
SaleBestseller No. 3
Heartybay 10Pieces Round Pointed Tip Nylon Hair Brush Set, Blue
- WARRANTY & SUPPORT: Check seller name before purchasing! heartybay products must be sold by "heartybay - Fulfilled by Amazon" or "heartybay". Warranty from heartybay. Feel free to contact us at any time 🙂
- This acrylic artist paint brush set contains 10 sizes: 5/8 8 6 4 5 3 2 2 1 2/0.
- Length:16.5cm~18.5cm(6.5~7.3 inches)
- High-quality material,excellent workmanship, attractive packaging, the achievements of this professional grade quality brushes!Good idea as gifts for beginners, kids and artists or own use for Watercolor Oil, Acrylic Painting / Body, Nail, Face Painting / Miniature, Ceramic, Model, Leather, Gesso, Craft Art Painting, etc.
- Note: Due to the difference between different monitors, the picture may not reflect the actual color of the item. Thank you!
SaleBestseller No. 4
Cedar Markers Liquid Chalk Markers - 12 Pack With Free 40 Chalkboard Labels - Neon Color Pens Including Gold And Silver Ink. Reversible Bullet And Chisel Tip And A Brand New Revolutionary Cap.
- PLEASE BE ADVISED - Our chalk markers work perfectly with bright and vivid colors on ALL non-porous surfaces. SOME CHALKBOARDS MAY NOT BE SUITABLE FOR THE USE OF CHALK MARKERS, so it's recommended to try them first on small areas and always follow the cleaning instructions provided. We have developed new Gold and Silver ink that comes off chalkboards. CHALK MARKERS DO NOT COME OFF CHALK PAINT.
- AMAZING NEON COLORS - Cedar Markers liquid chalk markers use unique ink that brings colors to life. Our fluorescent colors will spark your creativity. Perfect for use on Menu Boards, Chalkboard Labels, Chalkboard Paper, Bistro Boards, House Windows, Car Windows, Glossy Boards, Mirrors, Plastic, Metal and more. Cedar Markers is an Amazon registered brand. Be sure you are buying from an authorized seller.
- EASY CLEAN UP - When using on all the recommended surfaces, the markers can be erased easily by wiping the area with a damp cloth or paper towel. With Gold and Silver colors, we advise the use of a dry paper towel as well.
- EXCLUSIVE - We are the first and only brand to give you a free set of tweezers so you can change the tip without getting ink all over your fingers. We also have a brand new revolutionary cap that keeps the tips from getting damaged over time.
- AMAZING BONUS - Cedar Markers is giving you the best offer you have ever seen: a 12 markers pack with our extraordinary Gold and Silver colors and the BONUS of 40 CHALKBOARD LABELS for FREE. Order now and get a 30 days money back guarantee.
SaleBestseller No. 5
Artist Paint Brush Set – 15 Different Shapes & Sizes – FREE Painting Knife & Watercolor Sponge – No Shed Bristles – Wood Handles – For Body Paint, Acrylics & Oil
- BRISTLES THAT ALWAYS STAY IN THE BRUSH, NOT ON YOUR WORK: Everyone knows that Nylon paint brushes are cheaper than the rest. But the reality is we've double clamped the bristles with extra strong ferrules so they don't fall out. These are not cheap quality - just affordable.
- INSPIRED BY EXPRESSIVE FREEDOM. When you order your paint brush set, you'll receive 15x nylon brushes - varied shapes and sizes. Suitable art brushes for acrylics, watercolor, gouache, ink, oil, face paint + bonus Mixing Knife And Art Sponge!
- A CREATIVE 60-DAY MONEY BACK GUARANTEE: Most folks offer short guarantees. We're giving you a 60-day Money Back Guarantee and a 12-Month Replacement Warranty. Today you're shopping for a risk-free paint brush set. Thank you for choosing Benicci!
- ALERT! BORING ART SPECS: Your brushes contain round, angular, filbert, fan, glaze, comb, and flat shapes. Sizes ½, ¾, #2 #4, and #8. Comfortable handles for any temperament, speed, skill or style. With easy transport nylon art brushes case!
- A GIFT FOR ARTISTS, EVEN HARD-TO-BUY-FOR ARTISTS: Art and artistry is subjective. Everyone has his or her preference. You can be guaranteed that this set of art paint brushes will meet all artists at their level. They're also perfectly affordable paint brushes for kids. If they don't love them like you do, you have 60-Days to return! Order Now.
SaleBestseller No. 6
Acrylic paint Set 24 Colours by Crafts 4 ALL Perfect For Canvas, Wood, Ceramic, Fabric. Non toxic & Vibrant Colors. Rich Pigments Lasting Quality For Beginners, Students & Professional Artist
- LIMITED TIME OFFER ONLY $11.24 JUST ADD TO BASKET GET OFFER . DISCOUNT WILL BE APPLIED AT CHECKOUT!!!.ULTIMATE PERFORMANCE FOR ANY ARTIST - Highest PREMIUM Quality Raw Materials are specially selected to manufacture our PREMIUM quality Acrylic paint set that outperform the many Alternatives in the market. They are uniquely formulated to bring out the maximum brilliance and color clarity with a buttery consistency for easy mixing and blending.
- LASTING VIBRANT COLORS - These Non-Toxic paint produces Vivid, Richly Pigmented And Long Lasting Vibrant Colors that dries quickly . With BONUS 3 FREE PAINT BRUSHES included our ACRYLIC paint kit will put your artistic talent into fine crafts masterpiece. ASTM D-4236 and EN71-3 (CE) certified.
- COLOR BLENDING -Our acrylic paints blend, layer and mix well to produce an array of unlimited shade for any project. Each paint has a fantastic thick consistency which will retain brush or spatula marks and give your work brilliant texture.
- ULTIMATE ART KIT & PERFECT GIFT - Adults and kids love the versatility of our acrylics. From canvas art, painting, scrap booking and even nails, you will NEVER need another paint set to pursue your passion! They are suitable for most paintable surfaces including Stretched Canvas, Wood,Glass,card decorating,plastic,Craft Foam,Ceramic,Decorative Wallpaper, Terracotta, Blackboard easel,Paper,Art Chalk Board And More.
- SATISFACTION GUARANTEE - We are so confident that you'll love your acrylic paint set that we're giving you a lifetime guarantee. Get yours NOW!
Bestseller No. 7
Artlicious - 10 Hand Made All Purpose Nylon Hair Brush Set - Acrylic, Oil, Watercolor Paints
- Set contains 10 sizes: 5/8 8 6 4 5 3 2 2 1 2/0
- Ideal for all mediums.
- Anti-shedding - frustration-free painting.
- Ultra durable - lasts longer.
- Rivals natural hair - but easier to clean.
SaleBestseller No. 8
Dual Tip Brush Marker Pens, Tanmit 0.4 Fineliners & Brush Highlighter Pen Set of 36 for Adults Coloring Book Bullet Journal Note Taking Art Writing Pens
- DUAL TIPS: Brushes tip for shading and coloring; 0.4 mm fine point tip for outlining and detail. So you get both colored brush markers and colorful fine liners pen then you can choose either one you need.
- 36 UNIQUE COLORS: Those dual markers pens have 36 vibrant colors and are marked with tip type. Perfect for lettering, calligraphy, school planner, den journal, journal lines, note sketch book, bible notes, extra fine line, calendar.
- WELL PACKAGE: Our dual tip brush & fine line pen set come in a nice plastic storage case with fold over snap closure which can be easily placed in backpacks. For using in school, travel or used in the home and office.
- HIGH QUALITY: All brushes and fineliner work well with no skipping or ink flow issue,the ink dries fast and doesn't smudge. This is the perfect gift and addition for artists, students, kids, and more for arts and crafts, design etc.
- Money Back Guarantee from Tanmit: Money back warranty. Fast delivery directly from Amazon, conform to Amazon return and refund policies. Please feel free to contact seller for any product or order problem.
SaleBestseller No. 9
Paint Brushes 12 Pieces Set, Professional Fine Tip Paint Brush Set Round Pointed Tip Nylon Hair artist acrylic brush for Acrylic Watercolor Oil Painting by Crafts 4 ALL (12)
- FULL RANGE OF PAINT BRUSH SIZES & SHAPES. Small, medium and large thickness, as well as round, flat, filbert, angular and angle shapes with a razor sharp tip capable of complementing any palette.
- RUST-FREE ALUMINIUM FERRULES + DURABLE WOODEN HANDLE: Soft and flexible brush hair, Double crimped Aluminium ferrules ensure no wiggling; Durable wooden handle for optimal control/ grip and great hand feeling
- WIDE VARIETY - These Paint Brushes are Ideal for Watercolor, Oil, Acrylic Painting, Body, Nail, Face Painting, Miniature, model, ceramic, Craft Art Painting. Great gift for your kids, friends, beginners, artists or anyone who have fun in painting.
- VERSATILITY - This fantastic 12 set paint brushes is perfect for any level of artist, from beginners to professionals or painting type. Whether you are looking for hobby paint brushes, kids paint brushes, or pro paint brushes, this artist brush set will appeal to you.
- EASY TO CLEAN: To clean, run brushes under warm water, washing out the paint and gently use your fingers to reshape
SaleBestseller No. 10
Chalk Markers by Fantastic ChalkTastic Best for Kids Art Chalkboard Labels | Menu Board Bistro Boards | 8 Glass Window Markers | non-toxic Erasable Liquid Pens Chisel or Fine Tip | Neon Colors plus White
- EIGHT VIBRANT NEON COLORS - ChalkTastic Bright Chalk Marker Pens Pack of 8 use a high-quality, super-concentrated liquid chalk Ink that provides bright, vibrant colors each and every time. Great for Restaurant Menu Boards, Bistro Boards, White board, LED Writing Board, Window & Mirror markers, Car Windows, Kids art, School work, Marking dates on food Containers, Ceramic Mugs, Chalkboard contact paper, Chalkboard Labels, Thank you stickers, Wall Decals and much more.
- AMAZING VERSATILITY GREAT FOR KIDS - ChalkTastic Neon chalk markers and Fun Pens are NON TOXIC and ODORLESS and will out last ANY other Colored Chalk Pens with their huge capacity. The Glass markers allow you to decorate any ordinary NON-POROUS surface - including chalk labels, mirrors, shop storefront windows, Blackboard, whiteboard, metal and more - into your very own canvas!
- SUPER EASY CLEAN UP The bright, beautiful liquid chalk Ink in each ChalkTastic Chalk marker is completely dust-free which makes cleanup a breeze for these erasable chalk pens! Simply use a dry or damp cloth to wipe the chalk away without any smearing, streaking, smudging or messes! NOTE: Some Chalkboards are Porous and some Non porous, all Chalk Markers are designed to be used on a Non Porous Surface so Please test on a small area first.
- REVERSIBLE TIP GREAT FOR TEACHING Make great Teaching Supplies as Teachers at Preschool, Kindergarten, High School and Colleges all love ChalkTastic Chalk Markers as they can be used just like ordinary Wet Erase or Dry Erase Markers but the colors are So much more Opaque, the reversible 6mm tip gives you the option of fine tip markers for detail work or broad chisel tip markers for when big bold lines are needed. The bright neon colors make for great visible explanations and student attention
- ORDER TODAY RISK FREE You can claim your own 8-pack of ChalkTastic Liquid Chalk Markers today at absolutely no risk thanks to our airtight 90-Day Money-Back Guarantee. In the highly unlikely event that you're not completely thrilled with these liquid markers, simply let us know within 90 days for a prompt and courteous refund of your purchase!
Last update on 2018-02-20 at 01:16 / Affiliate links / Images from Amazon Product Advertising API


Sood’s artworks are centred in a lifelong study of the emotive power of nature’s colours, our innate reading of the body and a naturalist’s eye. Her art takes you on a journey of emotional experiences, states of being and the quiet power of beauty. Sood’s artworks act as ‘portals’ into seeing what connects us, and are rooted in a profound political sensibility.
Ritu Sood gained a Masters degree in Painting from the Slade School of Art, London, studying Fine Art at Chelsea School of Art and Norwich School of Art before that. Sood’s paintings are widely regarded as eloquent commentaries on human experience. Several poignant solo exhibitions and numerous group exhibitions have established Sood’s reputation for sensitive and powerful work. Her paintings are held in national and international public and private collections.


Elite Painting Group is your trusted partner for quality interior painting services in Augusta, GA and the CSRA. At Elite Painting Group, we understand that your home is more than just a living space; it’s a reflection of your style and personality. That’s why we’re dedicated to transforming your interiors into stunning, inviting spaces that you’ll be proud to call your own. Our comprehensive interior painting services cover walls, ceilings, doors, trim, cabinets, and more. We also offer interior and exterior staining services .
Why Choose Elite Painting Group for Interior Painting?
- Expert Craftsmanship: We’ve been painting for more than 25 years. With meticulous attention to detail and a commitment to excellence, we deliver superior-quality painting services that exceed your expectations.
- Personalized Service: We believe in a personalized approach to every project. Before we pick up our brushes, we take the time to understand your vision, preferences, and goals. We are happy to make recommendations based on a space’s function and light profile, and we offer a free color consultation. We want you to be proud of your updated space.
- Premium-Quality Materials: We use only the finest quality paints and materials to ensure a flawless finish that stands the test of time. Our dedication to using top-notch products guarantees a long-lasting, durable paint job that retains its beauty for years to come.
- Attention to Detail: From meticulous surface preparation to the final stroke of paint, we pay attention to every detail throughout the painting process. The result is a seamless, professional finish that breathes new life into your interiors.
- Customer Satisfaction: Your satisfaction is our priority. We’re committed to delivering not just a beautifully painted space but also an exceptional customer experience. We strive for open communication, reliability, and a hassle-free painting process from start to finish.
Elite Painting Group: Augusta’s Trusted Interior Painters
Whether you’re looking to refresh a single room or give your entire home a makeover, Elite Painting Group is here to bring your vision to life. No project is too big or too small for our dedicated team.
Ready to revitalize your home with a fresh coat of paint? Contact Elite Painting Group today to schedule a consultation and take the first step toward transforming your interiors into spaces of beauty and elegance.
Experience the difference that expert craftsmanship and unparalleled service can make for your home or business. We proudly serve residential and commercial clients in Augusta GA and surrounding areas, including Evans, Martinez, Grovetown, Harlem, and Appling GA and North Augusta, Edgefield, and Aiken SC.
Trust Elite Painting Group – quality at its best.


Karen Adams is a Stamford-based artist who specializes in landscapes and outdoor subjects. She has been painting in oils since she was a young girl in central New Jersey. Although she took a break from painting while in college, she returned to the art soon afterwards in NYC studying at Parsons and then in private classes. Recently she has been painting under the instruction of David Dunlop at the Silvermine Guild in New Canaan, CT. As seen in her work, she is inspired by her family's trips to local and national parks, most recently including Acadia, Grand Teton and Yellowstone National Parks. She hopes that her work portrays the beauty of our country to the viewer and allows them to appreciate it.
Ms. Adams' works reside in residential spaces in Connecticut, Florida, and Georgia.
Karen's work has been featured in group and solo exhibitions at the Stamford JCC, Stamford, CT, Dew Yoga, Stamford, CT, Silvermine Arts Guild, New Canaan, CT and the Larchmont Public Library, Larchmont, NY.


Monet Klimt Pixelsort
A distorted digital fusion of paintings by Monet and Klimt forms the main image in this painting, real size 160 x 80 cm. The artwork Monet Klimt Pixelsort by artist Jeroen van der Most is inspired by the rise of artificial intelligence. Together, the painting and its movie hope to spark new ideas about the effects AI will have on art and creativity. The project combines paint, AI fused digital creation, algorithms, and moving image. 'Pixel sorting' distortions used in the digital creation part were algorithmically created by researcher Eelco den Heijer. Sounds in the movie are by Zeger de Vos.


About Brenda Hurley
Brenda trained as a dress designer before venturing into painting. She regards herself as a colourist and uses acrylic paint for its’ quick drying qualities and for the pureness of colour. Brenda sees pattern and shape in everything around her, in landscape and still life, she will look for lost edges and the use of high horizon lines. Her work (which includes still life, landscape and the figure) is simplified and abstracted without losing the form.
She teaches drawing and painting at workshops, she demonstrates for art groups and she also works with small groups in her studio. She has worked at the Queen’s Park Centre in Aylesbury once a week for many years, helping students to develop their own style.
Brenda is a member of the National Acrylics Painters Association, and Bucks Art Society. She has NDD in Dress Design, a BHDAD in Art and Design and a HD in Fine Art from Hatfield University. Her recent work has been part of the Society of Women Artists exhibition at the Mall Galleries in London.


Stewart’s work is inspired by the skills and knowledge of the old masters. He strives to combine his fascination with the human form, the world around us, movement and colour to create atmospheric images.
He has featured on both Sky Arts Portrait Artist of the year and Landscape Artist of the Year and was the winner of the Stride Open (2017). He now works out of the Arches Studios in Southampton and teaches classes in the Fareham and Whiteley area, along with workshops and demonstrations throughout Hampshire.
Twitter: @BeckettStewartClick to book a free ticket


Are you ever drawn to abstract art but wonder if it actually has a meaning?
Well, the answer is, it depends.
Some argue that abstract art should be free from any concrete meaning, allowing the viewer to interpret the work based on their own subjective experience and emotions. However, for many artists, their abstract creations are deeply personal and meaningful. They use their intuition and emotions to create pieces that are almost like a diary of their thoughts and feelings. For them, abstract art is a language that speaks volumes about their inner selves. So, the next time you gaze upon an abstract masterpiece, remember that it may hold a profound and intimate meaning for the artist who created it.
Do abstract art has to have a meaning?
I create art intuitively. The moment I start to paint feels like I’m in a zone, it is sort of my own way of meditation. I am in my studio every day BUT I cannot push myself daily to paint. I need to feel it. When taht moment comes I act almost like an animal, going crazy with paint, working on several paintings at the time, I’m using so much energy that after couple of hours I feel draint, almost empty. That is the moment when I know I need to stop, fill back up my creativity with new emotions and express it the next moment I’ll feel the calling. Does my art has a meaning? It is filled with tones of feelings, it is my own diary, it my own language. So for me YES IT HAS A MEANING.
Abstract art is a special kind of art where the artist doesn't try to paint or draw things that look like the real world. Instead, they use colors, shapes, lines, and textures to create something that is unique and creative. Some abstract art can look like a bunch of shapes and colors all mixed together, while others might look like a bunch of lines or patterns.
Now, you might be wondering, does abstract art have to have a meaning? Well, that's a great question! Sometimes, abstract art is like a secret message from the artist. They might use certain colors or shapes to tell a story or to express a feeling. It's kind of like a puzzle that we have to figure out by looking at the art and trying to understand what the artist is trying to say. Other times, abstract art is just meant to be enjoyed for how it looks. The artist might have created it just because they thought it would be pretty or interesting to look at.
What's really cool about abstract art is that it can mean different things to different people. One person might look at an abstract painting and feel happy or excited, while someone else might feel sad or confused. It's all about how the art makes you feel, and what you see when you look at it.
So, whether abstract art has a meaning or not, it's still a really cool and creative way for artists to express themselves. And it's also a great way for us to use our imaginations and come up with our own ideas about what the art means.


Fascinated by capturing the human face
I have always been fascinated by capturing the human face using a wide range of materials and utilizing different painting techniques. I have been inspired and challenged by a style of painting called Alla Prima. Wet-on-wet, or Alla Prima is a painting technique, used mostly in oil painting, in which layers of wet paint are applied to previously administered layers of wet paint. This technique requires a fast way of working, because the work has to be finished before the first layers have dried. Maybe I am cheating but I have mostly been using acrylics that can be harder to use just because they dry so fast. You can see the process develop as I am working to construct the painting. Keeping in mind that I love mixed media and I’m using a mixture of spray paint, paint markers, and permanent markers. Sometimes I forget to take photos because I am working so fast! I love leaving the brush strokes that give a hard line texture and I’m getting more comfortable being more bold. I will continue experimenting with contemporary art influences to drive me to think differently. Contemporary art is the art of today, produced in the late 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that challenge traditional boundaries and defy easy definition. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or “-ism“.


Enjoy a fun-filled family night painting your favorite pet. Katie will be using acrylic paints on a 12x16 canvas board. All you to do is supply our studio with a picture of your beloved pet through our email @ email@example.com or drop off at our shop located at 114 North Holden St.
Artist: Katie Childers, follow her or check out her work on IG @artby_katie_childers
Event time: 7-9 PM
Location: Cruze Boutique and Studio 114 North Holden St., Warrensburg
This event is reserved for only your family. Come spend and evening with us! Up to 5 people are included in the price.


Branching out to communities in the midlands. This lovely magazine publishes a regular piece on Wales with this issue focussing on artists in Wales.
Check Out ISSUE 477 - Page 28
Julia Harris is an artist and illustrator living in Mid Wales. Julia has been painting and drawing since the time she could hold a paint brush. Julia has developed a range of skills and presents her art using multiple mediums including watercolour, acrylic, oils and pastels.
Julia comments “The way I paint is from inside me. It’s not some mechanical action learned or mimicked; my work is a portrayal of my happy, sad, joyous and turbulent feelings. My passion for painting is demonstrated through my approach to my work. My work has been described as energetic, vibrant, theatrical and romantic. Certainly, I feel that it expresses the essential me”.
“I want people not only to look at my work; I want them to feel it, both with their eyes and their hearts. I want to create an emotion inside them, because to create something that stirs feeling inside the onlooker is a great achievement”.
Julia has a solo exhibition in July 2017 at Aberglasney Gardens, near Carmarthen. If you would like an invitation to the private view on Wednesday 12th July 2017, please email Julia@juliaharris.wales


I chose our new Operation Smile stamp set called Animal Greetings because the critters are just too cute and call out for soft watercolor washes!
I stamped the image and sentiment on a 2x3" piece of our new smooth surface Watercolor Paper (a must for being able to smooth colors around without risking paper pilling) using Memento Tuxedo Black.
Some of the things I learned in doing my first project:
- if you go directly from the pan to the project you get a chalky look and not a soft wash
- if you let an area dry you can go in with new colors on top (the antlers)
- you can remove an excess of paint by lifting with a damp brush
- use the lid of your paints as a palette to add more water and soften to a wash
-tiny pointed tip brushes are your friend for this size image
-you can use watercolor paints to color regular cardstock too (bottom yellow flower) but you won't be able to move the paint around like you can on watercolor paper
I am definitely looking forward to playing with and learning this new medium! I hope you'll grab your inks, markers, paints, colored pencils, chalks or anything else you like to use and join us at Heart2Heart Challenges this week for our Coloring Challenge!
If you would like to purchase any of the items I've used in my project or other Close to my Heart goodies, you can visit my shopping site! We have two brand new Idea Books available now chock full of fun and fab goodies!
Stay crafty my friends!


From humble beginnings to one of Southeast Michigan’s premier art fairs, the 43rd Annual Chelsea Painters Art Fair presents 25 professional artists exhibiting their work in watercolor, encaustic, acrylic, pastels and other mediums. Fine art collectors can add to their collection and casual visitors will shop for hand-crafted items while enjoying the stunning visuals. Food will be available. Come by rain or shine!
Saturday, June 4 & Sunday, June 5
Silver Maples of Chelsea | 100 Silver Maples Dr. | Chelsea
chelseapainters.com | Free


Registration is still underway for an oil painting class this weekend.
Instructor Melody Panneton will lead the class on Saturday from 10 a.m. to 2 p.m. at Northwoods Recreation Center, 621 Henderson Drive.
Cost is $50 and includes paint, brushes, easel and supplies. Students must provide their own 16-by-20-inch canvas, as well as their own snack and drink.
For information, call 910-938-5301.


As well as digital illustration I have a passion for taking unwanted objects and illustrating on them. In this gallery it's old paintings that have been rescued from dumpsters or bought at charity shops. I have been doing this for the last 6/7 years. I have exhibited these paintings internationally. There are some currently on display in the Rabbit Rooms in Bangor and Alley Cat in Belfast. I now take commissions to 'reboot' other peoples unwanted paintings - so if you would like one please contact me.


Ace Paint | Benjamin Moore Paint | Clark+Kensington Paint+Primer|
|Brushes & Rollers |Caulk & Caulking Guns | Cement & Concrete Products |
Craft Paint & Supplies | Enamels | Glues & Adhesives | Ladders | Masonry Paints & Sealers | Paint Sprayers
Painting Tools, Pails & Accessories | Power Washers | Removers, Thinners & Solvents
Roof & Driveway Coatings | Sandpaper & Steel Wool | Spray Paint | Tapes | Wallpaper Tools & Supplies
Wall Repair | Wood Finishes, Preservatives & Stains
Come see our paint experts before starting your next project. Our paint department features Ace Paint and Benjamin Moore Paint brands to give you the highest quality products available while offering you endless options. Computerized color matching is offered to provide you with the exact color and finish that you are looking for. Our tints are fully computerized for consistent colors and accuracy. We stock all of the tools and supplies needed to help you get the job done. Let our expertise and product wisdom ensure you the right product, right color and the right result.
Ace Royal® Interior offers beautiful, long lasting protection. Providing you with a washable, scrubable finish. Available in several finishes. Great for all of your interior surfaces.
Ace Royal® Exterior offers high quality, 100% acrylic latex giving you a tough finish that is resistant to weather, dirt, stains and mildew. Providing you excellent coverage that hides imperfections and resists peeling and blistering.
Ace Sensations® premium paint contains Scotchgard™ protector, providing you with a flat finish with excellent stain resistance and stain removal. Great for any room including hard use areas. Stains wash right off!
Everything you need to get your painting projects finished.
For over 50 years, consumers have been choosing Regal® with confidence. Available in several finishes to complement the interior of your home. A high quality paint offering great hide and washability.
Aura® offers color like you've never seen before. Richer, truer hues bring dimension and beauty to your home. Self-priming, fast drying and applied in no more than two coats help you finish as quickly as possible, leaving you with a long lasting, fresh painted look.
ben® offers all of the performance qualities you would expect of a Benjamin Moore® interior paint and is perfect if you are looking to complete a project within a specified budget. It goes on easily, hides well and comes in all of your favorite Benjamin Moore® colors.
Natura® is the greenest paint Benjamin Moore® offers and is available in 3,300 colors. Natura® is virtually odorless, so you and your family can breathe easy. The smart choice when you want eco-friendly paint that doesn't compromise on performance.
Benjamin Moore® Exterior Stain adds a captivating charm to your wood by enhancing its natual beauty. Choose from a variety of premium quality products including protective clear finishes and stains that vary in opacity from transparent through solid color.
Whether you need interior or exterior, we have the stain for you.


Image: Archibald Prize 2019 finalist, Benjamin Aitken, ‘Fiona Lowry’ (detail), © the artist. Photo: AGNSW, Jenni Carter.
Hear from Archibald Prize 2019 artists and sitters at our intimate Saturday night Archibald Sundowner events. Enjoy exclusive after-hours access to the Archibald Prize, a panel discussion and refreshments from TarraWarra Estate, Watts River Brewing, Four Pillars Gin and Yarra Valley Dairy. Bookings essential.
Saturday 19 October, 5.30-7pm:
Join 2019 finalist Benjamin Aitken and the subject of his portrait, artist Fiona Lowry, as they share insights into sitting for a portrait, the process of portrait painting and the artists’ broader practices, moderated by journalist Fiona Gruber.
Tel: 03 5957 3100
$50 Adult / $40 Concession


Thank you for your interest in my Artwork.
Please join my e-mail list for updates on art shows, newest paintings and inspiring articles.
Would you LOVE to learn how to create a work of art your self? I offer personal painting lessons as well! Perhaps you have a special place which I could paint to enhance your home, or make a treasured gift or family heirloom? I would love to hear from you.
God Bless You!
You may also follow:
– My Instagram gallery: https://www.instagram.com/louannbagnallartist/
– My full gallery at: http://fineartamerica.com/profiles/lou-ann-bagnall.html
– My Facebook page: https://www.facebook.com/louannbagnallartist/


May 20, 2023
Please join us, Saturday morning, May 20 at 11:00am for “Mimosas and Muffins” free demo by Connie Lynn Reilly, PSA, AWA, SPSMP, AAPL at the Quinlan Visual Art Center.
“VIBRANCY OF PASTEL”
Connie Reilly, SPS President, Founder and Master Pastelist will present a free and open to the public demonstration at the Quinlan Visual Arts Center. Connie is an International award winning artist and her portraits are in numerous private and public collections. She will share some history of the vibrant pastel medium and will talk about the many pastel techniques displayed in the Southeastern Pastel Society exhibition. Attendees will also learn from Connie's many years of teaching and portrait painting experience as they watch her demonstrate and teach about portraiture in pastel.
Native Atlanta, Georgia Artist Connie Lynn Reilly started at an early age with an innate desire to bring subjects to life with her art. While sitting at her fathers’ side, he patiently guided her and encouraged her artistic talent. From that time on, whenever she looked at the world around her she saw color, design, shapes and forms within the most simple of objects. national and international awards, such as The American Society of Portrait Artist, Southeastern Pastel Society, Atlanta Portrait Society and numerous others.
Connie has always had a passion for drawing and painting the human form and faces. Her portraits reflect both the outward and inner beauty of her subjects. Her use of color and detail displays emotion through each brushstroke in a face or glimmer in an eye.
The desire to perfect her drawing and painting technique required a great deal of independent study to develop her classical, realistic style. Connie paints in several mediums, including pastel, oil, Charcoal, pencil, acrylic and watercolor. Her style can be described as warm, lifelike, and realistic. Her work shows a very high level of understanding of the importance and the use of light in a painting and creatively shows careful posing and positioning of her subjects to create and evoke just the right mood and feeling that she wants to display in her compositions.
Her portraits and paintings have received national and international recognition and are owned by private, public and museum collections such as the Booth Museum, Tennessee Tech University, Atlanta History Center, John Bell Hood Society, St Joseph’s Hospital, the Royal Palace of Emir Isa bin Salman Al Khalifa of Bahrain, and the Museum of Church History & Art of the Church of Jesus Christ of Latter Day Saints.
Some of Connie’s portraits and historical works have appeared and have been published in national and international publications. Her pastel portrait of “Christine”, a portrait of a young four year old girl, is featured in a North Light book entitled, “ The Best of Portrait Painting.”
In the year 2000, she completed commissioned portraits for the Royal Family of Bahrain, the Al Kahlifa family, including a full-length portrait of the Emir’s wife, Her Highness Sheikha Benna, and separate paintings of their two children.
She has been a featured guest on local television shows such as the Gwinnett Today Show and WTV21 Talk of the Town as well as the national television cable network Fine Living, on a show entitled “Back to Basics” which was a special program on Connie’s portraiture and portrait process.
Connie’s list of accomplishments also includes the founding of the Southeastern Pastel Society, of which she is President Emeritus, Master Pastelist and current president. She is also Signature member of the Pastel Society of America and American Women Artists. She is a Juried member of the International Guild of Realism and American Artists Professional League Signature member.
Included in her portfolio of images are those of American History with a special love for the portrayal of the War Between the States/Civil War, Revolutionary War and Western Pioneer Settlement periods. Having been born and raised in the south in a very patriotic family, much of her work depicts southern culture. Her historical work reminds us of those who came before and who made sacrifices to lay the foundations for building this great nation, and helps us to be grateful for their contributions and struggles, “lest we forget” them.
Widely known as a master instructor in classical representational drawing and painting, Connie continues to teach classes and workshops to beginners, intermediate, advanced and professional artists. Connie has also juried art exhibitions and is available according to her schedule to jury.
Connie is currently accepting commissioned work and welcomes inquiries.


The Band of Brushes Presents our Annual 2020 NAA Show:
August 24- October 24, 2020
Due to the Coronavirus crisis, the exhibit has been re-created as a virtual show and an online experience.
View the show at www.bandofbrushes.com
The Band of Brushes is a group of artists who paint together ‘en plein air’, a French expression meaning in the open air, throughout the spring, summer and fall, working to capture the elusive light of day. The Band of Brushes is one of the Newburyport Art Association’s Featured Interests Groups.
These artists share a love of nature and plein air painting in oil, watercolor, pastel and acrylic mediums. They meet weekly to paint outdoors at beautiful North Shore and seacoast locations.


Evening Tones Scarf
- Designed exclusively for the Smithsonian.
- 100% silk.
- 32" square.
- Made in London.
Evening Tones abstracts a landscape along the Hudson River into a vibrant range of colors. Oscar Bluemner (1867-1938) came to the United States to escape Germany’s conservatism, hoping to find the freedom to try new ideas. After years of struggling in his architectural practice, he turned to painting, throwing himself into the exciting theories of modern art that were making their way across the Atlantic from Europe.
Image Credit: Oscar Bluemner, Evening Tones, oil on canvas, 1911-1917, Smithsonian American Art Museum, Gift of James F. Dicke II and museum purchase made possible by the American Art Forum, the Julia D. Strong Endowment and the Luisita L. and Franz H. Denghausen Endowment.


When I was a young man, Andrew Wyeth was the first watercolor painter I ever learned about. I was moved by the emotion he painted into ordinary objects and everyday people. I also studied John Pike and Ted Kautzky copying everything I could find. Just as Austin Kleon says in “Steal Like an Artist”.
From the moment I started using watercolor, I could understand this was my kind of medium. Much of my work is based on the learning I have received from studying Wyeth and other artists, borrowing and developing that knowledge into my own style. I have been fortunate to study under dozens of contemporary artist and I always learn something new.
Art allows people to see new things in ways that they may have missed. I use simple and thoughtful brushwork, design, color, light, shape, space, and shadows in hopes that my viewers look beyond the subject and the lines to create a story near to their heart. They might imagine what the subject has experienced and been part of over time.
People feel different as they look at art, each person’s thoughts and feelings are unique, much like their fingerprints. Many people see the same painting, yet each person has their own story and feelings to go with that moment.
Painting now into my seventh decade, I continue to learn and teach, fail and succeed. I am sure I will never do the “perfect” painting, but I will always strive to accomplish this goal in every painting it do.
Bruce has been painting since he was only six years old. He is now into his seventh decade and he continues to refine his skills. He has worked in several mediums including sculpture, carving, stain glass, but he focuses his work on painting. He is accomplished in oils, acrylic, however, he has a love of watercolor.
Bruce has exhibited in many shows including the American Watercolor Society NYC 2019, National Watercolor Society Long Beach CA 2011, Arizona Watercolor Society Phoenix AZ, Ohio Watercolor Society Columbus OH, Ohio State Fair, Western Federation of Watercolor Societies, Mesa Arts Center AZ, Glendale AZ Art Exhibit, Hawaii Art Reach Exhibit and many others.
Bruce has also served on the board of many art organizations.
In June 2019 and 2016 Bruce was Artist in Residence for the Alaska State Parks Department at the Earnest Gruening State Park in Juneau Alaska. In 2015 he won the American Fisheries Society poster contest for the international annual meeting held in Homer Alaska. Bruce has won many awards for his work and was in the Wildlife Art Magazine in Nov 2007.
Bruce recently completed 14 murals for the Pinal County Family Advocacy Center.
He is a member of American Watercolor Society, National Watercolor Society, Kachemak Bay AK Watercolor Society, and Southern Arizona Watercolor Guild and is a signature member of Arizona Watercolor Association.
Bruce is president elect for Arizona Watercolor Association for 2019-20
Bruce has taught many workshops and volunteer teaches for Veterans and survivors of suicide
Bruce studied art at Columbus College of Art and design, Scottsdale Artist School and has taken workshops from more than a dozen nationally recognized artist. He holds a Bachelor of Arts Degree.
Bruce focuses his work on control of light, color, texture and composition to create dramatic images. He has a passion for nature, is an avid outdoorsmen and has traveled globally extensively, even spent 3 weeks in the Arctic Circle.
Bruce loves to teach workshops from beginner through the very skilled painters. He himself continues to study and learn about art from other accomplished artists. Composition, design, colors theory, light and pattern are extensive and he understands that you must continue to grow so that your art can express feeling and emotion to the viewer.
His work is sold in several art galleries, on his website and studio. Bruce has lived in many parts of the United States (Alaska, Arizona, Maryland, Ohio, New York, North Carolina, and Texas) and he now makes his home in Arizona and Alaska with his wife Mary.


A print from an original oil on canvas looking down Strand Street, Dingle. This painting shows how colourful the town is and if you look to the corner of the print you will see the local cat. Angel is fondly seen as the most famous cat in Dingle.
All the paintings, prints and artwork are the exclusive property of Martine Moriarty and are protected under international copyright laws. The artwork is not to be reproduced, copied, stored, manipulated, projected, used or altered in any way, alone or with the use of any other material, or by use of computer or any other electronic means without the express written permission of Martine Moriarty


Actions and Detail Panel
Let's Paint Together @ New Farm Park
Sat., 19/11/2016, 10:00 am – Fri., 20/01/2017, 12:00 pm AEST
Join us in New Farm Park opposite the Ferry Terminal for a relaxed and creative morning. All art materials provided. Our lead artist will lead you through the creation of your own art work based on the painting for the day. Bring a friend! contact Kerry on 0402 520 891 Check out our Facebook page /letspainbttogetherbrisbane
or our website www.letspainttogether.com.au We are taking a break over the Christmas period. Look out for us in 2017!


Following on from my previous post, where I noticed I had repeated a certain composition across some of my photos of the walk, I sought to research a little more about this.
I recalled seeing something similar in Van Gogh’s landscapes that I had seen in the summer, at the Van Gogh in Britain exhibition, and looking into more of these confirmed my theory that this could have been something I picked up on there. Here he has also made effective use of yellow and blue to make even greater emphasis of this composition – dividing the canvas by its horizon near the middle, but off-centre focal point (though his tending to the right where mine was to the left). I find it interesting that he would be returning to a similar strategy for two very different scenes – the rural and the urban, with comparably similar palettes also. The small red tree on the path in the left painting is positioned almost in the same place as the figure in red on the streets in the right one.
I wonder if there was intention for Van Gogh behind this or if, like in the case of my photos, it was accidental or perhaps even just a result of him having honed his style and preferred colour palette? Were it to be intentional though, it could be seeking to draw comparisons between these different locations – or perhaps serve as a reminder that though they might seem opposing locations, that they share the same viewer (or that we are seeing it through the eyes of the same artist) they have a unity of experience? That no matter where we might find ourselves at a given moment we still experience the same ‘what it’s like to be me’ in that moment? It might be interesting to create a shared colour palette for my three compositions to explore this further.
I used google image search to find out if the algorithm could find further instances of this composition. However, I found that the image recognition software was more apt to see the subject than compositional comparison – this suggests to me a more sophisticated programme than where it might first have looked at blocks of light/shade/colour (and so composition) but now is identifying objects within those blocks. It was interesting to me to see that the software was distinguishing 3 different subjects in these images: Tree, Apartment and Street, reflecting the change of environment along my walk. The images it saw as being visually similar all fell within these 3 categories, and some do replicate my composition.
I sought to further abstract this composition, and this deconstruction of three complex images was interesting. I think the cut paper works are more successful – the precision of the shapes achieved and the flattening of the colour fields I think work well to focus the eye on the shapes and their relationships together. A more simplified colour palette also helps here I think, and I like the use of a contrast for the ‘horizon’ line. I wonder if a casual observer would still get a sense of the perspective in the original composition, or if these flattened fields would disrupt that sense of your eyes being drawn in.
These recall for me geometric abstractions like those of Malevich and Moholy-Nagy. It might be interesting to explore further whether some of my fields are overlapping of other shapes and to explore more tonal colour palettes.


NEW YORK-NEW TENDENCIES An exhibition of New York painting. March 15, 2012: Marianne Friis Gallery Copenhagen, DK
Marianne Friis Gallery is proud to present the group exhibition NEW YORK – NEW TENDENCIES. The exhibition shows painting and works on paper by five Brooklyn based artists – both young and well established.
The young artist Jane Corrigan (1980) creates figurative paintings with an outset in literary classics, fables and made up scenarios.
The works of Corrigan reminds the viewer of another time and the imagination of childhood. This is the first exhibition for Corrigan in Europe.
Daniel Heidkamp (1980) also paints figuratively, but with an outset in reality. Outdoor scenarios, normally depicted from friends’ estates, and portraiture done in a few hours in his Greenpoint based studio are his main motives. Heidkamp often works with time as a factor trying to capture light and shadow before these changes. Heidkamp is occupied with room, nature and structure and masters light and shadow to perfection.
In the exhibition it will also be possible to experience three artists who work with abstraction.
Matt Mignanelli (1983) explores the relation between structure and nature. Carefully painted by free hand these works remind of computer games and graphic computer generated images. Mignanelli studied at the Rhode Island School of Design, Providence, and he can be seen painting in the video ”Declare Independence”, by Bjørk, directed by Michel Gondry.
Ryan Wallace (1977) also explores surface, texture and nuances. Wallace’s works are precisely arranged, but yet random implications and controlled accidents. His works are visual solutions to systemic considerations. He studied at the Rhode Island School of Design, and received the Pollock Krasner Foundation Grant last year.
Last but not least, with a starting point in pop culture, Michael Bevilacqua (1966) creates self-referential works. Rock and punk, graffiti and DIY culture are sources of inspiration to Bevilacqua. He incorporates elements, be it song lyrics, names of bands (like Joy Division that reappears in several of his paintings) or graffiti paint sprayed upon layers of oil painting. To Bevilacqua it is the process and development of his oeuvre that is the number one priority.
Pop culture remains the point of departure but the expressions change. In 2005 Louisiana showed Michael Bevilacqua as the first in their new series ”Louisiana Contemporary”.
For further information or press photos please contact: email@example.com


5 WAYS Paint Spray Robot CAN BENEFIT WOOD DOOR & FURNITURE FINISHING
Wood Paint Spray Robot
As industrial manufacturers and wood finishers attempt to remain competitive and meet production challenges, they face a high demand for faster lead times, despite a dwindling workforce. In some cases, they are having to do more with less.
Integrating Paint Spray Robot into your finishing operation can free up floor space, increase productivity and improve finish quality — while workers can be transitioned into more beneficial roles. In the long run, a painting robot can be cheaper, more accurate and more reliable than a manual painter, with the ability to essentially work around the clock.
Here are five things you need to know before adding a painting robot to your industrial or wood paint booth:
1. Paint Spray Robot Provide Flexible Mounting Options in Spray Booths
There are three different ways to mount Paint Spray Robot in a spray booth — on the floor, on a wall or on the ceiling.
Floor-mounted Paint Spray Robot consume the most space, yet integrating them into a spray booth is less complicated than integrating wall-mounted or ceiling-mounted robots. To accommodate a wall-mounted painting robot, a mounting position must be designed in the wall of a paint booth, then a column can be installed on the outside with a vertical base plate. Similarly, a hole is designed in the ceiling of a spray booth for a ceiling-mounted painting robot, which is bolted to overhead beams.
For businesses finishing large products, a wall-mounted or ceiling-mounted painting robot may be a better option than a floor-mounted robot because of the space required. If there are no space restrictions, floor-mounted Paint Spray Robot are easiest to integrate into a finishing operation, as holes do not need to be cut in the wall or ceiling of the paint booth.
"The paint booth's walls or ceiling must be designed to accommodate Paint Spray Robot," said Mark Freels, a Territory Manager for Global Finishing Solutions (GFS). "The booth becomes a much different structure when you bolt a painting robot to it. There are a lot of dynamic forces at play."
Paint Spray Robot
2. Volume of Work Dictates How Paint Spray Robot Function in Spray Booths
The function of Paint Spray Robot in spray booths varies with the application. For low-production, automated batch process applications, a worker stands at the front of the spray booth, typically loading and unloading parts off a turntable while the painting robot applies material to parts inside the booth. Another configuration has parts shuttled across the spray booth, with the worker loading parts, then unloading them after they are sprayed by the painting robot.
In high-production, continuous process applications, large products, such as car bodies, move through paint booths, with Paint Spray Robot spraying from both sides of the vehicle. Or small parts hang from a conveyor, as an overhead monorail carries parts in front of the painting robot, which sprays toward the part and the filtered exhaust chamber behind it.
3. Paint Spray Robot Paired with Recirculating Spray Booths Can Save Energy
By recirculating up to 90 percent of the exhausted air, recirculating paint booths use significantly less energy than traditional industrial paint booths. Not only is energy usage greatly reduced, but capital expenses are also decreased, as the air handling and abatement equipment are reduced in size.
Since the exhausted air is recirculated back into the paint booth during spray mode, volatile organic compounds (VOCs) can be reintroduced into the booth, which are hazardous for the painter. As a result, the painter often is required to use a high level of personal protective equipment (PPE), whereas Paint Spray Robot are immune to the health hazards that may be detrimental to human painters.
"You drop a painting robot in a recirculating spray booth, and it doesn't care about VOCs in the booth. You just have to stay below the maximum operating temperature of the robot, which is approximately 115 degrees Fahrenheit," Freels said. "So now you are heating significantly less air with a recirculating paint booth — an approximately 40 percent decrease in conditioned process air."
4. Cascading Cost Savings with Paint Spray Robot
Robots enable users to improve quality and throughput, while simultaneously reducing capital and operational costs. Robot technology allows movement of applicators (tip speed) well above any manufacturer's maximum tip speed. The high speed/payload arms are used to increase throughput by allowing for heavier applicator/multiple applicator processes that can apply more paint than a manual painter in the same operating space. High arm speeds also equate to faster reposition time to the next part, equating to more spray time.
The advantage of a painting robot is that it paints exactly the same over and over again, whereas humans are prone to painting thicker or thinner the longer they spray in a single shift. The consistency of Paint Spray Robot results in cascading cost savings — a decrease in rework and tighter film build tolerance, leading to less paint and filter usage, which equates to smaller exhaust (conditioned air).
Paint Spray Robot can be programmed to apply a very specific amount of low observable coating to the product, increasing efficiency and reducing waste in the paint process.
Paint Spray Robot
5. Paint Spray Robot Are Ideal for Hard-to-Reach Spots
Paint Spray Robot are ideal for finishing objects that are difficult to paint, as they can more easily access hard-to-reach spots. They are especially beneficial when painting highly contoured surfaces, such as on wood components, which can be extremely challenging to paint manually.
For the precise application of paint on all areas of the component with a painting robot, the component must be stationary and placed in the same position every time.
"Conveyors with single-point hanger hooks to present parts to the robot are not recommended for robotic paint application," Freels said. "Customers must have repeatable part presentation, with parts typically conveyed on a metal frame or two-point hook connection. A repeatable position conveyance is recommended as part of a painting robot system."
Integrating a painting robot should be a consideration early in the paint booth design process, since booths built to house robots are custom. It is best to work with a trusted paint booth manufacturer that is experienced at integrating robotics, such as GFS.
Like computers and TVs, Paint Spray Robot continue to become more sophisticated, while also becoming more economical. The get-in-the-door price for a painting robot is about $60,000. It is often an investment worth making for industrial manufacturers and wood finishers looking to streamline their operations, establish more consistency in their finish quality and increase their energy savings.
To know more about this Paint Spray Robot, Contact us Now!
Post time: Jan-12-2022


Saturday, October 23rd - DIY Intuitive Abstract Painting Workshop
Join us for an afternoon Intuitive Abstract Painting Workshop at the shop featuring local artist Kristina Drake. With Kristina's guidance, you will practice painting with an intuitive, open mind and learn how to work with different tools to create texture and abstract marks. By the end, you will have created an expressive piece of abstract art to take home.
Claim your place today! We are limiting class capacity to 8 attendees and masks will be required.
Kristina is a mixed-media artist who enjoys helping other people discover their inner creativity. She combines rich abstract backgrounds with realistic subjects to create dream-like paintings. She loves to use spray paint, inks, and acrylics in her process. Her vision is to help people connect with themselves and the world on a deeper level through art. She currently lives and creates art in Austin, Texas.
Included in this Workshop:
- Supplies: acrylic paint, oil paint, paintbrushes, tools, paper, and 1 canvas
- 2 hours of instruction and guided practice from a local artist
- Your own abstract art to take home
- Saturday, October 23rd
- Time: 1:00pm to 3:00pm
- Masks required
- 10% off Slow North store (valid day of the workshop only)
- All workshop sales final
Workshops are hosted in Slow North's beautiful north-central shop located at 2700 W. Anderson Ln., Suite 410 (between Epoch Coffee and Madam Mam's) in Austin. Free parking is available in the lot out front.


I spent the evening painting while Bryan watched TV. I'm trying to make an effort to paint more, and this painting is pretty freaking cool. It's a gift for Bryan for Meep Day, our made-up holiday that takes the place of Valentines day. (Here is last year's Meep Day extravaganza.) Each Meep Day, Bryan and I have to make each other presents instead of buying them. Meep Day this year was supposed to be on Leap Day, but we postponed it because I got sick, and it was supposed to be today, but we postponed it again because Bryan got sick. We are going to reschedule it once we each have our gifts done, as the whole being sick thing sort of sapped our energy for cool gift-making. So, once we have our Meep Day gift exchange, I will post a picture of the totally awesome painting I'm making for Bryan.
7 hours ago


Taos artist, Tom Rogers studied at the School of Art, Pratt Institute, Brooklyn, and at Florida International University, Miami, where he received a Bachelor of Fine Arts in studio painting. He also received a Bachelor of Arts in English literature from Fairleigh Dickinson University, NJ. A native of New Jersey, Rogers has lived, worked and shown his paintings in Miami, Atlanta, and the New York City area.
In Taos, New Mexico, he has exhibited in several shows at the Millicent Rogers Museum, The Harwood Museum and Taos Invites Taos, 2008, 2009. Rogers has been represented by Bryans Gallery, Collins-Pettit Gallery, Envision Gallery, and, The Taos Gallery. In Santa Fe, he has been represented by The William and Joseph Gallery. He has had nine one-person shows in Taos and his work can be found in notable collections locally and nationwide. Rogers is a founding member of the Taos Society of Portrait Artists.
A more detailed biography, a list of collectors and a chronology of exhibitions is available upon request.
A lifelong impulse has inspired my continual process of exploration and productivity with an irrepressible urge to create a unique body of art. After focusing on high realism and portraiture for almost a decade, I started painting abstractly which greatly reinvigorated my creative impulse and artistic intention. Initial imagery came from dreams and spontaneous visual ideas upon waking. Subsequent imagery is generated from areas of earlier paintings that have lines and brushwork that fascinate me. New paintings emerge when I enlarge and expand these areas onto new canvases. My body of work grows in this progression.
My focus is on movement, color, line, varying edges, organic shapes and layers. I work with a deliberately shallow depth of field and a juxtaposition of hard edges and painterliness to create images that are spirited and stimulating.
My studio is located a few miles north of the center of Taos. I welcome visitors by appointment. Please contact me.
Unless archived, all artwork is for sale through the website. Figure sketches may be purchased through PayPal directly online. All other purchases may be arranged through email, telephone or at Tom Rogers’ Taos studio with PayPal or check.
po box 941
el prado NM 87529
575 779 4275
or use the contact form below:


A boy in our class by the name of Jacob Lowen has his own voluntary service project, where he creates ‘boredom buster bags’ for children who are in the hospital. We decided we would contribute some treasures for Jacob’s bags, by painting our own Tron rocks.
As a class we have painted many Tron rocks, which Jacob will include in his bags. We wrote to Captain Compost, who kindly donated the rocks to us, and Resene gave us an awesome discount on paint. This project was rewarding and satisfying, knowing that our rocks will be treasured by many children who end up in hospital.


January 14, 2015
March 22, 2015
Honolulu Museum of Art
According to popular belief, a dream of Mount Fuji on New Year’s Eve assures a year of prosperity and happiness. Not surprisingly, Japan’s highest mountain is one of the most iconic subjects of East Asian landscape art. In particular, the woodblock print designer Katsushika Hokusai (1760–1849) founded his artistic reputation upon depictions of the volcano.
Dreams of Mount Fuji showcases 200 years of woodblock prints, paintings, and sculptures by more than 20 artists. Among them are three of the most famous Japanese woodblock prints ever created: The Great Wave off the Coast of Kanagawa, Red Fuji, and Thunderstorm Beneath the Summit, all from Hokusai’s legendary series Thirty-six Views of Mount Fuji (1826–1833). While the other works in the rotation will be up for the entire exhibition, for conservation purposes, these three important prints by Hokusai will be displayed one at a time, according to this schedule:
January 14–February 8: The Great Wave off the Coast of Kanagawa
February 10–March 1: Red Fuji
March 3–March 22: Thunderstorm Beneath the Summit


Commission Your Own Painting
Each year I accept a small number of private painting commissions. The collaboration between artist and patron is always mutually creative and rewarding. The process allows you, the patron, the ability to choose many of the painting elements that have special personal meaning -from a favorite famous painting to a family heirloom or a cherished photograph.
If you would like to discuss the possibility of commissioning your own personalized work of art, please email me at firstname.lastname@example.org or call (518) 674-8711.


Thurston County's HazoHouse will no longer accept latex paint from residents, effective August 1.
Once considered hazardous, latex (also known as acrylic) paint is now deemed safe to dispose of in the trash. Thousands of dollars are spent each year disposing of latex paint as hazardous waste, an unnecessary procedure for the product.
"Dry it up, use it up, or pass it on!" says Operations Manager Jim Zygar of the Waste and Recovery Center. He recommends the following actions to take with unwanted latex paint:
--If the can is 1/4 full or less, simply remove the lid and place the can in a safe, well-ventilated area. The latex paint will dry in a few days and then you can place the container in the trash after checking the paint's thickness with a stick.
--If the can is more than 1/4 full, use mulch, kitty litter, sand or shredded paper to solidify the paint. Just mix it in with the paint, or mix the paint with a paint solidifier, available at some hardware and paint stores. Once the paint has a tacky, oatmeal-like consistency and will not spill out, place in the trash.
--Use it up. Small amounts can be mixed with other colors and used as a primer.
--Pass it on. Donate unopened cans of paints. Many schools, theaters and community groups accept unopened cans of paint, especially white. Also check your paint store's policy on returning unopened cans of paint.
Zygar cautions that latex paints manufactured before 1989 might contain lead or mercury. "Please bring old latex paint to the HazoHouse for safe disposal."
Located at the Waste and Recovery Center at 2418 Hogum Bay Road, HazoHouse accepts hazardous household items such as solvents, cleaning supplies, fluorescent light tubes, pesticides and other products for safe disposal and recycling.
The service is free to residents. A complete list of accepted materials and other information is available at www.co.thurston.wa.us/solidwaste
or at 867-2491.
HazoHouse hours are Friday through Tuesday, 8:00 a.m. to 5:00 p.m. ###


Welcome. You have reached the website of Jeanne Mack, Elberton Ga. artist. Browse through my images and lose yourself in the gardens and rural scenes that I love to paint. You may not be a cat lover like me, but I also love old barns and rusty trucks, My gardens aren't perfect, but I try each year to plant flowers that inspire me and attract birds that appear in so many of my paintings.
For many years I painted exclusively in watercolors, but recently acrylics have gotten my attention. The colors are bolder and techniques looser.
Take a look, you'll see what I mean.
Site Map - Copyright Jeanne Mack Art 2012


Swan Valley Still Life Painting
Event date: Sunday, 11 October 2020 | 10:00 AM
to 03:00 PM
Learn to compose and paint a still life arrangement of Swan Valley produce with West Australian artist Bernard Kerr.
Bernard will walk you through the concepts that underpin still life painting and how to effectively use composition, tone and colour in order to develop a resolved still life using the mediums of watercolour and gouache.
Enjoy a selection of local wine and antipasto in the break. Bernard has been an artist and educator for over 40 years, working in ceramics, sculpture and painting in Perth, Indonesia and Melbourne.
This event is suitable for ages 16 and over.
Sunday, 11 October 2020 | 10:00 AM
- 03:00 PM
Midland Juction Arts Centre, 276 Great Eastern Highway , Midland 6056 View Map


Picking out the right trim colour for your home’s interior is a big decision. No matter what your wall colours are, you can use the trim to either coordinate the look or to make a contrast with it. This is one of the most remarkable ways you can use all of your design elements within your home to give it a cohesive look.
Today, we will talk about everything you need to know when choosing the best paint colour for your trim. It is essential to understand colour theory, how different colour combinations work well, and how they might be able to complement the rest of your home. With our advice, you can make the most out of your new paint job.
Trim colours and combinations
One of the best ways to choose a trim colour is to choose one that makes the whole room more aesthetically appealing. Trim is usually an accent to the overall room design, and it shouldn’t dominate the existing colours found in the room. The correct trim colour will add style and elegance to the interior walls of your home and help bring everything to life.
The colour of your trim can work as a complementary or contrasting colour for the existing interior walls. Because the trim helps give a room a sense of harmony and relates to the colours of the wall, many people choose a complementary colour which is lighter or slightly darker shades of white, cream, natural wood or stain. Or even black sometimes. This helps bring together the entire space in a cohesive way.
You probably noticed that many people use white or stained wood trim to complement their walls. These trim colours will typically fall into the same spectrum of light and dark. Others find that a contrasting colour trim works well and helps emphasize the colour of the interior wall.
Darker trim colours, such as black, are often used to call attention to or accent a particular feature of a room, windows and doors. Darker trim colours can help make some aspects of a room stand apart. Trimming it in black or other darker colours is an option that has recently gained popularity.
If the walls in your house are a bold, dominant colour, then using a white or lighter coloured trim would be the best option since white comes in many different shades. These can serve as either complementary or contrasting colours to existing wall colours.
What type of paint should you use?
After picking the colour for your trim, the next step is to select a type of paint to use. Semi-gloss paint would be the best option for many different reasons. It is one of the most durable types of paint, and they are straightforward when it comes to cleaning and maintenance. This durability and easy cleaning make semi-gloss paint the best for high-touch areas such as kitchens and living rooms.
Semi-gloss paint is also reflective, meaning it will use the natural light found in the room to help illuminate the shadows. If you want to ensure that your trim colour stands out, purchasing this type of paint for its reflective properties will help you achieve this upgraded aesthetic.


This lotus shaped paint palette from Micador features two trays each with 7 wells (giving a total of 14 wells).
It’s made from strong, durable plastic.
The generous sized wells makes the palette suitable for mixing all water-based media such as watercolour and gouache.
Trays can be used as a top and bottom to keep paint from dying out. The paint palettes can also be stacked on top of each other for easy packing up and storage of used paid ready for the next painting session.
OTHER ART PRODUCTS
This blue art smock is perfect for wearing when using our other art supplies including:-
- No Drip Paints: purple, red, green, blue, orange and yellow
- Stencil sets
- stuff for painting
- paint palette and
- splash mat
Don’t get hung up on how messy painting can be as there are a plethora of benefits associated with this creative art form. Painting supports cognitive development, helps build confidence in both the process and the finished product. As with other art and craft activities painting helps spark a child’s creativity giving them a platform for expressing and developing their own personal style.
ABOUT ENCHANTED YEARS
Enchanted Years is a children’s boutique store in Williamstown, Victoria. We stock a range of children’s books, toys, clothes, educational games and dress ups. While some of our most favourite items are online there are number of products that are not listed on this webstore. If you have seen something in store that you wish to purchase online please give us a call on 03 9397 1154 and we’ll add the item on our online store for you.


H&H Series September 24th 1999 Ham &High, Helen Smithson Art 35
PEOPLE tend to divide into those with a preference for the countryside and those who feel it necessary to be near water. Rhonda Whitehead belongs to the hitter group. Although from her home in Swains Lane, Highgate, large expanses of water might not be immediately accessible, it has always been an important part of her creative vocabulary.
Which highlights another paradox. She was born in one of the hottest, driest continents on earth: Australia. These apparent contradictions are all to be found in her work which is currently on show at Highgate Fine Art and the Highgate Gallery in Earth, Rock. Water.
Her Water series of paintings springs from her time spent in the Waveney Valley in Norfolk, where she may be seen examining pieces of algae drifting along in the water. Back at her studio in Highgate she transforms these tiny portions of the natural landscape into very large paintings.
Rock, Australia Series
Although entirely abstract, her water paintings have the feeling of an image seen under a microscope. Flattened onto the surface of the canvas, she captures well the fleeting second when the light hits some submerged object. Whether this is the algae of marshy Norfolk, or the brightly colored coral of Australia.
It is this sense of vast skies and huge landscapes seen at close range that unites the work. This longing took her on an extended trip to Australia in 1996, where she became fascinated by Ayer’s Rock.
The Ayer’s Rock paintings vary in size from small squares to 5 x 4ft works. The tiny images manage to convey the huge mysterious rock at the dead center of Australia. The fissures and stains of the ancient geological formations she paints in series of tiny marks, or slanting, strata-like strokes, as the deep reds of the rocks are set against the eyeball-searing blue of the sky.


Love and Flowers Wall Art
Wall Art - Size Guide
|6 x 7||13 x 18|
|6 x 8||15 x 20|
|8 x 10||20 x 25|
|9 x 10||21 x 30|
|12 x 16||30 x 40|
|16 x 20||40 x 50|
|20 x 28||50 x 70|
|24 x 32||60 x 80|
Any questions on size? Contact us.
A great gift for your sister or girlfriend, these romantic artworks features a lyrical canvas and one flush with pale pink peonies.
Hang the art in your dorm room or frame it in your bedroom at home.
The quality canvas is thick and durable and printed with fade-free ink, so the images look good forever.
- Eco-friendly, waterproof cotton canvas printed with anti-fading ink.
- Dimensions adapted to standard frame sizes.
- Frame is not included.


I was overjoyed to have been given this card. I never actually played D&D, but I marveled at the D&D dragon art since I stumbled upon them as a girl and they gave me so much inspiration. And now I actually got to paint one! Officially! For Magic: the Gathering rather than D&D but all the same, I'm incredibly honored to have been entrusted with one of these, and had so much fun painting it!
Thanks to my art director Zack Stella for entrusting me with this guy.


Participants should bring:
- Watercolour paints consisting of at least a red, yellow and blue and some earth colours like yellow ochre and burnt sienna or sepia.
- A watercolour palette.
- Watercolour brushes, at least a smaller round and a large wash brush.
- Watercolour paper. If possible buy an artist quality paper. one sheet (22’ x 30”) cut into four pieces is more than sufficient.
- A rigid support to tape or clip your paper to.
- Water container, paper towel, masking tape or clips.
- An easel (optional)
About Tom Ward:
Born in Halifax, Nova Scotia in 1959, Tom studied geology at Dalhousie University and worked for four years in the oceanography department at the university. From 1986-1991, he pursued a combined degree in Fine Arts and Art Education at the Nova Scotia College of Art and Design. He worked for a year as a teacher. Since 1993, he has been working full-time as a painter in watercolour. Tom’s goal is to paint the light and what that particular light evokes in fact and mood. He is drawn to a consideration of how we mark time in the rhythms of daily rural life and how the cyclical aspect of nature holds a quality of the eternal. He is also drawn by the relationship that exists between the landscape, the ocean and the people. In terms of composition, Tom tends toward strong abstract patterns of light and shadow within the realist images he paints.


EARLY ARTISTS AND ARCHITECTS OF SANTA PAULA
This mural celebrates Santa Paula's rich artistic heritage and some of its earliest artists and architects. At far left, Roy C. Wilson - the first licensed architect in Ventura County - shows a conceptual drawing of St. Sebastian's Church to fellow architects Robert Raymond and John Stroh, who are positioned at the center of the table. The mural's background honors the work of Jessie Arms Botke, who was famous for her lavish bird paintings and murals. Her fellow artist and husband, Cornelis Botke, is seen applying the finishing touches to one of their shared murals. Douglas Shively, a Santa Paula native and founder of the famous Santa Paula Art Show, stands near his friends, the Botkes. Depression era photographer Horace Bristol, and Sierra painter Robert Clunie are shown seated on opposite sides of the table.


Did You Know? The Sistine Chapel
Did you know the size of the Sistine Chapel is based on the dimensions of the Temple of Solomon, as given in the Old Testament? It measures 134 feet long, 44 feet wide and 67 feet tall. During the reign of Pope Sixtus IV, a team of Renaissance painters that included Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Roselli, created a series of frescos depicting the Life of Moses and the Life of Christ, offset by papal portraits above and trompe l’oeil drapery below. These paintings were completed in 1482 and on August 15, 1483, Pope Sixtus IV celebrated the first Mass in the Sistine Chapel for the Feast of the Assumption.
It wasn’t until 25 years later that Michelangelo began to repaint the ceiling. It was originally painted as golden stars on a blue sky. The number of square feet in the Sistine Chapel painted by Michelangelo amounted to 5,800. It took him four years to paint the ceiling (beginning in 1508). In 1980, restoration began on the ceiling, which took 12 years to complete.
In 1515, Raphael was commissioned by Pope Leo X to design a series of ten tapestries to hang around the lower tier of the walls. The tapestries depict events from the Life of St. Peter and the Life of St. Paul, the founders of the Christian Church in Rome, as described in the Gospels and the Acts of the Apostles. Work began in mid-1515. Due to their large size, the manufacture of the hangings was carried out in Brussels and took four years to complete. Raphael’s tapestries were looted during the Sack of Rome in 1527.
Although best known for the ceiling of the chapel, Michelangelo also painted The Last Judgment between 1535 and 1541. The work was designed on a grand scale and spans the entire wall behind the altar of the Sistine Chapel. The painting depicts the second coming of Christ on the Day of Judgment as described in the Revelation of John, Chapter 20.


Indulge in the serene beauty of this stunning watercolor painting, capturing the essence of a fisherman's idyllic day on the enchanting River Wandle in Colliers Wood. Painted with a masterful blend of various hues of green and yellow, Prussian blue, and a subtle touch of neutral tint, this artwork transports you to a world of tranquility and natural splendor. The scene comes alive as the sun's radiant rays shimmer and glisten in the sky, casting a mesmerizing and dazzling glow upon the river's surface. The skillful brushwork and impeccable use of colors beautifully convey the peaceful ambiance, while the fisherman stands as a solitary figure, immersed in his craft amidst the serenity of nature. Whether you're an avid angler or an admirer of landscapes, this captivating painting is certain to evoke a sense of wonder and awe. Bring home this exquisite piece of art and let its ethereal charm infuse your space with a touch of natural serenity and visual delight.


Prints by Russell Norberg
16" x 12"
"When I was in high school I enrolled with an
art correspondence school in Minneapolis known as Art Instruction, Inc. We had no art classes in our
high school so my studies with Art Instruction were probably the main reason I went on to study art
in college. They honored me by printing this painting on the cover of their 75th anniversary Spring
1989 issue of the Illustrator along with a feature article on my work.
The subject of the painting is a spot on the northern part of the Mississippi River with a bit of fog
lifting off the distant shore and the morning sun breaking through. Some wild roses add their color
to the June morning."
Back to Prints
Copyright © 2001 Paper Birch Inc.


There is something inherently cheerful about the work of David Hockney, and this latest exhibition of his paintings and other works inspired by the homely Yorkshire landscape clearly demonstrates that fact. Perhaps it is the vibrant colours that Hockney sees in everyday scenes, or perhaps it is the scale of the works, which adorn entire walls of the Royal Academy. Either way, and if it hadn’t already, the nation has now fallen for Hockney completely. His use of British scenes instills a great sense of national pride, and the use of an iPad and cameras in his work also demonstrates a willingness to merge old techniques with modern methods to great effect.
While much of the exhibition focuses on Hockney’s newer works, completed after 2004 and in some cases only recently finished for this particular show, there are some outstanding first pieces from Hockney’s younger days. Among these, Bolton Junction (1956- shown below) is particularly notable as it shows Hockney’s early preoccupations with his homeland, trees, and a local setting. Although he may not have always portrayed this inspiration, it had clearly entered his psyche: later in the 1990s, while Hockney was living in New York, he painted several scenes of the Yorkshire countryside recalled from drives he took to visit a sick friend from memory. Despite not being painted from living scenes, North Yorkshire (1997) and The Road across the Wolds (1997- shown below) lovingly recall the rolling English hills, and the thick spreads of oil across the canvases are illustrative of Hockney’s clear skill in this medium.
However, Hockney did return in time to paint his favourite subject from observation. One room is dedicated to watercolours and oils of the paths, roads, hills and trees of unspoilt Yorkshire. In an interesting juxtaposition, we are invited to compare these techniques employed by Hockney: whilst the oils are bold and warm, his watercolours offer a level of detail and deep tonal range.
The exhibition moves on to present the idea of the tunnel being a key motif in Hockney’s work, and indeed, in a series of paintings of a woodland tree ‘tunnel’ through different seasons, it is evident why. The tunnel form provides Hockney with numerous trees to portray, their branches and leaves in summer versus winter, and the end of the tunnel leading out onto a beautiful countryside scene. Other recurring images include scenes from Woldgate Woods, hawthorn bushes in full blossom (indeed these paintings of vivid colour and strange thick clusters of blossom look almost otherworldly) and felled timber. Felled trees on Woldgate (2008- shown below) is painted across two canvases, and is remarkable due to Hockney’s colour choice for translating a woodland scene: pink is the winding path through the blue-trunked trees, and in the centre of the foreground a purple tree stump stands strangely tall. Also of note are several outstanding charcoal drawings made as preliminary sketches, which clearly show Hockney’s superb eye for observation.
At this point, the exhibition boldly presents an entire room under the title of The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) (shown below) featuring 52 works, some in oil and others lifted from iPad sketches made by the artist. It is these works that have sparked the most debate: is it right for Hockney to use an iPad? What value does it add or take away from his work? These questions require a personal response, and whilst initially I judged some of the pieces, when I saw the iPads themselves it became apparent that Hockney would have applied the same level of observation and execution in these works as his more traditional paintings require.
Hockney’s film montage also portrays a preoccupation to embrace modernity and apply it to his art. Here, several cameras capture the same scenes on several screens (a country lane, Hockney’s own studio, and a dance class complete with pianist in the right hand corner) but from a slightly different vantage point and view. Thus the final image is slightly broken, with elements both missing and repeated, yet totally watchable, and at times very amusing.
A final mention must go to Hockney’s recent work inspired by Claude Lorrain’s Sermon on the Mount (1656). Hockney saw Lorrain’s masterpiece in the Frick Collection, New York, and decided to make a series of his own interpretations related to the scene. The result is fascinating as Hockney experiments with a direct copy, to more abstract forms and sharp lines and shapes.
A Bigger Picture is worth all the hype, and it was a pleasure to take in Hockney’s scenes despite the crowds.
David Hockney RA: A Bigger Picture is now showing at the Royal Academy, London until 9th April 2012.


LiquidStack #6 – 36 x 35″ – watercolor on layered and sewn translucent Yupo paper
This coming Saturday, November 23, my 5th show with SMINK in Dallas will open with an evening reception. I won’t be there for this one, but if you are in Dallas, please come by to see the new work. There will be more of what I think of as the “bars” paintings, like LiquidStack #6, above, as well as paintings with circle grids, the format I’ve been working with for several years. As always, the paintings have a restful, flowing and expansive quality that I hope you will enjoy.
My thanks to the wonderful Smink sisters, Jennifer, Autumn and Dawn, for their constant support of my work!


In accordance with our community’s CC&R (2015), prior to applying exterior paint to your buildings, you must obtain approval of the HFVOA’s Architectural Review Committee (ARC). Allow ~2 weeks lead time for approval. Please read your copy of the specifics in the HFVOA Architectural & Community Livability Principles and Rules document.
Exterior Paint Specifications per ARC Regulations
Exterior paint of Hawthorn Farm Village houses or outbuildings must be harmonious with the others in the subdivision. Prior to painting the same color or changing the exterior color, you must submit the color scheme to the Architectural Review Committee for approval. Only three colors of paint on one building are allowed. The entry door may be a separate color. Outbuildings must match the main structure. Paint finishes to be used on the body of the home should be of a flat or satin content. At no time can high-gloss paint be used on the body, trim (including shutters) or door(s) of a home.
- Print this form, fill in information
- Mail the printed form, along with paint samples required to
5500 NE Farmcrest St.
Hillsboro, OR 97124
- If there are no questions about your application, the ARC will review it, contact you, and provide you with an orange approval card.


PPG Architectural Finishes, Inc. is announcing the launch of the reformulated, Manor Hall interior super premium latex paint. Manor Hall is resistant to household stains through the combination of resin and proprietary formulation.
These 100% acrylic latex paints have an outstanding adhesion and coverage, offering a burnish and mildew resistant coating and providing the durability for use in high humidity and high traffic areas. A rich, smooth film provides a beautiful finish with the product’s outstanding hiding aided by excellent flow and leveling. The product is recommended for the following substrates: concrete/masonry block, ferrous metal, gypsum wallboard-drywall, plaster and wood.
“The reformulated Manor Hall interior paint improves upon a well-established, trusted product by providing our customers with added features and benefits,” said Tracy Pease, PPG Architectural Coatings NA Residential Repaint and Brand Manager. “These enhancements continue to build upon the Manor Hall interior paint reputation for outstanding performance at a highly competitive price point.”
|Paint, Primer & Stain Repellent in One||A primer coat is usually not necessary; combination of resin/formulation resists household stains (Causes water stains to bead up and run off surface)|
< 50 g/L VOC
|Can be used in all regulated areas|
|Excellent burnish resistance||Surfaces can be wiped or brushed against without impacting the sheen of the film|
|Excellent flow and leveling||Provides smooth film and promotes better hiding and coverage|
|Excellent scrubs||Offers excellent durability and enables repeated cleaning|
|Lifetime Limited Warranty||Satisfaction guaranteed|
Manor Hall interior paints are available in flat enamel, eggshell, stain and semi-gloss sheens at any PPG PITTSBURGH PAINTS® retail locations and independent dealers. This product works with PPG’s THE VOICE OF COLOR® program to provide a wide color range and professional color tools to meet the most demanding design challenges.PPG Architectural Coatings PPG Architectural Coatings is a respected paint industry leader, providing interior and exterior paints and stains as well as caulks and adhesives for homeowners and professionals across North America. PPG’s line-up of residential, commercial and industrial paint brands offers a wide range of choices to meet the varying needs of consumers, interior designers, painting contractors, property managers, developers and architects. Backed by PPG Industries, the world’s leading coatings and specialty products company, PPG Architectural Coatings manufactures and sells its products through home centers, independent dealers and through a network of company-owned stores across North America. For more information, visit PPGAC.com.


Customer Service: 1-800-663-2220
This 28 piece assortment contains milk, dark and white chocolates
including mini creams, chocolate-covered almonds, truffles, Empress
Squares, butter caramels and mini bars.
Artist: Morgan Warren
Canadian Artist Morgan Warren’s chosen subject matter is the beauty of Nature. In her watercolour “Fishing for Rainbows”, she has painted a magnificent Bald Eagle which has just caught a trout, and is soaring to rejoin its mate. A mountainous backdrop glows in the misty morning light: the epitome of Vancouver Island's scenic West Coast.
For more information on Morgan's work, please visit her website at: http://morganwarren.com
Chocolates is committed to Fair Trade Certified™ Cocoa. Click here to
learn how your purchase helps support a better world.


From the Designer
Miller Paint Gets a Brand New Website Design
From the first early days of Miller Paint Company when, in 1890, Earnest Miller Sr. purchased a stone mill and began manufacturing his own paint for use in murals and houses, to the Miller Paint of today, the foundation of Our Company has been built on the trust of our customers. That trust permeates through our employee ownership, our focus on superior product quality, providing extraordinary customer service, and a deep involvement in the community. The collaborative spirit you see today at Miller Paint is built on a teamwork of trust and a culture that rewards excellence, integrity and innovation in all aspects of our business.Steve Dearborn
CEO & President by Author
CyberSlang/Bigeye has enjoyed a long-lasting relationship with Miller Paint right from the launch of their inaugural website many years ago, to the unveiling of their third Internet offering, in December, 2017. Headquartered in Portland, Oregon, Miller Paint has hundreds of retail locations throughout the northwestern United States.
The re-design of the Miller Paint website was a massive undertaking, beginning in August, 2017, through its December unveiling. The process also included the development of a sister site, Miller Paint Pro, geared towards industry professionals.
Our thanks to our friends at Miller Paint for giving us the opportunity to be their Internet design team.


Height 0.92 m; width 0.78 m.; Thickness 0.06 m
Materials of Construction:
Mortar and pigments
Thessaloniki, Vlatadon Monastery
The wall painting is detached from the sanctuary of the Catholikon of the Vlatadon Monastery. Seven Apostles, in fragmentary state of preservation, are depicted in a neutral background talking to each other, seated on a semicircular bench with their feet placed on a rectangular footrest. The sandal of the right foot of Apostle Andreas, the fourth from the left to the viewer, is untied. The prototype of this scene, even in details, can be traced to identical compositions of the first quarter of the 14th century in Agios Nikolaos Orfanos and Chilandar Monastery in Mount Athos.