Cantors are lay singers who lead the congregation in song while inviting full participation by everyone present. The cantor proclaims the Responsorial Psalm as Psalmist, as well as the songs, hymns, and sacred texts of the liturgy. Cantors are responsible for preparing ahead of time the liturgical music for a given liturgical celebration. Cantors are encouraged to contact the Director of Music and Liturgy for help with the spiritual or musical preparation for any Masses.
The Choir is directed by the Director of Music and Liturgy. Choir members sing at the 10:00am Sunday Mass and other major parish events. The adult Choir at Saint Joseph rehearses Wednesday evenings 7:00-8:30pm in the church from September through May. All are welcome, from beginners to experienced singers. The Choir is open to high school students.
The Saint Joseph Children’s Choir consists of the choruses from Saint Joseph Grade School, as well as interested children from the parish. The Choir is directed by the Director of Music and Liturgy. The Children’s Choir sings for a variety of special liturgies, including the Sunday kicking off Catholic Schools Week, Advent Lessons and Carols, Christmas Eve, and Holy Thursday.
Instrumentalists are invited to play at whichever Mass they normally attend. Masses are scheduled on Saturday at 5:00pm, and Sunday at 8:00am, 10:00am, and 5:00pm. All are welcome, from beginners to experienced players.
HOW TO GET INVOLVED
If you are interested in serving in this ministry, please contact our Director of Music and Liturgy.
Director of Music and Liturgy
574-234-3134, ext. 115


"PETROL", the second full length of Swiss doom visionaries TAR POND is clearly drawing inspiration from US doom classics such as SAINT VITUS as way as going all the way back to the British roots embodied by BLACK SABBATH. There are also moments that connect TAR POND with contemporary doom acts such as ELECTRIC WIZARD and ACID BATH. At the same time, TAR POND also exemplify the stubborn streak of Swiss metal that displays a fierce individuality and creative independence as outstanding acts such as CELTIC FROST, CORONER, and ZEAL & ARDOR easily attest. Going back to the crossroads of time, everything seemed to change when Martin Ain, bass player of the iconic CELTIC FROST and one of the founding members of TAR POND passed away in October 2017. Before this tragic day, the Swiss legend had already recorded the debut album together with the other founding members, the former CORONER drummer and lyricist Marky Edelmann, and the renowned scratchboard artist and vocalist Thomas Ott. After a long time of intense deliberation, TAR POND decided to continue as a band and to release the debut under the title "Protocol of Constant Sadness". This album was originally written and recorded in 2016/17 under the guidance of producer and guitar-legend Tommy Vetterli of CORONER fame. Inspired by the enthusiastic reception of "Protocol of Constant Sadness", TAR POND again joined forces with Tommy Vetterli at the New Sound Studio to record "PETROL". Due to changes in the line-up, Petrol" is a collaboration of old and new band members throughout different times. Despite these circumstances, the second album appears to be coherent and focused on TAR POND's declared aim to deliver a soundtrack of brutality and an electric protocol of constant sadness. And while the Swiss filed their debut under the description 'Doom'n'Gloom', their sound has also been described as a combination of doom and post-metal. With "PETROL", TAR POND fulfil their original promise: this album is a beautiful soundtrack of darkness and sorrow.


Union County Historical Society
Shape Note Music Singing
EVERY 2nd THURSDAY, 2011
at the Old Union County Court House in Blairsville
Courtroom of the Court House, 6:30 p.m.
Beginners and Listeners Welcome!
The key phrase is audience participation. Different singing masters, or leaders, will choose a song from one of the shaped-note songbooks and lead the congregation in the singing. The music is like any music except each note has a particular shape, and the music is performed by reading and singing the notes. Those in attendance who cannot read the shaped notes simply listen and enjoy the music.


DART® Karaoke Studio
The software suite with everything you need to make custom Karaoke for CD+G machines.
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Plus - record CD+G discs for Karaoke machines
Plus - create CD+G files for software CD+G Players
Record from CD+G discs (rip) for CD audio AND graphics (BIN files) or just audio (WAV files)
Compile and burn custom CD+G discs
Includes a CD+G player
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Customize display of lyrics colors, refresh style and fonts
Support for CD-R/W drives that read and write CD+G
Many additional features in our latest version
Karaoke Studio’s Player Screen:
You’re in control, select a song, then playback, sing along, or record as the lyrics roll by.
CD+G Technical Notes
Who Uses DART Karaoke Studio CD+G
A Visual Guide
Great user support
About DART DeVocalizer
Click to Download the DART Karaoke Studio CD+G Data Sheet (pdf format)
What Karaoke Studio CD+G users are saying:
"Now I can expand our (CD+G) library beyond those available on the open market."


A FREE, fun concert with recorder!
Join us for a morning of musical exploration.
The brilliantly wacky ensemble Red Priest will share music up close during their tour of Aotearoa. https://youtu.be/V8wL1AR7iqo
An accompanying educational resource for schools will be available prior to the concert.
If you have any questions, please get in touch using the contact information below.
Please note: this event will be photographed and recorded. By registering for this event you are giving permission to be recorded / photographed.


Pop beats are popular because they are responsible for some of the hit songs that have topped the Billboard charts for a considerable period. Not just that; pop music is a favorite to many music listeners because they have the best beats that guarantee the unrivaled entertainment. Indeed there is high demand for pop beats, and if you create the best beats, you will sell them to the artists. This is an opportunity to create and sell the pop beats to the artists, and if you do an exemplary job, then you can always find artists ready to buy the beats. If you are producing and selling pop beats, then you should work hard to offer the best as there is fierce competition in the industry. You can be sure of selling many pop beats and making money only if you master the technique. For that reason, this article provides the essential tips on pop beats production and selling that are helpful.
Use high-quality sounds – A high-quality sound is an essential ingredient if you want to make the best pop beats. Indeed, you can do everything necessary to produce the best pop beats, but if you mess in the quality of sound, all your efforts will be watered down. You need to have the best software and equipment for pop beats production so that you get an edge over your rivals in the industry. Every music artist wants the best, and you must provide it if you want to get their money.
Take time to listen to pop music – Do not always think that there is nothing to learn from others because there is plenty of information about pop beats that you might not know. Learning in the music industry is a continuous process, and you must be ready to grasp new concepts. You can research on the internet to know about the new trend on pop beats, or you can listen to pop music and try to identify the things that you do not know. Once you want what artists like, then it becomes easy to produce pop beats that suit their preferences. There is no harm in listening to the pop beats produced by other producers as you can borrow a few tips that can spice your work. You need to pay attention to beat patterns, vocals, transitions, rhythms, synthesizers, and melodies so that you master what is appealing to most people and thereby you can create something worth buying and listening.
Do not focus on beats only – Although you focus on producing pop beats, if you want to sell them fast, you can accompany it with a chorus. This gives artists clue on the kind of song that suits the pop beats, and thus, it will be easy for them to use the beats once they buy it. Well, this might be an additional task that you do not know, but you can engage a songwriter to provide the reference hooks.


Midnight is thrilled to announce that Boogey The Beat has joined the Agency roster. Boogey is an Anishinaabe DJ and producer from Treaty One Territory (Winnipeg, Canada) making waves with his blend of traditional Indigenous rhythms and modern electronic beats.
Boogey has worked with The Halluci Nation (formerly a Tribe Called Red) and Snotty Nose Rez Kids, playing stages across Turtle Island. In 2021, Boogey's work earned him a finalist spot for the RBC Emerging Musician Award, as well as a performer selection for TD Music Connected Series. Complex Canada also took notice of Boogey's talent, featuring his track on the "30 Best Canadian Songs of 2021" list.
Boogey's style of music production involves building each song around a percussive heartbeat, then adding vocals and instruments, letting the drum lead the way. While he hopes his music will resonate with revelers from all walks of life, he beams at the thought of Indigenous youth hearing pow wow and sundance songs for the first time at one of his shows.
“It’s important to not forget that at one time it was illegal for us to sing these songs, play these drums, and go to these ceremonies,” he says. “Now it’s a time for celebration, and for us to take over the main stage.”
Midnight Agency is proud to represent this accomplished and dynamic artist.
FOR BOOKINGS PLEASE CONTACT:
Responsible Agent (Canada)
For more on Boogey The Beat visit www.boogeythebeat.com


Jazz Print, "Drum" - Musical Poster | Amit Maoz
High quality digital print of a musical instrument and a player that comes to life through a simple app that gives art another layer through augmented reality technology and original music!
Amit explores the different proportions between the instrument and the musician and creates an attempt to describe the power of the music that the instrument produces in relation to the musician, and the connection created between them.
This effect is presented through dramatic colors, graphic shapes and a sense of infinite space.
Print details: This art print is part of a musical series that is sold in various museums and galleries across Europe and features new augmented reality technology.
Just download the Artivive app, scan the poster with your phone / tablet camera and the graphics come to life on your wall! The animation is accompanied by original music.
The print comes in three sizes (A4, A3, A2).
Fine Art print with UltraChrome HD ink.
Digital printing on quality paper 250 g White Fine Art.
The print comes signed by the artist.
Please note - Prints are sold without a frame!


With almost 3,000 lessons created by music teachers for beginners to professional musicians playing any instrument, EarMaster is a comprehensive, consumer-grade app with extraordinary functionality that uses a variety of different technologies. Despite the app’s technologically advanced backend, the EarMaster team worked hard make it as simple and intuitive as possible to use. EarMaster features audio recording and audio playback, musical instrument digital interface (MIDI) input and output, instrument sound sampler and many other technologies – all made with the native iOS frameworks (AudioUnit, CoreMidi, etc). It supports Windows and macOS as well as iOS. It draws real-time pitch curves on a musical staff based on pitch detection of microphone recordings, teaching musicians of all levels to recognize, transcribe and sing melodies, scales, chords, intervals, chord progressions and rhythms.


The cast performs a highlife song with Kyekyeku’s band
In April 2015, we previewed Act I of an experimental highlife musical written by Artistic Director Elisabeth Efua Sutherland at the Live in Accra 2015 Jazz festival hosted by Alliance Francaise.
Mod fashion, heavy funk, local highlife, two feisty singers and a heartbroken jazz pianist populated this musical comedy set in 1960s Accra. An exploration of the music scene in Ghana & West Africa at the time, the play includes original songs and covers of songs selected from the period, bound together by the story of Diva Stepchild, an up-and-coming funk duo whose concert pianist (Elliot Yorke) has just been dumped by his fiancé. Will Elliot Yorke get over his heartbreak in time for their big debut, or will political unrest sabotage their one shot to make it big in West Africa?
The audience responded well, and there was particular resonance with older members of the audience who wanted us to delve deeper into the atmosphere surrounding the 1966 coup in particular, as they felt that there was not enough new media critically exploring the period. Younger members of the audience were fascinated with the songs and the funky highlife covers that were played.
We intend to continue the development of this show as time goes by if we can secure funding to do so. The lead roles, played by Kyekyeku and the twins Winnie and Amanda, will be fleshed out fully over three acts with more original songs and a deeper look at Ghana’s past political climate.


I love this image of Candoco Dance Company's Vicky Malin performing This Is It, the solo I made for her as part of the company's 20th anniversary season. She is a rock star.... literally. The work toys playfully with our expectations of a solo contemporary dance performer and features Vicky singing (live!) her very own, specially-written, uplifting euro pop single, available now on iTunes (search for Vicky Malin, This Is It). You can find out more about the work here: http://www.candoco.co.uk/videos/insight-matthias-sperling-this-is-it/. Photo by Tom Palliser/Candoco.


Dance is a universal language that transcends boundaries and cultures. It is an art form that allows for self-expression, emotional release, and physical well-being. But can dancing also improve balance? Balance plays a vital role in our daily routines, from walking and running to climbing stairs and carrying loads. Can engaging in regular dance classes really enhance this crucial aspect of our lives? Let’s delve into the topic and explore how dance can be beneficial for your balance.
Before we can fully comprehend how dance can improve balance, we must understand the relationship between the two. Dance can be defined as a series of controlled, purposeful movements that use gravity and momentum to maintain equilibrium.
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Dance requires a great deal of balance to execute precise movements and transitions, and over time, this can lead to an improvement in overall equilibrium. But how exactly can dance classes lead to enhanced stability?
One of the most crucial aspects of dance that can lead to better balance is enhanced body awareness. Dance is a physical activity that utilizes every muscle in our bodies. Through dance, you learn to become more aware of your body’s position and how it moves in space.
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A heightened body awareness can help you understand how your body functions and how it maintains balance. This knowledge can then be applied to everyday activities, helping to improve balance and coordination in other areas of your life.
Another critical factor in balance is core strength. Your core, which includes your abdominals, lower back, and hips, is the stabilizing center of your body. Strong core muscles are essential for maintaining balance in all types of movement, not just in dance.
Dance classes often involve movements and routines that strengthen the core muscles. By consistently participating in dance classes, you can build a stronger, more stable core, which can ultimately lead to better balance.
Different dance styles have different impacts on balance. Some types of dance may focus more on certain aspects of balance than others. Here are a few examples of how various dance styles can improve balance.
Ballet is renowned for its emphasis on balance and control. Ballet dancers must maintain their balance while executing intricate moves and maintaining precise postures. By practicing ballet, you will not only enhance your core strength and body awareness but also improve your proprioception, the body’s ability to sense its position and movement in space.
Ballroom dancing is another dance style that can significantly improve balance. It requires a strong sense of rhythm, precise footwork, and tight coordination with a partner. The ability to maintain balance while moving quickly and changing directions can be greatly enhanced with regular practice of ballroom dancing.
Latin dance forms like salsa, rumba, and cha-cha require quick footwork, sharp turns, and agile movements. These dance styles can heighten body awareness and improve core strength, contributing to better balance.
Research supports the idea that dance can improve balance. Numerous studies have explored the impact of dance on balance, particularly in older adults and people with conditions like Parkinson’s disease that can affect balance.
As people age, their balance tends to deteriorate, increasing the risk of falls. However, research has shown that dance can help improve balance in older adults. A study published in The Gerontologist found that older adults who participated in a weekly dance program showed significant improvements in balance and physical performance.
Parkinson’s disease affects motor control, often leading to balance problems. However, a study in the Journal of Neural Transmission found that patients with Parkinson’s disease who participated in a 12-week tango dancing program showed significant improvements in balance and mobility.
Whether you’re an older adult looking to maintain balance or someone dealing with a balance-affecting condition, dance classes could be a beneficial addition to your routine.
If you’re convinced about the benefits of dance for balance, the next step is to incorporate dance into your routine. However, you must select a dance style that you enjoy and are comfortable with.
You can start with simple dance classes and gradually move on to more complex ones as your balance and confidence improve. Remember, consistency is key when it comes to reaping the benefits of dance. Regular practice will help enhance your balance, agility, and overall physical fitness.
While dance classes can help improve balance, it’s essential to approach them with realistic expectations. Improvement takes time and dedication. But with regular practice, patience and perseverance, you can harness the power of dance to enhance your balance and overall well-being.
Remember, dance is not just about improving balance; it’s also a fun, enjoyable way to stay active and healthy. So, step into the dance studio with an open mind and see the difference it can make in your life.
In summary, dance classes can indeed improve balance. They enhance body awareness, strengthen core muscles, and can even provide significant benefits for older adults and individuals with balance-affecting conditions. The key is consistency, so find a dance style you enjoy and start moving!
Scientific research has played a significant part in exploring the relationship between dance and balance. Many studies have been conducted globally, and their findings are usually accessible through databases like Google Scholar, PubMed, Crossref, and PMC. These studies often involve control groups and physical activity assessments to ensure the results are accurate and reliable.
One of the areas where scientific studies have been particularly useful is in identifying how dance can improve balance in older adults and individuals with Parkinson’s disease. As mentioned earlier, as people age, their balance often deteriorates, increasing their risk of falls. However, dance classes can help counteract this natural decline.
A study cited on PubMed and available freely on PMC showed significant improvements in balance mobility in a group of older adults who participated in a weekly dance program. The participants showed improved postural control, which is crucial for maintaining balance, especially when the eyes are open.
Similarly, research focused on Parkinson’s disease, a condition known for affecting motor control and causing balance problems. An article on PubMed referenced a 12-week tango dancing program for patients with Parkinson’s disease. The separate window of research concluded that the patients who participated in the program showed significant enhancements in balance and mobility.
These scientific studies offer evidence that dance can indeed improve balance and postural control among different groups. However, it’s important to understand that while dance classes can help, they are not a cure for conditions like Parkinson’s disease. Always consult with a healthcare professional before beginning any new physical activity routine.
The rhythm, movement, and grace of dance can indeed be harnessed to improve balance. Whether it’s the careful precision of ballet, the fast-paced footwork of Latin dance, or the rhythmic coordination of ballroom dancing, each dance style contributes to enhancing body awareness, strengthening core muscles, and improving balance mobility.
Scientific studies, accessible through Google Scholar, Crossref, PubMed, or PMC, have further emphasized the benefits of dance for balance. They’ve shown significant improvements in balance among older adults and individuals with Parkinson’s disease who participated in a dance program. It’s crucial to have eyes open to these findings as they offer a depth of understanding to the connection between dance and balance.
Incorporating dance into your routine, therefore, can be a beneficial step towards improved balance. However, improvement requires consistency, realistic expectations, and dedication. Each dance class will bring you a step closer to better postural control, increased body awareness, and enhanced core strength.
So, why not step into a dance studio or join a creative dance class? With each dance step, you are not just moving to the rhythm, but also enhancing your balance, and overall well-being. Whether you’re an absolute beginner, an older adult looking to enhance mobility, or about to open a separate window of dance exploration, remember, improvement takes time, but the journey can be as enjoyable as the destination.
In essence, dance classes do improve balance. They are a fun, interactive, and effective way of enhancing body awareness, strengthening core muscles, and improving balance. Start your journey with a dance style you enjoy and experience the difference it can make.


Beats By Dre: 30% Off Coupon
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Beats Electronics is the brainchild of legendary artist and producer Dr. Dre and Jimmy Iovine, Chairman of Interscope Geffen A&M Records, who set out to develop a new type of headphone with the capability to reproduce the full spectrum of sound that musical artists and producers hear in professional recording studios.


Mo’ Mojo is a hard driving, high energy, “Pardi-Gras” band. The female-fronted group features three-part harmonies, accordion, fiddle, electric guitar, mandolin, rubboard, sax, trumpet, harp, bass, percussion, and drums. Songs are sung in English and French.
Mo’ Mojo takes Zydeco music and infuses it with Americana, Cajun, reggae, rock & roll, funk, R&B, and African and Latin rhythms. One of their favorite things is to play for dancers, so dance!


Ages: 10 & Up
Dates: Monday - Friday, July 9-13
Location: Community House Dance Studio
A full week of fantastic advanced technical musical theater dance classes in the styles of jazz, contemporary and hip hop. We will explore famous Broadway musicals, their choreographers, dance steps and lyrics. Dancers will learn the choreography for some of the greatest numbers in musical theater history. If you love watching the dancing in musicals like Wicked, School of Rock, Hamilton, Beauty & The Beast, Matilda, Newsies, Cats or Lion King you need to come to our Musical Theater Summer Dance Program! The week will commence with a Musical Theater Dance Performance showcasing all we have learned for families and friends on Friday at 11:45 am. Dancers should wear any black leotard and bring a nut free snack and a full water bottle daily. Please email instructor, April with any questions firstname.lastname@example.org.


Our mission is to cultivate and disseminate a local appreciation of the music of J.S. Bach, his family and contemporaries, as well as sacred/classical music in general by arranging performances, lectures and other activities.
- Develop appealing concert programs for our patrons with musicians from Australia and abroad
- Support talented young musicians in various ways
- Facilitate the musical relationship between Melbourne and Leipzig and exchange programs
- Explore suitable options, programs and partnerships concerning ‘Bach for kids’
- Work with academics on related issues
- Hold public lectures and seminars on related issues
- Facilitate international Bach networking
Statement of purposes
The purposes of the Society are:
- to promote the appreciation and the performance of the works of J.S. Bach
- to increase the appreciation and knowledge of J.S. Bach and his music
- to promote other classical composers, particularly contemporaries of J.S. Bach, and composers of organ and sacred music
- to encourage young musicians and young people with an interest in classical music by, without limitation, arranging performance opportunities, assisting in musical education, and providing tickets to events and scholarships
- to arrange performances, concerts, lectures, or other activities to promote an interest and appreciation in J.S. Bach, other classical composers and organ and sacred music in Australia.
The Australian Bach Society Inc. was incorporated in Victoria as a Not-for-profit organisation on 13 October 2011, Reg. No. A0056814L, ABN 51 744 708 578.


Technology has steadily infiltrated our daily lives. Most people will say that it makes their lives easier, more convenient, and maybe even, more interesting. Everybody has a gadget on hand at any given time of the day, because nowadays, there is a need to be “connected”. There’s a popular saying that goes: “there’s an app for that,” and whether you like it or not, technology is already part of the norm. Technological innovations are wonderful things that keep society on its toes and encourage individuals to improve things that have already been established. Take, for example, the humble percussion instrument: the drums.
Throughout history, drums have been known as musical instruments that are only seen, and heard, in the background. However, with the rise and popularity of electronic drum kits, they are now something of great interest, worthy of taking center stage. Compared to acoustic sets, electronic drum sets are easier to set-up, bring from one gig to another, and even store away. They can also be played “quietly” if you use them with headphones, which makes it a great choice for those who don’t want to bother their neighbors. If you like the look of an acoustic kit but want the variety that an electronic kit provides, you can even have your acoustic kit converted into an electronic one.
For those who record their own music, electronic kits make that much easier because they can be connected directly to your recording device or computer. You can even change the sound that your electronic drums produce, based on the genre you want to play. You can add or take away accessories whenever you like, without sacrificing space. Basically, the electronic kit has made drumming more convenient and accessible for everyone. This may be why more and more people, budding musicians and professional drummers alike, are attracted to electronic drum sets. Here is a video that talks more about the difference between acoustic drums and electronic drums:
Technological innovations have resulted in a lot of great advances that have made drums more popular and enticing to beginning musicians. You don’t even have to be a musician to appreciate the wonders that technology has brought about. If you think about it, to get a drum set (or anything, really), you don’t necessarily have to go a physical store anymore. Technology has made it possible to buy your drum kit online and have it delivered directly to your home. If you are a beginner, you can even find online drum lessons and learn from great and well-known drummers from respected music groups. Imagine getting drum lessons from a rock star. What a time to be alive!
The rise of electronic drums and drum machines have become the forerunner of some of the most popular music today. Aside from technological advances on the instrument itself, there are also various accessories that have been created to accompany the new and improved drum kit and the experience it provides. With these innovations, the music scene has also grown and expanded. The future of drumming is definitely something to be excited about even if you’re not a drummer yourself.


Melanie is the K-5 Music Teacher for the wonderful children of Northern Light School. She has been a faculty member of Zion Lutheran School, East Bay Center for the Performing Arts and City of Oakland Music and Dance Dept. as well as a music enrichment instructor for various elementary and preschools. In addition to sharing her love of music and performance with students, Ms. Rath performed, toured and recorded with Bobby McFerrin’s acappella group Voicestra and the vocal band SoVoSo’ for eleven years. As a studio musician, Melanie’s voice has been featured on Chrysler, Britta Water and Sprint television and radio commercials, and she was featured on KCSM’s “Best of the Bay” CD for her arrangement/recording of Mongo Santamaria’s jazz anthem “Afro Blue.”
Ms. Rath majored in both music education and vocal performance at Colorado State University and later San Francisco State University. She received her piano pedagogy/teaching certificate from SF State and studied vocal jazz and jazz theory at Jim Grantham’s Jazz School.
“Music elevates the mind, frees the soul, fosters happiness and brings people together. It’s the universal language for a reason! The study of music is very flexible and improvisational which allows for me to take each student and class at their current level, discover their unique talents and grow from there. My mission is to help develop each child into a well rounded young musician who can create music, read music and perform music individually as well as in groups. I want music class to be a very joyful moment in the day for the children, and for those joyful moments to add up to a lifetime of musical creation, appreciation and sharing with the world.”


Weekly Contemporary Oriental Dance with Sofiya
Zeit & Ort
Über die Veranstaltung
Treat yourself with an energizing, fun and exciting dance session!
Contemporary Oriental Dance is a blend of oriental and contemporary dance with elements of tribal fusion. The class incorporates various techniques that improve the improvisation, body control, isolations, body-mind centering, musicality, and expressiveness.
During the class we will learn more about the correct dance posture, make dance conditioning exercises, go through simple ballet exercises and turns, and learn important oriental moves. In the end, we will combine these techniques into an exciting choreography. The class level will vary according to the students. No age restriction.
Price: 12 € regular/ 9 € reduced 4-er card: 40 € regular/ 30 € reduced (valid for 5 weeks) Available through he Urban Sports Club and Class Pass
Class language : english
Contact and more info:


Phone number: 636-537-3203
philosophy and goals
Our goals are to encourage and instruct children to develop and enjoy the art of dance. Dance education gives children of any age the opportunity to work on areas of coordination, rhythm, confidence, discipline, and creativeness. Limited class size allows us to give individual attention as well as working with the class as a group, learning teamwork in a non-competitive atmosphere.
Dancing gives children the chance to feel pride, satisfaction, and self-esteem in their accomplishments. Dancing is a wonderful healthy outlet, excellent exercise, and stress relief outlet away from our busy lifestyle.
Children are taught in each form of dance, technique and terminology. Beginning in the mid year we begin preparing for our year end performance to the excitement of costumes and the highlight of performing at the theatre.
Dancing is a skill that can be learned at any time and can be carried on throughout their entire life. Many of our students have taken their dance education to participate in Poms, Cheerleading, school theatre, and musicals. Some of our students have gone on to pursue dance in college and use the skills they have learned in theatre, dance ensembles, and teaching careers.
We feel truly blesssed to have been given this opportunity to be a part of so many children's lives. We are looking forward to a great year!
-Carol Bowman and Faculty


Tango empowers teams to share and scale their knowledge so everyone can be their best at work. And we’re equally passionate about empowering our own team to be their best at work, outside of work, and everywhere in between. This series is all about the people behind the product (the Mangos behind Tango, if you will 🤗) and everything they bring to the team that makes us stronger.
Annie Ng is the Social & Brand Partnerships Lead at Tango. She has been with our company since the early days, and has been a huge contributor to Tango’s culture and growth.
When she’s not taking Tango viral on TikTok, you can find her on the dance floor pursuing her passion. We’d love to tell you that the style of dance she’s obsessed with is also called Tango. But alas, she’s chosen another, equally awesome style—Bachata!
Let’s hear from Annie how she Bachatas—when she’s not Tangoing, of course. 😉
I was exposed to both Salsa and Bachata music growing up, but never learned how to dance either style until college. I credit my undergraduate friends for dragging me out to “Latin Nights” at our local venues on weekends. Those immediately drew me in. I was mesmerized watching people connect through social dancing and I loved seeing how happy everyone was.
I started learning by watching people dance, and eventually, as my passion grew, I decided to join the college Salsa team. My first time attempting to dance Salsa / Bachata was probably seven years ago, but I started consistently dancing and taking lessons about four years ago.
It’s been a life-changing hobby for me. Aside from it being my favorite way to de-stress, it’s given me a community, lifelong friends, and ankles of steel. 👠
What is Bachata?
Bachata is a genre of music and style of dance that originated in the countryside of the Dominican Republic. It was actually banned there for some time during a dictatorship, but the genre grew in popularity, and eventually spread across the world through a prominent Bachata group called Aventura.
There are three different Bachata styles—traditional, sensual, and modern. My favorite is traditional. I like that it’s musicality-oriented, less flashy, and all about the vibes!
How was the experience pursuing performance dance while working full-time?
Working full-time while learning choreography for performances was definitely challenging. During the months where I was dancing on a team there were many days where I’d work during the day, eat a quick dinner, and then learn choreography and rehearse for three hours at night—usually until 11 p.m. 😳
On weekends, I would travel to perform at Salsa/Bachata Festivals that took place across the United States. Performing can be quite stressful, especially as someone with stage fright!
I learned that it was important to take breaks between dancing on teams to avoid burnout. When I’m not on a team, I still take lessons and dance socially—which helps me keep the balance and remember the “fun” of dancing. I enjoy the periods of time when I’m just dancing whenever I want vs. performing on a team.
Any advice for people looking to get into Salsa / Bachata?
The biggest piece of advice I have for people who are looking to get started in Salsa or Bachata is to take lessons AND go social dancing.
Lessons teach technicality and steps, but social dancing is where you find your own style and learn to improvise. People often think that you only need lessons to learn to dance, but coupling social dancing with lessons makes you a much more well-rounded dancer.
It takes a lot of vulnerability to go social dancing, but it’s where you build your confidence, find community (“social” dancing, get it?), and in my opinion, is the purpose of learning to dance in the first place.
What good do lessons do if you’re not able to whip out some moves when you’re out with friends?
How has Tango supported you on your journey as a dancer?
My work-life balance at Tango really allows me to continue pursuing my passion for dance, and I get a lot of encouragement from the team to do so.
One of my favorite things about working at Tango is that everyone has a personal project or hobby outside of work, and that we have the space and support to continue exploring them. This is so important to me—and having the flexibility to attend Salsa/Bachata Festivals, continue to take dance lessons, and go social dancing allows me to bring my fullest self to work.
It’s been awesome to share my passion for Salsa/Bachata with the team as well. We’ve been to a Salsa lesson together at one of our offsites, and I even got a chance to teach Salsa at our booth during a tech conference!
The bottom line
The Tango team comes from a wide range of industries, all with unique backgrounds, experiences, and perspectives—and we’re stronger for it. Join us.
Keep in touch
We'll never show up empty-handed (how rude!).
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Now in its 13th year, this awarded festival offers music lovers a series of free, open-air music events at Heroes Square. Well-known European bands and artists perform in a melting pot of traditions and influences that has earned the festival a place on the EFFE list of Europe’s finest festivals. The theme of the event is unity through music, with Cyprus acting as a bridge between different cultures and musical traditions.
Heroes Square, Limassol 20:30
Tel: 7777 7745 (box office)


quinta-feira, 1 de novembro de 2007
«For you! Love you... forever and ever»
"Song to the Siren" by This Mortal Coil
On the floating, shapeless oceans
I did all my best to smile
til your singing eyes and fingers
drew me loving into your eyes.
And you sang "Sail to me, sail to me;
Let me enfold you."...
...Hear me sing: "Swim to me, swim to me, let me enfold you."
"Here I am. Here I am, waiting to hold you."


Dancing with the docs is an annual fundraiser supporting patient care and research at The Ottawa Hospital.
Each year a number of selected physicians and researchers from The Ottawa Hospital train rigorously for months with professional dancers from Arthur Murray Dance Studio to compete for the coveted Medicine Ball Award while raising money for a priority need of their choice. The winner is determined by a panel of judges scores combined with supporters’ votes.
Stay tuned for our 2018 Dancing Doc Lineup.
If you missed the event this year, join us in 2018 for a great evening out all in support of The Ottawa Hospital.
Thank you to our 2017 Sponsors


Mixing and mastering music is different; however, they are equally important parts of the audio production process. They can usually become blurred and difficult to differentiate. Mixing is basically the step before mastering that includes adjusting and combining tracks to form a stereo audio file after a mixdown. The file is then mastered that makes sure the different songs are clearly polished and create a cohesive whole on an album. If you are planning to record music at the Songmill recording studio, it can help to understand the differences between mixing and mastering.
How to Mix Music
After recording all the individual song tracks, a mixing engineer works their magic. They label and organise the tracks into their similar groups. Usually, the song is normalised to make sure the tracks are at similar volume levels and no tracks peak. Then, the engineers will EQ every track to get the best tones out of the instruments and utilise high and low pass filters to eradicate unnecessary frequencies. Generally, EQing is meant to make important adjustments that let all tracks inhabit their own frequency areas. This makes the song clear and every instrument distinguishable.
This is also applicable in terms of panning the tracks to get a full, wide sound. Delay, reverb, and compression can be added to every track to obtain the desired tones for the instrument. Automating effects and fades throughout the songs can help engineers control the song’s emotion sonically. Many engineers switch between the studio reference monitor and headphone to achieve a consistent sound for their mix on different sources. The mixing process ends when the song sounds as best as they possibly can.
How to Master Music
This starts with the mastering engineer getting the stereo track, together with some notes and reference songs from the artist or mixing engineer. This will help them understand the sound they will go for. Also, this will ensure the mix is not modified in areas intended to sound a certain way. The next step the mastering process includes adding the finishing touches to the song by making slight adjustments mainly to the EQ, limiting, stereo enhancement, and compression. The beginning and ending of a song is added with spacing and fades. Usually, audio mastering engineers provide sequencing services for albums to put songs in the desired order, encode the tracks, and label track names. Their main goal is to offer a high-fidelity, professional, and high-clarity sound that listeners can enjoy on any source.


Salon Africana at The Africa Center.
1280 5th Ave, New York, NY 10029
Doors at 7:30pm. Performance at 8pm. $30 Seated Tickets HERE.
Julia Sarr, one of the most original vocal artists to emerge from francophone West Africa. Initially making her mark in the Paris music scene as an A-list backing vocalist for luminaries such as Salif Keita, Marcus Miller, Oumou Sangaré, Alpha Blondy, and the legendary Miriam Makeba, Julia Sarr is a singular and incomparable voice in her own right. Her debut album “Set Luna” featured her long time mentor Youssou Ndour as a special guest and was heralded widely by the international music community. Most recently, Sarr released the acclaimed "Daraludul Yow”, an intimate and magical collection of songs that evoke nostalgia for her native Senegal, where she grew up.
Zoë Modiga is an artist who represents the present and future of African music while challenging the status quo and inspiring a new generation. She draws from the roots of African storytelling, Jazz composition and Motown soul but creates a sound entirely her own. Zoë’s debut album was nominated for Best Jazz Album and Best African Artist for the 24th South African Music Awards 2018 and was awarded with the Mbokodo Award for music in 2018. Zoë was in the TOP 8 of The Voice SA, 2016.


Sun, Jun 21|
Anaheim Packing House
Live Music From: C A N D I D ! (Pop/Alternative)
We are celebrating Make Music Day and Father's Day! Head to Instagram @candid_band to watch a live performance if you can't make it out.
Time & Location
Jun 21, 2020, 6:00 PM – 8:00 PM
Anaheim Packing House, 440 S Anaheim Blvd, Anaheim, CA 92805


Christmas season at VFIS
The Christmas season is not only about fun activities, but also a time for students to learn about the values of love, generosity and caring. In the weeks before Christmas, students explore the Christmas season through crafts, food and performances.
This year’s theme was "Christmas Around the World" and our students decorated the school’s Christmas tree with flags and information about Christmas traditions in each country. The top of the tree was decorated with paper doves symbolising the message of Christmas, Peace on Earth. The Christmas celebration showcased our students’ talents in dancing, singing, playing and acting. Even the teachers prepared a dance to wish VFIS students a Happy Christmas and a joyful end to Term 1.
Thanks to all who made our Christmas celebration special!


The Best Source of Quality Music Lessons
If you are a lover of music, then you certainly know that it has been around for centuries, as it is one of the most beautiful forms of art, one through which human beings can express themselves and feel things more deeply. Being a lover of music, then, you might want to learn how to play it yourself, so that you too can express yourself through this beautiful form of art. One will be glad to know that it is not at all hard to learn how to create music through playing musical instruments – all that one needs to do is to find an excellent source of music lessons. One who finds the best music school offering diverse music lessons, then, can be sure that when he or she does so, it will be possible to enjoy a lot of benefits through it, all of which are so satisfying.
Finding the best school of music like this is certainly something that you should do, as when you do so, you can be sure that you can choose from between a lot of musical instruments to learn. One can find music lessons that include how to play the piano, the guitar, the drums, the saxophone, the violin, the clarinet, the cello, and a host of other popular and beautiful musical instruments. Maybe you have always dreamed of playing a certain musical instrument, one that deeply speaks to your taste in music and beauty, and if this is so, you will love it that here, you have the chance to live your dream.
Another thing that people can gain when they find a school like this one is the benefit of learning only from the best teachers in the industry. One can choose the musical instrument that he or she wants to learn how to play, and when one does so, one will be assigned to a music teacher who specializes in such an instrument, and has had a lot of experience playing and teaching it. You can be certain, then, that because you will learn only from the best, you will have your best chances of really being able to develop your skill when it comes to the instrument that you have chosen.
Last but not least, people will be able to benefit when they find a music school like this one because when they do so, they will be able to enjoy convenience. The reason why this is so is because they can pick a time slot that fits in with their busy schedules, plus how many hours per week and per month they can give to study, making the program easy for them to finish.
Those who find a great music school like this one, then, can be sure that when they do so, they will be able to gain a lot of benefits, all of which are worthwhile.


What is Music Therapy?
Music Therapy is the clinical and evidence-based use of music to achieve patients' physical and mental care needs, promote good health and healing through a therapeutic relationship with a credentialed professional.
Cottonwood Music Therapy now offers virtual lessons and music therapy sessions. On an individualized, client-to-client basis, we can adapt all of our services to the virtual world. Popular services include guitar lessons, general music class, and songwriting workshops.
Individual Music Therapy
One-on-one private music therapy sessions. Each client receives personalized assessment, recommended goals and a treatment plan. Music exercises are used to target non-musical objectives and facilitate progress or retention of the client's particular needs.
Music lessons that are specifically designed for individuals with varying needs such as physical or emotional afflictions. Lessons cater to people's needs with adaptive techniques, use of technology, customized instruments and lesson plans.
Group Music Therapy
Similar to individual music therapy except in a group settings. Groups typically have related goals such as behavioral & emotional needs or memory retention. Group sessions are often held in assisted living facilities, counseling centers and clinics.
Traditional private music lessons for all ages and abilities on Guitar and Ukulele. Beginner lessons also available for Piano, Electric Bass, Mandolin and Vocal training. If appropriate, group lessons such as Rock Band classes can be provided.
Folk Classes & Preschools
In the spirit of Pete Seeger, these educational classes and assemblies are specifically catered for children ranging from preschool through high school. They focus on the history of folk music, folk instruments, and the global influence of folk from songwriting to strengthening community.


Saturday, March 4, 2017 at 7:00 PM – 9:00 PM
Hamel Community Center, 3200 Mill St, Medina, MN 55340
You are invited to a concert featuring the band, Morpheus! Rock to music by Blood, Sweat & Tears, Steppenwolf, Santana, Chicago, The Eagles, The Doors and others as the 12-member group performs hits from some of music’s greatest bands.
Admission: $15 in advance. Use this ticket link to make your tax-deductible donation through GiveMN. Refreshments will be available; wine/beer for a $5 cash donation at the event. Bring your friends!
Hamel/Medina Community Center just off Hamel Rd, a half mile west of Hwy MN-55 and Old Rockford Rd. (NOT Medina Ballroom but the Community Center at 3200 Mill Street, Hamel, MN 55340).


Our customer is a fast-paced worldwide consulting organisation supporting over 40,000 community members across 19 countries. The group presents tailored solutions to maintain the community values and way of life.
Music is important to the group’s global community. However, they could not easily share music, including songs produced by famous artists and their members. The organisation wanted an application that would enable its members to access music – including music videos – selected by community administrators in a user-friendly way. They also saw an opportunity to generate revenue for reinvestment in the group.
Working with PhoenixDX, the group used the OutSystems platform to build Trove – a Spotify-like music-sharing application. The mobile app enables the group’s 50K+ community members worldwide to browse, select and listen to songs and music videos from a catalogue curated and managed by the group’s community administrators. The music app is available on a free subscription basis for community members, with premium additional content available via a paid subscription, creating a new revenue stream for the group.


Tuesday evening, June 5, 2018, at 7 p.m. – Dala Camerta Quartet in concert. The group is composed of musicians Ann Samuelson on violin, Cindy Fong on piano and violin, Diane Guillemette on viola, and Valerie Matthews on cello. They will be playing selections by Franz Joseph Haydn and Robert Schumann. The concert is the first performance in the Sandzen Gallery’s 2018-19 chamber music series.
Saturday, July 14, 2018, at 2:00 p.m. – Chamber Music at the Barn performing at the Sandzén Gallery.
Saturday evening, August 4, 2018, from 5 to 7 p.m. – reception for guest artists William Counter, Krystall Barnes, John Keeling, and Stan Detrixhe. Artists talks begin at 5:30.
Sunday, November 4, 2018, from 2 to 4 p.m. – reception for Ray Troll, Chuck Bonner, Curt Clontz and Holiday Gift Show artists. Artists talks begin at 2:30.


Prepared by: Barry Bence
Theme: Music can help us get to know God better.
Target Audience: Confirmands, youth, seniors, boomers, intergenerational, families.
- To hear how music has helped individuals to get to know God better.
- To understand that different styles of music may contain similar life lessons.
Materials or Resources (required)
- Music tapes and CDs
- Tape and CD player
Have everyone bring a CD or tape of his or her absolute favorite piece of music. Play it. Share in a few words why you like it, what it says about you and what you believe in. Let others comment on how it helps them better understand you.
The common experience depends on everyone's listening non– judgmentally to the other person's favorite music. Trust me, that's not as easy as it sounds. Set ground rules like "no grimaces, earplugs, etc." As well, try hard to listen non-judgmentally to other people when they share why they like that music.
Try to identify each piece of music's predominant message. For instance, Roy Rogers theme song, "Happy Trails" seems to say, happiness depends on your attitude, not on your outward circumstances. (For those who do not know who Roy Rogers was, my condolences. I watched every one of his movies he ever made! But you get the idea.) One of my son's favorite groups, Oasis, has a line that asks whether there's Anyone there who even cares. That's a little deeper than old Roy's song. But it, too, raises a good point.
The challenge is to try to come up with the universal human situation that this song addresses. Some commentators have pointed out that 80% of all songs deal with broken relationships. Others wonder who am I sexually? Some refer to our cultural anxiety. Others may contain memories of experiences from an older generation that we aging boomers would like to pass on.
If appropriate, try rearranging the cards so that different songs are grouped together around similar themes such as loneliness, happiness, etc. Do different songs from wildly different artists all try to speak to the same human questions we all raise?
Ask yourselves, which of these pieces of music are likely to be enjoyed 10 or 20 or even 50 years from now? Will these songs help us better face whatever those new days bring?
The Psalms encourage us to "sing to the Lord a new song." Ask each other, which of your songs would the Trinity like to listen to tonight?
Revelation 15:3-4 for one such song.
Revelation 5: 11-14 has the words to another.
- Which, if any, of your songs belong in the same concert hall?
- Do any of them reach above our daily lives to help us sing about the role God plays in our lives?
Someone wrote, "Those who hear not the music think the dancers mad." Some feel that our generation has a lot of people who can't or won't hear the music from heaven's FM Stereo station.
Play a selection from the leader's collection of faith–full music. Then have the leader say a few words how that music helped him or her get to know God better.
Have someone read Psalm 150, perhaps with any one of the previously played selections as background music. (CDs can praise the Lord as well as harps and timbrels.)
As the music dies away have someone pray this prayer:
God of harmony, God of silence, you call us each to be one special note in your great symphony called creation. Let all we say and do be a song of love, performed for an audience of One, the Trinity and overheard and applauded by all time and all places. Amen.
Permission is granted to reproduce this module for use in ELCIC congregations. Any other use requires copyright permission. Please contact firstname.lastname@example.org.


Award winning singer-songwriter ELEEA is a force to be reckoned with; embodying the modern day storyteller and making music that juxtaposes sensitivity and strength. ELEEA’s raw, powerful voice ringing out over her guitar is what first captures your attention, then her intelligent, emotive songwriting captivates and holds you until her final breath. As an avid solo-traveler, many of ELEEA’s more recent songs are influenced by her travels internationally, as part of an anthology she’s dubbed ‘The Travel Collection’.
Since beginning her career at 15, ELEEA has become recognised as a rising talent in the Australian independent music scene (Queensland Music Award winner 2018). In her burgeoning career, she has released two albums; played numerous festivals (Edinburgh Fringe, Mullumbimby Music Festival, BLEACH*, Buskers By The Creek); featured on The Voice Australia (2015), supported touring acts (Karise Eden, Stonefield, Kate Martin); and has performed and busked throughout Australia and internationally.
ELEEA has recorded two independent works: ‘Human’ (album, 2011) and ‘Lion’ (EP, 2016). Upon its release, the title track from ‘Human’ peaked in the top 10 of the Triple J Unearthed charts, while ‘Lion’ officially debuted on 102.9 Hot Tomato’s Gold Coast Uncovered segment. In 2018, ELEEA won a prestigious Queensland Music Award in the Funk/Soul/R&B category, for her song “Without You”, while “Conditions” was a Top 4 Finalist. ‘Lion’ was a passion project that integrated ELEEA’s eclectic taste in music and broad vocal range, and was brought to life under the guidance of producers Chris Naughton and Guy Gray (David Bowie, Midnight Oil, Bon Jovi, Joan Jett, Cindy Lauper and Paul Kelly.)
Aside from Music, ELEEA has also been a Miss Universe Australia national finalist (2014), Miss World Australia top 10 finalist (2016), and won the Miss World Australia talent section (2016). She’s also a strong ambassador for the Animal Welfare League of Queensland, and regularly volunteers her time and talents to children, animals and people with special needs.
ELEEA’s talent is instinctual and intense, emerging from a fierce passion for her art. If two original albums, three music videos, hundreds of knock out performances and over 700 unique songs have been achieved already, the question on everybody’s lips is: what will we see next?
AWARDS AND ACHIEVEMENTS
Queensland Music Awards Soul/Funk/R&B winner (2018)
Queensland Music Awards Indigenous Artist finalist (2018)


Mary's song is her response to her cousin Elizabeth's spirited greeting, but it is more than that. It comes from deep inside her. It knits together in a new way the sacred experience and language and hope of her people like pieces of a quilt transformed from scraps to splendor.
Nowhere in this song do we hear the name of her child, but somehow he is there in every phrase. Mary's song is not hers alone; it is the song of the child who wants to come, who comes to do the will of God. This song echoes in the events of her son's life, his death, and his exaltation. The song celebrates the God who keeps promises -- not only to Abraham, but also to us.
The Church has picked up this song and sung it often, particularly in daily evening worship. Mary's song, The Magnificat, is a central text in the liturgy of the historic Church. Who knows what number of settings musicians have composed for it through the years? Who knows how many voices have joined with Mary’s in singing her song through the centuries? From "The Song of Divine Triumph" by the Rev. Charles Hoffacker. Read it all HERE.
Image: "Magnificat" by Virginia Wieringa


Naval Band Concert, INS Shivaji
INS Shivaji organised a Navy Band Concert on 14 December 2019. In addition to the local populace of Lonavala, ex-servicemen, prominent civilian dignitaries, personnel from Air Force Station Tropo and Police Training Centre (Khandala), children from various schools and SCC cadets were also invited for the event. The concert opened with a fanfare, which was followed by a wide ranging score, comprising classical, popular and martial music, as well as Bollywood and patriotic numbers. The under trainee sailors of the unit displayed their military skills by performing a Continuity Drill, which consists of a series of coordinated and precise drill movements with rifles. The cadets of the Sea Cadets Corps performed the traditional hornpipe dance, and enthralled the audience with their enthusiasm and verve.


In an earlier post I implied that learning to play a specific instrument is secondary to the goal of learning to play music. That’s very much what I believe, but on the practical level anyone who wants to learn music will need to choose an instrument to start with. With that in mind, here are some relatively brief remarks on three instruments that are among the most popular for the purpose, plus one that I think should be more popular than it is.
Yes, this list is short, and deliberately so. Some future posts will present additional (and occasionally rather oddball) alternatives. The ones mentioned here made the initial cut because (a) any of them can play more than one note at a time; (b) I have experience with them, and (c) All of them come in acoustic versions requiring no electricity, orgone, forsaken children, or any other external power source. (An ever-increasing variety of electric models are available, of course. Still, I favor acoustic instruments for most beginning students, for reasons that would constitute a major topical tangent.)
By the way, I haven’t arranged these in any particular order of desirability. Prospective musicians’ living arrangements, travel patterns, personal preferences, et cetera ad nauseam vary widely and change often.
A final caveat: I present these remarks with the adult or semi-adult novice in mind. Pre-teens introduce a few additional considerations.
And fair warning: Future posts may discuss each of these instruments in much greater depth.
With all that out of the way, then:
The guitar is well into its second century as the clear favorite, for many good reasons. Its range in terms of pitch meshes well with human voices from bass to soprano. The piano covers a much wider pitch range, but the guitar is arguably more versatile in the variety of timbres1 available to it. Although most standard-size guitars won’t fit in the overhead bin of a Boeing 737, and thus don’t quite meet my personal standards of portability, they’re still a lot more portable than pianos (which might not even fit in the luggage compartment and really shouldn’t be put there even when they will. Especially if you’re flying United. They break guitars, after all; I don’t even want to think about the havoc they’d wreak on a piano.) Guitar is the primary instrument in many genres of popular–and indeed not-so-popular–music, thus appealing instantly to semi-social nerds in search of charisma generators. <points back at self with 3 fingers>
Not much can be said about piano that hasn’t been said over and over for the past three centuries or so. It’s one of the canonical instruments for general musical instruction, with an insanely broad pitch range and the ability to adapt to almost any genre of music. Portability is obviously a major issue, with a couple of almost-as-obvious coping strategies: (1) When traveling, try to stay, as much as possible, in places where a piano is available; or (2) Get a cheap-ish electronic keyboard, with built-in speakers, to travel with.
Then there’s violin. Oh boy, is there ever. It’s been around even longer than the piano. Look, I’m biased here: This is currently my primary instrument. It really helps, though, that I’d been playing quite a few other instruments for 40+ years before picking up the violin seriously. It’s technically demanding, remarkably unforgiving, and difficult (most classical musicians would say ‘impossible’) to learn well without some kind of formal instruction. We’re talking about a major challenge for anyone who approaches it without having any prior background in music. For those who stick with it, though, the payoff can be amazing. The violin is often called ‘the world’s most versatile instrument’. It has, demonstrably, the most expressive range of timbres in the acoutstic world. Dark, bright, mellow, brassy, dry, lush, ringing clarity, grating distortion: In the hands of a skilled enough player the violin can do it all. As far as I’m concerned, the only non-electronic instrument that really rivals it is the human voice. As with piano and guitar, the violin shows up in virtually every genre of music.
As long as I’m indulging my biases, I’ll put in a plug for the mandolin. This little Mediterranean noisemaker, which came on the scene in about the same era as the violin family, is my own secondary instrument these days, getting almost equal time with the violin. The mandolin is tuned just like the violin, except that instead of having four strings it has eight, tuned in unison pairs: GG-DD-AA-EE. It uses the same fingering patterns as the violin but is much more forgiving. (Being played with a pick rather than a bow really helps.) Thus, in addition to its own merits, it’s a good ‘gateway’ instrument for people who think they might like to try violin someday but are understandably intimidated by that instrument’s technical demands. Also like the violin, the mandolin fits easily in the overhead compartment of a Boeing 737, which is my standard of portability. Although its presence in mainstream rock music is limited, it’s widely used in most genres of folk music, shows up fairly often in some styles of jazz, and has a surprisingly broad classical repertoire. It deserves to be taken more seriously.
So here we are, for the time being. There’s more to come.
(1) Timbre is a somewhat technical term but a hard one to avoid when dicussing the tonal qualities of musical instruments, so here’s an explanation straight outta Wikipedia:
…also known as tone color or tone quality from psychoacoustics, [timbre] is the quality of a musical note or sound or tone that distinguishes different types of sound production, such as voices and musical instruments, string instruments, wind instruments, and percussion instruments … In simple terms, timbre is what makes a particular musical sound different from another, even when they have the same pitch and loudness.
There are lots of links in the original, of course, so I recommend at least skimming it.


In 2017, an eighth grade teacher challenged Nicholas Boettcher's class to make a difference in their community. Nicholas, the principal bassist with the Chicago Youth Symphony Orchestra (CYSO), envisioned a music mentor program that uses advanced teenage musicians to bring musical experiences to local juvenile detention centers.
That is how The No Repeats Project was created!
Early on the program faced many obstacles— instrument access/inconsistent attendance/low self-confidence/variable education levels/etc, not to mention being taken seriously because of his age. In order to tackle these problems, he had to collaborate with many different people. First, he convinced the facility he was committed and mature enough to work with the teens. After all, he was just an eighth grader and asking to set up a volunteer program at a Illinois Department of Corrections facility. Next, he needed instruments and a lot of them. So he contacted Austin's Violin Shop, a local luthier, who generously donated the regular use of instruments and bows. Another challenge for The No Repeats is also its biggest reward, teaching kids how to play an instrument (violin, viola, cello, bass) that is foreign to them. Next he needed other mentors to help him teach the kids. He first recruited his brother and reached out to area music programs. Soon he had a team of mentors to work at the facility. He and the other mentors have developed various methods to maintain focus, improve their confidence, and keep them coming to our sessions.
The No Repeats Project's mentors also love to perform for the center and arrange for the teens to attend musical events inside and outside the facility.
OUR VISION AND MISSION
The No Repeats Project is a 501(c) (3) organization. No Repeats is a music mentor program for teens who are incarcerated. We recruit advanced high school musicians with a desire to share their love of music with teens at the Illinois Detention Center in Warrenville. We envision that the musical exposure and experience will have positive effects on the teens and will help increase their self-esteem and self-confidence. We believe The No Repeats Project will help them educationally, socially, and psychologically. By giving them the opportunity to experience the transformative power of music, we hope to minimize their chances of returning to the criminal justice system. Simultaneously, our musicians develop communication and leadership skills and gain an understanding of the lives of teens in the criminal justice system. Our music mentor program benefits all involved.
The No Repeats Project Team
We are looking for motivated and dedicated high school musicians to share music's powerful influence with others. With The No Repeats Project, you can be a music mentor and gain invaluable experiences working with our young men and women. If you are interested in performing at one of the youth centers, we can help arrange the visit. Our program also is in need of financial support, and we would greatly appreciate your help.


“Christ Is Risen! What Now?”
Easter Sunday with Rev. Cheryl Kimble preaching, a brass quintet, and special music from the choir and a solo by Director of Music, Chris Vineis.
Worship at The Church at Highland Park on May 21, 2023
May 22, 2023
Rev. Masyn Evans-Clements
The Worship of God on Ascension Sunday. Rev. Masyn Evans-Clements preaches “Onward and Upward” from Acts 1:6-14. Our special music for the day is “I Will Lift My Eyes”…


Tribute Nights at 30 James Street- Home of the Titanic,
are the perfect way to enjoy an evening of fine dining, fun and of course, a couple of drinks.
Set in the iconic and utterly stunning White Star Grand Hall, our Tribute Nights are billed to be the best in the city with the likes of Robbie Williams, George Michael and a whole host of other tribute performers taking to the stage.
This will certainly be a night to remember, so choose your perfect performance night and get ready for an incredible evening.
To find out more about our Tribute Night Package please get in touch below.


Wed, Dec 14|
Holly Jolly Trolley
Holiday fun for everyone!
Time & Location
Dec 14, 2022, 5:00 PM CST – Dec 15, 2022, 9:00 PM CST
Immanuel Hall, 320 S Grant St, Hinsdale, IL 60521, USA
About The Event
This event is fun for all!
Gather your family or friends and secure your spot on the festive trolley experience! Enjoy special Nutcracker vignettes by the West Suburban Ballet Conservatory and holiday singing by the Hinsdale Chorale.
Trolleys depart each half hour from Immanuel Hall.
Tickets include entertainment, trolley ride, beverages, and treats!


Vibrato is rarely discussed
but is very important.
It is to music what icing is
to the cake.
Vibrato is a steady change in
It expresses emotion like
There are 2 ways it’s done on
a stringed instrument.
- – Think of the way a violinist or cellist moves
their hand back and forth on the neck while playing a note. On the guitar this is the most
subtle type of vibrato. The idea is to keep the finger firmly pressing
down on the note/string while moving the fretting hand back and forth or
left to right. Changing the speed of the movement changes the speed of the
vibrato. I use this type of vibrato for soft passages and for long tones,
not short, staccato notes.
- – This is the most popular type and takes the longest
to do well. Here’s the catch. With this type of vibrato the idea is to
holdonto the fretted note/string and move the hand back and forth bending the string steadily.
Anchor the base of the index finger to the neck. What beginner students do
is move the fingers instead of the hand, which sounds like a spring going
“boing”. It will never sound good or express the desired feeling.
are 2 aspects of vibrato that must be mastered.
A) The speed at which the pitch changes. i.e. slow – fast
B) The width. i.e. how much does the pitch change.
variations: slow and wide Clapton (bluesy and soulful) and fast and narrow
(B.B. King). The last thing to
master is applying vibrato while bending a note. This is the most difficult but
it’s powerful. When bending a note it’s important to first establish the pitch
add the vibrato, not the
other way around. Ever hear a opera singer or violinist with such a constant
vibrato that you can’t really hear the exact pitch? Nasty stuff. There are many
types of vibrato. Angus Young and Jimmy Page are 2 guitarists that have a
vibrato when they bend a note that is distinctly British (o.k. Angus is
Australian). Angus uses it half way through his solo on You Shook Me All Night
Long and Led Zeppelin’s Since I’ve Been Loving You. Also, listen to the solo in
All Right Now by Free. There’s soulful vibrato, 60’s San Francisco vibrato, of
course all the many blues players have there own sound.
and mysteriously to me I’ve never heard 2 guitarists with the same vibrato. It
is a unique stamp on a person’s playing in much the same way that no 2 voices
are the same. Listen for different types of vibrato in music and you’ll find
the ones that appeal to you. Use different types of vibrato for different
styles of playing and you’ll sound like a seasoned player.


Miley Cyrus has been in the news quite a bit lately, but one of the least talked-about aspects of the Miley of it all is the music. I gave Miley’s new album “Bangerz” a mixed review in The Eagle’s latest Album Reviews Brew.
“In case anyone lived under a rock for the past few months, Miley Cyrus dominated the pop culture conversation with foam fingers, giant teddy bears, gratuitous nudity and problematic associations with hip-hop culture. “Bangerz,” her first album to fully abandon all traces of her Hannah Montana origins, is neither a game-changing triumph nor an outright disaster. Instead, it lands somewhere in the middle: several songs are excellent with strong vocal performances, but many of the raunchier hip-hop-flavored tracks fall flat.”
Read the rest of my review here. Click through for three more thoughts!
1. The guest spots on this album disappoint fairly consistently. Future lazily apes Ben E. King’s “Stand By Me” on the lackluster “My Darlin’.” Britney Spears’ robotic shtick is nearly indistinguishable from Miley’s on the anemic title track “SMS (Bangerz).” French Montana and Big Sean do nothing to reverse my feeling that they’re among the laziest, hackiest lyricists in hip-hop right now. Overall, the “featured” verses feel like they’ve been shoehorned onto the album in an attempt to demonstrate Miley’s connections to the worlds of pop and hip-hop, rather than showcasing Miley’s impressive chemistry with those acts.
2. It’s equally encouraging and depressing to find that this album contains several excellent tracks beyond even the strong first two singles. “Adore You” opens the album on a lovely high note, and the Pharrell-produced “#GetItRight” injects a flirty, energetic vibe into an album that trends too frequently towards the dour. On a less bloated set of tracks, “Maybe You’re Right” might even pack an emotional punch. The glimmers of quality peaking through the cracks of Miley’s wild persona suggest that the wild persona isn’t entirely necessary, except for the purpose of boosting buzz. Let the music speak for itself, I say.
3. Can we issue a moratorium on hip-hop producers dropping their names every time they put their fingerprints on a track? I’m fine with a Mike WiLL Made It shout-out once in a while, but hearing his blatant self-promotional interjection on every single one of his tracks on this album grates on the nerves. Pharrell has reached a point in his career when his distinctive, malleable musical style speaks for itself. Let’s hope Mike WiLL Made It makes it to that point soon.


The National Scout & Guide Symphony Orchestra ( NSGSO ) and Concert Band are still recruiting members for their 2018 summer week & concerts. In particular they are looking for 4 x violins, 2 x double bass & 2 trombones, check their website for the full list of vacancies. Ages 13-25.
It’s taking place Sunday 29 July – Sunday 5 August 2018 in Stourbridge, West Midlands, with concerts open to the public on 5 and 6 August.
Please pass onto any musical members (up to 25).
More information on http://apply.nsgso.com/


Family, Filmy Fun!
As the mother of the groom, there was a long to do list on my plate and Pink Feather took a lot off that list. We hired PFDC to choreograph and teach 5 separate groups of family and friends for the Sangeet night and Reception night. Anshu is an amazing teacher and choreographer! She made the dance practices a fun and productive environment. She clearly has a lot of experience in teaching as she effortlessly taught the less experienced dancers. The choreography was a hit as all of the audience members cheered and clapped for the dancers. I would recommend Pink Feather to everyone for an easy and fun experience! Thank you PFDC!
Anshu is a talented choreographer with a caring and patient personality! She choreographed 5 dance performances for my daughter’s wedding. We were a large group (37 Adults) who did not have any experience in choreographed dances. Anshu’s choreography was beautiful and fun; she broke down the steps so it was easy for us to learn. Anshu was flexible and went the extra mile to ensure we were ready for the big dance night. Thanks to Anshu, It was such a fun and enjoyable experience!! It was a complete transformation from when we started to the final performance on Sangeet night. She is amazing and I strongly recommend her!


John Mayer is a renowned musician and songwriter known for his bluesy guitar work and soulful voice. He has released multiple hit albums throughout his career, including "Room for Squares," "Heavier Things," and "Continuum." Some of his most popular songs include "Your Body is a Wonderland," "Daughter," and "Gravity."
John Mayer has won multiple awards throughout his career, including 7 Grammy Awards, 1 American Music Award and 1 People's Choice Award. John Mayer is hitting the road for his highly-anticipated US tour and will be performing in various cities across the country. He will be showcasing his latest hits along with some of his classic songs.
Get your John Mayer tickets now through our website, and experience the magic of John Mayer Nashville concerts at Bridgestone Arena! Prices vary depending on the location and seating, so check out the options and choose the one that's right for you. Don't wait - secure your spot now and get ready to be mesmerized by John Mayer's incredible talent!


Table of Contents
One of the most beloved and joyous traditions at a Jewish wedding is the circle dance, also known as the hora. This dance involves wedding guests holding hands and dancing in a circle, often around the couple, to lively traditional Jewish music. But what is the significance of this cherished tradition? Let’s explore the origins and cultural significance of the circle dance at a Jewish wedding.
- The circle dance, or hora, is a traditional Jewish wedding dance that involves guests holding hands and dancing in a circle to lively Jewish music.
- The circle dance is a joyous celebration that promotes community and unity among guests, with its circular formation and continuous motion symbolizing unity and eternity.
- The circle dance has historical roots in Jewish tradition and culture and remains an important and beloved tradition at Jewish weddings around the world.
An Overview of Jewish Wedding Traditions
Weddings are joyous occasions filled with cultural and traditional significance. This is especially true for Jewish weddings, which have a rich history of customs and practices passed down through generations. These traditions are an integral part of the celebration, connecting the couple and their families to their heritage and community.
One of the most well-known Jewish wedding traditions is the circle dance, also referred to as the “hora.” This dance involves everyone forming a circle and joining hands, then moving together in a circular motion to upbeat music. The circle dance is often called at some point during the wedding reception and is a highlight of the evening.
However, the circle dance is just one of many traditions that make up a Jewish wedding. Other customs include the signing of the ketubah (marriage contract), the breaking of a glass to symbolize the destruction of the Temple in Jerusalem, and the reciting of the Seven Blessings.
Overall, Jewish wedding traditions serve a significant purpose in honoring the couple’s commitment to each other and their faith, while bringing together loved ones in celebration.
The Circle Dance: A Joyous Tradition
The circle dance is an essential part of Jewish wedding celebrations, bringing together the bride and groom with their family and friends. During the dance, participants form a circle and dance together in a continuous motion, creating a sense of community and joy that reflects the significance of the occasion.
Often referred to as the “hora,” the circle dance is popular at Jewish weddings around the world and holds a special place in Jewish wedding traditions. It is typically called upon by the band or DJ at some point during the reception, and guests are quick to join in on the dance floor.
The circle dance is a joyous tradition that symbolizes the unity and happiness of the newlyweds and their loved ones. It is a time for celebration and connection, as participants hold hands and dance together in a circle, moving to the beat of the music.
The Significance of the Circle Dance at Jewish Weddings
The circle dance is an essential part of Jewish wedding traditions, representing the joyous celebration of the newlyweds. It symbolizes unity, community, and love, bringing together family and friends in a joyous display of camaraderie. The dance is a testament to the couple’s commitment to each other and their community, as well as their shared history and cultural heritage.
Through the circle dance, guests join together in a collective celebration of the couple’s love and happiness. It is an opportunity for everyone to take part in the joy of the occasion, creating an unforgettable experience that will be cherished forever.
The Role of Community and Unity
The circle dance, also called the “hora,” is an essential part of Jewish wedding dance traditions. It symbolizes the importance of community and unity, bringing together all of the wedding guests in a joyous and celebratory dance.
As the wedding band strikes up an energetic tune, the guests form a circle and begin to dance, holding hands and moving in a continuous circular motion. The bride and groom may even be lifted up into the air on chairs, surrounded by their loved ones as they dance.
This is more than just a fun dance; it is a representation of the strength and support that comes from being part of a community. Everyone joins in, regardless of age or background, creating a vibrant and inclusive atmosphere of togetherness.
The circle dance is often called out at Jewish weddings as a way to unite the guests and create a sense of collective celebration. It is a beautiful expression of Jewish tradition and culture, and a testament to the power of community to bring people together in joy and solidarity.
Symbolic Elements of the Circle Dance
The circle dance at a Jewish wedding holds deep symbolic significance, with every aspect of the tradition representing an important element of the couple’s union and the community’s celebration.
The circular formation is one of the most recognizable and meaningful elements of the circle dance. The circle itself symbolizes unity and eternity, as there is no beginning or end. This formation signifies the couple’s commitment to each other and their shared future, as well as the enduring support and love of their community.
The continuous motion of the circle dance is also highly symbolic. The dance never stops, representing the ongoing nature of the couple’s relationship and the constant flow of love and support from their loved ones.
In addition, the act of holding hands during the circle dance represents the strong bond and connection between all of the wedding guests, as well as their desire to support and uplift the couple as they embark on their new journey together.
Overall, the circle dance is not only a beautiful and joyous tradition, but also one that holds deep meaning and significance for Jewish wedding celebrations.
Traditional Circle Dance Steps and Music
The traditional circle dance at Jewish weddings involves a simple yet lively rhythmic pattern. The steps involve participants holding hands and moving in a clockwise direction, taking small steps to the beat of the music. The circle dance is typically led by a designated dancer who may be a professional or a respected member of the community.
Music plays a significant role in the circle dance, and traditional Jewish wedding music sets the tone for the joyous celebration. Klezmer music, a style of traditional Jewish music, is often played during the circle dance, and the tempo and rhythm of the music dictate the pace of the dance.
The music generally starts slowly and gradually builds up to a faster tempo, creating a frenzy of excitement and energy among the participants. As the pace quickens, the dance becomes more exuberant, with participants raising their arms, waving handkerchiefs, or clapping their hands to the beat of the music.
The circle dance is typically the climax of the wedding celebration, and its energetic and joyous atmosphere is infectious, encouraging even the most unlikely participants to join in.
The Historical Origins of the Circle Dance at Jewish Weddings
The circle dance, also known as the hora, has been a beloved tradition in Jewish weddings for centuries. Its origins can be traced back to Eastern European Jewish communities, where it was used to celebrate important events such as weddings, bar mitzvahs, and other festive occasions.
Historically, the circle dance symbolized unity and continuity, connecting the past, present, and future. The circular formation represented the unbroken chain of tradition and faith that has been passed down through generations of Jewish families. It also symbolized the unbroken circle of life, with no beginning or end, signifying the eternal nature of the marriage union.
The dance was typically accompanied by traditional Jewish music, featuring instruments such as the violin, clarinet, and accordion. The rhythm was lively and upbeat, reflecting the joyous nature of the occasion and setting the tone for the festivities to follow.
Over time, the circle dance has evolved and adapted to various Jewish communities around the world. In Israel, for example, it is often performed with a modern twist, featuring popular Israeli pop songs and incorporating elements of contemporary dance styles.
Despite these variations, the circle dance remains a beloved tradition in Jewish weddings, a symbol of unity, continuity, and joyful celebration.
Circle Dance Variations Across Jewish Communities
The circle dance, or “hora,” is a beloved tradition at Jewish weddings, but its specific variations and customs may differ depending on the Jewish community. For instance, in Sephardic Jewish weddings, the circle dance may be called the “Circling of the Groom” and is performed exclusively by men in honor of the groom. In Ashkenazi Jewish weddings, both men and women participate in the hora, with variations including the “three-step hora” and the “Tzena Tzena” dance.
The Yemenite Jewish community has its own unique circle dance known as the “Jewish Yemenite Step,” performed in a slow, circular motion with intricate footwork and arm gestures. Meanwhile, the Persian Jewish community may incorporate elements from traditional Persian dance into their circle dance.
Overall, while the circle dance remains a prominent tradition among Jewish weddings, the specific variations and customs reflect the diverse cultural backgrounds and histories of the Jewish people.
Modern Interpretations of the Circle Dance
The circle dance has evolved over time, with modern interpretations reflecting contemporary Jewish wedding celebrations. While the traditional steps and music are still widely used, there have been new variations and innovations that have emerged.
One example of a modern interpretation is the incorporation of different types of music. While traditional Jewish music is still the most common choice for the circle dance, some couples choose to incorporate more modern or popular music to reflect their individual tastes and personalities.
Another modern interpretation of the circle dance is the inclusion of more diverse groups of people. Historically, the dance was typically performed by men and women separately, but in modern times, there is more inclusivity and everyone is encouraged to participate.
Additionally, some couples choose to put their own spin on the dance by incorporating different styles or adding unique elements to make it more personal and memorable.
Overall, the circle dance remains a beloved tradition at Jewish weddings, and its evolution over time showcases the adaptability and vibrancy of Jewish culture and celebration.
Circle Dance and Gender Roles
The circle dance is a joyous tradition at Jewish weddings, promoting community and unity among guests. However, the role of gender in the circle dance varies across Jewish communities.
In Orthodox communities, men and women may dance separately or together, with men leading the circle dance. In other communities, the circle dance is open to all guests, regardless of gender.
Some communities have specific customs related to men and women’s participation in the circle dance. For example, in some Sephardic communities, the bride dances with the female guests while the groom dances with the male guests before joining together in the circle dance.
Overall, the circle dance reflects the cultural values and traditions of Jewish communities, and its interpretation may vary depending on individual or communal beliefs and customs.
Cultural Significance and Emotional Impact
The circle dance at a Jewish wedding is steeped in cultural significance and has a powerful emotional impact on the couple and guests alike. It is a joyous and celebratory tradition that symbolizes unity and eternity.
As guests join hands and dance around the couple in a circular formation, they become part of a larger community united in celebration. The bride and groom are at the center of the circle, representing the focus and love of the wedding day.
For the couple, the circle dance is a deeply emotional moment. They are surrounded by loved ones, family, and friends, all sharing in their joy and happiness. It is a poignant expression of the couple’s commitment to each other and their community.
The circle dance also has historical significance, dating back centuries in Jewish tradition. It is a reminder of the rich cultural heritage of the Jewish people and their connection to tradition.
Overall, the circle dance at a Jewish wedding is a powerful and poignant tradition that brings together the couple, their loved ones, and their community in a moment of joy and celebration.
In conclusion, the circle dance at Jewish weddings is a time-honored tradition that symbolizes community, unity, and eternal love. As discussed throughout this article, the circle dance plays an essential role in Jewish wedding customs, reflecting both historical and modern interpretations of Jewish culture. The circular formation of the dance represents the cyclical nature of life, while the continuous motion emphasizes the importance of unity and connection in Jewish communities.
Throughout the generations, the circle dance has evolved and adapted to different Jewish communities, with unique variations and customs reflecting regional traditions and personal beliefs. This dance encourages participation from all wedding guests, promoting a sense of joy and celebration that is infectious and memorable.
For the couple, the circle dance represents a moment of pure joy and connection, surrounded by loved ones who share in their happiness. It is a cultural tradition that reflects the essence of Jewish wedding celebrations – a time for love, community, and shared joy.
Q: What is a Circle Dance at a Jewish Wedding? Unveiling the Tradition
A: The circle dance is a significant tradition in Jewish weddings where guests form a circle and dance together to celebrate the joyous occasion. It holds deep cultural and symbolic meaning within Jewish wedding customs.
Q: What are some Jewish wedding traditions and customs?
A: Jewish weddings are rich in traditions and customs. Some common traditions include the signing of the ketubah (marriage contract), the chuppah (wedding canopy), the breaking of the glass, and, of course, the circle dance. These customs reflect the values and heritage of Jewish culture.
Q: What does the circle dance symbolize at Jewish weddings?
A: The circle dance represents unity, community, and eternity. It symbolizes the connection between the couple, their families, and their community, creating a joyous and celebratory atmosphere.
Q: How does the circle dance promote community and unity?
A: The circle dance brings all the wedding guests together in a circle, encouraging them to join hands and dance as one. It fosters a sense of togetherness, solidarity, and collective joy, reinforcing the importance of community in Jewish traditions.
Q: What are the symbolic elements of the circle dance?
A: The circular formation and the continuous motion of the circle dance symbolize unity, eternity, and the cyclical nature of life. It represents the unbroken bond between the couple, their families, and their community.
Q: What are the traditional steps and music associated with the circle dance?
A: The traditional steps of the circle dance vary across different Jewish communities. However, it typically involves rhythmic movements, clapping, and linking arms while dancing to traditional Jewish wedding music, such as the Hora.
Q: What are the historical origins of the circle dance at Jewish weddings?
A: The circle dance has deep roots in Jewish tradition and culture, dating back to ancient times. It has been a part of Jewish weddings for generations, serving as a way to celebrate and honor the couple’s union.
Q: How does the circle dance vary across different Jewish communities?
A: The circle dance may have variations in its steps, music, and specific customs across different Jewish communities. Regional influences and cultural traditions can shape the way the circle dance is performed.
Q: How has the circle dance evolved in modern times?
A: In modern times, the circle dance has seen new interpretations and variations, reflecting contemporary Jewish wedding celebrations. It may incorporate different dance styles and music genres, while still maintaining the core elements of unity and celebration.
Q: Are there any gender-specific roles in the circle dance?
A: While there may be variations across different Jewish communities, the circle dance typically involves both men and women dancing together. It is a collective celebration that brings together people of all genders to celebrate the union of the couple.
Q: What is the cultural significance of the circle dance at Jewish weddings?
A: The circle dance holds immense cultural significance in Jewish weddings. It represents the joy, unity, and communal celebration of the couple’s love and the beginning of their married life. It is a deeply emotional and memorable moment for all those involved.


Thirty-five high school musicians, one 9th-grade poet, and one world-class composer named Nico Muhly ‘99 will debut original music this spring at Wheeler. Muhly is donating his time and talent to compose a one-of-a-kind piece of music at his alma mater based on a poem selected from student submissions.
Muhly will set 9th-grader Isabelle Mitchell’s poem, “A Trance” to music as a gift to the school and is working with the student singers and players as they learn the music. All students in the Upper School were welcomed to submit a short lyric poem of eight to sixteen lines, written in response to any topic of their choosing. Muhly read all the submissions and made the selection.
Wheeler’s Choral Music Director Kristin Sprague, who taught Muhly at Wheeler, says of the musical process underway, “The musicians come from all grades – 9 through 12, some play jazz, some classical, some both, some pop. It runs the gamut. They all have busy lives, but they’ve thrown themselves into this, and it’s quite exciting to see them dig in. The music is very challenging, but not above them. It really stretches them in a good way. And the thrill of seeing a student’s poetry set to music is indescribable. It’s always a treat to come to school to make music with kids, but this is icing on the cake!”
Nico Muhly is a composer and sought-after collaborator whose influences range from American minimalism to the Anglican choral tradition. The recipient of commissions from The Metropolitan Opera, Carnegie Hall, Los Angeles Philharmonic, Tallis Scholars and St. John’s College, Cambridge and others, he has written more than 100 works for the concert stage, including the opera Marnie (2017), which premiered at the English National Opera and was staged by the Metropolitan Opera in the fall of 2018.
Muhly is a frequent collaborator with choreographer Benjamin Millepied and, as an arranger, has paired with Sufjan Stevens, Antony and the Johnsons and others. His work for stage and screen include music for the Broadway revival of The Glass Menagerie and scores for films including the Academy Award-winning The Reader. Born in Vermont, Muhly studied composition at the Juilliard School before working as an editor and conductor for Philip Glass. He is part of the artist-run record label Bedroom Community, which released his first two albums, Speaks Volumes (2006) and Mothertongue (2008). He lives in New York City.
Learn more about Muhly and his works since graduation from Wheeler in 1999, here. You can find him on Spotify, Apple Music and Twitter.