Have always with you the lyrics of your favorite songs. With Lyrics+ you can download lyrics from the Internet to sing anytime, anywhere*.
* Shower singers: avoid taking the iPad to wet environments.
- Import/export lyrics from/to your computer (plain text format).
- Edit lyrics inside the app.
- Search and organize songs by title, artist, or date.
- View your songs offline, no ads.
Ideal for rehearsals and performances:
- Skip to the next/previous song with a simple swipe gesture.
- Choose dark background for nightly performances.
- Create setlists for performances and rehearsals.
- Auto scroll.
Requires iOS 5.0 or later. Compatible with iPad.
Lyrics+ for iPad is a free trial software application from the Audio File Players subcategory, part of the Audio & Multimedia category.
The app is currently available in English and it was last updated on 2011-05-15. The program can be installed on iOS.
Lyrics+ for iPad (version 1.4.5) has a file size of 8.60 MB and is available for download from our website.
Just click the green Download button above to start. Until now the program was downloaded 2 times.
We already checked that the download link to be safe, however for your own protection we recommend that you scan the downloaded software with your antivirus.


"I am you and what I see is me" -Floyd Busy Bee
Study abroad? Well there has been some studying, but most of what I have learned has come from sources other than the institution of which I am enrolled. Extracurricular activities such as teaching, volunteering and adventuring have brought about some grand realizations, although, I require a significant amount of reflection time before I am comfortable sharing such findings. However, in response to my friends and family who are curious about my recent activities I will give a glimpse into my Indian life.
Student teaching has been quite an experience. I am working with the Hyderabad foundation for western music, and recently completed a course in music theory and ear training. The students came from many different backgrounds and levels of musicianship and there was a wide range of age difference from eight to eighty! The most interesting observation on my part was how the students interacted with me. Despite my 'easy-going' attitude and demeanor, the students were very hesitant to speak in class and at first they never even asked any questions. "This is an interactive experience" I would tell them, "I am not the only teacher in the room. We all have something to learn from each other, including me!"
I spent a lot of time with the students outside of class, either in a formal tutoring session or just a casual chat over chai. In this way, I was given insight into how most teachers are perceived in India. "They never admit fault" one student told me, "and they perceive any question as a challenge to their authority and intelligence." With this understanding I continually altered my teaching style, slowing giving more and more student independence with the material; reinforcing the idea that they are teaching themselves and I am only a guide and eventually they were even interrupting me with questions! In the last session, I asked the students for a teacher evaluation (a foreign concept to them), and in reading the responses I have decided I would like to continue teaching. It would seem that I hone my entertainer persona whenever I get in front of a large group of people, as they all gave remarks about being thoroughly engaged for the full two hour session each week.
I have also been directing a choir. The manager of the choir contacted me when she heard there was an American music teacher in Hyderabad. They had suddenly lost their conductor and were in need of finding a replacement. I informed them of my experience with instrumental ensembles, and that although I have sung in several choirs I have certainly never directed one. Despite my lack of experience, they were eager to have me on board. The music had already been selected and is predominately, much to my surprise, church music. Even though have no experience with liturgical music I decided I should still give it a shot. I am learning so much in working with this group who, much like the music class, have a wide range of skill sets and span across many different age groups. Our concerts will be on the 3rd and 5th of December and we will be performing several Latin American folk songs, a Hindi lullaby, some Christmas tunes and Gloria from Mozart's Coronation Mass.
My research has brought me to the Hindustani Shastriya Sangeet, an ancient Indian text which discusses aspects of music theory and aesthetics. The nava rasa theory states that music (and other art forms) have several predetermined rasas (moods or sentiments) which can bring about or alter the audience's emotional state. To test this theory several musical excerpts have been selecting from a wide range of musical styles, each with their own expected emotional response. The audience is asked to answer a few questions regarding their level of musical engagement. They are then given the option of selecting which emotion best describes the musical excerpts provided.
I conducted the research project during the SIP (study India program) cultural show, of which I was also an MC! What?! (more of the entertainer persona). The project lives on as I have landed a sponsor, Creative India, for my research in Chennai at the IndiEarth music and arts festival. The dates are the 6th, 7th and 8th of December so Ill be hopping a train immediately after the choir performance and arriving for the first day of the festival. Yowza! After that Ill be bouncing around India for a while with no solid plans until my mother and sister arrive to visit. Yay! We will travel around a bit and celebrate Christmas together.
I hope all is well with everyone everywhere. Sending love to all my friends in America, Europe, India and all other places in the universe.


Tickets On Sale Now!
Kick-off your summer fun with btaa!
Broadway Theatre Arts Academy at a Glance
Founded in 2002, Broadway Theatre Arts Academy has been striving to provide theatrical opportunities to kids age 5-19 years old. Our programs provide children and teens a safe place to grow and explore their creativity, instill confidence and build self-esteem through the magic of performing arts. BTAA offers all of this to children regardless of gender, religion, ethnic background, sexual orientation and economic status. In fact, we offer opportunities to low income and at risk youth through scholarship and outreach programs that would not normally be able to afford this type of program.
Professional Instruction. Unforgettable Experiences.
One Step at a Time
BTAA brings top-of-the-line artistic talent to each production, offering young performers well-rounded, quality instruction in acting, dance, and voice.


BHARAT Movie Songs:
Salman Khan is back New Movie Title as “Bharat”. He has made a big announcement about his upcoming film Bharat. It is a remake of South Korean film Ode to My Father. It is confirmed that Bharat Movie will release on Eid 2019.
Salman Khan has announced this film to give surprise his fans. It is the biggest South Korean film of 2014 and also the highest collector of that year. Its Hindi remake will be produced by Bhushan Kumar and Atul Agnihotri. This film will be directed by Ali Abbas Zafar, who has earlier directed Salman Khan’s Sultan and Tiger Zinda Hai. It is a war-drama film.
BHARAT Movie 2019 Mp3 Songs Download
• Movie: BHARAT
• Cast: Salman Khan, Disha Patani, Tabu, Katrina Kaif
• Director: Ali Abbas Zafar
• Music:(Songs) Vishal–Shekhar, (Background Score:) Julius Packiam
• Cinematography:- Marcin Laskawiec
• Total Tracks: 1 Tracks
• Label: N/A
• Country: India
• Language: Hindi
Bharat Movie Download Now.
With English Subtitle.
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023 8022 6439 firstname.lastname@example.org
Combining fun interactive dance classes, quality DJ and food - this event captures ‘The Mo’club’ at its spectacular best.
The class creates laughter, excitement and a buzzing atmosphere, the party music keeps the party alive and the venue gives your event a unique ambience.
The fun dance class is your choice, the buffet is your choice, the event format is your choice.
Here’s just one suggestion for an effective, achievable and entertaining event format.
|7.30pm - 8.30pm||Guests arrive, red carpet and arrival drink|
|8.30pm - 9.15pm||Buffet, videos, walk around entertainment|
|9.15pm - 9.30pm||DJ warms up the atmosphere|
|9.30pm - 9.50pm||Saturday Night Fever Fun Class - your chance to be John Travolta or a Disco Diva|
|9.50pm - 10.30pm||DJ playing classics hits and party tunes|
|10.30pm - 11.00pm||Bollywood - the colour, mystique & music of Bollywood movies|
|11.00pm - 11.45pm||DJ builds the atmosphere|
|11.45pm - Midnight||Learn a little late night Salsa - sexy and fun|
|Midnight - 1.00am||Party to the early hour as the DJ plays the music you want|


AIRWOLF LEGACY THEMES
Airwolf Legacy Themes is a remake and cover-version of the classic TV series of the 1980s featuring the most memorable theme variations (originally composed by Sylvester Levay) incl. two formerly unreleased orchestral versions of the famous Airwolf theme.
The original score and theme music of «Airwolf» truly captured the spirit of an advanced supersonic stealth helicopter which was undoubtedly the main attraction of the series. The spot-on electronic and orchestral themes made it one of the most memorable television shows of the 1980s.
«Airwolf Legacy Themes» features the extended 1984 synthesizer closing theme as well as an orchestral version of the aerial battle theme, both of which had previously been unavailable. Additional material, based on the classic Airwolf theme, is also included in this unique compendium. All tracks are designed and arranged to closely resemble the unforgettable sound of the original TV series composed by Sylvester Levay.
Genre: TV-SERIES/SOUNDTRACK (REMAKE)
Original Title: AIRWOLF
Director: DONALD P. BELLISARIO
Composer: SYLVESTER LEVAY
Production Company: CBS/MCA UNIVERSAL
Label: P&K Music
Remake: PEARL MUSIC/Jörg Winkelmann
Release Date: TBA


- This event has passed.
Marvelous Music Family Series: Philharmonic Association Chamber Ensembles present “The Triumph of Rapunzel” and the “Nanny Goat”
March 24 @ 3:00 pm - 5:00 pm
Two Grimms’ fairy tales told by youth musicians, actors, and visual artists with original music by R. Michael Daugherty.
For more, visit townofcary.org (Search: Marvelous Music Family Series) or call (919) 469-4069.


Beer Choir hosts social singing events in pubs and breweries across the country. It's simple. We sing while drinking beer, making our world a little better.
Find or start a local chapter of Beer Choir near you and be a part of the social singing revolution.
Yes, this is a real thing. BEER CHOIR was founded in 2015 by choral music composer and craft beer enthusiast, Michael Engelhardt. We are headquartered in St. Louis, MO, and we have chapters all over the country.


Welcome to Mixtape Africa, your premier destination for all things music and video related. Whether you are a budding artist looking to record your first album or a seasoned musician in need of music production services, we have got you covered. With our dedicated team of professionals and state-of-the-art facilities, we strive to deliver exceptional results that will leave you impressed.
Unleashing Your Musical Potential
At Mixtape Africa, we firmly believe that every artist deserves the chance to shine. Our music production services are tailored to bring out the best in your talent and ensure that your tracks stand out in the competitive music industry. Our experienced sound engineers and producers work closely with you to capture your vision and transform it into a stunning reality. From songwriting to recording, mixing to mastering, we handle every aspect of the production process with utmost care and precision.
State-of-the-Art Recording Facilities
Our recording studios are fully equipped with cutting-edge technology and top-of-the-line equipment, providing the perfect environment for creating extraordinary music. Our engineers are well-versed in the latest recording techniques and will go above and beyond to ensure that your tracks sound polished and professional.
Music Video Production Services
In addition to music production, we also offer top-notch music video production services. Our team of talented videographers, directors, and editors will bring your creative ideas to life, producing eye-catching visuals that perfectly complement your music. From pre-production planning to post-production editing, we handle every step of the video production process, allowing you to focus on your artistic expression.
Creating a Buzz Around Your Music
We understand that creating great music is just the first step towards success. At Mixtape Africa, we offer comprehensive marketing and promotion services to help you gain the recognition you deserve. Our team of experienced marketers will work closely with you to develop effective strategies that will get your music noticed. From social media campaigns to music video promotions, we leave no stone unturned to ensure that your music reaches a wide audience.
Empowering Artists Through Education
At Mixtape Africa, we believe that knowledge is power. That's why we offer informative resources and workshops to empower artists with industry insights and valuable skills. Our educational programs cover a wide range of topics, including songwriting techniques, music production tips, and marketing strategies. With our guidance, you can enhance your understanding of the music business and take your career to new heights.
Your Journey Starts Here
Mixtape Africa is more than just a music production company - it's a platform designed to nurture talent and celebrate creativity. We have worked with numerous artists who have gone on to achieve great success, and we are passionate about helping you achieve your musical dreams.
Whether you are an aspiring artist looking to take your first steps in the industry or a seasoned musician in need of top-quality music and video production, Mixtape Africa is here to support you every step of the way. Don't let your talent go unnoticed - join us today and let your music be heard across the continent and beyond!mixtapeafrica.com


Krissy (updates coming soon)
The Perfect Melody For Your Special Event
Weddings, Engagements, Parties and Holidays
Allow me to make your event a success with live music your guests won’t soon forget. I am a talented and professional Violinist who brings a unique mixture of musical genres and styles tailored to meet your heart's desire. You can trust me to guarantee the music entertainment at your event runs just as planned. In the midst of anticipation and preparation, the soothing sound of the violin is the perfect addition to your special day. Cheers to you and a very elegant live violin music performance for every taste, any place, time, and generation!
Wedding Ceremony Package
This is one of my most popular and frequently requested package types. My extensive experience performing live at Weddings allows me to cater to a diverse array of audience types and sizes. Additionally, I am constantly adding more music to my repertoire and always consult with my clients to make sure they’re happy with my song choices.
Weddings Plus (Ceremony, Cocktail Hour, and Reception)
What my clients want, is precisely what they get. With my Weddings Plus Package, I am able to meet your unique music needs from walking down the aisle and exchanging your vows, to Cocktail Hour entertainment and picture taking time. Let's not forget the first dance and a whole lot of fun and festivities. Some of my greatest performances have been a result of this package, which is quite popular among my clients. Get in touch for more information and book your initial consultation.
Parties and Special Celebrations
As a professional Musician and Entertainer, I make sure to offer my clientele a wide range of musical services to suit their party music needs and provide customizable choices they’re sure to love. This package is always a hit and could be exactly what you need to make sure your event is one to never forget. Variety of music choices, the LATEST hits, and pop songs played along with an instrumental background, classical and Broadway selections, PA system, and a little bit of improv - let's do this!


Violin Studio Cincinnati, 45248 M.M. in Violin Pedagogy from UW-Milwaukee Accepting new students!
Do you want to try a new instrument? Looking to advance your violin playing skills?
Open to students aged 4 and up!
Teaching Philosophy I believe that learning music should be a positive experience, and that learning to play an instrument greatly enhances the quality of one’s life. Learning to play a musical instrument before the age of seven has been shown to improve connections between the two hemispheres of the brain (source), and there are many other benefits to learning to play music, from reading and improving math skills to teamwork and responsibility. For more benefits of music playing, see this list: https://www.learningliftoff.com/ten-benefits-of-music-education-for-students/. While teaching you or your child how to play the violin, I will also incorporate musicianship skills such as music theory, technique, ear training, and sight-reading. Above all, I will always maintain a positive learning environment. I will be using a combination of Suzuki method techniques and other methods (such as Mimi Zweig and Paul Rolland principles) and repertoire. Beginning students (who don't already know how to read music) will start learning by rote but I will also teach them to read music soon after starting the instrument.
Background When I was four years old I asked my parents for violin lessons and that Christmas there was a tiny violin under the tree! I believe every child should get to experience the joy of playing a musical instrument. I am a professional freelance violinist with a bachelor's degree in Violin Performance from Miami University and a master's degree in Violin Pedagogy from the University of Wisconsin-Milwaukee. I play the violin for weddings, funerals, religious holidays, and other events. I have also released a Christmas album titled Snowfall, which is available on iTunes and Amazon mp3. Check out the videos tab for videos of me playing the violin, including a timelapse video from when I first started the violin.
Contact me for my location in Cincinnati, 45248 zip code.
My lesson rates are $20/half hour, $30/45 minutes, $40/hour. Beginning students usually start with half hour lessons. This does not include materials (such as the sheet music, which you can order or I can order and bill you for).
Lessons can be paid for at the start of each month, or before each individual lesson.
Cancellation policy: if I need to cancel (for example, if I get sick) or if you need to cancel and notify me at least 24 hours in advance, there is no fee. If you cancel less than 24 hours in advance, you will still need to pay the lesson fee. Makeup lessons can be scheduled depending on availability.
Recitals: There will be a $20 accompanist fee for recitals, which covers a piano accompanist playing with the student at the recital and rehearsing with the student in the lesson proceeding the recital. If you the parent are also a pianist, you are welcome to accompany your child instead if you prefer.
Expectations: Practicing and Parental Support
Each lesson, the student will be expected to bring their violin and bow, rosin, a notebook, a pencil, and any music books that they have been assigned to work on.
In lessons, I will be engaging with the student to create an inspiring, positive learning environment, and I will take notes in the notebook on what they need to work on for the next week.
For young students under the age of 13, I request that the parent attend the lesson with them to observe what the student is working on and to be able to practice with the student at home. Practicing should occur at least 5 times a week and should be about the same amount of time as their lesson. We will talk about how to practice effectively in the lessons.
I hope that parents will use a positive approach to motivating their students to practice, such as suggesting that they do not do other activities such as use electronics until their practicing is complete. This way, practicing is immediately rewarded with something they enjoy rather than just becoming a chore.
Acquiring the Instrument Violins come in different sizes for children and I recommend renting an instrument from a local violin shop rather than buying an instrument, as the student will grow out of their instruments until they reach a full size violin. It is very difficult to play on a violin that is too big for you, so it's important to get the right size.
After the student gets their initial violin size, I will be able to tell when it's time to move up to the next size. Also in my experience, if the student is frustrated by the tone of their small violin, it can be greatly improved by purchasing a set of Dominant strings, which I am able to put on the instrument. If you decide to buy a set of strings, be sure to buy the correct size!
You will also need to make sure you have rosin and a violin sponge. I use violin sponges rather than shoulder rests with my students because they allow for more freedom of movement when playing, and you should be able to get these at the violin shop as well. I will also have some options in stock so we can find the most comfortable fit for each student.
Studio Calendar The studio calendar page will list when I am out of town.
If you or your child are interested in violin lessons this semester, contact me with any questions and to set up a lesson time!


Marilyn Guitar » History
Just as there was an allure to Marilyn Monroe that fascinated men and women, The Marilyn Guitar has also had its share of suitors and admirers. Johnson first recognized the appeal his guitar could hold over rock 'n' roll royalty when he entered the guitar in a contest sponsored by the legendary Frank Zappa, who was looking for the perfect "It Girl".
Frank Zappa met and signed the Marilyn Guitar, becoming the first of many stars who would make their mark on the well-traveled instrument. In the years that followed, Johnson would acquaint numerous stars with The Marilyn Guitar: Keith Richards, Angus Young, Chrissie Hynde, Rick Nielsen and many others. The Marilyn Guitar opened backstage doors to rock legends, who wanted to put their hands on this one-of-a-kind treasure.
With a full slate of famous and talented musicians now marking the back of Johnson's guitar, he felt it was time to bring Marilyn to a larger audience by making available a limited number of reproductions. Using a revolutionary investment method called Crowd Funding to attract investors, he will soon begin creating 100 reproductions of The Marilyn Guitar to sell to loyal fans of Marilyn Monroe and rock music enthusiasts.


Get ready to shimmy off excess pounds while strengthening your core, improving your posture and flexibility, toning all major muscle groups, raising your metabolism and reducing stress — all while having fun and dancing to wonderful music. .
Our instructor, Sigrid Aarons, has been studying and performing this art form since 2000 and looks forward to sharing the joy and passion that it brings. Please let your doctor know that you’ll be taking part in a dance class.
RSVP: 1-866-469-0999 (Call to Reserve.)


Singular vocal performers (including lead and background singers, singer-songwriters, and singer-instrumentalists). This categorization is for any article about a singer, whether they perform solo, with a group or band, or both.
Composers, producers, songwriters, arrangers, DJs, engineers, and other non-performing personnel.
Groups, bands, crews, or other non-classical music ensembles. This categorization is for articles on group acts only; members of groups should be labeled with one of the codes above.


Gonçalo Dias was born in Alcobaça and began his musical studies at the Conservatory of Tomar with Alexandre Vilela. Later on he entered the ESMAE - School of Music, Arts and Performing Arts at Porto, where he completed a degree in Bass Trombone with Jon Etterbeek and Severo Martinez. He participated in the Youth Orchestra of private music schools, as well as in internships of the Wind Orchestra of the Templários. He made several master classes with the most prestigious current trombonists, such as Joseph Alessi, David Taylor, Jörgen van Rigen, Gilles Millière, Ben van Dijk, Anne-Jelle Visser (tuba), Hugo Assunção and Ricardo Casero, among others.
He collaborates regularly with some of the most important national orchestras: Orquestra Sinfónica Portuguesa, Orquestra Sinfónica do Porto Casa da Música, Orquestra Metropolitana de Lisboa, Sinfonieta de Lisboa, Orquestra do Norte, Filarmonia das Beiras, Remix Ensemble Casa da Música and, in Spain, the Orquestra Sinfónica da Galiza. Gonçalo is a member of Banda Sinfónica Portuguesa, with which he has been working with leading conductors in this type of musical formation.
He is currently a trombone professor at the Professional School of Music of Viana do Castelo and at the Costa Cabral Academy of Music in Porto.


Welcome to Tulsa Opera’s 65th season! Last October, the New Yorker magazine called Tulsa Opera “one of the sturdier and more adventurous companies in its class” and the Tulsa World called our production of Dead Man Walking “the best best production Tulsa Opera has staged in more than a decade.” We are excited to be raising the curtain on another season of amazing singing and productions passionately prepared by our talented staff, musicians and crew.
We open the season October 13th with The Daughter of the Regiment, one of Gaetano Donizetti’s lesser known but most entertaining works. Last October Tara Faircloth’s staging of The Barber of Seville received such a great audience response that we decided to open this season with a production in a similar vein, directed again by her. Sarah Coburn, the incomparable bel canto stylist, gives her first performance in the title role. Tenor Greg Schmidt brings his thrilling top to the famous aria of the nine high C’s. The irrepressible Peter Strummer returns as Sergeant Sulpice, and Grammy-nominated mezzo-soprano Dorothy Byrne makes her Tulsa Opera debut AND gives the final performance of a long and illustrious career as the Marquise de Berkenfield.
In February, Tulsa Opera joins some of the nation’s most prestigious opera companies in exploring the treasures of classic American musical theatre with the Tulsa premiere of “the most operatic work written for Broadway”. The Most Happy Fella, by Guys and Dolls composer Frank Loesser, features such favorite tunes as “Standing on the Corner” and “Big D”. The cast is led by Metropolitan Opera baritone and University of Oklahoma professor Kim Josephson as an aging Italian-American vineyard owner who falls in love with a young waitress. Legendary stage director Dorothy Danner guides this exciting venture into the realm of Broadway.
In 2013, the world of opera celebrates the 200th anniversary of the birth of Giuseppe Verdi. Beyond being a great melodist, Verdi was a profound dramatist who is often compared with Shakespeare for the dramatic power of his works and for his understanding and compassion for the human condition. We join the celebrations with a production of Aida, last seen in Tulsa in 1997. In the title role is soprano phenomenon Amber Wagner, whose debut performances in Lohengrin at the Lyric Opera of Chicago in 2011 took the opera world by storm. She will be joined by a Tulsa Opera favorite, mezzo-soprano Dana Beth Miller, as Amneris and former Tulsa Opera Studio Artist Brian Landry as Radames. We also welcome back dancers of the Tulsa Ballet II, choreographer Ma Cong, and singers from the Tulsa Oratorio Chorus.
Tulsa Opera, at 65, is more vivacious, vibrant and vital than ever. I hope you join us for all three productions, and that our performances not only delight your eyes and ears, but touch your heart, take you by surprise and reveal something new.Kostis Protopapas, Artistic Director Tulsa Opera


Established in 1993 by Oshawa violinist John Beaton, the Durham Youth Orchestra provides young musicians with the enriching experience of performing music by many great composers, including Bach, Mozart, Haydn, Beethoven, Mendelssohn and Tchaikovsky. The goal of the DYO is to nurture the artistic and personal growth of young musicians through the experience of playing orchestral masterpieces. The DYO provides the wonderful opportunity for young people with a passion for classical music to develop their musical skills and hone their talent in an orchestra setting!
The Durham Youth Orchestra performs in a minimum of three concerts each season. The orchestra’s involvement in the community includes educational concerts presented to Durham area students. Through these efforts, orchestra members gain valuable performing experience and help contribute to the musical culture of Durham Region.
Vaillancourt Plumbing & Drains is proud to support Durham Youth Orchestra.
In 2020, Durham Youth Orchestra will be celebrating their 25th anniversary. If you would like to support the Durham Youth Orchestra visit: https://dyomusic.com/sponsorship-fundraising/


One of the region’s finest vocalists, international recording artist Susan Marshall began her career Off-Broadway as a leading soprano in the Rep-Company Light Opera of Manhattan. Shortly after moving back to Memphis in 1990 she began fronting rock-soul band The Mother Station and was signed to a record deal with EastWest / Atlantic Records. In 1994 they released their debut album “Brand New Bag” which peeked at #34 on Billboard’s Mainstream Rock charts.
Since then, Susan’s released three critically praised solo albums — “Susan Marshall Is Honey Mouth”, “Firefly” and “Little Red”. She has performed renditions of her eclectic mix of jazz, blues and soul standards and originals with the Memphis Symphony Orchestra, Memphis Jazz Orchestra and is also known for her solo and duo performances in residency over the last 7 years at Itta Bena located on world famous Beale Street just above B.B. Kings.
Susan has toured all over the world as part of the Afghan Whigs as well as with Cat Power & The Memphis Rhythm Band, which included appearances on Austin City Limits, The Late Show w/David Letterman, Late Night with Conan O’Brien, and the BBC’s “Later…with Jools Holland.”
“Better Off Alone” (a song Susan co-wrote with Austin Carroll) was recorded by American Idol’s Katherine McPhee for her 2007 self-titled debut which reached #2 on Billboard’s Top 200 Albums Chart. Her songs have also been recorded by international blues divas Ana Popovic and Reba Russell to name a few.
Susan was the winner of the 2003 “Premier Female Vocalist Award” given by the The Recording Academy’s Memphis Chapter. She was voted Best Local Singer in the Memphis Flyer’s “Best of Memphis 2008” issue, named “Emissary of Memphis Music” in 2009 by the Memphis and Shelby County Music Commission where her name was read into the official Congressional record on the floor of the U. S. House of Representatives by Representative Steve Cohen, and was given the “Divine Memphis Diva Award” at the 2011 Blues Ball. Susan was also elected and served as President for the Memphis’ Chapter of the Recording Academy (A.K.A. NARAS), and is currently serving her second term as one of two Trustees for the Memphis Chapter.
She is known for her studio and/or stage work with a wide range of superstars; Lucinda Williams, Keith Richards, Norah Jones, Lenny Kravitz, Lynyrd Skynyrd, Ann Peebles, North Mississippi Allstars, Alvin Youngblood Hart, Solomon Burke, Teenie “Mabon” Hodges, Jim Lauderdale, Steve Earle, Kirk Whalum , Bobbie “Blue” Bland (vocals for “Take Me to the River” film soundtrack) and The Bo-Keys to name a few. In the studio she has worked alongside legendary producers Tom Dowd, Chips Moman, Willie Mitchell, Jim Dickinson, Joe Hardy, John Hampton and husband Jeff Powell. Susan’s studio work has garnered multiple gold and platinum record awards, as well as the distinction of having sung background vocals on five GRAMMY nominated records.[/vc_column][/vc_row]


Cristina Segura began her musical education in Barcelona graduating with honours from the Conservatori Superior de Música del Liceu with Maria Dolors Aldea. She studied two master’s degrees at the Haute École de Musique de Genève (Switzerland) with the renowned contralto and conductor Nathalie Stutzmann.
She was also selected to participate in the International Udo Reinemann Lied Master Classes 2012-2013 at the Koninklijk Conservatorium Brussel, with Hartmut Höll, Mitsuko Shirai, Ann Murray, Peter Schreier, Michel Tranchant, Joseph Breinl and Jaroslav Mrazek. She has received masterclasses from Christa Ludwig, Helmut Deutsch, Wolfram Rieger, Kurt Widmer, Dalton Baldwin, Anne Le Bozec, David Selig, Adrian Thompson, Iain Burnside, Ana Luisa Chova, among others.
She was awarded the third prize at the 20th Singing Competition Josep Mirabent i Magrans, as well as at the International Music Competition de les Corts in Barcelona and the Lied prize of Juventudes Musicales by Wolfram Rieger. She was chosen Joung Talent in the Lied festival LifeVictoria Barcelona 2014, and she sung in the festival’s inaguration and closing with Adrian Thompson, tenor and Iain Burnside, piano.
She made her Barcelona opera debut in the role of Hexe in Humperdinck’s Hänsel und Gretel. She has also sung the role of Zita in Puccini’s Gianni Schicchi as well as the title role in Menotti’s opera The Medium. She sang the role of Madrigalist soloist in Durón’s El imposible mayor en amor, le vence amor in Teatro de la Zarzuela (Madrid) with the Capella Mediterranea under Leonardo García Alarcon and stage direction of Gustavo Tambascio; the role of Page in Jacinto Valledo’s La cantada vida y muerte del general Malbrú in the Festival de teatro clásico de Almagro 2015 (Spain) in the Teatro de la Zarzuela, under stage director César Diéguez. She sang the role of Carmen in Bizet's Carmen at the Palau de la Música Catalana (2022).
At the Théâtre Opéra de Lausanne: the role of Smeton in Donizetti’s Anna Bolena (conducted by Roberto Rizzi); the role of Alisa in Donizetti’s Lucia de Lammermoor (conducted by Jesús López Cobos); the role of Teresa in Bellini’s La sonnambula (conducted by Giampaolo Bisanti); the role of L’Autruche in the world premiere of the opera Les Zoocrates of T. Besançon; the role of Pepa in La belle de Cadix by Francis Lopez with the l’Opéra de Lausanne in the Lyric Route 2016 (21 performances in France and Switzerland), under Jacques Blanc and stage director Patrick Lapp. At the Toûno Festival (Switzerland): the roles La Maman, La Tasse chinoise and La Libellule in L’enfant et les sortilèges by Maurice Ravel.
In the field of oratorio, she has featured as a soloist in Bach's Cantata nº 34 and Zbinden's Terra Dei with the Orchestre de chambre de Lausanne; in Händel's Messiah with the Vespres d'Anardí Orchestra conducted by Manel Valdivieso, in Beethoven's Symphony no. 9 with the Orquestra Simfònica del Vallès conducted by David Niemann at the Palau de la Música Catalana; in Bach’s Mass in F and Mozart’s Vesperae solemnes de confessore with the Ciudad de Granada Orchestra at the Auditorio Manuel de Falla under Salvador Mas; in Bach’s Magnificat, Mass in B minor, Cantata BWV 173, Cantata nº 184, Cantata nº9 and Cantata BWV 78; Schubert’s Magnificat; Haydn’s The Seven Last Words of Christ; and Garcia’s Mass and Requiem; in Bach’s cantata nº9 in Festival Bachcelona14 and in XXVIII Festival Internacional de arte sacro de Madrid with Galimatias Ensemble.
She has also offered numerous concerts in Belgium, Switzerland, Slovenia, France and Spain; particularly Lied-recitals and concerts with ensembles, including vocal works such as Kindertotenlieder by Mahler, Spanische Liebeslieder op.138 and Spanisches Liederspiel op.74 by R. Schumann; Les nuits d’été by Hector Berlioz, Berio’s Folk songs; among others. Especially worth mentioning are Schubert’s Ständchen for mezzo soloist and choir at the Palau de la Música Catalana and the Petit Palau; Mahler's Lieder eines fahrenden Gesellen in Festival Velenje in Eslovènia, Mahler’s orchestral Lieder with the Grup Liceu XXI; Mahler’s Urlicht and Falla’s Psiché with the Murtra Ensemble; Ravel’s Chansons Madécasses and Debussy’s Chansons de Bilitis with the Conjunt XXI. She recently sang in two festivals in Slovenia, the Music Festival Bohinj and the ZavodperArtem; a recital for voice, cello and piano in the Fundación Juan March in Madrid; a concert Tribute to father Ireneu Segarra at the Palau de la Música Catalana (Spain); a tour with the concert "Carmen" with Juventudes musicales, Josep Surinyac, piano and a concert at the Schubertíada Vilabertran with the Camerata432 soloists. She has collaborated in charity recitals with the association Accords solidaires (Paris) as well as the Fondation Prim’enfance (Geneva).
She has recorded for the television channels ARTE TV, TV3, RNE; for Classical Radio, Catalunya Música, along with a CD with music by Anna Bofill with the Barcelona Modern Project conducted by Marc Moncusí. She recently has recorded the role of Gaziel in Granados Gaziel with Orquestra de Cadaqués (conducted by Jaime Martín).
Voice Teacher and Head of Vocal department in the Liceu Conservatory Centre Professional (Barcelona) since 2018, Language Diction for singers Teacher in the Liceu Conservatory Superior and Associate Professor in Universitat Internacional de Catalunya.
Download PDF English version
CD with music by Anna Bofill with the Barcelona Modern Project conducted by Marc Moncusí.
Cristina Segura, mezzo
La Pedrera, Barcelona. (19 April 2010)
CD with music by Enric Granados with Orquestra de Cadaqués conducted by Jaime Martín.
Cristina Segura, Gaziel
Auditori de Barcelona (2017)


Brocc came into being over the summer of 2008 - a product of gales and rain in the woods and a badger who came to stay and has become our symbol.
The songs we weave tell tales of myth and legend and the old beliefs of our lands and peoples. Our music is timeless, evocative of earlier, simpler times. The instruments reflect our love of forgotten timbres - we play english & swedish bagpipes, woodwinds and recorders, the medieval hurdy-gurdy, mandola and laùd, and a host of percussion.
Brocc's songs and tunes are mostly original, with some traditional material in our own distinctive arrangements. You can hear some on our music page.
We are the masked troubadours - watch out we are masked and dangerous!
13 Moons - Review
13 Moons is the first full length album of a band with a very distinctive look and sound. The album was recorded and produced by Pete "peewee" Coleman - more usually noted for his work with bands such as AC/DC, The Charlatans and Echo and the Bunnymen - on his label PipeDream Music.
"There is something of the original Wicker Man soundtrack in the vocal arrangements - the earth magic content of the lyrics, too, call to mind Summerisle. However the gallimuafry of exotic instruments conjures up an altogether more complex vision with echoes of Gryphon and their ilk.
"When the album arrived, we were instantly in love with it"
Herne - Wyldwood Radio
"A sonic smorgasbord of songs and dance tunes comprising Flemish and Swedish pipes, various whistles, harp, bouzouki and hurdy-gurdy strings, assorted percussion and glorious vocals, serving up a medieval, neo-pagan, traditional, and Cornish/Welsh Celtic musical feast! Delicious! "
Len Holton - From Albion and Beyond (KUAR FM89)
"Beautiful, magical, enchanting. 13 Moons is evocative of the inherent magic in the British Isles. A wonderful blend of both traditional and entirely new songs. A must have for fans of British folk music."
Herne and Nemetona - Wyldwood Radio.
"Magical and mysterious, musically exquisite and enchanting"
Karen Kay (faeryevents.com)
Hallr - vocals, english and swedish bagpipes, willow flute, acoustic bass, recorders & bazouki.
Clár - vocals, hurdy-gurdy & percussion.
Mikael - vocals, octave mandola, laúd & guitar.
Anwen - vocals, bowed psaltery, recorders & percussion.
Anders - narration, vocals &percussion.
Elin - vocals, harp, willow flute, bagpipes & recorders.
See more about the band members on the band link on the left.


Luke Bryan Releases Second Single "We Rode In Trucks" - Debut Album 'I'll Stay Me' Out Now!
Fans drawn in by Luke Bryan’s boyish, down-home charm soon discover what’s behind it: an intelligent wit, an off-the-wall sense of humor and a unique take on life. They also soon discern that he is a talented triple threat vocalist, songwriter and musician.
Bryan had his first guitar by age 14, by age 16, he was regularly writing songs and leading his own band. His intention was to move to Nashville and pursue a music career after his high school graduation. Sadly, fate had other plans. The day he was scheduled to move, his older brother, Chris, was killed.
Bryan immediately scrapped his career plans, choosing instead to stay with his family. He continued to write and play music, and eventually enrolled at Georgia Southern University. It was there that Bryan’s talents really blossomed.
Even before his first single, “All My Friends Say,” had been sent to country radio, Bryan was earning significant media attention, including being named one of Billboard magazine’s new faces to watch in 2007. At the same time, his second major cut as a songwriter—Billy Currington’s “Good Directions”—was quickly climbing the country charts and eventually hit the top spot.
Bryan signed with Capitol Records Nashville in 2004 and released his debut album, I’ll Stay Me, in August of 2007.
“We Rode in Trucks” (Luke Bryan/Roger Murrah/Jim McCormick)
“This song is probably the most representative of me as an artist because it talks about growing up in Georgia. We wrote the song probably about a month after I arrived in Nashville.
I wasn’t sure if it would make the album, but I just woke up one night and said, ‘If I do not put this song on the album, I wouldn’t be able to call it my first album.’
We get so many compliments on the song, and what’s neat is we’ll do it in New York or Portland or anywhere we are, and people say ‘Ah, that takes me back.’ That’s the best compliment in the world when you can get people from the big city to like such a rural type of song.”
I’ll Stay Me is out NOW and available everywhere!


Saturday, January 26, 2008
I thought I'd use today's post to introduce people to a wonderful little neighborhood performing arts theater here in Midway. dreamland arts, on Hamline Avenue, just south of Minnehaha, opened in 2006. In addition to its 40-seat theater, Dreamland also offers classes, workshops and performances in theater, music, puppetry, dance and more. What I really love is the commitment of the owners to bringing arts to the community and that their house is physically connected to the studio theater. So next time you're in the neighborhood and in the mood for supporting some local artists, checkout dreamland arts.


Nashville Music Tour
- Music Museums: Country Music Hall of Fame and Museum Go downtown and visit the world’s largest music museum geared towards country music. Also nearby is the Johnny Cash Museum on 3rd Ave Featuring the most comprehensive collection of Johnny Cash artifacts and memorabilia in the world, this is THE Cash venue to visit for all ages. Then stroll up to the George Jones Museum on 2nd Avenue, which offers visitors a never-before-seen look into the life and career of the musical icon. Honoring musicians from stars to studio players that represent all genres of music, the Musicians Hall of Fame and Museum is housed in the Nashville Municipal Auditorium. From Hank Williams, Sr. to the Red Hot Chili Peppers, Motown to Southern Rock – there is truly something of interest to everyone.
- Take a tour of Music Row (around 16th and 17th Avenues South) and see where many music labels and recording studios are based at. Visit historic RCA Studio B, the famous recording studio where Elvis recorded over 200 songs. Roy Orbison, Dolly Parton, Chet Atkins, Eddy Arnold and many more recorded classic hits here.
- Songwriters-In-the-Round Show, In the round or a writers night are popular terms in Nashville, what you may not know is your favorite artist may have bought the song you love from a songwriter, here you can hear the lesser known people who may have created that #1 hit. Bluebird Cafe is probably the most popular spot, it is a small location so you want to get there early. The Listening Room Cafe is popular as well.
- Located downtown The Ryman Auditorium, also called the “Mother Church of Country Music,” has had artists as diverse as Jon Bon Jovi and Patsy Cline perform on its legendary stage since 1892. You can take a backstage tour and record your own song in the Ryman recording studio. This a must see for a tour but also a great place to catch a concert during your visit.Grand Ole Opry out beside the Opry Mall, The stars of the Grand Ole Opry perform every Tuesday, Friday and Saturday night (at the Ryman Auditorium November-January; at the Grand Ole Opry House February-October) with guest appearances by the biggest names in music. With 90 years under its belt, it’s the world’s longest-running radio broadcast and shows no signs of slowing down.
- Visit Honky Tonk Highway (Lower Broadway) A multitude of music clubs and honky-tonk bars can be found in downtown Nashville, particularly the area encompassing Lower Broadway, Second Avenue, and Printer’s Alley, which is often referred to as “the District”. Many big names have been discovered on Broadway and 2nd ave and from time to time they come back and play a surprise show such as Willie Nelson, Kris Kristofferson, Gretchen Wilson, Dierks Bentley and other stars began their careers on Lower Broadway.The following honkytonks are full of energy and you will rarely see a cover charge, Tootsie’s Orchid Lounge, Legends Corner, Second Fiddle, The Stage, Layla’s Bluegrass Inn and Robert’s Western World, ACME Feed & Seed, Bootleggers Inn, Jimmy Buffett’s Margaritaville, Paradise Park Trailer Resort, Tequila Cowboy, Tin Roof Broadway are all experts at serving up cool longnecks and hot country music.
- Wildhorse Saloon on Second Ave has Southern food, live-music acts, multiple bars & free nightly line dance lessons in a 3-story space.
- Take a walk on Shelby Street Pedestrian Bridge and take in the views of Downtown Nashville
- Like Blues music? BB King’s Blues Club also on Second Ave has some great Blues Music and Southern Food and on Printer’s Alley is Bourbon Street Blues & Boogie Bar has Cajun cuisine & blues presented 7 nights per week in Mardi Gras-themed surroundings.
- The Station Inn (402 12th Ave S, Nashville, TN 37203) has the best bluegrass music in Nashville, Seats are first-come, first-served at this intimate venue, where live bluegrass plays every night.
- Popular venues for ticketed concerts is Bridgestone Arena, Ascend Amphitheater (warmer months), Ryman Auditorium, Schermerhorn Symphony Center, Grand Ole Opry, Marathon Music Works, 3rd and Lindsley, Exit Inn and Mercy Lounge.


Jaimie LaPine, Soprano
Choral Music Educator
Mrs. Jaimie LaPine is a conductor, educator and vocalist with over ten years of experience teaching and performing. After earning a Bachelor’s degree in Music Education from Berklee College of Music, Mrs. LaPine served as the Americorp Public Allies Teaching Fellow in Music and Theater at the Eagle Rock School in Estes Park, Colorado. Mrs. LaPine spent the past five years working for Bridgewater-Raynham Schools where she directed the 4th-8th grade chorus program and taught general music classes.
She is currently pursuing a Master’s of Music Education in Choral Conducting from the Hartt School at the University of Hartford where she works as a teaching assistant for undergraduate conducting and choral methods classes. She studies conducting privately under Dr. Edward Bolkovac, and choral methods with Dr. Julie Hagan. Mrs. LaPine was recently selected as a conductor for Hartford Opera Theater’s “New in November” series, and she will be presenting a session at the upcoming Connecticut Music Educators Association conference entitled “Aural Teaching Perspectives from Europe and Asia”.
In addition to conducting and teaching, Mrs. LaPine enjoys an active performing career. She is a member of the Massachusetts-based Analog Chorale, a “genre-fluid ensemble using multimedia to expand horizons for the choral art.” Their debut album, “Explorers” is available to download on iTunes, and the music video for the title track is coming soon! She also sings across New England with various wedding and party bands.
In her spare time, she enjoys spending time with her family, crocheting, and collecting and selling vintage Pyrex in her Etsy shop.


Monday, March 10, 2008
Come, See, and Express at this year’s talent show!
Alleghany County 4-H will be hosting its First Annual 4-H Talent Show on Friday April 25th, location TBA. All youth are invited to come and showcase their talent. The show is open to all youth in the county between the ages of 5 and 19. Pre-registration is required. All performances should be no longer than four minutes. Each youth can perform only one act in their designated age category.
Talent categories include: dance, song, musical instrument, humorous or dramatic skit. The number of show acts will be limited to five per age category under each talent category. Acts will be reserved on a first come, first served basis. Category winners will advance to the “Area Expressive Arts Showcase” that will be held Friday, May 2, in Wilkes County. Deadline to register is April 10. To register, or for more information, contact the 4-H office at 372-5597.
Posted by Alleghany at 3:08 PM


Folk/ Americana/ Country / Rock & Pop Soundtracks
ABOUT KERRY BALLARD
"I'm a multi-genre songwriter from Evansville, Indiana. I've been writing for many years but only recently started submitting my music for placement with artists, film,TV and commercials. My writing style varies in genre depending on what message I am trying to convey. I compose all my songs with an acoustic guitar as "Rough Demos" and use different producers and demo studios depending on the sound production I'm wanting for a particular song and its presentation.
Hope you enjoy!


Grammy® Winner and Rock and Roll Hall of Fame Member, Michael Edward Love, grew up under the Southern California sun where he soaked up a life of music, surf, sand and sport. Beginning their singing careers as teenagers, Mike and his cousin, Brian Wilson, frequently sang at family get-togethers and holiday gatherings. These early influences served as the inspiration to form the legendary group, The Beach Boys, which first consisted of Mike and his cousins, Brian, Dennis, and Carl Wilson along with neighbor David Marks and High School friend Alan Jardine.
In the fall of 1961, Mike wrote the lyrics and melody to The Beach Boys’ first song, “Surfin’,” along with Brian Wilson. This led to the signing of the band by Capitol Records. Following the song’s debut, Mike and his cousin Brian went on to co-author numerous tracks, which included eleven Top 10 singles in the first five years of the band. Hit after hit, Mike created many of the concepts, and wrote or co-wrote the lyrics and hooks to several of the most performed songs in pop music history including: “Good Vibrations,” “Fun, Fun, Fun,” “I Get Around,” “Surfin’ Safari,” “Help Me Rhonda,” “Do It Again,” “Kokomo” and the incomparable “California Girls,” which featured Bruce Johnston’s debut vocal recording as a member of The Beach Boys.
For more than fifty years, Mike Love has been the lead singer and front man of The Beach Boys, taking the sounds of America’s band to every corner of the globe. His distinctive and iconic vocal range is synonymous with fast-paced rock ‘n’ roll tracks, as well as many of the band’s softer ballads. Mike’s vocal versatility is central to many of the bands signature hits including: “Surfin’ U.S.A.,” “I Get Around,” “California Girls,” “Little Deuce Coupe,” “Be True to Your School,” “Little Saint Nick,” “When I Grow Up (To Be a Man),” “Fun, Fun, Fun” and “That’s Not Me.” Beyond his unique persona and sound as the lead singer, Mike’s dynamic bass vocals provided the foundation of the group and anchored the legendary Beach Boys harmonies. Love’s voice is a style of its own. He combines his steady bass/baritone with a whimsical intonation— indicative of the ultra-cool, self-confidence and innocence of the early 1960s.
In December of 1967, The Beach Boys were invited to Paris to perform at a benefit for UNICEF. The curtain opened to a very distinguished front row including Maharishi Mahesh Yogi, George Harrison and John Lennon. At Maharishi’s invitation, Mike, along with Carl, Alan and Dennis were initiated into the practice of Transcendental Meditation. Mike was profoundly affected by the first meditation experience, stating, “If enough people were to practice TM, the world would be a better place.” He continues to practice TM today and supports organizations such as the David Lynch Foundation, which promote the vast benefits of Transcendental Meditation.
In 1985, Mike Love had an idea to perform two shows to celebrate July 4th: The Beach Boys would play Philadelphia during the day and the Washington D.C. Mall later that evening. This resulted in record breaking attendance— with The Beach Boys performing live for over 1.5 million people in a single day.
In 1988, Mike and the other members of The Beach Boys were inducted into the Rock and Roll Hall of Fame. That same year, Mike co-wrote the #1 hit “Kokomo,” with John Phillips of the Mamas and Papas, and producer Terry Melcher. This was 22 years after Mike co-authored the Beach Boys’ #1 hit of the 60’s, “Good Vibrations,”— marking the longest span of time between number one records of any artist in music history. Both “Good Vibrations” and “Kokomo” were nominated for Grammy® awards. “Kokomo” was also nominated for a Golden Globe® Award. In 2001, the band was the recipient of the Grammy® Lifetime Achievement Award.
In 1990, Mike was the first artist to respond to President George H. W. Bush’s call for service as part of the Thousand Points of Light Initiative. Mike began StarServe, “Students Taking Action and Responsibility to Serve,” enlisting high profile celebrities to inspire young people to serve their communities. More than twenty years later, Mike continues his commitment to young people. For his work in continued education, Mike was the recipient of the 2013 Seven Generations Award by City Year, a national education organization that identifies at risk students and encourages them to reach their full potential through mentorship. Mike is also a founding member of the Surfrider Foundation, and a longtime supporter of environmental causes. In 1992, Mike was a speaker at the Earth Summit in Rio De Janeiro, and again on Earth Day 2000 on the Mall in Washington, D.C. In 2002, Love proudly carried the Olympic torch for the Salt Lake City, UT Olympic Games.
In 2012, Mike Love, Brian Wilson, Al Jardine, Bruce Johnston, and David Marks reunited for their 29th studio album, That’s Why God Made The Radio, and The Beach Boys’ 50th Anniversary Tour.
Throughout his career, Mike has co-authored more than a dozen Top 10 Singles, cementing The Beach Boys legacy, alongside The Beatles and Michael Jackson, as the only artists to have produced twelve Top 10 Singles, within 5 years.
Today, Love is happily married to Jacquelyne, and is the proud father of eight children. Mike primarily resides on the North Shore of Lake Tahoe. He continues to enjoy life on the road, performing over 100 sold-out shows a year all over the world. The endless summer will continue in 2014 as The Beach Boys celebrate fifty years of Fun, Fun, Fun…


Joseph Clark - The Music of QUEEN
“Joseph’s the champion, my friend! He’s one of the few around the world who can do the mercurial legendary QUEEN vocalist justice, with panache, style and the glory that was Freddie Mercury in full roar.”
The New York Times
“Daily News, Durban”
Live Theatre UK
“Singer Joseph Clark is phenomenal...”
Cape Time (SAF)
“Not only does he possess the voice, he also exudes sheer charisma and energy that puts him on par with the late Mercury himself”. “This is no copycat ‘tribute’ show in which all the usual hits are rehashed and regurgitate.” “If you’re seeking a concert that showcases the versatility and range of Freddie Mercury and Queen, interpreted in a dynamic style by the cream of SA’s musicians, then you’ll be dumbstruck by The Music Of Queen.”
Official website: www.josephclark.co.za
Even if you are not a Queen fan, this is the show to convert you. Joseph Clark will take you on a roller coaster ride with his powerful renditions of some of the greatest songs ever written, including classics like We Will Rock You, Another One Bites The Dust, We are the Champions, I Want to Break Free, Under Pressure, Who Wants To Live Forever, Bohemian Rhapsody and many more.
But, Queen is not all about rock ‘n roll. The group crossed all musical genres with rock, ballads, anthems, pops, blues, jazz, classical, musical comedy and even disco!
The line-up of songs, is like no other 'Queen show' in the world. Joseph Clark and his band will 'whoo' you with songs like You Take My Breath Away, Is This The World We Created, Get Down - Make Love, Killer Queen, Too Much Love Will Kill You, Innuendo, Sleeping On The Sidewalk, Mother Love, Made In Heaven and more!
Some of the songs they are covering, have never been performed live! These songs were recorded by Freddie before he passed away and no other artist has been or is currently performing this magnitude of jewels from Queen!
Director, Elzette Maarschalk says this is not just another QUEEN/Freddie Mercury look-alike show, although one can’t get past the strong on-stage resemblance, physically and vocally between Clark and the iconic Mercury.


CLASSES & WORKSHOPS
Hip Hop Hoop Dance is, at its heart, about education. We will bring our love of dance and culture into your schools, workplaces, organizations and homes through classes, workshops and presentations. Classes are tailored to your interests and needs and take place in a judgement-free environment where you can feel safe and free to express yourself creatively. Expect to learn terminology and cultural information alongside movement and choreography. We’re happy to come to you in person or online.
Check out our D-I-Y Hoop Making and Hoop Dancing instructional video at https://nutrienchildrensfestival.com/diy-hoop for an example of what you can expect – or just contact us for more information!
First Nations Dance and Music
Hoop Dance – Learn the five basic teachings, five basic stages and relevant information about Indigenous culture. Dancing to live accompaniment or pre-recorded tracks, Hoop Dance combines fascinating moves and tricks with freestyle or technical dancing and connects you with elements found in nature.
Grass Dance – Focusing on sweeping motions and symmetry, this class introduces you to being rhythmic, balanced, agile and in tune with your regalia.
Chicken Dance – Learn one of the oldest pow wow dance forms that is said to have come from “the prairie chicken’s springtime mating dance.”
Fancy Dance – Get involved in one of the many popular contemporary pow wow dances. This class shows you how to incorporate athletics, tricks, rhythmic precision and regalia in creating incredible flows of motion.
Beginner West African Dance and Music
Gahu and Kpanlogo Dances – With live and/or pre-recorded drumming, this class will teach you the fundamentals of traditional West African dances with emphasis on an understanding of the accompanying drum rhythms.
Contemporary Dance and Music
Ballet – Get technical, codefic and formulaic as you move through classical ballet terms, movements, steps and patterns. Dance at the barre, across the floor and through choreographed routines.
Hip Hop Dance – Using age-appropriate hip-hop music and movements, learn the basics of “old school” and “new school” styles of dance. Feel free to freestyle, move to percussive and rhythmic sounds, isolate body parts and get a good sweat.
Jazz Dance – This class develops strength, flexibility, endurance and movement techniques. Moving along a linear progression, you will explore isolations, turns, kicks and leaps. Get ready to learn the latest steps used in so many forms of dance.
Choreography, Staging and Blocking – Wanna create your own choreography, stage scenes and/or set movements? Why not try our collaborative workshop on generating dance for all ages?
Theatre Games – Inspired by the works of Viola Spolin, this class provides teachers and/or students with tools to creatively explore curriculum through improvisation. The exercises will engage you in exploring ideas through inquiry-based learning, building positive relationships and encouraging you to take risks while exploring uncharted territories.


There are lots of MIDI Keyboard available in online & offline stores. If you are professional & wants to buy best MIDI keyboard for your professional Music studio then, you are at right place. Here, we selected some best MIDI keyboard specially for professional under ₹30000. So, let’s start the list of Best MIDI Keyboard under ₹30000 in India.
If you don’t know about MIDI keyboard what’s your requirement & why you need MIDI keyboard then CLICK HERE. On this page, you will find all the basic information about MIDI keyboard and why we need to use MIDI keyboard ? We have created different categories according to price range. You can check out those list also according to your requirement and budget.
A Short Comparison of All MIDI Keyboard:-
|MIDI Keyboards||Number of Keys||Types of Keys||Drum Pads||Knobs/Faders||Buy Now on AMAZON|
|Nektar Panorama T4 49 Keys MIDI Keyboard||49 Keys||Synth Action||8 Drum Pads||8 Knobs/9 Faders||Check Price|
|Nektar Impact GXP88 USB Midi Keyboard||88 Keys||Semi-Weighted||Not Available||Not Available||Check Price|
|Alesis VI49 Advanced MIDI Keyboard||49 Keys||Semi-Weighted||16 RGB Backlit Drum Pads||12 Knobs||Check Price|
|Novation Launchkey 61 MK3 MIDI Keyboard||61 Keys||Synth Action||16 RGB Backlit Drum Pads||8 Knobs/9 Faders||Check Price|
|M-Audio Oxygen Pro 61 MIDI Keyboard||61 Keys||Synth Action||16 RGB Backlit Drum Pads||8 Knobs/9 Faders||Check Price|
|Nektar Impact LX88+ MIDI Keyboard||88 Keys||Semi-Weighted||8 Backlit Drum Pads||8 Knobs/9 Faders||Check Price|
|Novation Impulse 49 MIDI Keyboard||49 Keys||Synth Action||8 RGB Backlit Drum Pads||8 Knobs/9 Faders||Check Price|
List of Best MIDI Keyboard Under ₹30000 in India 2022
1.) Nektar Panorama T4 49 Keys MIDI Keyboard
Nektar Panorama T4 49 MIDI keyboard have 49 velocity sensitive keys. AfterTouch works great and makes it possible to dynamically alter tone or volume by gently applying just a bit of pressure.
This MIDI Keyboard has 8 large velocity and pressure sensitive pads which are the perfect tool for beat creation. You can calibrate the pads according to your need for optimum performance. Each pad can be assigned to any MIDI note which helps to create awesome beats.
Repeat and pad repeat buttons are also given which used to repeat a particular part of the project according to your required tempo. Faders and knobs are also available which can used to control whole DAW without mouse.
A large display is also available which show the feedback of your control and you can use focus button to enlarge the particular parameter according to your need. This MIDI keyboard have all types of controls and give best performance in this price range.
- Excellent Synth-Action Keyboard.
- Comprehensive MIDI implementation.
- All types of Controls are available.
- Adjustable LCD display.
- The Fader motion doesn’t appeal to every user.
2.) Nektar Impact GXP88 USB MIDI Keyboard
Nektar impact GXP88 have 88 semi-weighted full-size keys with velocity and aftertouch which deliver a nice, firm touch and great playability.
This MIDI Keyboard have streamlined no-fuss control panel which enables advanced DAW integration with extended transport control, track selection and volume control. You can even open/close DAW windows and navigate projects.
Impact GXP gives keyboard players all the right expression options needed for live and studio work. It offers large pitch bend & modulation wheels and connections for up to 3 optional external pedals.
The Repeat Engine is great for creating inspiring rhythmic elements: Simply press the dedicated Repeat button, play and get inspired. This MIDI keyboard is great for creating melodies and chord progressions for any song. Best Full size MIDI keyboard under ₹30000 for professionals.
- Full size MIDI with 88 Velocity sensitive keys.
- Transport controls
- DAW window control & Navigation
- Velocity routing is available
- drum pads, knobs and faders are not available.
3.) Alesis VI49 Advanced MIDI Keyboard
The Alesis VI49 is an advanced USB/MIDI keyboard MIDI keyboard that help you to control your music software with a series of pads, knobs, and buttons. This MIDI keyboard have 49 velocity-sensitive semi-weighted keys with aftertouch.
Octave Up/Down buttons are also available which are used to expand the keyboard to the full melodic range and play bass lines, chords, and melodies. VI49 also features 12 assignable knobs and 36 assignable buttons for manipulating effect plugins and virtual instruments.
This MIDI Keyboard have 16 RGB backlit drum pads which feels awesome while creating beats because of it’s response timing. Modulation wheel and pitch wheels are also given to modulate and change the pitch of the music according to your need. Overall, a good package in this price range. Best MIDI keyboard with a lots of control and awesome performance.
- Incredible semi-weighted Keys feel extraordinary.
- Modulation and pitch bend wheels.
- 12 Knobs and 36 buttons for extra controls.
- USB Powered MIDI Keyboard.
- Weird placement of Mod/pitch wheels.
- Small screen not able to display much information.
4.) Novation Lauchkey 61 MK3 MIDI Keyboard
Novation Launchkey 61 MK3 MIDI keyboard have 61 velocity sensitive semi-weighted keys to create amazing melodies and chord progression of your songs. Keys are very responsive and velocity of every note is too much optimized according to the pressure kept on the keys.
This MIDI keyboard have 16 RGB Backlit pressure sensitive Drum pads which are very helpful in the creation of beats. These Pads can be assigned to the MIDI notes number because of this you can create amazing beats and melodies with full of creativity.
Assignable knobs and faders are also given to control the full DAW without mouse. This controllers helps to control the mixer panel, reverb and delay controls very easily. Modulation and pitch wheels are also available to modulate and change the pitch of every note according to your need. Overall, one of the best MIDI keyboard for professionals in this price range.
- Great velocity Sensitive 61 Keys MIDI Keyboard
- RGB pressure sensitive Drum Pads.
- Assignable knobs & Faders for full control over any project.
- Very Small display.
- controls are very close to each other not comfortable for everyone.
5.) M Audio Oxygen Pro 61 MIDI keyboard
The Oxygen Pro 61 is a powerful 61-key USB powered MIDI keyboard that allows you to create the music. This MIDI keyboard have 61 velocity sensitive keys which helps to create awesome melodies, bass lines, chord progressions for your song.
16 RGB pressure sensitive drum pads are also given which are used to create beats for your song. This pads are assignable and you can assign these pads with MIDI note number to create creative beats.
Knobs and faders are provided in this MIDI keyboard to control the DAW and all the effects while mixing the song. This faders and knobs are also assignable and you can assign according to your requirement to control your desired things.
Modulation and pitch wheels are also provided to change pitch and modulate the sound of any note to create amazing effects in the song. Overall, all types of controls are available in this price range. Best MIDI keyboard for professionals under ₹30000.
- Full Size MIDI keyboard.
- All types of controls are available.
- 16 RGB pressure sensitive Drum pads.
- Modulation and pitch wheels are too good.
- Display is small.
6.) Nektar Impact LX88+ MIDI Keyboard
Nektar Impact LX88+ MIDI keyboard have 88 note velocity sensitive keyboard is a semi-weighted action with medium tension. Transpose buttons as well as pitch bend and modulation wheels are within reach, so you can quickly shift the keyboard up or down as needed, or apply additional articulation with the wheels.
This MIDI keyboard have Nine 30mm faders, 9 MIDI buttons and 8 encoders are at the center of Impact LX88+’s control panel. These knobs and faders are very helpful to control full DAW.
Modulation and pitch wheels are also available which helps to change the pitch and modulate the notes of any instrument according to your need and requirement. 8 Drum pads are also given to create awesome beats for your music. Best MIDI keyboard for professionals with all controls and powerful performance.
- Light Weight and compact.
- Solid build quality.
- Great MIDI keyboard with awesome performance in this price range.
- The editing settings are out of style.
7.) Novation Impulse 49 MIDI Keyboard
Novation Impulse 49 have 49 velocity sensitive very responsive keys. Mix and sculpt your sound using endless smooth-action knobs, low-profile 45mm faders, loads of buttons and a custom LCD screen. All controls work seamlessly with major music software and can be mapped to any parameter.
Play drums in real time with pressure-sensitive pads for rolling beats, looping drum samples and designing arpeggios. These pads also function as multicoloured clip launchers in Ableton Live, so you can tell whether clip is loaded (yellow), playing (green), or recording (red).
Impulse is class-compliant and USB bus-powered, so you can simply plug it into Mac or Windows and get started straight away, without the need for a power supply. This MIDI keyboard is also available in different size choose according to your need. Overall, best MIDI keyboard for beginners and professional in this price range.
- Sensitivity of Keys and controls are great.
- Drum Pads feel awesome while creating any beat.
- Built-in customizable arpeggiator and roll functions.
- Seemingly endless encoders.
IF YOU STILL HAVE ANY CONFUSION OR ANY QUERY JUST COMMENT DOWN OR YOU CAN ALSO CONTACT US THROUGH E-MAIL


One of the most important feminist punk rock bands of the '90s and 2000s, Sleater-Kinney formed in 1994 from the ashes of Heavens to Betsy and Excuse 17, groups that rode the first wave of the riot grrrl movement. Singer/guitarists Corin Tucker and Carrie Brownstein first met in 1992, when Tucker was one half of the duo Heavens to Betsy. Brownstein, a classically trained pianist, was so inspired by Tucker and other grrrl musicians like Bikini Kill and Bratmobile (not coincidentally Tucker's own influences) that she formed her own band, Excuse 17, a year later. Sleater-Kinney, which earned its name from a local freeway off-ramp, initially began as Tucker and Brownstein's side project. Things changed in late 1994, though, when Australia-born Lora MacFarlane signed on as the group's first permanent drummer. Over the course of the following two weeks, the trio recorded its self-titled 1995 debut for Chainsaw, a label run by Team Dresch bassist Donna Dresch.
Upon its release, the album earned widespread acclaim for its visceral intensity as well as the group's passionate vocals, intricate melodies, and provocative, politically charged lyrics. With 1996's Call the Doctor, Sleater-Kinney garnered even greater media exposure and critical applause on the strength of their incisive rants against gender inequity, consumerism, and indie rock's male-dominated hierarchy. Their Kill Rock Stars label debut, Dig Me Out, recorded with new drummer Janet Weiss from Quasi, followed in 1997, and was again among the most acclaimed releases of its season; The Hot Rock appeared two years later, and in the spring of 2000, Sleater-Kinney resurfaced with All Hands on the Bad One.
In August 2002, the group returned with its most musically accomplished record to date, One Beat. Sleater-Kinney upped the ante again with 2005's The Woods, a powerful, inventive album that was released by Sub Pop, produced by Dave Fridmann, and inspired by, among other things, the political climate of the mid-2000s and the freedom of the improvised parts of their gigs supporting Pearl Jam on a 2003 tour. During the summer of 2006, though, the group announced they were going on an "indefinite hiatus" after finishing the remaining dates on their tour. Brownstein went on to create the Spells and Wild Flag with Mary Timony, and Corin Tucker launched a solo career in 2010. Late in 2013, the group reunited during the Portland stop on Pearl Jam's Lightning Bolt tour, joining them to perform a cover of Neil Young's "Keep on Rockin' in the Free World." The following year, Sleater-Kinney's albums were remastered and reissued, and the limited-edition set Start Together -- which featured the newly recorded song "Bury Our Friends" -- was released. Late in 2014, Sleater-Kinney announced that they had recorded a new album, No Cities to Love, which was set to arrive in January 2015.


Silver Run Band FAQs
Q: When does band meet?
A: Band is during the school day! Students attend weekly band lessons with their instrument group during their specials. Students take band lessons instead of regular music class, and if they miss another special for lessons they will make it up, so they never miss PE, STEM (library) or art. Students will be given a monthly calendar to keep track of their lesson days. The lesson schedule goes by the specials A-E schedule, NOT by day of the week, so students must keep track of their calendars!
Full band rehearsals are also once a week during the school day.
Q: When are the concerts?
A: We have 2 concerts per year, and they are held at Lakeside Middle School Auditorium. This year our concerts are Thursday, December 19th at 6:00pm and Thursday, May 21st at 6:00pm. Concert attendance is mandatory for all band students!
Q: Does my child have to practice at home?
A: Yes! Because I only see band students twice a week, it is VERY important that they practice at home! Each student gets a practice log for their parents to sign. They should be practicing 3 times per week for 15 minutes each time. The child must be responsible for bringing their instrument to/from school for lessons and band.
Q: What instruments can my child play?
A: Students have a choice of flute, clarinet, saxophone, trumpet, trombone, euphonium, and percussion. We “mouthpiece test” all of the instruments to find the ones that will be the best fit for your student, and I will make a recommendation based on that testing. Percussionists must audition by reading a rhythm and clapping a steady beat. I want to make sure your student can start off with the best chance of success possible!
Q: How do I get an instrument for my child?
A: I have a limited number of school instruments available for students to borrow. Depending on how many students register for band, these are loaned on a first-come, first-serve basis, free of charge. If the instrument your child selected is no longer available, you can rent one from our company of choice, Coles Music (www.colesmusicservice.com) or supply one that you already own. **I DO NOT RECOMMEND BUYING AN INSTRUMENT IN 4th GRADE!** We want to make sure your child is going to continue playing the instrument beyond the 4th grade before you make that commitment! If you do choose to purchase, I encourage you to speak with me first to get a list of recommended brands. There are a lot of inexpensive brands out there that seem great, but those instruments break easily and are expensive or impossible to repair. (see back for more information)
Q: What if my child wants to quit band?
A: Unless there are special circumstances, band students should finish out the entire school year! There are a couple of reasons I do not like to let students leave band halfway through the year: 1.) Many students go through an “I want to quit” phase halfway through the school year because they are over the initial excitement of the instrument, but they haven’t learned enough skills to really start making music at a satisfying level. I encourage them to stick with it, because by the end of the year most students come around and really enjoy being able to make great music! 2.) One of the most valuable lessons band students learn is a sense of responsibility and commitment, and this lesson will carry them through many obstacles in life! I ask that you join me in teaching them the importance of following through with the commitment they make to you, to me, to themselves, and to their fellow band members when they sign up to play in band.
Q: How do I sign my child up for band?
A: Beginning the first full week of school, I will be visiting all 4th grade students in their music classes, and at that time if they are interested in band and/or chorus I will send them home with paperwork to be signed and returned. **All paperwork will be sent home between September 9-13, and due back no later than September 20th. Please keep an eye out for these papers!**
Q: My child loves music! Can my child do both and and chorus?
A: YES, students can do both band and chorus! They meet at different times, so they can enjoy being a part of both groups. We encourage students to do both - singing makes instrumentalists better, and playing an instrument makes singers better!
If you have any additional questions before paperwork is sent home, please contact us! We look forward to a wonderful year of music-making!
Ms. Portik (Band)


Hey my name is Hanns, I’m a 32 year old house music producer from Germany and to me, music defines life.
I’ve felt a special connection to music literally since I was able to walk. It all started with me listening to my dad’s records and experiencing that pure magic when grooving to all sorts of classics. My journey continued when I learned to play the piano in my early childhood. Playing classical music, blues, jazz, Rock’n’Roll, ballads and everything else gave my fragile artistic soul a way of self-expression that it had craved since the day I was born.
To this very day, music of all sorts and the creation of it continues to define and drive me. However, the ability to express my feelings for life through music has grown and continues to do so. To me, the feelings of absolute euphoria I get when I produce a new track make all the unavoidable pain and suffering that go along with it worthwhile. Yet, I feel that I’m still only at the beginning of my journey as a musician.
When I was around 15 years old, I was introduced to DJing and bought all the house music records I could find. Guys like Eric Prydz, Axwell and then later of course Nicky Romero, shaped my musical taste and furthered my innate desire to produce music that was just as good. Thus, after a short email correspondence with from Nicky in 2009, I got more and more into music production.
I witnessed the rise of EDM and its heroes (Nicky and Avicii just to name a few). In 2016 I traveled to Las Vegas to attend the EDM Bizz Conference in Las Vegas and saw Nicky play live in Omnia – a life-changing experience. However, after getting all hyped up, it still took me a good while to wrap my head around the production side and at some point I noticed that for some reason, I needed to surround myself with other producers and get first hand insights to push my ability to produce to its absolute max.
Consequently, in 2017, I quit my regular job, moved to London and learned at the famous Toolroom Records music label where I was suddenly sitting in the studio with D. Ramirez, a producer legend in the U.K., who trained me hardcore for months. He truly laid the foundation for my professional music production and I’ll be forever grateful to him. My time at Toolroom Records pulled me towards tech house for a while and consequently, under the artist alias of HANNS, I produced a variety of tech house tracks, some of which are being played by DJs like Camelphat, Chocolate Puma, and so forth. I am proud to say that Pete Tong even premiered my track Kickdrum on his BBC Radio 1 show on a Saturday evening. Having my tune blasted nationwide all over the U.K. gave me more confidence to take things further.
Thus, after my time in London, I moved to Ibiza and spent six months on the white isle discovering the music scene – and myself. However, after a season of doing that, I felt it was time to go back to my roots. To take some time to think about things, I took on another regular daytime job, moved back to Germany and focused on starting the next chapter: making music that has the potential to move millions, produced to the absolute highest of my ability and the highest industry standards. Surprisingly, it turned out to be so freakin’ hard, but that’s why I love it. 😀
The decision to produce very melodic, vocal driven beats rekindled my love for music and I am truly excited where my journey will take me next. It’s life at its finest – with all it’s ups and downs. Hey, because I wish that someone would have told me many of the things I learned the hard way, I created a Youtube channel with tips for production. If it helps you, I am happy. 🙂
Recently, I put out a new melodic track called Let Go. It’s the first one of many more to come. It would be great to have you follow my journey.
Artist management | firstname.lastname@example.org
PR managed by Iconic Studios | email@example.com


Since their debut in 1990, the Billboard Music Awards have honored the musicians and albums that have made the biggest impressions on the Billboard charts. Billboard began giving the Artist of the Year or Top Artist honor to the musical act who ruled the year commercially in 1993 excluding 1994 and a gap from 2007–2010). The award has been given to musicians ranging from Whitney Houston to Ed Sheeran, and numerous singers, including Adele, Drake, and Taylor Swift, have received it more than once.
1. The Weeknd -2021
There at 2021 Billboard Music Awards, The Weeknd won 10 of the 16 prizes for which he was nominated, including Top Artist. His album After Hours debuted at the top of the Billboard 200 and remained there for a total of four weeks.
2. Post Malone – 2020
Nine prizes, including Top Artist, were given to Post Malone at the 2020 Billboard Music Awards. Hollywood’s Bleeding, his third album, opened at No. 1 on the Billboard 200 and held that position for five weeks.
3. Drake – 2019
In 2019, Drake made a comeback to the Billboard Music Awards stage, where he took up 11 other honors, including his second Top Artist award, Top Billboard 200 Album for Scorpion, and Top Streaming Song (Video) for “In My Feelings.”
4. Ed Sheeran – 2018
Ed Sheeran won the Top Artist prize just at 2018 Billboard Music Awards thanks to the popularity of “Shape of You” from his album.
5. Drake – 2017
Nicki Minaj, Lil Wayne, and Drake’s father, Dennis Graham, were all there when he collected the Top Artist award at the 2017 Billboard Music Awards. The victory followed a historic year for the rapper, in which “One Dance” with WizKid & Kyla became his first Hot 100 No. 1 hit as a lead artist.
6. Adele – 2016
At the 2016 Billboard Music Awards, Adele won her second Top Artist honor after her smash song “Hello” topped the Hot 100 for ten weeks.
7. Taylor Swift -2015
The year after releasing her pop anthem 1989, Taylor Swift accepted her second Top Artist award at the 2015 Billboard Music Awards. Three songs from the album, “Shake It Off,” “Blank Space,” and “Bad Blood,” featuring Kendrick Lamar, each spent many weeks at No. 1 in addition to the album’s arrival at the top of the Billboard 200.
8. Justin Timberlake – 2014
He is dressed in a “Suit & Tie”! Following the release of his album The 20/20 Experience, Justin Timberlake took up the Top Artist prize at the 2014 Billboard Music Trophies, one of a total of seven awards. The 20/20 Experience (2 of 2), the album that came after this one, debuted at No. 1 on the Billboard 200.
9. Taylor Swift – 2013
Just at 2013 Billboard Music Awards, Taylor Swift emerged as the main winner after winning eight prizes, including Top Artist. The previous year, she released Red, her fourth studio album, which debuted at No. 1 on the Billboard 200 and lasted 187 weeks there.
10. Eminem – 2011
Tell a friend that Shady is back. The Artist of the Year award was renamed the Top Artist award when the Billboard Music Awards resumed in 2011 following a break from 2007 to 2010. Eminem received the inaugural award. Six other BBMAs were won by the rapper that year, including Album of the Year, Top Rap Song, and “Love The Way You Lie,” which included Rihanna.
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Collegiate Shag is a lively high-energy swing dance that developed in southern USA (most likely New Orleans) in the 1920s, and was made popular by college students, hence the name “collegiate”. Full of hops and kicks, and danced to medium or fast tempos, it has a style that is recognisably ‘jitterbug’. It is danced in a closed position hold, similar to most ballroom dances, but also includes open and separating elements.
In its most popular form today, it has a 6-beat basic step that has a “slow, slow, quick-quick” rhythm similar to Fox Trot. This form is sometimes called Double Shag (because of the two “slow” steps), but there are also Single and Triple forms of Collegiate Shag. There are other dances known as “shag” dances, including Carolina Shag and St Louis Shag, but these are vastly different.


In the sesquicentennial year of Ralph Vaughan-Williams’ birth, AFCO celebrates this magnificent English composer with a program of some of his most beloved choral and symphonic works. From his renowned “Serenade to Music” and “Hodie” to the exquisite “The Lark Ascending,” this evening of charming and evocative music is certain to delight the senses. Also featuring the USU Women’s Chorus. Special Guests include: Robert Waters, violin; Celena Shafer, soprano; Aubrey Adams-McMillan, mezzo-soprano; Thomas Glenn, tenor; Christopher Holmes, bass-baritone.
Make sure to attend the pre-concert lecture, "'Bright portals of the sky': The Choral Music of Ralph Vaughan Williams," given by Drake University Professor of Music History Eric Saylor, at 6:30 pm in the Daines Concert Hall.
Tickets are available online through the link above, in person, or by calling the CCA Box Office at (435) 797-8022.


Direct Instrument Recording
Although the USB audio interfaces described in Selecting an External Microphone can be very pricey, even the most basic of models offer the ability to record your compatible instrument directly. Whether you are a teacher or student, the ability to directly capture your instrument's sound for online lessons adds immensely to the quality of your lessons. With the right software (normally included with audio interfaces), you can also record and compose your own music.
In order to determine if you can record your instrument directly, you first have to check if your audio interface has a second input available. In the example model below (3rd generation Focusrite Scarlett Solo), we have two inputs available.
The first input (labelled 1) is a dedicated microphone input and uses an industry standard 3-pin XLR jack. The second input (labelled 2) is available for instrument use, and uses a 1/4" jack that is common with guitar cables, DJ/recording equipment, and studio headphones.
High and Low Impedance
An important thing to note on many audio interfaces is the presence of an Instrument or Hi-Z switch or button. In the interface model shown above, the instrument button is used when you are plugging in a High Impedance sound source. You should disable this when using a Low Impedance or Line-Level sound source. If you are unsure what this means, follow the general guidelines below:
High Impedance: Electric guitars with passive pickups (direct without amp), some guitar effect pedals, electric pickups for other instruments such as violins, karaoke microphones
Low Impedance/Line-Level: Headphone outputs from tablets/computers/smartphones, headphone outputs from digital pianos/keyboards/guitar amps, Line Out or Aux Out outputs from high end guitar amps, most guitar effect pedals, guitar Preamps (active pickups and most acoustic-electric guitars) and multi-FX units, Line Out outputs from computers (blue speaker jack)
It is important to properly match your device impedance with your audio interface setting. Using the incorrect setting can lead to either low sound levels or distortion (and potential damage to your interface). Some interfaces, such as the Steinberg UR22, label High Impedance as Hi-Z. Turning or switching on Hi-Z prepares the interface for high impedance sources mentioned above. If you’re are unsure, consult your audio interface's user manual.
NEVER CONNECT the Speaker Out of any guitar amplifier to the input of your interface or you will damage the unit!
Assuming you have an instrument with some type of standard output, all you need to connect your instrument to your audio interface is an appropriate cable. If you are using an electric guitar/violin without an amp, you can simply connect the guitar into your interface (like if your interface was the amp itself) and ensure that Instrument/High Impedance or Hi-Z is turned on. If High Impedance or Hi-Z is turned off, you will get little to no volume, even with the Gain knob set to max.
For other instruments, use the line out or headphone out and the Low Impedance setting on our audio interface (Instrument or Hi-Z turned off). Below is an example of the rear I/O panel of a Yamaha P-115 digital piano.
The Aux Out (line out) has two options: separate left and right jacks, or a combined stereo jack built into the left output jack. We should note that the instrument input on an audio interface is normally a mono input, and therefore can only records in mono. To be safe, we would simply connect the L/L+R output of the keyboard to the input of the audio interface using a patch cable. A regular guitar/instrument cable would work but there are also dedicated options meant for recording equipment, which may look the same but actually use a cable of different construction.
If your instrument has very distinct Left and Right sound outputs that are not translating well into your audio interface, you may need to purchase a Stereo to Mono cable or converter to merge the Left and Right outputs into one mono output. This method of merging L/R outputs was common in the days of old tube TVs and VCRs/DVD players where the TV only had a White (mono) RCA jack for sound, but the VCR or DVD player had White (Left) and Red (Right) RCA jacks.
Remember that most dedicated Headphone jacks output in stereo. For certain headphone jacks, you may also need a 3.5mm to 1/4 inch converter as well. 3.5mm jacks and plugs are common with computers/tablets/smartphones, as well as certain guitar amps such as the Fender Frontman 10G.
Once our instrument is connected properly to our audio interface, we need to properly set our Gain knob. The Gain knob is commonly mistaken as a volume control for the instrument, but the true function of the gain knob is to properly match the electrical signal of your instrument to your audio interface.
It is better to think of Gain as the sensitivity of the audio interface rather than volume. We want to set the gain just right so that the signal/sound quality is free of hiss and distortion, and volume the listener hears is loud enough. Set it too low and the resulting instrument volume will be too quiet. Set it too high and the instrument will distort, especially when playing with loud dynamics.
You can tell if the gain is too high if you are triggering the Clip or Peak LED light on your audio interface (which is usually red). If you can hear your instrument clearly and rarely trigger the clip or peak light on your device, you have set the gain level appropriately. You can test the audio quality yourself by plugging in some headphones to your interface and using the headphone volume or Direct Monitor feature if present.
Your Gain setting will vary from instrument to instrument, especially with instruments that have their own built-in volume control. The best practice is to set the volume of your instrument first, then start with the Gain knob at 0 and slowly increase it until you find the sweet spot (where the volume is good and the signal is clean). Remember to avoid triggering the Clip or Peak light as much as possible.
For guitars without active electronics/pickups, you may want to set your guitar's volume to 10 right away as volume knobs on guitars only reduce what little output the guitar offers, not boost it (think of slowly opening or closing a floodgate). If you are unsure if your guitar uses active electronics, check if it needs a 9V battery. If it uses a 9V battery, it has active electronics.


Last month we conducted an online auction of over 500 high-quality musical instruments and following the success of this sale we are now setting up for a further auction of over 600 musical instruments and accessories, including drums & percussion, brass & woodwind, amplifiers, pianos and studio equipment.
Based in Brampton, Cumbria, Omega Music traded online via sites such as Amazon and supplied schools across the UK and further afield with musical instruments and equipment.
The online auction concludes from 11am on Thursday 5th July, with viewing available on Wednesday 4th July at the site in Brampton.
Robert Wilkinson, partner in our auctions team commented, “We received significant interest in the first half of this sale and with a number of high quality lots available we are confident that this second auction will generate comparable levels of interest.
“The sale of the lots offers a great opportunity for individuals or organisations in the music business to get rare access to some high quality equipment.
For further information on the sale please contact Robert on 0113 221 6210 or click here to view the auction and the various lots that are available.


The Rosetown Music Festival held their annual Community Christmas Concert this past Monday night, with a number of local performers.
Carmen Ledding has been involved with the Rosetown Music Festival since 2008. "It was a really great night. It's put on every year by the Rosetown Music Festival and we invite all of our choirs in the local community, as well as the Herschel and Fiske Choir. It's also an opportunity for those who won an anniversary trophy, the biggest trophy at festivals, those soloists perform as well."
The Rosetown Central High School took the stage first with their new Director, Chelsea Holt. The ensemble played three pieces for the crowd.
The Walter Aseltine Elementary School Choir also performed. Walter Aseltine was lead by Directors, Stacy Becker and Renee Torwalt-Lauren, and accompanied by AnnaMarie Cressman. Ledding said the choir has around 30 members, which is an impressive number for such a young group.
The other performances include the Herschel and Fiske Choir, the Rosetown United Church Choir, a Duet from the Rosetown Community Church and a Duet from the Alliance Church.
This years soloists included Annette Hunter and Johanna Wiebe. Hunter won the 'Most Promising Vocalist' at the 2018 Music Festival, while Wiebe won 'Most Promising Pianist' and 'Most Promising Instrumentalist.
Ledding said they also honored a big name in the local music scene during the night.
Eleanor Sparks, who has been involved with local music festivals for 52 years, was honored. Sparks has been involved as both a performer, teacher and parent of performers through her years. She was given a lifetime membership to the Festival Association as recognition for her years.
The Rosetown Music Festival is also coming up on a big milestone. Ledding said in 2019 they will be celebrating the 90th anniversary of the Festival in Rosetown, "It's a big deal for something like this to have been carried on for that long. The first Music Festival was held in Kerrobert and then it rotated around to Rosetown and Biggar."
Ledding shared a bit of history from the first music festival, "Mrs. Julia Graham was instrumental for the first Music Festival in 1929. We had a show of hands and there was a number of people who were taught either by Julia or the people just after her."
In honour of the upcoming 90th anniversary, the Music Festival is donating the proceeds from Monday's night concert to their host, the United Church.


"If Music is a Place — then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple." - Vera Nazarin
Nick Apostolov is a drummer with a very long experience as a concert musician, as well as with bands in music shows with different styles of music. Nick has a high school education in drum set and percussion instruments. He has been teaching almost all styles of music in Sweden, Norway, Bulgaria, and other countries for more than 20 years.
Over the years he has taught many drummers who are now playing in bands all over the world. He teaches various methodologies from Berkeley College to Scandinavian and European. He teaches all kinds of productions techniques for different styles of music. Furthermore, he can teach in English, Swedish, Bulgarian, and Russian.