Dedicated to bringing high-caliber offerings to St. George’s, the In Excelsis Concert Series provides diverse, unique, and sacred musical listening opportunities to our community.
All concerts and worship services are offered free of charge, no tickets required. Questions about our concert series? Contact Woosug Kang, Director of Music Ministries I 615-385-2150 x 254 or email@example.com.
Friday, September 8, 7:00pm
Dr. Damin Spritzer, Organ Concert
“Assured confidence and refined musicality.” —Classical Music Sentinel
We open our In Excelsis Series with the passionate and refined playing of renowned organist Dr. Damin Spritzer, performing on our new organ, Buzard Op. 48. Dr. Spritzer is Area Chair and Associate Professor of Organ at the University of Oklahoma, and she has performed with historic churches and instruments in Iceland, Germany, France, Brazil Italy, Israel, England, and Norway. She has been honored to contribute to regional and national convention performances and lectures for the American Guild of Organists in Austin, Kansas City, Denver, Dallas, Columbus, and Seattle. Dr. Spritzer will remain at St. George’s to accompany the St. George’s Choir and Choristers in Choral Evensong on Sunday, September 10.
Friday, October 6, 7:00pm
The Saint Thomas Choir of Men and Boys
“The nation’s premier Anglican choir of men and boys.” —The New Yorker
In Excelsis continues to bring the finest sacred choral music to Nashville, by welcoming one of the most prominent choirs in the nation, and their first visit under the direction of the Jeremy Filsell, Organist and Director of Music at Saint Thomas Church Fifth Avenue. Considered by many to be the leading American ensemble in the Anglican choral tradition, the Saint Thomas Choir of Men and Boys provides music for five choral services each week at Saint Thomas Church Fifth Avenue, New York City. The choir regularly appears in concert with period instrument ensembles in New York, and for the past three decades has also toured throughout the United States and Europe.
Sunday, November 5, 6:00pm
Requiem by Maurice Duruflé with St. George's Choir and Orchestra
Regarded as one of the most sublime settings of the requiem text, Duruflé’s Requiem will stir the souls of the listener with its powerful harmonic language rooted in ancient chant. St. George’s Choir and Orchestra will present this work with interwoven readings and prayers. We invite you to come and honor the saints who have gone before us through powerful music and text.
Sunday, December 3, 6:00pm
A Service of Nine Lessons & Carols
Prelude by Dr. Wilma Jensen at 5:30pm
A beloved annual tradition at St. George’s, the Service of Nine Lessons and Carols shares the joy and wonder of the promised Messiah through profound Scripture readings, Advent carols, and beautiful choral anthems. This festive service features all of our dedicated choirs: St. George’s Choir, the Choristers of St. George’s, and St. Dunstan’s Choir. Dr. Wilma Jensen, our Organist & Choirmaster Emerita, will offer a 30-minute prelude for this special occasion. This service is a well-attended favorite, so please arrive early.
Friday, January 26, 2024, 12:00pm
Mozart Birthday Concert with Roger Wiesmeyer and Friends
Celebrating one of the most remarkable composers in history, the Mozart Birthday Concert has become the annual delight here at St. George’s. Led and organized by Nashville-based musician Roger Wiesmeyer, we enjoy the delightful music of Mozart, celebrating his legacy as a composer. Each year, donations are collected for a deserving nonprofit organization.
Sunday, February 4, 2024, 6:00pm
Abraham Wallace, Organ Concert
Abraham Wallace is the recipient of the 2023-24 Gerre Hancock Internship through the Association of Anglican Musicians, a national organization that promotes the development and growth of high-quality Anglican music. Named after the acclaimed church musician Gerre Hancock from Saint Thomas Church Fifth Avenue, this internship is awarded annually to an extraordinary young musician who demonstrates skill and passion for the music and worship of the Episcopal Church.
Sunday, April 28, 2024, 6:00pm
Hymn Festival with the Choir & Choristers of St. George's
Last year, the In Excelsis series began with a triumphant Hymn Festival as the opening program for our organ dedication series. We continue the celebration of our beautiful and thrilling Episcopal hymns as St. George’s Choir and Choristers lead the congregation in joyful singing.


ADA Worldwide, the independent label and artist services arm of WMG, has recently announced a new global distribution deal with South Coast Music Group (SCMG). This partnership marks an exciting collaboration between two powerhouses in the music industry.
Founded by music industry veteran Arnold Taylor, SCMG has quickly become a breeding ground for up-and-coming hip-hop acts from the Carolinas. The label is home to a roster of talented artists including Dustystaytrue, DeeYounginn, Luclover, and Big Mali. Taylor, who founded SCMG in 2014, has a proven track record of success with launching the careers of artists such as DaBaby and Toosii.
ADA Worldwide, headed by Cat Kreidlich, is thrilled to support and grow SCMG’s business. With a shared passion for music, ADA is eager to help these talented artists break through and connect with fans worldwide. The partnership with SCMG further expands ADA’s already impressive list of partners, which includes Sub-Pop, VP Records, Mute, and more.
This collaboration is a significant milestone for SCMG as it marks their first partnership with a globally renowned distribution company. The deal with ADA Worldwide opens up new opportunities for the label’s artists, providing them with enhanced visibility and promotion on a global scale.
In addition to this exciting news, ADA has recently secured global deals with other independent labels such as 10K Projects and Rostrum Records. The company has also played a key role in supporting major releases from rising stars worldwide, contributing to their success on the charts. Notable partnerships, such as Daft Punk’s catalog with TikTok and Peloton, have further solidified ADA’s position as a leader in the industry.
As the music industry continues to evolve, collaborations like the one between ADA Worldwide and SCMG demonstrate the importance of building strong partnerships to support emerging talent and drive innovation in the field. With this new distribution deal, SCMG artists are poised for even greater success, reaching new audiences around the world.
1. What is ADA Worldwide?
ADA Worldwide is the independent label and artist services arm of WMG (Warner Music Group).
2. Who is South Coast Music Group (SCMG)?
South Coast Music Group is a music label founded by Arnold Taylor in 2014. It is known for nurturing up-and-coming hip-hop artists from the Carolinas.
3. Which artists are signed with SCMG?
SCMG is home to talented artists such as Dustystaytrue, DeeYounginn, Luclover, and Big Mali.
4. What is the significance of the partnership between ADA Worldwide and SCMG?
This collaboration marks SCMG’s first partnership with a globally renowned distribution company, providing their artists with enhanced visibility and promotion on a global scale.
5. Who is the head of ADA Worldwide?
Cat Kreidlich is the head of ADA Worldwide.
– Label: A company or organization that produces and distributes music recordings.
– Artist Services: Support and services provided to artists by record labels or other music industry organizations to aid in the development and promotion of their careers.
– Roster: The list of artists signed to a music label or agency.


Elephant-Foot Drum Dance of the Dai People
The elephant-foot drum dance is one of the most popular and representative traditional dances of the Dai people, one of China’s 56 ethnic groups. Performing the dance requires a high level of skills and can involve one or two individuals, or a group of people. This form of dance was originally intended to ward off evil spirits and usher in a good year. In addition to the Dai people, it is also popular among other ethnic groups in China such as Deang, Jingpo, Achang to name a few. It was listed as a national intangible cultural heritage item in 2008.
The elephant-foot drum is an iconic Dai percussion instrument named after its elephant-foot-shaped design, and has served an important role in the folk culture of the Dai people. Many legends have been passed down about the origin of the drum: one tale says that it was made by a couple attempting to imitate the sound of a mango falling into water, while another ancient tale tells how it was made by a group of people with a piece of dragon skin to celebrate their courageous killing of the evil creature that was responsible for a flood. Despite the folk stories, the earliest historical record of the drum dates back to the Ming Dynasty (1368-1644).
Elephant-foot drums are generally made of Chinese toon trees. The wood is first soaked in a pond for at least one year to make it crack-resistant and moth-proof and help it produce a mellower tone that will not easily fade. After that, the wood is drilled, polished, colored, and finally covered with a drum skin. The outside of the drum is usually carved with decorations of flowers, elephants and other motifs.
Traditionally the elephant-foot drum dance is a masculine dance performed by men, as its movements evolved from traditional Dai martial arts. For this reason, the requirement for anyone desiring to learn this art is to first learn martial arts, otherwise their physical ability and flexibility in the dance moves will not meet the standard. The dance is quite physically taxing for beginners as it requires them to be able to carry a drum, have good body coordination, and keep up with the rhythm.
During a performance, dancers carry a drum on their left shoulders with the drum head in the front and the drum tail in the back. Dancers’ right hands beat the drum with their fists, palms, and fingers, while the left hand complements the action, and sometimes elbows, knees, heels, and toes are also involved. Because the drum has a long structure, dance moves are mostly performed by the dancer’s legs, including such movements as squatting, lifting one leg, kicking, and sometimes a slightly lunging from side to side. According to the length of the drum, the dance has been categorized into three types: long, medium, and small elephant-foot drum dances.
The Dai elephant-foot drum dance is a means for the Dai people to express their joy as well as a vivid reflection of their village culture. Whether strictly following their traditions or creating new forms of cultural expression, generations of Dai elephant-foot drum dancers continue to pass on this traditional art in their own way.


The Kamarihelmi Festival is being held for the 14th time in 2024. Young students of Espoo Music Institute, Music Institute Juvenalia and Musikinstitutet Kungsvägen perform key chamber music works together with visiting masters.
Internationally performing master of classical saxophone from Vienna.
Professor of violin and chamber music at University of Arts, Zurich and Basel Music Academy.
Baritone, University of Music and Performing Arts, Vienna.
Monday 5.2.2024, 7pm
Masters of classical saxophone Marko Dzomba (Vienna), Olli-Pekka Tuomisalo and Hilla Ruotsala, with young musicians representing Espoo Music Institute and Music Institute Juvenalia / In partnership with the City of Espoo.
The programme includes works by Domenico Cimarosa and Heitor Villa-Lobos arranged for saxophone ensemble by Olli-Pekka Tuomisalo, as well as young pianists performing The Carnival of the Animals by Camille Saint-Saëns.
Monday 12.2.2024, 7pm
Anna Gebert, (Basel), violin
Benno Schollum (Vienna), baritone
Antti Vahtola, piano
and several young chamber musicians and singers from Espoo.
Programme includes works by composers such as Mozart, Schubert and Heinz Holliger.
In partnership with the City of Espoo, Espoo Music Institute, Music Institute Juvenalia, Musikinstitutet Kungsvägen, Sibelius Academy, University of the Arts and the Austrian and Swiss embassies in Finland.
As always, the 14th Kamarihelmi Festival will be hosted in co-operation with the City of Espoo, Espoo Music Institute, Music Institute Juvenalia, Musikinstitutet Kungsvägen, the Austrian Embassy in Helsinki and in february 2024 also the Swiss embassy in Helsinki.
Kamarihelmi has previously also been hosted as a joint project with the Sibelius Academy, University of the Arts and the University of Music and Performing Arts Vienna’s Erasmus exchange programme; Espoon Musiikkifestivaalit Yhdistys ry has also contributed.
Welcome to our 2024 concerts!


WAMU HD2 Bluegrass Country, 88.5 FM
WAMU HD2 Bluegrass Country, 88.5 FM Radio is a sub-station built by listeners for listeners. It started more than 50 years ago at WAMU 88.5 FM in Washington, DC. The nonprofit Bluegrass Country Foundation is operating and funding this station. The station can be heard 24/7 on HD radio at 88.5FM (call sign: WAMU) Channel 2 in the Washington area, streaming worldwide at BluegrassCountry.org and via a free smartphone app (Apple iOS and Android devices). Its slogan is – Washington’s NPR Station (National Public Radio). It is usually hosted by a real live person, selecting the music from our incomparable song library, or a personal record collection that probably includes songs you’ll never hear anywhere else.
This Radio plays the whole range of bluegrass, old-time, classic country, folk, rare blues and jazz, zydeco, roots and modern Americana, and even a taste of Grateful Dead. Shows originate in Washington studio, as well as radio in stations and studios around the US and the world, and include live performances as well as records.
- WAMU HD2 Bluegrass Country
Recommended US Country Radio
SUBMIT YOUR REVIEW BELOW
All Reviews For This Radio Station


In: IEEE Computer, Vol. 24, No. 7, pages 56-60. July 1991.
Abstract: Scoresynth is a flexible program that uses Petri nets (PNs) and algorithms for describing, processing and synthesizing music scores in a manner closer to `music thinking and perception' than can be achieved with conventional music notation. The system employs music objects, which are any simple, complex or abstract musical entity, at PN nodes to describe information, with transformation rules and causal relationships between entities assigned to PN parameters and structures. Scoresynth algorithms enable the transformation of various parameters of sound and firing of notes during transitions of the PN.
Keywords: Scoresynth; synthesis (of) music score (based on) petri net (and) music algebra; music composition.
Back to the Petri Nets Bibliography


Have you ever wanted to listen to a song, but been unable to find a copy? Is there a song whose name you can’t remember? The Internet has made tracking down such information a snap. By using the various music downloading services, you can get your hands on almost any song ever recorded.
If you are looking for a cheap way to download music, try using a free service instead of downloading. Service such as Pandora or Slacker will let you listen to music from any device. You do not have to store the files on your phone or tablet; just listen to them streaming online.
It is a good idea to check iTunes if you are considering downloading music. There are lots of popular offerings there, and it is simple to download songs to iPhones and iPods. You can also find great deals and sales on iTunes.
Consider joining an online forum of music enthusiasts. Many will share their downloads for free. This allows you to explore different genres of music or the latest cd from a known artist without committing a lot of time or money to the task, making it easier to build your library with an eclectic blend of tunes.
If you use iTunes, make sure to sign up for their email alerts. They often send out specials and discounted albums that are available at a lower price for a very limited period of time. If you do not sign up for the email alerts, you might miss out on these savings.
Check out the legal free music from established music download sites. Many big online music retailers like iTunes, MP3.com, Amazon,com, and more have free music sections. You can legally download these free tracks from some artists that you like or some new ones that you would like to listen to for the first time.
When you are looking for websites for music downloads, be sure that you are downloading from a reputable distributor. There have been instances when users have downloaded malware along with the song tracks. This will not happen at established digital music distributors with a good reputation. Keep this mind before you click on the download button.
When downloading music online, make sure that you only download files with the correct extension. Never download files with .exe file extensions. This extension can harm your computer. It can hijack your computer system and completely destroy it. Even worse, you could open yourself up to identity theft or other security issues.
Watch the file sizes of your music downloads carefully. A normal music download will be somewhere between 2 megabytes and 5 megabytes. If you see something much less or much more, there could be something fishy about the file. It may be spyware and not the song you were hoping it was.
Millions of songs are available online, and you can download most of them for less than a dollar. Many songs can be downloaded for free. However, finding the songs you want can be tricky if you do not know what you are doing. Use the tips you have just read to find the songs you want.


COSIMO AND THE HOT COALS
Considered among the new Italian swing and jazz stars and worldwide recognized on TikTok and Instagram, with more than 20 milioni views and appreciations from world-renowned artists like Michael Bublè, Cosimo and the Hot Coals are captivating the international audience with their unique style, able to combine their passion for ‘10s and ‘20s Hot Jazz and New Orleans Jazz with the charm and elegance of the italian songwriting.
The fascinating stage presence combined with the strong emotional drive and the band’s great compositional ability helped the guys gaining praises in all their Italian and international tours, that led them tread clubs and festivals stages in UK, Germany, France, Austria, Switzerland and Bahrein. The band has also a long list of collaboration with world famous brands like Coca Cola, Barilla, Gucci, Montblanc and Fendi and more.
In 2022 the band released its third album, “Mississippi Journal”, establishing a new partnership with Milan based music label Overdrive Records. The album, driven by the lovely single “Elena”, gained numerous praises all around the world, especially in Central and North America.
“I think you guys are wonderful. Keep making great music! You make me a proud Italian” – Michael Bublè


Who Are Los Sugar Kings?
Sugar Kings is a Boston-based quartet known for their dynamic live performances, rich harmonies, intense musicianship and ability to transcend genres with an authenticity rarely heard. In their world, respect is paid to the forefathers and traditions of Afro-Cuban Son, Salsa and Rumba-Flamenca but Sugar Kings (named after a Cuban baseball team) also actively draw on influences from nearly every continent in their unique roots-rock-reggae repertoire. All are highly accomplished on their instruments, however the true magic of Sugar Kings is how these four individuals come together to put on a performance worthy of any festival, party, club or concert hall. Every show is an intimate dialogue between the band and their audience, with both sides communicating in a manner that is spontaneous, passionate, thoughtful and joyous.
"Patino Vazquez (vocals, guitar, tres), is a dynamic performer and singer who is at once approachable, intimate and completely mesmerizing. Add in the African-influenced undulations of Mikael Mersha (vocals, bass/contrabass), the soaring, take-you-for-a-ride solos and harmonic accompaniment by Daniel Abreu (saxophone, piano, vocals) and the soulful voice and talents of Tony Curtis Hall (drums, percussion, vocals) and it's impossible for a party to stop from breaking out, wherever Sugar Kings perform."


Review Date: 5/18/06
Astounding! The first time I saw Roni Benise, he was playing on the street in Downtown Disney. I was so impressed by his music ("Shakara" in particular) that I immediately purchased his "Spanish Nights" CD. Now, three years later, he and his band have graduated to a massive stage show, complete with dancers, strings, horns, percussionists, and a wide variety of musical guests. The production is top notch and all of the players are superb. The fusion of flamenco and rock is perfectly complemented by a dazzling light show, a huge video screen, and a beautiful stage. Quite possibly the finest concert videos I've even seen. Most notably, I never once saw a cameraman or a boom shadow in a shot, so it must have been filmed over several nights and meticulously edited. The video quality is also quite high, and the colors are sharp, bright, and vibrant. A truly amazing and emotionally charged performance matched by a flawless production. Definitely check it out if you get the chance.


On a rainy Friday in mid-September, students and spectators gathered at Samfunnet i Ås to participate in an experience unlike any other: the Låvedans or “Hoedown”, the main event of the Åsbobla or “Ås Bubble” theme week. The evening was a celebration of Norwegian culture – specifically, the art of dance – and though the weather outside may have been stormy, the atmosphere inside was full of merriment.
It started with a violin.
Beneath the dim lights of Aud. Max, the whispering crowd suddenly fell silent as the high-pitched strains of the lone instrument drifted from center stage and echoed across the darkened room.
Next, the beatboxer appeared; and following him, the rap artist Per Skranglebein, known to many in the audience as a former contestant on the Norwegian talent show, Norske Talenter. Watching, those present waited with a sense of collective anticipation. As Skranglebein lifted the microphone to speak his first words, the beatboxer launched into a fast and furious rhythm, accompanied by the solo violinist. Moments later, three young men in traditional Norwegian outfits stepped onto the dance floor and began moving to the music.
The crowd roared excitedly; this is what they had been waiting for.
The FRIKAR show had begun.
For those who may be new to the Norwegian cultural dance scene, the FRIKAR Dance Company specializes in performing contemporary and traditional dance in Norway. The company has toured around the world and was featured in the 2009 Euro Vision Song Contest alongside the winning act. FRIKAR is known for incorporating various styles of dance and even acrobatics into its live performances, as demonstrated on this particular evening.
A portion of the show was dedicated to contemporary dance, where a performer used silk ropes to climb and suspend himself several meters from the floor. Spinning and twisting high above the rapt audience, the artist performed a vertical dance that fully captured one’s attention. With its serene acrobatics, this aerial demonstration was a strong contrast to the energetic tone of the rest of the night.
Indeed, for the most part, tonight’s show was all about the hallingdansen – a traditional Norwegian folk dance named for the valley of Hallingdal in eastern Norway. The dance typically consists of two or three young men performing, according to the Encyclopedia Britannica, “difficult leaps, kicks, and other acrobatic stunts to demonstrate vigor and virility.” This was done with the symbolic intention of outperforming one another in order to catch a woman’s eye.
One can say that these halling-dancers lived up to the hype, if the crowd’s applause was any indication. The spectators were treated to a show featuring many of the moves associated with the traditional dance. Among them was the hallingkast, where a hat is hung at the end of a long stick raised 2-3m above the ground, with the dancer supposed to leap into the air and kick the hat away. This stunt was done several times throughout the show, met with loud cheering each time.
The FRIKAR performance was only the first part of the evening. It was followed by a lively few hours of dancing in Festsalen, where students paired up and tried their hand at Norwegian traditional dances. Some had taken part in the folk dance lessons offered the week before, while others had simply shown up this evening ready to jump in and have a good time. Grooving along to the upbeat songs played live by the band Myllargutens Gammaldansorkester, the crowd was full of smiling faces as everyone practiced their best folk dancing moves.
It was a fitting second half for this event. Sponsored by Landkreditt Bank and the Stiftinga for Folkemusikk og Folkedans (Council of Folk Music and Folk Dance), the evening had showcased a wide spectrum of Norwegian dance styles ranging from modern fusion to traditional folk.
For this journalist, who happens to be an international student, the night was also another example of the strong sense of Norwegian cultural pride that seems to exist here at NMBU. From the various regional-based foreninger (groups or associations) to the national costumes worn by students during last month’s matriculation ceremony, many interesting things can be said about the traditions that have taken root and blossomed here in our so-called tiny “Ås bubble”.
But that is perhaps a discussion for another time.
For now, let us simply add dancing to the list. The style is up to you.
Journalist og Fotograf: Chiara Magboo


Tuesday July 5th at 8:30 pm
Þóra, Jóna, Kristín and Eggert
Was it a Dream?
Jóna G. Kolbrúnardóttir soprano,
Kristín Sveinsdóttir mezzo-soprano,
Eggert Reginn Kjartansson tenor and
Þóra Kristín Gunnarsdóttir piano.
With song cycles by Dvořák, Sibelius and Beethoven, the audience
is invited to immerse themselves in the multifaceted complexity of
love as envisioned by three master composers from different
Písně Milostné (Love Songs) op. 83 by Antonín
Dvořák, Five Songs, op. 37 by Jean Sibelius and
To the distant Beloved, op. 98 by Ludwig van Beethoven.
Tuesday July 12th at 8:30 pm
Kristina and Ásta
Ásta Soffía Þorgeirsdóttir and
Kristina Farstad Bjørdal akkordeon duo.
Program with Norwegian and Icelandic dance and folk tunes
leading to Baroque works such as movements from the Goldberg
Variations by J.S. Bach. Also works from 20th century when the
accordian was at its peak of its popularity. The final piece
of the concert will be a beautiful Icelandic tango, which
performers consider to be an uniquely precious
example of 20th century Icelandic music heritage.
Tuesday July 19th at 8:30 pm
Steiney and Vera
Summer Music with Duo Edda
Vera Panitch violin and Steiney Sigurðardóttir cello.
Eight Duets for Violin and Cello op. 39 by Reinhold Glière,
Sonata for Violin and Cello by Maurice Ravel and Johan
Halvorsen's Passacaglia in G minor on a Theme by Georg Friederich
Saturday July 23rd and Sunday 24th!-- at -->
Two concerts with works by the late, and much forgotten, Czech composer Erwin
Schulhoff with introduction by Dr. Alexander Liebermann. Performers:
Hlíf Sigurjónsdóttir violin, Slava Poprugin piano,
Adrien Liebermann saxophone, Martin Frewer viola and
Þórdís Gerður Jónsdóttir cello.
By Schulhoff: Sonata for Violin and Piano op. 7 (WV 24),
Sonata for Violin and Piano (WV 91), Hot Sonata (WV 95) for
saxophone and piano and Fünf Pittoresken für Klavier (WV 51).
By Alexander Liebermann: Coming to Light (Snót) for solo violin,
Saxophone Sonata and string trio Seen from the Sky.
Tuesday July 26th at 8:30 pm
Bryndís, Pamela and Guðríður
Bryndís Guðjónsdóttir soprano,
Pamela De Sensi flute and
Guðríður St. Sigurðardóttir piano.
Passionate Italian and Spanish songs performed
against delicate romantic French music.
Compositions from the late 19th and early 20th century.
Tuesday August 2nd at 8:30 pm
Kristín, Hekla, Anna og Hjörtur
Journey through the Wonders of the Flute
Kristín Ýr Jónsdóttir flute,
Hekla Finnsdóttir violin,
Anna Elísabet Sigurðardóttir viola and
Hjörtur Páll Eggertsson cello.
Flute Quartett no. 1 in D major K. 285 by W.A. Mozart,
Threnody I and II (In memoriam of Igor Stravinsky and
Beatrice Cunningham) by Aaron Copland, Assobio
a Játo (The Jet Whistle) by Heitor Villa-Lobos and String Quartet
no. 12 in F major American by Antonín
Dvořák, arranged for string quartet.
Tuesday August 9th at 8:30 pm
Diddú and the Boys
Diddú and the Boys
Sigrún Hjálmtýsdóttir soprano,
Sigurður Snorrason and Kjartan Óskarsson clarinets,
Emil Friðfinnsson and Þorkell Jóelsson horn,
Brjánn Ingason and Snorri Heimisson bassoon.
Wind Sextetts by Wolfgang Amadeus Mozart and Antonio Salieri and arias
soprano and winds. Also Icelandic solo pieces, by e.g.
Atli Heimir Sveinsson.
Sunday August 14th at 8:30 pm
Gréta, Diljá, Sigríður and Vigdís
Spúttnik String Quartet
Sigríður Bjarney Baldvinsdóttir and
Diljá Sigursveinsdóttir violins,
Vigdís Másdóttir viola and
Gréta Rún Snorradóttir cello.
String Quartet no. 2 in D major by Alexander Borodin,
Intermezzo for String Trio by Zoltán Kódaly and
Nearer, My God, to Thee by Sarah Fuller Flower Adams.
Performed on instruments by violin maker Jón Marinó Jónsson,
who will give an introduction to his work. The wood he used came from the wreck of the
Jamestown, which stranded at Reykjanes peninsula in 1881.


AN UNDERDOG HAS A LOT TO PROVE, MUCH TO DELIVER,AND ALL THE HYPE IN THE WORLD WON’T CHANGE THAT
Talent without commitment means nothing and Lupe set her sights on a life that would transcend the confines of race, geography and economics. Only one thing in the world can instantly equalize and unite us all and that amazing gift is of course, music.
Lupe Fuentes has secured her shining star on the electronic music landscape by earning her right to be there. Talent and passion for house music is paramount to her success, she lives by the beat and is always challenging her own ability to do better than she did yesterday. House music icons champion her as being the real deal with the gifted ear of a DJs DJ.
“Lupe was born to make music and be a DJ. Stay tuned… she’s fire!” (Junior Sanchez)
“Lupe is very talented and has exacting musical taste. She is one of the new breed of underground DJs that live and breathe house music. I see she is totally committed and can’t wait to hear what beats she has in store!” (Roger Sanchez)
Lupe busted through the boys club by doing things her way. As a producer, she’s one of the most prolific and respected ones working today. Upfront labels clamor for her releases with imprints like; InHouse Records (Todd Terry), Brobot Records (Junior Sanchez), Undercool Productions (Spain), Nervous (NY) Positive Music (Spain), WIN Music, SAFE Music (Spain) Guesthouse Records and Defined all releasing Lupe Fuentes original music. Her own imprint, ‘In The Loop,’ is her go to brand for most of her own music, but Lupe also champions new talent as a way to keep herself inspired and pay it forward.
It’s all about the vibe and what music can do for people that makes house music (in particular), so special. Lupe channels house music and all you need is to experience one of her sets to know she’s something very special. You can’t fake it as a house DJ, and she owns the place when she plays. Dancefloors don’t lie.
“Female DJ really if you only knew. Lupe rocks out like a dude. She gets it -she is there to make you dance. Not just another pretty face …. Welcome to Miss Fuentes, House Music Baby.” (Todd Terry)
Lupe Fuentes now makes her home in LA where she’s a fixture on the US club circuit. Exchange, Pacha and all clubs in between are showcasing Lupe as the next level of house music superstar, but for Lupe, she is humbled by her success.
“I don’t do this for any other reason than I love house music, I love to DJ and I’m compelled daily to produce. Everything else become like white noise. My joy is being able to DJ and to expose the music I love to people who want to dance. Be it one person or 50,000 on the dancefloor, I’ll make sure they feel like I’m playing just for them! “ - Lupe Fuentes


Are you ready to delve into the world of mesmerizing beats and infectious rhythm? South Africa, known for its pulsating music scene, is home to some of the most talented DJs in the world. These individuals have not only captured the hearts of the nation but have also made a significant impact globally. In this article, we will uncover the top 10 best DJs in South Africa, highlighting their exceptional skills, achievements, and contributions to the music industry. So, let’s tune in and explore the masters of music in South Africa!
Table of Contents
South Africa’s music scene is a kaleidoscope of diverse genres, constantly evolving, and reaching new heights. One vital element that has played a pivotal role in shaping the industry is the presence of extraordinary DJs. These musical geniuses have not only mesmerized audiences with their creative mixes and technical prowess but have also broken barriers and gained international recognition.
DJ Black Coffee: Reigning Supreme
Enter DJ Black Coffee, whose name resonates with excellence and innovation in the world of music. Born Nkosinathi Maphumulo, DJ Black Coffee effortlessly blends various genres, including house, soul, and jazz. His infectious beats and soulful melodies have captivated audiences worldwide, paving the way for his global success.
With a career spanning over two decades, DJ Black Coffee has released several chart-topping albums and collaborated with renowned artists like Alicia Keys and Drake. His deep understanding of music and ability to connect with his audience on an emotional level sets him apart as a true musical maestro.
DJ Fresh: The Radio Icon
If there’s one DJ whose voice has become synonymous with South African airwaves, it’s DJ Fresh. Born Thato Sikwane, DJ Fresh has taken the radio industry by storm with his infectious charm and magnetic personality. His morning show, “Fresh Breakfast,” has become a staple for music lovers, showcasing the best local and international hits.
Aside from his radio prowess, DJ Fresh is also a skilled DJ and producer, known for his incredible live performances. With a passion for various music genres and an ability to read the crowd, DJ Fresh has undoubtedly etched his name in South Africa’s music history.
DJ Zinhle: Queen of Afro-House
Enter the dynamic and talented DJ Zinhle, a true force to be reckoned with in the Afro-house music scene. With her infectious energy and uplifting beats, DJ Zinhle has become the reigning queen of the genre. She has captivated audiences with her unique style, blending traditional African rhythms with contemporary electronic music.
Her dedication to her craft and resilience in a male-dominated industry has not only made her an inspiration to aspiring DJs but also solidified her position as one of South Africa’s finest musical talents. DJ Zinhle’s contribution to the music industry is immeasurable, making her a true icon in the world of Afro-house music.
DJ Shimza: The Multi-Talented Maestro
Versatility is DJ Shimza’s middle name. Born Ashley Kholofelo Raphala, DJ Shimza has earned a reputation as a multi-talented DJ, producer, and entrepreneur. Known for his energetic stage presence and ability to seamlessly blend various music genres, DJ Shimza has become a household name in South Africa.
From hosting his annual “One Man Show” event to spreading the joy of music through his foundation, DJ Shimza has touched the lives of many. His commitment to using music as a tool for unity and empowerment has solidified his position as one of South Africa’s best DJs.
DJ Kent: Setting the Dancefloors Ablaze
When it comes to igniting dancefloors and creating an electrifying atmosphere, DJ Kent is unmatched. With his unique ability to read the crowd and curate seamless mixes, DJ Kent has become a true sensation in the South African music scene.
His passion for house and dance music, combined with his exceptional technical skills, has earned him a vast fan base and numerous accolades. DJ Kent’s distinct style and ability to transport his audience into a transcendent musical experience make him one of the top DJs in South Africa.
DJ Tira: Bridging Cultures Through Music
Bridging cultures and uniting people through music is DJ Tira’s ultimate goal. Born Mthokozisi Khathi, DJ Tira is a legendary figure in the South African music industry, known for his infectious beats and vibrant personality. As the founder of the record label Afrotainment, DJ Tira has provided a platform for many emerging artists, helping to shape the music industry.
His fusion of various music genres, including kwaito and gqom, has struck a chord with audiences across the nation. DJ Tira’s commitment to nurturing talent and promoting South African music on a global scale makes him a true icon in the industry.
DJ Euphonik: Master of the Turntables
When it comes to technical expertise and innovation, DJ Euphonik stands in a league of his own. Born Themba Mbongeni Nkosi, DJ Euphonik has continually pushed boundaries and explored new sonic territories. His ability to seamlessly mix tracks and create unique sounds has garnered him international recognition.
DJ Euphonik’s passion for music goes beyond the DJ booth, as he is also a talented producer and radio host. Whether performing on stage or producing hit tracks, DJ Euphonik’s commitment to delivering exceptional music sets him apart as one of South Africa’s best.
DJ Oskido: Pioneer of Kwaito Music
Enter the godfather of kwaito music, DJ Oskido. Born Oscar Bonginkosi Mdlongwa, DJ Oskido has played a pivotal role in shaping the kwaito genre since its inception. With his infectious beats and unique style, he has captivated audiences across South Africa and beyond.
DJ Oskido’s keen ear for talent has led to the discovery of several prominent artists in the music industry. His dedication to promoting South African music and showcasing it on a global scale has made him an influential figure in the industry.
DJ Tbo Touch: A Force to Be Reckoned With
When discussing influential figures in the South African music industry, one cannot overlook the impact of DJ Tbo Touch. Born Thabo Molefe, DJ Tbo Touch is not only a renowned DJ but also a media personality and entrepreneur. His ability to adapt and innovate within the music industry has earned him widespread recognition.
From hosting his popular radio show to founding his record label, DJ Tbo Touch’s contribution to the music scene is commendable. He continues to inspire aspiring DJs and entrepreneurs, showcasing the limitless possibilities within the industry.
DJ Maphorisa: The Hitmaker
Known for his distinct style and ability to produce chart-topping hits, DJ Maphorisa has taken the South African music industry by storm. Born Themba Sekowe, DJ Maphorisa has collaborated with international artists such as Drake and Wizkid, propelling him to global acclaim.
His production skills and knack for creating infectious beats have transformed the South African music landscape. DJ Maphorisa’s dedication to his craft and unwavering passion for music make him one of the leading DJs in the country.
DJ Sbu: A Boundless Entrepreneur
DJ Sbu, born Sibusiso Leope, is a visionary DJ, entrepreneur, and philanthropist. With a career spanning over two decades, DJ Sbu has achieved remarkable success in both the music and business realms.
Besides his skill behind the turntables, DJ Sbu has founded multiple successful ventures and mentored aspiring entrepreneurs through his inspirational talks. His tenacity and determination have pushed boundaries and inspired many, making him a true icon in the South African music industry.
DJ Black Motion: Blending Sounds with Soul
Enter the duo that has mastered the art of blending sounds with soul, DJ Black Motion. Composed of Thabo “Smol” Mabogwane and Bongani “Murdah” Mohosana, DJ Black Motion has taken the house music scene by storm. Their infectious beats and undeniable talent have captivated audiences across the globe.
DJ Black Motion’s distinctive style and ability to evoke emotions through their music have earned them critical acclaim and numerous awards. Their dedication to their craft and continuous exploration of sonic landscapes have solidified their position as masters of music.
DJ Dimplez: Impacting the Urban Music Scene
When it comes to impacting the urban music scene, DJ Dimplez is at the forefront. Born Tumi Molekane, DJ Dimplez has become a household name, known for his mixtape series and collaborations with notable artists.
His ability to curate seamless mixes and introduce emerging talent to the industry has garnered him a loyal fan base. DJ Dimplez’s influence and contribution to the urban music scene in South Africa make him a prominent figure in the industry.
DJ Spartacus: Defying the Norms
With a passion for music and an unwavering desire to challenge norms, DJ Spartacus has carved a niche for himself in the South African music scene. Known for his diverse mixes and eclectic selection of tracks, DJ Spartacus takes listeners on a musical journey like no other.
His ability to seamlessly blend genres and incorporate distinctive elements into his sets has earned him recognition among music enthusiasts. DJ Spartacus’s determination to push boundaries and defy the norms makes him a standout DJ in South Africa.
DJ Ganyani: A Legend in the Making
Known as a pioneer in the house music scene, DJ Ganyani has made a significant impact on South Africa’s music landscape. With a career spanning decades, DJ Ganyani has consistently delivered hits that have stood the test of time.
His signature sound and ability to create infectious beats have earned him a special place in the hearts of music lovers. DJ Ganyani’s commitment to his craft and his influence in shaping the house music genre make him a true legend in the making.
DJ Mujava: Innovating the Dance Music Genre
Enter DJ Mujava, an innovative maestro who has revolutionized the dance music genre in South Africa. Born Tshepo Molefe, DJ Mujava is best known for his track “Township Funk,” which became an international sensation.
His unique fusion of kwaito and electronic dance music has earned him praise from both local and international audiences. DJ Mujava’s creativity and ability to push the boundaries of music have solidified his place as an influential figure in the industry.
DJ Sumbody: The Vibrant Groove Aficionado
On the quest for vibrant and infectious grooves, one cannot miss DJ Sumbody. Born Oupa John Sefoka, DJ Sumbody has taken the South African music scene by storm with his vibrant personality and exceptional musical skills.
From his electrifying performances to his chart-topping hits, DJ Sumbody continues to captivate audiences with his unique blend of house and amapiano music. His ability to connect with his audience and create a joyous atmosphere is what sets him apart from the rest.
DJ Cleo: Merging Tradition with Modernity
Merging tradition with modernity, DJ Cleo has become a trailblazer in the South African music industry. Born Cleopas Monyepao, DJ Cleo has perfected the art of fusing traditional African sounds with contemporary beats, creating a completely unique and captivating experience.
His commitment to showcasing African music on a global scale has earned him recognition and respect from both his peers and fans. DJ Cleo’s ability to bridge the gap between tradition and modernity through his music makes him a standout DJ in South Africa.
DJ Clock: The Timeless Beatmaker
When it comes to timeless beats and infectious rhythms, DJ Clock knows how to create magic. Born Kholile Elvin Gumede, DJ Clock has consistently delivered hits that have stood the test of time, earning him a dedicated fan base.
His ability to produce captivating tracks across various genres has garnered him critical acclaim and industry recognition. DJ Clock’s music has become the soundtrack to many memorable moments, making him an indispensable figure in South Africa’s music scene.
DJ Bongz: Champion of Durban Beats
Enter the champion of Durban beats, DJ Bongz. Known for his infectious energy and signature dance moves, DJ Bongz has become an iconic figure in the South African music industry.
His unique blend of Afro-house and gqom music has made him a household name, both in South Africa and beyond. DJ Bongz’s ability to create music that brings people together and gets them moving has solidified his status as one of the best DJs in the country.
DJ Speedsta: Shaping the Future of Music
When it comes to shaping the future of music, DJ Speedsta is a driving force to be reckoned with. Born Lesego Nkaiseng, DJ Speedsta has made significant strides in the music industry, renowned for his ability to discover and nurture emerging talent.
His keen ear for new sounds and innovative approach to music have garnered him a loyal fan base. DJ Speedsta’s determination to push boundaries and support up-and-coming artists has solidified his position as a tastemaker and trendsetter.
DJ Zan D: Elevating the Hip Hop Culture
Elevating the hip hop culture in South Africa is DJ Zan D, a true ambassador for the genre. Known for his explosive performances and impeccable selection of tracks, DJ Zan D has become a prominent figure in the local hip hop scene.
His dedication to showcasing local hip hop talent and providing a platform for emerging artists has earned him respect within the industry. DJ Zan D’s commitment to elevating the hip hop culture and promoting local talent makes him a standout DJ in South Africa.
DJ Sox: Spinning the Story of House Music
Enter the maestro who spins the story of house music, DJ Sox. Known for his exceptional technical skills and ability to curate memorable sets, DJ Sox has become a household name in the South African music scene.
His passion for house music and ability to transport his audience into a euphoric state on the dancefloor have solidified his place as a top DJ. DJ Sox’s dedication to his craft and his ability to create unforgettable moments through his music make him a true icon in the industry.
DJ T-Man: The Rising Star
Rising through the ranks, DJ T-Man has made a remarkable impact on the South African music industry. Known for his energetic stage presence and infectious beats, DJ T-Man has quickly gained recognition for his unique blend of amapiano and house music.
His dedication to perfecting his craft and consistently delivering exceptional performances has earned him a devoted fan base. DJ T-Man’s relentless pursuit of excellence and his undeniable talent make him a rising star to watch.
FAQs About the Best DJs in South Africa
Q: Who is considered the best DJ in South Africa?
A: While opinions may vary, DJ Black Coffee is widely regarded as one of the best DJs in South Africa, with his exceptional talent and global success.
Q: Which DJs are known for their innovative styles?
A: DJ Mujava and DJ Cleo are known for their unique and innovative styles, challenging traditional norms in the South African music scene.
Q: Who has made a significant impact on the kwaito music genre?
A: DJ Oskido is often credited as a pioneer who has made a significant impact on the kwaito music genre in South Africa.
Q: Which DJ has mastered the art of blending traditional African sounds with contemporary beats?
A: DJ Cleo has perfected the art of merging traditional African sounds with modern beats, creating a distinct and captivating musical experience.
Q: Who is known for their contribution to the Afro-house genre?
A: DJ Zinhle has become the queen of Afro-house, known for her vibrant energy and uplifting beats in the genre.
Q: Which DJ has had international collaborations?
A: DJ Maphorisa has collaborated with international artists such as Drake and Wizkid, gaining recognition on a global scale.


Celebrating our 46th Anniversary!
Morita's School of Dance offers professional dance instruction to students ages 3 through adult in Central Maine. Tap, Ballet, Jazz, Contemporary, Hip Hop, Ballroom & Fitness classes are offered throughout the year. Private lessons and custom wedding reception dance choreography sessions are scheduled as needed.
Established in 1968, we have shared our love of dance with hundreds of children and adults. We take this responsibility very seriously. Our mission is to provide dancers of all ages a program of progressive training in all forms of dance. Through our outstanding dance program, we teach discipline, hard work and responsibility in developing dance proficiency and skills which last a lifetime. Offering a positive, non-competitive atmosphere ensures our students gain confidence both on and off the stage. All students are valued for their own abilities and uniqueness as we strive to share the joy of dancing through the mental, physical and spiritual sides of the body.
Festival of Lights Parade
December 7, 2013
Holiday Performance (Old Town)
December 14, 2013 @ The Old Town Recreation Department
Holiday Performance (Hermon & Bucksport)
December 15, 2013 @ Hermon High School
Holiday Performance (Milo)
December 21, 2013 @ the Milo Town Hall
New Years Eve Gala - Sr. Dance Team
December 31, 2013 @ Morgan Hill Event Center for Hermon's Bicentennial Kick Off


A Newbies Guide to Learning to Play Guitar Online
You've been saying it for a while, but now you've just about decided that you want to learn to play the guitar. Whether your dream is to enter Julliard or simply to entertain friends around a bonfire, it’s never too late or too early to learn guitar. But how to learn to play the guitar? Here are a few tips and methods that beginning guitarists should know.
Picking the Right Guitar
When it comes to picking the right guitar, price is not always the best guide. With many things, such as TVs and cellphones, you often get what you pay for. But with guitars, choosing should be more about the feel and tone than the price tag. Sometimes, a guitar that costs between $150 and $250 will actually be better than a guitar that is $800-$1000. As a beginner, you might not know what the right guitar would feel like, but here are a few basics that anyone can do:
• Test multiple guitars
• Strum the open strings and find the tone you like
• Make sure the strings are not too high off of the fret board
• Turn the tuners to make sure that they all work
The very first thing you must decide is what type of guitar you want to play. There are three choices which all have their own set of advantages and disadvantages. They are acoustic, electric and classical.
Acoustic guitars are most popular for beginners for a few reasons. First, they have natural amplification and do not need an electric amplifier. This means that acoustic guitars are easily transported and can be played anywhere. However, acoustic guitars use thick, steel strings which are quite painful to play until callouses are formed.
Electric guitars, on the other hand, use steel strings that are thinner than acoustic guitars, which makes them much easier to play. Since electric guitars are not hollow like acoustic guitars, striking the strings will produce a very quiet sound. Thus, a guitar amplifier is needed. While this adds an extra expense and can limit immovability, guitar amplifiers can be adjusted to make a variety of different sounds.
Finally, classical guitars differ from both acoustic and electric guitars in that three of the strings are made of nylon with the other three being nylon wound in steel. As far as play ability, classical guitars find themselves squarely between acoustic and electric. However, classical guitars are rather specific for playing classical music only. If you are learning to play the guitar for the long haul, the techniques learned from a year or two of classical training will definitely translate to acoustic or electric styles.
Now that you have the guitar of your choice, you want to spend some time getting familiar with the instrument. Guitars are basically divided into three parts: the head, the neck, and the body. In addition to these three, the strings are anchored to the bridge on the body, run across the frets on the neck, and are then tied to the tuners on the head.
Because acoustic and classical guitars are hollow, they have a sound hole cut into the body of the guitar, which is used to amplify the sound. In contrast, electric guitars have pickups under the strings on the body that transfer the sound to the amplifier.
Once you actually pick up the guitar, practice using each of your fingers on the neck. The goal is to find a comfortable hand position. Just be careful not to wrap your hand around the neck too much to where your thumb comes over the top. The thumb should be used to pinch the strings to the fret, even though using your palm might feel more natural at first.
Learning the Guitar Through YouTube
You, like countless other people, are now asking the Internet how to learn to play the guitar. Whether you are looking for how to play a certain song, you want to learn scales, or just basic beginner instruction, there are more videos on YouTube than you could watch in a lifetime.
Since learning to play the guitar takes patience and practice, YouTube is an invaluable tool. Find the video you want and re-watch it as many times as you need to in order to match it perfectly. Pause and rewind it at the difficult points and be sure to focus on both the left and right hands. The best types of videos to use are ones that have a split screen that focus on each of the hands at the same time.
YouTube is also great for online guitar tutorials. Many up-loaders will have playlists that cover all the basics and move toward more advanced lessons. While YouTube cannot offer the personal instruction that one-on-one guitar tutoring does, it’s a real help to find a channel that can teach beginning techniques, such as scales, chords, and strumming.
One-On-One Guitar Tutoring
If you cannot find what you are looking for on YouTube, there are other ways to find guitar tutors online. Finding a specific website that hosts guitar lessons can also offer other resources. However, if you want one-on-one instruction, there are guitar teachers everywhere. Again, the Internet becomes a great tool for finding and contacting guitar tutors in your area.
In-person guitar tutoring will build a newbie’s ability in a short time, but at a cost. For basic beginning instruction, you should plan on spending about $20-$30 for a half-hour with a private guitar tutor. This may sound like a lot, but the feedback of a trained guitarist is worth it. That said, you cannot rely simply on the tutor’s skill. You must be willing to put in the practice needed outside of the time with the tutor. If you feel like you aren't having the success you hoped for after a few months of private tutoring, consider finding another instructor that takes a different approach.
There are many ways to learn to play the guitar. Some people with natural musical ability might be fine using only YouTube to learn while others might need one-on-one instruction. Learning to play the guitar is a commitment and won’t be picked up overnight. Any way you learn to play guitar will involve three things: practice, practice and practice.


Growing in Skill, Growing in Character
Who We Are
The Suzuki Talent Education Program of DuPage serves DuPage County with high quality violin education in the Suzuki method. Trained, dedicated teachers provide a nurturing environment for your child to thrive in music. Private lessons, combined with group class, offers students the opportunity to develop skills through Suzuki's "mother toungue" method. This method fosters a high level of music ability, good relationships, self-confidence, dedication and determination, and at its core fosters a beautiful heart.
The STEP program has two locations:
Immanuel Lutheran Church
2317 S. Wolf Rd., Hillside IL 60162
21w075 Monticello Rd., Lombard IL
Private lessons are held at both locations. Groups and orchestra are held in Hillside. String Serenade is held in Lombard.


- Isabel Bader Theatre
- External Events
- January 30, 2016 from 7:00pm to 10:00pm
Chinese Magazine, a not-for-profit student organization at the University of Toronto, is holding their 10th annual charity concert.
The concert series have spread charms of classical music to more than four thousand students, professors and young professionals in Toronto and all the net proceeds were donated to charitable organization like UNICEF Canada (over $20,000 combined).
This year’s notable performers, include: Ricker Choi, Toronto Chinese Orchestra and SPIRE with their performances that blend eastern and western instruments and music, and Samantha Chang (Executive Director of the Canadian Flute Association) with her elegant flute performance.
The net proceeds of the concert will be donated to Watsi to help fund essential healthcare treatments for patients around the globe.
Tickets available at UTChinese Magazine Booth in Sydney Smith.


Rosaceae is a music project by Leyla Yenirce. It works with elements of noise and ambient music and uses speech samples and self-written texts that are installed in multilayered and dramaturgically-arranged soundscapes. Rosaceae’s debut album “Nadia’s Escape” was released on the Hamburg label Neoprimitive in 2019, followed by “Efia” from Pudel Produkte and “Ava” on the London label xquisite in 2020, and in Winter 2020 by a collaborative album with Ladonna, also on Neoprimitive. Another album on Pudel Produkte, “DNA”, is coming out soon. Thematically, Rosaceae concentrates among other things on figurations of resistance and confrontation with sound aspects of military, media and cultural dominance structures. Rosaceae’s works have been performed at such festivals as Noisexistance in the Hamburg Kampnagel and Pop-Kultur in Berlin and include audio-visual as well as performance elements.
Efia. Album. Pudel Produkte, 2020.
Ava. Album. Imprint xquisite, 2020.
Nadia’s Escape. Album. Neoprimitive, 2019.


The BLOCK by Nova Destinations is proud to present Live Music with First Class Big Band!
Come out Friday, December 15th for a night of fun! First Class Big Band is a 15 piece Brass Band that plays classics from the Prohibition Era.
First Class Big Band will be bringing the entertainment and we will take care of the food & drinks!
The show will be from 7:30-9:30 and doors will open at 6 pm.
Whether you just want to sit back and hear some GREAT music or dance the night away, this event is perfect for you!
Tickets will be $10/person and will take place in our event space on the 2nd floor of the BLOCK in Sharon, PA.
We will be providing food and drink service at your table for the evening, so all you have to do is get your tickets and enjoy a night at the BLOCK by Nova Destinations!


На Міжнародным фестывалі Юрыя Башмета ў Мінску. Фота А. Манчук. БЕЛТА
At the Yury Bashmet International Festival in Minsk. Photo by Oksana Manchuk. BELTA
Канцэрт хору ім. Г.І. Цітовіча ў Гомелі. Фота С. Халадзіліна. БЕЛТА
Concert choir them. G.I. Tsitovich in Gomel. Photo by S. Kholodilin. BELTA
Свята музыкі ў Заслаўі. Фота А. Манчук. БЕЛТА
Holiday music in Zaslavl. Photo by O. Manchuk. BELTA
Музычны форум "Мінская вясна-2015". Фота А. Манчук. БЕЛТА
Music Forum "Minsk Spring-2015". Photo by O. Manchuk. BELTA
Канцэрт аркестра М. Фінберга на МТЗ. Фота А. Пакумейкі. БЕЛТА
Concert orchestra of M. Finberg at MTZ. Photo by A. Pokumeyko. BELTA
На"Славянскім базары". Віцебск. Фота А. Хітрова. БЕЛТА
On the "Slavonic Bazaar". Vitebsk. Photo by A. Khitrov. BELTA
Modern Belarusian music aims to preserve rich national traditions developing popular musical styles and directions. The pieces of Belarusian music along with world classic and pop music are performed by professional and amateur musicians.
Belarusian musical art is characterized by a high professional level. The country has unique school for composers and performers: the Belarusian Academy of Music and the Belarusian State University of Culture and Arts.
The Belarusian State Philharmonic Society is the main concert organization of our country. It’s a birthplace of academic, folklore, orchestra, choral, choreographic, jazz, pop and chamber bands.
Belorusskij soyuz muzy'kal'ny'x deyatelej (The Belarusian Union of Musicians) and Belorusskij soyuz kompozitorov (the Belarusian Union of Composers) promote the development of country’s musical and concert life.
Musical and theatrical life of the country is connected with the activity of the National Academic Bolshoi Opera and Ballet Theater of the Republic of Belarus and Belorusskogo gosudarstvennogo akademicheskogo muzy'kal'nogo teatra (the Belarusian State Academic Musical Theater). They stage the plays of Belarusian, Russian and West European composers.
The most popular musical bands of the country are:
- Gosudarstvennaya akademicheskaya xorovaya kapella im. G. Shirmy' (Grigory Shirma State Academic Choir of Belarus)
- National Academic Concert Orchestra of Belarus named after M.J. Finberg
- Presidential Orchestra of the Republic of Belarus
- State Academic Symphony Orchestra
- Vokal'naya gruppa «Chisty'j golos» (Vocal band "Chisty Golos")
- Vokal'ny'j ansambl' «Kamerata» (Voice band "Kamerata")
Belarusian show business has different styles and stylistic directions: pop music (performers – Inna Afanasieva, Irina Dorofeeva, Nikolay Skorikov, Petr Elfimov, Iskui Abalyan, Alyona Lanskaya and others), rock music, folk and ethno music.
National musical instruments accompany the performances of numerous contemporary artists.
The musical life of Belarus is famous for its festivals, opening to their listeners new names and performers, defining the direction of development of the art of Belarusian music and popularizing musical culture in general.
The genre palette of festivals is diverse. In addition to events dedicated to pop music, blues, jazz, rock and roll, there are festivals of sacred, organ, chamber and academic music.
Among numerous music events the most significant are "Belarusian Musical Autumn", Yuri Bashmet International Music Festival, International Music Festival "Golden Hit" in Mogilev, Festival of Chamber Music "Muses of Nesvizh" and, of course, International Festival “Slavonic Bazaar” in Vitebsk.


The Liberty Singers, under the direction of music teacher Steve Herb, put on a superb performance on Thursday, Dec. 1. The chorus, composed of students from grades 3-5, sang a variety of selections based on a winter theme. Parents, grandparents, siblings and friends watched the group performed in the school’s cafeteria. The group dazzled the audience with their finale, “Hot Chocolate”, which featured a salsa beat and a variety of movements. The group will be recording a CD in the near future which will be for sale to the general public. Interested parties should contact Mr. Herb at the school.


Jessica Oppermann, a 17 year old francophone high school student from Ancaster, Ontario, has been singing on stage since she was 2 years old. This honour roll student, who speaks three languages, has used her love of music to help her get through the stress of the pandemic.
“I’m a student at a francophone high school and during the pandemic, classes went online for the first time in my educational history,” said Jessica in an online interview. “This was very a difficult (adjustment) because having access to a social outlet is key during an adolescent’s life. I found myself feeling like I was “locked-up” in my room, always doing schoolwork. Since I was a little girl, I loved to sing. My parents would find me singing and dancing in the house, and it’s something that’s always made me happy. One day, I started thinking I should write down my ideas so that someday I could turn them into songs. Within a 4 month period, I had surprised my family by writing and composing melodies to 14 songs.”
Jessica’s father, who plays guitar and has been involved in music since a young boy, had built a recording studio in the family basement, but Jess always seemed disinterested in recording herself. “I was a competitive dancer before. That being said, I didn’t have the time to focus on music,” added Jessica.
After she presented her family with a small living room concert (with her sister’s gentle prodding) she impressed her family so much that her father joined her to help lay down the tracks for the vocals, including the harmonies. She creates all her music and lyrics on the ukulele. “Sometimes, I get on the drums to add percussion to my songs,” she added, “My music has started changing my life to deal with the stress and anxiety of being home during the pandemic. It also helped with any boredom I was feeling since there was nothing much to do.”
Jessica is definitely very creative. She has asked her English teacher if she can record a song and video to present as a final project, which is something she is currently working on. You can listen to that song here: https://youtu.be/hBUYjCvHer0 .
She ended our interview by saying, “COVID has had various negative effects on my mental health, and I tried to turn a difficult situation around by developing my musical talents.”
Jessica’s new, “Covid Talent” is something that is worth looking out for. She is hoping to have her tracks online soon. We can’t wait to hear a lot more from her in the future. Go Jess!!


I have a heavy heart typing this. Glenn Frey has passed away. Glenn Frey and Don Henley were responsible for a large fraction of the soundtrack of my high school years. My best friend and I would crank up the radio with every Eagles song and sing at the top of our lungs as we cruised around town in my ’64 Impala or his Maverick. Songs like “Peaceful Easy Feeling” set the tone for my burgeoning love life. And it was songs like “Desperado” that resonated with my broken heart, time after time.
As I type this, I have “Tequila Sunrise” playing on my iTunes. Not by deliberate action, it’s on random song selection, so I’ll take it as an omen. A message, if you will.
It is our legacies that give us our only chance to push back the inevitability of mortality. Glenn’s genius will live on for a long time to come. And in that small way at least, so will he.
So long Glenn. Your music, in a very real and compelling way, shaped my life, and the lives of my friends and family. You will be missed. You sent me, and all of us, the best of your love. And we are the better for it.


Emily hails from Portsmouth but has lived in Yorkshire since starting her BA in Music at the University of York. She graduated with first-class honours in 2007, having spent an enjoyable three years nurturing interests in composition (with Thomas Simaku), Javanese gamelan (with Neil Sorrell) and medieval music (with Nicky Losseff). She subsequently returned to the University to study with Bruce Cole for an MA in Community Music, for which she was awarded a Distinction in 2010. Emily is still involved in academic life at York, working as the Director of Gamelan Sekar Petak and as a tutor on the MA and BA Community Music programmes. She is also a visiting lecturer for York St John University and Director of the University of Leeds Golden Thread Gamelan Ensemble.
As a composer, Emily's work is shaped by her passion for collaboration - with amateurs and professionals, across genres, and with other art forms. She is interested in the theatricality of music and has developed scores for dramatic productions, as well as composing works that are inherently theatrical in their own right. She is also interested in the musicality of words, creating performance poetry and responding to text commissions from fellow composers, including Judith Ring, David Bremner and Peter Moran. Her compositions have received performances across the UK and internationally, at the National Concert Hall Dublin and as part of Gaudeamus Muziekweek. She has recently been commissioned through the BBC Performing Arts Fund and as part of Hull City of Culture 2017, and has spent several years in residence with multi-arts performance ensemble Engine Room Theatre. In 2010, Emily was one of six composers selected to take part in Adopt A Composer (run by Sound and Music, PRS Foundation and Making Music, in association with BBC Radio 3) and in 2018 she was delighted to return to the scheme as a Mentor.
Emily is an experienced educator and community musician, interested in inclusive and facilitative approaches to music-making. She spent 8 years looking after the Learning & Participation programme of the National Centre for Early Music and, as a freelancer, has delivered projects for clients including Hallé, National Concert Hall Dublin, Jessie’s Fund and Castaway Accessible Music Theatre. She is currently leading on Yorkshire-based youth gamelan programme The Sound of Bronze and continues to run the Northern Gamelan Network, which she founded in 2015. She also delivers gamelan courses for Converge York and Good Vibrations, working with adults with mental health conditions and people living in criminal justice settings.


Please use the links in the sidebar to order or see details about other items, or use the links below to place your order or to return to the Catalogue page.
Shipping charges for CDs and books are as follows: $2.25 for the first item, $3.25 for two, $4.25 for three, and $ 4.95 for four-seven items. Shipping for eight or more items is free.
Electronic delivery of PDF documents (such as "Blessed" SATB score) is free.
Shipping charges will be calculated and added in the checkout process.
A four-part choral arrangement for this much-requested song, available by download in two pdf's. Part 1, for mezzo-soprano soloist, has the lyrics written out with music for all four verses; Part 2, the Score with SATB parts, has guitar chords and piano accompaniment.
Once your order and payment is received, Lui will send the Blessed sheet music to you as pdf email attachments. Please be patient, as she's not always right by her computer, but she will send them along as soon as she can.
The cost for both pdf’s is $10. If you choose to perform the song with a choir or choral group, additional parts may be printed as needed, with a requested royalty fee of $1 per additional part printed. Thanks for your interest in singing Blessed!
If you love Lui's music, check out her Kids' Jam Curriculum. Created for teachers and home-schoolers, it includes music Lui uses in the Kids' Jam classes she teaches. Lui is joined on the recordings by Anand Nayak, of Rani Arbo & daisy mayhem. The music is fun for kids and enjoyable for adults - it's a great way to introduce your kids or grandchildren to the music you love!


Record/Vinyl + Digital Album
Idol Smasher: Barbara EP
Victims of the Cave: "Cold & Grey" & "The Wolf"
Includes unlimited streaming of Idol Smasher/Victims of the Cave Split 7"
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
ships out within 3 days
Streaming + Download
Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.
released December 4, 2015
All Music by Idol Smasher & Victims of the Cave
all rights reserved


Only Filipino band in NI performing in Maghery
04 April 2008
The only Filipino band in Northern Ireland, Below Zero, performing in Maghery community hall
from Lurgan Mail, 04 April 2008
THE community hall rocked to the beat of Abba with a twist recently.
The social event, which saw members of the Filipino community travel from as far as Omagh and Derry, was a fundraiser for Below Zero, the only Filipino band in Northern Ireland.
The band members, who reside in Dromore and Craigavon, play various contemporary songs as well as traditional Filipino music.
While currently holding practice sessions in ‘a small bedroom’, they hope to grow and be able to play bigger audiences across Northern Ireland.
The evening of entertainment was much welcomed as a helping hand to the band who pay for all equipment and transport costs out of their own pockets.
John Alfante, spokesman for the Filipino community here, and a Maghery resident, spoke of his motivation for events such as this. He said, “I want very much to integrate members of the Filipino community into Northern Irish life”.
Chairperson of the community hall, Kevin Fox, said, “The hall is there to provide for all sections of the community and the Filippino’s use of the facility is more than welcome”.


Hello and thanks for visiting the Dunfanaghy Jazz & Blues Festival website.
The 9th annual Dunfanaghy Jazz & Blues Festival will take place from Thursday 8th September - Monday 12th September 2016. The Dunfanaghy Jazz & Blues Festival will feature a series of free live gigs from 24 bands in 10 different music stages in pubs and bars throughout the village of Dunfanaghy.
The Henry Girls will open the 2016 Dunfanaghy Jazz & Bluees Festival with Ted Ponsonby on Thursday 8th September.
** Tickets for The Henry Girls are now sold out
** We can confirm that we have teamed up with St Michael's GAA Club who have kindly agreed to allow their grounds and facilities for camping over the full jazz and blues weekend (Sept 8 to 12).
» GAA Camping Facilities - Book Online Now
Jazz & Blues T-shirts and Hoodies for Sale in the workhouse
- €12 per T-shirt
- €40 per Hoodie
- Available from The Dunfanaghy Workhouse
- The Jazz & Blues t-shirts are being supplied by BC Embroidery this year.
- All proceeds go towards the running of the festival.
The information kiosk will be in the square again this year to provide information on the festival and the Sheephaven Bay area. It will have information on other events happening during the year and you might be able to find another great excuse to return to the picturesque seaside village of Dunfanaghy.
For all enquiries please call Donald on +353 (0)86 173 5109 or
We are delighted that Fintan Moloney is sponsoring the festival again this year. We would like to extend our thanks and appreciation to Fintan for all his support throughout the years.
Strut your stuff at the The Dunfanaghy Jazz & Blues 2016 ....


Online Vocal Jazz For Adult Beginners
Updated: Apr 29
Jazz Up Your Voice And Swing With The Melodies!
“It doesn't mean a thing if you ain't got that swing” - Duke Ellington
We often hear this famous quote but how do you actually swing in vocal jazz? In this introductory course for beginners, you will learn about the basics of vocal jazz techniques, harmony formations, rudiments and improvisations. Stay home and swing with us online!
Lesson Date: 9/5 - 13/6 (Every Sat)
Time: 12:00 - 1:00pm
Eligibility: 1+ year of music reading / singing lesson or choir experience
Faculty: Jessica Zuch
Canadian-born Jazz pianist and songwriter, Jessica holds a Master’s degree in Jazz Composition and Arranging from the University of Nevada, Las Vegas, USA. She obtained her Bachelor’s degree in Jazz Music Performance from Capilano University in North Vancouver, British Columbia, Canada where she later served as a faculty member and program coordinator. She is well-known for her innovative, upbeat teaching style and customized lesson plans.
"Music Must GO ON" special: $1200 / 6 lessons* (Original Price: $1500)
*Additional Special offer
- Price inclusive of one free concert organised by Haw Par Music upon purchase, this offer is valid until 31 October 2020.
^Lessons will be held online, the online software user guide will be emailed to participants upon completion of application and payment
Online Application Form: bit.ly/39sIM6g
For enquiries, please contact us by:
Tel: 3165 1235


"I found his music utterly compelling, Oliver is plainly a man to watch"
- Martin Anderson, Tempo Magazine
Composer Des Oliver (b.1976) was born in Bedfordshire and studied composition at the Guildhall School of Music and Drama with Dr Robert Saxton and Simon Bainbridge. In 2000 he won a Scholarship to study with Steve Martland at the Royal Academy of Music in London and has had Master classes with Tom Adés, Nicholas Maw, Paul Patterson, the BBC Singers, Paavo Heininen, Paul Rouders and Simone Fontanelli. At present he is working towards his Doctorate in composition (DPhil) at Worcester College, Oxford.
His music has been performed at the British Music Information Centre (B.M.I.C), the South Bank Centre as part of the Park Lane Group Young Composer's Symposium, The Sheldonian Theatre, Chelmsford Music Festival and Huddersfield Contemporary Music Festival. Commissions include a piece for the Oxford Philomusica, a work for Clio Gould and the Royal Academy of Music Soloists as part of the Arvo Pärt in profile Festival. His short Opera 'Miss Treat', with a libretto by Meredith Oakes, was performed by the Tête á Tête Opera Company at the Bridewell Theatre receiving rave reviews from the Observer, Independent and Telegraph. International performances include Wegelius Hall in Helsinki, Pärnu Music Festival in Estonia, Hudebni Akademie Muzickych umeni (in Prague) and at the II Música Nueva Málaga Internacional Festival in Spain (2009) in association with soloist Emil Sein, Composer/Professor Dino Ghezzo and choreographer Lisa Naugle.
Des has also taught composition at Brunel University and is currently a Senior Lecturer at the Academy of Contemporary Music (ACM), Guildford.


Progressive metal titans Dream Theater released the trailer today for Live at Luna Park, which features performances from two nights in South America. The concert will be available in every imaginable format – 2 DVD, Blu-ray, Digital Video, 2 DVD/3 CD, Blu-ray/3 CD, and a deluxe edition (2 DVD/Blu-ray/3 CD) in May of 2013.
Dream Theater chose to film these particular concerts because of the ultra-enthusiastic South American fan base.”The fans are extremely passionate about Dream Theater,” keyboard wizard Jordan Rudess said in the trailer, “They love Dream Theater like nobody else.”
Live at Luna Park was the culmination of the band’s 15-month, 35-country world tour. “This is without a doubt the closest the viewer at home will come to experiencing a live Dream Theater concert,” said guitarist John Petrucci. “Between the hi-def and 3-D video, the huge audio mix and the documentary style behind the scenes footage, you are truly transported to the arena and completely immersed in the entire live experience.”
Live at Luna Park is Dream Theater’s seventh live video album and fifth live audio album. It also marks the debut tour for the band’s new drummer, Mike Mangini.
You can check out the trailer below.
- Dream Theater’s Jordan Rudess Rocks NAMM (VIDEO EXCLUSIVE) (noisecreep.com)
- DREAM THEATER Keyboardist Jordan Rudess Announces Benefit Concert To Support UMass Lowell Music Scholarships (bravewords.com)
- DREAM THEATER Keyboardist Talks Next Album In New Video Interview (blabbermouth.net)


Spanish public diplomacy institution Casa Africa in collaboration with the Kenyan Ministry of Sports, Culture and Heritage is calling on performing soloists and bands to register to audition for the Kenyan leg of the Vis a Vis project. The winning artists will tour Spain in July.
Now in its 11th edition, the project seeks to promote a greater knowledge of African music in Spain and create a space for dialogue, which could result in new programmes to strengthen relations between Spain and Africa.
Each year, two bands from the same country are selected to tour and perform at major festivals in Spain. African countries that have previously participated in the project include Senegal, Cape Verde, Tanzania, Ethiopia, Ivory Coast, Ghana, Equatorial Guinea and Angola.
Vis a Vis Kenya will be implemented by the Permanent Presidential Music Commission of Kenya (PPMC) and the Spanish and Kenyan embassies in both countries.
Once the registration window is closed, the Spanish music producers and programmers will select 12 bands that will audition between 2 and 5 April in Nairobi, Kenya. The location and venue for the performance will be announced at a later stage.
“We look forward to receiving many applications,” Casa Africa head of culture and education Juan Jaime Martinez said. “The Spanish festival bookers will then shortlist the 12 bands that perform at the two-day event in Nairobi,”
PPMC director Donald Otoyo said: “We are delighted about this exchange between Kenya and Spain. The festival directors will come to experience the live music scene and connect with the music business and our hospitality as Kenyans. In return, two of Kenya’s outstanding bands shall have an opportunity to spread Kenyan music in Spain by participating at 10 to 15 festivals.”


Sunday, September 21, 2008
Remix Contest Is Now Closed!
Mochipet's Remix Contest For "Microphonepet" is now closed. Thank you every who submitted remixes. They sound amazing. It will be very hard for us to pick one from the steller tracks we have recieved. We will announce a winner soon. Till then, stay happy and make music! Of course if you would still like to make a remix you are still welcomed to. Just scroll down to the bottom of this page and download the acapellas for Microphonepet. And if you could send us a copy of remix we would still love to hear it.
Daly City Records, Creaked and the Mochipet Family.


X Djing – Music Mix Maker Cracked For Mac
X DJing is a DJ software that lets you easily mix music, set loops, and hot cues and play with audio effects.
POWERFUL TOOL FOR YOUR FIRST PERFORMANCE
Created according to all the latest industry standards. No matter if you’re a beginner DJ or an experienced artist, you will find everything to create a professional mix.
ADVANCED DJ TOOLS
- 8 powerful audio effects
- Automatic beatmatching and synching
- 4 hot cue points
- 3-band equalizer
- Parallel waveforms
Record your DJ set and save it to your hard drive.
Start your DJ career with X DJing!
In-App Purchases: Full Pack!
Supported Operation Systems:
macOS 10.12 or later
Similar Apps For Windows OS:


Our Music Department is very active in the life of the church. Twice a year we designate Music Sundays when the worship service features the gifts and talents of our musicians and vocalists.
We have sponsored Water from the Well - a workshop with a well-known church composer for people involved in church music and a Christmas Cantata with singers from other churches and the community. Our choir and musicians participate in ecumenical and community services.
We love to have new people join the Choir and the Hand Bell Choir. For information, contact Mary Williams.
Choir rehearses Wednesdays at 7:00 p.m. in the Nave.
Handbell Choir rehearses Sundays at 11:30 a.m.


Harvey Mason is among the most recorded and in-demand drummers of all-time. A legendary, multi-GRAMMY® nominated session drummer, producer, composer & recording artist, he has worked with a pantheon of musical giants, including Barbra Streisand, James Brown, Herbie Hancock, Beyonce, Christina Aguilera, Usher, Jennifer Hudson, Frank Sinatra, Ray Charles, Bjork, Carlos Santana, Michael Jackson, John Legend, Seal, and the London Symphony Orchestra. He has composed and written songs recorded by artists ranging from Nancy Wilson and Mary J. Blige to The Notorious B.I.G., Lupe Fiasco, Nelly/P. Diddy and T.I.
Chameleon, Mason’s April 29, 2014 solo debut for Concord Records and 10th solo project overall, adds one more remarkable chapter to his legacy. A blend of R&B, urban and cutting-edge jazz, Chameleon takes its inspiration from the title track, which Mason co-wrote with Herbie Hancock, and is a knowing nod to Mason himself, aptly dubbed the “Chameleon” for his uncanny ability to perform so many styles of music. The album updates classic tracks that Mason either wrote or actually played on, such as Hancock’s “Chameleon,” Grover Washington’s “Black Frost,” Patrice Rushen’s “Before the Dawn,” Donald Byrd’s “Places and Spaces” and Mason’s own “Either Way.” Look for Mason to hit the road with his new band Chameleon to support his Concord release.
Born in Atlantic City, New Jersey, Mason began taking formal drum lessons at age seven, playing in school bands and finally buying his first drum set at the age of 16. He continued his education first at the Berklee School of Music, then attended the New England Conservatory of Music on full scholarship, studying performance, composing, arranging, percussion and mallets. In 1970, he graduated from NEC with a B.A. in Education and Performance. He received immeasurable preparation for orchestral work from the legendary Vic Firth, timpanist with the Boston Symphony.
In the’70s and ’80s, “Mase” was king, working on Donald Byrd’s commercial breakthrough album Black Byrd and a series of successful crossover albums for Blue Note Records. This led to his seminal work on Herbie Hancock’s jazz masterpiece Head Hunters (1974), which featured the hit “Chameleon” (co-composed by Mason) and Mason’s own arrangement of Hancock’s “Watermelon Man.”
A string of recordings comprising a “Fusion 101″ class for aspiring drummers soon followed, including performances on Grover Washington Jr.’s Mister Magic, Bob James’Three (featuring “Westchester Lady”), Lee Ritenour’s Captain Fingers, and many more. The icing on the cake for this phenomenal ’70s output was Mason’s contribution to George Benson’s triple-platinum selling Breezin’ album.
Mason’s precision playing has graced movies for such renowned composers as Michael Giacchino (Cars 2, Mission Impossible 1, 2, 3 & 4, Up , Star Trek, Speed Racer), Michel Colombier (Prince’s Purple Rain), Michel Legrand, Miles Davis’ (Dingo), Dave Grusin (Three Days of the Condor, The Fabulous Baker Boys and On Golden Pond), John Williams (Hook), and Lalo Schifrin (Rush Hour 1,2 & 3 and The Enforcer), Harvey Mason (Dreamgirls, Get On Up) to name only a few.
Mason is a founding member of Fourplay, and he continues to flex his writing, playing, arranging and production skills with partners Bob James, Nathan East and Chuck Loeb. Fourplay’s most recent recording, Esprit De Four, was released on Heads Up, a division of Concord Music Group, and debuted at #1 on Billboard’s Contemporary Jazz chart, receiving a GRAMMY® nomination.
With a commitment to broaden his solo career, Mason says that he’s finally found a good balance. “It’s become more evident to me how much I love playing live and having interaction with band mates and music fans. I’m not a smooth jazz player or a straight-ahead jazz player. I’m more than all of that, I am the Chameleon.” He adds, “The best is yet to come.”
Chameleon, the scintillating Concord Records debut from multi-GRAMMY® nominated Harvey Mason, finds him drawing upon the rich jazz-funk legacy of the 1970s and recasting seven of that era’s most enduring classics with an early 21st-century sheen. A legendary session drummer, producer, composer and recording artist, Mason is among the most recorded and in-demand musicians of all-time.
Co-produced by Chris Dunn, Sr. Director of A&R for Concord Music Group, Chameleon features some of the brightest young jazz talents on the scene today. NEXT Collective alumni such as trumpeter Christian Scott, bassist Ben Williams, pianist/keyboardist Kris Bowers, guitarist Matthew Stevens enliven Chameleon. Bringing more young firepower to the fore are trombonist/vocalist Corey “CK” King, saxophonist Kamasi Washington, vocalist Chris Turner and keyboardist Mark de Clive-Lowe.
Helping Mason steer this cooperative are some of his contemporaries – bassist and co-founder of the legendary Yellowjackets, Jimmy Haslip; percussionist and founder of Los Hombres El Caliente, Bill Summers; and bassist Paul Jackson. Summers and Jackson worked with Mason on Herbie Hancock’s 1973 landmark LP, Head Hunters.
The lead composition, “Chameleon,” from Head Hunters serves, in part, as the signifying reference for Mason’s disc. Not only did Mason provide the rhythmic spank for the jazz-funk staple, he co-wrote it with Hancock along with several other bandmates – Jackson and reedist Bennie Maupin.
The other part of the equalization for the disc’s title comes from “chameleon” being a nickname, given to Mason, because of his incredible versatility. As a first-rate session musician and live performer, his brilliance resides not only in jazz. He’s demonstrated musicianship in R&B, pop, country, Latin and European classical music; Mason also has played on an astounding number of recordings, movie and TV scores and commercial jingles.
After two decades of playing with the GRAMMY®-nominated ensemble Fourplay – with which he’s still a member – Mason decided to reignite his solo career by forming a band based on the first edition of Hancock’s Head Hunters ensemble. Mason took the combo to Japan and received rave reviews. That reception, along with serious encouragement from his manager, inspired him to record Chameleon. “I came back [from Japan] and my manager spoke with Chris Dunn, who was real excited about it. He championed the idea with Concord,” Mason recalls.
During the sessions, Mason was surprised about how strongly ’70s jazz-funk resonated with today’s more cutting-edge jazz artists. “It’s funny because a lot of those records, I may have listened to them maybe one time since I recorded them,” Mason explains. “As a musician, you’re always trying to evolve. When I listen to my drumming back then, it sounds dated. Now my sound is more opened. Back then, I had only one head on the toms, so they didn’t ring as much. They had a darker sound. I’ve modernized my drumming to accommodate the music that’s happening now. So when I listen to the old stuff, I just say, ‘Wow! That’s really something. That’s what they want to hear now.’”
After witnessing Dunn’s passion for the project, Mason took his lead in terms of repertoire and sound quality. “I said to myself that there might be something to this that I might not be seeing. So I trusted his instincts,” Mason says. “As we put it together, I saw where he was coming from.”
A tour-de-force destined become a new hallmark in Mason’s illustrious career, Chameleon begins with a smoldering rendition of Grover Washington, Jr.’s “Black Frost,” arranged by King. It features Kamasi Washington blasting a searing tenor sax solo across an evocative sonic terrain crafted by Bowers and Corey King keyboard and synth chords as Steven’s bluesy guitar accompaniment helps the rhythm section give it more funky momentum.
Like most of the songs on the disc, Mason participated in the recording sessions of the original version of “Black Forest.” That 1974 date was of his first opportunity working with CTI Records and Creed Taylor. He recalls that except for Bob James (who co-wrote and arranged the song), many of the other musicians initially gave him the cold shoulder. “I remember no one would speak to me except for Bob because I was this hotshot making all these hits in L.A.,” Mason says, “Bob was very welcoming to me. We instantly became friends. When we started playing, everything sort of opened up and things were cool after that. Those guys became some of my greatest friends.”
The disc continues with an imaginative take on Bobby Hutcherson’s “Montara,” which has become a hip-hop gem thanks to people like the Roots and Madlib sampling it. On Chameleon, Mason handles the vibraphone part but allows Stevens, who arranged the makeover, to emerge as the lead voice on the melody, before passing the baton to de Clive-Lowe on Fender Rhodes.
Mason wasn’t on the original version of “If I Ever Lose This Heaven,” a soul-jazz ballad classic on Quincy Jones’ 1974 LP, Body Heat. But Dunn insisted on including it on the disc; he suggested Turner, who croons a simmering rendition of the lyrics, originally sang by Minnie Riperton and the song’s co-writer, Leon Ware. Arranged by King with vocals produced by Mason’s son, the new version retains the sensual vibe of the original, yet it shimmers with a modern, after-hours appeal.
Chameleon then breaks into one of its three sensational interludes. The first one, “Going Back” provides an ideal vehicle for showcasing de Clive-Lowe’s arranging and instrumental prowess on the keyboard as he tickles a hypnotic groove alongside Mason and Jackson.
The disc then slides into Bowers’ stunning arrangement of Rushen’s jazz-funk gem, “Before the Dawn,” which is graced by impressionistic horn chords from Scott, Washington and King.
Donald Byrd’s classic “Places and Spaces” arrives next, first with a haunting prelude, before it launches into a swaggering groove, enlivened by Scott’s electrifying trumpet solo. King, who arranged the strutting down-tempo makeover, also lends his suave vocals on lead.
Afterward, Mason’s wistful ballad, “Either Way” arrives. Originally appearing on Dave Grusin’s 1979 LP, Mountain Dance, the song became famous in hip-hop circles after being sampled on Biggie Small’s 1994 rap tune, “Everyday Struggle.” Bowers deftly taps into that hip-hop/jazz connection with a melancholy arrangement.
The title track comes as a grand finale with an imaginative arrangement from reedist (and Concord labelmate) Ben Wendel of Kneebody. For the new arrangement, Mason invited Summers to reprise his famous hinedewho intro to “Watermelon Man” from Hancock’sHead Hunters LP as a suspenseful teaser. It works like a charm as “Chameleon” moves into its trademarked stuttering melody and humpback groove.
The disc is a true testament to the enduring vitality of ’70s jazz-funk, and to Mason’s incredible musical flexibility. He’s a musician intent on constantly pressing forward. So Chameleon is hardly caught up in shallow nostalgia; it’s undeniably contemporary. “The music sounds different than it did back then,” Mason says. “But you get the same feeling and vibe. “


About Niva Flor
Huglife Wellness Studio was founded in 2015 by ethnomusicologist, vocal artist, and sound healing practitioner Niva Flor, Ph.D. as a creative intervention and rhetorical celebration of radical self-love.
Born into a Southern working class family in a leafy small town in the Jersey suburbs, Niva's earliest memories of music were at home. The guttural earthy tones of classic soul singer Gladys Knight and the virtuoso cosmic wails of Chaka Khan, were like comfort food for her soul. Their voices felt like freedom -- freedom is love. And where there is love there is healing.
Deeply inspired by the Afro diasporic musical traditions and sounds of Brazil, West Africa, the Caribbean, Latin America, India and North American Blues and Soul, Niva's uses her voice and musical instruments to create a soundscape for healing, infusing the ancient with the contemporary as a mode of healing in powerful ways.
Niva Flor received her B.A. in music from Spelman College, and her M.A. and Ph.D in Ethnomusicology from the University of California Los Angeles. Niva received her certification in the Sound, Voice and the Healing Arts program at the California Institute of Integral Studies in 2016.


Every year in June Nashville, TN holds a huge 4-day concert event, the CMA Festival. This CMA festival consists of top country names (e.g. Jason Aldean, Billy Currington, Lady Antebellum, Carrie Underwood, Alan Jackson, Miranda Lambert, and Tim McGraw). Each day their is 2 different concerts (one during the day and one that night).
Now this concert is a lot different than most because the artists that come to perform receive no profit. Half of the proceeds go to charity's that various artists chose. Also, the tickets are very reasonable for a 4-day event. Ticket prices range from $120-$320 and no matter where you sit you will be able to see the show!
The artists are around all day and night and there are a lot of meet and greets people can go to! A lot of people get autographs and pictures taken while in the meet and greet! If you are a country fan, this is the ultimate experience there is! I can't wait to go and experience it for the first time!


Saturday, February 16 at 11:30am, the Worthington Library will be hosting a free session of Music Together, taught by Sondra Lewis. Music Together is a music and movement program for children 1 - 6, their parents and caregivers. Its premise is that children have the same capacity to learn music as they do to learn language. Families will enjoy a fun-filled, experiential 45 minute session. Sign up at the library, email email@example.com, or call 413-238-5565 to reserve your space.


Virtuoso Strings Charitable Trust
The Virtuoso Strings Charitable Trust (established in 2013) provides free instruments and free tuition to students at low decile schools in Porirua. The Trust also runs the Virtuoso Strings Orchestra which rehearses each week in Cannons Creek, Porirua. The orchestra does not hold auditions and is open to any member of the public.
PLEASE NOTE: We are getting a new website created for us soon. To find out more information about us in the meantime, please check out our Facebook page: https://www.facebook.com/SistemaPorirua/


There’s a lot to be said about the inspiring music created by OPLIAM, the stage name of Columbia Music Business student Liam McDonald. For one, his upbeat mix of hip-hop, rock and roll, and reggae is both catchy and funky enough to get anyone’s toes tapping. But OPLIAM’s music goes farther than just infectious rhythms and enticing melodies: he uses his talent to make impactful statements about the struggles that indigenous people continue to go through. OPLIAM’s family on his father’s side comes from the Kahnawake Mohawk reserve outside of Montreal, and the artist takes inspiration from his roots in order to bring attention to issues of prejudice that have effected his family and his community generation after generation. His recently released third album, MEDICINE WOMXN, features a cover with a picture of his grandmother, a traditional Mohawk medicine woman who was..
Source: SPOTLIGHT ON: OPLIAM and the Indigenous Peoples March | In The Loop
Appreciaate this blog post


Following the success of their previous albums, Blue, Yellow, and Silver, they finalize the color/mood scheme with their fourth album PINK, which symbolizes feminism and is also the name of the woman who the album is based on.
Featuring five tracks, PINK tells the story of a boy that falls in love with a dancer and the ups and downs of their relationship. The first three songs maintain an upbeat tempo with a cheerful tone reflecting the butterfly stage of the relationship. “You and I” is a lively track that depicts a conflict with his business partner’s disapproval of his relationship and the love he has for his significant other. When his love is put to the test, he proves that love triumphs all.
However, the second half of the album transitions into a more personal and intimate vibe, with a slower tempo representing the stage that reality kicks in. “Seattle” is a somber track inspired by a friend’s break-up when his relationship is forced to an end because his girlfriend moves to Seattle. Although breakups can be difficult, the song emphasizes appreciating the good memories shared with someone. The album concludes with a smooth interlude with intentions to convey that you win some and you lose some, but love is never lost.
PINK is sure to impress fans and solidify Twelve’Len in the South Florida music scene.
“Their music inspires me to embrace my creativity and motivates me to stay original, and I can’t wait to hear what they have in store for 2016,” said Vanesha Gonzalez, a fan of the group.