Monolini – Light Body Monochord for Sound Massage
Small, light, and easy to play the Monolini is designed so anyone can pick it up and play, while also being suitable for concert performances. Use for body massage, sound bathing, sound mediation, or to accompany singing.
This Monochord combines energizing overtones with the deeper tones of an octave and fifth tuning and, optional, melody. Spreads the sound gently and quickly from the area where it touches the body into the body itself. With its slightly rounded bottom and lightweight, you can lay the monochord on your back, stomach, or legs for sound massage.
Quality: Hand Crafted in Germany
Strings and Tuning: comes tuned in A, C, G, F or D with 21 strings, bass-overtone-fifth
Monolini in C: rich overtones, character tending to major: 11 overtone strings in c', 5 bass strings in c, and 5 fifth strings in g.
Monolini in A: rich overtones, character tending to minor: 11 overtone strings in a, 5 bass strings in A, and 5 fifth strings in e.
Monolini in G: crystal clear and universal: 11 overtone strings in g, 5 bass strings in G and 5 fifth strings in d.
Monolini in F: for fullness and vibration: 11 overtone strings in f, 5 bass strings in F and 5 fifth strings in c.
Monolini in D: deepest Monolini with strong bass and vibration: 11 overtone strings in d, 5 bass strings D and 5 fi fth strings in A.
Dimensions: 28.4 x 8.3 x 4.3 inches, 4 pounds
Materials: Cherrywood and Ash
Training: Free 30 minute training via Skype.
Includes: Tuning key, replacement strings, sticks, and tuner.How to chose a monochord:
The information for the Monolina applies to the Monolini too. The Monolini has fewer strings 21 instead of 34 and no Koto bridges but the same strings (overtone,bass,fifth) as the Monolina.
The Monolini G fits universally to all tunings.
- Read more and watch videos on: How to chose your Monolina tuning
- Get Inspired: How do you learn how to play an “intuitive” instrument
- Learn more: How to destress with the monochord
- Examples on How to place the Monolina for a sound massage
- We offer a 30 min online concierge monochord service where we walk you through the different models and talk with you to find out how you are planning to use the monochord. email: firstname.lastname@example.org or give us a call 707-972-0196
Monolini Manual Download
How to replace a string:
Monolina Manual: Download
What our customers are saying:
"I have been working with the Body Monochord from feeltone ( the previous Model of the Monolini Serie) since over 6 years in therapeutic settings as a Music and Sound therapist. The cliental I am working with are persons with severe multiple disabilities, dementia patients and persistent vegetative state patients.
The new Monolini Quint Monochord offer me to further extend these areas of application. What convinced me above all else was the exceptional structural shape of the new models. ( Monolini, Monolina). This shape allows me and my client to position the instrument easily and exactly onto the chosen part of the body, which is not possible with other kinds of body monochords.
Especially for people with severe multiple disabilities , who can not assume a normal laying down position because of their handicaps, it is important to be able to position the body monochord exactly at a chosen body space with ease.
This monochord will not slide when it is played, which will happen with other models that I did try out. The built of the Monolini/Monlina allows me to optimally play and place it on a variety of body sizes, forms and positions.
The Monolin Quinten monochord stands out with its brilliant sound. This small and lightweight monochord has an unusual large sound volume, which pleasantly surprised me. Because of its different tuning and variation of its string, it allows me to create different moods and effects with my clients.
The beautiful craftsmanship and wood of the instrument creates a wonderful 'look and feel' effect and haptic interactions. It is a joy and pleasure to work with this instrument.
I use the Monolini Quiten monochord in my treatments receptive and /or active depending of the needs of my clients.
The instrument is robust enough to allow my clients to actively play the monochord and create sounds that are deeply touching. The different strings allows the client to play a diversified and surprisingly multifaceted sound carpet. If you add little wooden sticks you can add even more variety, improvisation and sounds.
I also use the Monolin Quitenmonochord with Sound journeys, sound meditations, therapeutical chanting and singing. The Monlini Quitenmonochors is a truly small and strong Allrounder.”
SOLUNA Praxis für Massage-Klang-Heilung


Many Ugandan music lovers, over the years, have marveled in silence what sort of music it is that so consummately embraces synchronizations of traditional art and that which is foreign moreover coming out with such sound so conspicuously original while at the same time fathomable and intuitive!
A song played in this genre is such close to your heart that you’ll immediately relate to it. Yet as it progresses, it introduces new musical “gymnastics” to itself and you’ll almost not be able to put your hands on it, as it were – for it is pristine and almost bizarre. To be honest, this is a sentiment that bamboozles almost everyone around the world. Hence, for abundance of caution, it was named world music.
The coinage was adopted as a classification for music that combines Western popular music styles with one of many genres of non-Western music that are also described as folk music or ethnic music. It is music that encompasses many different styles of music from all across the globe – it is a product where more than one culture fuse to create an all-inclusive exotic brand of music. World music therefore is neither exclusively traditional folk music nor is it an unadventurous stand-alone genre.
It may include jazz, soul, rhythm and blues and cutting edge pop music styles as well. Concisely, it can be described as “local music from out there”, or “someone else’s local music”. It is a very nebulous term with an increasing number of genres that fall under the umbrella of world music to capture musical trends of combined ethnic style and texture, including Western elements.
World music may incorporate distinctive non-Western scales, modes and/ or musical inflections, and often features distinctive traditional ethnic instruments, such as the adungu [Ugandan bow harp], the drum [engoma], the tube fiddle, the xylophone, the guitar, the sitar, the saxophone, piano, horn, shakers, or the didgeridoo, among others.
Music from around the world exerts wide cross-cultural influence as styles naturally influence one another, and in recent years world music has also been marketed as a successful genre in itself. World music in Uganda has grown to include even the isolated forms of ethnic music from diverse geographical regions all over the country.
Prominent world music luminaries in Uganda include, Alex Mukulu, who over the years has been reckoned as the “god-father” of the rather complex genre. In his company, there was always Julie Ssessanga and Afrigo Band’s Moses Matovu, a saxophonist, who continues to deliver inspiration to the new generation of World Music adherents; such as Isaiah Katumwa, Maurice Kirya, Ganda Boys, Lillian Mbabazi, Susan Naava, Esther Nabasa, Kaweesi and Quela Band among others.


QUESTIONINGS 2012/ 2013
A coming together of Black Metal music, Bharatanatyam and Kathak. Questionings explores the different energies that surround us today. It tries to understand the complexities and paradoxes of Man’s existence in our times.
RENCONTRE/ MEETINGS 2008/ 2009
A coming together of European classical dance and music, Carnatic music, Khayal music, Bharatanatyam and Kathak, The theme explores the mystical traditions of the European, Indian and Sufi cultures. A physical and spiritual confrontation between two worlds.


In August of 1961, the John Coltrane Quintet played an engagement at the legendary Village Gate in Greenwich Village, New York. Coltrane’s Classic Quartet was not as fully established as it would soon become and there was a meteoric fifth member of Coltrane’s group those nights— visionary multiinstrumentalist Eric Dolphy.
Ninety minutes of never-before-heard music from this group were recently discovered at the New York Public Library, offering a glimpse into a powerful musical partnership that ended much too soon.
In addition to some well-known Coltrane material (“My Favorite Things”, “Impressions”, “Greensleeves”), there is a breathtaking feature for Dolphy’s bass clarinet on “When Lights Are Low” and the only known non-studio recording of Coltrane’s composition “Africa”, from the Africa/Brass album.
This recording represents a very special moment in John Coltrane's journey—the summer of 1961— when his signature, ecstatic live sound, commonly associated his Classic Quartet of '62 to '65, was first maturing and when he was drawing inspiration from deep, African sources— and experimenting with the two-bass idea both in the studio (Olé) and on stage. This truly rare recording of "Africa" captures his expansive vision at the time.
This release is an amazing document of Trane’s band in transition, and is accompanied by no less than five outstanding essays from Reggie Workman, Lakecia Benjamin, Branford Marsalis, Rich Alderson, and Ashley Kahn.


In the vast realm of music, few voices have captured hearts and stood the test of time quite like Sonu Nigam’s. With a career spanning decades, his melodious renditions have become an integral part of our lives. But the question on many minds remains: just how old is Sonu Nigam? Join us as we journey through the milestones of his life and career, unraveling the ageless mystery of this musical maestro.
How Old Is Sonu Nigam
So, how old is Sonu Nigam? As of now, he stands at the age of 50, but his voice and impact on the music industry remain timeless. Sonu Nigam’s journey from a young, aspiring singer to an iconic vocalist is a testament to his dedication, talent, and unwavering passion for music. As we continue to bask in the magic of his songs, we can only anticipate more mesmerizing melodies from this ageless musical legend.
The Early Years
Sonu Nigam, born on July 30, 1973, in Faridabad, Haryana, India, embarked on his musical journey at a tender age. His innate talent was evident from the beginning, and he made his debut in the playback singing world with the song “O Aasman Wale” in the film “Aaja Meri Jaan” at the age of just 18. His voice carried a unique blend of soulful depth and youthful exuberance, setting him apart from the crowd.
A Journey of Hits
As the years rolled on, Sonu Nigam’s discography began to expand, encompassing a wide range of genres from romantic ballads to foot-tapping tracks. His collaboration with music directors like A.R. Rahman, Anu Malik, and Jatin-Lalit catapulted him to the forefront of the industry. The 1990s and early 2000s saw Sonu Nigam becoming a household name with chartbusters like “Yeh Dil Deewana,” “Suraj Hua Maddham,” and “Kal Ho Naa Ho.”
One of the most remarkable aspects of Sonu Nigam’s career is his ability to seamlessly transition between various musical styles. Be it classical, pop, ghazals, or devotional songs, he has showcased his versatility time and again. This adaptability not only kept him relevant but also made him a favorite among listeners of all ages.
Milestones and Accolades
As the years went by, Sonu Nigam‘s talent was recognized on a global scale. He received numerous awards, including National Film Awards, Filmfare Awards, and Screen Awards, for his exceptional contributions to the world of music. His renditions in different languages, including Hindi, Kannada, Tamil, and Bengali, further solidified his stature as a pan-Indian sensation.
The Eternal Charisma
Age has failed to diminish the charm of Sonu Nigam’s voice. In fact, it seems that time has only added a richer texture to his singing. His performances continue to enthrall audiences, and his voice remains as enchanting as ever. Whether it’s a soul-stirring melody or a peppy track, his renditions evoke a myriad of emotions.


Over 90 Original Cabaret Shows
Claude McNeal Productions has a history of success with exclusive licensing rights for more than 80 original cabaret shows. Whether it’s a particular era, style of music, or an in-depth look into America’s most renowned composers, the style and presentation of Claude McNeal Productions captures the magic of cabaret for audience of all ages. Today’s trend in American theatre follows the unique approach that Claude McNeal has been producing for more than 30 years.
Click here to view a complete list of productions available for licensing.
For more information on show licensing, call Jeff Owen at (317) 916-0658.


Performing Arts has always been a huge part of Laura’s life. She trained professionally at Phil Winston’s Theatreworks in musical theatre where she gained her teachers in A.I.D.T.A. She has worked as a freelance Performing Arts tutor teaching a variety of disciplines; dance, casting, drama, musical theatre and singing in the Wrexham and Chester area. Companies she has taught for many years are Bitesize Youth Theatre, Theatretrain and Stagecoach Theatre Arts School.
Not only a freelance teacher, Laura has also been a freelance choreographer where she has been part of the Production Team for Tip Top Productions youth shows Les Miserables and RENT, On the Mark Theatre Company's production of The 25th Annual Putnam County Spelling Bee and several high school productions.
Laura is still heavily involved in performing. To name a few, amateur productions include Annie playing Annie, Copacabana playing Lola, The Wizard of Oz playing Wicked Witch of the West, Me and My Girl playing Sally, Little Shop of Horrors with playing Chiffon, Jesus Christ Superstar playing Mary, Hold Tight it’s 60’s Night with playing Ruby, Grease playing Patti Simcox, The 25th Annual Putnam County Spelling Bee playing Olive and 42nd Street playing Peggy Sawyer. Also, she has been involved in a variety of Pantomimes across the North West playing roles of principal girl, boy and ensemble.
Whilst performing she has also taken on the role of Dance Captain and Assistant Director. Professional productions include Joseph and the Amazing Technicolour Dreamcoat, Evita, Wind in the Willows and a variety of band tributes.


Pianist Entertainer Ela Kriss
tel. (773) 416 1784
ElaKriss@yahoo.com Chicago. IL
Pianist, composer and arranger Ela Kriss has a repertoire of the Classics to pop and Broadway musicals. She performs as a soloist for special occasions including anniversaries, candlelight dinners, weddings and birthday parties.
© 2015 all rights reserved www.ellakriss.com