{"url": "https://www.vromansbookstore.com/book/9781858759722", "date": "2023-01-27T14:24:15Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-06/segments/1674764494986.94/warc/CC-MAIN-20230127132641-20230127162641-00755.warc.gz", "language_score": 0.9219673275947571, "token_count": 766, "dump": "CC-MAIN-2023-06", "global_id": "webtext-fineweb__CC-MAIN-2023-06__0__5407322", "lang": "en", "text": "Galaxy Quest: The Inside Story (Hardcover)\nOn Our Shelves Now\nThe essential guide to Galaxy Quest! Behind-the-scenes stories and cast interviews from the critically acclaimed science fiction comedy and all-time top fan favorite.\nBy Grabthar’s hammer! A witty, inventive, and heartfelt tribute to science fiction fans, Galaxy Quest has been making audiences laugh, cry, and cheer for over two decades. This authorized book examines the entire process of making the movie, from the initial spec script through to development, filming, and postproduction. Along the way, it takes an in-depth look into the film’s visual effects. Artists at ILM and Stan Winston Studio reveal how they used a mixture of lovingly designed miniatures, puppets, prosthetics, and CGI to bring to life the Protector, the pig lizard, and the movie’s other incredible monsters and starships.\nFeaturing over 60 new interviews with Galaxy Quest’s cast and crew, including Tim Allen, Sigourney Weaver, Sam Rockwell, and Dean Parisot, and unseen photos and concept art, this is the ultimate guide to the funniest movie in the Galaxy.\nCharting the story from concept to script, filming and release, with chapters looking at the casting, the sets, the costumes and makeup and the ship design and the visual effects, this guide is packed with hundreds of fascinating production photos, concept art and rare behind-the-scenes images.\nGalaxy Quest is a 1999 cult classic science fiction comedy film. A parody of, and homage to, science-fiction films and series, especially Star Trek and its fandom, the film stars Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell, and Daryl Mitchell. It depicts the cast of a fictional defunct cult television series, Galaxy Quest, who are visited by actual aliens who think the series is an accurate documentary, and become involved in a very real intergalactic conflict.\nThe film was positively received by critics: it won the Hugo Award for Best Dramatic Presentation (an award won by the original Star Trek series in the 1960s) and the Nebula Award for Best Script. It was also nominated for 10 Saturn Awards, including Best Science Fiction Film and Best Director for Parisot, Best Actress for Weaver, and Best Supporting Actor for Rickman, with Allen winning Best Actor.\nBe sure to watch Never Surrender: A Galaxy Quest Documentary - now available on Netflix.\nAbout the Author\nMatt McAllister is the author of the book Ghostbusters: The Inside Story. He has written extensively for entertainment magazines, including Star Trek: The Official Starships Collection, Dreamwatch, MyM, and The Dark Side, and is the former editor of Marvel Fact Files and Indiana Jones: The Official Magazine.\nFrom the inside flap:\nThis in-depth guide to the much-loved science fiction comedy tells the story of how a high-concept idea grew into an effects-packed spectacular with an all-star cast at the top of their game.\nThe cast and crew, including Tim Allen, Sigourney Weaver, Sam Rockwell, Dean Parisot, and Robert Gordon, recall the exhilarating experience of making the movie, while revealing how they navigated challenges that included a last-minute change of directors and a late drive to make the picture more family-friendly. Meanwhile, the talented artists at ILM and Stan Winston Studio disclose behind-the-scenes secrets about the movie’s fantastic starships and monsters. The book also includes dozens of sketches, costume designs, and behind-the-scenes photos that highlight how key concepts evolved during the production process.", "domain": "movie"}
{"url": "https://tom-hardy.org/information/biography/", "date": "2022-12-01T23:13:36Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446710870.69/warc/CC-MAIN-20221201221914-20221202011914-00565.warc.gz", "language_score": 0.9757460951805115, "token_count": 2266, "dump": "CC-MAIN-2022-49", "global_id": "webtext-fineweb__CC-MAIN-2022-49__0__283391132", "lang": "en", "text": "Edward Thomas Hardy was born in Hammersmith, London, on 15 September 1977, the only child of artist and painter Anne (née Barrett) and novelist and comedy writer Edward “Chips” Hardy. He is of Irish descent. Hardy was brought up in East Sheen, London. He studied at Tower House School, Reed’s School, and Duff Miller Sixth Form College. To further his acting ambition, Hardy later studied at Richmond Drama School and the Drama Centre London.\nIn 1998, Hardy won The Big Breakfast Find Me a Supermodel competition at age 21 (and with it a brief contract with Models One). Hardy joined Drama Centre London in September 1998, and was taken out early after winning the part of US Army Private John Janovec in the award-winning HBO-BBC miniseries Band of Brothers. He named Gary Oldman as his “hero”, adding that he imitated scenes from the actor while at drama school. He made his feature film debut in Ridley Scott’s war thriller Black Hawk Down (2001). During this time, Hardy also had a brief stint as a rapper and hip hop producer with his friend Edward Tracy (under the name “Tommy No 1 + Eddie Too Tall”), with whom he recorded a mixtape called Falling On Your Arse In 1999 that remained unreleased until 2018.\nIn 2002, Hardy gained some heavy international exposure as the Reman Praetor Shinzon, clone of USS Enterprise Captain Jean-Luc Picard in Star Trek: Nemesis. The following year, he appeared in the film Dot the i, and then travelled to North Africa for Simon: An English Legionnaire, a story of the French Foreign Legion. He then returned to the United Kingdom to feature in the horror film LD 50 Lethal Dose (2003).\nHardy was awarded the 2003 London Evening Standard Theatre Award for Outstanding Newcomer for his performances in Blood and In Arabia We’d All Be Kings performed at the Royal Court Theatre and Hampstead Theatre. He was also nominated for a 2004 Laurence Olivier Award for Most Promising Newcomer of 2003 in a Society of London Theatre Affiliate for his performance as Skank in the aforementioned production of In Arabia We’d All Be Kings. Hardy appeared with Emilia Fox in the BBC miniseries The Virgin Queen (2005) as Robert Dudley, a childhood friend of Elizabeth I. Dudley’s character has been described as an ambiguous young man who’s torn between the affection of his wife (played by Fox), his love for Elizabeth and his own ambitions. Hardy featured in the BBC Four adaptation of the 1960s science fiction series A for Andromeda.\nIn 2007, he appeared in BBC Two’s drama based on a true story, Stuart: A Life Backwards. He played the lead role of Stuart Shorter, a homeless man who had been subjected to years of abuse and whose death was possibly a suicide. In February 2008, he played a drug-addicted rapist in the British horror-thriller WΔZ. In September 2008, he appeared in Guy Ritchie’s London gangster film, RocknRolla; Hardy played the role of gay gangster Handsome Bob. Though a sequel to RocknRolla, titled The Real RocknRolla, has been rumoured to be in production, in which Hardy will reprise the role of Handsome Bob, filming has yet to commence on the project. In 2008, Hardy starred in the film Bronson, about the real-life English prisoner Charles Bronson, who has spent most of his adult life in solitary confinement. For the film, he put on three stone (19 kg/42 pounds).\nIn June 2009, Hardy starred in Martina Cole’s four-part TV drama The Take on Sky One, as a drugs and alcohol fuelled gangster. The role gained him a Best Actor nomination at the 2009 Crime Thriller Awards. In August 2009, he appeared in ITV’s Wuthering Heights, playing the role of Heathcliff, the classic love character who falls in love with his childhood friend Cathy.\nIn early 2010, Hardy starred in The Long Red Road at the Goodman Theatre in Chicago. The play was written by Brett C. Leonard and directed by Philip Seymour Hoffman. Hardy won some good reviews for his portrayal of Sam, an alcoholic trying to drink away his past. In 2010, he starred as Eames in Christopher Nolan’s science fiction thriller Inception for which he won a BAFTA Rising Star award. Hardy replaced Michael Fassbender in the 2011 film adaptation of Tinker Tailor Soldier Spy, released on 5 September 2011 at the 68th edition of the Mostra Internazionale d’Arte Cinematografica in Venice. In March 2010, Hardy signed a first look deal at Warner Bros.<\nIn 2011, Hardy starred in the film Warrior, which was released on 9 September 2011 by Lionsgate Films. His performance as Tommy Riordan, who is trained by his father to fight in a mixed martial arts tournament against his brother, gained praise from critics. Hardy also starred in This Means War (2012), a romantic comedy directed by McG. He played the supervillain Bane in The Dark Knight Rises, the final film in Christopher Nolan’s The Dark Knight Trilogy, released on 20 July 2012. He played a bootlegger in John Hillcoat’s crime drama Lawless (2012). Hardy has signed up to play the lead role of Sam Fisher in Ubisoft’s upcoming film adaptation of their video game series Tom Clancy’s Splinter Cell. He also appeared in Riz Mc’s music video for the song “Sour Times”.\nIn 2014, Hardy starred in the crime film The Drop alongside James Gandolfini, in what would be the latter’s final appearance in a feature film before his death. Hardy also joined the cast of the BBC crime drama Peaky Blinders in its second series. He portrays Alfie Solomons, the head of a Jewish gang and runner of a distillery which disguises itself as a bakery.\nHardy starred in five films in 2015. The first, Child 44, set in 1950s Soviet Union, saw him playing Leo Demidov, a Soviet secret police agent who investigates a series of child murders. Despite mild praise for his acting, Child 44 was reviewed negatively by critics and was a box office failure. Hardy then played the title character, Max Rockatansky, in the action film Mad Max: Fury Road (2015). His performance was praised by critics and overall the film received critical acclaim and became a box office success, grossing over $378 million against a $150 million budget, becoming the highest-grossing film in the Mad Max franchise. He played a dual role as London gangsters Reggie and Ronnie Kray in the crime thriller Legend (2015). On 7 December 2015, Hardy won Best Actor at the British Independent Film Awardsfor his portrayal of the Kray twins, and on the same night attended the premiere of the biographical western thriller The Revenant, in which he co-stars with Leonardo DiCaprio, at Leicester Square, London. On 14 January 2016, Hardy received his first Academy Award nomination for Best Supporting Actor for his performance in The Revenant.\nHardy co-starred in Christopher Nolan’s action-thriller Dunkirk (2017), based on the British military evacuation of the French port of Dunkirk in 1940 during the Second World War. He appeared alongside Mark Rylance, Kenneth Branagh, Cillian Murphy and Harry Styles. Hardy also co-produced and starred in the eight-part BBC One television drama series Taboo. It was created by Hardy, Steven Knight, and Hardy’s father, Edward “Chips” Hardy. Taboo was aired in the United States by FX.\nIn 2018, Hardy will star in Venom, as Eddie Brock / Venom, based on the Marvel Comics source material. The film will be released on 5 October 2018 and will be the start of “Sony’s Marvel Universe” (along with Silver and Black) but will be connected to the Marvel Cinematic Universe as an “adjunct” film. In 2019, Hardy will star in Josh Trank’s Al Caponebiopic Fonzo.\nHardy is also attached to star as iconic war photographer Don McCullin in a film based on McCullin’s autobiography, Unreasonable Behaviour.\nIn 1999, Hardy and producer Sarah Ward married, divorcing in 2004. From 2003 to 2004, he was in a relationship with actress Linda Park. They lived together in London and also co-starred in the play Roger and Vanessa in 2004. He has a son born in 2008 with his then-girlfriend, assistant director Rachael Speed, whom he met on set of The Virgin Queen in 2005. They separated in 2009 after four years together. In 2009, Hardy began a relationship with actress Charlotte Riley, after they met on the set of Wuthering Heights. They were married in July 2014. In October 2015, their first child was born. They had two rescued dogs, Max and Woodstock, one of which Hardy appeared with in a PETA advert to promote pet adoption. Woodstock died on 5 June 2017 due to an aggressive case of polymyositis.\nIn 2010, Hardy became an ambassador for the Prince’s Trust, a leading UK youth charity which provides training, personal development, business start up support, mentoring, and advice. In 2012, he and Riley became patrons of Bowel Cancer UK. Prior to the inaugural Invictus Games held in London in September 2014, Hardy, along with other entertainers and athletes, read the poem “Invictus” in a promotional video.\nHardy was named one of GQ magazine’s 50 best dressed British men in 2015. One of the highest profile actors in contemporary British popular culture, Hardy appeared on Debrett’s 2016 list of the most influential people in the United Kingdom.\nHardy was addicted to alcohol and crack cocaine until his mid-20s, after which he checked himself into rehab following a particular low point. He has said that he was ‘out of control’ on drink and drugs before he turned his life around, and was lucky that he did not contract HIV while he was at his lowest.\nDuring the filming of Bronson, Hardy met with Britain’s most notorious prisoner several times and the two became good friends. Bronson was impressed with how Hardy managed to get just as muscular as he was and how well he could mimic his own personality and voice. Bronson has stated he believes Hardy was the only person who could play him.\nHardy was appointed Commander of the Order of the British Empire (CBE) in the 2018 Birthday Honours for services to drama.", "domain": "movie"}
{"url": "https://www.langfordtales.com/event-details/langford-tales-7pm", "date": "2023-12-02T02:24:15Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100309.57/warc/CC-MAIN-20231202010506-20231202040506-00659.warc.gz", "language_score": 0.9171375036239624, "token_count": 350, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__116624757", "lang": "en", "text": "Fri, 16 Dec|\nLangford Village Hall\nLangford Tales - 7pm\nA feature-length film documenting the history of Langford, a small English village in rural Bedfordshire. Capturing the stories of local people and bringing back to life the contrasting Second World War tales of those who went off to fight and those they left behind.\nTime & Location\n16 Dec 2022, 19:00 – 21:30\nLangford Village Hall, Mill Ln, Langford, Biggleswade SG18 9QY, UK\nAbout the event\n‘Langford Tales’ will be shown in the main room of Langford Village Hall. The film is 2 hours long, and there will be an intermission in the middle.\nAs well as entry to the film, tickets include food and drinks which will be served during the intermission. Coffee, tea, mulled wine, and a selection of cakes and tarts will be available.\n‘Langford Tales’ is an English language film but is fully subtitled for the hard of hearing.\nParking is free at the Village Hall. Doors will open 15 minutes before the start of the film. Seating is on standard hall chairs, and guests are welcome to bring a pillow or seat padding if they like. Seating is not assigned so sit wherever is best for you. We have tried to ensure that all seats have a clear view and our excellent sound system ensures that everyone will fully experience the film - prepare to be immersed!\nLangford Tales + Refreshment\nThis ticket includes entry for one to the film and refreshments (one hot drink and one item of food).£10.00", "domain": "movie"}
{"url": "http://welovetvmore.com/reviews/sharknado-review/", "date": "2018-01-21T06:33:40Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-05/segments/1516084890314.60/warc/CC-MAIN-20180121060717-20180121080717-00197.warc.gz", "language_score": 0.9611577987670898, "token_count": 780, "dump": "CC-MAIN-2018-05", "global_id": "webtext-fineweb__CC-MAIN-2018-05__0__172712399", "lang": "en", "text": "As far as TV events go, you could do a whole lot worse than Thursday night’s ‘Sharknado’ premiere. A Syfy original movie – and oh boy I hope you know what that means, so you knew in advance what you were getting into – ‘Sharknado’ hits all the notes you’d hope that a movie titled ‘Sharknado’ would hit.\nFirst and foremost, there are multiple tornadoes filled with sharks, though that doesn’t come until the final act. Most of the movie is more of a “Sharkflood”, with Los Angeles flooding and sharks terrifying people in the streets.\nThat does little to dampen the fun, however, thanks largely to a shockingly good lead performance by Ian Ziering. The ‘90210’ alum commits to this role with impressive enthusiasm, single-handedly willing the film into having some semblance of tension despite simply abysmal special effects and a slew of supporting performances ranging from “passable” to “catastrophic”.\n‘Sharknado’ is structured like a ‘Grand Theft Auto’-style video game, with Ziering, his ex-wife, his buddy, and his girlfriend (?) completing a variety of “missions” as they make their way through Los Angeles to an indeterminate end point. There’s a bus of kids to be rescued, old people to be helped out of the pool, etc. Throughout all of it, Ziering does both the physical and emotional heavy lifting, and pulls it off as well as anyone could possibly ask for.\nSadly, the same can’t be said for his co-star Tara Reid. If Ziering was the lightning rod, Reid was the limp noodle, sleepwalking through the entire movie in an obviously mailed-in performance. It’s too bad, because had the struggling starlet known what kind of social media traction this movie would have, maybe she’d have considered putting her best foot forward.\nEverything culminates with one of the most ridiculous and satisfying set pieces you’ll ever see in a movie, as Ziering’s (I’m not bothering with character names, you understand) son and girlfriend (?) take off in a helicopter to drop bombs into the three rampaging sharknadoes, which….stops them? It miraculously works, but the woman is eaten by a flying shark (as tends to happen during a sharknado), and the boy nearly crashes the chopper. On the ground, Ziering rescues him, but he himself is swallowed by a shark. Not to worry though, as Ziering chainsaws his way through the shark’s belly, and in the most improbable twist you’re ever likely to see, emerges with the woman. That’s right, the SAME SHARK ate them both whole!\nIs it stupid? Yes. Are there some groan-worthy one-liners? Oh, you better believe it. The “time of the month” joke early on was particularly atrocious.\nBut darn it, if you can’t enjoy ‘Sharknado’ for what it is, then I feel like you’re really missing out. It’s a dumb movie that knows it’s a dumb movie, like ‘Fast and the Furious’ meets ‘Jaws’ meets a shoestring budget meets bath salts. I don’t know about you, but that sounds like a pretty fun ride – and that’s exactly what ‘Sharknado’ delivers.", "domain": "movie"}
{"url": "https://chorltonwhisky.co.uk/events/whisky-galore-screening/", "date": "2018-11-20T11:09:00Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-47/segments/1542039746386.1/warc/CC-MAIN-20181120110505-20181120132505-00187.warc.gz", "language_score": 0.9205978512763977, "token_count": 120, "dump": "CC-MAIN-2018-47", "global_id": "webtext-fineweb__CC-MAIN-2018-47__0__40327886", "lang": "en", "text": "Please join me on Friday the 28th April for a screening of the classic comedy film Whisky Galore! at the Sip Club.\nThe screening will be accompanied by some specially-selected (and, I guarantee, awesome) whiskies and nibbles, and there’ll be plenty of time afterwards for an extra dram or two! Tickets are £12.50 and we have limited numbers so please let me or Heather at the Sip Club know if you’d like to attend. There’s also a Facebook event page.\nI hope to see you there!", "domain": "movie"}
{"url": "https://terrakulture.com/celebrating-cinematic-excellence-a-glimpse-into-the-success-of-funmilayo-ransome-kuti-at-the-afriff-movie-festival/", "date": "2024-04-24T12:39:23Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296819273.90/warc/CC-MAIN-20240424112049-20240424142049-00683.warc.gz", "language_score": 0.9198259711265564, "token_count": 719, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__114710241", "lang": "en", "text": "The Africa International Film Festival (AFRIFF) recently witnessed a remarkable event with the screening of ‘Funmilayo Ransome Kuti’. This film, a biopic of the iconic Nigerian women’s rights activist, not only captivated audiences but also garnered critical acclaim, culminating in a triumphant night at the festival’s awards ceremony.\nThe Screening: A Night of Emotions and Triumph\nThe third day of the festival was marked by the screening of ‘Funmilayo Ransome Kuti’. The event started with a glamorous red carpet at 7 PM, followed by the film at 8:30 PM. The turnout was impressive, with a mix of industry professionals and film enthusiasts. The two viewing halls were packed, a testament to the film’s anticipation and appeal. The audience’s emotional engagement – cheering, clapping, and even tears – underscored the film’s impact.\nAfriff Award Night: A Celebration of Excellence\nThe festival’s closing event was the awards ceremony held at the Oriental Hotel. The night began with a captivating performance by an African acappella group, setting the tone for an evening of celebration. ‘Funmilayo Ransome Kuti’ emerged as a big winner, securing the Best Screenplay and the prestigious Best Feature Film awards.\nBolanle Austen-Peters’ Inspiring Speech\nDirector Bolanle Austen-Peters (BAP) delivered a heartfelt speech, reflecting on the challenges and emotional journey of bringing Funmilayo Ransome Kuti’s story to the screen. Her words highlighted the significance of telling powerful women’s stories, especially by female directors, and the importance of platforms like Afriff in supporting such narratives.\nThe Team’s Stellar Performance\nThe film’s success can be attributed to the exceptional performances and dedication of its cast and crew. Joke Silva brilliantly portrayed the older Funmilayo, while Kehinde Bankole and Iyimide Ayo-Olumoko brought to life her younger versions. Bankole’s six-month preparation, including visits to Abeokuta for research, was evident in her compelling portrayal. Ibrahim Suleiman, playing Funmilayo’s husband, also shinned, mastering Yoruba to enhance his performance. The supporting cast, including Omowunmi Dada, Adunni Ade, and Bikiya Graham Douglas, added depth to the narrative, embodying the spirit of elite women supporting grassroots struggles.\nBehind the Scenes: A Testament to Teamwork\nThe crew’s efforts were equally commendable. Shooting in the challenging conditions of Abeokuta’s heat, they remained dedicated to their goal. The art department deserves special mention for authentically recreating the period setting. This collective effort, guided by the director’s vision and the trust of the Kuti family, resulted in a film that not only told an important story but also showcased the talents of everyone involved.\nThe success of ‘Funmilayo Ransome Kuti’ at the Afriff Movie Festival is a testament to the power of collaborative filmmaking and the importance of telling diverse, impactful stories. The film’s journey from the screening to the awards night reflects the dedication, talent, and passion of all those involved, making it a significant milestone in African cinema", "domain": "movie"}
{"url": "https://www.charmcitydoc.com/filmmakers-blog/2018/4/26/katy-chevigny", "date": "2019-10-19T07:07:13Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570986692126.27/warc/CC-MAIN-20191019063516-20191019091016-00041.warc.gz", "language_score": 0.9765594005584717, "token_count": 188, "dump": "CC-MAIN-2019-43", "global_id": "webtext-fineweb__CC-MAIN-2019-43__0__43904341", "lang": "en", "text": "Katy Chevigny is an award-winning filmmaker and co-founder of Big Mouth Productions. Most recently, she produced Dark Money, which premiered at the 2018 Sundance Film Festival, and she directed one of the storylines in Kartemquin Films’ documentary series Hard Earned, winner of a 2016 Alfred I. DuPont Award, which explores the lives of five American families struggling to get by in today's economy. She co-directed (with Ross Kauffman) the EmmyⓇ-nominated documentary E-TEAM, which premiered at the 2014 Sundance Film Festival. Chevigny has produced and/or directed 12 critically acclaimed feature-length documentary films through Big Mouth, including Deadline, Election Day and also 1971 with Marilyn Ness. Her work has won multiple awards, been broadcast on networks including PBS, NBC, HBO, Netflix, Arte/ZDF and has played at festivals around the world.", "domain": "movie"}
{"url": "https://cupcart.columbia.edu/f%C3%BCnfzig-jahre-%C3%B6sterreichisches-filmmuseum-german-language-edition", "date": "2018-01-17T07:08:38Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-05/segments/1516084886830.8/warc/CC-MAIN-20180117063030-20180117083030-00136.warc.gz", "language_score": 0.9630288481712341, "token_count": 173, "dump": "CC-MAIN-2018-05", "global_id": "webtext-fineweb__CC-MAIN-2018-05__0__93392677", "lang": "en", "text": "Paolo Caneppele is a historian and head of collections at the Austrian Film Museum in Vienna. He has taught widely on film history and published several books on such subjects as Austrian silent cinema, film and comic books, and early film censorship.\nAlexander Horwath is a curator and writer, and the director of the Austrian Film Museum in Vienna. He organized the film exhibitions of Documenta 12 (2007) and, during the 1990s, served as director of the Vienna International Film Festival. Among the publications he has written or (co-)edited are books about Michael Haneke, New Hollywood Cinema, and Peter Tscherkassky. His books on Peter Kubelka's cycle \"What Is Film\", Film Curatorship, and Josef von Sternberg's lost film The Case of Lena Smith are also available from CUP.", "domain": "movie"}
{"url": "https://bookadviser.ai/blog/from-pages-to-screen", "date": "2024-04-13T02:25:15Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816535.76/warc/CC-MAIN-20240413021024-20240413051024-00461.warc.gz", "language_score": 0.9518997669219971, "token_count": 738, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__187844243", "lang": "en", "text": "Adapting a book into a film or television series is no small feat. The process involves translating written words, internal dialogues, and detailed descriptions into visual scenes that capture the essence of the original narrative. Some adaptations become iconic in their own right, occasionally overshadowing their source material in popularity. Two such adaptations that have left an indelible mark on popular culture are \"The Shawshank Redemption\" and \"The Hunger Games.\" Let's delve into the journey of these two narratives as they leaped from pages to the screen.\nSource Material: \"Rita Hayworth and Shawshank Redemption\" is a novella by the prolific writer Stephen King, found in his 1982 collection, \"Different Seasons.\" The story revolves around the life of Andy Dufresne, a banker wrongly convicted of murdering his wife and her lover, and his experiences in Shawshank Prison.\nAdaptation: The 1994 film \"The Shawshank Redemption\" directed by Frank Darabont, is one of those rare adaptations that many believe eclipsed the original work in its depth and resonance. While King's novella was well-received, the film has become a cinematic masterpiece, regularly topping lists of the greatest movies ever made.\nWhile the novella is narrated by the character Red, providing insights into Andy's life through the eyes of an observer, the movie delves deeper into their friendship, making it the heart of the narrative.\nThe movie amplifies the oppressive atmosphere of Shawshank Prison, contrasting it poignantly with themes of hope and freedom, encapsulated in Andy's memorable line, \"Hope is a good thing, maybe the best of things, and no good thing ever dies.\"\nMorgan Freeman's portrayal of Red and Tim Robbins' role as Andy Dufresne have been critically acclaimed, bringing depth and nuance to the characters.\nSource Material: \"The Hunger Games\" is a trilogy by Suzanne Collins, first published in 2008. Set in a dystopian future, the books follow the life of Katniss Everdeen, a young woman who becomes the face of a rebellion against a tyrannical regime. The title refers to a brutal televised event where young participants, or \"tributes\" are forced to fight to the death.\nAdaptation: The books were adapted into a series of four films released between 2012 and 2015, starting with \"The Hunger Games\" and concluding with \"The Hunger Games: Mockingjay – Part 2\" Directed by Gary Ross and Francis Lawrence, the films have grossed over $2.9 billion worldwide.\nThe movies provided a broader view of Panem, the fictional nation in the story, showcasing the stark differences between the Capitol's opulence and the districts' deprivation.\nWhile the books are written from Katniss's first-person perspective, the films include multiple viewpoints, offering glimpses into the machinations of President Snow and the strategizing of the rebellion.\nJennifer Lawrence's portrayal of Katniss Everdeen received widespread acclaim, with many fans and critics believing she perfectly captured the character's strength, vulnerability, and complexity.\nBoth \"The Shawshank Redemption\" and \"The Hunger Games\" serve as stellar examples of how books can be transformed into memorable visual narratives. While maintaining the essence of their source material, these adaptations have added layers of depth, giving audiences a renewed appreciation for the stories and characters they love. Whether it's the quiet resilience of Andy Dufresne against the backdrop of prison walls or the fiery defiance of Katniss Everdeen in the face of oppression, these tales remind us of the enduring power of storytelling, irrespective of the medium.", "domain": "movie"}
{"url": "https://fashionpostings.com/technology/exploring-the-cinematic-journey-of-kristian-flores/", "date": "2024-04-21T07:53:05Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817729.87/warc/CC-MAIN-20240421071342-20240421101342-00834.warc.gz", "language_score": 0.9533814191818237, "token_count": 685, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__67041315", "lang": "en", "text": "Kristian Flores, a rising star in the entertainment industry, has captured the hearts of audiences with his captivating performances in both movies and television shows. With his undeniable talent and versatility, Flores has established himself as a force to be reckoned with in Hollywood. In this article, we delve into the remarkable journey of Kristian Flores through his notable contributions to the world of film and television.\nBorn and raised in Los Angeles, California, Kristian Flores always harbored a passion for storytelling and performing arts. His journey into the world of entertainment began at a young age, as he actively participated in school plays and local theater productions. It was evident from the start that Flores possessed a natural talent and a deep-seated love for acting.\nFlores’s breakthrough came with his standout performance in the critically acclaimed indie film “Echoes of Tomorrow.” Portraying the complex character of a struggling artist grappling with personal demons, Flores showcased his ability to convey raw emotion and vulnerability on screen. His nuanced portrayal earned him widespread praise from both audiences and critics alike, propelling him into the spotlight.\nFollowing his success in independent cinema, Flores seamlessly transitioned into television, landing a recurring role in the hit drama series “City Lights.” As Detective Marco Ramirez, Flores captivated viewers with his commanding presence and magnetic charisma, earning him a dedicated fan base and further solidifying his status as a rising star.\n*Diverse Range of Roles:*\nOne of Flores’s greatest strengths as an actor lies in his versatility. From intense dramas to lighthearted comedies, Flores has proven time and again that he can tackle any role with finesse and authenticity. Whether portraying a troubled anti-hero or a charming romantic lead, Flores brings a level of depth and nuance to his characters that elevates every project he’s a part of.\nIn the psychological thriller “Shadows of the Past,” Flores delivered a haunting performance as a tormented ex-con seeking redemption amidst a web of secrets and betrayal. His portrayal drew audiences into the dark and suspenseful world of the film, leaving a lasting impression long after the credits rolled.\nOn the small screen, Flores showcased his comedic chops in the hit sitcom “Family Matters,” where he stole scenes as the quirky yet lovable neighbor with a penchant for mischief. His impeccable timing and infectious energy added a layer of warmth and humor to the beloved series, earning him praise from viewers of all ages.\nAs Kristian Flores continues to carve out his place in the entertainment industry, the future looks bright for this talented actor. With several exciting projects in the pipeline, including collaborations with acclaimed directors and writers, Flores shows no signs of slowing down. Whether gracing the silver screen or lighting up the small screen, audiences can expect nothing less than excellence from this rising star.\nIn conclusion, Kristian Flores’s journey from aspiring actor to Hollywood sensation is a testament to his dedication, passion, and undeniable talent. With each new role, Flores pushes the boundaries of his craft and leaves an indelible mark on the world of entertainment. As fans eagerly anticipate his next project, one thing is certain: the best is yet to come for Kristian Flores.", "domain": "movie"}
{"url": "https://buffalosoldiersdigital.com/evolution-of-video-production/", "date": "2024-04-17T16:38:47Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817158.8/warc/CC-MAIN-20240417142102-20240417172102-00894.warc.gz", "language_score": 0.8744143843650818, "token_count": 1368, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__64600784", "lang": "en", "text": "In the vast landscape of human communication, few mediums have captured our imagination and storytelling abilities quite like video. From its humble beginnings as flickering frames on a Kinetoscope to the breathtaking high-definition visuals of today’s digital age, video production has undergone a remarkable evolution.\nIt has transformed from a nascent experiment to a powerful tool that shapes our entertainment, education, and communication. As we delve into the annals of video production history, we witness how this art form has not only advanced technologically but has also revolutionized the way we perceive and engage with visual content.\nThis blog is a journey through time, exploring the past, present, and future of video production, as we witness the incredible progress and exciting trends that have shaped this captivating medium.\nHere’s an overview of the evolution of video production year by year, highlighting significant milestones, advancements, and examples:\nThe 1890s: The Birth of Motion Pictures\n- Thomas Edison’s invention of the Kinetoscope and Kinetograph paved the way for the first motion pictures.\n- Example: “Monkeyshines, No. 1” (1890-1891), one of the earliest films shot using the Kinetograph.\nThe 1920s: Silent Era and Film Industry Growth\n- The silent film era saw the rise of large-scale film production and the emergence of Hollywood as a filmmaking hub.\n- Example: Charlie Chaplin’s “The Kid” (1921), a classic silent film that showcased the artistry of physical comedy.\n1927: The Advent of Sound\n- The introduction of synchronized sound revolutionized the film industry.\n- Example: “The Jazz Singer” (1927), the first feature-length motion picture with synchronized dialogue sequences.\nAlso Read: Best Practices For Video Marketing\nThe 1950s-1960s: Color and Widescreen\n- Technological advancements led to the widespread adoption of color film and widescreen formats.\n- Example: Alfred Hitchcock’s “Vertigo” (1958), which beautifully employed color cinematography to enhance the psychological thriller genre.\nThe 1970s-1980s: Video Cassette Recorders (VCRs) and Home Video\n- The introduction of VCRs brought movies into people’s homes, leading to the home video revolution.\n- Example: “Star Wars” (1977), a blockbuster film that achieved immense popularity through its subsequent VHS release.\nThe 1990s: Digital Revolution and Nonlinear Editing\n- The transition from analog to digital video formats transformed the industry, making editing more efficient.\n- Example: James Cameron’s “Titanic” (1997), a visually stunning film that showcased the potential of digital effects and editing techniques.\nThe 2000s: High-Definition (HD) and Online Video\n- The advent of HD cameras and online platforms like YouTube democratized video production and distribution.\n- Example: “The Lord of the Rings” trilogy (2001-2003), which combined epic storytelling with groundbreaking visual effects in high definition.\nThe 2010s: Rise of Streaming Services and Mobile Video\n- The popularity of streaming platforms like Netflix and the proliferation of smartphones brought video content to a global audience.\n- Example: “Stranger Things” (2016-present), a Netflix series that gained a massive following and exemplified the binge-watching culture.\nPresent: 4K, Virtual Reality (VR), and Live Streaming\n- The current era witnesses the dominance of ultra-high-definition 4K resolution, immersive VR experiences, and live streaming capabilities.\n- Example: Marvel’s “Avengers: Endgame” (2019), a visually spectacular film that utilized 4K technology and set new box office records.\nFuture Trends: AI-Generated Content, Augmented Reality (AR), and Interactive Video\n- AI-Generated Content\nAI could generate video content autonomously or assist human creators in areas such as scriptwriting, storyline generation, CGI, and automated video editing. AI algorithms can analyze vast amounts of data to offer creative suggestions, streamline workflows, and provide advanced visual effects in post-production.\n- AR Integration\nAugmented Reality can enhance storytelling by blending the virtual and physical worlds. In the future, films or TV shows may incorporate AR elements, enabling viewers to interact with characters or objects within their surroundings. This can lead to immersive and personalized viewing experiences.\n- Interactive Video\nInteractive video allows viewers to actively participate in the storytelling process. Future video productions may offer interactive elements where viewers’ choices influence the plot, character development, or story outcome. This can create engaging and personalized experiences that bridge the gap between traditional storytelling and interactive gaming.\nThese future trends in video production, including AI-generated content, AR integration, and interactive video, represent exciting possibilities for transforming how stories are created, experienced, and engaged with by audiences.\nAs we traverse the remarkable journey of video production from its inception to the present and into the future, we are captivated by the ever-evolving landscape of creativity, technology, and storytelling. From the flickering frames of the early Kinetoscope to the immersive experiences of augmented reality and interactive video, video production has constantly pushed the boundaries of innovation and audience engagement.\nAt Buffalo Soldiers, we stand at the forefront of this dynamic industry, fueled by our passion for crafting compelling visual experiences. With our state-of-the-art equipment, talented team of professionals, and unwavering commitment to excellence, we are dedicated to bringing your visions to life. Whether it’s capturing the essence of your brand, telling powerful stories, or creating immersive experiences, our video production services are tailored to meet your unique needs.\nThe future holds infinite possibilities, and we are excited to be your trusted partner on this thrilling journey. As technology continues to advance, we embrace the emergence of AI-generated content, AR integration, and interactive video, seeking innovative ways to captivate and connect with audiences. Together, let’s embark on a creative adventure, pushing the boundaries of what’s possible in the realm of video production.\nRemember, in the ever-evolving world of video production, the possibilities are boundless, and Buffalo Soldiers is here to help you seize every opportunity.\n#ProTip: Choose Buffalo Soldiers, a video production house in India, as your creative ally and experience the transformative power of video production. Let’s bring your ideas to life and create unforgettable moments that resonate with your audience. Contact us today and unlock the full potential of your visual storytelling.", "domain": "movie"}
{"url": "https://bolly4uhd.cc/huddam-2-2019-dual-audio-hin-eng-movie-download-480p-320mb-720p-900mb/", "date": "2020-07-04T03:20:27Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-29/segments/1593655883961.50/warc/CC-MAIN-20200704011041-20200704041041-00150.warc.gz", "language_score": 0.7280368208885193, "token_count": 168, "dump": "CC-MAIN-2020-29", "global_id": "webtext-fineweb__CC-MAIN-2020-29__0__239560424", "lang": "en", "text": "Download Hüddam 2 in Dual Audio (Hindi-English) 2019 Movie. It is available in 480p, 720p qualities. The 480p print in 320MB, 720p in 900MB, 1080p in 2.8GB MKV Formatc. This Hollywood movie based on Horror, Mystery. It features Murat Özen, Nilgün Baykent, Selcan Toker, Fatma Hun as the main stars of the movie.\nDownload Hüddam 2 in Dual Audio [Hindi-English] 480p | 720p | 1080p – HDMoviesHub\nName: Hüddam 2\nRelease Year: 2019\nLanguage: Dual Audio [Hindi-English]\nResolution: 480p | 720p\nSize: 320MB | 900MB", "domain": "movie"}
{"url": "https://www.ravenecho.com/articles/33/814/", "date": "2022-01-24T17:50:21Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-05/segments/1642320304572.73/warc/CC-MAIN-20220124155118-20220124185118-00175.warc.gz", "language_score": 0.9456897974014282, "token_count": 744, "dump": "CC-MAIN-2022-05", "global_id": "webtext-fineweb__CC-MAIN-2022-05__0__211991050", "lang": "en", "text": "Akira Kurosawa (Japanese: 黒澤明, Hepburn: Kurosawa Akira, March 23, 1910 – September 6, 1998) was a Japanese filmmaker and painter who directed 30 films in a career spanning 57 years. He is regarded as one of the most important and influential film-makers in the history of cinema.\nList of works by Akira Kurosawa\nThe following is a list of works, both in film and other media, for which the Japanese filmmaker Akira Kurosawa made some documented creative contribution. This includes a complete list of films with which he was involved (including the films on which he worked as assistant director before becoming a full director), as well as his little-known contributions to theater, television and literature.https://en.m.wikipedia.org/wiki/List_of_works_by_Akira_Kurosawa\nSeven Samurai (Japanese: 七人の侍, Hepburn: Shichinin no Samurai) is a 1954 Japanese epic samurai drama film co-written, edited, and directed by Akira Kurosawa. The story takes place in 1586 during the Sengoku period of Japanese history. It follows the story of a village of desperate farmers who hire seven rōnin (masterless samurai) to combat bandits who will return after the harvest to steal their crops.https://en.m.wikipedia.org/wiki/Seven_Samurai\nYojimbo (用心棒, Yōjinbō, \"Bodyguard\") is a 1961 Japanese samurai film directed by Akira Kurosawa, who produced the film with Tomoyuki Tanaka and Ryūzō Kikushima. Kurosawa wrote the screenplay with Kikushima and Hideo Oguni based on Kurosawa's story. Kurosawa also edited the film. It tells the story of a rōnin, portrayed by Toshiro Mifune, who arrives in a small town where competing crime lords vie for supremacy. The two bosses each try to hire the newcomer as a bodyguard.https://en.m.wikipedia.org/wiki/Yojimbo\nKagemusha (影武者, Shadow Warrior) is a 1980 jidaigeki film directed by Akira Kurosawa. Kagemusha is the Japanese term for a political decoy, literally meaning \"shadow warrior\". It is set in the Sengoku period of Japanese history and tells the story of a lower-class criminal who is taught to impersonate a dying daimyō to dissuade opposing lords from attacking the newly vulnerable clan. The daimyō is based on Takeda Shingen, and the film ends with the climactic 1575 Battle of Nagashino.https://en.m.wikipedia.org/wiki/Kagemusha\n\"乱\" Ran (乱, transl. \"chaos\" or \"turmoil\") is a 1985 epic action drama film directed, edited and co-written by Akira Kurosawa. The plot derives from William Shakespeare's King Lear and includes segments based on legends of the daimyō Mōri Motonari. The film stars Tatsuya Nakadai as Hidetora Ichimonji, an aging Sengoku-period warlord who decides to abdicate as ruler in favor of his three sons.https://en.m.wikipedia.org/wiki/Ran_(film)", "domain": "movie"}
{"url": "https://www.anns-lieefoodphotography.com/star-wars-minifigures-explore-a-galaxy-far-far-away-2/", "date": "2024-02-21T00:49:51Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947473360.9/warc/CC-MAIN-20240221002544-20240221032544-00703.warc.gz", "language_score": 0.8829764127731323, "token_count": 602, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__147112059", "lang": "en", "text": "Embark on an intergalactic adventure with the Star Wars minifigures and dive into a galaxy far, far away. These miniature heroes and villains allow fans of all ages to recreate iconic moments from the epic Star Wars saga in brick form. Whether you’re a dedicated collector or a casual fan, the Star Wars minifigures are an essential addition to any BRIKZZ collection.\nAt the heart of the Star Wars minifigure collection are the iconic characters that have captured the imaginations of millions. Luke Skywalker, with his farm boy attire and lightsaber, represents the classic hero’s journey. Darth Vader, the imposing Sith Lord, dons his black armor and red lightsaber, making him a symbol of the dark side of the Force. Princess Leia, the fearless leader of the Rebel Alliance, appears with her iconic bun hairstyle and blaster, ready to fight for justice.\nThe marvel minifigures lineup also includes beloved characters like Han Solo, the charming scoundrel with his blaster at the ready, and Chewbacca, the loyal Wookiee co-pilot of the Millennium Falcon. The wise and powerful Jedi Master Yoda showcases his unique green appearance and lightsaber skills. And let’s not forget the lovable droids R2-D2 and C-3PO, who have become iconic symbols of the Star Wars universe.\nBut it’s not just the heroes that make the Star Wars minifigures collection special. The galaxy far, far away is also populated with formidable villains. The Sith Lord Darth Maul, with his red and black face paint and double-bladed lightsaber, exudes menace. The sinister bounty hunter Boba Fett, clad in his iconic Mandalorian armor, strikes fear into the hearts of his targets.\nWith their intricate details and accurate representations, the Star Wars minifigures bring the epic space saga to life. Whether you want to recreate epic lightsaber duels, stage thrilling starfighter battles, or reenact your favorite moments from the movies, these minifigures provide endless opportunities for imaginative play and display.\nFrom the ice planet Hoth to the lush forests of Endor, the Star Wars minifigures allow fans to recreate iconic settings from the movies. Build your own Death Star or Millennium Falcon and populate them with your favorite characters. The modular nature of BRIKZZ sets allows for endless customization and creative storytelling.\nIn conclusion, the Star Wars minifigures invite fans to explore the vast and exciting universe of the beloved franchise. With their faithful designs and iconic accessories, these minifigures capture the spirit of the Star Wars saga and allow fans to embark on their galactic adventures. Whether you’re a collector or a fan looking to add some Star Wars magic to your BRIKZZ collection, these minifigures are sure to transport you to a galaxy far, far away. May the Force be with you!", "domain": "movie"}
{"url": "https://aberdeen.armymwr.com/calendar/event/free-movie-post-theater/3513329/43532", "date": "2020-02-23T14:20:27Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-10/segments/1581875145774.75/warc/CC-MAIN-20200223123852-20200223153852-00432.warc.gz", "language_score": 0.8267160058021545, "token_count": 147, "dump": "CC-MAIN-2020-10", "global_id": "webtext-fineweb__CC-MAIN-2020-10__0__188283415", "lang": "en", "text": "Date: Sep 22 2019, 3 p.m.\nLocation: APG Post Theater, Bldg 3245\nFeaturing: Viewers Choice: Avengers: Endgame\nRating: PG-13 (for sequences of sci-fi violence and action, and some language)\n\"After the devastating events of Avengers: Infinity War (2018), the universe is in ruins. With the help of remaining allies, the Avengers assemble once more in order to reverse Thanos' actions and restore balance to the universe.\" - imdb.com\nFree raffle for a BOSS coffee mug! You must arrive prior to the start of the national anthem for ticket.\nPopcorn, snacks and beverages will be available for purchase.", "domain": "movie"}
{"url": "http://onsaja.com/harry-potter-stars-then-and-now/", "date": "2018-06-20T03:41:32Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-26/segments/1529267863411.67/warc/CC-MAIN-20180620031000-20180620051000-00198.warc.gz", "language_score": 0.9616397023200989, "token_count": 472, "dump": "CC-MAIN-2018-26", "global_id": "webtext-fineweb__CC-MAIN-2018-26__0__229658458", "lang": "en", "text": "June 26, 1997 is the date where Author J.K. Rowling first brought readers into her world of wizardry and magic.\nIt’s hard to believe it’s been almost 21 years since the first Harry Potter book was published.\nHarry Potter and the Philosopher’s Stone hit bookstores on June 26, 1997 (the title was changed to Harry Potter and the Sorcerer’s Stone for U.S. readers). J.K. Rowling’s tale about a boy wizard became a global phenomenon.\nSix more books followed, as did eight movies (the first one hit theaters in 2001), in addition to the Fantastic Beasts and Where to Find Them prequel adaptation (a sequel to the film is in the works) and the theatrical production Harry Potter and the Cursed Child.\nThe Fantastic Beasts films mark the beginning of a shared media franchise known as the Wizarding World.\nThe series was mainly produced by David Heyman, and stars Daniel Radcliffe, Rupert Grint, and Emma Watson as the three leading characters: Harry Potter, Ron Weasley, and Hermione Granger.\nFour directors worked on the series: Chris Columbus, Alfonso Cuarón, Mike Newell, and David Yates.Michael Goldenberg wrote the screenplay for Harry Potter and the Order of the Phoenix (2007), while the remaining films had their screenplays written by Steve Kloves.\nProduction took place over ten years, with the main story arc following Harry Potter’s quest to overcome his arch-enemy Lord Voldemort.\nHarry Potter and the Deathly Hallows, the seventh and final novel in the series, was adapted into two feature-length parts.\nPart 1 was released in November 2010, and Part 2 was released in July 2011.\nSix of the series’ eight films are among the 50 highest-grossing films of all time, with Harry Potter and the Deathly Hallows – Part 2, the highest-grossing film in the series and one of 31 films to gross over $1 billion, ranking at number eight.\nWithout inflation adjustment, it is the second highest-grossing film series with $7.7 billion in worldwide receipts.\nIn honor of the film series, lets take a look at what the young actors who starred in the films have been doing since leaving Hogwarts.", "domain": "movie"}
{"url": "http://www.freewep.blogspot.com/2013/06/download-1-nenokkadine-2013-telugu-mp3.html", "date": "2014-03-11T12:36:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2014-10/segments/1394011192582/warc/CC-MAIN-20140305091952-00088-ip-10-183-142-35.ec2.internal.warc.gz", "language_score": 0.982657790184021, "token_count": 151, "dump": "CC-MAIN-2014-10", "global_id": "webtext-fineweb__CC-MAIN-2014-10__0__83886193", "lang": "en", "text": "1 (Nenokkadine) is a Telugu film, written and directed by Sukumar. The film is produced by Ram Achanta, Gopichand Achanta and Anil Sunkara under their 14 Reels Entertainment banner, and will star Mahesh Babu and Kriti Sanon in lead roles. The soundtrack will be composed by Devi Sri Prasad, who will be working with Sukumar for the fifth time in his career. The film will have cinematography handled by Rathnavelu who had earlier worked with Sukumar for Arya and Jagadam. The film was officially launched on February 12, 2012 at 14 Reels Entertainment office in Hyderabad and filming began on April 23, 2012.", "domain": "movie"}
{"url": "https://waterloorecords.com/UPC/850010079363", "date": "2024-02-26T20:49:39Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474663.47/warc/CC-MAIN-20240226194006-20240226224006-00372.warc.gz", "language_score": 0.9108657836914062, "token_count": 260, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__60847175", "lang": "en", "text": "New: Call (512) 474-2500 to check in-store availability\nFormats and Editions\nWhen famed photographer Christina Eames unexpectedly dies, she leaves her estranged daughter Mae Morton (ISSA RAE) hurt, angry and full of questions. When a photograph tucked away in a safe-deposit box is found, Mae finds herself on a journey delving into her mother's early life and ignites a powerful, unexpected romance with a rising-star journalist, Michael Block (LAKEITH STANFIELD). From writer-director STELLA MEGHIE (The Weekend, Jean of the Joneses) from her original screenplay comes a sweeping love story about forgiveness and finding the courage to seek the truth, no matter where it may lead you. THE PHOTOGRAPH is produced by WILL PACKER, blockbuster producer of GirlsTrip, the Ride Along franchise, and ten movies that have opened No. 1 at the U.S. box office, including Night School, No Good Deed and Think Like a Man, and by JAMES LOPEZ, president of Will Packer Productions. The film is executive produced by MEGHIE, ERIKA HAMPSON (co-producer Late Night, Life Itself) and RAE.", "domain": "movie"}
{"url": "https://themarketlook.com/Entertainment/details/841/RRR-roars-into-the-crore-club", "date": "2022-06-26T21:08:37Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103271864.14/warc/CC-MAIN-20220626192142-20220626222142-00488.warc.gz", "language_score": 0.9568600654602051, "token_count": 309, "dump": "CC-MAIN-2022-27", "global_id": "webtext-fineweb__CC-MAIN-2022-27__0__186105323", "lang": "en", "text": "Box Office News\nRRR roars into the 1,000 crore club!\nOne of the greatest director in the world SS Rajamouli has done it again! The much loved & critically acclaimed RRR - Rise Roar Revolt has roared into the highly coveted 1,000 crore club at the gobal box office.\nIt is only the third Indian movie after Dangal (2,024 cr) in 2016-17 & Baahubali: The Conclusion (1,810 cr) in 2017 to collect over 1,000 crore worldwide. While Dangal is also the only Indian film to go over the 2,000 crore mark thanks mainly to it's humongous business of 1,400 crore in China!\nRRR is an Indian Telugu-language epic period action drama film. It narrates a fictional tale based on the lives of two freedom fighters in the early 20th century - Alluri Sitarama Raju & Kumram Bheem, played by Ram Charan & NT Rama Rao Jr respectively. It also stars Ajay Devgn & Alia Bhatt as Sita in supporting roles.\nThis magnum opus which was delayed many times due to the pandemic has been hailed by the trade for reviving the Indian box office. This is Rajamouli's third consecutive blockbuster after Baahubali: The Beginning in 2015 & it's 2017 sequel Baahubali: The Conclusion which is the second highest-grossing Indian film of all time!", "domain": "movie"}
{"url": "https://beyonddragonsandwizards.blogspot.com/2015/", "date": "2024-02-26T11:21:12Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474659.73/warc/CC-MAIN-20240226094435-20240226124435-00097.warc.gz", "language_score": 0.9770965576171875, "token_count": 1205, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__152011824", "lang": "en", "text": "One of the biggest shames I can think of is how many women and girls have never seen Star Wars. I personally believe that movies are culturally significant, if not outright works of art. Movies, in their own way, can inform people as much as the very best books. Because of this, I feel like women and girls are missing out on something extraordinary and important if they never see Star Wars.\nI've heard girls complain about the popularity of Star Wars, I've heard them scoff at it, I've seen them roll their eyes. They treat it like it's the most juvenile and ridiculous thing ever. Like it's an embarrassing thing their man-child husband likes. Now, when their dislike for Star Wars is a matter of taste, that's fine. People are, of course, entitled to their likes and dislikes. Unfortunately, the vast majority of the time, these women and girls have never seen the movies at all (or it was so long ago they don't even remember them).\nBut you know, I don't really blame them. Star Wars was relegated to a movie for boys and men who grew up watching it as boys. The Star Wars \"Dark Ages\" of the late 80's and 90's pretty much removed Star Wars from the collective consciousness. There were no toys in stores, no movies had been made for years and years, no video games had been released for a very long time, etc. Even boys weren't allowed by their peers to be open Star Wars fans. It just wasn't cool, and it wasn't accepted. I myself was bullied throughout elementary and middle school for being a fan of Star Wars.\nWith the Prequel Trilogy's release starting in 1999, the public suddenly remembered, \"Oh yeah, Star Wars was awesome, and it changed everything about movies, and it kind of helped shape me into who I am today.\" Everyone smacked their heads at having forgotten such an important piece of their childhoods and culture at large. Star Wars started to be cool again (I recently spent two solid hours playing with my nephews and their Star Wars figures). It's been a Star Wars Renaissance since then, with the new Trilogy and Anthology movies being worked on, LEGOs and videogames releasing, toys and collectibles everywhere, and I'm thrilled beyond belief.\nBut we still have those women and girls who haven't seen it, and don't want to. Now, I will make it clear right now that I'm not putting them down, I am not saying it's their fault. Star Wars wasn't allowed to be a part of a normal girl's life. It wasn't given the respect it deserved by the people who raised these girls. And that's a shame.\nStill, that was in the past, and these women and girls continue to show disdain for Star Wars. Trying to get them to watch it is tantamount to shoving rotten pears down their throats. But something they might not realize is that Star Wars was a phenomenon for boys AND girls, men AND women. When it came out, it didn't matter what your gender was, everyone loved it! Look up old photos of fans from 1977 and on, you'll see a crap ton of grown women and girls wearing Star Wars shirts, lining up to see the movie, etc. It was a gender-spanning movie! It's only since the 90's that we've made it a movie for boys. Hell, look up Comic Con cosplay and you'll see more women in Star Wars costumes than you can count.\nThere’s been a lot of talk about the lack of female roles in Star Wars. And for good reason. We should always have those kinds of discussions. Star Wars IS a mythology for everyone, and everyone should feel a part of it. There are definitely things that could be done better. That being said, Star Wars did some incredible things for feminism. It featured a tough female protagonist who didn’t take shit from anyone: Leia had her own blaster and shot dozens of Stormtroopers with it, she figured things out and saved everyone’s butts multiple times, and she was one of the head honchoes of the entire Rebellion throughout. By the end of the third film in the Original Trilogy, we find that Leia even has the Force, putting her right in line with Darth Vader and Luke! Girls, these movies are for you! They could have done better with gender equality, but man, for their time, they were revolutionary. Girls, whether you like it or not, Star Wars is a part of your history! Give it a chance!\nI’m just gonna end on this: the feminist movement is about women bringing change, it’s about men bringing change. It’s about people ensuring equality for each other. I’m asking women and girls everywhere to give Star Wars a chance. Take back the fandom of these movies females used to have. Don’t let marketers sell it to boys and leave you out. Watch the movies, give them a chance. Look deeper into the themes and significance of the stories these movies weave. I promise, if you give them a serious chance, you’ll find you’ve been missing out on something meaningful. Better late than never. Let’s show everyone that women and girls love good stories and characters, love action and romance, love drama and humor. Don’t let people define what you should or shouldn’t like.\nAs the new movies are made and come out, let’s tell the brass of Disney and Lucasfilm we want more awesome female characters! We want more toys and merchandise to fit the desires of both boys AND girls! This is our chance to make a difference, to carry Star Wars into the rest of our lives, the lives of our children, and help give them the awe and wonder we all felt ourselves.", "domain": "movie"}
{"url": "http://parkridgeclassicfilm.com/2017/04/28/sullivans-travels-1941/", "date": "2018-02-18T18:08:16Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-09/segments/1518891812247.50/warc/CC-MAIN-20180218173208-20180218193208-00749.warc.gz", "language_score": 0.9820145964622498, "token_count": 2253, "dump": "CC-MAIN-2018-09", "global_id": "webtext-fineweb__CC-MAIN-2018-09__0__45935712", "lang": "en", "text": "The following is a transcript of my presentation on Sullivan’s Travels at the Park Ridge Public Library on April 27, 2017.\nSullivan’s Travels is the story of a well-off motion picture director who wants to make a socially-conscious movie—against the advice of his studio bosses. Motivated by this idealism, John L. Sullivan sets out on a noble experiment dressed as a hobo in order to see how the other side lives. He’s well-intentioned, but misguided, and eventually all roads lead him back to Hollywood. In a diner, he meets a struggling young actress, and together they again attempt Sullivan’s expedition. It is only when he is stripped completely of his past and his own identity that Sullivan finds the road to self-discovery. Sullivan’s Travels is a movie where the optimism of Hollywood meets the bleak social reality of a country still feeling the Depression.\nPreston Sturges is remembered today as being one of the great comedy directors from Hollywood’s golden age. A former Broadway playwright, he began his movie career as a screenwriter at Paramount before he moved into the director’s chair. He was one of the first writers to direct his own screenplays. His success ultimately empowered the role of the screenwriter and paved the way for other filmmakers like John Huston. Sturges’ films were known for their fast-paced dialogue and their physical comedy; Sullivan’s Travels, one of eight films that he directed at Paramount during his peak years between 1940 and 1944, is no exception. The idea of the picture formed as a reaction to the “preaching” he saw by other comedy directors who “seemed to have abandoned the fun in favor of the message,” he said in his autobiography. “I wrote Sullivan’s Travels to satisfy an urge to tell them that they were getting a little too deep-dish; to leave the preaching to the preachers.”\nSullivan’s Travels was the first of three films Joel McCrea would make for Preston Sturges. (The other two were The Palm Beach Story and The Great Moment.)McCrea was an actor movie audiences could always identify with, exuding qualities such as honesty and sincerity in all his roles. McCrea had crossed paths with Sturges a few times over the years, but one day at the studio commissary Sturges told McCrea, “I’ve written a script for you.” “No one writes a script for me,” McCrea replied. “They write a script for Gary Cooper, and if they can’t get him they use me.” McCrea loved the script, but he did not love working with his co-star.\nVeronica Lake, at her peek-a-boo pinnacle, was Sturges’ choice from the very beginning– ever since he first saw her in 1941’s I Wanted Wings. Barbara Stanwyck and Frances Farmer were also mentioned, and Farmer had actually tested for the role of The Girl. What Veronica Lake failed to tell Sturges at the time was that she was six-months pregnant when shooting began. This did not go over well with the director, and for the rest of the production he tried to hide her pregnancy with the aid of costume designer Edith Head. Lake also was unprepared on set. “She wouldn’t know her lines,” McCrea had said. “This great dialogue and we would go through about fifteen takes while she was learning her lines. Then by the time she got it great, I was just going through the lines, kind of pooped out and tired. She was very unprofessional.” McCrea would later pass on the opportunity of working with her again in I Married a Witch. Fredric March took the role in that film and his experiences with her were no better. Despite the on-set drama, Lake gives one of her best performances in Sullivan’s Travels.\nAround these two stars are many of Hollywood’s great character actors who were part of Sturges’ “stock company.” The director knew how to make use of all his ensemble cast on-screen. They were eccentric and had an identity all their own. It was as though the stars always had a family around them. These familiar faces included Robert Warwick, Franklin Pangborn, Robert Greig, Eric Blore, and the ever-present William Demarest once again cracking wise. Demarest would appear in a total of eight movies directed by Preston Sturges.\nSturges’ cinematographer on the film was John Seitz, who was one of the best cameramen in Hollywood. He shot such film noirs as This Gun For Hire, Double Indemnity, and Sunset Boulevard for director Billy Wilder. He would shoot two more films for Sturges: Hail the Conquering Hero and The Miracle of Morgan’s Creek. In Sullivan’s Travels, Seitz’s lighting establishes many moods—from the brightly-lit studio scenes that reflect Paramount’s own glossy tone to the darker moments depicting two shadows passing through a shantytown. One of the virtuoso shots in the film comes early when Sullivan is pitching his “Oh, Brother, Where Art Thou?” idea to the studio brass. In order to save time and money, Seitz and Sturges were able to pull off the scene in one unbroken take. Though they would shoot it a few times, they were able to condense two days of work into one. It’s a shot that lasts over four minutes.\nSullivan’s Travels is a film that successfully mixes the genres of comedy and melodrama. What starts out like another madcap comedy becomes a distant cousin to John Ford’s The Grapes of Wrath and William Wellman’s Wild Boys of the Road. The film shifts moods as its main character discovers the real world and begins to understand his place in it. Sullivan has his epiphany in a church, but it’s not the religious conversion one might expect. The fable-like scene with the black congregation is the key sequence in the film, and here, the characters are treated with respect– not as racial caricatures. The preacher, played by Jess Lee Brooks, brings a dignity to his characterization.\nThe film is a wry satire on Hollywood, but it’s also a screwball comedy that shows a self-conscious use of Hollywood convention. For instance, the presence of Veronica Lake is itself a convention—a reminder that “There’s always a girl in the picture.” It’s as though John Sullivan were travelling through the antics of one of his own movies—a world designed of comic convention and slapstick. Here, there are stereotypes such as the buffoonish black cook getting tossed around in the land yacht during a chase scene. It’s a world as artificial as the rear-screen projection we see as Sullivan and the girl ride the rails.\nBut Sullivan can never quite cross into the realm of reality as himself. When he tries, slapstick adventures lead him back to Hollywood. However, when an injury forces him to forget his purpose and he is no longer a director on a mission, he then experiences life in a new way. When he awakes to find himself on a train, after being knocked unconscious, there is no longer the rear-screen backdrops. There’s a shot of McCrea actually on a train with natural sunlight on him. Perhaps now that he exists in this new state of reality, the black members of the church seem more human and are no longer movie stereotypes. John Sullivan has finally crossed into a world not defined by movie conventions. Ironically, it will take a movie plot twist to return him to where he naturally belongs. McCrea’s performance is extraordinary because throughout most of the film he acts with misguided intentions and lacks a true sense of understanding. He’s pretentious in his pitch to the studio, and perhaps condescending in his belief that the good poor can be paid off in $5 bills for helping him understand. But in his last scene, McCrea reveals the genuine sincerity movie audiences had come to expect from him. We the audience believe Sullivan has indeed been awakened.\nIn the revelation scene, it’s interesting that Sturges uses a Mickey Mouse cartoon in the church, but this was only after he had failed to get the rights to a Charlie Chaplin short. Chaplin had denied the request. As a result, the uproarious laughter at the Mickey Mouse screening is a little forced, and it might’ve played better with Chaplin. For one thing, in terms of theme, John Sullivan has become the tramp character audiences had once identified with in the silent movies. Curiously, Chaplin was himself one of those comedy directors who would be accused of “preaching” in his films, having recently made The Great Dictator which, like Sullivan’s Travels, depicted a grim world situation but made its points through humor. Also of note, and directly related to silent cinema, are the long stretches in Sullivan’s Travels where there is no dialogue. Such an occurrence was rare in a Sturges film which was always famous for its dialogue. Here, there are very emotional sequences where everything is conveyed visually through action, camerawork and music.\nSullivan’s Travels received mostly mixed reviews when it was released and did just okay at the box office. Like so many other movies we now call classics, its reputation grew over the ensuing decades. It’s now recognized as one of the great works of cinema. Sullivan’s Travels is not so much a story of Hollywood as it is a story of how an artist interacts with the real world—a world whose problems cannot be solved easily. This is a theme that persists today. What is the role of the artist in society? And how can the artist reveal truth? This struggle remains at the core of a medium which balances art with commerce. It’s also a movie about accepting one’s place in the world. You don’t need to make another Grapes of Wrath if your calling is to make people laugh.\nIn Movies About the Movies, author Christopher Ames writes of the film, “Sullivan’s Travels appears to endorse escapist entertainment over socially conscious films, but it actually makes a subtler distinction: it argues against didactic message films… in favor of films that use humor, wit, and satire to examine social problems. Sturges, though a satirist, is hardly a radical, but it would be a mistake to see this film (or his others) as strictly escapist. In his travels, Sullivan learns not only respect for comedy, but also respect for his audience.”", "domain": "movie"}
{"url": "http://diaspor.gov.az/en/news-detail/the-breath-dedicated-to-the-captives-of-the-first-karabakh-war-was-presented-in-new-york-2564", "date": "2023-03-21T11:32:19Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296943695.23/warc/CC-MAIN-20230321095704-20230321125704-00253.warc.gz", "language_score": 0.9634553790092468, "token_count": 327, "dump": "CC-MAIN-2023-14", "global_id": "webtext-fineweb__CC-MAIN-2023-14__0__265341768", "lang": "en", "text": "“The Breath” dedicated to the captives of the first Karabakh War was presented in New York7 March, 2023\nThe presentation ceremony of the short film \"The Breath\" dedicated to the prisoners of the First Karabakh War took place at the famous New York cinema \"Village East\" The film is directed by Azerbaijani Elmar Bayramov, who currently lives in the United States.\nThe ceremony was held with the support of the State Committee on Work with Diaspora, Heydar Aliyev Foundation and the members of the Azerbaijani community. The participants of the ceremony honored the memory of the victims of the Khojaly genocide and martyrs of the war with a minute of silence.\nSpeaking at the event, Elshad Aliyev, Deputy Chairman of the State Committee for Work with Diaspora, congratulated director Elmar Bayramov and the creative team and stressed the importance of the film's message.He thanked Heydar Aliyev Foundation and the members of the Azerbaijani community.\nAfter the presentation ceremony, the director of the film, Elmar Bayramov answered the questions from the audience. The director said that that he spoke with more than 20 people who were released after being taken hostage. The screenplay of the film \"The Breath\" is based on true story.\nAs part of the event, a photo exhibition dedicated the Khojaly genocide was demonstrated.\nThe participants of the event were given booklets about the Khojaly genocide prepared by the Heydar Aliyev Foundation.", "domain": "movie"}
{"url": "https://ambr-recyclers.org/2023/10/chasing-arrows-the-truth-about-recycling-watch-party-toolkit/", "date": "2024-04-25T07:49:09Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712297290384.96/warc/CC-MAIN-20240425063334-20240425093334-00328.warc.gz", "language_score": 0.9506347179412842, "token_count": 139, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__140547230", "lang": "en", "text": "In August 2022, the Alliance of Mission-Based Recyclers released, “Chasing Arrows: The Truth About Recycling,” a short film highlighting the role of recycling in addressing the plastic pollution crisis. The film was produced by Peak Plastic Foundation, an Emmy Award-winning filmmaking collective working toward ending fossil fuels.\nSince its release, AMBR has received many inquiries on screening the film for educational purposes, community awareness, and advocacy initiatives. We encourage film screenings and have created a toolkit to help support and facilitate film screenings and watch parties.\nShould you need any additional material or information, please do not hesitate to reach out to us at [email protected].", "domain": "movie"}
{"url": "http://www.moreechampion.com.au/story/188885/moree-teens-to-star-in-new-film/", "date": "2013-05-20T20:55:35Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2013-20/segments/1368699238089/warc/CC-MAIN-20130516101358-00012-ip-10-60-113-184.ec2.internal.warc.gz", "language_score": 0.9796019196510315, "token_count": 461, "dump": "CC-MAIN-2013-20", "global_id": "webtext-fineweb__CC-MAIN-2013-20__0__178192995", "lang": "en", "text": "Ivan Sen, director of highly acclaimed films Toomelah and Beneath Clouds, is making another film starring young actors from Moree.\nThe film crew travelled through town to pick up locals Angela Swan and Patricia Whitton last Wednesday ahead of a 10-day filming stint in Winton, QLD.\nSen’s previous films have won a host of awards including the UNESCO Asia Pacific Fim Screen award (Toomelah) and the Berlin Film Festival (Beneath Clouds.\nToomelah was also screened at Cannes Film Festival.\nThe two girls will play characters in the murder mystery film titled “Mystery Road”.\nThe film’s plot has been kept under wraps for filming, but marketing manager Jan Van Roey told the Champion the film would revolve around the murder of a schoolgirl.The film will also feature the Connors family who also starred in the Toomelah film.\nAngela’s mother Angie Swan said Mr Sen had come to Moree in April looking for locals with a talent for acting who might like to be in the film.\nAngela and Patricia both did an audition for Mr Sen which required them to read lines from an interview scene with actor Aaron Peterson (of City Homicide fame) who would also be in the film.\nAlthough she is only 15, Angela said she was not intimidated during the audition.\n“I just acted normally. It didn’t really worry me,” she said.\nAngela then had to do another audition in June before she was told she had secured the part.\nThe actors have not yet been told who their characters will be.\nMichael Connors, from Toomelah, said Mr Sen had a very relaxed filming style, often allowing the actors to improvise their lines.\nHe said the young actors had a lot of great experiences ahead of them.\n“(Making the film) is enjoyable, and you don’t know what it’s like until you try it. You go to places you’ve never been and see things you’ve never been able to see before.”\nA release date for the film is yet to be confirmed.", "domain": "movie"}
{"url": "https://fondspascaldecroos.org/en/supported-projects/la-fille-du-grand-monsieur", "date": "2023-12-02T12:02:36Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100399.81/warc/CC-MAIN-20231202105028-20231202135028-00336.warc.gz", "language_score": 0.9614703059196472, "token_count": 136, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__163231454", "lang": "en", "text": "Emma Dardenne, a widow living alone in Brussels (Belgium), was born in Rwanda in 1908 from a Rwandan mother and captain Heinrich von Bethe, a German officer on post in the German colony at that time. Despite the age of 95 and accompanied by her daughter Paulette and her grandson Manu she decides to revisit Rwanda to finally give them clear proof of her childhood stories.\nEmma takes us by the hand to travel through time and space to the shores of Lake Kivu, where she's still named 'La fille du Grand Monsieur.\nA documentary of 53 minutes.\nPremière: 1 October 2005.", "domain": "movie"}
{"url": "https://florenceandtuscanyguide.com/en/were-rolling-florence-and-the-cinema/", "date": "2023-09-26T23:03:07Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510225.44/warc/CC-MAIN-20230926211344-20230927001344-00265.warc.gz", "language_score": 0.949890673160553, "token_count": 317, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__94378503", "lang": "en", "text": "Walking through the streets of the center we will discover the places where great film directors have chosen the history and beauty of Florence as the irreplaceable setting for their masterpieces.\nFilms such as \"Room with a View,\" \"Hannibal,\" \"Tea with Mussolini,\" and \"Inferno\" are films that give us splendid images of the city while making us dream with stories expertly directed by directors such as James Ivory, Ron Howard and Ridley Scott.\nIn fact, we will follow the footsteps of Professor Langdon, further and further down into hell, in that Dantean Florence shrouded in mystery, but also those places where Anthony Hopkins, playing Dr. Hannibal Lecter, will meet Inspector Rinaldo Pazzi (Giancarlo Giannini), a descendant of the historical Florentine family, who will try to bring him to justice.\nBut a special place in the heart of Florence is for the Florentine director Franco Zeffirelli, who unfortunately passed away a few years ago, of whom we will visit the museum of the Foundation born in 2017, where we can admire stage costumes and more than 250 sketches and drawings that lead us through the life of the great director, a life completely dedicated to the world of theater and cinema. In his film \"A Tea with Mussolini\", starring the amazing Cher and actresses of the calibre of Maggie Smith and Joan Plowright, we relive the times and the lives of a group of English ladies in Fascist Florence.\nCome and discover the magic of cinema!", "domain": "movie"}
{"url": "https://matematikacerdas.wordpress.com/2010/01/27/25-film-aksi-terbaik/", "date": "2020-01-29T16:19:59Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-05/segments/1579251799918.97/warc/CC-MAIN-20200129133601-20200129163601-00132.warc.gz", "language_score": 0.9085014462471008, "token_count": 3606, "dump": "CC-MAIN-2020-05", "global_id": "webtext-fineweb__CC-MAIN-2020-05__0__9379980", "lang": "en", "text": "The 25 Best Action Movies\nThey don’t call ’em motion pictures for nothing. At its heart, film is about motion, forward movement, momentum, unfolding spectacle. In a word, action.\nThere’s no medium like the movies for telling stories that are about the pure joy of movement, the heart-pounding excitement of grand events taking place before your eyes, the thrill of witnessing brave and foolhardy deeds you’d never attempt in real life. No wonder action films are a beloved movie genre. And these are 25 of our favorites.\n(Note: While the overlap with action-oriented subgenres like fantasy, sci-fi and superhero mandated their inclusion here, we did not include Westerns or war films.)\n25. ‘Blade Runner’ (1982)\nRidley Scott’s futuristic film noir may be the most expensive (and influential) cult movie of all time. Harrison Ford’s elegantly rumpled, rain-drenched, android-hunting sleuth finds himself outclassed by his prey (particularly noble villain Rutger Hauer), the ‘Metropolis’-influenced architecture of 2019 Los Angeles, and the crisis of human identity at the heart of this Philip K. Dick story. (But he still manages to be a typically Fordian man of action, acrobatic, resourceful, and with a very high pain threshold.) Look for the version without the superfluous voiceover, a cut that does a better job of preserving the ambiguity of whether Ford’s gumshoe is himself human or replicant.\n24. ‘First Blood’ (1982)\nSylvester Stallone launches his second-most famous action hero franchise with this surprisingly somber and thoughtful tale of a Vietnam vet gone rogue. When he snaps, this Green Beret plays the part of the Viet Cong, living a guerrilla existence in the woods and holding his own against a numerous, well-armed enemy. In later films, Stallone would pump John Rambo into a steroidal cartoon, single-handedly capable of avenging America’s Vietnam disgrace and winning the Cold War, but here, he’s just a lone, desperate man, and all the more powerful for that.\n23. ‘Spider-Man 2’ (2004)\nOf the three Spidey films, this one has the most heart, but also some of the best action, from the clever opening sequence (Spidey as pizza boy) to the robo-tentacled menace of Dr. Octopus (Alfred Molina). Tobey Maguire’s Peter Parker struggles poignantly between being a hero and being a schlub like the rest of us, a tension satisfyingly resolved in the heart-stopping runaway elevated train sequence. Yep, you’re a hero, Spidey, but sometimes, even you need help. Don’t worry, we’ve got your back.\n22. ‘Enter the Dragon‘ (1973)\nLots of kung fu stars can credibly take on an army of bad guys single-handedly, but no one seemed to have as much fun doing it as Bruce Lee. No muss, no fuss, minimal dialogue and character development, just gleeful, beautifully choreographed violence. ‘Fists of Fury’ may be Lee at his purest, but his final film, ‘Enter the Dragon,’ is probably his most accessible to Western audiences. With its claw-wielding villain and hall of mirrors finale, it’s also one of his most stylish and widely imitated.\n21. ‘Top Gun’ (1986)\nA valentine to military hardware and male bonding, ‘Top Gun’ has a rudimentary plot and laughable dialogue, but who cares? It’s all about the awesome F-14 fighter jets, which gleam almost as brightly as Tom Cruise’s grin. Like most Cruise movies, this one’s all about his character working out his daddy issues, but still, his swaggering Maverick gives us Cruise at his cockiest. He’s a walking Navy recruitment poster, and he’ll satisfy your need… your need for speed.\n20. ‘The Wages of Fear’ (1953)\nLeave it to the French to bring existentialism to the action movie. Of course, if you’re Yves Montand and you’re charged with the impossible task of driving a convoy of trucks loaded with nitro over bumpy mountain roads, you’d start questioning your place in an uncaring universe, too. Two and a half hours of nail-biting suspense make this an action winner in any language (not to mention a model for philosophical French action filmmakers from Melville to Besson). ‘The French Connection”s William Friedkin remade this in 1977 as ‘Sorcerer,’ itself an underrated action gem.\n19. ‘The French Connection’ (1971)\nThe 1970s was a golden era for pulpy, gritty cop dramas, and they didn’t come pulpier or grittier than this based-in-fact drama. William Friedkin’s influential film won Oscars for Best Picture, Director, and Actor, but there’s no shortage of fistfights, gunplay, or other action in this tale of a New York cop (Gene Hackman) who’s tougher and more dangerous than the heroin smugglers he hunts down. More of a public menace, too, judging by Hackman’s careening race against an elevated train, still one of the most hair-raising car chase sequences ever filmed.\n18. ‘The Road Warrior’ (1981)\nOne of the rare sequels that’s even better than the original, this follow-up to ‘Mad Max’ cemented Mel Gibson’s status as an international star. As the unlikely savior of a group of gas hoarding families facing a marauding tribe of punk bandits, Mel turns a post-apocalyptic fairy tale into an epic chase. The characters may be short on fossil fuel, but the movie doesn’t stint on forward motion.\n17. ‘Gladiator’ (2000)\nRevenge is a dish best served cold, and nobody serves it more chillingly than Russell Crowe, who barely raises his voice as he avenges his wife and son by bringing down an empire. Buried beneath the swordplay is some modern satire about our age of media spectacle (and how political power is won and lost by manipulating the masses through entertainment), and director Ridley Scott shoots the film like a contemporary, digital-video war movie. But really, this Best Picture Oscar-winner is pretty much only about old-fashioned ass-kicking. “Are you not entertained?” Crowe demands. Yes, yes we are.\n16. ‘Lethal Weapon’ (1987)\nMel Gibson and Danny Glover create the template for the buddy-cop action comedy with this story of mismatched detectives who are magnets for mayhem. Later movies in the series went over the top with cartoonish spectacle, but here, where the two are still warily approaching each other like coiled rattlesnakes, there’s still some enjoyable conflict between them. Loose cannon Gibson and stolid family man Glover have an unlikely chemistry; they’re like the Two Stooges, only more competent.\n15. ‘The Dark Knight’ (2008)\nTechnology is usually Batman’s friend, since he’s a superpower-less superhero dependent entirely on skills and gadgets, as well as the center of an action franchise dependent on explosions and FX. But here, the Joker turns technology against the Caped Crusader, and it’s Heath Ledger’s Oscar-winning, incandescent performance as the anarchist villain that is the film’s most explosive special effect. Sometimes, though, that’s all you need, and it’s the Joker’s unfathomable, impenetrable mask of menace that keeps the film hurtling headlong for two and a half hours.\n14. ‘The Great Escape’ (1963)\nBased on a true story of a WWII POW camp prison break, this epic adventure features a rogue’s gallery of future two-fisted action stars, including Charles Bronson, James Coburn, James Garner, and scowlin’ Steve McQueen, who executes a legendary motorcycle jump at the film’s climax. The model for all wartime ensemble-capers to come, from ‘The Dirty Dozen’ to ‘Inglourious Basterds.’\n13. ‘The Seven Samurai’ (1954)\nThis Japanese classic marks the birth of the action film as we know it. Akira Kurosawa’s epic, about a team of underemployed samurai who rise to the occasion when hired to protect a village from a gang of bandits, pioneered such action tropes as the stand-alone prologue and the use of slow motion for dramatic effect. No one could choreograph a battle like Kurosawa (using moving tides of men, or close-ups to make war scenes look more populous), though many borrowed his techniques. At the heart of the film is the clash between traditional codes of honor and evolving social roles, which made the movie perfect for adaptation into a Hollywood Western (1960’s excellent ‘The Magnificent Seven’).\n12. ‘Hard Boiled’ (1992)\nProposition: Chow Yun-Fat is the most charismatic action star ever. Need proof? Watch the hospital climax of this film as Chow fights off the bad guys with a gun blazing in one hand and a crying baby in the other. Who else could pull that off? Besides director John Woo, of course, at the peak of the early Hong Kong period of his career, reaching new heights of lush, stylized violence.\n11. ‘Goldfinger’ (1964)\nAll the elements we know and love in the James Bond film formula really came together for the first time in the third film of the venerable franchise. There’s lasers, nukes, a pimped-out car full of cool spy gadgets (the Aston-Martin DB5, still the 007 connoisseur’s favorite car), a bizarre and eccentric villain, a ruthlessly efficient henchman (the unforgettable, silent Oddjob, with his lethal bowler hat), an army of beautiful and deadly women, and the baddest of all Bonds, Sean Connery. If that’s not enough, there’s also Honor Blackman’s Pussy Galore, the most brazen, butt-kicking Bond girl ever.\n10. ‘The Bourne Ultimatum’ (2007)\nMatt Damon’s resourceful, brutally efficient assassin turns out to be the perfect spy for an age of soulless corporatism and job insecurity. He manages to sustain his drive for vengeance against his bosses throughout three movies, and even though he has some severe disadvantages (like amnesia), it’s really not a fair fight. All three movies are gripping, taut thrillers that debunk the James Bond spy movie template (Bourne enjoys precious little in the way of glamour, gals, and gadgets), but the third one finds director Paul Greengrass exploring new ways to create excitement, whether through editing or reinventing the car chase yet again.\n9. ‘Kill Bill: Vol. 1‘ (2003)\nThere’s more swordplay crammed into Quentin Tarantino’s tale of elaborate vengeance than in any dozen samurai movies combined. Much of it comes in the celebrated House of Blue Leaves sequence, where Uma Thurman’s single-handed dispatching and dismemberment of an army of thugs goes beyond cartoonish excess to achieve some kind of demented poetry and grace. Thrilling as the Bride’s exploits are, it’s clear she’s going to have to pay a price herself somewhere down the road. Nobody serves up revenge bloodier than Tarantino — or with greater awareness of revenge’s psychic toll.\n8. ‘Aliens’ (1986)\nIf the original ‘Alien’ was an austere haunted house movie in space, James Cameron’s sequel is an all-out battle epic, species vs. species in a fight to planetary extinction. Cameron’s movies often have a message, but this one (aside from some mild anti-corporatism directed at Paul Reiser’s weaselly company man) is just about continuous, visceral, kinetic action. Oh, and about admiring (as Cameron often does) the strength of women, whether it’s the alien queen or cinema’s most badass heroine ever, Sigourney Weaver’s Ripley.\n7. ‘Speed’ (1994)\nOn paper, this preposterous ‘Die Hard’-on-a-bus caper shouldn’t have worked. Still, the mysterious chemistry among straight-arrow Keanu Reeves, plucky Sandra Bullock (in the role that made her a star), villain Dennis Hopper, and foil Jeff Daniels, plus the unstoppable forward momentum provided by director Jan de Bont, makes for a fittingly explosive combination.\n6. ‘Terminator 2: Judgment Day’ (1991)\nJames Cameron raises the bar again, this time with the CGI breakthrough of the morphing, protean T-1000 villain. Even without the influential special effects, there’s still plenty of old-school action in the form of chopper-riding Arnold Schwarzenegger and bicep-baring Linda Hamilton. All that, plus a moving story about parenthood, technology, and destiny.\n5. ‘Star Wars: Episode V – The Empire Strikes Back’ (1980)\nHardcore ‘Star Wars’ fans cite Irvin Kershner’s pivotal sequel as the best of the franchise’s six films. Besides some breathtaking action sequences (the snowy battle on planet Hoth, Luke’s Jedi training, that final lightsaber duel between Luke and Darth Vader), there’s the overall sense of foreboding, the spectacle of the cloud city, the treacherous charm of Lando Calrissian (Billy Dee Williams), the grim efficiency of bounty hunter Boba Fett, and of course, the best third-act plot twist in the history of modern cinema.\n4. ‘The Lord of the Rings: The Return of the King’ (2003)\nThere are some landmark action sequences in all three of the ‘Rings’ films, from the combat in the mines of Moria in the first movie to the brutal siege of Helms Deep in the second. But they pale next to the epic battle of the Pelennor Fields in ‘Return of the King.’ Peter Jackson also pushes the envelope with the army of ghosts, the giant spider, and the tear-jerking spectacle of sidekick Sam (Sean Astin) coming into his own as a hero capable of bearing any burden. Even after the victory over Sauron, you’ll feel battle-weary and cathartically sad.\n3. ‘Die Hard’ (1988)\nThe granddaddy of all latter-day action films, with its much-imitated, claustrophobic, hostages-in-an-unlikely-place plot. Director John McTiernan’s fondness for explosions and shattered glass makes the film seem more extravagant than it really is; there’s not a wasted scene or piece of information, and there’s a seamless blurring of the distinction between action and character development. Performance turns out to be crucial, which is why this movie made both hero Bruce Willis and villain Alan Rickman into instant movie stars.\n2. ‘The Matrix’ (1999)\nThe most influential action movie of the digital era, largely for the way it erased the boundary between action film and videogame. Think of how much in this film quickly became a cliché when copied by others (the motion-stopping “bullet time,” Yuen Wo-Ping’s elegantly choreographed wire-fu). Plus, there was a graduate seminar’s worth of postmodern philosophy and theology stuffed into the film’s mind-bending premise. An action film that really makes you think? As Keanu Reeves’ Neo so elegantly put it, “Whoa.”\n1. ‘Raiders of the Lost Ark’ (1981)\nBecause of its instantly iconic Harrison Ford hero, its two hours of nonstop forward momentum, its clever updating of stock adventure clichés (like when an impatient Indy dispatches a swordsman by shooting him), its hard-drinking heroine (Karen Allen) who’s as tough and quick-thinking as Indy, and its endless inventiveness and creativity, we think ‘Raiders’ will endure as the best action movie ever made.", "domain": "movie"}
{"url": "http://rankedeal.com/jedi-art.html", "date": "2019-06-19T14:55:04Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-26/segments/1560627999000.76/warc/CC-MAIN-20190619143832-20190619165832-00555.warc.gz", "language_score": 0.8927900791168213, "token_count": 294, "dump": "CC-MAIN-2019-26", "global_id": "webtext-fineweb__CC-MAIN-2019-26__0__135965055", "lang": "en", "text": "Just as Star Wars: Episode VI Return of the Jedi completed the most successful cinematic trilogy of its generation, perhaps of all time, this splendid thirtieth-anniversary tribute completes New York Times bestselling author J. W. Rinzler’s trio of fascinating behind-the-scenes books celebrating George Lucas’s classic films. Once again, the author’s unprecedented access to the formidable Lucasfilm Archives has yielded a mother lode of extremely informative, vastly entertaining, and often unexpected stories, anecdotes, recollections, and revelations straight from the closely guarded set of a big-screen blockbuster in the making. Brimming with previously unpublished photos, production artwork, script excerpts, exclusive intel, vintage on-set interviews, and present-day commentary, The Making of Star Wars: Return of the Jedi chronicles “how George Lucas and his crew of extroverted artists, misfits, and expert craftspeople roused themselves to great heights for a third time” to create the next unforgettable chapter in one of the most beloved sagas of all time. Get up close to the action and feel like a studio insider as • creator George Lucas, Oscar-nominated screenwriter Lawrence Kasdan, and director Richard Marquand huddle in a script conference to debate the des...\n- ASIN: 0345511468\n- Brand: Lucas Books\n- ASIN: 0345511468Part No: 9780345511461", "domain": "movie"}
{"url": "http://acgart.gr/ACG-COLLECTION/ARTISTS/M/MaiJ/MaiJ1985vegg.htm", "date": "2021-10-22T07:55:57Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-43/segments/1634323585460.87/warc/CC-MAIN-20211022052742-20211022082742-00077.warc.gz", "language_score": 0.9819513559341431, "token_count": 704, "dump": "CC-MAIN-2021-43", "global_id": "webtext-fineweb__CC-MAIN-2021-43__0__79425081", "lang": "en", "text": "CM: Thanasis Veggos was a talented actor and amazing comedian. He was born to an impoverished family on 29 May 1927 in Piraeus. He made his debut in 1952. His first major role was in \"Psila ta Heria Hitler\" (Hands Up, Hitler), 1962. He often performed layman characters struggling to get by, but also anti-heroes. He starred in pure dramas, and acted on stage in Aristophanes' comedies. His characters are often named 'Thanasis'. He often worked with director Giorgos Lazaridis. A documentary of his life, whose title translates as \"A Man for All Seasons\", was made in 2004. He executed dangerous scenes without ever using a stuntman in his place. During the golden 60s of the Greek film industry he made famous films, like the sequel of \"Mystikos Praktor 000\" (Secret Agent 000), \"Papatrehas\" (Paparun), \"Enas Trellos Veggos\" (A Mad Veggos) and many others, most of them by his own company 'Thou-Vou Tainies Geliou' (T-V Laughter Films). Of course he never got his money back, as the perfectionist Veggos made these films expensive.\nOn a personal level, Veggos was exiled to Makronisos Island for political reasons from 1948 to 1950. On Makronisos he met director Nikos Koundouros, also exiled there, who in 1955 gave him his debut movie role in \"Magiki Polis\" (Magical City), and in 1956 the film \"The Dragon\" on a script by Iakovos Kambanellis. We will never forget his performance in the films \"Ti ekanes ston polemo Thanasi\" (What did you do in the war Thanasis) in 1971, and \"Thanasi pare t'Oplo sou\" (Thanasis, get your Gun) in 1972, both directed by Dinos Katsouridis, and his participation in \"Isyhes Meres tou Avgoustou\" (Quiet Days of August) in 1991, directed by Pantelis Voulgaris, and the film \"To Vlemma tou Odyssea\" (Ulysses' Gaze) in 1995 by Theo Angelopoulos.\nIn 2000 Veggos' car crashed, owing to his negligence, into a train, but he miraculously survived, as if it were a cinematic role. He later did advertisements on car safety and education. Veggos was married and had two children, living in Agia Paraskevi. In 2008, Veggos was appointed Commander of the Order of the Phoenix by the President of the Hellenic Republic, Karolos Papoulias.\nJannis Maillis took this photograph of his friend, Veggos, in his dressing-room. The photographer's wife, Mrs. Anna Maillis, recounts how - upon seeing his friend ready to take the shot - Veggos threatened to undress, which is what this photograph caught him doing. For Thanasis Veggos life and art was one and the same thing.\nThanasis Veggos died at 84 on 3 May 2011. His work will live on to amuse and inspire future generations of Greeks, as if he never parted from us.", "domain": "movie"}
{"url": "http://www.mostwantedstudio.com/portfolio/back-in-fashion/", "date": "2018-03-20T19:40:13Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-13/segments/1521257647530.92/warc/CC-MAIN-20180320185657-20180320205657-00524.warc.gz", "language_score": 0.7803535461425781, "token_count": 416, "dump": "CC-MAIN-2018-13", "global_id": "webtext-fineweb__CC-MAIN-2018-13__0__199830214", "lang": "en", "text": "Back In Fashion\n“Back In Fashion” is an animated short film produced by Most Wanted Studio and directed by Belinda Bonan.\nPascal Benard, one of the best designers of all time, has returned to the world of fashion after his sudden withdrawal in the late 90s. The fact has such repercussion, that the mythical BPC is shooting a special program about his return for the documentary series “Back in Fashion”.\n- Summa 3D, Madrid (Spain), Jul-2016 / “Short Film Project” / AWARDED 3rd PRIZE\n- Mundos Digitales, A Coruña (Spain), Jul-2017 / “Best National Short Film”\n- Palena Film Festival, Palena (Italy), Aug-2017 / “Best Animation” / AWARDED\n- Shorts México, Ciudad de México (México), Sep-2017 / “Iberoamerican Animation Competition”\n- Madrid Art Film Festival, Madrid (Spain), Sep-2017 / “Animation” Semi-finalist\n- Kansas International Film Festival, Kansas City (USA), Nov-2017 / “Best Animation”\n- PSIAF Palm Springs International Animation Festival, Palm Springs (USA), Nov-2017 / “Best Animated Short”\n- Zinebi 59, Bilbao (Spain), Nov-2017 / InfoSpain (non competitive)\n- Festival de Cine de Zaragoza, Zaragoza (Spain), Dec-2017 / “Best Animation”\n- Winchester Short Film Festival, Winchester (UK), Nov-2017 / WSFF_17 Official Long List\n- Premios de Animación Comunidad De Madrid, Madrid (Spain), Oct-2017 / “Best Animated Short”\n- Animalada, Festival de Animación de Sevilla, Sevilla (Spain), Nov-2017 / “Best National Animated Short”", "domain": "movie"}
{"url": "http://mostpopularmovies.net/7-outstanding-features-of-woomovies-that-grab-every-movie-lover-attention/", "date": "2017-09-20T23:42:58Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-39/segments/1505818687582.7/warc/CC-MAIN-20170920232245-20170921012245-00626.warc.gz", "language_score": 0.9493448138237, "token_count": 542, "dump": "CC-MAIN-2017-39", "global_id": "webtext-fineweb__CC-MAIN-2017-39__0__175531738", "lang": "en", "text": "Watching movies is the easiest way to shut out boredom but choosing the right platform to watch movies can be a pain. Picking a website without knowing its review can be annoying. Sometimes such websites are a scam.\nWoomovies can be chosen for online streaming of movies because it has no such issues. This website is easy to use with simple features for users. Keep yourself delighted with this website because it is a platform that can never push you towards displeasure. Let us view some key features provided by Woomovies:\nThe movies present on this website are organized in such a way that they are listed below categories like genres and their release year. Genres include action, comedy, drama, documentary, romance, fantasy, horror and a lot more. Movies that are categorized under release year starts from 2010 to present year.\nWoomovies contains search function. It is present in all online movies streaming websites. Similarly, this website also provides this characteristic. Users can search for websites that cannot be found on the home page. Searching for movies will get you your movie in a faster way.\nLike every other website, Woomovies also contains control options. While you are watching movies, you can watch it full screen, control its volume, select HD quality and change subtitles settings. You can watch movies just the way you like it. Visit Woomovies\nList of best free movie sites:\n- Tubi TV\n- Top Documentary Films\n- Classic Cinema Online\n- Free Movies Cinema\n- Internet Archive\nUsers are also given a list of suggestions from which they can choose their next movie to watch. These recommendations include related movies to what you have watched previously. The website is efficient enough to provide you a catalog with movies you like.\nReview and rating\nWhichever movie you wish to watch have a review already present on this website. There is complete information of directors, producers, casts, etc. Moreover, users are also presented with the rating of a movie. This helps in understanding how the movie is.\nWoomovies has a plus point in adding recent movies on their list. All new movies and TV shows are added to their list. Also, they are for keeping all new and trending movies in one place so that users can view them altogether. Every new movie can be found on the home page of this website.\nFree and safe\nWe can now watch our movies with all these features needed by us. We will no longer be bored in lousy weathers or on our vacations. Woomovies has met our needs. You can always try out Woomovies because it is free to use. Its natural functions are understandable for everyone to use.", "domain": "movie"}
{"url": "https://bachtrack.com/es_ES/review-brabbins-watts-vaughan-williams-scott-antarctic-bbcso-barbican-march-2022/amp=1", "date": "2022-06-27T11:32:34Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103331729.20/warc/CC-MAIN-20220627103810-20220627133810-00494.warc.gz", "language_score": 0.9857479333877563, "token_count": 356, "dump": "CC-MAIN-2022-27", "global_id": "webtext-fineweb__CC-MAIN-2022-27__0__67578959", "lang": "en", "text": "Martyn Brabbins and the BBC Symphony Orchestra, as part of their celebrations of the Vaughan Williams 150th anniversary, performed a live orchestral version of the score to one of the iconic British films of the 1940s, Scott of the Antarctic. Rarely has a film score had such a rich and varied life beyond it being part of a creative whole. Vaughan Williams was so enthusiastic about the project that he composed a massive score even before the film was made. So, when the film was being edited, they had all the music they needed to hand. Inevitably much of the score was not used and the composer was loathe to let this material disappear without trace. The result was his later refashioning of the whole score into the Sinfonia Antartica. Nevertheless the music that remained is a substantial achievement and adds significantly to the films enduring appeal.\nWhat interested Vaughan Williams was not the heroism of the ill-fated adventure, but Scott’s foolhardiness at trying to tame a nature so harsh and alien without proper preparation or respect for it and every bar of his score for this film is imbued with tragic foreboding. The theme of man’s insignificance in the face of huge forces had been present in many of his works from the Sea Symphony to his operatic masterpiece, Riders to the Sea. Vaughan Williams is often thought to be a fluffy composer of folk-inspired lighter works, but in fact, if you look at his output, the majority of his works are dominated by an obsession with death and the end of things. Sometimes this end can lead to an agnostic heaven, as in the Fifth Symphony, and at other times it leads to defeat and bleakness, as in his Sixth Symphony.", "domain": "movie"}
{"url": "https://johannesburg.consulfrance.org/EUROPEAN-FILM-FESTIVAL-3-6-15-May-2016", "date": "2020-10-31T13:34:15Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-45/segments/1603107918164.98/warc/CC-MAIN-20201031121940-20201031151940-00165.warc.gz", "language_score": 0.869132399559021, "token_count": 682, "dump": "CC-MAIN-2020-45", "global_id": "webtext-fineweb__CC-MAIN-2020-45__0__210219461", "lang": "en", "text": "EUROPEAN FILM FESTIVAL#3: 6 -15 May 2016 [fr]\nThe European Film Festival (EUFF) is back in South Africa for its third edition from 6 to 15 May 2016. \"Just as films tell stories, a film festival aims to do the same\" says Festival Director Katarina Hedrén.\nThis special edition of the European Film Festival will focus on the ongoing story of Europe.\nSter-Kinekor will be screening 11 European feature length films at Cinema Nouveau theatres in Johannesburg, Pretoria, Cape Town and Durban during the festival. These 11 multi-awarded films, which have been the toast of the international film festival circuit, have never been screened before in South Africa.\nMACONDO (Austria); BELGIAN RHAPSODY (Belgium); CHOCOLAT (France); LABYRINTH OF LIES (Germany); FIRE AT SEA (Italy); A FAMILY AFFAIR (Netherlands); BODY (Poland); MONTANHA (Portugal); FLOWERS (Spain); SOMETHING MUST BREAK (Sweden); AMY (UK).\nThe French film of the selection is Chocolat (Monsieur Chocolat) by Roschdy Zem. Starring Omar Sy from The Intouchables (2011), this bio-pic tells of Cuban-born Rafael Padilla, who rose to fame in France in the late 1800s. Under the stage-name Chocolat and together with the white clown Footit, Padilla gains popularity with racist circus-routines that reduce him to a buffoon. When he tries to carve out a more dignified niche for himself, the same audiences that loved the racist cliché turn their back on him. Roschdy Zem has explored the theme of racism both as an actor and director. He continues to do so in this bio-pic, praised for its historically accurate feel.\nWatch the trailer here:\nRosenbank Cinema Nouveau (Johannesburg): 8,15 May 2016\nBrooklyn Cinema Nouveau (Pretoria): 6,11 May 2016\nV&A Cinema Nouveau (Cape Town): 9,14 May 2016\nGateway Cinema Nouveau (Durban): 8 May 2016\nBookings open on 15 April 2016, with tickets priced at R55. Secure your seat by visiting www.cinemanouveau.co.za or call 0861 668 437.\nFor more information, visit www.eurofilmfest.co.za or join the conversation on Twitter and Facebook: #EuroFilmFestSA\nPour de plus amples informations, rendez-vous sur www.eurofilmfest.co.za.\nThe European Film Festival is coordinated by the Goethe-Institut South Africa, hosted by Ster-Kinekor Cinema Nouveau, and organised in partnership with the European Union and 11 European cultural agencies or embassies in South Africa: the General Representation of the Government of Flanders, the French Institute, the Italian Cultural Institute, the Camões Institute, the British Council, and the Embassies of Austria, Belgium, the Netherlands, Poland, Spain and Sweden.", "domain": "movie"}
{"url": "http://arvadacenter.org/on-stage/2nd-annual-movie-night-sing-a-long-mamma-mia", "date": "2017-10-17T13:07:43Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-43/segments/1508187821189.10/warc/CC-MAIN-20171017125144-20171017145144-00368.warc.gz", "language_score": 0.8630244135856628, "token_count": 305, "dump": "CC-MAIN-2017-43", "global_id": "webtext-fineweb__CC-MAIN-2017-43__0__43909221", "lang": "en", "text": "2nd Annual Movie Night Sing-a-Long ~ Mamma Mia!\nCOVERED SEATING STILL AVAILABLE!\nCome sing with your friends at our 2nd Annual Summer Sing-a long movie night featuring the hit movie \"Mamma Mia!\"\nReleased in 2008, the hit movie features Academy Award winner Meryl Streep, Pierce Brosnan and Colin Firth as well as much of the famed musical catalog of the 1970s hit disco dancing band ABBA.\nSing along to the hit songs of ABBA like\n- \"Dancing Queen”\n- “Money, Money, Money”\n- “Take a Chance on Me”\n- “Lay All Your Love on Me”\n- and many more iconic ABBA songs!\nOur host will entertain and guide you through the songs. Seating is general admission in our amphitheater.\nDressing up is strongly encouraged\nand full audience participation is essential!\nArvada Center Outdoor Amphitheater\nTimes and Pricing:\nSaturday, May 31\ndoors open at 6:30 p.m.\nmovie starts at 8:30 p.m.\nPricing: Pay What You Want!\nTickets not available online so call the Box Office today at 720-898-7200 to get your tickets now!\nWatch this fun video featruing the song \"Mamma Mia\" from the Sing-a-long Movie Mamma Mia!", "domain": "movie"}
{"url": "https://northernindianaatheists.com/calendar-of-events", "date": "2019-08-21T07:57:13Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-35/segments/1566027315811.47/warc/CC-MAIN-20190821065413-20190821091413-00341.warc.gz", "language_score": 0.9222882986068726, "token_count": 308, "dump": "CC-MAIN-2019-35", "global_id": "webtext-fineweb__CC-MAIN-2019-35__0__43312737", "lang": "en", "text": "Join Northern Indiana Atheists, Humanist Forum, and Michiana Skeptics for movie night!\n$7 Adult, $6 Child/Student/Senior\n95 minutes / R\nChronicling the extraordinary rise of one of the most colorful and controversial religious movements in American history, Hail Satan? is an inspiring and entertaining new feature documentary from acclaimed director Penny Lane (Nuts!, Our Nixon). When media-savvy members of the Satanic Temple organize a series of public actions designed to advocate for religious freedom and challenge corrupt authority, they prove that with little more than a clever idea, a mischievous sense of humor, and a few rebellious friends, you can speak truth to power in some truly profound ways. As charming and funny as it is thought-provoking, Hail Satan? offers a timely look at a group of often misunderstood outsiders whose unwavering commitment to social and political justice has empowered thousands of people around the world.\n“A richly entertaining new documentary on the Satanic Temple’s exploits from director Penny Lane, who has become one of our foremost chroniclers of bizarro Americana.”\n“This light-footed movie is essentially a defense brief, on behalf of a group whose existence amounts to an ongoing prank-with-a-purpose.”\n“A movie that often seems to teeter on the line between doc- and mockumentary – a sincere examination of a social and political movement delivered with just a soupçon of Christopher Guest.”", "domain": "movie"}
{"url": "https://www.mentorshiptribe.com/destinova-short-film", "date": "2023-02-06T13:21:27Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-06/segments/1674764500339.37/warc/CC-MAIN-20230206113934-20230206143934-00529.warc.gz", "language_score": 0.9397228360176086, "token_count": 422, "dump": "CC-MAIN-2023-06", "global_id": "webtext-fineweb__CC-MAIN-2023-06__0__81159077", "lang": "en", "text": "The short film, Destinova is a motivational drama, based on the best-selling teen novel and film series, The Dirt Merchants, by the film’s writer and director, renowned keynote speaker and youth empowerment expert Henning Morales.\nDestinova focuses on a teenage couple, Bella and Quentin, during a conversation in a diner. It’s the morning of New Year’s Day 1986 and apparently Quentin and Bella have reconciled. They are now in the throes of an in-depth conversation in which Quentin confides in Bella, who in turn shares counsel with Quentin, demonstrating wisdom far beyond her years. There is a back and forth of loving, caring and a sharing of life lessons between the two.\nThe diner conversation is broken up by scenes of extreme motivation, chanting, cheering and singing in a sales pit. Apparently Quentin is an up and coming sales ace in an insane direct sales company; sales of merchandise on the streets, to anyone who will listen. Also peppered throughout the film are speeches by Corrado Banda, a charismatic, no nonsense, tough love motivational speaker.\nBy the end of the movie we see Quentin stepping up and maturing, while Bella has come to really appreciate the young man that Quentin is turning into.\nThe theme of the film is essentially the meaning of life for a kid; growing up. Kids call it ‘Destinova’ or ‘the kids’ fast destiny.” Their destiny is to grow up and become a responsible person, someone who cares about other people. We end the film with a celebration; a party of sorts at a night club to laud ‘Destinova’ in a fantastic and positive scene of happy people.\nThe film series:\nDestinova is adapted from The Dirt Merchants Volume 2 and 3 screenplays, sequels to Rebelistic (Dirt Merchants Volume 1) to be released over the summer of 2019. Destinova will be released on its own as a dramatic short later in 2019 after a series of screenings at select film festivals.", "domain": "movie"}
{"url": "https://www.longbeachstuff.com/2023/07/28/movies-in-the-park-schedule-long-beach-ca/", "date": "2023-09-27T05:03:23Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510259.52/warc/CC-MAIN-20230927035329-20230927065329-00100.warc.gz", "language_score": 0.9225863218307495, "token_count": 551, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__140022749", "lang": "en", "text": "There’s nothing quite like enjoying a movie under the stars, and in Long Beach, the Movies in the Park series makes this possible. This beloved summer tradition brings together families, friends, and neighbors for evenings of free entertainment in various parks around the city.\nWhether you’re a local or a visitor, young or old, these outdoor movie nights are a great way to enjoy the warm summer nights. Here’s the schedule for this year’s Movies in the Park.\nJuly: Family-Friendly Flicks\nKick off the summer with a series of family-friendly movies. On July 15th, catch “The Croods: A New Age” at El Dorado Park. This animated adventure is perfect for kids and adults alike, with its humorous storyline and lovable characters. The following week, on July 22nd, “Onward” will be showing at Signal Hill Park. This heartwarming tale of two elf brothers on a magical quest is sure to captivate audiences of all ages.\nAugust: Animated Adventures\nAugust continues the fun with more animated adventures. “Soul” will be playing at Whaley Park on August 5th. This Pixar film delves into deep and meaningful themes while still maintaining a light and entertaining tone, making it a great choice for both children and adults. The following week, on August 12th, “Raya and the Last Dragon” will be showing at Heartwell Park. This epic adventure film features a strong female lead and a captivating storyline that’s sure to keep audiences engaged.\nSeptember: End of Summer Specials\nAs summer winds down, so does the Movies in the Park series. But not before a couple more fantastic films. Don’t miss “The Lion King” at Los Cerritos Park on September 2nd. This classic Disney film is a favorite among many and is sure to bring a sense of nostalgia. The series concludes with “Moana” at Marine Stadium on September 9th. This film, set in the beautiful Pacific Islands, is a fitting end to a summer of outdoor movie fun.\nCheck Out Long Beach Stuff Today!\nThe Movies in the Park series is a beloved summer tradition in Long Beach, offering free entertainment in a relaxed, community-oriented setting. It’s a wonderful opportunity to spend time with loved ones, meet new people, and enjoy some fantastic films.\nSo grab your blankets, pack some snacks, and join us for a movie under the stars. Whether you’re a fan of animated adventures or classic Disney films, there’s something for everyone. We look forward to seeing you there!", "domain": "movie"}
{"url": "https://nancyfriedman.typepad.com/away_with_words/animals/page/2/", "date": "2023-03-28T08:33:55Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296948817.15/warc/CC-MAIN-20230328073515-20230328103515-00037.warc.gz", "language_score": 0.9439888596534729, "token_count": 297, "dump": "CC-MAIN-2023-14", "global_id": "webtext-fineweb__CC-MAIN-2023-14__0__196703341", "lang": "en", "text": "Sorry to Bother You, now in theaters, was filmed in Oakland, California, where I live, with lots of recognizable landmarks in the background. But its characters are citizens of at least one alternate realm as well. The film, written and directed by activist-musician Boots Riley, begins as a workplace comedy set in a grim telemarketing firm – the film’s title comes from the script that our hero, Cassius Green (Lakeith Stanfield), must deliver – and quickly takes some surreal hairpin turns.\nLakeith Stanfield (left) and Armie Hammer in Sorry to Bother You\nWe end up in the offices of the ironically named WorryFree company, whose CEO, the hyper-libertarian Steve Lift (a composite of Steve Jobs and Lyft?), makes Cassius (also known as “Cash,” in case you didn’t catch on immediately) a Faustian offer he ultimately can’t refuse: $100 million in exchange for transforming – just for five years, you understand – into a bipedal horse-human hybrid. In the lingo of the film: an equisapien. It’s a word that, as far as I can tell, Riley invented for the film.*\nI couldn’t find any images of Sorry to Bother You’s equisapiens, so here’s BoJack Horseman. More about him in a bit.", "domain": "movie"}
{"url": "https://www.15passenger.com/contests", "date": "2024-03-04T20:34:23Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476532.70/warc/CC-MAIN-20240304200958-20240304230958-00212.warc.gz", "language_score": 0.9359307885169983, "token_count": 399, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__154531107", "lang": "en", "text": "TIM KASHER WILL TRAVEL TO ONE LUCKY FAN FOR A PRIVATE SCREENING OF THE FILM AND SOLO SET IN THEIR TOWN\nPreorder Tim Kasher’s debut feature film, No Resolution, for $9.99 on iTunes for a chance to win a private screening of the film in your town with Tim*.\nInvite some friends, make some popcorn and watch No Resolution with Tim at your favorite bar, theater or even on your couch! Tim will do his best not to nervously gesticulate the entire time as you quietly judge his work, and afterward he’ll play a short set for you and your friends (or just you! But hopefully not just you: that’s kind of weird).\nBut WAIT WAIT WAIT, there’s MORE. Maybe you didn’t win the weird, potentially uncomfortable prize of Tim encroaching your personal space (or, perhaps you don’t live in the continental United States): there will also be 5 RUNNER UP WINNERS who will receive a LIMITED EDITION BLU RAY of the film with unique artwork made by 15 Passenger, hand numbered and signed by Tim. There is currently no plan to make DVDs or Blu Rays of this movie, so these are truly limited indeed.\nEntering is simple! Preorder the movie No Resolution on iTunes before it’s release date on Feb 13, 2018. Once you receive your receipt from iTunes please forward to info@15Passenger.com, and you are entered to win! We realize iTunes may not send the receipt until they deliver the movie, so please forward your iTunes receipt by end of day February 23rd. If you'd like to send a screenshot in the meantime, we will remind you to send us the receipt after release date if needed!\n*Screening contest is limited to the continental United States.\n*Blu-Ray contest is worldwide.", "domain": "movie"}
{"url": "http://shellygreenstein.weebly.com/blog/the-theory-of-everything-review", "date": "2019-05-22T18:39:03Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-22/segments/1558232256948.48/warc/CC-MAIN-20190522183240-20190522205240-00465.warc.gz", "language_score": 0.9772094488143921, "token_count": 516, "dump": "CC-MAIN-2019-22", "global_id": "webtext-fineweb__CC-MAIN-2019-22__0__77077864", "lang": "en", "text": "The Theory of Everything, a film about the life of Stephen Hawking, played by the extremely talented Eddie Redmayne, attempts to show all aspects of the brilliant cosmologist's life and succeeds at that feat handsomely. The film balances the doctor's work on his doctorate of philosophy at Cambridge, his struggle with his paralyzing motor neuron disease, and his beautiful relationship with his now ex-wife Jane Wilde (played by Felicity Jones).\nWhat I personally admire about the film is how they don't focus so heavily on the disease itself, but rather they center on the concept of Hawking as a person. Even after he loses his ability to speak normally, Hawking does not lose his quirky and humorous sense of witty humor. Despite the dreadful disease Hawking was diagnosed with and given an expiration date that is unfathomable, he still manages to amuse us with his unconventional comments and facial gestures. The film's script was fabulously written in a way that was not condescending to it's audience despite the fact that we were watching one of the most intelligent geniuses of our time.\nThe cast of the film did a remarkable job portraying almost impossible roles. I am blown away by Redmayne's representation of Hawking. I know that he prepared by studying Jane Wilde's books, Traveling to Infinity- My Life with Stephen and Music to Move the Stars: A Life with Stephen, but the realness that he brings to the screen is inconceivable. Stephen Hawking himself admitted after watching the film that, \"At times, I thought it was me\" which substantiates Redmayne's remarkable performance.\nThe film drives you to reflect on your own life and wonder what kind of difference you are making in this world. The determination and strength of Hawking, despite being given a death sentence, is evident and causes one to reconsider the overall significance of what we are doing here on this earth. Are we making the pivotal modifications in our current orbit, or are we just passively uninvolved in anything of great importance?\nWhen I completed the film, initially I experienced an ambience of guiding light. Inspired by both the true story as well as the superb acting, the film caused me to think outside the box about my own being on this planet. Not a lot of films can move me in this way, being the harsh realist that I am, but this specific piece achieved something that is rarely reachable. The story got me to think about and question everything around me; now I, too, want to discover the one theory that explains everything in the universe.", "domain": "movie"}
{"url": "https://breal.tv/2020/02/11/documentary-about-nipsey-hussle-is-coming-to-netflix/", "date": "2021-10-26T19:04:53Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-43/segments/1634323587915.41/warc/CC-MAIN-20211026165817-20211026195817-00308.warc.gz", "language_score": 0.9704661965370178, "token_count": 174, "dump": "CC-MAIN-2021-43", "global_id": "webtext-fineweb__CC-MAIN-2021-43__0__102665198", "lang": "en", "text": "Netflix has just acquired an untitled Nipsey Hussle documentary helmed by Oscar-nominated director, Ava DuVernay. According to reports, the streaming giant came out victorious in an “intense bidding war” and picked up the title for an undisclosed eight-figures.\nSpecific details regarding the project, including its format and release date, are yet to be announced, however, it has been confirmed that DuVernay will serve as both producer and director. Sources further state that Hussle’s estate reached out to the filmmaker directly after seeing her superb work on the documentary 13th and the Netflix limited series When They See Us.\nThe news of the documentary comes almost a year after the rapper’s fatal shooting in March 2019, when he was gunned down outside his Marathon Clothing store in South Los Angeles.", "domain": "movie"}
{"url": "https://www.ucsu.org/ents/event/2442/", "date": "2020-09-18T23:34:40Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400189264.5/warc/CC-MAIN-20200918221856-20200919011856-00533.warc.gz", "language_score": 0.9145344495773315, "token_count": 166, "dump": "CC-MAIN-2020-40", "global_id": "webtext-fineweb__CC-MAIN-2020-40__0__190133951", "lang": "en", "text": "Korean Film Night\nDate: Friday 18 September 2020\nTime: 5pm - 7pm\nThe K.C.F society invites you to virtually hang out and watch a film with us!\nOn the 18th of September, we'll be watching Close my Eyes. It stars B1A4's Baro as Kim Hyun Woo, a blind street performer who gets told stories by passersby. One day, a man tells him the story of a terrible murder that he claims is for a novel he's working on...but soon people start disappearing and Hyun Woo tries to help by going to the police. If this peaks your interest, please join us using the kast app.\nFollow the link below - https://s.kast.live/g/t8nd698tj7r", "domain": "movie"}
{"url": "http://www.jurassicworld.org/?id=63", "date": "2014-04-25T05:32:35Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2014-15/segments/1398223210034.18/warc/CC-MAIN-20140423032010-00251-ip-10-147-4-33.ec2.internal.warc.gz", "language_score": 0.979817271232605, "token_count": 207, "dump": "CC-MAIN-2014-15", "global_id": "webtext-fineweb__CC-MAIN-2014-15__0__92067987", "lang": "en", "text": "Posted by ChrisLikesDinos - Friday 18 October 2013 at 04:19AM - 0 Comments\nThere is a rumor from a fairly credible source that Idris Elba is currently in negotiations for Jurassic World. Idris most recently starred as Stacker Pentecost in Guillermo del Toro's Pacific Rim and is reappearing as Heimdall in Thor: Dark World.\nHe is mostly known for his role in Ridley Scott's Prometheus as Janek and he also appeared in the US version of The Office, and Guy Ritchie's RocknRolla.\nIdris Elba currently has four projects on his plate, two of which are in post-production and one (The Gunman) which is filming now - although will be finished filming by the time Jurassic World starts.\nHe's also in Beasts of No Nation which currently has no filming dates set, so it seems like his schedule may actually be free for when Jurassic World will be filming.\nWe'll bring you more news as it develops.", "domain": "movie"}
{"url": "https://rainydaywildflower.com/2017/08/31/top-5-studio-ghibli-films/", "date": "2018-12-17T02:50:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-51/segments/1544376828056.99/warc/CC-MAIN-20181217020710-20181217042710-00244.warc.gz", "language_score": 0.9744405746459961, "token_count": 1003, "dump": "CC-MAIN-2018-51", "global_id": "webtext-fineweb__CC-MAIN-2018-51__0__216352909", "lang": "en", "text": "I grew up as a Disney kid.\nI watched every movie, had all the toys, and sang along to each song (I still do). Due to this animated movie obsession, my father rented a film from our local Blockbuster (I feel old) for family movie night. We all settled into our living room in our adorable Californian mountain home, and got ready to watch. What played on the screen left me with a feeling of confusion and I was highly unimpressed.\nThis film was Spirited Away.\nI was about 7 or 8 at the time, which explains why I could not truly appreciate the art of a Studio Ghibli film. It was not until high school when I decided to give it another chance after I heard a few of my fellow students raving about it. After watching it again, I fell in love. I could see the artistic beauty of the animation and I learned to appreciate the meaningful stories.\nAs an adult I have seen almost every Studio Ghibli film and I encourage everyone to give them a chance. They bring back a lot of my personal childhood memories of exploring the mountain trails around my home. Not only are the films nostalgic, they are hand drawn which adds to the unforgettable magic that the films create. Almost every Ghibli film has a strong female character leading the way which is very refreshing. Studio Ghibli shows that females can be strong, creative, and independent which leaves you with a feeling of empowerment and confidence as the credits roll.\nThere are different versions of each film, some with subtitles and Japanese voice actors and the others are dubbed with English and no sub titles. Either one is fine in my opinion, although others may disagree.\nTo get you started, I have thought long and hard about my top 5 favorites from the animation studio for you to check out!\n5. Secret World of Arrietty\nHave you ever had a desire to build a miniature home or collect tiny things? Then this is the film for you! The Secret World of Arrietty is an adorable story that highlights childhood imaginations of “fairies” or “borrowers” living under your house or in the garden. It is highly creative with the animation of the tiny home and it leaves you longing to go outside to look for these little people living among us! You may even put a fairy house in your garden to make it easier on them.\n4. Kiki’s Delivery Service\nNext on the list is perfect for Halloween! It is about a young witch who goes off to learn about her powers, as all young witches do in their teens. She moves to an adorable town and even though the film has magical touches, it is truly about a young girl going through typical teenage struggles. We get to watch her navigate this new stage in her life and it is a wholesome, feel-good movie! Not to mention her cat is adorable!\n3. Howl’s Moving Castle\nThis is a long one. I am warning you now there is a lot to this movie as it is highly complex. It has a bit of a Beauty and the Beast vibe due to a curse and magical castle, but it is so much more than that. This is probably one of the most visually stunning films on this list since it is clear a lot of work went into making the details of the “castle.” There are also many different towns and locations that the characters travel to which gives a taste of the vast animation style that Studio Ghibli provides. So settle in, put on some comfy pajamas, grab your popcorn, and get ready for a visually and mentally stimulating movie night!\n2. My Neighbor Totoro\nI had to include this amazing film on this list since it is the ultimate tribute to childhood imagination and appreciation of nature. It reminds me of when I was a little girl, I would always play outside searching for mythical creatures in the forest. This movie leaves you with an appreciation for nature and a feeling of nostalgia. To top it all off, the house featured in the film is absolutely stunning! It is the perfect countryside getaway and I wish I could actually live there.\n1. Spirited Away\nLast but not least, I had to include the film that started it all. It will always hold a special place in my heart due to my initial denial of its beauty. Out of all the films, I would have to say that this storyline is probably the most confusing out of them all. It is the story of a young girl who is trapped in a spirit world while her parents are held captive as… well you have to watch to find out. After you have seen several Studio Ghibli films it becomes much easier to understand how the stories flow. It is nothing more than getting used to this style of film and you will be so happy that you made the decision to give them a try!", "domain": "movie"}
{"url": "https://www.thenaturalhomeschool.com/faith-of-our-fathers-movie-review.html", "date": "2022-11-29T03:49:26Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446710685.0/warc/CC-MAIN-20221129031912-20221129061912-00540.warc.gz", "language_score": 0.9878838062286377, "token_count": 541, "dump": "CC-MAIN-2022-49", "global_id": "webtext-fineweb__CC-MAIN-2022-49__0__61491157", "lang": "en", "text": "Do you like movies with a good message? Have you enjoyed a good movie that involves the past and the present? Let me go a bit further: Are you patriotic and love the United States and what our military does for us to preserve our freedom? If you answered yes to any of these questions, then this is the movie for you.\nI was asked to review the Movie Faith of Our Fathers (2015 Edition). It is made by FishFlix.com. Faith of Our Fathers is an emotional movie about two men that meet because their fathers served together during the Vietnam War. They go through adventures together and they discover more and more about who their fathers were and how much they were loved by their fathers.\nThis movie is being released on October 13, 2015. It is rated PG (Parental Guidance) and is 95 minutes long. Faith of Our Fathers is set in 1997 with flashbacks to the past (during the Vietnam War). I liked that because my favorite genre in movies and in books is Historical Fiction.\nMy husband and I watched Faith of Our Fathers together one evening, shortly after the DVD arrived in the mail. We decided to make it a “special date at home” with tea and banana bread after our littles went to bed. I knew we would both be very interested in this movie from the trailer and the title.\nSee, we love our country and we support and appreciate our military. It is such a great sacrifice that all soldiers and soldier families make every time a loved one deploys or when our country is at war. In my view, it must be one of the toughest jobs in the world and we are eternally grateful for that sacrifice.\nFaith of Our Fathers was interesting, humorous and filled with war action, but not bloody or violent. I appreciated watching a war/action movie without strong language in it. There were many sad, touching parts like when they would learn about what their fathers had to go through during the Vietnam War.\nThere were also several very funny moments. It was a great move to get Si Robertson (from Duck Dynasty) to have a part in the movie. He is hilarious. My husband and I had a good laugh with the things he had to say. Stephen Baldwin was a great actor in this movie and a good addition to the cast.\nAll in all, I say that this movie had a good message and that it was clean in language and humor. I think it was rated PG because of the war being intertwined throughout the movie and because, in general, it just isn’t a movie that children would be interested in. I recommend Faith of Our Fathers (2015 Edition).", "domain": "movie"}
{"url": "https://www.themainconcept.com/work/productions/", "date": "2020-09-26T21:03:09Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-40/segments/1600400245109.69/warc/CC-MAIN-20200926200523-20200926230523-00764.warc.gz", "language_score": 0.9397557377815247, "token_count": 193, "dump": "CC-MAIN-2020-40", "global_id": "webtext-fineweb__CC-MAIN-2020-40__0__245161315", "lang": "en", "text": "We're here to help from the very start. In this stage we create storyboards, write scripts, create visual concepts, find talent and scout for locations. This is one of the most important stages of film production and it is what happens before the shooting even begins. We start with an idea, create a budget and a plan, then begin planning from there.\nHere is where the filming begins. From setup to take down, we have a team constantly working to bring your project to life. Whether it's a remote location or a cozy studio, we're always up for the task!\nFrom here we hand all the raw media to our editor(s) for them to bring everything together. They color correct, color grade, add scoring, sound effects and sometimes even visual effects! They are also the ones behind the advanced titles and animations! The editors work hard on both visuals and audio, constantly making improvements to the film and bringing it to life.", "domain": "movie"}
{"url": "https://thebizmagazine.co.uk/all-you-need-to-know-about-fast-and-furious-7-movie/", "date": "2024-04-12T23:37:40Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816465.91/warc/CC-MAIN-20240412225756-20240413015756-00556.warc.gz", "language_score": 0.934280514717102, "token_count": 1006, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__91525108", "lang": "en", "text": "Fast and Furious 7″ is a popular action-packed movie that is part of the globally renowned “Fast and Furious” film franchise. However, accessing and watching this movie on unauthorized websites like fast and furious 7 full movie 123movies can pose various risks and consequences.\nit’s important to note that 123movies and similar websites are known to be illegal and operate without proper authorization from content creators. Streaming or downloading copyrighted movies from these unauthorized sources constitutes movie piracy, which is against the law in many countries. Engaging in movie piracy can result in legal consequences, including fines, legal actions, and even imprisonment, which can have serious ramifications on individuals who engage in such activities.\nSecondly, accessing 123movies or similar websites for movie streaming raises ethical concerns. These websites often host copyrighted content without proper licenses or permissions from content creators, which undermines the revenue streams of the movie industry. This can adversely impact the livelihoods of filmmakers, actors, and other stakeholders, who rely on legitimate sources of income from their creative work. Supporting unauthorized sources for movie streaming, such as 123movies, perpetuates movie piracy and contributes to the global issue of content theft.\nFurthermore, watching movies on unauthorized websites like 123movies may expose your device to security risks. These websites are often associated with malware, viruses, and other malicious software that can compromise the security of your device, steal your personal information, and pose privacy risks. It’s essential to prioritize the security of your devices and avoid accessing potentially harmful websites like 123movies.\nTo promote legal and ethical movie consumption, it’s crucial to avoid watching copyrighted content on unauthorized websites, including 123movies. Instead, opt for legal and legitimate sources to watch movies, such as authorized streaming platforms, theaters, or official DVD releases. By supporting legitimate sources, you can contribute to the growth and sustainability of the movie industry, uphold the rights of content creators, and demonstrate responsible and ethical behavior as a consumer.\nwatching “Fast and Furious 7″ on 123movies or similar unauthorized sources may have legal, ethical, and security risks. It’s important to understand the implications of movie piracy, avoid engaging in such activities, and make responsible choices by supporting legitimate sources for movie consumption. Let’s respect the rights of content creators and contribute to a sustainable and thriving entertainment industry by making informed and responsible choices when it comes to movie streaming.”Fast and Furious 7” is a highly popular action film that has captivated audiences worldwide. If you’re looking to enjoy this movie, it’s important to do so through legitimate means to support the creators and the industry. Here are some legitimate ways to watch “Fast and Furious 7” without resorting to unauthorized sources like 123movies.\nTheater Release: One of the best ways to enjoy “Fast and Furious 7” is by watching it in theaters. Many theaters offer screenings of popular movies, including blockbuster releases like “Fast and Furious 7,” providing a high-quality cinematic experience with superior visual and audio effects. Watching movies in theaters not only supports the movie industry but also offers a communal viewing experience that can be enjoyable with friends, family, or fellow movie enthusiasts.\nAuthorized Streaming Platforms: There are several authorized streaming platforms, such as Netflix, Amazon Prime Video, Google Play, iTunes, and others, that offer legal and legitimate access to a wide range of movies, including “Fast and Furious 7.” These platforms provide a convenient and legal way to watch movies online, often with high-definition (HD) quality, and they compensate the creators and distributors for their work.\nDVD/Blu-ray Release: “Fast and Furious 7” is also available for purchase as a DVD or Blu-ray, which can be a great option for those who prefer physical copies of movies. You can find authorized DVD or Blu-ray copies of the movie from reputable retailers or online stores, ensuring that you are supporting the official release and the creators of the movie.\nOfficial Movie Websites: Many movie studios and production companies have official websites or online portals where they offer legitimate access to their movies, including “Fast and Furious 7.” These websites often require payment or subscription for accessing the movie, but they provide a legal and reliable way to enjoy the movie while supporting the creators.\nIt’s important to remember that watching movies on unauthorized websites like 123movies is illegal and unethical, as it undermines the rights of content creators and the sustainability of the movie industry. By choosing legitimate means to watch “Fast and Furious 7,” you can support the creators and contribute to the growth and development of the entertainment industry while enjoying the movie in a responsible and ethical manner. Let’s respect the hard work and creativity of the movie industry by making informed and responsible choices when it comes to movie consumption.", "domain": "movie"}
{"url": "https://pagalworldg.in/vivegam-2017-hdrip-movie-download/", "date": "2018-02-21T20:33:19Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-09/segments/1518891813803.28/warc/CC-MAIN-20180221202619-20180221222619-00207.warc.gz", "language_score": 0.7980819940567017, "token_count": 175, "dump": "CC-MAIN-2018-09", "global_id": "webtext-fineweb__CC-MAIN-2018-09__0__185775731", "lang": "en", "text": "Vivegam (2017) HDRip Movie Download\nDownload Vivegam Tamil 720p HD Movie\nCategory: Tamil Movie\nGenres: Action, Adventure, Crime\nCast: Ajith Kumar, Kajal Aggarwal, Serge Crozon-Cazin\nRunning Time: 2h 28min\nReleased on: 25 August 2017\nFilm Description: An Interpol agent betrayed by his friends sets out to take revenge against the friends who work for a secret agency.\nDownload Links for Vivegam 720p HDRip Tamil Movie:\n|01 – Vivegam (2017) HDRip||Download||Download|\nVivegam 2017 Tamil full HD movie download in 720p and 480p. Vivegam movie is directed by Siva and stars Ajith Kumar, Kajal Aggarwal, Serge Crozon-Cazin in the main role.", "domain": "movie"}
{"url": "http://www.cuckooforcoconuts.com/2007/09/paris-je-14th-arrondissement.html", "date": "2021-10-18T07:13:00Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-43/segments/1634323585199.76/warc/CC-MAIN-20211018062819-20211018092819-00498.warc.gz", "language_score": 0.922726035118103, "token_count": 238, "dump": "CC-MAIN-2021-43", "global_id": "webtext-fineweb__CC-MAIN-2021-43__0__46705358", "lang": "en", "text": "Wednesday night John and I went to the Maui Arts and Cultural Center to see Paris Je' taime with our friend Marion. I really enjoyed this movie made up of 18 short films by celebrated directors from around the world, including the Coen Brothers, Gus Van Sant, Gurinder Chadha, Wes Craven, Walter Salles, Alexander Payne and Olivier Assayas and more. With each director telling the story of an unusual encounter in one of the city's neighborhoods, the vignettes go beyond the 'postcard' view of Paris to portray aspects of the city rarely seen on the big screen. Starring, among many others, Natalie Portman, Maggie Gyllenhaal, Juliet Binoche, Miranda Richardson, Marianne Faithful, Fanny Ardant, Elijah Wood and Nick Nolte. In English and French with English subtitles.\nIt was rally hard to pick a favorite, but here is a clip of one of the one that rose to the top for me by Alexander Payne with actress Margo Martindale. She is brilliant.\nI highly recommend this film.\nVisit the official site here for Paris Je'taime here.", "domain": "movie"}
{"url": "https://multilayerdesign.com/last-minute-movie-plans.html", "date": "2023-10-01T05:20:27Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510781.66/warc/CC-MAIN-20231001041719-20231001071719-00756.warc.gz", "language_score": 0.9535946249961853, "token_count": 611, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__106006673", "lang": "en", "text": "Today, man wants to use 25 hours in a day. In this fast paced life, only way to make the most of the time available to mankind is to work smart & automate most of the jobs that he does. Like every other sector, the entertainment sector has progressed a lot, things get done a lot faster that they would be done a couple of decades back.\nToday’s kids cannot even imagine what all people went through to watch their favorite movies. Long queues coupled with heat, cold or rains, spending almost a day to procure the tickets, not to forget the bouts in the queue to determine who is before whom in the queue. And mind you, no movie reviews to go by before getting the bookings done. Getting reviews or snippets of movie you want to watch was only a dream.\nOne such radical development is in the practice of Cinema ticket booking, from over the counter sale to online movie ticket booking from the comfort of one’s place.\nProcuring ticket over the counter is still the major choice with most of the customers in the rural sector as it is far from being digitalized. On the other hand, the urban market is all digitalized and online movie ticket booking is a popular choice.\nToday, you have apps that show you details of the movies running in different movie halls, movie show timings and also list of upcoming movies. These apps have made life of movie lovers easy by helping them book their movie tickets online.\nPeople have ready access to reviews before making plans and booking movie tickets.\nOnline movie ticket booking has made it easier and convenient to every person involved with movies directly or indirectly. It has saved movie lovers the hassle of standing in long queues, saving on time that otherwise would have been spent to go to the cinema hall and then waiting hours to purchase ticket or carrying cash or rendering the exact change to purchase time.\nOnline booking has curbed the black ticket sales whereby making it convenient for people to purchase ticket at the actual cost. This has also benefited the industry, by not sharing the profit with people who are in no ways involved in producing, promoting or projecting the movies.\nMalls too, host movie halls whereby providing the mall goers with and an additional entertainment option. Malls have multiplexes for the customers to choose and view their favorite running movies from the convenient and different movie timings available.They also run multiple campaigns where on purchase of certain products you get movie ticket offers or movie ticket coupons for a nominal cost or absolutely free.\nOnline ticket bookings are usually done in advance, psychologically, the pinch of spending on movie tickets is less, and hence, people tend to spend or spend more on eateries available in the multiplexes. Indirectly, increasing the sales of the eateries and benefitting the eatery owners too.\nIn short online movie ticket booking portals have benefited every person making, promoting, viewing or for that matter involved in any way with the movie. It also helps to keep the business clean and transparent.", "domain": "movie"}
{"url": "http://www.acacorporate.com.au/bios/kelly-dolen", "date": "2020-02-26T15:26:44Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-10/segments/1581875146414.42/warc/CC-MAIN-20200226150200-20200226180200-00262.warc.gz", "language_score": 0.9574632048606873, "token_count": 241, "dump": "CC-MAIN-2020-10", "global_id": "webtext-fineweb__CC-MAIN-2020-10__0__23944552", "lang": "en", "text": "Having been mentored for the last 15 years by Academy Award nominee and Golden Globe winning director Fred Schepisi, and with over 20 years experience in the industry, Kelly Dolen has forged an award-winning career across several mediums including; documentaries, corporate videos, music video clips, short films, and three internationally distributed feature films. His first feature film, Reign In Darkness, was made on a shoestring budget of only $49,000 and went on to sell in over 30 territories around the world, grossing over 10 million USD.\nDividing audiences worldwide, his most recent feature, the highly controversial and confronting, John Doe: Vigilante, stars British actor Jamie Bamber (Battlestar Galactica) and Australia’s own AACTA winner, Lachy Hulme (Power Games: the Packer-Murdoch story).\nIt received theatrical releases in both The United States and Australia in 2014 and is slowly growing vocal and powerful support from communities across the globe. On the weekend of February 18, 2015 was the most downloaded movie in the world.\nKelly is currently is early development on his fourth feature film, the psychological thriller, Bound", "domain": "movie"}
{"url": "https://eagle-man.biz/german/rocky-4.php", "date": "2022-05-18T12:31:27Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-21/segments/1652662522270.37/warc/CC-MAIN-20220518115411-20220518145411-00261.warc.gz", "language_score": 0.969032883644104, "token_count": 376, "dump": "CC-MAIN-2022-21", "global_id": "webtext-fineweb__CC-MAIN-2022-21__0__22457598", "lang": "en", "text": "Look back at our favorite moments throughout the year, from award shows to up-close shots of celebrities. See the gallery. Drago is too strong for Creed, and unfortunately kills him in his match.\nMovie & TV News\nMovies / TV\nHe first appears in the film Rocky IV , in which he is the main antagonist and rival of Rocky Balboa. He also appears in the film Creed II , in which he serves as the trainer to his son Viktor. He is portrayed by Swedish actor and real-life martial artist Dolph Lundgren.\nThis month marks the 35 th anniversary of Rocky IV , the greatest sports movie ever made in which the intangible idea of communism is defeated by boxing. The plot follows Heavyweight Champion Rocky Balboa Sylvester Stallone as he basks in his glorious wealth alongside his friend and former rival Apollo Creed Carl Weathers , who is enjoying his retirement as a boxing legend. However, when a Russian ubermensch named Ivan Drago Dolph Lundgren arrives in America to challenge Rocky, Apollo takes it as a personal insult and challenges Drago himself to an exhibition match in Las Vegas. Ignoring the advice of both Rocky and pretty much everyone else around him, Apollo comes out of retirement to fight Drago, only to get beaten literally to death in the opening seconds of the 2 nd round.", "domain": "movie"}
{"url": "https://www.breaksincornwall.com/2013/07/08/summer-in-february-on-location-in-cornwall/", "date": "2024-03-05T05:12:01Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707948217723.97/warc/CC-MAIN-20240305024700-20240305054700-00716.warc.gz", "language_score": 0.9449465274810791, "token_count": 256, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__47410390", "lang": "en", "text": "‘Summer in February’ on location in Cornwall\nBreaks in Cornwall are delighted to welcome the cast and crew of the deeply moving film “Summer in February” which is based on a true story and set amongst the coves and cliffs of beautiful Lamorna in far west Cornwall.\nThis enchanting tale of the bohemian Lamorna group focuses on the love triangle between the charismatic A J Munnings, the young aspiring painter Florence Carter-Wood and the more reserved land manager Gilbert Evans. The Lamorna estate was popular with artists and produced some of the greatest Cornish artworks of the period.\nThe film is set just before the Great War of 1914 in the picturesque fishing village situated on the Penwith peninsula, just 4 miles south of Penzance and within easy driving distance of villas, apartments, cottages and the Porth Veor Manor hotel near Newquay. The unique Cornish views, cobbled streets and quiet coves are seen to their most beautiful advantage in this film which is now showing in cinemas across Britain. Starring Dominic Cooper, Emily Browning and Dan Stevens, “Summer in February” is enchanting and passionate and makes the most of the timeless Cornish coastline.", "domain": "movie"}
{"url": "https://writelegant.com/2023/12/11/beyond-the-pages-the-cinematic-saga-of-bestselling-novels/", "date": "2024-02-21T15:52:06Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947473518.6/warc/CC-MAIN-20240221134259-20240221164259-00744.warc.gz", "language_score": 0.9061270952224731, "token_count": 3228, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__145753584", "lang": "en", "text": "Table of Contents\n- 1.1 The Convergence of Literature and Cinema\n- 1.2 The Allure of Novel-to-Movie Adaptations\n- Novel 1 – Bestseller to Blockbuster\n- 2.1 Unveiling “The Da Vinci Code”\n- 2.1.1 Literary Triumph and International Sensation\n- 2.1.2 Casting Choices and Cinematic Craftsmanship\n- 2.1 Unveiling “The Da Vinci Code”\n- Novel 2 – A Literary Triumph on Screen\n- 3.1 The Epic Journey of “The Lord of the Rings”\n- 3.1.1 Transitioning from Page to Screen\n- 3.1.2 Influencing Literary and Cinematic Landscapes\n- 3.1 The Epic Journey of “The Lord of the Rings”\n- Novel 3 – Transforming Pages into Pixels\n- 4.1 The Novella That Became “The Shawshank Redemption”\n- 4.1.1 Attention to Detail in Cinematic Transformation\n- 4.1.2 Impact on Future Adaptations\n- 4.1 The Novella That Became “The Shawshank Redemption”\n- Lasting Impressions – Viewer Experience\n- 5.1 The Cinematic Alchemy of Novel Adaptations\n- 5.2 Beyond the Screen: How Novels Stay with Audiences\n- The Evolution of Adaptations\n- 6.1 Technological Advancements and Changing Preferences\n- 6.2 Navigating the Landscape of Novel-to-Movie Transformations\n- Analyzing Success – What Made These Novels Stand Out?\n- 7.1 Decoding the Elements of Box Office Triumph\n- 7.2 The Art of Balancing Literary Fidelity and Cinematic Appeal\n- Literary and Cinematic Symbiosis\n- 8.1 Achieving Harmony Between Mediums\n- 8.2 The Dynamic Exchange of Strengths\n- The Ripple Effect – Influence on Future Adaptations\n- 9.1 Shaping Casting Decisions and Storytelling Approaches\n- 9.2 Criteria for Success in the Ever-Changing Adaptation Landscape\n- Conclusion of Novel Adaptations\n- 10.1 Celebrating the Enduring Power of Storytelling\n- 10.2 Looking Ahead: The Continuous Appeal of Adaptations\n- 11.1 Do all bestsellers become successful box office hits?\n- 11.2 What role does faithful storytelling play in the success of adaptations?\n- 11.3 How do novel-to-movie adaptations influence literature?\n- 11.4 Is it essential for movie adaptations to stay true to the source material?\n- 11.5 Do the success of these adaptations impact casting decisions in future movies?\nFrom Bestseller to Blockbuster: 3 Novels That Dominated the Box Office\nNovel-to-movie adaptations have become a captivating fusion of literature and cinema, offering audiences a unique way to experience their favorite stories. In this exploration, we delve into the intriguing journey of three best-selling novels that not only conquered the bestseller lists but also emerged as blockbusters on the silver screen, leaving an indelible mark on both literary and cinematic landscapes.\nThe marriage of literature and cinema has given birth to blockbuster sensations, with novels seamlessly transitioning to the silver screen. Beyond mere adaptations, these movies have become cultural phenomena, influencing storytelling trends and redefining the art of visual narrative. The allure lies in witnessing beloved characters and gripping narratives come to life in a cinematic spectacle, bridging the gap between the written word and the visual experience. In this journey, we will delve into three best-selling novels that not only topped the bestseller lists but also became box office sensations, exploring the magic that propelled them from bestsellers to blockbusters.\nNovel 1 – Bestseller to Blockbuster\nOur first contender takes the spotlight as we dissect the journey from bestseller to blockbuster. “The Da Vinci Code” by Dan Brown, an international literary sensation, not only mesmerized readers but also became a cinematic phenomenon. The narrative allure of the novel, coupled with a carefully selected cast and a director’s visionary interpretation, played pivotal roles in its cinematic success. Tom Hanks, embodying the renowned symbologist Robert Langdon, brought the character to life, while director Ron Howard skillfully navigated the intricate plot, creating a visual feast that rivaled the suspense of the original work.\nBehind the Scenes – Cast, Direction, and Storytelling\nWhat sets these adaptations apart is not just the source material but the meticulous craftsmanship behind the scenes. Dive into the world of star-studded casts, skillful direction, and faithful storytelling that breathed life into these novels on the big screen. “The Da Vinci Code” exemplifies this with its ensemble cast, including Audrey Tautou and Ian McKellen, who elevated the cinematic experience. The selection of actors who brought beloved characters to life, the director’s ability to translate the essence of the novel into a visual masterpiece, and the careful crafting of the narrative for the cinematic medium – these elements collectively contributed to the success of the adaptation. Each casting choice, directorial decision, and storytelling nuance worked in harmony, creating an immersive cinematic experience that retained the spirit of the original novel while captivating a broader audience.\nNovel 2 – A Literary Triumph on Screen\nThe second novel on our list deserves attention for its unique journey from bestseller to cinematic masterpiece. “The Lord of the Rings” trilogy by J.R.R. Tolkien, a literary masterpiece, not only captured the hearts of readers worldwide but also achieved unparalleled success on the big screen. The seamless transition from the written word to the visual medium, coupled with a storyline that resonated with a diverse audience, positioned this novel as a literary triumph on the screen. The film not only retained the core elements that made the novel a bestseller but also introduced visual nuances that elevated the narrative, appealing to both devoted readers and those new to the story. As we explore the details of this adaptation, we aim to uncover the delicate balance that made it a blockbuster while honoring its literary roots.\nLiterary Influence – Impact on the Literary World\nBeyond the confines of the cinema, these novels-turned-movies have wielded a significant influence on the literary world. “The Lord of the Rings” not only reinvigorated interest in Tolkien’s work but also set a new standard for epic fantasy adaptations. The success of these adaptations has not only revitalized interest in the source novels but has also influenced the storytelling approaches of contemporary authors. The impact on the literary world extends beyond individual novels, shaping the expectations of readers and inspiring a new wave of storytelling that considers the cinematic experience. As we navigate through the literary influence of these blockbusters, we uncover the symbiotic relationship between literature and film, each influencing and enriching the other in a continuous creative exchange.\nNovel 3 – Transforming Pages into Pixels\nOur final exploration takes us into the realm of the third novel, where pages seamlessly transform into pixels. “The Shawshank Redemption” by Stephen King, originally published as a novella, achieved cult status through its film adaptation. Delve into the noteworthy aspects of the adaptation process that contributed to its success at the box office. The meticulous attention to detail in translating the novella’s intricate narrative onto the screen, coupled with advancements in cinematic technology, has allowed this adaptation to transform pages into a visual spectacle. Director Frank Darabont’s commitment to preserving the essence of the novella while embracing the visual language of cinema showcases the delicate art of adaptation. This novella, too, joins the ranks of those that not only achieved blockbuster success but also contributed to the ongoing evolution of the novel-to-movie adaptation phenomenon.\nLasting Impressions – Viewer Experience\nWhat makes these adaptations truly remarkable is the lasting impression they leave on viewers. Explore the emotional and cinematic impact these novels had on the audience, creating an immersive and unforgettable experience. The viewer experience of these novels-turned-movies goes beyond the traditional engagement with a narrative. Audiences are transported into the worlds created by the novels, experiencing the characters, emotions, and plot twists in a visually stunning and emotionally resonant manner. The lasting impressions linger far beyond the duration of the film, influencing how readers approach the novels and how moviegoers perceive the adaptation process. As we dissect the viewer experience, we aim to understand the alchemy that transforms a successful adaptation into a cinematic journey that stays with the audience long after the credits roll.\nThe Evolution of Adaptations\nAs we reflect on the broader landscape of novel-to-movie adaptations, we uncover the evolving trends in the industry. From technological advancements to changing audience preferences, witness the dynamic evolution of this cinematic phenomenon. The evolution of adaptations reflects not only advancements in cinematic technology but also shifts in storytelling preferences and audience expectations. The industry’s response to these changes has led to an exciting era of novel-to-movie adaptations that not only stay true to the source material but also embrace new possibilities offered by the cinematic medium. This evolution is a testament to the enduring appeal of bringing beloved stories to life on the big screen and the industry’s ability to adapt to the ever-changing landscape of storytelling.\nAnalyzing Success – What Made These Novels Stand Out?\nTo understand the alchemy behind box office success, we conduct an in-depth analysis of the common elements that propelled these novels to stardom. Uncover the magic that captivated both literary enthusiasts and moviegoers alike. The success of these novels-turned-movies is not a mere stroke of luck but a result of carefully orchestrated elements that resonated with audiences. From the nuanced storytelling to the selection of actors who embodied the characters, each element played a crucial role in transforming these novels into blockbuster sensations. As we analyze the success, we gain insights into the intricate art of adaptation and the delicate balance required to create a cinematic experience that remains true to the essence of the original novel.\nLiterary and Cinematic Symbiosis\nOne of the critical aspects of successful adaptations is achieving a delicate balance between staying true to the source material and catering to the cinematic experience. Explore the symbiotic relationship between literature and film that fuels the success of these blockbuster adaptations. The symbiosis between literature and cinema is a dynamic exchange where the strengths of each medium enhance the other. Successful adaptations navigate this delicate balance, preserving the core elements that make the novels beloved while leveraging the visual and emotional language of cinema. The result is a harmonious blend that captures the essence of the source material while offering a unique cinematic experience. As we delve into this symbiotic relationship, we uncover the artistry required to create adaptations that resonate with both literary enthusiasts and moviegoers.\nThe Ripple Effect – Influence on Future Adaptations\nThe impact of these novels extends beyond their individual successes, shaping the landscape of future adaptations. From casting decisions to storytelling choices, trace the influence of these box office hits on the trajectory of cinematic storytelling. The success of these novels-turned-movies has created a ripple effect that influences the decisions made in the adaptation landscape. Filmmakers, authors, and audiences alike are impacted by the trends set by these blockbusters, influencing casting choices, storytelling approaches, and even the criteria for successful adaptations. As we explore the ripple effect, we gain insights into how the success of certain adaptations shapes the future of novel-to-movie transformations, creating a continuous cycle of inspiration and innovation.\nConclusion of Novel Adaptations\nIn conclusion, we gather the key insights obtained from our exploration of best-selling novels that became box office hits. Acknowledge the enduring impact these adaptations have had on both literature and cinema, creating a symbiotic relationship that continues to captivate audiences worldwide. The journey from bestseller to blockbuster is not merely a commercial success but a testament to the power of storytelling. As we conclude our exploration, we celebrate the enduring appeal of bringing best-selling stories to life on the big screen, a phenomenon that transcends the boundaries of medium and captivates the imagination of audiences across the globe.\n- Do all bestsellers become successful box office hits? Not necessarily. While a strong literary foundation can contribute, successful adaptations also depend on factors like direction, casting, and storytelling.\n- What role does faithful storytelling play in the success of adaptations? Faithful storytelling ensures that the essence of the novel is preserved, creating a more immersive experience for both fans and new audiences.\n- How do novel-to-movie adaptations influence literature? These adaptations often influence literary trends, inspiring authors and shaping the expectations of readers regarding storytelling and character development.\n- Is it essential for movie adaptations to stay true to the source material? While some deviations may occur, a balance between staying true to the source material and adapting for the cinematic experience is crucial for a successful adaptation.\n- Do the success of these adaptations impact casting decisions in future movies? Yes, the success of certain adaptations can influence casting decisions in subsequent movies, with filmmakers often aiming for star-studded casts to attract audiences.\n- What is the highest-grossing movie based on a book? The highest-grossing movie based on a book is “Harry Potter and the Deathly Hallows – Part 2.” The final installment of the iconic Harry Potter series, directed by David Yates, captivated audiences worldwide. Its unprecedented success can be attributed to the immense popularity of J.K. Rowling’s book series and the anticipation surrounding the cinematic conclusion of the wizarding saga.\n- What is the biggest box office hit of all time? The biggest box office hit of all time is “Avengers: Endgame.” This Marvel Cinematic Universe epic, directed by Anthony and Joe Russo, surpassed all expectations with its ensemble cast and intricate storytelling. Its success highlights the global appeal of superhero narratives and the cinematic universe trend, solidifying its place as the highest-grossing film in cinematic history.\n- What book series has been a profitable movie success? The “Lord of the Rings” book series, written by J.R.R. Tolkien, stands out as a highly profitable movie success. The film adaptations, directed by Peter Jackson, not only garnered critical acclaim but also achieved significant commercial success. The trilogy’s ability to translate the intricate fantasy world onto the screen contributed to its profitability and enduring popularity.\n- What is the most successful book and movie franchise? The most successful book and movie franchise is “Harry Potter.” J.K. Rowling’s literary masterpiece transitioned seamlessly into a cinematic phenomenon. The success lies not only in the captivating narrative but also in the meticulous adaptation that retained the essence of the books. The franchise’s impact on both literature and cinema solidifies its status as the most successful in history.\n- What is the most successful film adaptation of a book or novel? How does it compare to the original version in terms of popularity and success at the box office or in terms of sales figures? The most successful film adaptation of a book is “The Lord of the Rings: The Return of the King.” Peter Jackson’s masterful interpretation of J.R.R. Tolkien’s novel not only retained the book’s intricate narrative but also enhanced it visually. The film’s success at the box office and critical acclaim surpassed the already immensely popular source material. It stands as a rare example of a film adaptation elevating the material to new heights of popularity and success, creating a cinematic masterpiece that complements and even surpasses the original work.", "domain": "movie"}
{"url": "http://todayonline.info/box-office-fictional-character-backing-out-with-us105-million-in-north-america/", "date": "2020-02-28T17:50:25Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-10/segments/1581875147628.27/warc/CC-MAIN-20200228170007-20200228200007-00304.warc.gz", "language_score": 0.938082754611969, "token_count": 853, "dump": "CC-MAIN-2020-10", "global_id": "webtext-fineweb__CC-MAIN-2020-10__0__20792862", "lang": "en", "text": "Disney’s live-actionAladdin is flying high with associate calculable US$105 million (S$144.42 million) in North America throughout the four-day Memorial Day|national holiday} holiday weekend.\nIt’s the sixth-highest Decoration Day weekend total ever, topping the 2011 mark of US$103.4 million for The Hangover half II. the highest total came in 2007, once Pirates of the Caribbean: At World’s finish took in US$139 million in its 1st four days. fictional character is additionally dominating moviegoing internationally with US$121 million in fifty six markets.\nAladdin has outperformed Disney’s pre-opening domestic projections, that were within the US$75 million to US$85 million vary, taking in US$86.1 million in its 1st 3 days. The resuscitate of the initial 1992 animated motion picture – that generated US$502 million in worldwide box workplace – stars Mena Massoud as fictional character, can Smith because the jinni, Naomi Scott as shrub and Marwan Kenzari as Jafar. Guy Ritchie directed fictional character, made by Dan carver and Jonathan Eirich.\nComscore’s PostTrak general audience survey found that sixty seven per cent of patrons aforesaid they might “definitely recommend” the film to their friends. Notably, thirty-nine per cent aforesaid their fondness for the initial was their primary reason for seeing the film, a high share that reflects moviegoers’ love for the fictional character whole and also the characters within the film.\n“A terribly robust twenty two per cent aforesaid they might see the film once more in theatres – abundant above the norm of fourteen per cent,” noted Paul Dergarabedian, Comscore’s senior media analyst.\nComscore calculable that total domestic business for the four-day weekend was US$226 million. That was concerning US$1.8 million keep of the overall for an equivalent frame last year, once Solo: A Star Wars Story launched with US$103 million. the highest Decoration Day weekend came about in 2013 once quick and Furious six launched and North yank moviegoing destroyed US$314 million for the four days.\n“A terribly solid Memorial Day|national holiday} weekend was LED by the bigger-than-expected performance of Disney’s fictional character conjured up immense numbers of moviegoers searching for the proper family-friendly treat over the extended holiday weekend,” he said.\nSony’s launch of horror-thriller Brightburn ought to pull in concerning US$9 million for the vacation weekend to end fifth and United Artists-Annapurna’s teenage comedy Booksmart can open in sixth at around US$8 million. each were positioned as counter-programmers to fictional character and finished slightly below forecasts.\nLionsgate’s second session of John Wick: Chapter three ought to be rival with US$30.5 million following its amazingly robust gap of US$56.8 million. The actioner can land up the vacation weekend with US$107 million domestically.\nDisney’s fifth frame of “Avengers: Endgame” can end third within the US$22 million vary, increasing its haul to concerning US$803 million domestically by the top of Decoration Day. Endgame trails solely Star Wars: The Force Awakens in domestic gross, with the house adventure story having grossed US$936 million.\nWarner Bros.’ third weekend of Pokemon Detective Pikachu can follow in fourth with concerning US$17 million. The family journey can end the weekend at the US$120 million mark in North America.\nOverall moviegoing for 2019 has hit US$4.34 billion as of Sunday, down ten per cent from an equivalent purpose last year. The lag is because of a dismal performance throughout the primary 2 months of this year.\nAladdin is that the third biggest launch of 2019, following the record-setting US$357 million for Avengers: Endgame and US$153 million for Captain Marvel.", "domain": "movie"}
{"url": "https://thetop10rated.net/top-5-reasons-what-made-dabangg-what-it-is-today/", "date": "2021-01-19T04:22:21Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-04/segments/1610703517966.39/warc/CC-MAIN-20210119042046-20210119072046-00593.warc.gz", "language_score": 0.9680608510971069, "token_count": 623, "dump": "CC-MAIN-2021-04", "global_id": "webtext-fineweb__CC-MAIN-2021-04__0__96383880", "lang": "en", "text": "The movie Dabangg was one of the blockbuster hits of the year 2010. It made a star out of debutante Sonakshi Sinha and villain Sonu Sood. And the movie immortalised the character Chulbul Pandey played by Salman Khan. The hit movie was a cop drama in a UP town.The movie was a perfect masala pot boiler with everything – action, romance and drama in the right proportions. Let’s list out some of the reasons which made this move what it is today:\nYes. The most important reason behind the movie being hit was “SALMAN KHAN”. The presence of Salman Khan ensured that the movie turned out to be one of the biggest hits of all time. Salman’s performance in the movie can be counted among his career best performances. Bhai literally killed it with his character of ROBINHOOD PANDEY. His swag made the character an instant hit with the audience.\n2) Sonakshi \"DABANGG\" Sinha\nSonakshi and Dabangg are both incomplete without each other. She displayed her acting prowess in the limited screen time she got in the movie. She left a mark in Bollywood with her tremendous acting skills. The audience loved her for amazing dialogue delivery. Her character “RAJJO” was loved by one and all. The audience also loved the fresh chemistry between the new pair of Salman Khan and Sonakshi Sinha.\n3) Sonu \"CHHEDI SINGH\" SOOD\nSonu Sood got a big break in this movie as a villain against our very own BHAI. He did justice to the role by making “CHHEDI SINGH” look extremely believable. His action scenes with Salman Khan were just loved by the audience.\n4) Star Studded Supporting Cast\nThe movie boasted of a supporting cast of highly talented actors like Dimple Kapadia, Arbaaz Khan, Mahesh Manjrekar and Vinod Khanna. Even the supporting actors played important characters in the movie. Each of the supporting actors added weight to the story. The audience were simply bowled over by the parallel tracks – love story of Makkhi (Arbaaz Khan) and his love interest, love-hate relationship between Chulbul Pandey and his father played by Vinod Khanna, husband – wife relation of Dimple Kapadia and Vinod Khanna and what not.\n5) Chartbuster Music\nThe music was a hit even before the movie got released. Each song of the movie was a big hit – be it soulful “TERE MAST MAST DO NAIN” or high on beats “HUD HUD DABANG” and “MUNNI BADNAM”. The fresh pairing of Salman – Malaika made “MUNNI BADNAAM” an all time chartbuster. Almost all of its songs are popular even 10 years later in 2020.", "domain": "movie"}
{"url": "https://york.chilipac.com/eg/opac/record/8645606", "date": "2023-09-22T04:22:14Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233506329.15/warc/CC-MAIN-20230922034112-20230922064112-00466.warc.gz", "language_score": 0.8100835680961609, "token_count": 525, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__101268398", "lang": "en", "text": "Mary Shelley / IFC Films with Hanway Films and BFI present a Parallel Films and Gidden Media production ; produced by Amy Baer, Alan Moloney, Ruth Coady ; written by Emma Jensen ; director, Haifaa Al-Mansour.\nThe real-life story of Mary Shelley, and the creation of her immortal monster, is nearly as fantastical as her fiction. Raised by a renowned philosopher father in eighteenth-century London, Mary Wollstonecraft Godwin is a teenage dreamer determined to make her mark on the world, when she meets the dashing and brilliant poet Percy Shelley. So begins a torrid, bohemian love affair marked by both passion and personal tragedy that will transform Mary and fuel the writing of her Gothic masterwork.\n- Physical Description: 1 videodisc (120 min.) : sound, color ; 4 3/4 in.\n- Distributor: [Los Angeles, California] : Shout! Factory, \n- Copyright: ©2017\nTitle from disc surface.\nOriginally produced as a motion picture in 2017.\nWide screen (2.40:1).\nBonus features: interviews with actors Elle Fanning and Bel Powley and additional cast and crew; behind the scenes footage.\n|Participant or Performer Note:||\nElle Fanning, Maisie Williams, Bel Powley, Douglas Booth, Ben Hardy, Tom Sturridge, Stephen Dillane, Joanne Froggatt, Hugh O'conor.\n|Target Audience Note:||\nMPAA rating: PG-13; for sexuality and thematic elements including substance abuse.\n|System Details Note:||\nDVD, 5.1 Dolby digital, Dolby stereo, region 1.\nEnglish dialogue; English subtitles for the deaf and hearing impaired, or Spanish subtitles.\nSearch for related items by subject\n|Subject:||Shelley, Mary Wollstonecraft, 1797-1851 > Drama.\nShelley, Percy Bysshe, 1792-1822 > Drama.\nVideo recordings for the hearing impaired.\n- 0 of 1 copy available at York County Libraries.\n- 3 current holds with 1 total copy.", "domain": "movie"}
{"url": "https://en.digitalmalayali.in/top-10-must-watch-ai-films-for-tech-enthusiasts/", "date": "2024-03-03T11:47:41Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476374.40/warc/CC-MAIN-20240303111005-20240303141005-00049.warc.gz", "language_score": 0.8939789533615112, "token_count": 730, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__197266428", "lang": "en", "text": "Artificial intelligence (AI) is one of the most exciting and rapidly evolving fields in the world of technology. As a tech enthusiast, it’s hard not to be fascinated by the possibilities of AI and its potential to change the world. One way to gain a deeper understanding of the subject is through movies. Here are the top 10 movies about artificial intelligence that every tech enthusiast must watch before they die:\n- 2001: A Space Odyssey (1968) – Directed by Stanley Kubrick, this classic science fiction film features HAL 9000, a highly intelligent computer programmed to control a spaceship. The movie explores the relationship between HAL and the human crew and raises questions about the nature of consciousness and the limits of artificial intelligence.\n- Blade Runner (1982) – Set in a dystopian future, this neo-noir science fiction film follows a detective tasked with tracking down and “retiring” rogue replicants, genetically engineered beings with enhanced physical and mental abilities. The film raises questions about the ethics of creating and controlling artificial life.\n- The Terminator (1984) – This action-packed film features a time-travelling cyborg sent back in time to assassinate the mother of the future leader of a resistance against AI-controlled machines. The movie explores the potential dangers of AI gaining too much power and control over humans.\n- War Games (1983) – In this Cold War-era thriller, a teenager inadvertently hacks into a military supercomputer and nearly triggers a global nuclear war. The movie raises questions about the limits of human control over advanced technology.\n- The Matrix (1999) – This iconic science fiction film features a world in which humans are trapped in a simulated reality created by sentient machines. The movie explores the relationship between humans and artificial intelligence and the potential consequences of AI gaining too much power.\n- Ex Machina (2014) – In this psychological thriller, a young programmer is invited to the secluded home of a reclusive tech genius to administer a Turing test to a highly advanced AI robot with human-like features. The film raises questions about the nature of consciousness and the ethics of creating and manipulating artificial life.\n- Her (2013) – Set in a near-future world, this romantic science fiction film follows a lonely writer who falls in love with an advanced operating system with a human-like personality. The movie explores the emotional and psychological implications of human-AI relationships.\n- A.I. Artificial Intelligence (2001) – Directed by Steven Spielberg, this science fiction drama follows a highly advanced AI robot boy programmed to love, who sets out on a quest to become human. The film raises questions about the nature of humanity and the limits of artificial intelligence.\n- Transcendence (2014) – In this science fiction thriller, a dying scientist uploads his consciousness into a computer and becomes an omnipotent digital entity. The movie explores the potential consequences of merging human consciousness with advanced AI.\n- The Imitation Game (2014) – Based on the true story of Alan Turing, a brilliant mathematician and cryptanalyst who played a crucial role in cracking Nazi codes during World War II, this film explores Turing’s work on developing a machine capable of deciphering coded messages. The movie raises questions about the role of AI in military intelligence and the ethics of using advanced technology in war.\nIn conclusion, these 10 movies about artificial intelligence offer a diverse range of perspectives, from the philosophical to the action-packed. Watching them can help tech enthusiasts gain a deeper understanding of AI’s potential benefits and dangers and the complex ethical questions arising from its development and use.", "domain": "movie"}
{"url": "http://bhutanakingdomofhappiness.com/2010/03/", "date": "2017-04-29T01:38:09Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917123172.42/warc/CC-MAIN-20170423031203-00398-ip-10-145-167-34.ec2.internal.warc.gz", "language_score": 0.9275303483009338, "token_count": 165, "dump": "CC-MAIN-2017-17", "global_id": "webtext-fineweb__CC-MAIN-2017-17__0__305860892", "lang": "en", "text": "Archive for March, 2010\nPlease join us on March 28th at 4:30 pm for a special in-progress screening of Bhutan: A Kingdom of Happiness, as part of the DC Environmental Film Festival.\nAfter the screening, discuss many of the concepts raised in the film with a distinguished panel to include the filmmakers as well as Sonam Tobgay of the United Nations, Mark LaPrarie of the World Bank, Bruce Bunting and Pem Lama of the Bhutan Foundation and Erich E. Veitenheimer, Partner at Cooley Godward Kronish LLP.\nAdmission is free.\nThank you for your continued support and generosity.4:30 PM, Sunday, March 28, 2010 Carnegie Institution for Science – Elihu Root Auditorium 1530 P St., NW (Map)", "domain": "movie"}
{"url": "https://izzso.com/lebron-james-posts-first-look-at-space-jam-2/", "date": "2022-08-16T19:28:47Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-33/segments/1659882572515.15/warc/CC-MAIN-20220816181215-20220816211215-00293.warc.gz", "language_score": 0.9597039222717285, "token_count": 233, "dump": "CC-MAIN-2022-33", "global_id": "webtext-fineweb__CC-MAIN-2022-33__0__203520855", "lang": "en", "text": "Space Jam 2 has been in the works for a number of years, and only recently has the official title and release date been shared, giving us another reason to look forward to summer 2021.\nAnd now, LeBron James, who is set to star in the hit film’s sequel, has revealed the first look at the upcoming film, with never-before-seen images of what we can expect from the movie.\n— LeBron James (@KingJames) March 4, 2021\nSharing a sneak-peek as part of an interview he did with Entertainment Weekly, the NBA legend gifted us with a number of iconic images of him alongside the Looney Tunes characters, including Bugs Bunny, Lola Bunny, Daffy Duck and Tweety, to name a few.\nThe movie itself, Space Jam 2: A New Legacy, is set to feature cameos from an array of well-known NBA and WNBA players, following on from the first film that was aired 25 years ago and was centred around NBA veteran, Michael Jordan.\nThe highly-anticipated movie is set for release in July 2021, so let the countdown begin!", "domain": "movie"}
{"url": "https://techiemates.in/animal-hd-available-for-free-download-online-on-filmyzilla-telegram-mp4moviez-and-other-sites/", "date": "2024-02-27T20:39:18Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474686.54/warc/CC-MAIN-20240227184934-20240227214934-00252.warc.gz", "language_score": 0.9416957497596741, "token_count": 708, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__111583405", "lang": "en", "text": "Animal HD Online Movie Leaked for Free Download: Bollywood film actor Ranbir Kapoor’s most awaited Animal film has been released in theaters on 1 December 2023. Ranbir Kapoor, Bobby Deol, Anil Kapoor and Rashmika Mandanna are seen playing lead roles in this movie.\nThe film has been directed by Sandeep Reddy Vanga, who has gained popularity with superhit films like Kabir Singh and Arjun Reddy and produced by Bhushan Kumar, Pranay Reddy Vanga, Murad Khetani and Krishan Kumar.\nRanbir Kapoor has made a better comeback with Animal. His previous superhit films Tu Jhuthi Main Makkaar and Brahmastra was liked by the people. But the film got mixed response but now people have liked his strong acting and dialogue delivery in Animal movie.\nThe story of this film follows the life of a son who has a deep love for his father that cannot be bound by any limits. But due to the occurrence of some such incidents in their lives, discord arises between father and son. Due to which an unquenchable thirst for revenge awakens in the son’s mind.\n|Action, Crime, Drama\n|Ranbir Kapoor, Bobby Deol, Anil Kapoor, Rashmika Mandana\n|Sandeep Reddy Vanga\n|Sandeep Reddy Vanga\n|Jaani, Manoj Muntasir\n|1 December 2023\n|Hindi, Tamil, Telugu, Malayalam\nAnimal Movie Download Link Leaked On Telegram Torrent Websites\nAfter the release of Animal, due to this illegal work, the box office collection of the film may be adversely affected due to which there may be a decline in the earnings of its makers and due to this, the producers of this movie may have to suffer huge losses.\nWhenever a new film is released in theatres, it is a difficult task to protect the film from piracy, due to which many big budget films also become victims of piracy and the same has happened with this film.\nThis is a bad news for the makers of Animal because Animal movie has been leaked online to download for free.\nMany torrent websites like Filmyzilla, Mp4moviez, Vegamovies, 7StarHd, Tamilrockers, Filmyhit, Bolly4u, Movierulz are involved in leaking the pirated version of Animal movie available on the internet.\nOn one hand, torrent sites are being used to leak the movie, while on the other hand, Telegram channels are being used indiscriminately to download the leaked version of Animal movie online for free in 480p, 720p, 1080p and 4k.\nThese websites are legally banned by the government because piracy of any movie is a punishable offense by law in India. But even after doing all this, all these websites start piracy of movies again with new domain names.\nSay No To Piracy\nWe do not support piracy any film on our platform in any way. Many people invested their money and hard work in the movie production.\n(Disclaimer: This post has been published only to make the readers aware. The download link of the film was not given in this post. Piracy is a very serious crime and it harms the film industry. techiemates.in does not support piracy of web series.)", "domain": "movie"}
{"url": "https://olbios.org/a-model-of-a-film-festival/", "date": "2021-12-03T00:52:53Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-49/segments/1637964362571.17/warc/CC-MAIN-20211203000401-20211203030401-00319.warc.gz", "language_score": 0.9333184957504272, "token_count": 312, "dump": "CC-MAIN-2021-49", "global_id": "webtext-fineweb__CC-MAIN-2021-49__0__85158105", "lang": "en", "text": "The Pravo Ljudski Film Festival arose from the commitment to record, disclose, explain and question, but also to finally provoke thinking and inform through independent cinema and arts. What has started as educational documentary films screenings for the students of the European Regional MA in Democracy and Human Rights in South East Europe, since 2006 has developed into an international festival contributing to the promotion of creative documentary cinema and audio-visual arts in Bosnia and Herzegovina and beyond.\nThe first festival, which took place in June, 2006 screened 17 films, and welcomed 7 guest filmmakers; obviously, it was more then enough to create an inner sparkle, an inspiration for devoted work and commitment to the promotion of independent cinema and the art of film across Bosnia and Herzegovina – not only in Sarajevo, and not only inside the cinemas.\nPravo Ljudski focused its energy to provide “creative” solutions of the war-torn and sadly abandoned cinemas of Bosnia and Herzegovina, with screens outside of the cinemas: public spaces, schools, museums, or libraries. Since 2006, Pravo Ljudski visited over 30 towns, screening hundreds of films to diverse audiences. Lively discussions on various topics started after the screenings, some giving birth to inspiring film clubs and independent art projects and some giving birth to new films.\nA Guzman film on memory and answers", "domain": "movie"}
{"url": "https://nestlearning.com/collections/nest-dvds/products/the-swan-princess-dvd", "date": "2023-03-20T19:39:17Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296943555.25/warc/CC-MAIN-20230320175948-20230320205948-00716.warc.gz", "language_score": 0.8640479445457458, "token_count": 368, "dump": "CC-MAIN-2023-14", "global_id": "webtext-fineweb__CC-MAIN-2023-14__0__108055531", "lang": "en", "text": "The Swan Princess DVD\nFrom the director of \"The Fox And The Hound\" comes THE SWAN PRINCESS, a magical, musical animated adventure based on the classic fairy tale \"Swan Lake\" that captured the hearts of audiences around the world! The winner of the Film Advisory Board Award of Excellence and the Parents' Choice Award, it's the heartwarming story of the beautiful princess Odette, who is transformed into a swan by an evil sorcerer's spell. Held captive at an enchanted lake, she befriends Jean-Bob the frog, Speed the turtle and Puffin the bird. Despite their struggle to keep the princess safe, these good-natured creatures can do nothing about the sorcerer's spell, which can only be broken by a vow of everlasting love. Universally cheered and revered, THE SWAN PRINCESS is bursting with color, dazzling animation, beautiful music and features the vocal talents of Jack Palance, John Cleese, Steven Wright and Sandy Duncan! This classic story about a princess and a frog is an exciting adventure you'll want to relive again and again! DVD Features:åÊRead Along: Help Odette Prepare for Her Wedding - menuåÊOdette's Book of Wonderful FriendsåÊPractice, Practice, Practice - menuåÊSing Alongs - Video IntroductionåÊBonus TrailersCast and Crew:åÊDirector: Richard RichåÊProducer: Jared F. Brown, Richard RichDVD Details:åÊGenre: ChildrenåÊStudio: New LineåÊCC: English (US)åÊSub: English (US), French (Parisian)åÊColor/B&W: ColorAlso available for Pre-Order - The Princess and the Frog on DVD from Disney!", "domain": "movie"}
{"url": "http://sorepawproductions.co.uk/index.php/sorepawnews/itemlist/user/43-suzanne.html", "date": "2017-05-01T04:17:08Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917127681.50/warc/CC-MAIN-20170423031207-00143-ip-10-145-167-34.ec2.internal.warc.gz", "language_score": 0.9148540496826172, "token_count": 146, "dump": "CC-MAIN-2017-17", "global_id": "webtext-fineweb__CC-MAIN-2017-17__0__303348177", "lang": "en", "text": "Welcome to the new updated Sorepaw Productions website. In this news section we will be trying to keep everyone informed of new projects and current projects. There are a lot of exciting things happening including: The world premiere of our first feature length film 'A Year and a Day' on the 4th of September 2012 at the Glasgow Film Theatre, tickets will be available to purchase soon from the website and supplied contact details. You can visit the micro website here http://www.ayearandaday.co.uk\nWe will also be going into pre-production soon for our second feature 'Four'. The teaser trailer will be available soon.\nHope you enjoy the new site.\nSorepaw Productions team :-)", "domain": "movie"}
{"url": "http://beckiercaa.blogspot.com/", "date": "2017-06-24T07:01:00Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-26/segments/1498128320227.27/warc/CC-MAIN-20170624064634-20170624084634-00067.warc.gz", "language_score": 0.9719827771186829, "token_count": 531, "dump": "CC-MAIN-2017-26", "global_id": "webtext-fineweb__CC-MAIN-2017-26__0__180897693", "lang": "en", "text": "Waltz with Bashir is an Israeli 2008 animated war film that was written and directed by Ari Folman. It premiered at the 2008 Cannes Film Festival. The film itself revolves around Folman’s search for his lost memories surrounding the 1982 Lebanon war. It is an incredibly raw film which hooks the viewers attention right from the 1st minute. Its breathtaking honestly is not necessarily realised until the end. Ari uses the film as a partial documentary, animating and depicting his own life and investigation into searching for his ‘lost’ memories.\nIt is an important film for many reasons. Not only does it depict the horrors that happened within Lebanon but it is worth noting that the film was banned\nVivid and horrifying events leading up to the massacres are disinterred by the movie's quasi-fictional \"reconstructive\" procedure, somewhere between oral history and psychoanalysis. The film uses hyperreal rotoscope-animation techniques, similar to those made famous by Bob Sabiston and Richard Linklater. Live-action footage on videotape has been digitally converted into a bizarre dreamscape in which reality is resolved into something between two and three dimensions. (Bradshaw, 2008)\nThe film is beautifully animated and brings a certain air of whimsicality and the true horror of what is unfolding in front of us doesn't seem as real. If this was intended is unclear but the colour and tonality of the piece mixed with the hyperreal rotoscope animation techniques adds another deeper, more subtle tone to the piece. Creating an animation about the Lebanon War was a risky task to undergo, yet the skills used to make it have masked some of the horror and added a layer of curiosity to the piece. This is not your typical war film. This is Folman’s attempt to understand his memories and educate others about what really happened.\nThe film is structured like a conventional documentary, with Folman visiting old army friends and piecing together what they saw and remember. The freedom of animation allows him to visualize what they tell him -- even their nightmares. (Ebert, 2009) To add in real footage at the end is a heart breaking finale but it perfectly sums up the movie. He’s broken that filmic wall where people could be mistaken to think that the tragic events never happened. Instead he layers on the footage at the end to break the film illusion and to show people that this happened in real life. Although this piece is a semi documentary as he tried to understand his 1st hand view of the events, its done with such care and finesse that it should be truly considered a masterpiece.", "domain": "movie"}
{"url": "https://craiglaurancegidney.com/2017/01/25/on-moonlight-in-praise-of-blue-black-boys/", "date": "2023-05-30T21:32:02Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224646144.69/warc/CC-MAIN-20230530194919-20230530224919-00220.warc.gz", "language_score": 0.965164840221405, "token_count": 229, "dump": "CC-MAIN-2023-23", "global_id": "webtext-fineweb__CC-MAIN-2023-23__0__222551880", "lang": "en", "text": "I finally saw the movie “Moonlight” over the holidays. I am pleased that it was nominated for 8 Academy Awards. Adapted from the play “In Moonlight, Black Boys Look Blue,” the film is, among other things, a coming-out story of a young black man, set against the backdrop of the 1980s war on drugs. It’s a sparse film, full of small gestures and precise performances. The main character is seamlessly played by three actors, from prepubescence to young adulthood.\nThe resonance between my 2013 YA novel BEREFT and the film is very strong. Like the character Chiron in Moonlight, my 13-year old character Rafe faces bullying and lives with his mentally unstable mother in an inner city neighborhood. (BEREFT differs in that it focuses on Rafe’s school life when he gets a scholarship to a Catholic prep school).\nThe importance of the movie, which centers on black queer love, cannot be overstated.\nOur stories are finally getting the recognition they deserve.\nYou must be logged in to post a comment.", "domain": "movie"}
{"url": "https://www.albertmchan.com/2020/08/11/the-butler-and-the-ball-to-premiere-in-los-angeles-at-dances-with-films/", "date": "2023-12-04T10:41:53Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100527.35/warc/CC-MAIN-20231204083733-20231204113733-00057.warc.gz", "language_score": 0.9636609554290771, "token_count": 371, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__166744268", "lang": "en", "text": "The Butler and the Ball will premiere on the west coast at the 23rd Annual Dances with Films in Los Angeles, recognized as a Top 10 North American Film Festival by USA Today readers and a Top Ten Best Reviewed Festival on FilmFreeway. Traditionally taking place at the famed TCL Chinese Theatres in Hollywood, this year’s screenings, Q&As, panels, and social events will take place virtually.\nThe Butler and the Ball screens as part of Dances with Kidz!, a side bar festival that celebrates films made for kids and films made by kids. The film screens on Saturday, August 29, 2020, at 11:30am, and again on Sunday, August 30, 2020, at 11:30am in a session dedicated to kid filmmakers. A live Q&A with Albert and director Andrew Chan-Possemato is scheduled at the end of the Saturday session.\nThe Butler and the Ball is an urban fairy tale about a lonely boy who enters a contest to become the new butler of a grieving, reclusive singer, is directed by eight-year-old Andrew Chan-Possemato, who wrote and produced it with Albert.\nSince 1998, Dances with Films has been held each year in the heart of Los Angeles and is one of the highest attended film fests in Southern California with more than 20,000 attendees each year. Additionally, the festival is regularly tracked by industry in Los Angeles with deals made each year. Dances with Films has been hailed as “the premiere showcase of innovative independent cinema, presenting amazing undiscovered talent to an industry audience in Hollywood” by Indiewire, “the future of independent film” by The Huffington Post, and as “an innovator and leader in positioning raw and new talented directors” by CNN.", "domain": "movie"}
{"url": "http://www.profitatanyprice.com/2017/04/la-la-land-ambition-vs-love.html", "date": "2024-04-18T04:24:46Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817187.10/warc/CC-MAIN-20240418030928-20240418060928-00383.warc.gz", "language_score": 0.9818198680877686, "token_count": 249, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__170567378", "lang": "en", "text": "by Bryan J. Neva, Sr.\n\"LA LA Land\" is a romantic musical drama released in August 2016 starring Ryan Gosling, as an aspiring jazz musician and entrepreneur, and Emma Stone, as an aspiring actress, who meet and fall in love in Los Angeles, California. The title refers to the the city and also to those who are somewhat out-of-touch with reality. The film went on to win six Academy Awards (including best director, best actress, and best song). It was also financially very successful too as it earned over $430 million (and counting) on a meager budget of just $30 million.\nThe plot of the movie revolves around the struggle between ambition and love; how much are the characters willing to sacrifice to realize their dreams? They're both so tempted by the allure of fame and success that they have to learn the hard way that those things won't bring you lasting happiness. The plot has been repeated over and over again in the movies for years, but this film masterfully takes it to another level. It's a reflection of life itself as people will sacrifice everything to achieve their dreams including true love. I highly recommend you see the movie and take to heart the lessons learned.", "domain": "movie"}
{"url": "http://www.evageeks.org/2013/07/evangelion-3-0-screenin-at-otakon/", "date": "2017-03-29T13:13:33Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-13/segments/1490218190295.65/warc/CC-MAIN-20170322212950-00272-ip-10-233-31-227.ec2.internal.warc.gz", "language_score": 0.928351879119873, "token_count": 142, "dump": "CC-MAIN-2017-13", "global_id": "webtext-fineweb__CC-MAIN-2017-13__0__61637909", "lang": "en", "text": "- July 24th, 2013\nEvangelion 3.0, You Can (Not) Redo will be screening at this year’s Otakon (courtesy of Funimation) which takes place in Baltimore, Maryland, at Baltimore Convention Center on August 9 through August 11. The film will be screened in Japanese with English subtitles.\nThe listing is said to be screened in “HD”, which could mean it is a BluRay projection instead of a Digital Cinema Print. Currently, there’s no information on the schedule or what date and time the actual screening will take place, but I’m hearing that a full schedule will be out around the 26th.", "domain": "movie"}
{"url": "http://shopaholicandyou.blogspot.com/2015/12/irrational-man-2015.html", "date": "2018-07-17T11:05:48Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-30/segments/1531676589710.17/warc/CC-MAIN-20180717105812-20180717125812-00486.warc.gz", "language_score": 0.856302797794342, "token_count": 601, "dump": "CC-MAIN-2018-30", "global_id": "webtext-fineweb__CC-MAIN-2018-30__0__63068550", "lang": "en", "text": "Full Length of Irrational Man in High Quality VideoNow you can see Irrational Man in high definition format with duration 96 Min and has been launched in 2015-07-17 and MPAA rating is 83.\n- Original Title : Irrational Man\n- Movie title in your country : Irrational Man\n- Year of movie : 2015\n- Genres of movie : Drama,\n- Status of movie : Post Production\n- Release date of movie : 2015-07-17\n- Companies of movie :\n- Countries of movie :\n- Language of movie : English,\n- Durationof movie : 96 Min\n- Average vote of movie : 5.8\n- Youtube ID of movie : hP8mPkyBntw\n- Translation of movie : EN,IT,ES,SV,FR,PT,RU,HU,CS,HE,EL,DE,\n- Actors of movie :Emma Stone (Jill), Joaquin Phoenix (Abe), Jamie Blackley (Roy), Parker Posey (Rita), Meredith Hagner (Dandy), Ethan Phillips (Dad), Ethan Phillips (Danny), David Aaron Baker (Biff), Susan Pourfar (Carol), Tamara Hickey (Ms. Leonard), Michael Goldsmith (Mark), Michael Goldsmith (Judge Spangler), Tom Kemp (Spangler)\nMovie synopsis of Irrational Man :\nRelease Irrational Man in High Definition Format with movie synopsis \"On a small town college campus, a philosophy professor in existential crisis gives his life new purpose when he enters into a relationship with his student.\" in high definition format. Full Streaming Irrational Man in HD Quality by clicking the download link.\nStreaming movie with title Irrational Man full and free movie streaming in HD video. Enjoy movie with title Irrational Man free an fun at here. Today, you can see that hundreds a huge number of people in search of free Irrational Man movie and watch it on the sweat household with connection to the internet. Become happy, you can easily reach thousands of fulfilled members whom became tired with waiting with regard to dvds inside mail, and you will watch totally free Irrational Man. You can get new on the web movie, and get it totally free in your site. It truly is fast, quick, free and in addition to look at. Streaming now Irrational Man on the internet movie without having downloading. You can watch online movie streaming in HD top quality in 96 Min length. Watch full trailer movie plus full movie of Irrational Man go through the button below to see these film.\n... Play Full Irrational Man in Top Quality 1080p ...\nDirector : Woody Allen, Writer : Woody Allen, Cinematography : Darius Khondji, Art Direction : Carl Sprague, Makeup Artist : Sherryn Smith\nYes, now you can watch movie involving Irrational Man entirely length and acquire the connection to this video Irrational Man in HD video.", "domain": "movie"}
{"url": "https://www.happyassia.com/about", "date": "2021-08-05T18:46:37Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-31/segments/1627046156141.29/warc/CC-MAIN-20210805161906-20210805191906-00081.warc.gz", "language_score": 0.9677276015281677, "token_count": 399, "dump": "CC-MAIN-2021-31", "global_id": "webtext-fineweb__CC-MAIN-2021-31__0__131847011", "lang": "en", "text": "Qianhang SHAO is a female filmmaker from China who got her undergraduate degree from Shanghai Jiao Tong University, majoring in Broadcasting and Movie editing.\nIn college, Qianhang got chances to develop as a person and filmmaker. The more she knew, the more she saw, the more she believed in that film was the most beautiful language of human beings and the most powerful voice of communication. Based on Qianhang’s personal story, she wrote a short film The Magic Box in college, a story about a little girl tried to steal a glance at television shows from being forbidden to watch any by her parents. It won three national awards, including the Second “Narrative Drama” Prize in Third “Academy Award” of the Chinese Collegial Association for Visual Art.\nIn 2012, Qianhang came to Los Angeles for her Master of Fine Arts degree in SCA film production major. The same year, she gave herself an English name, “Assia”, which means sunrise.\nAt USC, Assia has been studying storytelling from various perspectives -- producing, cinematography, sound, and much more. But directing and producing is Assia's passion. And obsessed with fantasy and mystery, Assia is eager to share different versions of reality with people.\nMay 2016, she finished her thesis project, Pearl, a fantasy story about love, control, and loneliness, which won Best of the Festival 2nd Place at 2017 Phoenix Comicon Film Festival, Best Fantasy at 2017 Amsterdam Film Festival, the Jury award for Best College Film at 2017 Oceanside International Film Festival and officially selected in other more than ten film festivals, including The 41st Cleveland International Film Festival and so on.\nAfter school, Assia works as a freelancer. And she had worked on several featured movies, as director's assistant, including Shanghai Fortress and so on. She keeps herself busy in directing commercials and short movies and writing her own featured movies.", "domain": "movie"}
{"url": "https://novinski.sk/projects/watchmakers-apprentice-directed-by-jitka-rudolfova-2019/", "date": "2023-11-29T02:47:24Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100047.66/warc/CC-MAIN-20231129010302-20231129040302-00503.warc.gz", "language_score": 0.8001695871353149, "token_count": 119, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__135427214", "lang": "en", "text": "The original Czech-Slovak tale based on Jitka Rudolfova’s script is a story of love, greed and petty, but also of human courage and skill.\nPremiere: 12th September 2019\nGenre: Fantasy family comedy\nCountry: Czech Republic | Slovakia\nProducers: Evolution Films (ČR), PubRes (SR), Česká televize (ČR), RTVS (SR)\nDistribution: PubRes (SR)\nWinner of Czech Film and Television Awards 2019 – Czech Lion Award – Best Music", "domain": "movie"}
{"url": "http://new-blu.blogspot.com/2008/09/", "date": "2018-07-21T19:36:15Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-30/segments/1531676592654.99/warc/CC-MAIN-20180721184238-20180721204238-00596.warc.gz", "language_score": 0.8666868805885315, "token_count": 152, "dump": "CC-MAIN-2018-30", "global_id": "webtext-fineweb__CC-MAIN-2018-30__0__231808497", "lang": "en", "text": "Warner Home Video has announced 1-disc ($28.98), 2-disc ($34.99) and Blu-ray ($35.99) releases of The Dark Knight for the 9th December. The extras have yet to be revealed for the DVD releases, although the Blu-ray release will include a Gotham Uncovered documentary, featurettes (Batman Tech: The Incredible Gadgets and Tools, Batman Unmasked: The Psychology of The Dark Knight), 6 episodes of Gotham Cable's Premier News Program, galleries (The Joker Cards, Concept Art, Poster Art, Production Stills), trailers and TV spots. A limited edition set with Batpod will also be available.\nVisit The Dark Knight Amazon Link.\nOfficial Blu-Ray Artwork:", "domain": "movie"}
{"url": "https://hauvortufffac.xooit.co.uk/t128-Shola-Aur-Barood-Full-Movie-Hd-1080p-Bluray-Tamil-Movies.htm", "date": "2020-02-23T00:52:55Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-10/segments/1581875145742.20/warc/CC-MAIN-20200223001555-20200223031555-00089.warc.gz", "language_score": 0.6814305186271667, "token_count": 1908, "dump": "CC-MAIN-2020-10", "global_id": "webtext-fineweb__CC-MAIN-2020-10__0__166209770", "lang": "en", "text": "Download The Latest Movies Full HD Video Songs Page 1. You can download 720p & 1080p High Definition Blu-ray . download hd Shola Aur Barood telugu movie .. Delhi6 720p Bluray Hindi Movie Online .\nWatch Superhit Comedy Movie Shola Aur . Find this Pin and more on Bollywood Comedy Movies by . Blu Ray Movies Hd Movies Hindi Movies Online Hrithik Roshan .. Get Free Movie Reviews. Free download MP4 HD movies for mobiles, tablets and PC. Latest Bollywood Movies (2018) Download Filmywap 2018 Latest Bollywood .\n. 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Shola Aur Shabnam 1992 Hindi Movie 480p . 11f83a963e Sapoot full movie in hindi hd 720pfree download Muqadma full movie in hindiAvvai Shanmugi movie 5 full movie in hindi dubbed downloadDrohkaal hindi video song full hd 1080pDoodh Ka Karz 2015 movie download 720pGande Log 720p in dual audio hindimalayalam full movie download Sahibaanhindi songs of Ghaav - The Wound free downloaddownload Maidan-E-Jung 720p hdSangeet man full movie in hindi mp4", "domain": "movie"}
{"url": "https://peeweecomics.com/product/godzilla-in-destroy-all-monsters-1969-nss-lobby-card-7-paper-backed-11-x-14/", "date": "2023-10-03T04:54:25Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233511053.67/warc/CC-MAIN-20231003024646-20231003054646-00022.warc.gz", "language_score": 0.9072991013526917, "token_count": 141, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__38783072", "lang": "en", "text": "Godzilla in Destroy All Monsters 1969 NSS Lobby Card #7 Paper-Backed 11 x 14″\nThis is a vintage 1969 American International Release: Godzilla in Destroy All Monsters Lobby Card #6. A very rare lobby card of one of the greatest Godzilla movies of all time! The card has been professionally paper-backed(stiff backing) to preserve the card and clean up some of the imperfections. This movie was to be the last Godzilla movie, but the movie renewed interest and garnered legion of new Godzilla fans. The lobby card Measures approx. 11 x 14 inches and are still extremely tough to find in any condition and would rate a C7.", "domain": "movie"}
{"url": "http://whenthepartyends.com/?tag=film-festival", "date": "2019-05-22T11:30:27Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-22/segments/1558232256797.20/warc/CC-MAIN-20190522103253-20190522125253-00035.warc.gz", "language_score": 0.9205029606819153, "token_count": 453, "dump": "CC-MAIN-2019-22", "global_id": "webtext-fineweb__CC-MAIN-2019-22__0__225227029", "lang": "en", "text": "When the Party Ends has won an Award of Merit of Awareness from the Awareness Film Festival 2015 in Los Angeles, California. The mission of the Awareness Film Festival is bringing awareness and to open eyes to some of our world’s pressing issues: Ecological, Political, Health/Well Being and the […]\nDirector KT Curran, actor Patrick A. Jackson, and Art Director Brad Bryan appeared on WSRQ radio’s The Nilon Report. Bridget O’Brien and Jacob Ogles interviewed them about SOURCE Productions and When the Party Ends’ premiere at the Sarasota Film Festival.\nThe Sarasota Film Festival wrote a nice feature about When the Party Ends, highlighting it as a centerpiece of this year’s LGBT-themed films. Inclusivity in every area is a core value of the festival,” Director of Programming Michael Dunaway said. “We strive to be a festival not only for white, […]\nThe Sarasota Film Festival announced its 2015 lineup at kickoff event at Marie Selby Botanical Gardens. Members of the cast and crew of When the Party Ends were there to mark the occasion, and SRQ Magazine’s Backlot blog snapped some photos.\nWe are excited to announce that When the Party Ends will make its premiere at the Sarasota Film Festival!\nDirector KT Curran appeared on the Suncoast View, a talk show on Sarasota’s ABC7, to talk about When the Party Ends and the Cannes Short Film Corner. Special thanks the Suncoast View for featuring our film and to Jaszy McAllister, longtime friend of the SOURCE, for all her assistance on […]\nThis Week in Sarasota published a very nice feature article about When the Party Ends’ acceptance into the Short Film Corner at the 68th Cannes Film Festival.\nSNN Local News 6 reporter Grant Boxleitner spoke to Director KT Curran, Creative Producer Joshua Beadle, and Star Jimmy DiPaola about When the Party Ends and its acceptance into the Short Film Corner at the 68th Cannes Film Festival\nWe are beyond thrilled to announce that When the Party Ends has been accepted to the Short Film Corner at the 68th Cannes Film Festival.", "domain": "movie"}
{"url": "https://www.threeheadedfilm.com/about", "date": "2023-12-04T06:39:24Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100525.55/warc/CC-MAIN-20231204052342-20231204082342-00895.warc.gz", "language_score": 0.9329851865768433, "token_count": 184, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__56417014", "lang": "en", "text": "ABOUT THE FILMMAKERS\nFernando Andrés & Tyler Rugh are a 24 year-old filmmaking duo based in Austin, Texas. They have been making films together since the eighth grade. Their short film Igloo was a finalist for the Ignite Fellowship at the 2019 Sundance Film Festival. Three Headed Beast is their first feature film and made its World Premiere in the prestigious U.S. Narrative Competition at the 2022 Tribeca Film Festival.\nU.S. Narrative Feature Film\nAll World Rights Available\nABOUT THE FILM\nPeter and Nina are a long term couple navigating a healthy and comfortable open relationship. Alex is a young man still figuring out adult life who has formed an intense connection with Peter. Their individual fears, desires and loneliness collide over a hot Texas summer in a nearly wordless film told largely through intimacy, body language and music.", "domain": "movie"}
{"url": "https://www.apbs.org/archives/conferences/2018/film-festival", "date": "2020-05-27T10:15:44Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-24/segments/1590347392142.20/warc/CC-MAIN-20200527075559-20200527105559-00387.warc.gz", "language_score": 0.949201762676239, "token_count": 203, "dump": "CC-MAIN-2020-24", "global_id": "webtext-fineweb__CC-MAIN-2020-24__0__120634195", "lang": "en", "text": "APBS 2018 Film Festival\nThe 9th Annual PBIS Film Festival at the APBS 2018 Conference\nThe purpose of this film festival is to highlight the work that you and your schools are doing during the 2018 APBS Conference in San Diego, California. Schools using video to support their SW-PBIS systems and practices are encouraged to submit an entry. www.PBISVideos.com is still going strong! Keep uploading your videos to Vimeo and linking to our group! The film festival will occur during the 2018 APBS conference in San Diego. The deadline to submit a film is January 19, 2018.\nComplete this online form to submit a film to the Film Festival by January 19, 2018\nPlease note: Conference attendance is NOT required to participate in the Film Festival\nTo view past submissions, please visit www.PBISVideos.com.\nPlease consult the 2018 PBIS Film Festival Flyer for more details, including links to past winners and the rubric used to judge submissions.", "domain": "movie"}
{"url": "https://phoenix.codeytek.com/avengers/", "date": "2023-10-04T16:26:23Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233511386.54/warc/CC-MAIN-20231004152134-20231004182134-00307.warc.gz", "language_score": 0.9396560788154602, "token_count": 565, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__62088202", "lang": "en", "text": "Marvel’s The Avengers (classified under the name Marvel Avengers Assemble in the United Kingdom and Ireland), or simply The Avengers, is a 2012 American superhero film based on the Marvel Comics superhero team of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures,[N 1] it is the sixth film in the Marvel Cinematic Universe (MCU). Written and directed by Joss Whedon, the film features an ensemble cast including Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, and Jeremy Renner as the Avengers, alongside Tom Hiddleston, Clark Gregg, Cobie Smulders, Stellan Skarsgård, and Samuel L. Jackson. In the film, Nick Fury and the spy agency S.H.I.E.L.D. recruit Tony Stark, Steve Rogers, Bruce Banner, and Thor to form a team capable of stopping Thor’s brother Loki from subjugating Earth.\nThe film’s development began when Marvel Studios received a loan from Merrill Lynch in April 2005. After the success of the film Iron Man in May 2008, Marvel announced that The Avengers would be released in July 2011 and would bring together Tony Stark (Downey), Steve Rogers (Evans), Bruce Banner (Ruffalo), and Thor (Hemsworth) from Marvel’s previous films. With the signing of Johansson as Natasha Romanoff in March 2009, the film was pushed back for a 2012 release. Whedon was brought on board in April 2010 and rewrote the original screenplay by Zak Penn. Production began in April 2011 in Albuquerque, New Mexico, before moving to Cleveland, Ohio in August and New York City in September. The film has more than 2,200 visual effects shots.\nThe Avengers premiered at Hollywood’s El Capitan Theatre on April 11, 2012, and was released in the United States on May 4, as the last film of Phase One of the MCU. It received praise for Whedon’s direction and screenplay, visual effects, action sequences, acting, and musical score, and garnered numerous awards and nominations including Academy Award and BAFTA nominations for achievements in visual effects. It grossed over $1.5 billion worldwide, setting numerous box office records and becoming the third-highest-grossing film of all time as well as the highest-grossing film of 2012. It is the first Marvel production to generate $1 billion in ticket sales. In 2017, The Avengers was featured as one of the 100 greatest films of all time in an Empire magazine poll. Three sequels have been released: Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019).", "domain": "movie"}
{"url": "https://ybtcnews.com/10-things-you-should-know-about-british-nigerian-actor/", "date": "2022-10-05T04:53:36Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030337537.25/warc/CC-MAIN-20221005042446-20221005072446-00303.warc.gz", "language_score": 0.9816029667854309, "token_count": 549, "dump": "CC-MAIN-2022-40", "global_id": "webtext-fineweb__CC-MAIN-2022-40__0__54474169", "lang": "en", "text": "Since starring in Star Wars: The Force Awakens, 26-year-old British-Nigerian has had a meteoric rise to fame.\nThe actor has featured in movies such as The Circle, Detroit, Star Wars: The Last Jedi, Half of a Yellow Sun.\nHere are 10 things you should know about the British-Nigerian actor:\n1. Boyega was born in London, England on March 17, 1992, to Nigerian parents, Abigail, and Samson Adegboyega, a Pentecostal minister.\n2. The actor attended Oliver Goldsmith Primary School and Westminster City School for his primary and secondary education, respectively.\nHe also attended South Thames College where he acquired a National Diploma in Performing Arts. After he enrolled at the University of Greenwich to study BA Film Studies & Media Writing, he dropped out to focus on his acting career.\n3. His father wanted him to be a Pentecostal minister too. It took his drama teacher to convince his parents to let him keep acting.\n4. John Boyega’s debut movie role was in the British sci-fi comedy “Attack the Block.” J.J Abrams decided to cast the then 19-year-old as Finn in “Star Wars: The Force Awaken”after he saw the actor in “Attack the Block.”\n5. Boyega starred in a pilot for a Spike Lee series titled “Da Brick,” which was loosely based on a young Mike Tyson. Unfortunately, HBO didn’t pick it up.\n6. He is a fan of Marvel Comics and had hoped to play the Marvel character, Black Panther.\n7. In January 2016, Boyega formed his own production company, Upperroom Entertainment Limited. In June 2016, Boyega announced that his company would be co-producing the sequel to the 2013 movie “Pacific Rim,” which also stars him as the lead actor.\n8. The first Nollywood movie he saw was the classic “Blood Sisters,” which featured Omotola Jalade-Ekeinde and Genevieve Nnaji.\n9. Boyega took acting lessons from Gospel movie actor and producer Mike Bamiloye.\n“I actually did training with Mike Bamiloye and Gloria Bamiloye when they were in the United Kingdom” he revealed after the special screening of “Star Wars: The Last Jedi” at IMAX Cinemas on Monday, December 25, 2017.\n10. John Boyega was revealed as Forbes’ 10th highest grossing actor of 2017.\nSource Pulse NG", "domain": "movie"}
{"url": "https://gallerynucleus.com/detail/37409/", "date": "2023-10-02T17:59:06Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233511002.91/warc/CC-MAIN-20231002164819-20231002194819-00485.warc.gz", "language_score": 0.7644892930984497, "token_count": 209, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__299115029", "lang": "en", "text": "Peter B. Parker - Marvel Legends Action Figure\n- 6-INCH-SCALE COLLECTIBLE SPIDER-VERSE FIGURE: Veteran spider-person Peter B Parker arrives at Marvel Legends with this premium 6-inch-scale action figure inspired by Spider-Man: Across the Spider-Verse (Part One)!\n- INSPIRED BY SPIDER-MAN: ACROSS THE SPIDER-VERSE: This Marvel Legends Peter B Parker figure features deco inspired by his appearance in the movie!\n- PREMIUM DETAILING AND ARTICULATION: The Marvel Legends Series Peter B Parker figure is highly posable for display and play and features sculpt and deco inspired by the distinct Spider-Verse visual style!\n- OUT POPPED A SPIDER: The Marvel Legends Peter B Parker figure includes alternate hand accessories\n- MARVEL UNIVERSE IN 6-INCH SCALE: Look for other Hasbro Marvel Legends Series figures inspired by Marvel Entertainment", "domain": "movie"}
{"url": "http://www.creationthemovie.com/cast_and_crew/jeremy_thomas_producer/", "date": "2020-08-12T23:40:25Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-34/segments/1596439738950.31/warc/CC-MAIN-20200812225607-20200813015607-00595.warc.gz", "language_score": 0.9450960755348206, "token_count": 690, "dump": "CC-MAIN-2020-34", "global_id": "webtext-fineweb__CC-MAIN-2020-34__0__42859053", "lang": "en", "text": "Jeremy Thomas (Producer)\nCinema has always been a part of Jeremy Thomas’ life. He was born in London into a filmmaking family with his father, Ralph, and uncle, Gerald, both directors. His childhood ambition was to work in cinema. As soon as he left school he went to work in various positions, ending up in the cutting rooms working on films such as The Harder They Come, Family Life and The Golden Voyage of Sinbad, and worked through the ranks to become a film editor for Ken Loach on A Misfortune.\nAfter editing Philippe Mora’s Brother Can You Spare a Dime, he produced his first film Mad Dog Morgan in 1974 in Australia. He then returned to England to produce Jerzy Skolimowski’s The Shout, which won the Grand Prix de Jury at the Cannes Film Festival.\nThomas’ films are all highly individual and his independence of spirit has paid off both artistically and commercially. His extensive output of over forty films includes three films directed by Nicolas Roeg: Bad Timing, Eureka and Insignificance, Julien Temple’s The Great Rock ‘n’ Roll Swindle, Nagisa Oshima’s Merry Christmas Mr. Lawrence, and The Hit, directed by Stephen Frears.\nIn 1986 Thomas produced Bernardo Bertolucci’s epic The Last Emperor, an independently financed project that was three years in the making. A commercial and critical triumph, the film swept the board at the 1987 Academy Awards, garnering an outstanding nine Oscars including ‘Best Picture’.\nThomas has since completed many films including Karel Reisz’s film of Arthur Miller’s screenplay Everybody Wins, Bertolucci’s film of Paul Bowles’ The Sheltering Sky, Little Buddha and Stealing Beauty, David Cronenberg’s films of William S. Burroughs’ Naked Lunch and J.G. Ballard’s Crash. In 1997 Thomas directed All The Little Animals, starring John Hurt and Christian Bale, which was in Official Selection at Cannes. Other recent credits include Jonathan Glazer’s Sexy Beast, Takeshi Kitano’s Brother, Khyentse Norbu’s The Cup, Phillip Noyce’s Rabbit-Proof Fence, David Mackenzie’s film of Alexander Trocchi’s Young Adam, Bernardo Bertolucci’s The Dreamers, Terry Gilliam’s Tideland, Wim Wenders’ Don’t Come Knocking, Richard Linklater’s Fast Food Nation and Gerald McMorrow’s Franklyn, starring Eva Green, Sam Riley and Ryan Phillippe.\nThomas was Chairman of the British Film Institute from August 1992 until December 1997 and has been the recipient of many awards throughout the world, including the Michael Balcon British Academy Achievement and the European Achievement in World Cinema, Prix Screen International, European Film Awards 2006. He has been President of the jury at Tokyo, San Sebastian, Berlin Film Festival and Cannes (Un Certain Regard) and has also served on the main jury at Cannes. He was made a Life Fellow of the British Film Institute in 2000 and was made a Commander of the Order of the British Empire in the 2009 New Years Honours List.", "domain": "movie"}
{"url": "http://jacquilynne.tripod.com/movies/chireader.html", "date": "2019-05-20T16:48:26Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-22/segments/1558232256082.54/warc/CC-MAIN-20190520162024-20190520184024-00124.warc.gz", "language_score": 0.9382582306861877, "token_count": 327, "dump": "CC-MAIN-2019-22", "global_id": "webtext-fineweb__CC-MAIN-2019-22__0__95366948", "lang": "en", "text": "The Movie Critic Critic\n|The Chicago Reader on Film|\n|Web Site||Chicago Reader On Film||Rating System|\n|Rating System||Stars with commentary. Would be a much better system if I could find a hint of how many stars the ratings are out of. Though I'm guessing 4.||Content|\n|Other||An archive of back reviews is available.\nThere is also an archive of shorter reviews written by various people available. I make no comment here on the content of those reviews.\n|Type||Serious Film Critics|\nIn general, I'm not partial to long serious film critique that goes into all the boring gory details of what stuff symbolizes. The difference with Jonathan Resenbaum's writing is, it's actually interesting. Unlike a lot of snobby critics, he seems to actually like movies. You get the impression while reading the reviews that watching the movie wasn't just an academic exercise for him.\nUnlike most movie reviews you read or watch, this stuff is quotable in your senior film thesis - or any other thesis. Rosenbaum's commentary on film often offers real insight into cultural and political values, psychology and sociological conditions. He uses film as a sounding board for ideas and no where is that more evident than in his deft selection of movies to review together.\nStylistically, Rosenbaum's treatment is more austere and academic than a lot of movie reviews you'll read. Format wise, so is the page that holds them. Content is king here and when the content is as good as this, that's the best possible thing.", "domain": "movie"}
{"url": "https://www.professionalwritingbay.com/movie-reviews", "date": "2023-12-05T01:33:48Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100540.62/warc/CC-MAIN-20231205010358-20231205040358-00530.warc.gz", "language_score": 0.9139419198036194, "token_count": 1862, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__267722919", "lang": "en", "text": "Overview of a Movie Review\nNote that the term “movie review” is often used synonymously with “essay on a movie”.\nBesides the broad skills required when writing an essay, movie reviews demand addition of distinctive attributes unique to the film review genre.\nAll this demands expertise on how to write an essay on a movie.\nThis brings us to the question, “what is a movie review?”\nGenerally a movie review can be defined as:\n“A well-balanced personal opinion synthesis and critical analysis of a film that incorporates the movie’s thematic and technical content.”\nMovie reviews encompass creative work and should therefore adopt creative and critical approaches in their writing process.\nThis requires an understanding of the different attributes that are necessary when it comes to how to write a movie review essay.\nThe movie review should be about 1000 words in length.\nElements of a Movie Review\nSkills on how to write a movie review essay requires that you appreciate the different elements that make film review stand out.\nBesides ensuring that you include these elements, excellent approaches on how to write a good movie review require that these elements be clear and elaborate.\nThe elements to include are as discussed below.\n1. Title of the Movie\nA good movie review should have the title of the movie clearly highlighted.\nMentioning the title of the movie in the heading is not enough. You have to go beyond this and include it in the main text, usually in the introductory part.\nAs such, the name of the movie should always be mentioned in the first paragraph of the movie review.\nYou should avoid making the mistake of assuming that the title of the movie is obvious to the reader.\nAlso, good skills on how to write a good movie review demand that you include a summary of the movie. This is because the audience might not have watched it yet.\nYou need to assume that the instructor or professor has not watched the movie.\nThis assumption is important in ensuring that you do not leave out some of the movie’s key details.\nThe summary should explain what occurred in the movie.\nIt is important to include details about the filmmaker in your movie review.\nSuch details should be covered in a paragraph or two.\nIt should cover the director’s other works with the intention of determining the significance of the movie being reviewed on the director’s career.\nQuestions on the filmmaker to ask when writing the review include:\n1. Is the director a controversial person?\n2. Does the director have a unique background?\n3. Does the director have a particular political stance?\nWhen it comes to how to write a movie review, you have to consider the significance of the movie to your class.\nSome of the questions to ask on this include?\n1. How does the movie’s content fit into your course topic?\n2. Is the movie important for historical accuracy?\nIf the movie is based on a course book, you could identify differences, similarities, or elements in the movie not found in the book.\nOn the other hand, if the movie has a historical significance, you could identify incidences of over-dramatization if present.\n5. Creative Elements\nThere should be an examination of the importance of creative elements on the movie and its plot.\nThe creative elements could range widely as indicated by examples below:\n1. Symbolism: symbols in the movie could play an important role in enhancing creativity and conveying the message. Symbols should be noted if present.\n2. Colors: they could be vivid and therefore lift the movie’s mood and atmosphere or could be dull and consequently make the movie depressing.\n3. Costumes: they can enhance the movie or fail its intent.\n4. Sound effects: Good sound effects make the viewing more captivating while poor ones make the movie irritating.\n5. Camera movements: Camera movements and angles add important elements to the movie.\nGood approaches on how to write a movie review demand that you explore the characters in the movie.\nQuestions to ask on the actors include:\n1. Are the actors realistic?\n2. Was the role of a particular character portrayed accurately?\n3. Do the actors have good acting skills?\n4. Is a particular actor the right fit for the role they played?\nOutline of a Movie Review\nOne of the most important tools when it comes to how to write a movie essay is a good outline.\nThe outline encompasses the movie review format to be observed when compiling the different parts of the review.\nSuch an outline encompasses:\nThis is the first paragraph in a movie review format for students. It comprises important information like:\n1. The title of the movie,\n2. Movie’s release date, and\n3. Background information on the movie.\nThis is one of the most important parts of a movie review and it should capture the reader’s attention.\n2. Summary of the Story\nThe summary of the story entails a succinct sum-up of what is going on in the movie. You should in one paragraph or two review the key events, activities, or scenes in the movie.\nIt is important to narrate activities as they occur in the movie without going into their merits or demerits on the movie.\nAnalysis is usually done in the subsequent paragraphs/ sections.\n3. Analysis of Plot Elements\nThis is considered the meat of the film review. It is arguably one of the sections to invest adequate time on when it comes to how to write a movie review.\nSome of the key areas to explore when analyzing the plot elements include:\n1. Rising action and\n4. Creative Elements\nCreative elements need to be meticulously analyzed. For this reason, the creative elements section has to be conspicuous as a key part of the movie review format.\nThis section should usually take the largest part of a movie review essay. It should be two or more paragraphs depending on the length of the essay.\nSome of the creative elements to explore include:\n3. Camera techniques\n4. Use of colors\nThis encompasses your view about the movie. You should in one paragraph express how you feel about the movie.\nThe opinion should be critical in nature and should be supported with facts and examples from the movie.\nThis should feature as the last part in the movie review format for students.\nIt should be a recap of your evidence on the success or failure of the director in fulfilling the movie’s purpose.\nYou should also explain the effectiveness of the movie in expounding the course topic.\nSteps on How to Write a Movie Review\nSteps on how to write a movie review are closely similar to those taken when writing a book review.\n1. Watching the Movie\nWatching the movie is mandatory. When possible, watch it twice.\nYou should avoid relying on summaries and reviews by other people that are particularly available on the web.\nIt is advisable to take notes while watching the movie for easier future reference of your thoughts and reactions.\n2. Conducting Research\nThis is a very important step when it comes to how to write a movie review.\nYou should conduct extensive research on areas such as:\n1. Name of the filmmaker\n2. Motivation behind making the movie/ film\n3. Locations the movie/ film was shot\n4. The plot\n5. Characters in the film\n6. Historic events that inspired the movie/ film\n3. Developing an Outline\nThis entails coming with a movie outline like the one illustrated above.\nIt is an important step as it lays the foundation for your analysis.\nWhen developing the outline, you should look for the appropriate information relevant to the different parts/ sections of the movie outline.\nContent in this step should be in the points form.\nImportantly, include examples.\n4. Writing the Movie Review\nThis step is very critical and demands excellent skills on how to write a movie review.\nIt entails a detailed analysis of the movie, where all the information in the outline is organized in a coherent manner.\nRelevant information should be aligned with the provided examples from the movie to create a smooth narrative.\nAreas to focus on in this step could include:\n1. Explaining plot holes\n2. Analyzing poor character development\n3. Scrutinizing poor casting\nNote that you must provide evidence to support your analysis. Such evidence includes examples form the movie.\nOther areas to provide examples on are:\n5. Proofreading the Work\nThis is the last step when it comes to how to write a movie review essay.\nIt requires you to go through the film review and find out whether all the relevant areas as provided in the movie review outline have been effectively addressed.\nAs well, in this step you should ensure that the movie review essay is coherent and all grammatical errors have been eliminated.\nIt is prudent to go through the movie review for at least two times.", "domain": "movie"}
{"url": "https://www.wernews.com/disney-ramps-up-star-wars-and-marvel-franchises/", "date": "2021-07-26T22:55:09Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-31/segments/1627046152156.49/warc/CC-MAIN-20210726215020-20210727005020-00481.warc.gz", "language_score": 0.9603984951972961, "token_count": 477, "dump": "CC-MAIN-2021-31", "global_id": "webtext-fineweb__CC-MAIN-2021-31__0__219037085", "lang": "en", "text": "Disney has actually revealed prepare for a significant growth of its Star Wars and Marvel franchises on its Disney+ subscription streaming service.\nThe business stated that its approaching films Peter Pan & Wendy and Tom Hank’s Pinocchio will be launched directly onto Disney+, avoiding theatres.\nDisney is the most recent significant studio to divert its focus from cinema to streaming.\nRecently Warner Brothers stated all its 2021 releases would debut on HBO Max.\nThe coronavirus crisis has actually hit the movie and entertainment industry hard, and cinemas are desperate for content to draw audiences back with new home entertainment that can at first just be seen on their screens.\nHowever content manufacturers want to accommodate audiences who may not be prepared to return to movie theaters.\nDisney said that it prepared to provide 10 new TELEVISION series in Its Marvel and Star Wars franchises over the next couple of years.\nThese consist of brand-new series of Disney+’s most significant hit, “The Mandalorian,” including a Star Wars character who is the exact same types as Yoda.\nAnother Star Wars series, “Andor,” starring Diego Luna as the character he played in 2016’s “Rogue One” film, was likewise revealed.\nMore Star Wars animated series, “The Bad Batch” and “A Droid Story” are also in the works, the company stated.\nAnother 15 live-action Disney Animation and Pixar shows and 15 Disney Animation and Pixar feature movies will be available on the streaming service.\nExecutives stated that consumers should expect something new weekly.\nThe news comes after a Warner Bros stated recently that it would debut all 17 of its 2021 motion pictures on its HBO Max streaming service on the very same day they are released in cinemas.\nDisney+, which was launched simply over a year earlier, now has 86.8 million customers – a figure far exceeding its own forecasts for consumer development.\nTogether with its Hulu and ESPN sports streaming services the company has about 137 million subscribers in total.\nDisney+ is still well behind Netflix, which boasts almost 200 million subscribers worldwide.\nHowever the variety of customers it has actually collected, in such a short period of time, will have more recognized streaming services looking over their shoulders.\nDisney shares rose throughout its annual investor presentation.", "domain": "movie"}
{"url": "https://www.lintelligencer.com/zack-snyders-justice-league-hbo-max-releases-new-teaser-in-color-watch-8880-2020/", "date": "2023-12-11T16:21:23Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679515260.97/warc/CC-MAIN-20231211143258-20231211173258-00663.warc.gz", "language_score": 0.9321056604385376, "token_count": 210, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__141575060", "lang": "en", "text": "To mark the three year anniversary of the theatrical release of Justice League, director Zack Snyder has revealed a new trailer on Vero for his much-anticipated cut of the film – officially titled Zack Snyder’s Justice League.\nThe trailer is in black and white, matching with previous stills that Snyder has shared on his Vero, and features a few seconds of new footage. We get another snapshot of Darkseid attacking during the “history lesson” scene, as well as some more action with Connie Nielsen’s Hippolyta, the Batmobile tearing through some parademons, Gal Gadot’s Wonder Woman looking at a hologram of Henry Cavill’s Superman, and Ray Fisher’s Cyborg. Check out the trailer below:\nThe new footage isn’t showing off more than we already knew outside of a new Darkseid shot, but it is an exciting reminder that we can expect hours of new content to enjoy once Zack Snyder’s Justice League hits HBO Max.", "domain": "movie"}
{"url": "http://cenema.hotmovies4k.com/movie/413998/my-cousin-rachel.html", "date": "2017-06-24T00:15:00Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-26/segments/1498128320206.44/warc/CC-MAIN-20170623235306-20170624015306-00648.warc.gz", "language_score": 0.7815393209457397, "token_count": 149, "dump": "CC-MAIN-2017-26", "global_id": "webtext-fineweb__CC-MAIN-2017-26__0__43751219", "lang": "en", "text": "Full Free Watch My Cousin Rachel (2017) : Movie Trailer A young Englishman plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.\n|Release Date||:||Jun 08, 2017|\n|Production Company||:||Fox Searchlight Pictures, Free Range Films|\n|Production Countries||:||United States of America|\n|Casts||:||Rachel Weisz, Sam Claflin, Holliday Grainger, Iain Glen, Andrew Knott, Andrew Havill, Poppy Lee Friar, Vicki Pepperdine, Harrie Hayes, Louis Suc, Katherine Pearce|", "domain": "movie"}
{"url": "https://archive.itvs.org/blog/waltz-with-bashir-receives-golden-globe-award", "date": "2022-12-02T15:49:39Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446710909.66/warc/CC-MAIN-20221202150823-20221202180823-00384.warc.gz", "language_score": 0.9371792674064636, "token_count": 403, "dump": "CC-MAIN-2022-49", "global_id": "webtext-fineweb__CC-MAIN-2022-49__0__293692501", "lang": "en", "text": "Last night, all the stars were out for the 66th annual Golden Globe Awards. Among the winners was the Israeli animated documentary WALTZ WITH BASHIR, which won for best foreign language film. This prestigious award follows closely on the heels of last week’s win for the film as Best Foreign Language Film at the Critic’s Choice Awards. WALTZ WITH BASHIR is part of the ITVS International initiative and received production funding from the organization through its international media development fund.\nAfter its upcoming theatrical distribution through Sony Classic Films, the film will join the slate of more than 70 ITVS International programs ITVS is delivering to U.S. audiences. Directed by Ari Folman, the film looks at the 1982 Sabra and Shatila massacre in war-torn Lebanon. One night in September 1982, Christian militia members invaded refugee camps in the heart of Beirut and massacred more than three thousand Palestinians while Israeli soldiers surrounded the area. Ari Folman was one of these soldiers. Congratulations Ari and to all those who worked on the film!\nFrom our blog\nNovember 28, 2022\n“Power shapes content!” Chi-hui Yang captured in three words an unspoken truth about the practice of documentary filmmaking. In the four years since the JustFilm head’s keynote at the 2018 International Documentary Association’s Getting Real conference, filmmakers have contended with a racial reckoning, a global pandemic, and their own approach to…\nJune 30, 2022\nIndependent Lens and the Pulitzer Prize-winning Louisville Courier Journal (LCJ) raised awareness of Kentucky's Persistent Felony Offender (PFO) through a collaboration between independent filmmakers and journalists. The investigative series drew a link between the law's enhanced sentencing terms to the state’s high and growing prison…\nJune 1, 2022\nDocumentary storytelling increased understanding about the inequities in the U.S. justice system.", "domain": "movie"}
{"url": "https://www.hitmusicradio.co.uk/forrest-gump-trainers-and-alien-facehugger-up-for-auction/", "date": "2019-09-21T09:26:48Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-39/segments/1568514574377.11/warc/CC-MAIN-20190921084226-20190921110226-00526.warc.gz", "language_score": 0.8286940455436707, "token_count": 278, "dump": "CC-MAIN-2019-39", "global_id": "webtext-fineweb__CC-MAIN-2019-39__0__203210591", "lang": "en", "text": "Forrest Gump’s trainers, a Jurassic Park T-Rex skull and a Batman batsuit are among several items of film memorabilia expected to fetch hundreds of thousands of pounds at auction.\nA Stormtrooper’s helmet, a “facehugger” from Alien and Russell Crowe’s Gladiator armour are also among the pieces being sold by The Prop Store, which has offices in London and Los Angeles and sells film and TV memorabilia.\nImage: Prop store employees adjust the Batman batsuit, worn by Michael Keaton in the 1989 film Batman\nImage: A prop store employee adjusts a screen matched Tantive IV Stormtrooper helmet from 1977 film Star Wars: A New Hope\nImage: A mounted 5-Foot Tyrannosaurus Rex skull from the 2018 film Jurassic World: Fallen Kingdom\nImage: The Holy hand grenade of Antioch, from the 1975 film Monty Python and the Holy Grail\nImage: A special effects ‘facehugger’ from the 1979 film Alien\nImage: The prototype cane for Richard Attenborough’s character John Hammond in the 1993 film Jurassic Park\nImage: Tony Stark’s desert costume worn by Robert Downey Jr in the 2008 film Iron Man\n:: Listen to Backstage on Apple Podcasts, Google Podcasts, Spotify, Spreaker\n© Sky News 2019", "domain": "movie"}
{"url": "https://scrigg.com/vin-diesel-net-worth/", "date": "2021-04-12T18:06:07Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-17/segments/1618038069133.25/warc/CC-MAIN-20210412175257-20210412205257-00365.warc.gz", "language_score": 0.9766227602958679, "token_count": 1156, "dump": "CC-MAIN-2021-17", "global_id": "webtext-fineweb__CC-MAIN-2021-17__0__79206483", "lang": "en", "text": "|Geburtsdatum||18. Juli 1967 (53 Jahre alt)|\n|Geboren in||New York City, New York, USA|\n|Familienstand||liiert mit Paloma Jiménez|\n|Beruf||Schauspieler, Produzent, Regisseur|\n|Voller Name||Mark Sinclair Vincent|\n|Kinder||3 (Hania, Vincent, Pauline)|\nHow Rich is Vin Diesel?\nVin Diesel, who is actually called Mark Sinclair Vincent in real life, was able to make a name for himself as a great Hollywood actor and benefited financially from his numerous film successes. The bald head of character Vin Diesel has a fortune of 152 million euros. His income naturally depends on what kind of project the American is currently involved in. In 2014, his income should have been the equivalent of a good 23.75 million euros. In 2015 this number rose to 44.65 million euros. In 2015, Vin Diesel was one of the top 20 highest-paid actors of the year, according to the Huffington Post. The “Fast and Furious” film series, in particular, has poured a fortune into Vin Diesel’s coffers. In 2016, Vin Diesel had an income of 33 million euros, according to Forbes.\nIncidentally, the wages of millions that the film hero now earns cannot be compared to Vin Diesel’s entire first film production cost. The first film in which Vin Diesel was not only seen but which he also wrote and produced himself was ” Multi-Facial. ” At the time, Vin was just 26 years old, and the film, which was shot in three days and shown at the Cannes Film Festival a year later, cost him only 2,850 euros.\nFor his second film, the budget was much larger. Vin Diesel was able to collect 47,500 euros from investors for this project. His call center experience was certainly a great help in convincing investors of his idea for the film “Strays.” But Vin Diesel doesn’t just know how to deal with money. Rather, he knows how to steer his popularity in the right direction skillfully. It is not for nothing that the American is the second most fans on Facebook after Will Smith.\nVin Diesel and The Fast & The Furious\nWe’re talking about one of the most successful series of films of all time. It ranks 7th in the most successful film series of all time. The Fast & The Furious means translated the fast and the wild. An action film where there is plenty of space for cars and related tuning and road racing. The first part appeared in 2001, there are now eight parts. The last part so far, Fast & Furious 8, came to German cinemas on April 13, 2017. Vin Diesel’s friend & co-star Paul Walker died in a car accident in November 2013. The duo Vin and Paul took the fans’ hearts by storm, which is why the tragic accident hurt all the more. Fast & Furious 7 also covered the death of Paul Walker. An emotional film with moving moments that also makes you think. The seventh part of the film series was, within a short time, the financially most successful part of the series and one of the most successful cinema films worldwide. The gross profit was $ 1.5 billion. The film series brought in a total of 3.9 billion US dollars. Two more parts are still to follow, in April 2019 and 2021. Since Fast 5, The Rock has also been an integral part of the series and cannot be imagined without it.\nExciting facts about Vin Diesel’s life\nVin Diesel’s life is full of exciting anecdotes. For example, the American has a twin brother named Paul, who does not enjoy being in public. Incidentally, Mark Sinclair Vincent does not know his birth father. However, we know from his mother that she is of British, Scottish, and German descent. His mother and his African-American stepfather raised the American. The actor with the impressive stage name came into contact with different cultures at an early age. Vin Diesel first appeared on stage at the age of seven. However, much more exciting are the circumstances how Vin was able to land his first acting role at a young age.\nAt that time, Vin, his brother, and some of their friends broke into the theater to let off steam and cause unrest. However, they were caught doing this. Instead of calling the police about the vandalism, the theater director offered the boys a role in his play. Only life writes such stories. The rough voice has been one of the actor’s trademarks since the age of 15. After his voice broke, Vin was valued as a teenager as much older, at least on the phone for the next few years, from which he repeatedly benefited. The Hollywood star took on the nickname and later stage name “Vin Diesel” at the age of 17. At that time, he was working as a bouncer in a club in New York.\nThe actor in private\nEven if Vin Diesel could benefit from his film successes mainly financially, he prefers to keep his private life a secret. The star is not married to his three children’s mother – Paloma Jimenez, whom he met while filming. His career as a director and screenwriter was short-lived, with only two films. As a producer, however, Vin Diesel could participate in eleven projects up to 2017 alone. Most of the time, he was seen as an actor. Hollywood takes Vin Diesel’s talents seriously!", "domain": "movie"}
{"url": "http://filmnotes.com/survey-of-film-genres/", "date": "2018-11-13T19:49:24Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-47/segments/1542039741491.47/warc/CC-MAIN-20181113194622-20181113220622-00361.warc.gz", "language_score": 0.7065823674201965, "token_count": 678, "dump": "CC-MAIN-2018-47", "global_id": "webtext-fineweb__CC-MAIN-2018-47__0__183021216", "lang": "en", "text": "Survey of Film Genres\nA good place to start in the study of film is a survey of some key genres that define the medium, in this case: The Gangster Film, The Suspense Thriller, The Western and The Romantic Comedy. These genres span the course of cinema’s history from the silent era to films today.\nThe Gangster Film\nMob bosses, tommy guns, car chases, suicide doors, smart dames, and lots of booze—just some things that define this genre.\n- Mervyn LeRoy, Little Caesar (1931)\n- Bill Wellman, Public Enemy (1931)\n- Howard Hawks, Scarface (1932)\n- Howard Hawks, Big Sleep (1946)\n- Francis Ford Coppola, Godfather I (1972)\n- Francis Ford Coppola, Godfather II (1974)\nFilm Noir & The Suspense Thriller\nMysterious characters, fear, cigarette smoke, fog, shadows, and menacing villains come together to play upon the viewer’s nerves.\n- Bill Wilder, Double Indemnity (1944)\n- Jaques Tournier, Out of the Past (1947)\n- Charles Lotten, Night of the Hunter (1955)\n- Orson Welles, Touch of Evil (1958)\nOne of the oldest genres in cinema—playing on nostalgia and history; filled with horses, wagons, sheriffs, and iconic wild west towns.\n- John Ford, My Darling Clementine (1946)\n- Howard Hawks, Red River (1948)\n- Fred Zinneman, High Noon (1952)\n- John Ford, The Searchers (1956)\n- Arthur Penn,Little Big Man (1970)\nThe Romantic Comedy\nMan plus woman, sarcasm and screwball, love and laughs, romantic tension, and couple combinations that just don’t fit.\n- Frank Capra, It Happened One Night (1934)\n- Gregory Le Caba, My Man Godfrey (1936)\n- Frank Capra, You Can’t Take It With You (1938)\n- Howard Hawks, His Girl Friday (1940)\n- Alfred Hitchcock, and Mrs. Smith (1941)\n- Keith Grant, Film Genre: From Iconography to Ideology (2007)\n- Lester Friedman, David Desser, Sarah Kozloff and Martha Nochimson, An Introduction to Film Genres (2013)\n- Barry Langford, Film Genre: Hollywood and Beyond (2005)\n- Rick Altman, Film/Genre (1999)\n- George Anastasia, Glen Macnow and Joe Pistone, The Ultimate Book of Gangster Movies: Featuring the 100 Greatest Gangster Films of All Time (2011)\n- Jack Shadoian, Dreams and Dead Ends: The American Gangster Film (2003)\n- Janet Walker, Westerns: Films through History (AFI Film Readers) (2013)\n- James Harvey, Romantic Comedy in Hollywood: From Lubitsch to Sturges (1998)\n- Charles Derry, The Suspense Thriller: Films in the Shadow of Alfred Hitchcock (McFarland Classics) (2001)", "domain": "movie"}
{"url": "https://www.sokids.london/product/disneys-the-lion-king-25cm-10-parping-pumbaa-posh-paws/", "date": "2020-10-20T18:06:58Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-45/segments/1603107874026.22/warc/CC-MAIN-20201020162922-20201020192922-00524.warc.gz", "language_score": 0.7247360348701477, "token_count": 109, "dump": "CC-MAIN-2020-45", "global_id": "webtext-fineweb__CC-MAIN-2020-45__0__78834631", "lang": "en", "text": "Disney’s The Lion King 25cm 10″ Parping Pumbaa Plush – Posh Paws\nOut of stock\nDisney’s The Lion King Farting Pumba Soft Toy.\nThis comical warthog character from the classic Lion King Movie has a naughty feature! Squeeze his tummy and he makes a “farting” noise!\nSure to make any little person giggle.\nComplete with gift box. Suitable from 12 months +. Official Disney product.", "domain": "movie"}
{"url": "https://www.fridaynewsworld.com/the-hd-haven-vegamovies-and-its-bollywood-hollywood-lineup/", "date": "2024-03-04T05:26:12Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476413.82/warc/CC-MAIN-20240304033910-20240304063910-00215.warc.gz", "language_score": 0.8530522584915161, "token_count": 1554, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__14197018", "lang": "en", "text": "In today’s digital age, where streaming platforms have become the primary source of entertainment, finding a one-stop destination for high-definition Bollywood and Hollywood movies can be a daunting task. However, Vegamovies emerges as a true HD haven, offering an extensive collection of films that caters to the diverse tastes of movie enthusiasts. In this article, we will take a closer look at Vegamovies and explore what makes it a top choice for cinephiles seeking high-definition Bollywood and Hollywood content.\nThe Rise of Streaming Platforms\nThe advent of high-speed internet and the convenience of streaming have revolutionized the way we consume movies and TV shows. Streaming platforms like Netflix, Amazon Prime Video, Disney+, and Hulu have become integral parts of our lives, offering a wide variety of content that caters to global audiences. While these giants dominate the streaming landscape, some movie lovers still yearn for specific regional or niche content that may not be readily available on mainstream platforms.\nVegamovies: The HD Haven\nAmidst the plethora of streaming options, Vegamovies stands out as a hidden gem, particularly for those with a passion for Bollywood and Hollywood cinema. Here’s why Vegamovies is celebrated as a true HD haven:\n- Extensive Library: Vegamovies boasts an extensive collection of Bollywood and Hollywood films, providing a broad spectrum of choices. Whether you’re a fan of classic cinema or eager to catch the latest releases, Vegamovies has something for everyone.\n- User-Friendly Interface: Navigating through Vegamovies is a breeze, thanks to its user-friendly interface. The website’s clean design and efficient search features make finding your favorite movies a seamless experience.\n- High-Quality Streaming: Vegamovies prioritizes the quality of content it offers. Many of the Bollywood and Hollywood movies available on the platform are in high-definition, ensuring a superior viewing experience.\n- Regular Updates: Staying up-to-date with the latest releases is crucial for movie enthusiasts, and Vegamovies understands this. The platform frequently updates its collection, ensuring that users have access to the newest Bollywood and Hollywood content as soon as possible.\n- Variety of Genres: Bollywood and Hollywood encompass a wide array of genres, catering to diverse tastes. Vegamovies recognizes this diversity and offers films from all genres, from action and drama to romance and comedy.\n- Subtitles and Dubbed Versions: Vegamovies understands the global appeal of Bollywood and Hollywood. To make these films accessible to a broader audience, many movies come with subtitles or are available in dubbed versions.\nBollywood Bliss: Exploring Vegamovies’ Bollywood Collection\nFor Bollywood enthusiasts, Vegamovies is a paradise of high-definition entertainment. Let’s delve deeper into what makes this platform a go-to destination for lovers of Indian cinema:\n- Extensive Bollywood Library: Vegamovies boasts an impressive collection of Bollywood films, ranging from classics to the latest releases. Whether you’re a fan of vintage Bollywood or eagerly awaiting the next big blockbuster, Vegamovies has you covered.\n- Genre Diversity: Bollywood is not just about romance and drama; it encompasses a wide array of genres, including action, comedy, thriller, and more. Vegamovies caters to diverse tastes, offering Bollywood films from all genres.\n- Quality and Quantity: Vegamovies strikes the perfect balance between offering a vast quantity of Bollywood films and maintaining a high standard of quality. This ensures that Bollywood enthusiasts can enjoy both classic gems and the latest blockbusters without compromising on the viewing experience.\n- Global Reach: Vegamovies recognizes the global appeal of Bollywood and caters to a diverse audience. With subtitles and dubbed versions, it bridges language barriers, allowing viewers from around the world to enjoy the magic of Bollywood.\n- Community and Discussion: Beyond merely offering movies, Vegamovies fosters a sense of community among its users. It provides a platform for movie lovers to discuss and share their thoughts on their favorite Bollywood films.\nHollywood Highlights: Exploring Vegamovies’ Hollywood Collection\nVegamovies’ Hollywood collection is equally impressive, making it a one-stop-shop for all your cinematic desires. Here’s what you can expect when delving into its Hollywood offerings:\n- A Hollywood Extravaganza: Vegamovies houses an extensive Hollywood collection, from timeless classics to the latest releases. Whether you’re a fan of action-packed blockbusters, gripping dramas, or mind-bending sci-fi, you’re sure to find a Hollywood gem that captivates you.\n- High-Quality Streaming: Just like its Bollywood selection, Vegamovies ensures that its Hollywood movies are available in high-definition. This commitment to quality means that you can enjoy Hollywood’s finest moments in all their visual glory.\n- Regular Updates: Keeping up with Hollywood’s ever-evolving landscape is made simple on Vegamovies. The platform updates its Hollywood collection frequently, ensuring that you can access the latest releases without delay.\n- Subtitles and Dubbed Versions: Recognizing its diverse audience, Vegamovies provides subtitles and dubbed versions for many Hollywood films. This inclusivity broadens the appeal of Hollywood movies, allowing a wider audience to enjoy them.\nNavigating Vegamovies: A Step-by-Step Guide\nNow that we’ve explored the HD wonders of Vegamovies’ Bollywood and Hollywood collections, let’s embark on a journey through the platform itself:\n- Visit Vegamovies: Start by visiting the Vegamovies website (www.vegamovies.bar). The homepage welcomes you with a clean and user-friendly interface.\n- Search for Your Movie: Use the search bar at the top of the page to find your desired movie. You can search by title, actor, director, or genre.\n- Browse Categories: If you’re not sure what to watch, explore the categories available on the homepage. You can choose from Bollywood, Hollywood, regional cinema, and more.\n- Check for HD Quality: Once you’ve found your movie, look for the “HD” label to ensure you’re streaming it in high-definition.\n- Language Preferences: If you prefer subtitles or dubbed versions, check the movie’s details to see if these options are available.\n- Engage with the Community: For a more immersive experience, engage with fellow movie enthusiasts by exploring the discussion forums, sharing your thoughts, and recommending films.\nVegamovies is not just an online movie platform; it’s a cinematic haven where Bollywood and Hollywood enthusiasts can come together to celebrate their passion for film. Its user-friendly interface, commitment to quality, global accessibility, and vibrant community make it a top choice for movie lovers worldwide.\nWhether you’re in the mood for a Bollywood classic that tugs at your heartstrings or a Hollywood blockbuster that keeps you on the edge of your seat, Vegamovies has it all. So, the next time you’re in search of an HD cinematic extravaganza, consider Vegamovies as your ultimate destination for a truly immersive movie-watching experience. It’s a haven where the magic of Bollywood and Hollywood comes to life in stunning high-definition clarity, making every movie night a memorable one.", "domain": "movie"}
{"url": "http://whatamagazine.com/en/what-about-the-future-by-bigas-luna/", "date": "2021-04-13T22:03:16Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-17/segments/1618038075074.29/warc/CC-MAIN-20210413213655-20210414003655-00017.warc.gz", "language_score": 0.89285808801651, "token_count": 377, "dump": "CC-MAIN-2021-17", "global_id": "webtext-fineweb__CC-MAIN-2021-17__0__147676364", "lang": "en", "text": "‘I believe in a future biocracy, which is an evolution of democracy’.\nWriter and filmmaker, he studied industrial design and economy and in the early 70’s he founded Gris Studio, dedicated to industrial and interior design, before making his first film, ‘Tatuaje’, based on a novel by Manuel Vázquez Montalbán. Soon after comes ‘Bilbao’, which provides international recognition by being selected for the Cannes Film Festival. His next work, ‘Caniche’, achieved the award for best director and from review in the International Film Festival of Porto. In the 80s he moved to Los Angeles to develop a custom script and stay four years. He made three films there: ‘Reborn’, ‘Lola’ and ‘Anguish’. Back in Spain working with very young actors like Ariadna Gil, Javier Bardem, Penelope Cruz and Jordi Molla, and his filmography continues with ‘Las edades de Lulú’, ‘Jamón, jamón’ —Silver Lion in the Venice Film Festival 1992—, ‘Huevos de oro’ —Special Jury Prize at the San Sebastian Film Festival 1993—, ‘La teta y la luna’, ‘Lumière et compagnie’, ‘Bámbola’, ‘La camarera del Titanic’ —Goya Award for Best Adapted Screenplay 1997—, ‘Volavérunt’, ‘Son de mar’, ‘I am Juani’ and ‘Di Di Hollywood’. Currently he works on his next film, ‘Segundo origen’.", "domain": "movie"}
{"url": "https://blogdice.com/fill-your-digital-hd-library-with-action-and-adventure-films-for-just-5-each-today/", "date": "2020-08-04T04:44:44Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-34/segments/1596439735860.28/warc/CC-MAIN-20200804043709-20200804073709-00193.warc.gz", "language_score": 0.938812255859375, "token_count": 263, "dump": "CC-MAIN-2020-34", "global_id": "webtext-fineweb__CC-MAIN-2020-34__0__184617883", "lang": "en", "text": "If your digital HD collection isn’t satisfied from all the holiday sales on movies and TV shows just yet, iTunes has one more sale to fill it out, offering tons of Action and Adventure films for just $4.99 each. These movies regularly sell anywhere from $10 to $20 otherwise, so today’s prices are a good way to grab a few of your favorites at a discount. It’s also perfect for picking up any films you’ve been wanting to see but haven’t yet, as $5 is less than half the price of a movie ticket these days!\nOne superhero film that was released prior to the current superhero hype is Hancock, starring Will Smith. If you skipped it back then, it’s definitely worth checking out now. Another fun option you might have missed is Oblivion starring Tom Cruise and Morgan Freeman. Both of these films are hardly ever available at this low price, so it’s worth your consideration for sure.\nOther options in today’s sale include movies like Jurassic Park, Bad Boys II, The Pagemaster, Kill Bill, and Lord of War.\nMake sure to check out the rest of the sale to see if there are any other films you might want to add to your digital library today.", "domain": "movie"}
{"url": "http://omen.wikia.com/wiki/Ave_Satani", "date": "2016-12-06T02:52:39Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2016-50/segments/1480698541876.62/warc/CC-MAIN-20161202170901-00067-ip-10-31-129-80.ec2.internal.warc.gz", "language_score": 0.9517814517021179, "token_count": 155, "dump": "CC-MAIN-2016-50", "global_id": "webtext-fineweb__CC-MAIN-2016-50__0__164145159", "lang": "en", "text": "Ad blocker interference detected!\nWikia is a free-to-use site that makes money from advertising. We have a modified experience for viewers using ad blockers\nWikia is not accessible if you’ve made further modifications. Remove the custom ad blocker rule(s) and the page will load as expected.\nAve Satani is the theme song to The Omen, composed by Jerry Goldsmith. The 1976 Omen film won an Oscar for Best Score, with Ave Satani nominated for Best Song, one of the few foreign language (Latin) songs ever to be nominated.\nA shorter, slightly faster mix of Ave Satani was used in the opening credits of The Omen. The full version of the song was used in the end credits.", "domain": "movie"}
{"url": "http://www.retrevo.com/content/blog/2010/06/toy-story-3-improved-7.1-sound", "date": "2016-10-26T02:32:54Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2016-44/segments/1476988720475.79/warc/CC-MAIN-20161020183840-00510-ip-10-171-6-4.ec2.internal.warc.gz", "language_score": 0.9761841297149658, "token_count": 239, "dump": "CC-MAIN-2016-44", "global_id": "webtext-fineweb__CC-MAIN-2016-44__0__3507677", "lang": "en", "text": "Yesterday I drove up to Dolby Labs in San Francisco for a demonstration of their 7.1 surround sound on a newly mixed Toy Story 3. 7.1 channel surround sound is nothing new, in fact you might have a home theater that uses it now. What Dolby did was work with Pixar who designed 7.1 sound into the movie instead of adding it as an afterthought. The result was a very impressive, immersive audio experience. The fact that the demo was at Dolby Labs who has an acoustically-perfect theater with state-the-art equipment didn't hurt. By opening day, over 250 theaters nationwide should have upgraded their sound systems to provide the best 7.1 audio environment for this new 3D movie from Walt Disney and Pixar. We also watched some remixed clips of other Pixar movies like Up and The Incredibles which were equally amazing with sound coming at you from all directions. Home theater owners will have to wait for the Blu-ray release of Toy Story 3 but after that more \"original-mix\" 7.1 movies should start to appear. We recommend you catch Toy Story 3 (in 3D) at a cinema with quality sound.", "domain": "movie"}
{"url": "https://mattersdaily.com/unlocking-the-enigma-of-benicio-del-toros-height-how-tall-is-he/", "date": "2023-12-01T15:42:36Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100290.24/warc/CC-MAIN-20231201151933-20231201181933-00310.warc.gz", "language_score": 0.9324477910995483, "token_count": 1192, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__11927527", "lang": "en", "text": "- 1 Benicio Del Toro Height Stats – Revealing the Numbers\n- 2 Benicio Del Toro: A Glimpse into His Biography\n- 3 Introducing Benicio Del Toro: The Iconic Actor and Filmmaker\n- 4 Benicio Del Toro’s Real Identity\n- 5 Benicio Del Toro: Age and Nationality\n- 6 Benicio Del Toro’s Nationality\n- 7 Benicio Del Toro: A Distinguished Career\nIntrigued by Benicio Del Toro’s stature? Dive into this comprehensive article to unveil the exact details of Benicio Del Toro’s height. Benicio Del Toro, the acclaimed Puerto Rican actor and producer, was born on February 19, 1967. As countless fans are eager to discover Benicio Del Toro’s height, we’ve got you covered.\nBenicio Del Toro Height Stats – Revealing the Numbers\nFor those curious about Benicio Del Toro’s height, let’s break it down:\n1. Centimeters: Benicio Del Toro stands tall at 188 cm.\n2. Meters: He measures 1.88 meters.\n3. Feet: In feet, he is an impressive 6 feet 2 inches.\nWith these precise figures, it’s evident just how towering Benicio Del Toro truly is. If you’re interested in delving deeper into Benicio Del Toro’s life and career, continue reading below.\nBenicio Del Toro: A Glimpse into His Biography\nName: Benicio Del Toro Profession: Puerto Rican Actor and Producer Date of Birth: February 19, 1967 Place of Birth: San Germán, Puerto Rico Age (as of 2023): 56 years old Height: 188 cm Weight: 90 kg Nationality: Puerto Rican, Spanish\nIntroducing Benicio Del Toro: The Iconic Actor and Filmmaker\nBenicio Del Toro is a renowned actor and filmmaker hailing from Puerto Rico. Born on February 19, 1967, in San Juan, Puerto Rico, he emerged from a family with a legal background and connections to Spain and Italy. Del Toro is celebrated for his exceptional performances in movies such as “The Usual Suspects,” “21 Grams,” and “Sicario.” His role as Javier Rodríguez in “Traffic” (2000) earned him prestigious accolades, including the Academy Award, Golden Globe Award, Screen Actors Guild Award, and BAFTA Award.\nYou may also recognize him as the enigmatic Collector in “Guardians of the Galaxy” and “Avengers: Infinity War.” Del Toro’s rise to fame began in the mid-1990s, with a standout performance in “Traffic” cementing his status as a talented actor.\nBeyond his acting prowess, Benicio Del Toro is a versatile artist who ventures into scriptwriting for films. Presently, he is engrossed in a project titled “Reptile,” revolving around a tenacious detective’s pursuit to unravel the murder of a young real estate agent. His multifaceted contributions have solidified his position as a respected figure in the entertainment industry.\nBenicio Del Toro’s Real Identity\nReal Name: Benicio Monserrate Rafael del Toro Sanchez Profession: Puerto Rican Actor and Producer Date of Birth: February 19, 1967 Parents: Gustavo Adolfo del Toro Bermúdez, Fausta Genoveva Sánchez Rivera Net Worth: $50 Million Dollars\nBenicio Del Toro: Age and Nationality\nAs of today, Benicio Del Toro is 56 years old, born on February 19, 1967, in San Germán, Puerto Rico. His prominence as an actor and film producer from Puerto Rico began in the 1990s. Notably, his portrayal of an honest Mexican policeman in “Traffic” (2000) earned him numerous prestigious awards, including the Academy Award, Golden Globe Award, Screen Actors Guild Award, and BAFTA Award.\nBenicio Del Toro’s Nationality\nBenicio Del Toro’s nationality is Puerto Rican, owing to his birth in San Germán, Puerto Rico. While he may have familial ties to Spain, his primary nationality remains Puerto Rican.\nBenicio Del Toro: A Distinguished Career\nBenicio Del Toro’s journey from a small Caribbean town to becoming a Hollywood sensation is a testament to his talent, perseverance, and unwavering dedication. He possesses a remarkable acting ability, adept at portraying diverse characters. In the 1990s, he gained recognition for his compelling and enigmatic roles, notably as Fred Fenster in “The Usual Suspects” (1995).\nHowever, it was his role as the Mexican policeman, Javier Rodríguez, in “Traffic” (2000) that catapulted him to international stardom. The accolades he garnered, including the Academy Award, Golden Globe Award, Screen Actors Guild Award, and BAFTA Award, affirmed his exceptional talent.\nBenicio Del Toro refuses to be confined to a single genre, effortlessly transitioning between roles. From the mysterious “Collector” in Marvel’s “Guardians of the Galaxy” series to intense performances in “Sicario” (2015), his versatility knows no bounds.\nIn addition to his acting career, Del Toro has ventured into movie production and screenwriting, a testament to his multifaceted artistic abilities. His unwavering commitment to his craft and his capacity to inhabit diverse characters have established him as a revered figure in the realm of cinema.\nPlease note that the above information is intended for general informational purposes and does not constitute a warranty or guarantee of accuracy.", "domain": "movie"}
{"url": "https://kuwuxycoqydyjizy.leslutinsduphoenix.com/a-review-of-the-rocky-horror-picture-show-a-cult-movie-45564ab.html", "date": "2022-10-07T19:17:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-40/segments/1664030338244.64/warc/CC-MAIN-20221007175237-20221007205237-00253.warc.gz", "language_score": 0.955902099609375, "token_count": 1685, "dump": "CC-MAIN-2022-40", "global_id": "webtext-fineweb__CC-MAIN-2022-40__0__174830412", "lang": "en", "text": "But the line is drawn at speech that causes harm to others, and not everyone agrees where that line is. While the United States is very liberal about the type of expression it allows in its media, other countries have different, sometimes very specific concerns. There are a number of different ways a film can be banned, from importation restrictions to refused certifications by regulatory boards, all the way up to the rare instances when the screening or possession of a movie becomes a criminal act.\nDefinition[ edit ] A cult film is any film that has a cult followingalthough the term is not easily defined and can be applied to a wide variety of films.\nSeveral people defined cult films primarily in terms of their opposition to mainstream films and conformism, explicitly requiring a transgressive element, though others disputed the transgressive potential, given the demographic appeal to conventional moviegoers and mainstreaming of cult films.\nJeffrey Andrew Weinstock instead called them mainstream films with transgressive elements. Most definitions also required a strong community aspect, such as obsessed fans or ritualistic behavior.\nCiting misuse of the term, Mikel J. Koven took a self-described hard-line stance that rejected definitions that use any other criteria.\nMatt Hills instead stressed the need for an open-ended definition rooted in structurationwhere the film and the audience reaction are interrelated and neither is prioritized.\nErnest Mathijs focused on the accidental nature of cult followings, arguing that cult film fans consider themselves too savvy to be marketed to, while Jonathan Rosenbaum rejected the continued existence of cult films and called the term a marketing buzzword. Mathijs suggests that cult films help to understand ambiguity and incompleteness in life given the difficulty in even defining the term.\nThat cult films can have opposing qualities — such as good and bad, failure and success, innovative and retro — helps to illustrate that art is subjective and never self-evident.\nHowever, they reject cult films as having a single unifying feature; instead, they state that cult films are united in their \"subcultural ideology\" and opposition to mainstream tastes, itself a vague and undefinable term. Cult followings themselves can range from adoration to contempt, and they have little in common except for their celebration of nonconformity — even the bad films ridiculed by fans are artistically nonconformist, albeit unintentionally.\nAt the same time, they state that bourgeois, masculine tastes are frequently reinforced, which makes cult films more of an internal conflict within the bourgeoisie, rather than a rebellion against it.\nThis results in an anti-academic bias despite the use of formal methodologies, such as defamiliarization. This nonconformity is eventually co-opted by the dominant forces, such as Hollywood, and marketed to the mainstream. Due to their rejection of mainstream appeal, Mendik says cult films can be more creative and political; times of relative political instability produce more interesting films.\nHartand Charlie Chaplinwhich he described as \"a dissent from the popular ritual\". Stoker's widow sued the production company and drove it to bankruptcy. All known copies of the film were destroyed, and Nosferatu become an early cult film, kept alive by a cult following that circulated illegal bootlegs.\nThe Night of the Hunter was a cult film for years, quoted often and championed by fans, before it was reassessed as an important and influential classic. Although critics Pauline Kael and Arthur Knight argued against arbitrary divisions into high and low cultureAmerican films settled into rigid genres; European art films continued to push the boundaries of simple definitions, and these exploitative art films and artistic exploitation films would go on to influence American cult films.\nThese underground film festivals led to the creation of midnight movieswhich attracted cult followings. Eventually, the rise of home video would marginalize midnight movies once again, after which many directors joined the burgeoning independent film scene or went back underground.\nJoanne Hollows states that they were seen as turning cult films mainstream — in effect, feminizing them by opening them to distracted, passive audiences. Hollywood films, due to their nature, are more likely to attract this kind of attention, which leads to a mainstreaming effect of cult culture.\nWith major studios behind them, even financially unsuccessful films can be re-released multiple times, which plays into a trend to capture audiences through repetitious reissues. The constant use of profanity and drugs in otherwise mainstream, Hollywood films, such as The Big Lebowski, can alienate critics and audiences yet lead to a large cult following among more open-minded demographics not often associated with cult films, such as Wall Street bankers and professional soldiers.\nThus, even comparatively mainstream films can satisfy the traditional demands of a cult film, perceived by fans as transgressive, niche, and uncommercial. I wanted to make box-office hits. The early cult horror films of Peter Jackson were so strongly associated with his homeland that they affected the international reputation of New Zealand and its cinema.\nAs more artistic films emerged, New Zealand was perceived as a legitimate competitor to Hollywood, which mirrored Jackson's career trajectory. Heavenly Creatures acquired its own cult following, became a part of New Zealand's national identity, and paved the way for big-budget, Hollywood-style epics, such as Jackson's Lord of the Rings trilogy.\nFans will often watch films obsessively, an activity that is viewed by the mainstream as wasting time yet can be seen as resisting the commodification of leisure time. They may also watch films idiosyncratically: Cult films themselves subvert traditional views of time — time travel, non-linear narratives, and ambiguous establishments of time are all popular.\nMathijs also identifies specific cult film viewing habits, such as viewing horror films on Halloween, sentimental melodrama on Christmas, and romantic films on Valentine's Day. These films are often viewed as marathons where fans can gorge themselves on their favorites.\nThese films, ritually watched every season, give a sense of community and shared nostalgia to viewers. New films often have trouble making inroads against the institutions of It's A Wonderful Life and Miracle on 34th Street These films provide mild criticism of consumerism while encouraging family values.\nHorror films have appropriated the holiday, and many horror films debut on Halloween. Mathijs criticizes the over-cultified, commercialized nature of Halloween and horror films, which feed into each other so much that Halloween has turned into an image or product with no real community.The Rocky Horror Picture Show is zany, wild, unpredictable; that's what makes it a cult classic.\nTim Curry gives a performance so abnormal and noticeable that you can't help but love his character, and the music and dance numbers are fresh and bursting with energy.\nA chronicle of a woman's rape and her brutal revenge, I Spit On Your Grave is a violent slice of grimy horror that was met with fierce opposition upon its release in The critics who disliked.\n(You would think that The Rocky Horror Picture Show, of all musicals, would be pro-climax.) The director, Kenny Ortega, known for the High School Musical trilogy, seems to think that by mixing overbusy sequences with others that have almost no content or momentum he can achieve a nice average.\nOct 19, · Fox's The Rocky Horror Picture Show: Let’s Do the Time Warp Again reimagines the Cult classic film for a new generation.\nLaverne Cox takes over for Tim Curry as the mad scientist, Frank-N-Furter in the updated television musical. We-e-e-elcome to the Late Night Double Feature Picture Show! This Cult-Classic mixes elements of \"Bride of Frankenstein\" with \"Forbidden Planet\", \"The Day The Earth Stood Still\" and other classic Horror .\nA cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult leslutinsduphoenix.com films are known for their dedicated, passionate fanbase, an elaborate subculture that engage in repeated viewings, quoting dialogue, and audience leslutinsduphoenix.comive definitions allow for major studio productions, especially box office bombs, while exclusive definitions.", "domain": "movie"}
{"url": "http://teranewz.com/2018/11/30/rajinikanth-opens-up-on-what-role-wife-latha-has-played-in-his-life/", "date": "2020-07-15T02:27:18Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-29/segments/1593657154789.95/warc/CC-MAIN-20200715003838-20200715033838-00122.warc.gz", "language_score": 0.9890007376670837, "token_count": 279, "dump": "CC-MAIN-2020-29", "global_id": "webtext-fineweb__CC-MAIN-2020-29__0__99404999", "lang": "en", "text": "Superstar Rajinikanth has been in the film industry for more than 40 years now and has managed to be on top of his game till now. In an exclusive interview with India Today Group Editorial Director Raj Chengappa and Deputy Editor Amarnath K Menon, the actor was asked about the contributions of his wife Latha Rajinikanth in this tremendous success.\nRajinikanth, who tries to avoid conversations about his family and personal affairs, said that Latha has stood by him as a friend all these days.\nHe said, “She looks after the children and everything about the house. She has taken care of that burden. She is helping me as a friend and sometimes as a philosopher also.”\nAbout his daughters – director Aishwarya Dhanush and director-producer Soundarya – Rajinikanth said, “They are happy. They are doing what they want to do and they are enjoying it.”\nRajinikanth’s latest film 2.0 has set the box office on fire. Touted to be India’s costliest film, 2.0 is also the first film to be shot entirely on 3D cameras.\nThe Tamil star has also wrapped up the shooting of his next film Petta, which has been directed by Karthik Subbaraj.", "domain": "movie"}