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+{"url": "https://www.limngallery.co.nz/products/pure-evil-marilyn-classic-pink-purple-limited-edition-screenprint-limn-gallery-urban-art-nz", "date": "2022-06-27T17:02:00Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103337962.22/warc/CC-MAIN-20220627164834-20220627194834-00084.warc.gz", "language_score": 0.963798999786377, "token_count": 414, "dump": "CC-MAIN-2022-27", "global_id": "webtext-fineweb__CC-MAIN-2022-27__0__22518072", "lang": "en", "text": "This framed 2021 limited edition print by Pure Evil titled 'Marilyn Classic - Pink & Purple' is a 3 colour screenprint on 330gsm Fedrigoni paper. It has been signed and numbered by the artist in a limited edition of only 100.\nThs image of Marilyn is taken from a publicity photo for the film Niagara, an American 1953 film noir thriller film directed by Henry Hathaway. It was one of 20th Century Fox's biggest box office hits of the year. Unlike other film noirs of the time that were filmed in black and white, Niagara was filmed in \"three-strip\" Technicolor .\nMonroe was given first billing in Niagara, which elevated her to star status. Her following two films of that year, Gentlemen Prefer Blondes, with Jane Russell, and How to Marry a Millionaire, with Betty Grable and Lauren Bacall, were even bigger successes.\nFramed Size: 960mm (W) x 1125mm (H)\nAbout the artist:\nCharles Uzzell-Edwards produces Pop-inspired prints and street art under the moniker Pure Evil. The U.K.-born and -based artist’s vibrant, stenciled, spray-paint figurations riff on distinctly American iconography such as the Statue of Liberty and on Andy Warhol subjects such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor. Many of his portraits feature a signature splotch of paint, which drips like a tear just below the character’s eye. Pure Evil’s path to artmaking was long and varied. As the son of Welsh painter John Uzzell Edwards, he grew up in a creative household. After studying fashion and graphics in college, he worked as a clothing designer and recorded electronic music. Pure Evil finally arrived at street art while living in California, where he honed his practice across freeways and storefronts. The artist has since exhibited in New York, Los Angeles, London, Paris, and elsewhere.", "domain": "drama_and_film"}
+{"url": "https://iriscinematography.com/", "date": "2021-09-26T09:58:01Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-39/segments/1631780057857.27/warc/CC-MAIN-20210926083818-20210926113818-00002.warc.gz", "language_score": 0.9670065641403198, "token_count": 367, "dump": "CC-MAIN-2021-39", "global_id": "webtext-fineweb__CC-MAIN-2021-39__0__57872121", "lang": "en", "text": "Iris Ng is recognized as a versatile cinematographer, who lends her patience, creativity, intuition, and skill to bring a director’s vision to the screen. For over a decade, Iris has collaborated with award-winning directors Sarah Polley, Min Sook Lee, Fredrik Gertten, Vikram Jayanti, Michelle Latimer, and Martha Burns on a variety of documentaries while shooting a wide variety of films for artists such as Chris Curreri, Oliver Husain, Bambitchell, and Richard Fung.\nIris was intrigued at an early age by the photos and Super 8 movies that were created and preserved by the image-makers in her family. That discovery – that it is possible to capture the essence of a moment – has become a lifelong influence in her creative work.\nAfter obtaining her BFA in Film Production from York University, she has honed her craft shooting over sixty projects in many facets of the industry, from narrative, art and documentary films to commercials, music videos and episodic television. In the process, she has had the opportunity to work in Asia, Africa, Europe, and across North America.\nIris brings a visual arts background to the projects she works on – which allows her to approach the work abstractly and conceptually, before tapping into the technical skills required to bring a director’s vision to screen. Iris is known for her intuition and patience balanced by strong technique.\nShe is equally comfortable working in the latest digital formats as well as 35mm, 16mm and Super 8 film, according to the needs of the story or concept. While her work has been screened in festivals and installations around the world, Iris’ goal continues to be to capture the essence of the moment in the medium, regardless of the size of the project.", "domain": "drama_and_film"}
+{"url": "http://www.kcedventures.com/kids-resources/kids-summer-activities-2012", "date": "2014-08-30T08:16:32Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2014-35/segments/1408500834663.62/warc/CC-MAIN-20140820021354-00162-ip-10-180-136-8.ec2.internal.warc.gz", "language_score": 0.9376444816589355, "token_count": 520, "dump": "CC-MAIN-2014-35", "global_id": "webtext-fineweb__CC-MAIN-2014-35__0__138960160", "lang": "en", "text": "Kids Summer Movies - 2014\nCheap & Free Summer Movies for Kids\nCinemark Summer Movie Clubhouse\nCinemark Theatres across the country are showing their Summer Movie Clubhouse Shows again this year! Every theatre will carry a different line-up of movies, so check the master list to see what's showing near you.\nPhoenix Theatres @ the Legends\nThe Legends 14 Theater will be hosting FREE movies this summer in Kansas city every Tuesday, Wednesday & Thursday in June and July. Doors open at 9 am and the movie begins at 10 am. Two movies are shown each week, one rated G and the second rated PG -- see the full movie list for the summer!\nMovies begin on June 9th - July 31st with shows on Monday - Thursday @ 10 am & 12:30 pm. Check their full Summer Movie Schedule for all theaters in the Kansas City area.\nFREE (or $1) Outdoor Summer Movies\nNorth Kansas City Parks and Rec\nFREE -- Head out to Macken Park on July 11th to see Ender's Game & August 8th for a free showing of Despicable Me 2 with the kids - more details in the North KC Parks catalog on their website!\nCrown Center Outdoor Movies\nGrab a chair or blanket and enjoy a FREE Friday Night outdoor movie at Crown Center! This year, they are mixing things up a bit with lots of great options for teens and adults. And the Friday night movies now include a live musical group performing before the show. For kids, July 11th is The Sandlot and August 1st is the Wizard of Oz. They are also showing Jaws on August 8th - good for teens.\nPharoh Theatre at Independence Square\nMoonlight Movies on the Square will host free weekly every Thursday evening this summer! Lots of family favorites will be shown! Find all the times and details on their website.\nTheater in the Park\nSpend the evening seeing a movie on Tuesdays this summer (and a few weekends once the theater shows have concluded). Movies are $1 -- bring your own chairs and blankets. Many nights have double features too. They are showing a lot of the vintage Disney films (love those!) and will have an Ironman marathon. Check the website for which movies are showing!\nNot in our area\n2014 movies are now posted! Check their list of movies that will be showing in your area (they vary by state). Kansas City is not participating in the Summer Movie Express.\nUnfortunately, AMC no longer hosts a summer movie camp.", "domain": "drama_and_film"}
+{"url": "https://kudumbashree.org/pic-topic-description/featured-topics?page=3", "date": "2022-08-14T04:12:03Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-33/segments/1659882571993.68/warc/CC-MAIN-20220814022847-20220814052847-00530.warc.gz", "language_score": 0.9533882737159729, "token_count": 355, "dump": "CC-MAIN-2022-33", "global_id": "webtext-fineweb__CC-MAIN-2022-33__0__166536897", "lang": "en", "text": "Kudumbashree Kannur District Mission organizes Woman Film Fest Updated On 2022-07-04\nKudumbashree Kannur District Mission has organized Woman Film Fest for Kudumbashree NHG members and Auxiliary Group Members. The Woman Film Fest was officially inaugurated by Ms. K.M. Jamunarani, Municipal Chairperson, Thalassery Municipality at Municipal Town Hall, Thalassery, Kannur on 29 June 2022.\nThe 'Woman' Film Fest' opens up an opportunity for thousands of NHG members to immerse themselves in the magical world of films that have created wonder in the hearts of people like Children of Heaven, Heidi, Village Rockstar and discover new levels of enjoyment. The Film Fest is organized in collaboration with the Kerala State Chalachitra Academy, Government of Kerala. The film screenings as part of the film festival are being held for a period of three months starting from July 2022 to September 2022 in 81 CDSs of Kannur district. The Film Festival also aims at introducing films that have gained national and international attention to the inner villages.\nThe cinema screening in a CDS is from 10 AM to 5 PM, on a fixed day. The exhibition space will be determined according to the availability of school and panchayat auditoriums. It will be coordinated in such a way that upto 150 people can watch the movie at a time. Films such as Basanti, Freedom Fight, The Great Indian Kitchen, Manhole, Ottamuri Velicham and Ozhimuri will be screened at the festival. All NHG members and auxiliary group members can be a part of the film festival organized under the leadership of the CDS.", "domain": "drama_and_film"}
+{"url": "https://dementiaenvironmentaldesign.com/2015/12/02/walking-with-my-mother/", "date": "2023-04-01T03:48:09Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296949701.0/warc/CC-MAIN-20230401032604-20230401062604-00377.warc.gz", "language_score": 0.9849439263343811, "token_count": 167, "dump": "CC-MAIN-2023-14", "global_id": "webtext-fineweb__CC-MAIN-2023-14__0__58109557", "lang": "en", "text": "Director Katsumi Sakaguchi’s newest film “Walking with My Mother”\nOfficial selection of Tokyo International Film Festival 2014\nDirector Katsumi Sakaguchi captures the life of his mother, Suchi, 78 through film, as she lives with dementia and depression, coping with the loss of her daughter and then her beloved husband. In the film Katsumi documents a life of distress, frustration and grief as his mother tries to remain resilient against all the trials and tribulations that life has hurl against her. He captures his own feelings and emotions as he tries to understand the needs of his mother and his own, and to cope with the changes that life has brought for both of them. The film also showcases their travel back to Suchi’s hometown and the positive improvements that such a change brings.", "domain": "drama_and_film"}
+{"url": "https://www.gustavodudamel.com/us-en/behind-the-score-the-art-of-the-film-composer", "date": "2021-06-13T17:13:50Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-25/segments/1623487610196.46/warc/CC-MAIN-20210613161945-20210613191945-00214.warc.gz", "language_score": 0.949268102645874, "token_count": 281, "dump": "CC-MAIN-2021-25", "global_id": "webtext-fineweb__CC-MAIN-2021-25__0__17841338", "lang": "en", "text": "09 July 2014\n“Behind the Score: The Art of the Film Composer”\n“Gustavo Dudamel joins fellow composers Gustavo Santaolalla and John Williams on Monday, July 21 at the Academy of Motion Picture Arts and Sciences for “Behind the Score: The Art of the Film Composer” at the Bing Theater in Los Angeles.\nIn a conversation hosted by Tavis Smiley, the trio will discuss significant musical moments in film that have inspired their work as they examine the art and process of creating a film score as well as the director-composer collaboration.\nGustavo Dudamel made his first foray into composing for motion pictures with “The Liberator (Libertador),” a biopic about Simón Bolívar. The film was screened in June at the Los Angeles Film Festival and will be released in Venezuela on July 24. The score for the film was recorded with the Simón Bolívar Symphony Orchestra of Venezuela, and the soundtrack will be released by Deutsche Grammophon.\nGustavo Dudamel and the LA Phil perform the Suite from Libertador at the Hollywood Bowl on July 29, as part of Americas & Americans Festival Noche de Cine, which will also include Santaolalla’s Suite from The Motorcycle Diaries. Program and concert details here.", "domain": "drama_and_film"}
+{"url": "https://the-hummingbird-journal.co.uk/2021/04/06/the-walking-dead-season-10-episode-22-review-and-spoilers/", "date": "2022-05-25T17:09:19Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-21/segments/1652662588661.65/warc/CC-MAIN-20220525151311-20220525181311-00552.warc.gz", "language_score": 0.9890907406806946, "token_count": 1106, "dump": "CC-MAIN-2022-21", "global_id": "webtext-fineweb__CC-MAIN-2022-21__0__252015320", "lang": "en", "text": "The much anticipated finale of season 10 C aired this week and it delivered. Fans of the show have waited years to see the comic storyline of ‘Here’s Negan’ on screen and the show delivered it excellently and was able to tie it into the current storyline of season 10.\nThe episode starts as Carol walks with Negan out of Alexandria to Leah’s cabin where she reveals the council voted to banish him after everything with the whisperers and Maggie’s return. Feeling emotionally battered and bruised as he reflects on the man he used to be both pre-outbreak and post-outbreak he hallucinates his former self sitting in a chair next to him taunting him saying he’s nothing without his bat Lucille. Knowing he’s been banished he thinks back to the day Rick slit his throat and arrives back at the scene where he finds an old and aged Lucille buried in the grass. A flashback then starts that shows Negan 12 years prior at the start of the outbreak and then to seven months before the outbreak.\nNegan is a completely different man he’s a bum and a scared loser that can barely handle walkers. The flashbacks reveal like in the comics Negan was a PE teacher and did cheat on his wife Lucille that was until she was diagnosed with cancer. The outbreak begins while she is receiving treatment and Negan trains himself to give her chemotherapy and tracks down a unit of mobile doctors that have the drugs and treatments he needs.\nLucille is shown for the first time in the series in this episode as both a human and a bat. Lucille is a sturdy women that takes no nonsense and saves Negan from a walker he struggles to kill with their last bullet while connected to her chemo machine while also showing heart and is humorous.\nNegan is a devoted and caring husband to Lucille during the outbreak and gets himself kidnapped and almost killed trying to secure the drugs she needs. In touching scenes you see Negan make her smile by reading to her, playing with her various wigs with her, singing to her, playing darts with her and showing genuine remorse for his previous sins. Lucille begs Negan to stop travelling as far and to stop searching for her treatments as she grows weaker in front of him. Negan repeatedly avoids killing walkers saying that he does so as he doesn’t want to get used to killing, he knows within him at this point he has a violent streak as he reveals that he battered a man to a pulp pre-outbreak and almost didn’t stop.\nIt’s only upon his return to his wife after being on the road looking for her treatments for six weeks that he discovers she had taken her own life the night he left her as he discovers a note she wrote on their bedroom door begging Negan to put her down after she turns. It destroys him and and he burns their house down as their favourite song plays in a scene that is as heartbreaking and devastating as when Daryl had to put down Merle in season three if not more gut wrenching. He leaves on his bike to get revenge on his kidnappers who had imprisoned the doctor that helped him and the doctor’s daughter Laura ( as in Laura the Saviour seen during all out war) with the bat Laura gave him in an earlier scene. As the house burns he bursts the door down with Lucille in her full barbed wire glory in a scene that can only be described as bad ass. Lucille’s death was Lucille’s and Negan’s birth.\nIt’s during these revenge scenes where the Negan fans know best is born as he says that before when he was angry he couldn’t inflict the damage he wanted to as there was consequences whereas in the apocalypse he won’t be put in jail, he won’t be sued whereas now he is able to embrace this side and see what he is capable of.\nThe episode ends as you see Negan kill a walker with Lucille and the bat shatters into pieces as does the rest of his spirit. He takes it back to Leah’s cabin wraps it in cloth says his goodbyes and burns it the same way Lucille was laid to rest by him as he says his goodbyes to his wife and the man he used to be. He then walks back into Alexandria to see Maggie give him a look that says ‘I’ll kill you’ to which he responds with a smile. He told the bat as it burned he would do Lucille’s fighting for her, it’s unknown if it’ll be the old violent Negan that returns or the soft soul Lucille seen him as.\nThis episode has became an instant fan favourite and has even been ranked as the fourth highest rating episode of the full series according to The Walking Dead’s official Twitter account. The episode was a mixture of moving, sadness and joy as viewers are able to see every layer there is to Negan and what caused him to become the infamous villain he is today. In an emotional rollercoaster of an episode that keeps you on the edge of your seat as every twist and turn is explored it makes you realise Negan is who he is today because of both Lucilles, the bat and his wife.\nOverall rating 10/10", "domain": "drama_and_film"}
+{"url": "https://help.us.filmstruck.com/hc/en-us/articles/229209727-What-is-FilmStruck-", "date": "2018-01-24T11:43:06Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-05/segments/1516084894125.99/warc/CC-MAIN-20180124105939-20180124125939-00550.warc.gz", "language_score": 0.87896728515625, "token_count": 241, "dump": "CC-MAIN-2018-05", "global_id": "webtext-fineweb__CC-MAIN-2018-05__0__164440999", "lang": "en", "text": "FilmStruck offers instant streaming access to critically acclaimed movies, hard-to-find gems, and cult favorites from the world’s greatest independent film libraries. Our library features a deep roster of constantly refreshed films from such celebrated indie studios as Janus Films, Flicker Alley, Icarus, Kino, Milestone, Zeitgeist, Film Movement, Global Films, First Run Features, Oscilloscope Laboratories and Shout Factory, along with movies from Hollywood's major movie studios, including Warner Bros., Sony, Miramax, Metro-Goldwyn-Mayer (MGM) and Paramount.\nAmong the hundreds of critically acclaimed and award-winning titles to be featured on FilmStruck are Babette’s Feast, Blood Simple, Breaker Morant, The Apartment, A Hard Day’s Night, The Graduate, Modern Times, My Life as a Dog, The Player, A Room with a View, Seven Samurai, The Seventh Seal, This Is Spinal Tap and The Third Man and many more.\nFilmStruck is also the exclusive home of The Criterion Channel. To learn more about the Criterion Channel, see that section in our Help Center.", "domain": "drama_and_film"}
+{"url": "https://loveaustintx.com/movie-theaters-in-austin", "date": "2024-02-22T11:59:09Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947473738.92/warc/CC-MAIN-20240222093910-20240222123910-00172.warc.gz", "language_score": 0.9413923025131226, "token_count": 1780, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__62071564", "lang": "en", "text": "Are you looking for a great movie-going experience in Austin? Look no further than the city's best movie theaters.\nFrom classic venues with rich histories to modern theaters with state-of-the-art technology, Austin has a diverse range of options for movie lovers.\nThe best movie theaters in Austin offer more than just a place to watch a film. They provide an immersive experience that transports you to another world.\nFrom the moment you enter the theater, you are transported to a different time and place, whether it's a classic movie palace or a modern multiplex.\nAustin's movie theaters offer a variety of amenities that cater to movie-goers of all kinds. Some theaters offer luxury seating with comfortable recliners, while others provide food and drink options to enjoy during the movie.\nThe city's theaters also feature a variety of films, from the latest Hollywood blockbusters to independent and foreign films that you won't find anywhere else.\nWhether you're a film buff or just looking for a fun night out, Austin's movie theaters have something for everyone.\nSo, grab some popcorn and settle in for a great movie at one of the city's best theaters.\n1. Alamo Drafthouse Cinema Mueller\nAlamo Drafthouse Cinema Mueller is a stylish and modern movie theater that offers a unique dining experience.\nCustomers can enjoy delicious food and drinks while watching new and classic films. The theater has comfortable reclining seating and a spacious 140-capacity room.\nEach seat has a small table for eating, which is especially convenient for sharing meals with friends and family. The staff is friendly and professional, and the amenities are well-maintained.\nThe parking situation can be challenging, but the theater offers parking validation. Alamo Drafthouse Cinema Mueller is a great place to visit for a fun night out at the movies.\n2. Bullock Museum IMAX Theatre\nThe Bullock Museum IMAX Theatre is the top movie theater in its area. Offering a one-of-a-kind experience, the theater boasts a massive screen with impeccable sound and visuals.\nThe theater is always clean and the chairs are comfortable. Although there is no assigned seating, the lines are short and move quickly.\nThe staff is perky and pleasant, making the experience even better. The theater specializes in presenting 3D films on a giant screen, including blockbusters.\nIf you are a movie enthusiast, the Bullock Museum IMAX Theatre is definitely worth checking out.\n3. AFS Cinema\nAFS Cinema is a modern and stylish movie theater that offers a unique cinema experience.\nWith a focus on independent and foreign films, this two-screen venue is perfect for movie lovers who want to see something different.\nThe theater also features a full bar and concessions, making it a great spot to enjoy a drink or snack before or after the show.\nWhether you're a film buff or just looking for a fun night out, AFS Cinema is definitely worth a visit.\n4. Moviehouse & Eatery by Cinepolis NW Austin\nMoviehouse & Eatery by Cinepolis NW Austin is an exceptional movie theater. With plush chairs and tables, it's an ideal place to relax and watch a movie.\nThe service is quick, and the sound quality is top-notch. You can enjoy classic and current movies with ease.\nThe food is consistently good, and the staff is always helpful. The theater is always clean, and the seating is comfortable.\nMoviehouse & Eatery by Cinepolis NW Austin is a must-visit for movie lovers who want a great movie experience.\n5. Southwest Theaters Lake Creek 7\nSouthwest Theaters Lake Creek 7 is a first-run movie theater that offers recliners in all auditoriums. The theater has excellent audio and a great screen quality.\nCustomers can reserve their seats online in advance. The theater serves beer and wine, making it a perfect place to relax and enjoy a movie.\nThe best part is that the prices are affordable, making it a great value for money.\nIf you're looking for a comfortable and enjoyable movie experience, Southwest Theaters Lake Creek 7 is definitely worth checking out.\n6. Violet Crown Cinema\nViolet Crown Cinema is a locally owned movie theater that shows indie, documentary, and foreign films.\nThe cinema has small, comfortable theaters with high-quality picture and sound. The cafe and bar offer a diverse selection of food and drinks.\nThe seating is comfortable and clean, and there is no stale soda or popcorn smell. The cinema has reserved seating and an attached garage for free parking.\nThe employees are friendly and helpful. Violet Crown Cinema is a great place to watch unique films and enjoy good food and drinks.\n7. Blue Starlite Mini Urban Drive-in – Austin Downtown ATX\nIf you're looking for a unique movie-going experience in the heart of the city, Blue Starlite Mini Urban Drive-in is worth checking out.\nWith a focus on privacy, you can enjoy a movie night with your own snacks and blankets from the comfort of your car.\nThe friendly staff is always prepared to help with any technical difficulties and the view of downtown Austin is a great backdrop for your movie.\nWhile parking can be a bit tricky, it's worth arriving early to snag a good spot. Prices may be higher than a traditional theater, but the experience is worth it for a memorable night out.\n8. EVO Cinemas Belterra\nEVO Cinemas Belterra offers a comfortable and modern movie theater experience. With fully reclining lounge chairs and great viewing and sound quality, moviegoers can enjoy their favorite films in style.\nThe theater is typically not crowded, making it easy to find a good seat and enjoy the show.\nThe staff is friendly and helpful, and the food and drink selections are good.\nThe theater is also conveniently located near several restaurants, making it easy to grab a bite to eat before or after the movie. For a great cinema experience, EVO Cinemas Belterra is a top choice.\n9. Galaxy Theatres Austin\nGalaxy Theatres Austin is a top-notch movie theater that offers an exceptional viewing experience.\nThe upgraded theaters feature comfortable seating, awesome sound effects, and a good selection of craft beers. The concession stand offers elevated snacks, and the popcorn is delicious.\nWhile the room temperature may be a bit warm and stuffy, the theater is clean, and the staff is friendly.\nThe seating is well spaced, providing a safe and enjoyable movie-going experience. Galaxy Theatres Austin is definitely worth a visit for anyone looking for a great place to watch a movie.\n10. IPIC Theaters\nIPIC Theaters is a luxury movie theater chain that offers a high-end cinematic experience.\nThe plush seating is incredibly comfortable, and each theater has a small number of seats, providing an intimate setting. The food and drink options are top-notch, with a full wine menu and gourmet light bites.\nIn-theater dining service is available, adding an element of convenience and luxury to the movie-watching experience.\nThe interior design is beautiful, and the staff is friendly and prompt. IPIC Theaters is a great choice for those looking for a more upscale movie experience.\n11. Regal Metropolitan\nRegal Metropolitan is a great movie theater option with a unique aesthetic. The lobby is spacious and the staff is customer-friendly.\nThe theater is clean and comfortable, with standard seating and no assigned seats. The sound and projection quality are good, and the temperature is usually just right.\nThe theater offers a variety of refreshments, including beer and wine. There are multiple screens featuring new release films.\nParking is ample and the theater is easily accessible. If you're looking for a solid movie-going experience, Regal Metropolitan is a great choice.\n12. AMC DINE-IN Tech Ridge 10\nAMC DINE-IN Tech Ridge 10 is a top-notch movie theater with comfortable seats that recline and leg rests. The sound and picture quality are excellent, making for an immersive movie-going experience.\nThe staff is friendly and attentive to customers' needs, and the theater is always clean and well-maintained.\nThe food and drink options are plentiful, including alcohol that can be consumed during the movie. The Dolby theater is a must-visit for movie buffs looking for the ultimate cinematic experience.\nAll in all, AMC DINE-IN Tech Ridge 10 is a great place to catch the latest blockbuster or enjoy a night out with friends and family.", "domain": "drama_and_film"}
+{"url": "https://www.nextbestpicture.com/suspiria-1977.html", "date": "2022-06-25T22:46:35Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103036176.7/warc/CC-MAIN-20220625220543-20220626010543-00448.warc.gz", "language_score": 0.9539552330970764, "token_count": 1519, "dump": "CC-MAIN-2022-27", "global_id": "webtext-fineweb__CC-MAIN-2022-27__0__172914175", "lang": "en", "text": "THE STORY - Suzy (Jessica Harper) travels to Germany to attend ballet school. When she arrives, late on a stormy night, no one lets her in, and she sees Pat (Eva Axén), another student, fleeing from the school. When Pat reaches her apartment, she is murdered. The next day, Suzy is admitted to her new school, but has a difficult time settling in. She hears noises, and often feels ill. As more people die, Suzy uncovers the terrifying secret history of the place.\nTHE CAST - Jessica Harper, Stefania Casini, Flavio Bucci, Miguel Bosé, Barbara Magnolfi, Susanna Javicoli, Eva Axén, Alida Valli & Joan Bennett\nTHE TEAM - Dario Argento (Director/Writer) & Daria Nicolodi (Writer)\nTHE RUNNING TIME - 98 Minutes\nTHE GOOD - Dario Argento crafts a sleek and inventive horror film that is downright visceral in its execution. The use of color and color theory is in a whole other playing field and few horror filmmakers have used color as well as Argento does here. The score is one of the greatest to appear within the horror genre. Jessica Harper's performance is one that should be closely examined and applauded.\nTHE BAD - Nothing\nTHE OSCARS - None\nTHE FINAL SCORE - 10/10\nRead the FULL REVIEW\nBy Josh Williams\nFilms are an art form that can capture unique emotional experiences within their individual frames. Specific films will evoke certain emotions that you seemingly cannot escape, whether it connects with a specific moment in your life or if the simple execution of the film is so immaculate and masterful that you cannot help but be moved by what you are witnessing. Films are meant to get under our skin, into our veins and exist within our lives on a truly intimate level. A film that is on this level for me and continues to impact me after each repeat viewing is Dario Argento's magnum opus, \"Suspiria.\"\nAfter arriving at a prestigious ballet academy in Germany, American newcomer Suzy Bannion (Jessica Harper) comes to the realization that there may be something hidden beneath the surface of this acclaimed academy. Something that is not only ominous in nature but ferociously violent as well. After a slew of murders involving students who attend the academy the curtains slowly begin to peel back for Suzy as the dark secrets that are kept underneath the floorboards reveal themselves.\n\"Suspiria\" is an art-house horror film through and through, blurring the line between a traditional horror film and a psychedelic avant-garde type film. Argento brilliantly collides the world that the protagonist Suzy thinks she is going to be living in and the world that the film truly takes place. Although \"Suspiria\" clocks in at a brisk hour and 32-minute run-time, the pacing is absolutely flawless. There is a never a moment that should be cut a little shorter or a moment that should have lasted a little longer. Everything plays out in full right before our eyes and we see everything we are meant to see within the moment. Never is there a time where we wish we would have been shown more, particularly within the murder scenes. Often times, the indulgence of violence and gore in horror films is sought after by horror fans, which is totally fine. But Argento finds a healthy middle ground in this specific region of the genre. One murder, for example, will never show a stabbing with a knife in a single take but it would rather cut between the stabbing motion and the actor's reaction to getting stabbed. But with another murder, every single cut in the scene is highlighting a different moment of the murder in its entirety. Argento is able to utilize both of these styles to great effect and he knows the exact moment to use them so that it will be the most effective.\nNot only is the film paced in a genius manner but it is visually one of the most stunning horror movies to date. It would easily land a spot in the top five most visually appealing horror movies ever made. The shot composition is strikingly haunting but what sets the film apart from others of the same caliber is the use of color. There are other horror filmmakers who have a knack for how to utilize color in their films but Argento treats color like it's a character in the film. The color serves a clear and distinct purpose which is responsible for certain emotional shifts, power dynamic shifts, or even specific story cues within the film. An entire scene will be coated with an almost blinding shade of red and several different saturation levels of that same hue. But in the exact same scene, Argento will cut to a piercing green or a mellow blue and force our mindset to completely shift in tone and feel that the weight of the film is changing. There is a dedication to using color as a tool to advance not only the story but the emotional impact of it as well.\n\"Suspiria\" is one of those films that has had a tremendous influence upon those who have seen it in the 41 years it has been with us. Some of it is indescribable and other times it comes across as crystal clear. But the biggest component that helps deliver the emotionally visceral experience of \"Suspiria\" is through Jessica Harper's performance. Harper takes on this confident, intelligent and curious character that resonates with just about all of us. There is typically a moment in everyone's life where you have suspected that something much larger has been happening in the background of what you are seeing. Whether it actually turns out to be that larger thing or not is case by case, but Harper's experience is a terrifying and an emotionally scarring one.\nThe character of Suzy Bannion wants nothing more than to dance at the most prestigious ballet academy in the entire world and that suddenly is ripped from her once the terror hidden within the walls of the school is revealed. It is clear that Suzy has dedicated her entire life to get to this one place and now, due to unfortunate circumstances, it is being taken away from her in one of the most terrifying ways possible. The character of Suzy and the subtle nuanced performance from Jessica Harper are what makes the film. Harper's ability to show the slightest bit of discourse or fear in a moment through a change in body language, her delivery of a line of dialogue, or even just the shift in her eyebrows or mouth is downright outstanding.\n\"Suspiria\" is a horror film that is not only terrifying in every way imaginable but it also affects you on an incredibly deep emotional level. The character of Suzy Bannion is what sets \"Suspiria\" apart from other films of the same caliber. The deliberate and genius use of color from Argento and cinematographer Luciano Tovoli is not only a stunner to the eyes but also serves a purpose to the overall story and the emotional tone of the film. Auditorially, the iconic score by Argento and Goblin is also utilized in such a way that all of these combined elements make \"Suspiria\" an art-house horror film that will never lose its lasting effect on those who experience it. With every viewing, \"Suspiria\" gets more and more gut-wrenching, more and more emotionally devastating, and most of all, more and more brilliant.", "domain": "drama_and_film"}
+{"url": "https://ssmirnov.wordpress.com/2009/09/17/978/", "date": "2017-03-29T19:01:17Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-13/segments/1490218191353.5/warc/CC-MAIN-20170322212951-00121-ip-10-233-31-227.ec2.internal.warc.gz", "language_score": 0.9734324216842651, "token_count": 807, "dump": "CC-MAIN-2017-13", "global_id": "webtext-fineweb__CC-MAIN-2017-13__0__36957622", "lang": "en", "text": "Mom Blogging Goes Hollywood\nI’ve always liked Uma Thurman, but when she emerged as the central muse in the twisted world of Quentin Tarantino she stole my heart once and for all. Mrs. Marsellus Wallace in Pulp Fiction? Swoon.\nWhen I heard Uma was starring as a mom blogger in her next film, it was hard to shake the image of her as The Bride in the Kill Bill flicks — kick ass yellow jumpsuit, bloody sword, fiercely beautiful and totally lethal. Then I remembered that it was the ferocious drive to reclaim her lost daughter that drove her through the second film — so in addition to being a real-life mother, Uma knows how to play motherhood and then some.\nMotherhood was written and directed by Katherine Dieckmann, who I got to spend some time with this afternoon on a conference call with a handful of other NYC-area bloggers. Couple of things you might want to know about Katherine and Motherhood:\nThe movie was made almost entirely by women. That rocks.\nKatherine drew from her own life in creating it; in fact, the film was shot in the building where she lives. She said she awoke each morning to the sound of the crew setting up, got her kids fed and off to school, and went to work. Downstairs. Which also rocks.\nKatherine’s kids loved the craft services. Anyone who’s been on a TV or film set knows what this is. It’s food, and lots of it. The kids called it “crafty” and apparently got obsessed with it because Katherine is not a “big snack giver.”\nOne of the reasons Katherine was inspired to make the movie is that she couldn’t find any authentic representations of motherhood on the big screen. She cites Baby Boom (Diane Keaton as J.C. Wiatt, amazing) as one of the last movies to treat motherhood as the complex juggling act it really is. (That was 22 years ago, by the way.)\nI can’t wait to see this movie. I love Uma playing disheveled. She’s incredibly endearing, and with Minnie Driver as her BFF and Anthony Edwards as her hub, what’s not to love. I also love movies shot on location in this city. I can’t help but wonder if Motherhood won’t be just a little bit of a love letter to the West Village, since it’s where Katherine makes her home.\nFinally, I love that blogging — mom blogging, specifically — is in the spotlight with nary a mention of FTC guidlines or brand shilling controversies. Maybe this film will put the focus back on what’s been true about mom bloggers from the beginning: they tell it like it is about motherhood. Authentically, unfiltered, with some of the most beautiful writing on the internet. They are raw, passionate, angry, joyful, supportive, frantic, serene, hilarious, loving. Some times all at once. I am not surprised — and eternally grateful — that it’s a woman bringing this glorious cacaphony to the silver screen.\nMotherhood opens in select markets October 23rd. Get more info here.\n[Disclosure: There are no material connections between the makers of Motherhood and me. All they did was invite me to participate in a conference call. I realize I’ve just set a dangerous precedent as a cheap date. What I really want but am too shy to request is to go on a playdate with Uma, Katherine and their kids. I might even remember to bring my kid. Katherine says it’s okay to drink wine during playdates, provided the children are not put in harm’s way. So clearly we were meant to be best friends.]", "domain": "drama_and_film"}
+{"url": "http://www.euro.who.int/en/media-centre/events/events/2019/10/the-health-for-all-film-festival-inviting-filmmakers-to-submit-health-for-all-short-videos", "date": "2020-01-25T19:55:15Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-05/segments/1579251681412.74/warc/CC-MAIN-20200125191854-20200125221854-00248.warc.gz", "language_score": 0.9175728559494019, "token_count": 218, "dump": "CC-MAIN-2020-05", "global_id": "webtext-fineweb__CC-MAIN-2020-05__0__159821151", "lang": "en", "text": "The Health For All Film Festival – inviting filmmakers to submit ‘Health For All’ short videos\n24 October 2019 – 30 January 2020\nIn May 2020, on the occasion of the 73rd World Health Assembly, WHO will host the first-ever Health for All Film Festival in Geneva, Switzerland.\nWHO is inviting filmmakers, both amateur and professional, to participate in the inaugural film festival by submitting short videos falling in one of 3 categories:\n- short films showing human-interest stories and testimonies about health from individuals, communities, and/or healthcare workers navigating a personal, local or global health challenge, championing solutions, or driving change;\n- animations showing testimonies, health messaging and/or challenges and solutions to achieving health and well-being for all, or to educate about a health issue; and\n- videos celebrating the work of nurses and midwives, showing how they impact people’s lives and the daily realities of their work.\nClosing date for entries is 30 January 2020.\nVisit the WHO Health For All Film Festival website for more information.", "domain": "drama_and_film"}
+{"url": "https://udharmanc.com/the-last-ecstatic-days/", "date": "2024-04-18T08:07:34Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817200.22/warc/CC-MAIN-20240418061950-20240418091950-00269.warc.gz", "language_score": 0.9269286394119263, "token_count": 285, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__109207937", "lang": "en", "text": "Ethan Sisser, a young man with terminal brain cancer, sits alone in his hospital room. When he starts live streaming his death journey on social media, thousands of people around the world join to celebrate his courage. Still, Ethan envisions more – to teach the world how to die without fear. To do that, he needs to film his death.\nHonoring Ethan’s wish, his doctor Aditi Sethi transports him to an idyllic house in the Blue Ridge Mountains of Asheville, North Carolina. What unfolds next is a story rarely glimpsed: how a community of strangers helps a young man die with grace.\nA sensory immersion into leaving the body, “The Last Ecstatic Days” reveals a man who will not let us forget him – even after he’s taken his final breath.\nThe Last Ecstatic Days recently premiered at the Santa Fe International Film Festival to sold-out audiences and rave reviews. The film has since screened at Meow Wolf (Santa Fe), the Congressional Cemetery (D.C.), the Tibet House (NYC), the Psychedelic Assembly (NYC), and the Grief & Death Festival (Istanbul). The Boston Globe called the film a “…courageous end-of-life chronicle, which overflows with compassion and shows us how to live mindfully while embracing curiosity about what lies beyond.”", "domain": "drama_and_film"}
+{"url": "https://ruggeriobooks.com/is-this-the-scariest-horror-movie-of-all-time/", "date": "2022-07-07T17:43:22Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656104495692.77/warc/CC-MAIN-20220707154329-20220707184329-00017.warc.gz", "language_score": 0.9587395191192627, "token_count": 846, "dump": "CC-MAIN-2022-27", "global_id": "webtext-fineweb__CC-MAIN-2022-27__0__88281801", "lang": "en", "text": "First off, I put this in my top five favorite horror movies of all time! Ok all you smarty-pants out there, I know what you’re all exclaiming, “It’s not a horror movie!” Oh no, did it scare the dickens out of you the first time you saw it? When you went to the beach and got waist deep in the water, tell me you didn’t think twice? Not convinced yet? I guess you thought “Mars Attacks!” was a truer horror flick…\nI will never forget the first time I saw Jaws. I was glued to the seat from start to finish. I jumped, I held my breath; this was one of the experiences that made me fall in love with movies. This was probably the first film where I completely forgot everything around me. I was there, in that boat, in that gloomy cabin, with those people – everything seemed so real (and alas, the sea never looked the same again). When I watch it these days I still marvel: the atmosphere and the performances in this film are simply magical.\nBased on Peter Benchley’s bestselling novel, ‘Jaws’ centers around the fictional North Atlantic resort island of Amity, which finds itself terrorized by an enormous great white shark. The dynamics of Richard Dreyfuss, Roy Scheider and Robert Shaw’s relationship(s) work brilliantly. The differences in their characters persona’s is such that they rub each other up the wrong way, disrespect one another and wind each other up but in the end they are there for each other and develop a bond that I think surprises them all.\nJaws start off with one of the most terrifying scenes in horror movie cinema, a young pretty girl goes into the water and is brutally attacked and killed by an unknown creature in the water. The next day Chief Brody investigates suspecting a shark attack, and urges the mayor, Larry Vaughn, to shut down the beach, but afraid of a panic and fewer tourists, Larry ignores the chief’s suggestions and keeps the beach open leading to another attack on a young boy. Brody calls in Matt Hooper, a marine scientist to see if they can find the shark. But when another attack ensues and almost kills Brody’s young son, Michael, he, Matt, and a cocky man, Quint go out to find Jaws themselves.\nThis turns into several of the greatest cinematic scenes of all time, like the “Indianapolis” speech brilliantly given by Quint. Robert Shaw’s Quint is one of the greatest anti-heroes the movies have ever seen. He is funny and frightening all at once, and the famous soliloquy in which he recalls the tragic sinking of the USS Indianapolis–where, over the course of a week waiting for rescue, at least 90 US Navy personnel died from shark attack wounds–is one of the most chilling and unforgettable performances ever committed to film.\nThen, one thing that is interesting about this movie, you do not see the shark until Brody is just chucking blood to attract the shark over his shoulder and Jaws appears roaring out of the water! “We’re gonna need a bigger boat!” he replies to Quint. And then the scene where Jaws jumps onto the boat and Quint is trapped sliding into Jaw’s, well, jaws! That’s the scene that nightmares are made out of! Jaws is one of my favorite films of all time. It’s one of those films that should never be missed because it is so important.\nAlways a joy to experience over and over again, this film is the ultimate scare show to end them all! Sometimes, a lot of us fans cannot seem to get enough of this instant classic!\nMy Halloween Horror Movie Rating!\nMy rating, out of five fangs, this one gets 5 bites, and if I could I would give it five more!\nNext, I will review the film that scared you back to church!", "domain": "drama_and_film"}
+{"url": "https://farnorthvisuals.ca/alexandraandedward/", "date": "2023-12-03T00:58:58Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100476.94/warc/CC-MAIN-20231202235258-20231203025258-00785.warc.gz", "language_score": 0.7873649001121521, "token_count": 103, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__230235036", "lang": "en", "text": "ALEXANDRA AND EDWARD\nBack in August, we had the pleasure of putting this short film together for our good friends wedding. Thank you to the Boyd and Lawson families for giving us the opportunity to capture your special day!\nProduction Company: Far North Visuals\nDirected by: Ian Boyd\nExecutive Producer: Noah Vaton, Grady Robertson\nCinematography: Grady Robertson, Noah Vaton, Oscar Wolfgang\nEdited by: Grady Robertson\n© Far North Visuals 2023", "domain": "drama_and_film"}
+{"url": "https://aweekendofadventures.com/harry-potter-and-the-cursed-child/", "date": "2021-10-16T02:32:52Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-43/segments/1634323583408.93/warc/CC-MAIN-20211016013436-20211016043436-00420.warc.gz", "language_score": 0.9879324436187744, "token_count": 255, "dump": "CC-MAIN-2021-43", "global_id": "webtext-fineweb__CC-MAIN-2021-43__0__122590890", "lang": "en", "text": "09 Jun Harry Potter and the Cursed Child\nSo far, I have only had the experience of seeing Part Two of the Harry Potter play, currently showing at the Princess Theatre in Melbourne. It was absolutely brilliant. If you have tickets, or access to tickets, I don’t think you will regret it. The plot is compelling and the stage craft is amazing.\nWhen we left they gave us badges with the hashtag #keepthesecrets so I am not sure how much I should tell about this marvellous production. I was given tickets by a friend, but had I known how amazing it would be, I would have paid.\nThe people responsible for the set design crafted a world which was as amazing as it was brilliant. I loved the story, of part two. However, people said that part one involved more magic, and more trickery. I certainly would suggest seeing both parts, especially if you can get discount tickets at other times of the year. I had an obstructed view, but it really made no difference to my enjoyment of this amazing production.\nThree hours over two nights. It sounds like a lot but it goes fast. It is compelling and fun to be a part of the action. Great theatre and story telling.", "domain": "drama_and_film"}
+{"url": "https://www.studio1128.com/sound", "date": "2024-04-14T15:03:54Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816879.72/warc/CC-MAIN-20240414130604-20240414160604-00466.warc.gz", "language_score": 0.9023546576499939, "token_count": 350, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__129126080", "lang": "en", "text": "We like making a lot of noise. Wether you need a podcast, audiobook, voiceover, or full music production and sound design - we've got the rhythm.\nYour Sonic Journey Starts Here!\nUnleash the power of sound with Studio1128. We bring your ideas to life, turning concepts into captivating auditory experiences that resonate with your audience.\nOur services include film scoring, re-recording, post-sound mixing, voiceover recording, live-sound capture, and narrative/audio books.\nMusic Production: From composition to recording and mixing, let us transform your musical ideas into masterpieces.\nRe-recording & Post-Sound Mixing: Get your edits or mixes broadcast and audience ready with our years of experience, highly-tuned ears, and industry-leading tools.\nPodcast Editing: Enhance the quality of your podcasts with our professional editing services, ensuring your content is polished and engaging.\nVoiceovers: Capture attention and convey your message effectively with our expert voiceover services.\nSound Design & Composing: Add depth and emotion to your projects with our bespoke sound design solutions.\nLive Capture & Location sound: Whether it be a live event, or a documentary film - we have the tools to get it done in the highest quality.\nEmbark on a sonic journey with Studio1128. Whether you're a musician, content creator, or business owner looking to enhance your brand, our audio production services are designed to exceed your expectations.\nReady to Elevate Your Sound? Let's create something extraordinary together. Contact us today to discuss your project, and let the magic of sound come to life.", "domain": "drama_and_film"}
+{"url": "https://harvey-street-kids.fandom.com/wiki/Roger_Craig_Smith", "date": "2019-03-22T02:30:32Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-13/segments/1552912202589.68/warc/CC-MAIN-20190322014319-20190322040319-00423.warc.gz", "language_score": 0.9467781186103821, "token_count": 297, "dump": "CC-MAIN-2019-13", "global_id": "webtext-fineweb__CC-MAIN-2019-13__0__67430399", "lang": "en", "text": "Roger Craig Smith is an American voice actor and former stand-up comedian. He is the voice actor for Bobby, Pinkeye, and Billy the Skunk.\nHe is best known as the former voice behind Chris Redfield in the Resident Evil series, Ezio Auditore da Firenze in the Assassin's Creed games, Deidara in the anime Naruto: Shippuden, Zhang Liao in the 6th-8th installments of Dynasty Warriors, the current voice of Steve Rogers/Captain America in Ultimate Spider-Man, Avengers Assemble, and Iron Man & Captain America: Heroes United, several characters, including Thomas/Nikolai in Regular Show, Shinji Hirako in Bleach, Martin Reest in Monster, Percy and Belson in Clarence, Batman in Batman: Arkham Origins and Batman Unlimited, Kyle Crane in Dying Light, and as the current voice of Sonic the Hedgehog in the Sonic the Hedgehog series since 2010.\nBorn in St. Joseph, Michigan, Smith graduated from Chapman University's Dodge College of film and media arts in 2003 also with a degree in screenwriting. In 2004, his screenplay \"Modesto Rules\" was a semi-finalist in the Nicholl Fellowships in Screenwriting competition. Out of a record-setting 6,073 screenplays submitted, Smith's was one of only 132 to make it to the semi-finals. Since then, Smith has worked on projects for both the small and big screens.", "domain": "drama_and_film"}
+{"url": "http://www.breckcreate.org/event/banff-mountain-film-festival-world-tour-hosted-boec/", "date": "2017-11-23T13:14:25Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-47/segments/1510934806832.87/warc/CC-MAIN-20171123123458-20171123143458-00103.warc.gz", "language_score": 0.8755229115486145, "token_count": 164, "dump": "CC-MAIN-2017-47", "global_id": "webtext-fineweb__CC-MAIN-2017-47__0__235846037", "lang": "en", "text": "The Banff Mountain Film Festival, a program of The Banff Center, is the largest and one of the most prestigious mountain festivals in the world. Hot on the heels of the festival held every fall in Banff, Alberta, the Banff Mountain Film Festival World Tour hits the road. With stops planned in about 390 communities and 35 countries across the globe, this year’s tour features a collection of the most inspiring action and adventure films from the festival. From approximately 300 films entered into the annual festival, award winning films and audience favorites are among the films chosen to travel the globe.\nMarch 3, 2017 @ 5:00 pm – 10:00 pm\n$20 general admission | $75 private reception from 5pm to 6:30 (includes advanced seating, 2 drink tickets, dinner and dessert)", "domain": "drama_and_film"}
+{"url": "http://superfilms.tumblr.com/", "date": "2013-12-10T06:53:45Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2013-48/segments/1386164011870/warc/CC-MAIN-20131204133331-00007-ip-10-33-133-15.ec2.internal.warc.gz", "language_score": 0.9576283097267151, "token_count": 452, "dump": "CC-MAIN-2013-48", "global_id": "webtext-fineweb__CC-MAIN-2013-48__0__191911211", "lang": "en", "text": "Telling the classic tale of Clark Kent/Kal-El, a Kryptonian orphaned by the destruction of his homeworld, Man of Steel brings a Superman for the 21st century to the big screen. Emulating producer Christopher Nolan’s epic Dark Knight trilogy, Zack Snyder’s superfilm is a much darker tale than we have previously seen.\nThroughout the movie, there are some pretty epic battle scenes. If Superman Returns was criticised for its lack of action, then Man of Steel is exactly the opposite. In the opening act alone we get a magnificent school bus save and an exciting oil rig rescue, and that’s before he’s even gets around to donning the supersuit!\nThe cast throughout the film are superb. Henry Cavill seems born to play the role of Superman, and Amy Adams shines as a strong and confident Lois Lane. That she knows his secret identity from the off makes for an interesting change in the dynamic between them. Michael Shannon’s General Zod is perfectly pitched, and the supporting cast of Kevin Costner, Diane Lane, Russell Crowe and Laurence Fishburne are all strong.\nThe film is not without its flaws, however. The superfight set pieces drag on a bit; once you’ve seen a superpowered man crash through a dozen skyscrapers, the next dozen are a little tiring.\nIn the classic canon, too, Clark’s adoptive father Jonathan Kent instils in him a belief in hope and the goodness of humanity. While Kevin Costner’s take on the role is good, his paranoia leads to a different kind of Superman: one that is certainly more brutal. Superman is unlike Batman: his message is one of hope, as symbolised by the insignia on his chest. With that in mind, the tone of the film is very dark and the colours fairly muted; perhaps it would have benefited from being a little lighter in both respects.\nMan of Steel, then, isn’t perfect, but it’s a step in the right direction. With the news of a sequel already on the horizon, we can but wait to see what the future will bring for the original superhero.", "domain": "drama_and_film"}
+{"url": "http://thinkfloyd61.blogspot.com/2013/10/peca-de-tom-stoppard-tera-lancamento.html", "date": "2017-03-30T00:42:46Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-13/segments/1490218191444.45/warc/CC-MAIN-20170322212951-00003-ip-10-233-31-227.ec2.internal.warc.gz", "language_score": 0.8868587613105774, "token_count": 863, "dump": "CC-MAIN-2017-13", "global_id": "webtext-fineweb__CC-MAIN-2017-13__0__9137632", "lang": "en", "text": "Escrita por Tom Stoppard, e transmitida pelas rádios BBC 2 e BBC 6 Music em um evento de multicast, a peça áudio-visual, que como visto anteriormente aqui no blog, conta a história de \"Dark Side of the Moon\" através de uma série de experimentos mentais envolvendo Emily como personagem principal, vai ganhar uma edição luxuosa nos moldes de um livro capa-dura, que incluí um CD (54 min) com a quase totalidade do álbum homenageado, e 56 páginas contendo a íntegra do roteiro da peça. O lançamento está previsto para 25 de novembro deste ano, pela editora Faber & Faber.\nAbaixo o original da divulgação pelo site do \"Pink Floyd\" (pinkfloyd.news):\nThe 'Darkside' play, written by Sir Tom Stoppard for BBC Radio 2, to celebrate the 40th anniversary release of The Dark Side of the Moon is be released worldwide as a deluxe CD package on Monday 25 November. Distributed worldwide by ADA for Parlophone/Warner Music group, the play was an original commission by BBC Radio 2, and broadcast in the UK on 26 August 2013. It will now be available to fans outside the UK with its release on CD and digital download.\nProduced in collaboration with Sir Tom Stoppard's publishers Faber and Faber, the package resembles a hard-backed book, including a CD carrying the 54-minute play, which includes the majority of the Dark Side of the Moon album, plus a 56-page bound insert of the play's script in English.\nSir Tom Stoppard said: \"When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said 'You really have to do a play about this album'. So, when, roughly 39-and-a-half years later, Jeff Smith from Radio 2 asked me if I'd like to do some kind of play around the 40th birthday of the Pink Floyd album, it really wasn't a very difficult decision\".\nThe cover features design and photography by StormStudios, in collaboration with Hipgnosis designer Aubrey 'Po' Powell, based on the specially-created Aardman Animations piece used to publicise the broadcast. The full play script includes all the dialogue and stage directions, plus Roger Waters' original lyrics from the album. The release also features a bonus disc with text translations in German, French, Spanish, Italian, Dutch, Portuguese, Japanese, Mandarin, and Russian.\n'Darkside' is an abstract and compelling drama which follows Emily, a philosophy student, through a series of thought experiments, which are vividly brought to life. The play also ranges over a series of grand themes, which are both thought provoking and laced with Stoppard's characteristic wit and humour. The impressive cast includes Bill Nighy as Dr Antrobus/the Witch Finder, Rufus Sewell as Mr Baggott/Ethics Man, Adrian Scarborough as Fat Man, and Amaka Okafor as Emily.\nLeft to right: Rufus Sewell, Iwan Rheon, Sir Tom Stoppard, Amaka Okafor, Bill Nighy.\nDavid Gilmour: \"I found the script of Tom's play fascinating; I can't think of a better way to celebrate The Dark Side of The Moon's 40-year anniversary\".\nNick Mason: \"I love it. If anyone is going to mess with the crown jewel of albums, Tom is a very good choice\".\nBill Nighy: \"To get a combination of Tom Stoppard and Pink Floyd ... is a massive deal, a marriage made in radio heaven\".\nThe radio play was produced and directed by James Robinson.", "domain": "drama_and_film"}
+{"url": "https://lenadaniels.com/tag/may-the-force-be-with-you/", "date": "2019-05-26T03:38:43Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-22/segments/1558232258621.77/warc/CC-MAIN-20190526025014-20190526051014-00124.warc.gz", "language_score": 0.9627418518066406, "token_count": 371, "dump": "CC-MAIN-2019-22", "global_id": "webtext-fineweb__CC-MAIN-2019-22__0__210963438", "lang": "en", "text": "May the fourth be with you. No, I’m not a Star Wars fan with a horrible lisp, just a Star Wars fan who loves to celebrate arbitrary holidays. Happy Friday, but more importantly, happy Star Wars day!\nI’d like to thank start off by thanking Star Wars for existing. As a kid, I never really understood the franchise, as I wasn’t wielding a lightsaber in the womb. Although I wasn’t raised on the ways of the force, like some, I grew an appreciation for the iconic movie series at the perfect time in my life. Late high school, where I could wear the “nerd card” on my sleeve and be proud of it. I mean I was already in marching band, so how much worse could my social suicide really get?\nFortunately, I didn’t care and was able to fall in love with Han Solo, Lando, and Chewbacca. I instantly took a liking towards the rebel alliance, and when Disney acquired Lucasfilm, I knew I was destined to be a Star Wars geek from here on out.\nThanks to a galaxy far far away, I’ve been able to bond with so many different people and create friendships to last a few light years. I’ve discovered that a Chewie hug can make any problem disappear. I even spent this past Christmas with my old roommate watching the Star Wars Holiday Special that we like to pretend doesn’t exist. And my newly acquired box set will always provide the perfect date night with my equally geeky boyfriend.\nProud to wear my love for Star Wars on my sleeve, and to be binging episodes one through eight today to celebrate the holiday.\nHave a nerdy Friday, and may the force be with you, always.", "domain": "drama_and_film"}
+{"url": "http://northwestanglican.blogspot.com/2012_01_01_archive.html", "date": "2017-04-30T20:39:23Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-17/segments/1492917125849.25/warc/CC-MAIN-20170423031205-00306-ip-10-145-167-34.ec2.internal.warc.gz", "language_score": 0.9401211142539978, "token_count": 208, "dump": "CC-MAIN-2017-17", "global_id": "webtext-fineweb__CC-MAIN-2017-17__0__141507879", "lang": "en", "text": "One of my favorite movies is the 2003 \"Luther,\" starring Joseph Fiennes. One of my favorite lines from the movie comes from Luther preaching in the Wittenburg church. I had assumed that the makers of the film may have taken some artisitic license in creating this sermon. But it turns out that some of the words come directly from a letter written by Martin Luther to his friend, Jerome Weller, in 1530. Here is the excellent quote for your edification:\nWhen the devil throws our sins up to us and declares we deserve death and hell, we ought to speak thus:\n“I admit that I deserve death and hell.\nWhat of it?\nDoes this mean that I shall be sentenced to eternal damnation?\nBy no means.\nFor I know One who suffered and made a satisfaction in my behalf.\nHis name is Jesus Christ, the Son of God.\nWhere he is, there I shall be also.”\n-Martin Luther, h/t Justin Taylor", "domain": "drama_and_film"}
+{"url": "https://sharpertonpc.com/article/frozen-the-broadway-musical-an-enchanting-theatrical-journey", "date": "2023-12-10T13:53:41Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679102469.83/warc/CC-MAIN-20231210123756-20231210153756-00188.warc.gz", "language_score": 0.884712278842926, "token_count": 950, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__236955565", "lang": "en", "text": "Frozen, the Broadway Musical, is a captivating theatrical extravaganza that brings to life the enchanting tale of sisterhood, magic, and self-discovery. Inspired by Disney's beloved animated film, this stage adaptation weaves together the heartwarming narrative of Queen Elsa and Princess Anna from the 2013 blockbuster, Frozen. Packed with mesmerizing performances, innovative stagecraft, and soul-stirring music, this theatrical production has captured the hearts of audiences worldwide.\nUnveiling the Magical Plot\nThe storyline of Frozen the Broadway Musical revolves around Queen Elsa of Arendelle, blessed with mystical ice powers that inadvertently plunge her kingdom into an eternal winter. Her sister, the adventurous Princess Anna, embarks on a courageous journey accompanied by the rugged iceman Kristoff, his loyal reindeer Sven, and the lovable snowman Olaf. Their quest? To reunite with Elsa and save their kingdom from the icy grip of eternal frost.\nFusion of Artistry: CGI and Hand-drawn Animation\nWhat sets Frozen apart is its innovative fusion of computer-generated imagery (CGI) and traditional hand-drawn animation techniques. The masterful blend of these two artistic styles creates a visually stunning spectacle that transports audiences into a world where magic meets reality. The seamless integration of technology and classic animation techniques elevates the storytelling, captivating spectators young and old alike.\nVisual Inspirations and Creative Endeavors\nA hallmark of Frozen's creation was the meticulous research undertaken to infuse authenticity into its visual representation. Drawing inspiration from the enchanting landscapes of Scandinavia, particularly Norway, the creative team embarked on extensive research expeditions to locations like Quebec City, Wyoming, and Norway itself. These journeys enriched the film's visual tapestry, capturing the essence of the snowy landscapes and Nordic charm that define the movie's setting.\nThe Unforgettable Anthem: \"Let It Go\"\nA cornerstone of Frozen's success is its iconic song, \"Let It Go.\" Sung by the talented Idina Menzel, who voiced Elsa, this anthem resonated with audiences worldwide, earning accolades and becoming a cultural phenomenon. Its empowering message of self-acceptance and liberation struck a chord with fans, making it an enduring melody that continues to captivate hearts globally.\nAwards and Acclaim\nThe accolades garnered by Frozen are a testament to its brilliance. The film secured prestigious awards such as the Academy Award and Golden Globe for Best Animated Feature Film. Idina Menzel's rendition of \"Let It Go\" received widespread acclaim, earning her the Radio Disney Music Award for Favorite Song from a Movie or TV Show and a Grammy Award for Best Compilation Soundtrack for Visual Media.\nBroadway Spectacle: The Unveiling\nThe Broadway adaptation of Frozen preserves the essence of the beloved film while introducing fresh elements to captivate theater enthusiasts. Led by a stellar cast, including Kristen Bell as Anna, Idina Menzel as Elsa, and Josh Gad as Olaf, the stage production promises to enchant audiences with new songs, expanded storylines, and awe-inspiring performances.\nTicketing Insights and Show Details\nFor those eager to experience the magic of Frozen on Broadway, ticket prices may vary based on location, season, and day of the week. Understanding optimal times to purchase tickets can influence affordability, with September often offering lower prices compared to March. The runtime of the show spans approximately 2 hours and 30 minutes, featuring one intermission, providing a delightful experience for all ages 8 and above.\nFrozen, the Broadway Musical, is a spellbinding journey that transcends the boundaries of imagination, embracing audiences with its magical narrative and breathtaking performances. With its seamless blend of technology and artistry, captivating storytelling, and unforgettable melodies, this theatrical masterpiece continues to enthral theatergoers, ensuring an unforgettable experience for all who embark on this enchanting adventure.\nExplore More Broadway Adventures\nDelve into other trending Broadway shows and embark on unforgettable theatrical adventures:\n- Ain't Too Proud\n- Come From Away\n- Dear Evan Hansen\n- Jagged Little Pill\n- Mean Girls\n- The Book of Mormon\n- The Lion King\n- The Phantom of the Opera\n- To Kill a Mockingbird\nFor a magical experience at Frozen the Broadway Musical, browse available tickets through reputable platforms like SeatGeek to secure your front-row seat to this enchanting spectacle.\nPlease note that ticket prices, availability, and show details mentioned may vary and are subject to change. It's advisable to verify information and purchase tickets through trusted ticketing platforms for the most accurate and up-to-date details on Frozen the Broadway Musical.", "domain": "drama_and_film"}
+{"url": "https://hereswhatstrending.com/cinematic-craftsmanship-unveiled-starseed-productions-visual-storytelling-odyssey/", "date": "2024-04-14T19:34:25Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816893.9/warc/CC-MAIN-20240414192536-20240414222536-00074.warc.gz", "language_score": 0.9067001938819885, "token_count": 761, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__201868694", "lang": "en", "text": "In the vibrant tapestry of Midwest’s creative scene, Starseed Productions has emerged as a trailblazer in the realm of visual storytelling. Led by the dynamic Tannon Sweet, the company has become synonymous with cinematic craftsmanship, redefining how stories are told and emotions are captured through the lens. This article takes a deep dive into the Starseed journey, exploring its unique approach to storytelling, the artistry that defines its visuals, and the transformative impact it has had on the creative landscape.\nStarseed’s Purpose Beyond the Ordinary:\nAt the core of Starseed Productions’ ethos lies a distinct purpose—to tell stories that transcend the ordinary. Unlike conventional production houses, Starseed blends art, purpose, and a profound understanding of human emotions to connect with the audience on a deeper level. Every project undertaken by Starseed is viewed as an opportunity to transform dreams into visual reality and evoke emotions through a meticulously crafted narrative. Tannon Sweet, the cinematic storyteller at the helm, emphasizes, “We are storytellers.” This driving force propels Starseed’s narratives beyond the realms of ordinary storytelling, creating a fascinating and immersive experience for the audience.\nArtistry Beyond the Lens:\nStarseed Productions sets itself apart through meticulous artistry. The team doesn’t merely capture moments; they translate them into timeless visual art. Each shot is carefully composed, every edit thoughtfully executed, and every frame tells a unique story. Tannon Sweet, a cinematic storyteller at heart, envisions a world where visuals transcend the ordinary. For him, this journey is about pushing boundaries, experimenting with angles and lighting, and infusing creativity into every aspect of the craft. The dedication to artistic excellence is what elevates Starseed Productions to higher levels of cinematic craftsmanship.\nChallenging the Hollywood Norm:\nOne of the revolutionary aspects of Starseed Productions is its bold challenge to the conventional notion that success in the creative industry is tethered to Hollywood. Tannon Sweet passionately advocates, “You don’t move to Hollywood to become famous. You move to Hollywood because you BECAME famous.” This radical perspective signifies a paradigm shift, encouraging artists to believe in their potential, irrespective of their geographical location. Starseed Productions stands as a living example, proving that creative success is not limited to a specific place but is an outcome of dedication, skill, and an impassioned love for the craft.\nFostering a Creative Community:\nCommunity building is the cornerstone of Starseed Production’s mission and vision policy. Tannon Sweet’s dedication to empowering local talent and providing sustainable creative jobs in the Midwest has set a new standard. By nurturing a community of artists, Starseed Productions thrives as a collaborative force, bringing together diverse talents to create cinematic marvels. This sense of community extends beyond the production house to the clients. Starseed Productions takes pride in its client-centric approach, where collaboration and communication are paramount. Each client is a partner in the storytelling journey, and their vision is brought to life with meticulous attention to detail and creativity.\nStarseed Productions is not just a production company; it is a beacon of cinematic craftsmanship—a model of passion, perseverance, and artistry. Through its innovative approach to storytelling, Starseed redefines the boundaries of what is possible in the world of visual narratives. Tannon Sweet’s journey and the success of Starseed Productions illuminate the path for aspiring artists and creators, proving that greatness can be achieved from humble beginnings. Starseed Productions stands as a testament to the transformative power of passion and determination, leaving an indelible mark on the artistic landscape of the Midwest.", "domain": "drama_and_film"}
+{"url": "https://www.ryot.org/blog/videos/360/growing-up-girl", "date": "2017-09-24T21:13:41Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-39/segments/1505818690211.67/warc/CC-MAIN-20170924205308-20170924225308-00366.warc.gz", "language_score": 0.9549778699874878, "token_count": 163, "dump": "CC-MAIN-2017-39", "global_id": "webtext-fineweb__CC-MAIN-2017-39__0__226019872", "lang": "en", "text": "Growing Up Girl\nPublished on September 30, 2015\nIn this short VR film made in partnership between Bono’s ONE Campaign and RYOT, experience a day in the life of a young girl who lives on the border of Tanzania and Kenya. Narrated by the ten year old girl, the film is a visceral and sensory experience that takes the viewer with her – as she treks to collect water, as she walk miles to school, and as she embarks on her nightly pilgrimage to the nearest light source to study. The film uses a personal narrative as a window into the global issue of poverty’s effect on women and girls.\nDirector & Editor: David Darg\nProducers: Molly DeWolf Swenson, Hayley Pappas\nExecutive Producer: Bryn Mooser", "domain": "drama_and_film"}
+{"url": "http://samuelveal.com/about/", "date": "2019-10-15T14:04:12Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570986659097.10/warc/CC-MAIN-20191015131723-20191015155223-00278.warc.gz", "language_score": 0.9586305022239685, "token_count": 267, "dump": "CC-MAIN-2019-43", "global_id": "webtext-fineweb__CC-MAIN-2019-43__0__202291814", "lang": "en", "text": "Samuel Veal is a New York based videographer and audio storyteller, combining technical pragmatism with lofty creative aspiration. He has worked on Oscar-nominated full lengths, collaborated with Grammy Award-winning artists, and has work being featured in upcoming film festivals.\nSamuel earned a video journalism degree at the esteemed Grady College of Journalism. Upon graduation, he moved to contribute to Atlanta's booming film industry, working with Paramount Pictures, Lionsgate, Disney-Buena Vista, Tyler Perry Studios, Fortress Features, and several others. He continued his education at the Schools for Public Engagement at the New School located in Manhattan, focusing on documentary storytelling across several media forms.\nTaking this big production background into videography, Samuel has produced and directed a number of documentary pieces. Some of his clients have included Capitol Records, Harvard University, BeLoved-Atlanta, Soccer in the Streets, HHBTM Records, John Jay College of Criminal Justice, and ACT UP - New York.\nHis festival premiere, In The Wake: A Record of Direct Action, focuses on how people of marginalized backgrounds organize after the 2016 United States General Election. The film premiered to rave reviews.\nWhen not working with media, Samuel enjoys studying human geography, playing soccer, and finding the best Korean food in New York.", "domain": "drama_and_film"}
+{"url": "https://www.instituteofcustomerservice.com/media-centre/case-studies/professional-qualifications-at-northern-gas-networks", "date": "2019-10-15T18:47:49Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570986660231.30/warc/CC-MAIN-20191015182235-20191015205735-00471.warc.gz", "language_score": 0.9348340630531311, "token_count": 123, "dump": "CC-MAIN-2019-43", "global_id": "webtext-fineweb__CC-MAIN-2019-43__0__174182732", "lang": "en", "text": "Click above to view a short film on our Professional Qualifications produced by Northern Gas Networks (NGN).\nSteve Dacre, Customer Experience Development Manager at NGN, created this in-house film to help promote and drive the up take of the Qualifications. As a result of this film he had a further 28 people sign up for a Qualification. Steve was happy for us to share his film and NGN's experience of undertaking a Professional Qualifications programme.\nFor more information, visit https://www.instituteofcustomerservice.com/qualifications-training/professional-qualifications", "domain": "drama_and_film"}
+{"url": "https://bataviastudios.com/past-performances/beauty-and-the-beast/", "date": "2024-04-18T07:53:27Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817200.22/warc/CC-MAIN-20240418061950-20240418091950-00785.warc.gz", "language_score": 0.9620219469070435, "token_count": 271, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__78839610", "lang": "en", "text": "Batavia Performing Arts Studio presented a tale as old as time, Beauty and the Beast, on February 3-5, 2023, at the Butler Succop Theater.\nBased on the smash hit 1991 Disney animated feature and dating back to a late 18th-century classic French fairy tale, Beauty and the Beast tells the story of Belle, a beautiful and intelligent young woman who feels out of place in her provincial French village. When her father is imprisoned in a mysterious castle, Belle’s attempt to rescue him leads to her capture by the Beast, a grisly and fearsome monster who was long ago trapped in his gruesome form by an enchantress. The only way for the Beast to become human once again is if he learns to love and be loved in return. There is a time limit, too: once a magical rose loses all of its petals, all hope will be lost, and he will stay a Beast forever. The Beast’s enchanted household–populated by such beloved characters as Mrs. Potts, Lumiere, Cogsworth, and Chip–watch anxiously as Belle and the Beast grow to understand and befriend one another. Their feelings grow ever deeper as the clock ticks and petals continue to fall off the enchanted rose–will they confess their love for one another before it is too late?", "domain": "drama_and_film"}
+{"url": "https://reputationmanagement.deletemyinfo.com/tampa-theatre", "date": "2024-04-15T05:42:58Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816942.33/warc/CC-MAIN-20240415045222-20240415075222-00518.warc.gz", "language_score": 0.9604769945144653, "token_count": 557, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__33374175", "lang": "en", "text": "Tampa Theatre: A Historic Gem in Downtown Tampa\nPhoto by: photonews247\nThe Tampa Theatre is a beautifully restored historic theater located in downtown Tampa, Florida. Built in 1926, the theater is a stunning example of the ornate movie palaces of the era. Today, the theater is a cultural landmark and a beloved destination for movie lovers, performing arts enthusiasts, and visitors to the Tampa Bay area.\nThe Tampa Theatre was built by architect John Eberson and opened to the public on October 15, 1926. The theater’s design was inspired by the Mediterranean Revival style, with a façade that features a mix of Spanish, Italian, and Byzantine elements. The interior of the theater is even more elaborate, with ornate plasterwork, hand-painted ceiling murals, and a stunning 1,400-pipe Wurlitzer organ.\nIn its early years, the Tampa Theatre was one of the premier movie theaters in the southeastern United States, hosting lavish premieres and celebrity appearances. Over time, the theater fell into disrepair and was almost demolished in the 1970s. However, a group of concerned citizens formed the Tampa Theatre Foundation and raised the funds necessary to restore the theater to its former glory.\nToday, the Tampa Theatre is a thriving cultural institution, hosting a variety of events and performances throughout the year. The theater is best known for its film screenings, which include both classic and contemporary movies. The theater also hosts special events, such as the annual “A Nightmare on Franklin Street” Halloween festival and the “Holiday Classics” series of Christmas movies.\nIn addition to its film screenings, the Tampa Theatre also hosts live performances, including concerts, comedy shows, and theatrical productions. The theater’s stage has hosted a variety of performers over the years, including Ella Fitzgerald, Louis Armstrong, and B.B. King.\nThe Tampa Theatre is also a popular destination for tours and special events. The theater offers daily tours that take visitors behind the scenes to learn about the theater’s history, architecture, and technical systems. The theater is also available for private events, such as weddings, corporate events, and film premieres.\nIn addition to its entertainment offerings, the Tampa Theatre is also committed to serving the community. The theater partners with local nonprofit organizations to host fundraising events and raise awareness about important causes.\nIn conclusion, the Tampa Theatre is a treasured landmark and a must-visit destination for anyone interested in history, architecture, or the arts. With its stunning design, impressive programming, and commitment to community, the theater is a shining example of the role that cultural institutions can play in enriching the lives of residents and visitors alike.\nREAD: Exploring Tampa Bay", "domain": "drama_and_film"}
+{"url": "http://cannabis.camera/july-20th-illegally-alive-trailer-premiere-party/", "date": "2019-07-17T02:34:36Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-30/segments/1563195525009.36/warc/CC-MAIN-20190717021428-20190717043428-00557.warc.gz", "language_score": 0.9753561019897461, "token_count": 316, "dump": "CC-MAIN-2019-30", "global_id": "webtext-fineweb__CC-MAIN-2019-30__0__2529392", "lang": "en", "text": "Event Announcement: Illegally Alive – Trailer Premiere Party\nThanks to cannabis oil, Coltyn Turner just celebrated the 22nd month of remission from his debilitating Crohn’s Disease. Turner’s recovery has been nothing less than miraculous, as he was so ill from his Crohn’s, he had been confined to a wheelchair. He was on many medications and the prognosis was nothing short of abysmal until he discovered and began using cannabis oil. Yet he and his family feared for their safety and freedom because of the laws currently in place in many states around the country. Faced with these circumstances, what would you do?\nPlease join 5700 Consulting, Coltyn, his family, and the Directors of the film “Illegally Alive”, Mike Wise and Dale DiMassi for a celebration of life, love and the amazing power of cannabis. We will view the premier screening of the trailer for the film and participate in a Q&A with Coltyn and his mom along with Mike, Dale and the team from 5700 Consulting where we try to unpack some of the issues facing us in the fight for this life saving medicine.\nThere will be presentations by representatives of local cannabis not for profits and time for networking. This event is FREE. We will be taking donations to support the film and the wonderful organizations participating in the event. So, bring your kleenex and your checkbooks and join us for an amazing evening.\nWednesday July 20th 7PM – 10PM The Oriental Theater", "domain": "drama_and_film"}
+{"url": "http://dhmontgomery.com/2011/11/hollywoods-rule-of-pairs/", "date": "2021-05-17T00:13:28Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-21/segments/1620243991921.61/warc/CC-MAIN-20210516232554-20210517022554-00510.warc.gz", "language_score": 0.9344549179077148, "token_count": 997, "dump": "CC-MAIN-2021-21", "global_id": "webtext-fineweb__CC-MAIN-2021-21__0__96907826", "lang": "en", "text": "Hollywood's Rule of Pairs\nAnyone watching the recent glut of sequels and remakes pouring out of Hollywood lately doesn’t need to be reminded that the movie-making capital of the country is sometimes a little starved of original movie ideas. It’s so bad that the rare idea gets immediately snapped up — snapped up, I’ve observed, by more than one studio.\nIt’s what I call the “Rule of Pairs.” Inevitably, Hollywood will take two bites at the same apple if it looks good enough.\nI think I first noticed the Rule in 1998, when “Deep Impact” and “Armaggedon” hit theaters within months of each other, both about giant space rocks on collision courses with Earth. That same year, Pixar’s “A Bug’s Life” and Dreamworks’ “Antz” were each released, both computer-animated films about insects.\nIn 2001 Hollywood made the move into epic fantasy with two simultaneous franchises: “The Lord of the Rings” and “Harry Potter.” In 2004 the ancient Greeks were on the menu, with “Alexander” and “Troy.” Flash forward a few years and there were two movies about, of all things, author Truman Capote (“Capote” and “Infamous”).\n(I just briefly skimmed over the past two decades here, and I know there’s movie pairs I’m missing. Chime in in the comments!)\nEDIT: Additions to the list, courtesy of my own memory and other people’s suggestions:\n“Finding Nemo” (2003) and “Shark Tale” (2004), animated films about fish\n“The Prestige” (2006) and “The Illusionist” (2006), about early-20th-Century magicians\n“Tombstone” (1993) and “Wyatt Earp” (1994), about Wyatt Earp\n“Chasing Liberty” (2004) and “First Daughter” (2004), about president’s daughters’ romantic hijinks with undercover Secret Service agents\nNow, just this past week, we’ve seen trailers for two movies based on the story of Snow White. Like some but not all of the above movie pairs, the two take different approaches — very different approaches — to the identical subject.\nFirst out was Snow White and the Huntsman, starring Kristen Stewart (“Twilight”) and Chris Hemsworth (“Thor”) alongside Charlize Theron as the Evil Queen:\nThis, you can see, is a fantasy epic, with stylized action but a grim tone.\nThat’s not the case with the second Snow White film, “Mirror Mirror,” starring Lily Collins (“Priest”), Armie Hammer (“The Social Network”) and Julie Roberts as the Evil Queen:\nOther than the fact that the two movies include the characters of Snow White and a dashing leading man and include a famous Hollywood actress as the Evil Queen, not a lot in common. “Mirror Mirror” is comic, almost farcical. Whereas the violence and magic in “Snow White and the Huntsman” had dark edges to them, in “Mirror Mirror” they’re played for laughs.\nMy biased opinion is that “Snow White and the Huntsman” looks like a much better movie. That’s not to say it’ll be a good movie — we don’t see that much of it, and don’t even get to see Kristen Stewart’s Snow White speak a single line of dialogue, moreso that “Mirror Mirror” looks awful. It has its moments — Julia Roberts enjoying herself as a villain, lavish costumes, a few good one-liners — but counters them with moments of plain low-brow comedy. There’s all sorts of potential humor in the idea of a love-potion-gone-wrong, but “Mirror Mirror” goes with a “puppy love potion” that makes the prince imitate a puppy? And the worst sin of all: winking anachronistic humor, as one of the dwarfs quotes “Scarface” with “Say hello to my little friend” and cartoonishly pummels the prince in the face. The movie certainly has its audience and should do well, but the two trailers so far would seem to put “Snow White and the Huntsman” in the front of this movie pair.", "domain": "drama_and_film"}
+{"url": "https://color-red.com/products/cooler", "date": "2023-12-02T22:47:03Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100452.79/warc/CC-MAIN-20231202203800-20231202233800-00436.warc.gz", "language_score": 0.9370785355567932, "token_count": 329, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__314226395", "lang": "en", "text": "Produced by John-Michael Queant\nNathaniel Burmeister - Vocals\nKeenan Dorn - Guitar\nElijah Hansen - Bass Guitar (Electric)\nNathan Hansen - Drums, Percussion Instruments\nAugust King - Keyboards\nJohn-Michael Queant - Guitar, Keyboards, Vocals\nTracking Engineer - John-Michael Queant\nMixing Engineer - Matt Huber\nMastering Engineer - Thaddeus Moore\nArtwork by Brad Phillips\nPhotography by Oliver King\nWith an E Street-inspired saxophone lead and an arrangement straight out of Quincy Jones' playbook, \"Cooler\" is The Graduating Class leaning into the nostalgia of the 80s. The track features punchy drums, cascading synths, crisp rhythm guitar, and the aforementioned blazing sax line. \"Cooler\" also marks the Graduating Class' first foray into production, as the band recorded the song themselves in the basement of a shuttered music venue.\nLyrically, \"Cooler\" tells an all-too-universal story about working up the courage to ask someone out; the song's setting is reminiscent of a scene from a John Hughes movie. According to songwriter/producer John Queant: \"'Cooler' is about the inner monologue in a person's head as they're trying to ask someone out. I imagined a scene from a cheesy movie, where a total bombshell walks into the club, everyone's jaws hit the floor, and the record skips a beat. The song's narrator is just trying to work up the courage to ask them to dance.\"", "domain": "drama_and_film"}
+{"url": "http://www.panamacitymusicassoc.org/", "date": "2014-04-23T17:50:23Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2014-15/segments/1398223203235.2/warc/CC-MAIN-20140423032003-00030-ip-10-147-4-33.ec2.internal.warc.gz", "language_score": 0.9269222021102905, "token_count": 166, "dump": "CC-MAIN-2014-15", "global_id": "webtext-fineweb__CC-MAIN-2014-15__0__156274902", "lang": "en", "text": "Wed., Nov. 13th, 2013, 7:30 p.m.\nThe Addams Family, Broadway’s smash hit musical comedy, brings the deliriously delightful world of Gomez, Morticia, Uncle Fester, Grandma, Wednesday, Pugsley and Lurch to spooky and spectacular life. Based on the bizarre and beloved family of characters created by legendary cartoonist Charles Addams, The Addams Family features an original story and it’s every father’s nightmare. Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren’t upsetting enough, she confides in her father and begs him not to tell her mother.", "domain": "drama_and_film"}
+{"url": "https://englishgrammarchecker.com/how-to-cite-a-tv-show-in-mla-format/", "date": "2023-09-23T08:29:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233506480.35/warc/CC-MAIN-20230923062631-20230923092631-00761.warc.gz", "language_score": 0.8674089312553406, "token_count": 1306, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__280216188", "lang": "en", "text": "The rules for citing a TV show in MLA format are different from other style guides’ rules. The MLA style guide (the 9th) recommends that citations on the works cited page mention the series name, episode name, season/episode numbers, production company, original air date, and at least one contributor, typically the creator, director, or host.\nIf you’re unsure about which format to use, simply follow this formula for how to cite TV shows in MLA format:\n“Episode title.” Series title, created by First name Last name of show creator,\nseason #, episode #, Production company, Day Month Year of original air\nIf you’re writing a research paper, your works cited citation for a TV show should look like this:\n“White Christmas.” Black Mirror, created by Charlie Brooker, season 2, episode 4,\nHouse of Tomorrow, 16 Dec. 2014.\nNote that if there are multiple production companies, they should be separated with a forward slash and spaces:\nHouse of Tomorrow / Zeppotron\nIn addition to learning the format for a works cited entry, you also need to know how to write an in-text citation for a TV show in MLA style. In parentheses, simply write the episode title in quotations followed by a relevant time stamp. If you’re watching a TV show and find a scene or dialogue you’d like to use in your paper, note the time stamp in your essay outline so you don’t have to track it down later.\n(“Episode title” time stamp)\n(“White Christmas” 24:43)\nThat’s the basic formula for how to cite TV shows in MLA format, and it applies to both primary and secondary sources. However, MLA format has a few variations on this formula if you’re citing a show on Netflix or another streaming platform or a DVD. There are also style variations if you’re citing an entire series rather than a single episode and a special style for highlighting other contributors, such as actors or music composers. We discuss these specific citation guidelines below.\nHow to cite a Netflix show in MLA (or other streaming platforms)\nThere are special guidelines for citing a TV show in MLA when it’s viewed on a streaming platform. In short, you need to include the name of the source and the URL if applicable. Follow this formula:\n“Episode title.” Series title, created by First name Last name, season #, episode\n#, Production company, Day Month Year of original air date. Name of source,\nURL of source if applicable.\nIf you are citing a TV show from a website, your entry should appear like this:\n“Whenever You’re Ready.” The Good Place, created by Michael Schur, season 4,\nepisode 13, Fremulon / 3 Arts Entertainment / Universal Television, 30 Jan.\n2020. Netflix, www.netflix.com.\nNote that you don’t need the URL of the specific episode or show; it’s enough to use the homepage of the source.\nIf you’re citing a TV show from an app, just add the word “app,” without italics, after the source name.\n[ . . . ] Netflix app.\nIn-text citations follow the standard formula given above.\nHow to cite a TV show on a DVD in MLA format\nThere are also variations for citing a TV show from physical media like a DVD or Blu-ray Disc. You cite the name of the media collection or box set instead of the series and include the disc number and format, as in this formula:\n“Episode title.” Year of original air date. Media collection name, created by First\nname Last name, season #, episode #, Production company, copyright\nyear for media set, disc #. Format.\nIf the season number is in the media set title (as is often the case with DVD sets), you can leave out the second mention of the season number. In practice it should look like this:\n“Hush.” 1999. Buffy the Vampire Slayer: The Complete Fourth Season, created by\nJoss Whedon, episode 10, Mutant Enemy / Twentieth Century Fox, 2003,\ndisc 3. DVD.\nAgain, the in-text citations follow the standard formula given earlier.\nHow to cite an entire TV series in MLA format\nIf you’re citing an entire TV series instead of a single episode in MLA format, you use a simplified citation on the works cited page. The simplified citation contains the series title, creators’ names, production company, and years the show was active, as in this formula:\nSeries title. Created by First name Last name, Production company, Year–Year\nYour complete simplified citation should look like this:\nWestworld. Created by Lisa Joy and Jonathan Nolan, HBO Entertainment / Bad\nRobot Productions / Warner Bros. Television, 2016–present.\nIn-text citations use only the series title in italics within parentheses.\nHow to cite a TV show in MLA format for specific contributors\nOne of the main advantages of the MLA format is that it allows you to credit any contributor involved in a work, not just the key creators. This means that if you’re writing a paper on acting performances, you can cite a TV show with an actor as the author. This is more convenient for readers since it allows them to see the name most relevant to the topic, especially in in-text citations.\nTo credit an alternative author for a TV show, MLA format uses this formula:\nLast name, First name of contributor, role. “Episode title.” Series title, season #,\nepisode #, Production company, Year of original air date.\nThe completed works cited citation should appear like this:\nHamm, Jon, performer. “White Christmas.” Black Mirror, season 2, episode 4,\nHouse of Tomorrow, 2014.\nWhen citing specific contributors, the in-text citation uses the last name of the contributor, along with a time stamp if necessary.", "domain": "drama_and_film"}
+{"url": "https://www.hearinglink.org/news/202105/award-winning-film-sound-of-metal-to-be-released-in-cinemas/", "date": "2023-11-29T11:44:42Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100081.47/warc/CC-MAIN-20231129105306-20231129135306-00834.warc.gz", "language_score": 0.9397967457771301, "token_count": 647, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__210525993", "lang": "en", "text": "Award-winning film Sound of Metal to be released in cinemas\n**Warning: This article may contain spoilers**\nSound of Metal, which recently picked up two Oscars, will be released in UK cinemas from Monday (17th May 2021).\nDarius Marder’s directional debut follows the first-person perspective of a heavy metal drummer, Ruben (Riz Ahmed), whose hearing suddenly begins to deteriorate.\nAfter four years of sobriety, girlfriend and bandmate Lou (Olivia Cooke) fears that Ruben will relapse as he begins to struggle with the reality of his permanent hearing loss. Ruben and Lou leave in their ramshackle caravan to seek help at a rural recovery facility for Deaf addicts, where they meet Joe (Paul Raci), a recovering alcoholic who lost his hearing during the Vietnam War.\nRuben’s life is turned upside down as he grapples with rage, identity, and acceptance over three acts. The film’s entwining of\nsenses and perspective creates a new kind of audience participation, with sound design acting as a vehicle for the film’s thematic delivery. Sound of Metal’s interaction between pacing and audio enables both Ruben and the audience to find stillness in silence.\nThis story portrays a unique perspective of deafness, Deaf culture, and the spectrum of deaf identity, embodying a breakthrough in d/Deaf representation on the silver screen, both in storytelling and access.\nSound of Metal is shown with open captions; an executive decision that signifies the importance of access for the communities whose stories are being told. This dedication to accessible cinema not only cements the film’s narrative but also ignites a conversation on inaccessibility within film exhibition and filmmaking.\nSound of Metal isn’t afraid to explore the nuances of deafness and adaptation, and the film’s authentic feel is born out of the consultation and inclusion of Deaf talent (including Lauren Ridloff, Marvel’s first Deaf superhero).\nThe film’s substance is a direct result of genuine research and consultation. Marder worked intimately with Deaf people, hard of hearing people, and CODA (Children of Deaf Adults) both before and during filming, creating a rich and authentic atmosphere for scenes that highlight Deaf culture.\nIn addition to Lauren Ridloff, a large portion of the cast are Deaf actors. Before filming, Ahmed learnt American Sign Language by working closely with the Brooklyn Deaf community, wearing custom devices in his ears to simulate progressive\ndeafness. He also spent four months learning the drums. Sound of Metal symbolises a pivotal moment for on-screen Deaf representation.\nWatch the subtitled trailer here…\n(Please note: This trailer contains explicit language.)\nThe film will be released in cinemas nationwide from Monday (17th May) check your local venue for times.\nSound of Metal recently won two Oscars for Best Sound and Best Achievement in Film Editing. It was also nominated for four further Oscars – Best Actor, Best Supporting Actor, Best Film and Best Original Screenplay.", "domain": "drama_and_film"}
+{"url": "http://ybtcnews.com/2018/10/24/toyin-aimakhu-denies-her-engagement-with-nollywood-actor/", "date": "2019-06-25T12:26:17Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-26/segments/1560627999838.23/warc/CC-MAIN-20190625112522-20190625134522-00100.warc.gz", "language_score": 0.963222861289978, "token_count": 231, "dump": "CC-MAIN-2019-26", "global_id": "webtext-fineweb__CC-MAIN-2019-26__0__40927765", "lang": "en", "text": "-Toyin Aimakhu denies ‘her engagement’ with Nollywood actor\nYBTC NEWS-Popular Nollywood actress, Toyin Aimakhu, has denied reports of her engagement to a colleague in the industry.\nThe actress, while making a clarification in her Instagram page, described the reports as fallacious and should be disregarded.\nToyin wrote: “It has come to my attention reports from some quarters saying that I am about to get married to a fellow actor.\n“This assertion, insinuation, and report are false and fallacious.\n“I have respect for actors but I am not about to get married to anyone who is an actor.\n“I have been busy with my work as an actor, working tirelessly on my TV, my lipstick launch and other businesses.\n“The only relationship I have with any man in the industry is purely professional and it is high time we stop insinuating and spreading false rumors when we see two colleagues of opposite sex working together.\nKindly, Share this Story with your family and friends\nFollow us on Twitter@YBTC NEWS", "domain": "drama_and_film"}
+{"url": "https://www.crawleytownfc.com/news/2019/march/13.3-sergio-torres-night/", "date": "2019-03-21T13:29:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-13/segments/1552912202525.25/warc/CC-MAIN-20190321132523-20190321154523-00511.warc.gz", "language_score": 0.9698081016540527, "token_count": 227, "dump": "CC-MAIN-2019-13", "global_id": "webtext-fineweb__CC-MAIN-2019-13__0__99810625", "lang": "en", "text": "Tickets are now on sale for a special screening of 'The Unknown Torres' which will be shown at the club next month.\nThe 93-minute film follows former Reds' favourite Sergio Torres from his early days in his native Argentina as he chases his dream of becoming a professional footballer in England. And, of course, after his successful four-year spell with the Reds, there are plenty of moments for Crawley fans to enjoy!\nYou can come and watch 'The Unknown Torres' in the Mayo Wynne Baxter Suite on Wednesday April 10 at 7pm. Doors open at 6.30pm.\nAfter watching the film, fans can question Sergio and the director Jasper Spanjaart.\nTickets are on sale from the Box Office and cost £20, which includes a DVD, or £10 if you don't want the DVD. The Box Office is open 9am-4.30pm weekdays, except Wednesday.\nThis ticketed event is limited to 150 people and tickets are now on sale so make sure you book your place for what should be a great night.\nVIEW THE FILM TRAILER HERE", "domain": "drama_and_film"}
+{"url": "http://www.divyadelhi.com/patty-jenkins-will-return-to-direct-wonder-woman-2-becomes-highest-paid-female-director-ever", "date": "2018-07-19T21:25:53Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-30/segments/1531676591296.46/warc/CC-MAIN-20180719203515-20180719223515-00302.warc.gz", "language_score": 0.9391543865203857, "token_count": 124, "dump": "CC-MAIN-2018-30", "global_id": "webtext-fineweb__CC-MAIN-2018-30__0__96807390", "lang": "en", "text": "Patty Jenkins will return to direct Wonder Woman 2, becomes highest-paid female director ever\nPatty Jenkins, who directed the blockbuster hit Wonder Woman, is all set to return for the superhero film’s highly-anticipated sequel, ending months of speculation. Jenkins has closed a deal with Warner Bros. to helm, co-write and produce the movie, reports The Hollywood Reporter. It makes her the highest paid female director in Hollywood history. Jenkins will reportedly receive directing and writing fees in the high seven figures (somewhere in the $7 million to $9 million range, according to the Hollywood Reporter).", "domain": "drama_and_film"}
+{"url": "https://www.godshousechurch.com/forum/general-discussions/chak-de-india-full-movie-hd-1080p-download-kickass-movie-hot", "date": "2023-11-29T06:36:30Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100056.38/warc/CC-MAIN-20231129041834-20231129071834-00613.warc.gz", "language_score": 0.9675363302230835, "token_count": 567, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__86724029", "lang": "en", "text": "Chak De India: A Movie That Inspires and Entertains\nChak De India is a 2007 Bollywood sports drama film starring Shahrukh Khan as Kabir Khan, a former captain of the Indian men's hockey team who becomes the coach of the women's national hockey team. The film follows his journey of overcoming his past failures and leading a rag-tag bunch of girls from diverse backgrounds to victory in the World Cup.\nThe film was a critical and commercial success, earning praise for its realistic portrayal of women's empowerment, patriotism, and hockey. It also won several awards, including the National Film Award for Best Popular Film Providing Wholesome Entertainment and eight Filmfare Awards.\nIf you are looking for a movie that will inspire you to chase your dreams and overcome your challenges, Chak De India is a perfect choice. You can watch it online on Prime Video[^1^] or download it in high quality from MovieSpyHD[^2^]. However, we do not endorse or support any illegal or pirated sources of downloading movies. Please watch movies from legal and authorized platforms only.\nChak De India is a movie that will make you cheer, cry, and celebrate with its memorable characters, thrilling matches, and powerful dialogues. It is a movie that will make you proud to be an Indian. Chak De India!\nChak De India is not just a sports movie, but a social commentary on the issues of gender discrimination, regionalism, and communalism in India. The film shows how the women hockey players face various challenges and prejudices from their families, society, and media. It also depicts how they overcome their differences and stereotypes to form a united and strong team.\nThe film also explores the theme of redemption and forgiveness through the character of Kabir Khan, who was accused of match-fixing and disgraced by the nation. He returns to coach the women's team and prove his loyalty and patriotism. He also mentors and motivates the players to overcome their fears and insecurities and play with passion and pride.\nChak De India is a movie that has inspired many people, especially women, to pursue their dreams and passions. The film has also popularized hockey as a sport in India and increased its awareness and recognition. The film's title song, \\\"Chak De India\\\", has become an anthem of sorts for many sports teams and events in India.\nIn conclusion, Chak De India is a movie that celebrates the spirit of sportsmanship, teamwork, and patriotism. It is a movie that showcases the talent and potential of Indian women in hockey and other fields. It is a movie that inspires and entertains with its gripping story, brilliant performances, and catchy music. It is a movie that you should not miss. 061ffe29dd", "domain": "drama_and_film"}
+{"url": "http://www.presentationcollegecarlow.com/Students/School-Show", "date": "2019-01-23T14:50:59Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-04/segments/1547584332824.92/warc/CC-MAIN-20190123130602-20190123152602-00230.warc.gz", "language_score": 0.9673863649368286, "token_count": 736, "dump": "CC-MAIN-2019-04", "global_id": "webtext-fineweb__CC-MAIN-2019-04__0__231916242", "lang": "en", "text": "This year’s school show “Blood Brothers” was a veritable tour de force. The entire production was so polished and professional that the “line” between cast and audience was completely erased and everyone in the auditorium became a participant in this powerful and poignant story.\n“Blood Brothers” is the story of twins Mickey and Edward Johnston whose birth mother was forced to make a life-changing decision. This resulted in one of the boys being raised by the childless, but wealthy, Mrs. Lyons while the other remained with his birth mother. However, both women’s lives are overshadowed by the legend that warns of the fatality that would result in the boy’s discovery of the reality of their birth - immediate death! The boys, inevitably, meet during their boyhood years and are magnetically drawn to each other. They decide to cement their friendship by becoming “blood brothers”! And thus, their story unfolded.....\nOisín Mc Hugh (Transition Year) and Eoin Farrell (Fifth Year) portrayed the brothers in an utterly convincing fashion and the audience was held spellbound by the sequence of events that saw them change from childhood friends to bitter enemies. Grace Byrne’s portrayal of the bereft mother was heartbreakingly-authentic while Shannon Doogue’s portrayal of the ruthless Mrs. Lyons was quite chilling. These fine actors and singers were superbly supported by an outstanding cast. The narrator’s black clothing and sombre tones were beautifully complimented by the childish antics of Sammy and Linda, the sheer snobbery of the suit-clad Mr. Lyons, and the perfectly-timed interaction of the neighbours, policemen and school children. Therefore, the sense of imminent tragedy, even in the midst of myriad moments of hilarity, was always palpable.\nThis production which filled the school hall to capacity on three consecutive nights (plus three matinee performances for primary school students) would not have been possible without the absolute conviction and commitment of two past pupils - David Doyle (Director) and Maeve Lyons (Musical Director). This was David’s directorial debut and his talent, evident in every aspect of the show, is immeasurable. And, even before the curtain ascended, the road for this moving tale was created by the haunting instrumental music performed by the orchestra. We salute you both.\nThe indefatigable production team of Ann Delahunty, Orla O’Driscoll, Claire Mc Hugh, Declan O’Connor and Gillian Ward facilitated after school and weekend rehearsals, sourced costumes and props, nourished and nurtured their young charges to ensure that the show reached the standard that Presentation College has become renowned for. It must also be acknowledged that this production would not have come to fruition without the initiative, enthusiasm and commitment of the principal, the teachers, the whole school community and the support of the parents. For anyone who helped in any way, we extend our gratitude.\nThe school show provides an opportunity for all Second, Fourth and Fifth Year students to experience a very different facet of school life. All have a contribution to make. It may be small, but it may also be vital. Students are thus encouraged to participate in some aspect of the production - acting, singing, stage painting, props, costumes, make-up, lighting etc. There is literally a role for everyone. It is an unmissable, unforgettable experience. This fact is endorsed, year after year, by the number of past pupils in the audience. Until next year.....!", "domain": "drama_and_film"}
+{"url": "http://life-begins-at.co.uk/film-review-woman-in-gold/", "date": "2018-11-13T00:33:51Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-47/segments/1542039741176.4/warc/CC-MAIN-20181113000225-20181113022225-00381.warc.gz", "language_score": 0.9850789308547974, "token_count": 296, "dump": "CC-MAIN-2018-47", "global_id": "webtext-fineweb__CC-MAIN-2018-47__0__50639965", "lang": "en", "text": "Why do I feel this film was so good? I did a bit of History at school and have seen many films and documentaries on the second world war but Woman in Gold seemed to portray how the war impacted people personally. It moves from war time to current day and focuses on one family during the war, a wealthy family, with many valuable possessions. You get a feel for how the family lived and their relationships with each other. In the current day parts it focuses on the now elderly Maria and her relationship with her young lawyer and his family.\nWhen this film was released in 2015 the usual critics didn’t give it very glowing reviews, if I had listened to them I would not have watched this film. I am so glad I didn’t! I found it to be absorbing and very moving at times. Beautifully portraying the effects the invasion of the Nazi’s had on families but also the ongoing impact the Holocaust had on families on both sides.\nWoman in Gold also shows you are never too old to take on new challenges, Maria Altmann is absolute proof of that in this film and I found her truly inspirational. A remarkable woman who deserved to have this very touching film made about her. It made me laugh and cry, which all the best films should and interestingly Mr Perfect also thoroughly enjoyed it, so one for everyone. Highly recommended.\nWhere can you find it: Amazon DVD, Sky Movies, NowTV, Netflix, Sky Movies", "domain": "drama_and_film"}
+{"url": "https://www.leawoodlifestyle.com/2016/08/31/local-film-maker-showcases-kc-on-the-big-screen/", "date": "2021-09-21T04:40:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-39/segments/1631780057158.19/warc/CC-MAIN-20210921041059-20210921071059-00059.warc.gz", "language_score": 0.980303168296814, "token_count": 734, "dump": "CC-MAIN-2021-39", "global_id": "webtext-fineweb__CC-MAIN-2021-39__0__70632594", "lang": "en", "text": "Sandra Martin & Isaac Alongi\nIn their first feature film, Trust Fund, co-producers and husband and wife team, Sandra Martin and Isaac Alongi, felt passionate about filming most of the movie right here in KC. Sandra, a Lee’s Summit native, and Isaac, who grew up in Prairie Village, both believed that KC was perfect for showcasing their first film. In the movie, Kansas City successfully doubles as Chicago and Italy, and, although some areal shots were filmed in Italy, the majority of the movie was filmed in various locations right here. Trust Fund was such a success that it was picked up by AMC Independent and premiered in Kansas City, with a successful run, which they credit to the support of the city.\nThis visually stunning film led by an incredible cast, takes you on a visionary experience. It explores issues of betrayal, feeling alone, and left with the choice of surrendering your identity to please someone else, or break free to discover who you were truly meant to be.\nThe couple has been working together for over 15 years, and each have talents that compliment each other. Isaac was the director of photography, while Sandra wrote and directed the film, and they both shared the duties of producing. “It’s not often a husband and wife work so closely together as director and cinematographer, but it worked out really well for us, because we were already on the same page. There were times when things got stressful and intense, so it was nice to be there for each other,” says Alongi.\nThey are working on their next film, HOW TO PICK YOUR SECOND HUSBAND FIRST. “It’s a romantic comedy that pokes fun about delicate issues every one faces in marriage and no one wants to talk about. The film shows how difficult marriage can be at times, and how we live in a culture of giving up and starting over, which is not always the best answer. Faced with the possibility that the problem, that you assume is the other person, just might follow you to the next relationship,” said Sandra.\nFilmmaking is a relatively new endeavor for the couple, but they feel very passionate about what they are doing, and they love working together. “It’s like a hobby to us,” Martin adds, “because we love it!”\n“We want to make films that are entertaining, that you can take your whole family to, and not worry that they’ll be awkward moments where you regret bringing the kids to. We want to create movies that give plenty of opportunity for discussion later, that raise questions and don’t give all the answers. Films that are based on subject matters that are common, but not always talked about,” Sandra says.\nToday more than ever, our world has become reachable, and movies are such an important medium to do that. Movies are invitations to live with people whose lives you may never even have imagined, to be faced with their choices and enter into unimagined worlds. Films help shape the culture in which we live, and they see it as a huge responsibility and great opportunity.\n“Our core beliefs are seen in the stories that we choose to tell, and everything that we do. Knowing that we have the opportunity to influence a generation is exciting. We want to show an audience how hope, love, and our faith in God makes a difference,” Sandra said.\nFor more about the film Trust Fund and the cast visit trustfundmovie.com.", "domain": "drama_and_film"}
+{"url": "https://www.timhighamfilms.com/", "date": "2023-09-28T21:29:40Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510454.60/warc/CC-MAIN-20230928194838-20230928224838-00016.warc.gz", "language_score": 0.7209045886993408, "token_count": 230, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__151081464", "lang": "en", "text": "TIM HIGHAM FILMMAKER\nfirstname.lastname@example.org +44 (0) 7814 604724\nTim Higham is a freelance filmmaker, producer and director with over 15 years experience in shooting high quality promotional films, short-form branded content, music videos and feature length documentaries.\nTim's recent clients include Peugeot, Suzuki, The Seafarers' Charity, PepsiCo, Royal Mail, McArthurGlen, eCourier, Yamaha Music, The Creative Consultancy, Vineta Sayer, Coutts, Hachette and the British Truck Racing Association.\nPlease feel free to get in touch anytime for filming enquiries, or just a chat...\nEXCERPT FROM A 4K 32:9 PROMO FILMED EARLIER THIS YEAR FOR A LIVE EVENT\nDIRECTED, FILMED & EDITED BY TIM HIGHAM FOR VINETA SAYER\n24 PEAKS CHALLENGE FILMED & EDITED BY TIM HIGHAM FOR THE SEAFARERS' CHARITY", "domain": "drama_and_film"}
+{"url": "https://arlingtonva.libcal.com/event/10024921?_ga=2.237962760.900216084.1675696997-235264991.1641421590", "date": "2023-06-07T14:56:13Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224653930.47/warc/CC-MAIN-20230607143116-20230607173116-00421.warc.gz", "language_score": 0.8993089199066162, "token_count": 472, "dump": "CC-MAIN-2023-23", "global_id": "webtext-fineweb__CC-MAIN-2023-23__0__179283263", "lang": "en", "text": "Film Screening - \"American Masters: Roberta Flack\"\nJoin Arlington Public Library at Arlington Cinema and Drafthouse to enjoy this new PBS documentary\nArlington's own Roberta Flack is the focus of a new PBS documentary, American Masters: Roberta Flack, which provides an intimate look into Flack's artistry, life and triumphs over racism and sexism within and outside of the recording industry. With exclusive access to Flack’s archives of film, performances, interviews, home movies, photos, hit songs and unreleased music, the film documents how Flack’s musical virtuosity was inseparable from her lifelong commitment to civil rights. Running time 87 minutes.\nThis film screening will take place at Arlington Cinema and Drafthouse (2903 Columbia Pike, Arlington, VA 22204). Doors open at 6 p.m.\nWe will be joined by Producer Antonino D'Ambrosio who will make remarks before the screening. Film screening begins at approximately 7 p.m.\nRegistration required. To ensure your seat, you must arrive by 6:45 p.m. after which point unfilled seats will be released on a first-come, first-served basis.\nThis film screening is offered courtesy of PBS, American Masters, and The WNET Group, in partnership with WETA and The Black Heritage Museum of Arlington.\nThe Arlington Cinema and Drafthouse offers a full menu and drink service which will be available for purchase during the event. Free popcorn will be served.\nFor more information, contact email@example.com\n- Sunday, February 19, 2023\n- 7:00pm - 9:00pm\n- Arlington Cinema and Drafthouse: 2903 Columbia Pike, Arlington, VA 22204\n- Events for Adults\n- Film Local History Music\n- Arlington Public Library\nAbout Our Events\nArlington County provides accommodations to individuals with disabilities upon request. Please contact us at least five (5) business days in advance.\n- Phone: 703-228-5993\n- Email: firstname.lastname@example.org", "domain": "drama_and_film"}
+{"url": "http://imguram.com/tag/numberone", "date": "2017-08-19T14:59:01Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-34/segments/1502886105455.37/warc/CC-MAIN-20170819143637-20170819163637-00391.warc.gz", "language_score": 0.9797376394271851, "token_count": 240, "dump": "CC-MAIN-2017-34", "global_id": "webtext-fineweb__CC-MAIN-2017-34__0__125590796", "lang": "en", "text": "Happy birthday to Jonathan Frakes, who played First Office William T. Riker on Star Trek: The Next Generation for seven seasons, as well as on episodes of Star Trek: Deep Space Nine, Star Trek: Voyager and Star Trek: Enterprise, and in four Star Trek movies. During his time on TNG, he became interested in directing, and he learned it the right way, by spending hundreds of hours in the edit room until he was ready. He went on to direct 8 episodes of TNG, 3 each of DS9 and Voyager, and two movies, Star Trek: First Contact and Star Trek: Insurrection. He once said that his strength as a director is that he's \"a reformed actor,\" and he likes to keep the camera moving. His directing career has taken off, putting him in the chair for episodes of Leverage, The Glades, Castle, Burn Notice, Falling Skies, NCIS: Los Angeles, The Librarians, and most recently, The Orville as well as the brand new Trek series premiering on September 24th, Star Trek: Discovery. Happy birthday to the man with the vision, the beard, and the trombone!", "domain": "drama_and_film"}
+{"url": "http://screen.brussels/", "date": "2017-06-28T03:27:07Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-26/segments/1498128322320.8/warc/CC-MAIN-20170628032529-20170628052529-00279.warc.gz", "language_score": 0.9192625284194946, "token_count": 3685, "dump": "CC-MAIN-2017-26", "global_id": "webtext-fineweb__CC-MAIN-2017-26__0__180244806", "lang": "en", "text": "Twelve co-production projects were chosen by screen.brussels fund during its second session\nBreaking out of the confines of daily life or diving right into it: that is what the 12 projects selected by screen.brussels fund for its second session of 2016 have promised. The regional fund for audiovisual co-productions has fulfilled its mission of generating jobs and investments in the Brussels audiovisual sector. Whether they are about searching for dream giants or through the rubble of 22 March 2016, whether set in Art Deco Brussels or cyber Brussels, the 12 projects (feature-length films, television series, documentaries, SVOD) sweep us away and challenge us. A small tour:\nNine feature films, including two animated films and one documentary\nAscension Day: In the streets of Brussels, three paths cross: three characters who never would have met other than during the tragic bombings of 22 March 2016. It’s an adventure that also features crossed paths as far as the co-production is concerned, with a Flemish Brussels production company Minds Meet (Laeken), a French Brussels one Artemis (Schaerbeek) and a Dutch neighbour (Phanta films) that collaborated on this Flemish film by Bas Devos, also from Brussels.\nDrôle de père: Brussels director Amélie Van Elmbt has penned her second film in which a divorced father finds himself unexpectedly on his own with his daughter. Produced by Luc and Jean-Pierre Dardenne (Les Films du Fleuve), this opus was shot in Brussels with a cast that brings together a large number of Brusselians, with the main roles being held by Xavier Seron and Lina Doillon, among others.\nI Kill Giants: Adapted from a coming-of-age fantasy comic book, I Kill Giants boasts an international cast with Zoë Saldana (Avatar, Star Trek) and is directed by Andres Walter (Oscar for the Best Live Action Short Film 2014). Where’s Brussels in all this? The Brussels co-production company Umedia (Ixelles) will be doing the special effects and the visuals in Brussels, with eight months of work for some 50 artists.\nLa part sauvage: Ben, 25, gets out of prison and fights against hate and Islamist temptations while trying to reconnect with his son. The first film from Brussels director Guérin van de Vorst, La part sauvage places Brussels at the heart of the story. Vincent Rottiers (Le monde nous appartient) leads the cast, which also includes Brussels residents in the main roles (Salomé Richard, David Murgia) for this production from Wrong Men North (Saint-Gilles).\nSeule à mon mariage: With her first film, Marta Bergman of Brussels shows us the life of a young Gypsy woman leaving her country and her child to get married in Brussels with a stranger, in order to offer her family a better life. The film explores the streets of the capital, both onscreen and off, since the post-production images and sound are being handled at Alea Jacta and Des Airs (Saint-Gilles), and Studio l’Equipe (Evere).\nThe Happy Prince: Rupert Everett (My Best Friend’s Wedding, Shrek 2) directs this feature-length film about the last days of Oscar Wilde, in which he acts together with Colin Firth (The King’s Speech, A Single Man). Many Art Deco locations in Brussels (Le Métropole, Royal Gallery Saint-Hubert - Galeries de la Reine, Café Cirio, etc. ) are part of the filming of this co-production of Entre chien et loup (Schaerbeek), with special effects to be done by Nozon (Koekelberg).\nPetit Vampire: In this animated film by Joann Sfar (Gainsbourg: A Heroic Life, The Rabbi’s Cat), an orphan meets the Little Vampire and escapes into a dream universe in order to tame his dark thoughts. This is an international co-production project handled by the Compagnie Cinématographique (Saint-Gilles), which has entrusted a significant amount of work (16 full-time employees for one year) to the animation studio l’Enclume (Molenbeek).\nThe Son of Bigfoot: A young boy is convinced that he is the son of Bigfoot in this 3D animated film by Ben Stassen, director of Fly Me To The Moon, a pioneering example of the genre. The creation of this feature-length film was led by nWave (Forest), one of the region’s biggest employers in the audiovisual sector (almost 100 full-time employees). Post-production is also staying in the capital thanks to Studio L’Équipe (Evere) and Blue Cry (Schaerbeek).\nAshcan: Willy Perelsztejn from Création et Memoires (Forest) has made a documentary on the little-known history of the secret prison where the main Nazi leaders were incarcerated in the Grand Duchy of Luxembourg after the Allied victory of 8 May 1945. In an original manner, the film will follow a stage production of the Théâtre National de Luxembourg based on the subject. The post-production images and sound as well as the dubbing will be done in Brussels by Triangle7 (Watermael-Boitsfort), Twins (Evere) and Sonicville (Koekelberg).\nFor television, a fiction series and a documentary series\nUnité 42: In ten 52-minute episodes, this Belgian cop series produced by Left Field Ventures (Ixelles) and already pre-purchased by France 2 focuses on the work of the Brussels Digital Unit, a special police unit that solves cyber crime. Supported by the Fonds spécial Fédération Wallonie Brussels-RTBF, eight of these episodes will take place in Brussels, which we will see under all its angles. There are also some 20 Brussels-based actors among the main and supporting cast. The series will be directed by a trio of Flemish directors. At the head of this triumvirate is Indra Siera, seconded by Roel Mondelaers and Hendrik Moonen.\nPalais Royal: For this documentary series that takes a never-seen-before look at the investigation of the Brabant killers, we have an association of Flemish Brussels producers (Riche, Riche & Riche) and French Brussels ones (Thank You & Good Night). Two Brussels directors are at the helm: Manu Riche and Yves Hinant. The series will feature 12 episodes coproduced by VRT and RTBF as well as a 90-minute version for ARTE.\nA series destined for SVOD\nFuncorp: From the world of webseries, Brussels Video Crew (Watermael-Boitsfort) is producing seven 10-minute episodes destined for SVOD on CANALPLAY. This comedy series takes place in the 1990s in a newly created calendar manufacturing company that is falling prey to the emergence of new technologies. The entire project, from its offbeat spirit to the technical and artistic teams (14 people), is Made in Brussels.\nMore than €16 million generated from an investment of €1,315,000\nscreen.brussels fund has kept its promise, since the funds invested have had a leverage effect of more than 1223% in the Brussels audiovisual sector. The €1,315,000 invested in these 12 projects will generate €16 million in audiovisual expenditures (wages, post-production services, equipment hire, etc.), without counting indirect benefits such as for the services, hospitaliy and transport sectors.\nWomen and first films in the spotlight\nTwo of the selected projects are being directed by women from Brussels: Amélie Van Elmbt with Drôle de père and Marta Bergman with Seule à mon mariage. The latter is also one of the two first films of the selection, alongside La part sauvage by Guérin van de Vorst.\nA very positive first report for the new Brussels fund, benefiting the Belgian audiovisual sector.\nWith €3 million invested in 2016, screen.brussels fund confirms its role as investor and essential partner in the financing of film and audiovisual productions in Belgium: out of the 26 projects supported in its first year, 19 are majority Belgian projects (13 in French and 6 in Flemish).\nThe 14 projects selected in June 2016\nJust six months ago, the Brussels-Capital Region government created the brand-new Brussels audiovisual co-production fund. With an annual co-production budget of 3 million euro, the fund launched a first call to the sector at the end of May. Many professionals duly responded and the fund’s board of directors and managing director set about choosing from a plethora of high quality projects. The final decision has been made: the screen.brussels fund has opted to invest a total sum of €1,685,000, split between 14 projects.\nEight full-length feature films selected, including one animation film\n‘Le fidèle’ by Brussels-based director Michaël Roskam, from Savage Film (Molenbeek). A film very loosely inspired by the life of Brussels gangster Patrick Haemers, starring Mathias Schoenaerts and Adèle Exarchopoulos.\n‘Dode Hoek’ from Brussels director Nabil Ben Yadir and produced by Antilope Joyeuse (Brussels), Wrong Men (Saint-Gilles) and Eyeworks (Zaventem). Jan, the most popular cop in Flanders, resigns from the drug squad to join a populist and nationalist party. With Peter Van Begin, Jan Decleir and David Murgia.\n‘La promesse de l’aube’ is directed by Eric Barbier and produced by Nexus Factory (Liège and Forest). This historical fresco retraces the life of the famous novelist Romain Gary. A large part of the special effects will be produced in Brussels, with Charlotte Gainsbourg and Pierre Niney in the main roles.\n‘Au-dessus des lois’ by François Trouckens and Jean-François Hensgens, from Versus Production (Liège and Schaerbeek). An action film about a high-flying armed robber accused of murdering an investigating judge. With Olivier Gourmet, Lubna Azabal (Brussels), Tibo Vandenboore (Brussels) and Anne Coesens (Brussels).\n‘Une part d’ombre’ by Brussels director Samuel Tilman in what will be his first full-length feature film. Proposed by Eklektic Productions (Ixelles), the plot centres on a dad suspected of committing a murder while on holiday. Some of his loved ones begin to doubt his innocence. With Fabrizio Rongione (Brussels), Myriem Akheddiou (Brussels) and Arieh Worthalter (Brussels).\n‘La fine équipe’ by Ismaël Saïdi in conjunction with Scope Pictures (Rixensart and Ixelles). This popular comedy shot entirely in the Belgian capital tells the story of a former five-a-side football star from Brussels who has to try to win a tournament in order to pay off his debts. With Reda Chebchoubi (Brussels), James Deano (Brussels) and Kody (Brussels).\n‘De Premier’ by Erik Van Looy, produced by FBO (Strombeek Bever). In this all-Belgian thriller, the Prime Minister is kidnapped. He will be released on condition that he assassinates Madam President of the United States scheduled to visit Belgium. With Koen De Bouw, Dirk Roofthooft, Charlotte Vandermeersch and Saskia Reeves.\n‘The Street Party’, a full-length animated film from Caviar Antwerpen in co-production with Zentropa (Denmark). This relatively low-budget full-length animation film will generate a significant volume of work for two Brussels animation studios located in Koekelberg and Molenbeek.\nTV series also set to benefit, with three exciting projects backed:\n‘Les pionniers’, a series of 10 52-minute episodes directed by Alain Brunard is produced by To Do Today (Woluwe-Saint-Lambert). Also co-funded by the FWB-RTBF fund, this legal series explores the new ‘legal Far West’ that is the lnternet. An ambitious Brussels lawyer has just hired her half-sister, a hacker on a suspended sentence whom she barely knows. Sixty-seven days of filming in Brussels, with a whole host of Brussels acting talent including Olivia Harkay, Lula Béry and Adrien Letartre.\n‘Generatie B’, a series of 6 30-minute episodes designed and directed by Pieter Van Hees and Joost Vandecasteele (Brussels) and produced by De Mensen (Zaventem). To be broadcast on Canvas at the start of 2017, this series transports us to a world where Belgium’s credit rating has been downgraded from AA+ to B. With Eva Binon, Jeroen Perceval, Ella June Henrard, Jeroen Van Der Ven (Brussels), Efrat Galai (Brussels) and Chiel Van Berkel (Brussels).\n‘Transfert’, a series co-produced by Arte, directed by Olivier Guignard and Antoine Charreyron. Produced by Be Films (Ixelles), this science-fiction series of six 52-minute episodes depicts a character that has undergone a ‘transfer’ after five years in a coma. His mind has merged with someone else’s body and he has become a stranger to his loved ones. Starring Brussels actor Arieh Worthalter, this series was shot almost entirely in Brussels.\nTwo documentaries and one web series\nAs for productions with more modest budgets, two documentaries and a web series were also selected at this first investment session.\n‘La vie à venir’ from Brussels director Claudio Capanna and produced by Stenola (Brussels) goes behind the scenes at the ‘very premature neonatal’ unit at Erasmus Hospital.\n‘La langue rouge’ by director Violaine de Villers paints a portrait of contemporary Brussels artist Walter Swennen, a documentary produced by Aligator Film (Ixelles).\nAnd finally, the web series 'Euh Saison 2' is the continuation of the popular web comedy series co-produced by the RTBF’s web creation department and Grizzly Films (Schaerbeek). It has already won over Canal Play France, which contributes 50% of the production costs. Euh is all about Benoît, a guy incapable of making choices. With Gregory Beghin (Brussels), Erika Sainte (Brussels) and Mourad Zegendhi (Brussels).\nOne public euro invested per 7.6 euro spent in Brussels\nSince it is an economic fund, additional attention has been paid to projects that generate structural effects in terms of jobs for Brussels talents and the order book of audio-visual service providers sustainably based within the Brussels-Capital Region. For this first session, commitments came to over €12,813,000 of audiovisual expenses in the region, meaning an impressive average ratio of 760% between the amounts invested and the expenses generated within the Brussels-Capital Region.\nTen of the 14 projects showcase Brussels!\nThis very eclectic selection should also generate quite significant returns in terms of image for the region, since locations around Brussels will feature strongly in the vast majority of the projects selected.\nBrussels backs three Flemish projects and three Walloon projects\nThe projects chosen are also highly diverse in terms of formats, budgets and production companies. Brussels production firms present eight of them, while Flanders and Wallonia-based companies provide three apiece. The particular diversity of these projects also reflects the capital’s highly multicultural nature.\nComplementary with other regional funds\nThis selection also confirms, if needed, the complementary nature of the regional funds to which producers can apply and, in certain cases, combines, as ‘Le Fidèle’ is backed by the three regional funds, ‘Dode Hoek’ by Screen Flanders and screen.brussels, and ‘Au-dessus des lois’ by Wallimage and screen.brussels.\nNext session in October 2016\nThe second 2016 session of screen.brussels is scheduled for the end of October, with the deadline date for submitting applications set for Thursday 20 October 2016 and a final decision expected at the end of November 2016.\nThe budget available will be €1,315,000.\nWe would like to take this opportunity to emphasise that it is the submission date that triggers the start date for the eligibility of invoices and that producers can submit their projects ahead of the 20 October 2016 deadline.", "domain": "drama_and_film"}
+{"url": "https://www.ambridge.k12.pa.us/?p=810", "date": "2021-09-18T07:52:08Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-39/segments/1631780056348.59/warc/CC-MAIN-20210918062845-20210918092845-00211.warc.gz", "language_score": 0.9100704789161682, "token_count": 194, "dump": "CC-MAIN-2021-39", "global_id": "webtext-fineweb__CC-MAIN-2021-39__0__191663121", "lang": "en", "text": "Students at the Ambridge Area High School performed Disney’s The Little Mermaid on March 5-8, 2020. Great job to all of the cast, stage crew, and directors! Some of the lead roles were played by Piper Dunlap (Ariel), Reed Fisher (Prince Eric), Noah White (King Triton), Grant Scheidemantle (Grimsby), John Barnhart (Scuttle), Ryan Krokonko (Sebastian), Carlina Powell (Ursula), and Fiona Ozenich (Flounder). The production was directed by Jessica Patterson. Thank you to Joe Indovina for the pictures, Jeff DeSantis for conducting the orchestra, AAHS Stage Crew, and a special thank you to the production staff!\nAmbridge Area School District, 901 Duss Avenue, Ambridge, PA 15003 724.266.2833 email@example.com", "domain": "drama_and_film"}
+{"url": "https://www.dmfilms.com/about", "date": "2018-10-21T00:44:09Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-43/segments/1539583513508.42/warc/CC-MAIN-20181020225938-20181021011438-00336.warc.gz", "language_score": 0.951801598072052, "token_count": 235, "dump": "CC-MAIN-2018-43", "global_id": "webtext-fineweb__CC-MAIN-2018-43__0__217754937", "lang": "en", "text": "Dusty is a Toronto-based writer, director and producer. His previous short film, WINTER HYMNS, won the Grand Jury Prize at the 2016 Slamdance Film Festival, the Golden Egg Award at the Reykjavík International Film Festival, Board of Directors Award at the North Carolina Film Festival and Best Short, Best Director and Best Cast at the Canadian Film Fest. His short films have screened at festivals worldwide, including TIFF, VIFF, BFI London Film Festival, Krakow Film Festival and have aired on CBC, Air Canada, Virgin Atlantic, and sold to Shorts International. His feature screenplay THE HUNGRY WILD was developed through the NSI Features First Program and the Whistler Film Festival's Praxis's Screenwriting Lab. Most recently, he received financing for his first feature film through Telefilm Canada's Talent to Watch program. Dusty holds a BFA with honours in film production from York University, is an alumnus of the Reykjavík Talent Lab, TIFF Talent Lab, and was selected to participate in Telefilm Canada's inaugural Not Short on Talent panel at TIFF.", "domain": "drama_and_film"}
+{"url": "https://www.ostseebad-prerow.de/en/culture/naturfilmfestival.html", "date": "2024-04-14T17:43:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296816893.19/warc/CC-MAIN-20240414161724-20240414191724-00777.warc.gz", "language_score": 0.9268798828125, "token_count": 363, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__182687922", "lang": "en", "text": "The beauty of nature takes over the silver screen here on the Darß once every year. Nature lovers, filmmakers, and documentary freaks come together each year for the Darßer Naturfilmfestival. A selection of the most moving and aesthetically pleasing images of our planet compete here for the Golden Crane, the German Nature Film Prize.\nJust as the thousands of cranes make their way to the Darß each October, the prize for the best nature film is being awarded in Prerow. Germany’s highest honour for nature documentarians attracts writers, filmmakers and documentary fans from all over to this idyllic spot on the Baltic.\n14 films, cinema and television productions are nominated each year for the German Nature Film Prize. The films not only show the magic of nature, but also how it is being destroyed across the planet. Recent years have seen films about “problem bears”, dying queen bees, and intelligent plants.\nThe festival is accompanied with workshops, discussions and excursions to the national park. The direct link between filmmakers and audience ensures an almost family atmosphere. “This mix of holiday, movie festival, seminar and family reunion is really unique,” says author and journalist Volker Arzt, who regularly attends the festival.\nThe “CAMäleon” prize is given to filmmakers between the ages of 12 and 18 in cooperation with the Heinz Sielmann Foundation.\nThe festival was launched to mark the fifteenth anniversary of the national park “Vorpommersche Boddenlandschaft”. It has since become a popular industry event and cultural highlight on the Darß. Venues include Prerow’s Kulturkaten Kiek In and the cinema boat in Born harbour.", "domain": "drama_and_film"}
+{"url": "http://www.stonecoastreview.org/masthead/our-staff/suri-parmar/", "date": "2018-02-20T03:25:59Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-09/segments/1518891812873.22/warc/CC-MAIN-20180220030745-20180220050745-00064.warc.gz", "language_score": 0.9396784901618958, "token_count": 122, "dump": "CC-MAIN-2018-09", "global_id": "webtext-fineweb__CC-MAIN-2018-09__0__162580234", "lang": "en", "text": "CNF Reader, Fiction & Pop Fiction Reader – Spring 2015\nSuri Parmar is a Toronto-based “creative carpet bomber” with a background in film and architectural design. Her work has screened at film festivals around the world. Among her influences, she includes Wong Kar-wai, the Wachowskis, and Angela Carter.\nShe is presently completing a Master of Fine Arts degree in Creative Writing at the University of Southern Maine, and is directing a short stop motion film funded by the Canada Council of the Arts, the Ontario Arts Council, and the Toronto Arts Council.", "domain": "drama_and_film"}
+{"url": "https://www.filmbase.uk/event-4671108", "date": "2022-08-09T19:40:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-33/segments/1659882571086.77/warc/CC-MAIN-20220809185452-20220809215452-00675.warc.gz", "language_score": 0.9619501829147339, "token_count": 772, "dump": "CC-MAIN-2022-33", "global_id": "webtext-fineweb__CC-MAIN-2022-33__0__74696136", "lang": "en", "text": "Thursday 10th February\n20:00 - 21:30 (GMT) via Zoom\nTalking Point and Filmbase are running a webinar on starting out in the Props Department of Film and TV productions. A panel of experienced Props crew members will give advice on everything you need to know about the department. We will discuss what working in the department is like, how to approach employers and what skills you need to start a successful career in props.\nThe panel will include senior Props Department members who have many years of experience on every type of production, from low budget TV to major motion picture films.\nWe will also hear from some more junior crew members who are rising up through the grades and remember very clearly what it was like at the beginning.\nMuffin Green, Prop Master.\nWith over 20 years in the industry, Muffin has worked as a Property Master on a huge variety of film and TV productions. From iconic smaller budget films such as The Favourite, In Bruges and The Last King of Scotland, to big budget blockbusters such as Cruella and Paddington 2, Muffin's career has spanned all genres and periods.\nTom Roberts, Props Master\nTom is also a Props Master, and has had a long career in props, working in many of the different roles, such as Standby Props, Storeman and dressing props. Tom has worked as Prop Master on many contemporary TV series, such as Bodyguard, but has also worked on numerous period productions such as Peaky Blinders and Mr Selfridge.\nChris Chandler, Chargehand Standby Props\nChris was a geologist and diving instructor before becoming a propman on commercials in 2001. Chris then moved into TV and film as a Standby Propman. Since then, he has worked in the Standby role, on a vast range of genres, spanning different periods and budgets. Most recently Chris has worked on Cruella and Venom: Let There Be Carnage.\nEmily Britton, Storeperson\nEmily started her career in the Props department on Solo: A Star Wars Story, after doing a BFI trainee scheme. Emily then applied to Talking Point’s mentee and Props scheme, which led her to follow the Props storeman route, which she says perfectly fits her personality.\nThe webinar is free for all. Let us know what topics you would like the panel to answer by filling in the form when you register.\nTalking Point works with the UK film and television industries producing a range of industry led programmes for those currently working in film and television; a platform for industry professionals to exchange ideas, delivering training strategies, identifying skills gaps ensuring there are affordable, industry relevant training opportunities available to producers, directors and technicians. www.talkingpoint.uk.net\nFilmbase.uk has been set up by members of the Art and Set Dec departments, to provide a central resource for crew working on film and TV projects in the UK. Since launching in 2020, over 1000 Art Department and Set Decoration crew members have joined the site. HoDs can use Filmbase to advertise for crew. Members then receive job alerts for productions and job roles that they are interested in. Filmbase has now sent out almost 650 job alerts to its members, helping many HoDs crew up, and members find their next jobs. www.filmbase.uk", "domain": "drama_and_film"}
+{"url": "http://eurasia-academy.org/?page_id=731", "date": "2018-08-21T09:32:50Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-34/segments/1534221218101.95/warc/CC-MAIN-20180821092915-20180821112915-00227.warc.gz", "language_score": 0.982206404209137, "token_count": 1043, "dump": "CC-MAIN-2018-34", "global_id": "webtext-fineweb__CC-MAIN-2018-34__0__128027346", "lang": "en", "text": "Türkân Şoray (born June 18, 1945, Istanbul), is a Turkish actress, screenwriter and director. Türkân Şoray has starred in the most feature films for a female actress worldwide, and has a whopping 222 films to her name. She is regarded as one of the four most important actresses in Turkish cinema, and is the icon for a golden age in Turkish cinematography.\nTürkân Şoray, born in Eyüp, Istanbul, Turkey, was the first child in a family of government officials. Türkân has two sisters, namely Nazan and Figen. Their father passed away very early.\nWith the support of her mother, Meliha Şoray (1927-1984), Türkân decided to step into the acting world, and starred in her first film in the 1960s.\nTürkân has had two public relationships in the span of her career. She had an on-again/off-again relationship with Rüçhan Adlı (1923-1995), the former vice-president of soccer club Galatasaray, of which she eventually parted her ways from, after he continuously said to, but failed to leave his wife for her. She did, however, stay by his side in the hospital, and spent his last days with him there when he was on his deathbed in 1995.\nTürkân married theater actor Cihan Ünal in 1983, and had a daughter with him, namely Yağmur, before divorcing him in 1987.\nShe made her film debut in 1960 at just 15 years old with the film Aşk Rüzgarı (The Wind of Love). After the movie’s success Türkan started to be advised by a Yeşilçam screenwriter, film director and producer Türker İnanoğlu. It is he, who would in the same year, sack Türkan’s close friend Emel Yıldız in order to give his new prodigy the leading role in the studio’s upcoming movie Köyde Bir Kız Sevdim (Falling in Love with a Girl in the Village).\nFor the next five years, Şoray appeared in over sixty films. After her 1965 triumph, she was named as one of Turkey’s four leading actresses. For the remainder of the 1960s she starred in a further 48 films, making her one of Turkey’s most successful female artists in Turkish film history having acted in over 100 movies in the span of ten years. But this would be short-lived because the market changed during the 1970s and 1980s.\nShe went on working with respectable directors in later years. One of them was Atıf Yılmaz, with whom she would work in both dramas and comedies. In the 1970s she also acted in films with a more realistic theme. She also directed four films in those years. Her most applauded films in the 1970s included Selvi Boylum Al Yazmalım, Hazal, Sultan, Dönüş and Baraj. In those films she was mostly accompanied by the famous Turkish actor Kadir İnanır.\nShe won her first of many awards when she received the best actress prize at the ‘Antalya Golden Orange Film Festival’ for the film Acı Hayat (Bitter Life).\nAt the end of the 1960s, she was named one of the four greatest actresses of the Turkish cinema. She was highly applauded for her choices in film and her ability to act in a wide variety of roles. She starred in Vesikalı Yarim (My Licensed Love) for which she was awarded the Best Actress Award for the second time in the Antalya Film Festival.\nIn the 1980s she began portraying women with problems of female identity; Mine, Rumuz Goncagül (Nickname: Goncagül), On Kadın (Ten Women) etc. She won her third Best Actress Award from the Antalya Film Festival in 1987 with the film Hayallerim, Aşkım ve Sen(My Dreams, My Love and You), in which she portrays three different women, each of whom is a facet of Türkan Şoray herself.\nSome of her awards are:\nAntalya Film Festival Best Actress Award\n1987-Hayallerim, Aşkım ve Sen\n1994-Bir Aşk Uğruna\nMoscow Film Festival Grand Jury Prize\n1973-Dönüş (her directorial debut)\nTashkent Film Festival Best Actress Award\n1978-Selvi Boylum Al Yazmalım\nBastia Film Festival Best Actress Award\n1992-Soğuktu ve Yağmur Çiseliyordu\n1996 Istanbul Film Festival, Honorary Cinema Award\n1999 Rome Film Festival, Honorary Award", "domain": "drama_and_film"}
+{"url": "https://www.expressnewspoint.com/entertainment/memory-top-movies-of-irrfan-khan/", "date": "2020-07-14T09:17:39Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-29/segments/1593657149819.59/warc/CC-MAIN-20200714083206-20200714113206-00523.warc.gz", "language_score": 0.9686205983161926, "token_count": 559, "dump": "CC-MAIN-2020-29", "global_id": "webtext-fineweb__CC-MAIN-2020-29__0__82443030", "lang": "en", "text": "In the Memories of our beloved Actor Late Mr. Irfan Khan, We bring here his Top-Ten Bollywood Movies. We hope these Movies always inspire us\n1-PAN SINGH TOMAR-Paan Singh Tomar, an athlete, wins gold medals at the Indian National Games seven times in a row. He is forced to become a dacoit when his mother is murdered and the police don’t take any action.\n2-BILLU BARBER-The people in a village discover that Billu, a poor barber, is a childhood friend of the superstar Sahir Khan, who has arrived for a film shoot. They shower him with favours to introduce them to him.\n3-D-DAY- Intelligence officer Wali Khan and a team of highly-trained officers are set to nab Goldman, one of India’s most wanted terrorists. However, their mission is threatened by a minor miscalculation.\n4-MADARI-Nirmal, a man who lost his son due to the negligence of the government, seeks revenge and kidnaps the ten-year-old son of the home minister, forcing the administration to meet his demands.\n5-THE LUNCHBOX-An unlikely mistake by a tiffin carrier service results in Ila’s tiffin, that was made for her husband, being delivered to Saajan Fernandes. An unusual friendship soon develops between the two.\n6-LIFE OF PI-Pi Patel finds a way to survive in a lifeboat that is adrift in the middle of nowhere. His fight against the odds is heightened by the company of a hyena and a male Bengal tiger.\n7-GUNDAY-Childhood friends Bikram and Bala aspire to take over the coal mafia. However, they fall in love with the same woman, Nandita, which leads to a rift forming between the two.\n8-SALAAM BOMBAY-When a revengeful Krishna destroys his brother’s motorbike, his mother asks him to return home only when he earns INR 500 to repair it. In a turn of events, he finds himself in a Mumbai slum.\n9-MAQBOOL-Maqbool, an underworld don’s henchman, falls in love with his boss’s mistress, Nimmi, who instigates him to kill the don and become the next leader.\n10-HINDI MEDIUM-Raj and Mita yearn to get Pia, their daughter, educated from a reputed school. When they learn that their background is holding her back, they do everything to ensure that she gets into the school.", "domain": "drama_and_film"}
+{"url": "https://primecinema.in/planet-hulk-movie-marvel-abandoned/", "date": "2019-10-16T22:11:43Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570986670928.29/warc/CC-MAIN-20191016213112-20191017000612-00020.warc.gz", "language_score": 0.9623884558677673, "token_count": 435, "dump": "CC-MAIN-2019-43", "global_id": "webtext-fineweb__CC-MAIN-2019-43__0__123006374", "lang": "en", "text": "With the release of the 2017 Marvel block buster ‘Thor: Ragnarok’ fans across the world were hyped for a rebooted look at the ‘Thor’ franchise, given that previous movies were dark, lacking plot, substance and generally gave audiences the feeling that the movie existed simply for character exposition and boosting the franchise forward. A movie just for the sake of a sequel. This was the apparent trend until Marvel came out with ‘Guardians of the Galaxy’ which consisted of characters and story plots that many fans weren’t very aware of unless they were hardcore marvel fans. To everyone’s surprise, it brought something new and exciting, not just to the Marvel franchise but to the entire genre of superhero movies. It was fresh, funny, had excellent story plot that was simple to grasp and plenty of action to keep us from wanting.\nFollowing the success of this, Marvel remodelled it’s latest installment in the Thor movie franchise accordingly and provided many of the same elements: great soundtrack, light mood, plenty of action, and a simple plot that gave us more bang for our buck and at the same time did the job of getting into more detail on the avenger we knew little about. It gave us everything we were missing in the ‘Thor’ movies and covered the missing pieces in the previous film; ‘Avengers: Age of Ultron’.\nEverything was well in place except for one thing; Hulk’s own movie!\nTrue marvel comic fans know that the appearance of Hulk in the Thor movie and the story arc, was based around the ‘Planet Hulk’ comics. This brings into question; when Marvel will bring in a rebooted, fresh take on a stand-alone Hulk movie, as a stand-alone ‘Planet hulk’ movie recounting Dr. Banner’s disappearance at the end of the previous film would be a big hit with fans. Be it the issue copyrights disputes or artistic differences or all of the above, we as marvel fans would definitely watch a marvel reboot for our ‘angry green giant’.", "domain": "drama_and_film"}
+{"url": "https://www.poweractiontoys.shop/product/stormtrooper-jedha-patrol-rogue-one-star-wars-the-black-series/", "date": "2022-06-27T04:41:22Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103328647.18/warc/CC-MAIN-20220627043200-20220627073200-00602.warc.gz", "language_score": 0.8769228458404541, "token_count": 128, "dump": "CC-MAIN-2022-27", "global_id": "webtext-fineweb__CC-MAIN-2022-27__0__255948309", "lang": "en", "text": "STORMTROOPER JEDHA PATROL | Rogue One | Star Wars The Black Series\nKids and collectors alike can imagine the biggest battles and missions in the Star Wars saga with figures from Star Wars The Black Series! With exquisite features and decoration, this series embodies the quality and realism that Star Wars devotees love. Star Wars The Black Series includes figures, vehicles, and roleplay items from the Star Wars Galaxy, including comics, movies, and animated series.\nAges 4 and up\n⚠️ WARNING: CHOKING HAZARD – Small parts. Not for children under 3 years.", "domain": "drama_and_film"}
+{"url": "https://store.fleetfoxes.co/products/retrospective-poster", "date": "2021-11-29T15:02:54Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-49/segments/1637964358774.44/warc/CC-MAIN-20211129134323-20211129164323-00583.warc.gz", "language_score": 0.9550920128822327, "token_count": 160, "dump": "CC-MAIN-2021-49", "global_id": "webtext-fineweb__CC-MAIN-2021-49__0__2693212", "lang": "en", "text": "To commemorate the one-year anniversary of Shore, Fleet Foxes longtime collaborator Sean Pecknold will screen a retrospective of his Fleet Foxes film-based work at the GRAMMY Museum on September 21. Since 2008, Sean has crafted the visual narrative behind Fleet Foxes' songs, interpreting them for the screen in the form of music videos, short films and production design. While his chosen medium shifts dynamically between claymation, stop-frame animation and live action, his point of view remains singularly engaging. Employing analog filmmaking techniques, he creates stories that evoke a vast range of universal emotion whether his characters are lonely shapes, people, creatures or objects. This poster commemorating the retrospective of his work for Fleet Foxes was designed by LA-based designer Liana Jegers.", "domain": "drama_and_film"}
+{"url": "https://writersvictoria.org.au/calendars/opportunities-competitions/peridot-theatre-one-act-play-season-here-there-and-everywhere/", "date": "2023-09-23T12:17:01Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233506480.7/warc/CC-MAIN-20230923094750-20230923124750-00551.warc.gz", "language_score": 0.9396809339523315, "token_count": 967, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__306967801", "lang": "en", "text": "Following on the success of our previous One Act Play Seasons, Peridot Theatre welcomes submissions for their final season for 2023. Peridot Theatre is calling for original One Act Plays to be performed in November 2023 at the Clayton Community Centre.\nPeridot Theatre is proud to support and encourage new works, so if you have an idea for a short play that you would like to develop for performance, please submit your script! Peridot Theatre will support your play by providing rehearsal space and an opportunity to have your work performed publicly during the week of our One Act Play season. They welcome submissions that already have a director or cast attached. However, if required, we can also help find directors and actors to work on your play.\nPeridot Theatre are seeking to be as inclusive as possible and therefore will interpret the theme broadly. They are looking for works that explore, in some way:\n– migration, refugee and/or settlement stories, or/and\n– make use of languages other than English.\nLodge your submission and script by emailing [email protected] by 25 June 2023. No more than 30 scripts will be accepted.\nPerformance Dates: 9-11 November (4 shows)\nPerformance Location: Clayton Community Centre (9 – 15 Cooke Street, Clayton, 3168)\nRehearsal Period: August to October 2023\nRehearsal Location: Fleigner Hall (31 Highland Ave, Oakleigh East, 3166)\nPlease read the submission guidelines below.\nONE ACT PLAY SUBMISSION GUIDELINES\n1. Eligibility: Plays must be original work. We are looking for plays that are new, inventive, fresh, and not an adaptation of work by another author.\n2. Theme: Migration, Refugee, Settlement stories or plays that make use of languages other than English\n3. Length: Running for between 5 minutes to no more than approximately 20-30 minutes. Exceptions may be made for works deemed exceptionally creative or original.\n4. Structure: Although not a requirement, preferential consideration will be given to plays with basic setting – for example: in one scene and/or a single setting.\n5. Genre: Can be comedy, drama, mystery, thriller or monologue.\n6. Cast: No more than five on-stage actors. More characters are allowed if actors double, or you use projection/voice-over. A list of characters with a brief physical description of each must be included with your script.\n7. Technical Limitation: In order to facilitate set changes between plays, settings should be simple, suitable for small stage or black box theatre, requiring very minimal set or furniture and limited technical effects. You will only have 3 to 5 minutes to set up the stage between performances.\n8. Format: PDF or Microsoft Word, prepared using standard formatting for a stage play. Any text in a language other than English must be followed by the English translation or the English translation provided as a footnote on the same page.\n9. Anonymity: The author’s name must not appear on any of the pages, allowing the script to be initially evaluated anonymously. Pages should be numbered.\n10. Submission Limit: One play per playwright.\n11. Submission Method: Please email your script, with a separate one-page submission sheet that includes:\na. playwright(s) name(s)\nb. a brief introduction about the playwright(s)\nc. a brief synopsis of the play\nd. explanatory notes about the background of the play and how it relates to our theme\ne. any staging/casting ideas we should consider\nf. if you have a director and cast already attached to the project or if you would like us to find a director/cast\n12. Deadline: Please email the one-page submission & script to [email protected] by 25 June 2023. No more than 30 scripts will be accepted. With our receipt of the thirtieth script, no further entries will be considered.\n13. Selection Process: The play selection process begins with evaluation by our team of readers, who will independently score each play according to their assessment of how the play reflects the theme of Migration, Refugee, Settlement stories or makes use of languages other than English in storytelling, character, dialogue, theatricality and their own emotional response. The second stage may involve a short online discussion with the playwright about their work and vision for the play. The plays chosen will be announced by the end of June 2023.\n14. Rehearsal and Performance: Plays selected will be rehearsed at Fleigner Hall (from August to October 2023) and performed at Clayton Community Centre.", "domain": "drama_and_film"}
+{"url": "http://www.lockandpartners.co.nz/resources/newsletters/news_archives/star_wars_invitation_1", "date": "2019-02-22T03:41:26Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-09/segments/1550247513222.88/warc/CC-MAIN-20190222033812-20190222055812-00611.warc.gz", "language_score": 0.866673469543457, "token_count": 209, "dump": "CC-MAIN-2019-09", "global_id": "webtext-fineweb__CC-MAIN-2019-09__0__67125186", "lang": "en", "text": "|THE LAST JEDI PREMIERE MOVIE NIGHT!\nHosted by Lock & Partners\nMay the force be with you as you journey far, far away... well Takapuna\nAs a small but cheerful gesture of saying thank you for your business, Lock & Partners\nwarmly invite you to join us for the premiere release of the new Star Wars Movie, The\nWhen: 6 pm - 9 pm, Thursday 14 December.\nWhere: Berkeley Cinema, Takapuna.\nPre-movie drinks, popcorn and ice creams from 6 pm - 6:20 pm\nThe movie starts promptly at 6:30 pm\nPlease RSVP by return email before Friday 24 November. If attending, please indicate\nhow many tickets you would ideally like. Please note tickets are limited to availability\nso we will do our best to accommodate your request.\nThis is a movie for all ages (well probably 7 or 8 years and older) so of course feel free to bring\nyour grandchildren, children, parents or grandparents.", "domain": "drama_and_film"}
+{"url": "https://www.ticket2attraction.com/discount-tickets/james-bond-island-big-boat-phuket/", "date": "2022-07-01T19:42:28Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-27/segments/1656103945490.54/warc/CC-MAIN-20220701185955-20220701215955-00647.warc.gz", "language_score": 0.8037984371185303, "token_count": 299, "dump": "CC-MAIN-2022-27", "global_id": "webtext-fineweb__CC-MAIN-2022-27__0__237589273", "lang": "en", "text": "Full day trip canoeing through the tropical mangrove forest and caves hidden in the islands of the Phang Nga Bay. Visit the famous film set of James Bond 007 at the \"Khao Tapu\" or James Bond Island.\n07:00 hrs. Pick up from your hotel in Phuket.\n08:30 hrs. Welcome you at Ao Po pier Phuket to check-in.\n09:00 hrs. Depart to Phang-nga Bay by big boat.\n10:00 hrs. Explore Panak Island sightseeing wonderful splendid cave and mangrove forest by canoe.\n11:00 hrs. Explore Hong island by canoe and see unique ecosystem\n12:30 hrs. Enjoy with quality buffet lunch while cruising to James Bond island\n13:00 hrs. Arrive at James Bond Island where filmed James Bond 007 “The man with the golden gun”\n15:00 hrs. Swimming and canoeing at Nakae island\n17:30 hrs. Return back to the pier, then transfer back to your hotel.\nWhat should I bring with?\n- Sunglasses, hat\n- Waterproof bag\n- Pocket money\nFor more information, please feel free to contact us on WhatsApp (+66)95-5048282", "domain": "drama_and_film"}
+{"url": "https://www.apowersoft.com/movie-apps.html", "date": "2023-09-24T01:27:47Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233506539.13/warc/CC-MAIN-20230923231031-20230924021031-00119.warc.gz", "language_score": 0.9341292381286621, "token_count": 1382, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__243895926", "lang": "en", "text": "Almost everybody loves watching movies. From the blockbuster Hollywood films, the unique content of Bollywood movies, down to our favorite local flicks, there’s always an urge to catch one. However, we also don’t have the time to pay a visit to a theater house or sit and relax in our home to watch a movie. Luckily, we have our smartphones that we just carry in our pockets everywhere. So, let us all discover the best movie apps available for our Android and iOS phones and binge watch movies anytime and anywhere.\nThe Best Free Movie Apps\nIf you’re looking for a totally free movie app available, tune in to Vix. The mobile streaming app boasts over 20,000 hours of content to watch anytime. It offers thousands of full-length films, TV series, and a lot more. Vix focuses on providing Spanish and Latino entertainment. Additionally, it updates and adds new content constantly. Lastly, you can watch films and series from several genres available.\n- Also available on Smart TVs and PC\n- Minimal ads compared to live TV\n- Not advisable for devices with larger screen\nNext free movies app that you can rely on is Plex. It is a home for several on demand and blockbuster movies. Here, you can also watch any films that were recently launched in the cinema. Another good thing about the app is it allows you to download movies and watch them offline. Finally, it also offers live TV streaming for several news and TV channels.\n- Users can also stream music\n- Available to connect to other device like Smart TVs\n- Must purchase its premium plan to access all features\nOld Movies & Classics\nIf you’re into the golden age of cinema, install Old Movies & Classics on your Android or iOS smartphone. This free movie application focuses on streaming classic Hollywood movies, as it name suggests. You can watch a film even dating back from the 1910s era. Furthermore, you can watch classic films from different genres including romance, thrillers, action, etc. Also, it adds new movies every week.\n- Registered users can send suggestions for movies\n- Media player is supported on tablet\n- Expect the video quality is at standard at best\nOne of the leading free TV apps and also for movie is Pluto TV. While other apps focuses on streaming movie, this app provides thousands of TV shows and series that you can binge watch anytime. Here, you can stream the complete seasons of award-winning TV series. Additionally, it offers TV shows and movies from several genres including Horror, reality shows, and others.\n- It offers Spanish-languaged series and films\n- Watch live TV anytime\n- Pluto TV is not available in some countries\nAnother free movies and tv shows app is Rakuten Viki. Unlike the other apps mentioned above, this app caters Asian series. That being said, it is one of the emerging streaming apps nowadays because of the rising popularity of Korean Dramas worldwide. Aside from that, it also offers trending and famous Asian movies. Luckily, you can also watch the movies with subtitles as it supports more than 150 languages.\n- Stream KPOP performances and concerts anytime\n- All contents are legal and licensed\n- No other content aside from Asian flicks\nOne of the most unique apps to watch movies for free is The Archive. Why? The app boasts on streaming retro digitally restored movies. Moreso, it also offers some classical animations films including Sherlock Holmes series, Charles Dicken’s several kid-friendly flicks, and more. It also caters several classical films and movies that you can choose. Another unique thing here is that some restored movies are available to stream in 4K quality.\n- Provides a search bar for quicker navigation\n- User-friendly interface\n- Too many ads\nOne of the rising and totally free movie apps for Android is Looke. The difference of this app from the other apps reviewed is it focuses on Brazilian films and series. The app boasts almost 8000 movies that you can watch anytime. Aside form that, you can also stream flicks from popular studios including Universal, Sony, Paramount, etc. Lastly, you can purchase a movie or series to watch it on HD.\n- Lets you download movies\n- Also offers TV series\n- Some movies are not playing\nBoasting of 200,000+ new releases of trending films with its recent update, Vudu is one of the most famous movie apps out there. The unique thing here is lets you stream most of its movies in 4K video quality. Also, it lets you download any of its content via purchasing a premium license or renting a movie. For free users, there are some ads that will show while viewing.\n- Lets you cast the movie on Google Chromecast\n- Equip with Kids mode and Parental Control functions for safer viewing\n- Sometimes the app crashes\nWith more than 2500 contents and titles available, NetMovies is another free movie app that you can install. It ensures that all of its content are licensed and legal. Also, you can watch films that is dubbed in several languages available. Moreover, you can watch films in HD video and audio quality. Finally, it is available for Android and iOS smartphones, Smart TVs, and computers.\n- Its official YouTube account also lets you watch movies for free\n- A brief synopsis and ratings of a movie is available\n- No latest movies available\nThe last free movie streaming app on this list is JustWatch. It become famous as a content aggregator of several video streaming services like Netflix, Hulu, Amazon Prime Video, and more. Furthermore, you can watch any movies without ads when you bought or rented it. Here, you can access more than 90,000 movies alongside their trailers, ratings, summary, and others.\n- Registered users can save their Watchlist and access on other devices.\n- 100% legal content\n- Pop-up ads were appearing randomly on its interface\nWatching films nowadays become a challenge because of the worldwide situation we’re in. We are lucky with how streaming apps and sites update their content regularly. Also, it is so convenient that these apps are available on smartphones. Above, you can install any apps to watch movies for free according to your taste. You can also download all of them to access more content!", "domain": "drama_and_film"}
+{"url": "https://libguides.nyit.edu/c.php?g=61873&p=398617", "date": "2023-09-29T11:19:39Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510501.83/warc/CC-MAIN-20230929090526-20230929120526-00195.warc.gz", "language_score": 0.9393495917320251, "token_count": 1045, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__89894282", "lang": "en", "text": "\"Filmsite - also known as Greatest Films (http://www.filmsite.org/ and http://www.greatestfilms.org/) is a unique website containing interpretive, descriptive review commentary and background history on many of the best Hollywood and American classic films in the last century. The site initiated the recent trend to select 100 Landmark Movies in the history of American/Hollywood cinema, that serve as signposts to map the milestones of our cinematic past. The site includes rich reference material including Academy Awards history, film genres, film terms, film history by decade, trivia, and lots of lists of 'best' films, stars, scenes, quotes, resources, posters, etc.\"\n\"The Library of Congress began collecting motion pictures in 1893 when Thomas Edison and his brilliant assistant W.K.L. Dickson deposited the Edison Kinetoscopic Records for copyright. However, because of the difficulty of safely storing the flammable nitrate film used at the time, the Library retained only the descriptive material relating to motion pictures. In 1942, recognizing the importance of motion pictures and the need to preserve them as a historical record, the Library began the collection of the films themselves. From 1949 on these included films made for television. Today the Motion Picture, Broadcasting and Recorded Sound Division (MBRS) has responsibility for the acquisition, cataloging and preservation of the motion picture and television collections. The Division operates the Motion Picture and Television Reading Room to provide access and information services to an international community of film and television professionals, archivists, scholars and researchers.\"\nWebsite to the Museum of the Moving Image, located in Queens NY.\n\"The Museum maintains the nation's largest and most comprehensive collection of artifacts relating to the art, history, and technology of the moving image—one of the most important collections of its kind in the world. Begun at the Museum's inception in 1981, today the collection numbers approximately 125,000 artifacts.\"\n\"Since 1994, IFC has cultivated television programming that challenges the conventions of storytelling. Today, IFC continues to embrace content with an indie perspective. Original series--headlined by brand-defining scripted and sketch comedy--air alongside an extraordinary collection of films and cult TV shows. Long and short-form original content inspired by music, web, gaming, animation, news, and culture is available on multiple platforms. IFC provides viewers access to must-see festivals and events around the country, like the Film Independent's Spirit Awards and SXSW. IFC.com features exclusive video, podcasts, blogs, news and reviews cultivated and written by industry experts. The network's On Demand offering, IFC Free, gives fans the opportunity to watch select content from IFC whenever they want. IFC is a subsidiary of Rainbow Media Holdings LLC.\"\n\"The IMDb started as a hobby project by an international group of movie fans (see history), essentially something by movie fans for movie fans.\nIt is a huge collection of movie information. We try to catalog every pertinent detail about a movie, from who was in it, to who made it, to trivia about it, to filming locations, and even where you can find reviews and fan sites on the web. We then do our best to present this information in a manner that is easy to search and access.\"\n\"Senses of Cinema is an online journal devoted to the serious and eclectic discussion of cinema. We believe cinema is an art that can take many forms, from the industrially-produced blockbuster to the hand-crafted experimental work; we also aim to encourage awareness of the histories of such diverse forms. As an Australian-based journal, we have a special commitment to the regular, wide-ranging analysis and critique of Australian cinema, past and present.\"\n\"THS is the only organization in the U.S. which exclusively records and preserves the rich architectural, cultural and social history of America's theatres. Through its collections and publications, THS makes available information on more than 15,000 theatres, primarily in the United States, and encourages further research in these areas.\"\n\"This website is a biographical guide to the world of Victorian film. It features 300 biographies of those who, behind and in front of the camera, played a significant part in creating the phenomenon of moving pictures. It is based on the book Who's Who of Victorian Cinema, published by the British Film Institute in 1996. It has been revised throughout, and new entries and background features added, to make the website serve as a reference source to the world of Victorian film and the world as seen through the eyes of the Victorian filmmakers. Victorian film we define as filmmaking in its broadest sense, from the first glimmerings in the 1870s and 80s to the death of Queen Victoria in January 1901.\"\n\"The London Film Museum is the only film museum of its kind in Great Britain, supporting the Film Industry and the talent within it. We are self supporting by way of a minimal entry price, reinvesting back into the museum and within the community, creating a number of local area initiatives that also form an important part of the school curriculum.\"", "domain": "drama_and_film"}
+{"url": "http://www.destinationsouthampton.com/events/3009-all-theatre-should-be-physical/", "date": "2017-08-23T12:01:59Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-34/segments/1502886120194.50/warc/CC-MAIN-20170823113414-20170823133414-00287.warc.gz", "language_score": 0.922593355178833, "token_count": 151, "dump": "CC-MAIN-2017-34", "global_id": "webtext-fineweb__CC-MAIN-2017-34__0__265583396", "lang": "en", "text": "Unexpected Places presents 'All Theatre Should Be Physical', a two-day performance boot camp on 12th and 13th August at Cobbett Hub & Library, Bitterne Park.\nOn day one the group will explore different techniques to lift scripts off the page, and create new scenes that focus on visual aspects of theatre and performance. On day two, group members will bring in an item with which to create a short play. Both days run from 10-4pm with a performance to friends and family at 4pm on the second day. The days can be booked individually for £30 or together as a two-day workshop (£55).\nFor more information and to book your place, email email@example.com.", "domain": "drama_and_film"}
+{"url": "https://www.tuko.co.ke/411851-lexa-doig-height-net-worth-ethnicity-children-movies-tv-shows.html", "date": "2023-03-23T00:47:55Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296944606.5/warc/CC-MAIN-20230323003026-20230323033026-00320.warc.gz", "language_score": 0.9495205879211426, "token_count": 1893, "dump": "CC-MAIN-2023-14", "global_id": "webtext-fineweb__CC-MAIN-2023-14__0__216984872", "lang": "en", "text": "Lexa Doig: height, net worth, ethnicity, children, movies and TV shows\nLexa Doig is a renowned Canadian actress, former model and philanthropist. The multitalented star made a transition from the modelling world to making a ground-breaking performance in Andromeda.\nLexa Doig is one among the crème de la crème in the American film industry. Her impressive talent has attracted numerous producers that have given her various acting roles. She appeared as the female lead role of Rowan in the science fiction action horror movie Jason X and starred in Friday the 13th series.\nLexa Doig profile summary\n- Full name: Alexandra Lecciones Doig\n- Date of birth: 8th June 1973\n- Place of birth: Toronto, Ontario, Canada\n- Age: 47 years (as of 2021)\n- Nationality: Canadian\n- Lexa Doig ethnicity: Caucasian-white\n- Height: 5 feet 6 inches\n- Weight: 52 kg\n- Marital status: Married\n- Spouse: Michael Shanks\n- Profession: Actress, former model, philanthropist\n- Net worth: $500, 000\nLexa Doig biography\nAlexandra Lecciones Doig was born on 8th June 1973 in Toronto, Ontario, Canada. Her parents are David W Doig (father) and Gloria B Lecciones (mother). Her father is a Canadian engineer and a former petroleum executive officer in Toronto, while her mother is a registered nurse.\nWhat is Lexa Doig ethnicity? The actress has a mixed-race ethnic background. Her father is of Scottish and Irish ancestry from Britain, while her mother comes from Dumaguete City in the Philippines. She is of British origin on her father's side and Filipino on her mother's side.\nThe singer is the youngest child in the family of four. She has an elder brother Ted Doig. While growing up, she studied rhythmic gymnastics, and as a teenager, she studied American Sign Language. She enrolled at Don Mills Collegiate Institute for her high school education.\nThe actress began her modelling career while still undertaking her compulsory education at Don Mills Institute. She enrolled in a vocational modelling program when she was 16 years old. Immediately, a talent agent offered to be her representative and booked her for various modelling projects.\nDuring her final year in high school, she chose to drop out and pursue acting. She landed her first job as a co-host for the Canadian game show, Video & Arcade Top 10, between 1991 and 2006.\nWhile still working as a co-host, she auditioned for roles in films and TV shows. She also worked on several theatre productions such as Romeo and Juliet and Arsenic, and Old Lace. She landed her first acting role in 1993 as Second Girl in The Hidden Room.\nHer debut in movies happened in 1995 when she starred in Jungleground. Even with these movies and TV shows, the actress had not attained her breakthrough until 2000 when she appeared in No Alibi's film.\nHer breakthrough on the big screen opened room for other significant roles in different films and TV shows. She landed the title role in Gene Roddenberry's science fiction TV series Andromeda. From 2000 to 2005, the actress portrayed the Andromeda Ascendant ship's computer in three personas. These were:\n- The ship's powerful Artificial Intelligence on the ship's screen\n- The AI's hologram\n- As Rommie, the android avatar of the AI\nThe actress has continued to ace different roles in many movies and TV shows over the years. Here are the highlights of Lexa Doig movies and TV shows:\n- 1995 - Jungleground as Spider\n- 1999 - Teen Sorcery as Mercedes\n- 2000 - No Alibi as Camille\n- 2001 - Jason X as Rowan LaFontaine\n- 2011 - Tactical Force as Jannard\n- 1993 - The Hidden Room as Second Girl\n- 1994 to 1996 - TekWar as Cowgirl\n- 1996 - Taking the Falls as Netta\n- 1996 - F/X: The Series as Reporter\n- 1996 - Flash Gordon as Dale Arden\n- 1996 - Ready or Not as Receptionist\n- 1997 - While My Pretty One Sleeps as Tse Tse\n- 1999 - CI5: The New Professionals as Tina Backus\n- 1999 to 2000 - Traders as M.J. Sullivan\n- 2000 - Code Name Phoenix as Conchita Flores\n- 2000 - Earth: Final Conflict as Joan Price\n- 2001 - The Tracker as Kim Chang\n- 2002 - The Chris Isaak Show as Detective Lucy Ramirez\n- 2004 - Human Cargo as Rachel Sanders\n- 2005 - The 4400 as Wendy Paulson\n- 2005 - Killer Instinct as Hospital Doctor\n- 2000 to 2005 - Andromeda as Andromeda Ascendant/Rommie\n- 2005 to 2007 - Stargate SG-1 as Dr Carolyn Lam\n- 2007 - Second Sight as Jenny Morris\n- 2007 to 2008 - Eureka as Dr Anne Young\n- 2008 - Ba'al: The Storm God as Pena\n- 2009 - Fireball as Ava\n- 2009 - Supernatural as Risa\n- 2010 - V as Dr Leah Pearlman\n- 2010 to 2011 - Smallville as Dr. Christina Lamell\n- 2011 - Health Nutz as Ivonka\n- 2013 - Primeval: New World as Dr Mara Fridkin\n- 2012 to 2015 - Continuum as Sonya Valentine\n- 2012 to 2014 - Arctic Air as Petra Hossa\n- 2014 - Saving Hope as Dr Selina Quintos\n- 2015 - A Bone to Pick: An Aurora Teagarden Mystery as Sally Allison\n- 2015 - Real Murders: An Aurora Teagarden Mystery as Sally Allison\n- 2016 - Three Bedrooms, One Corpse: An Aurora Teagarden Mystery as Sally Allison\n- 2016 - The Julius House: An Aurora Teagarden Mystery as Sally Allison\n- 2017 to 2020 - Arrow as Talia al Ghul\n- 2017 to 2018 - The Arrangement as Deann Anderson\n- 2017 - Dead Over Heels: An Aurora Teagarden Mystery as Sally Allison\n- 2017 - A Bundle of Trouble: An Aurora Teagarden Mystery as Sally Allison\n- 2018 - Reap What You Sew: An Aurora Teagarden Mystery as Sally Allison\n- 2018 - Aurora Teagarden Mysteries: The Disappearing Game as Sally Allison\n- 2019 - Aurora Teagarden Mysteries: A Game of Cat and Mouse as Sally Allison\n- 2019 - Aurora Teagarden Mysteries: An Inheritance to Die For as Sally Allison\n- 2019 - Aurora Teagarden Mysteries: A Very Foul Play as Sally Allison\n- 2019 to 2020 - Virgin River as Paige Lassiter\n- 2020 - Aurora Teagarden Mysteries: Heist and Seek as Sally Allison\n- TBA - Chucky as Bree Webber\nHusband and children\nLexa is married to Michael Shanks. He is a Canadian actor, director and writer. He is famous for starring as Dr Daniel Jackson in the Canadian-American military science fiction TV series Stargate SG-1. The duo met on the set of Andromeda.\nThey dated for a few years before tying the knot on 2nd August 2003. The couple is blessed with two lovely kids. Lexa Doig and Michael Shanks children are Samuel David Shanks (son) and Mia Tabitha Shanks (daughter).\nLexa and Michael have worked together in the following films:\n- 2003 - Day of Judgment, Day of Wrath\n- Castmates in the final two seasons of Stargate SG-1\n- 2011 - Tactical Force\n- 2019 - Netflix Original series Virgin River\nLexa Doig height and body measurements\nLexa stands at the height of 5 feet 6 inches and weighs 52 kg. She measures 35-24-35 inches for her bust, waist and hips, respectively. The actress wears a dress size 6 (US) and shoe size 8 (US).\nLexa Doig net worth\nThe actress has earned a significant sum of money from her career spans close to three decades. She has an estimated net worth of $500 000.\nLexa Doig is the epitome of hard work, discipline and commitment to her work. Her excellence has seen her rise steadily into becoming one of the best actresses in Canada. She is an inspiration to many women in the film industry.\nTuko.co.ke published an article about Kristen Welker. Kristen is a well-known face on NBC News. Kristen has worked for NBC News since 2010 and is one of the most popular anchors. She is famous for her dynamic questioning and hard-hitting political reporting in White House press briefings.\nFrom her knowledge in political matters to her eloquence at presenting news items, Welker ticks all the boxes as far as her career is concerned. Her political reporting has enabled her to travel extensively with former President Barack Obama, former first lady Michelle Obama, and Joe Biden. She covered the presidential campaign of former Secretary of State Hillary Clinton in 2016.", "domain": "drama_and_film"}
+{"url": "http://www.watchonline.hotmoviestream.com/", "date": "2014-08-27T21:01:27Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2014-35/segments/1408500829839.93/warc/CC-MAIN-20140820021349-00305-ip-10-180-136-8.ec2.internal.warc.gz", "language_score": 0.7821228504180908, "token_count": 104, "dump": "CC-MAIN-2014-35", "global_id": "webtext-fineweb__CC-MAIN-2014-35__0__101596238", "lang": "en", "text": "Watch The Giver Full Movie StreamingGenre : Drama, Science Fiction - Video Length 1 Hour 34 minutes - Quality: HD 1080p\nProduction : The Weinstein Company\nRelease : Friday, 15th August 2014\nCountries : United States of America\nLanguages : English\nThe Giver tell story about \"In a seemingly perfect community, without war, pain, suffering, differences or choice, a young boy is chosen to learn from an elderly man about the true pain and pleasure of the \"real\" world.\"", "domain": "drama_and_film"}
+{"url": "https://quailsong.com/index.php?main_page=product_info&cPath=65&products_id=227", "date": "2023-11-29T19:27:40Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100135.11/warc/CC-MAIN-20231129173017-20231129203017-00208.warc.gz", "language_score": 0.9024367928504944, "token_count": 142, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__191180108", "lang": "en", "text": "William Shakespeare Genre:\nLiterary Fiction (play), Poetry, Tragedy Description:\nIn one of Shakespeare's most famous and popular tragedies, the three daughters of the king of Britain are put to the test of declaring their love for their father, King Lear. The test leads to the expulsion of the favorite daughter, Cordelia; the undermining of the king; and ultimately the unraveling of Lear's sanity. In true Shakespeare fashion, greed, war, lust, and misplaced good intensions intersect to form an inevitable climax of poison and swordplay, making King Lear arguably the greatest tragedy of all time. George Bernard Shaw wrote, \"No man will ever write a better tragedy than Lear.\"", "domain": "drama_and_film"}
+{"url": "http://studentaffairs@pointpark.edu/PghPlayhouse", "date": "2014-11-24T12:20:08Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2014-49/segments/1416400380627.44/warc/CC-MAIN-20141119123300-00076-ip-10-235-23-156.ec2.internal.warc.gz", "language_score": 0.8781272768974304, "token_count": 102, "dump": "CC-MAIN-2014-49", "global_id": "webtext-fineweb__CC-MAIN-2014-49__0__53773782", "lang": "en", "text": "The performing arts center of Point Park University\nThe Pittsburgh Playhouse is the performing arts center of Point Park University's Conservatory of Performing Arts.\nThe three-theater center is home to The REP, a professional company, and three student companies--Conservatory Theatre Company, Conservatory Dance Company and Playhouse Jr.\nThe Pittsburgh Playhouse maintains a rigorous performance calendar with eighteen major productions and 235 performances, entertaining more than 30,000 patrons annually.\nVisit the Pittsburgh Playhouse site", "domain": "drama_and_film"}
+{"url": "https://continuousdesigns.wordpress.com/page/2/", "date": "2018-05-23T03:07:28Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-22/segments/1526794865411.56/warc/CC-MAIN-20180523024534-20180523044534-00514.warc.gz", "language_score": 0.9492166042327881, "token_count": 535, "dump": "CC-MAIN-2018-22", "global_id": "webtext-fineweb__CC-MAIN-2018-22__0__117028563", "lang": "en", "text": "Everyone’s talking about Avatar and Alice. Even ComiCon had it’s moments with a potential stampede when rumors about Depp stopping by quickly spread. At least that’s how I describe it, since I had to duck and cover. But, there’s something more interesting in theaters today.\nI went to a screening of Bong Joon-ho’s latest film, MOTHER. It is a funny, creepy, exciting murder mystery that also explores the mother-son relationship. And, yet another example of the latest cinematic talent out of Asia.\nHong Kong dominated for years, giving the west stars like Jackie Chan and directors like John Woo to fall in love with. Hollywood has had a long relationship with Asian cinema. The Pang Brothers minimalist horror film, Gin Gwai was remade as The Eye. Andy Lau’s Infernal Affairs 1,2 and 3 were merged to become The Departed. And, Japan’s Takashi Shimizu brought us his own remake of The Grudge.\nKorean Cinema, sometimes referred to as Han Cinema, brings something new to the mix. The latest wave of movies out of Korea cannot be held in a narrow category. One thing they do have in common is the unexpected angle used. Stories that have been told since cinema began are updated and given new and broader perspectives. The subject matter ranges wildly from romance-starring septuagenarian lovers, to horror-where the monster is revealed immediately, to history-taking on brotherhood, loyalty and the effect of history on the present during the Korean War in the 1950’s, to mystery-a woman in ancient Korea use forensic science to solve a murder.\nLast year, Na Hong-jin premiered his first film, The Chaser. It was picked up by an American studio before it even hit the film festival circuit. I’m curious but wary of how American film will deal with a story with a sympathetic serial killer and corrupt ex-cop/pimp as the hero. But, it’s due out in 2010, and rumored to star DiCaprio. That’s a story that could only come out of Korean Cinema today.\nThis is inspirational for design, marketing, branding, etc, because it shows how a creative mind can tell the same old story in a new way. The old quote, “There’s nothing new under the sun” is often used to discourage designers and artists. It may be true, but how you look at and how you show the same old, same old can create something new.", "domain": "drama_and_film"}
+{"url": "https://autoankauf-essen.org/classic-cars-in-pop-culture-movies-and-tv-shows/", "date": "2024-03-03T23:11:00Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947476399.55/warc/CC-MAIN-20240303210414-20240304000414-00349.warc.gz", "language_score": 0.9201711416244507, "token_count": 789, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__127894563", "lang": "en", "text": "Classic cars have always held a special place in our hearts. Their timeless design, powerful engines, and nostalgic appeal evoke a sense of romance and adventure. Over the years, these vintage beauties have made numerous appearances in movies and TV shows, further enhancing their iconic status. Let’s take a trip down memory lane and explore some of the most memorable classic cars in pop culture.\nRoadsters and Enchanting Rides\nWhen we think of classic cars in movies, the first image that flashes in our minds is often the sleek and glamorous roadsters. These cars exude elegance and sophistication, making them a perfect fit for leading characters. Movies like “The Great Gatsby” showcased the opulence of the roaring twenties, with Jay Gatsby’s iconic yellow Rolls-Royce capturing the essence of this glamorous era.\nAnother classic that quickly comes to mind is the DeLorean DMC-12 from the iconic Back to the Future trilogy. This futuristic sports car, equipped with a flux capacitor, became a beloved symbol of the franchise. Its gull-wing doors and stainless steel body made it an instant hit with fans, solidifying its place in pop culture history.\nPursuit of Adrenaline\nClassic cars are also known for their power and speed, and many films and TV shows have capitalized on this thrill-seeking aspect. The 1967 Shelby GT500, famously known as “Eleanor,” stole the spotlight in the blockbuster film Gone in 60 Seconds. The car became an instant sensation, with its sleek design and impressive performance leaving audiences on the edge of their seats.\nAnother classic car with an adrenaline-filled reputation is the Ford Mustang, particularly the iconic 1968 Ford Mustang GT Fastback, which was immortalized in the award-winning film Bullitt. The exhilarating car chase through the streets of San Francisco is etched in cinematic history, leaving an indelible mark on the Mustang’s legacy.\nRobots in Disguise\nClassic cars can transform into more than just vehicles; they can also become mighty warriors. The beloved Transformers franchise showcased this concept by introducing iconic characters like Bumblebee and Optimus Prime. Bumblebee’s charming yellow Volkswagen Beetle incarnation captured the hearts of fans, while Optimus Prime’s imposing presence in his classic Peterbilt 379 truck form commanded respect.\nThese cars-turned-robots not only added excitement and futuristic elements to the films but also paid homage to the classic vehicles they transformed from, bridging the gap between past and future.\nClassic cars can act as time machines, instantly transporting us to bygone eras. In the hit TV series Mad Men, set in the 1960s New York advertising world, Don Draper’s Cadillac Coupe DeVille symbolized success and epitomized the luxurious lifestyle of the time. The car’s stylish design and powerful engine perfectly captured the essence of the era.\nFurthermore, the iconic 1982 Pontiac Trans Am from the TV show Knight Rider featured a computerized AI system named KITT, which fascinated audiences around the world. The Trans Am’s sleek black exterior and futuristic technology made it an instant classic, captivating viewers and proving that classic cars can transcend time and captivate new generations.\nPreserving the Legacy\nClassic cars have become more than just props on the big screen; they have become symbols of our culture. By featuring these vintage beauties in movies and TV shows, we not only celebrate their timeless design but also keep their legacy alive for future generations to appreciate.\nWhether it’s the elegance of bygone eras, the thrill of speed and power, or the nostalgia they evoke, classic cars continue to make a lasting impression on pop culture. As technology advances and new cars take the spotlight, these vintage treasures will always hold a special place in our hearts and remind us of the magic of cinematic storytelling.", "domain": "drama_and_film"}
+{"url": "https://doggielawn.com/blogs/blog/cuddles-canines-and-cinema-a-christmas-movie-marathon-with-your-dog-for-cozy-nights-in", "date": "2024-02-25T02:44:54Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474573.20/warc/CC-MAIN-20240225003942-20240225033942-00367.warc.gz", "language_score": 0.927951455116272, "token_count": 822, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__129780769", "lang": "en", "text": "Cuddles, Canines, and Cinema: A Christmas Movie Marathon with Your Dog for Cozy Nights In\nUpdated On: Tuesday, November 28, 2023 10:34:19 AM America/Los_Angeles\nAs the winter winds bring a chill to the air and the festive season approaches, there's no better way to embrace the holiday spirit than by hosting a Christmas movie marathon. This year, why not take the coziness up a notch and make it a memorable experience by including your furry friend? In this blog post, we'll guide you through the perfect recipe for a heartwarming Christmas movie marathon with your dog, ensuring your nights in are filled with warmth, laughter, and the unconditional love of your canine companion.\nPhoto by Mark Zamora\nSet the Scene for Snuggles\nTransform your living space into a haven of warmth and festive cheer. Dim the lights, light some candles or twinkle lights, and arrange your coziest blankets and pillows. Dogs, like us, appreciate a comfortable setting, and creating a cozy atmosphere enhances the movie marathon experience for both you and your four-legged friend.\nCozy Canine Nooks\nBefore hitting play, ensure your dog has their own designated cozy spot. Whether it's their favorite dog bed, a soft blanket, or right next to you on the couch, make it a snug space where they can curl up and enjoy the movie. Consider placing a few of their favorite toys nearby for added comfort.\nDoggie Delights and Movie Munchies\nNo movie marathon is complete without snacks! While you indulge in your favorite treats, don't forget about your pup. Prepare some dog-friendly snacks like homemade treats or grab some canine-approved goodies from the pet store. This way, your dog can join in the snacking fun, making it a truly shared experience.\nCanine-Approved Movie Selection\nCurate a movie list that caters to both human and canine audiences. Look for films featuring heartwarming stories, delightful animations, or even movies with canine protagonists. Classics like \"Home Alone,\" \"The Grinch,\" or \"Lady and the Tramp\" are excellent choices that can entertain both you and your furry friend.\nInteractive Movie Moments\nMake the movie marathon interactive by incorporating moments that engage your dog. If the movie features animals or sounds that might capture their attention, watch for their reactions and interact accordingly. Keep some toys nearby for playtime during intermissions, turning the movie night into an engaging experience for your pup.\nCapture the Memories\nTake a break from the screen to capture the adorable moments. Whether it's your dog snuggled up with you, reacting to a funny scene, or enjoying their treats, these moments are precious and worth preserving. Snap some pictures or record short videos to immortalize the coziness of your Christmas movie night.\nIf your pup needs a bathroom break during your Christmas movie marathon, DoggieLawn offers the ultimate convenience. This subscription service delivers fresh, real grass patches to your doorstep regularly. It provides a mess-free and natural solution for indoor potty needs, allowing your dog to take care of business without interrupting your cozy movie night. With DoggieLawn, you can ensure your furry friend stays comfortable and content throughout the entire movie marathon experience, making it a stress-free holiday for both of you. Don't forget to include this fantastic service in your checklist for the perfect Christmas night in with your dog.\nA Christmas movie marathon with your dog is more than just a night of entertainment; it's a celebration of togetherness and the joy of the holiday season. By setting the scene for snuggles, ensuring canine comfort, and curating a canine-approved movie list, you're creating an experience that both you and your furry friend will cherish. So, grab the remote, share some snacks, and embark on a cozy cinematic journey with your dog by your side – because the best movie nights are the ones spent with those you love, even if they have four legs.", "domain": "drama_and_film"}
+{"url": "https://www.emmanuel.nottingham.sch.uk/the-national-theatre-connections-festival-2022/", "date": "2024-03-01T02:04:58Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474893.90/warc/CC-MAIN-20240229234355-20240301024355-00104.warc.gz", "language_score": 0.9775275588035583, "token_count": 448, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__89313964", "lang": "en", "text": "The Nottingham Emmanuel School took part in The National Theatre Connections Festival 2022 and their play Find a Partner will be performed at Nottingham Playhouse on Monday 4th April at 6pm, sharing a double bill with Carlton Academy in this prestigious annual theatre celebration of young talent.\nA cast of 24 students from the school have been working on this production together for 6 months, meeting every week to rehearse, adapt and produce this specially scripted play for young teenage actors and audiences.\nDirected by Demi Hughes, one of the school’s drama teachers, Ms Hughes has recognised and brought out the talented personalities and performances of her cast. They have also been mentored by one of the National Theatre’s directors from London and had the opportunity to see other student’s performances in the festival.\nFind a Partner written by Miriam Battye especially for the National Theatre festival which aims to support young playwrights and performers. The play is essentially Love Island meets the Hunger Games, asking the audience to be part of the game show, where the aim is either to find love and – if you’re not ‘worthy’ of love – you are eliminated from the game. It deals with the search for the perfect partner – and in the play looks at how people find love, how they stay and survive in the game. All without losing themselves and their values, and their lives.\nThe performance at the Playhouse was a huge success with several members of the cast being praised for their characterisation by the National Theatre Director of the National Theatre in London. One student Mya Mercer was approached by the Nottingham Playhouse and offered a bursary to join their Youth Theatre!\nThe audience laughed along and there was a great buzz within the auditorium. It was a real pleasure to be able to view the show! Every single student who took part either on stage or behind the scenes were excellent; really represented the school in a positive light! – Mrs Stapleton\nAll of the cast involved did Emmanuel so proud!! This is my 5th year running this event and it was by far the most enjoyable, rewarding and by far the best outcome!! Bring on next year! – Miss Hughes", "domain": "drama_and_film"}
+{"url": "https://thenorthwindonline.com/3864606/opinion/movies-don%E2%80%99t-capture-books/?print=true", "date": "2022-11-27T11:50:49Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2022-49/segments/1669446710237.57/warc/CC-MAIN-20221127105736-20221127135736-00311.warc.gz", "language_score": 0.9645571708679199, "token_count": 592, "dump": "CC-MAIN-2022-49", "global_id": "webtext-fineweb__CC-MAIN-2022-49__0__139041508", "lang": "en", "text": "When it comes to well-written books, movie adaptations simply cannot compare to the depth of tens of thousands of words on hundreds of pages.\nIf there’s a book I am interested in reading, like “The Help,” I will not watch the film prior to reading for a simple reason; it removes the personal interpretation from the book.\nCreating images of the characters and settings in my head is part of the experience of reading. I’d much prefer that over imagining the actors and manufactured settings.\nAt least at the pace I read, books are a much deeper commitment than a two-hour movie. Things which are simply provided for moviegoers are slowly discovered when reading books.\nWhen comparing a book with a film, the latter just skims the surface of what readers know. The most recent example of this for me was “The Hunger Games.” I got the feeling that moviegoers were being cheated out of a connection to the characters and story.\nAfter reading the book (twice), I saw how many memorable things were missing from the movie. Film adaptations often seemed stripped of emotion and replaced with action.\nWhile it’s understandable that most viewers do not want to sit and listen to characters’ thoughts, they often reveal character motives. In turn, these motives often drive the plot of stories. Character thought fills many book pages, but is difficult to portray in films without getting too wordy.\n“The Hunger Games” book was full of tension, personality and pain, and much of that was not portrayed in the film. The cast was chosen perfectly, but even that could not make the film live up to the emotion and suspense of the book.\nThe quality of movie adaptations varies across a wide spectrum. There are the exceptional adaptations, like “A Clockwork Orange” or “Forrest Gump.” There are some that match the level of the book; “Twilight” comes to mind.\nThen, there are movies like “My Sister’s Keeper” that absolutely ruin the print version, removing the details that make a story what it is.\nI do not want to spoil the ending for those interested in reading the book. But I will say the film does a better job than I could imagine of destroying an honest tear-jerker.\nIf an author is involved with the screenplay, actively picking out the vital parts and weeding out the unnecessary ones, it’s a promising sign. No one knows a story better than the one person who put all of their energy into it.\nReaders will always go into film adaptations with high expectations, but it should not be assumed a movie will be identical to the book without it lasting several hours.\nAt the same time, movie producers should not change the story so drastically it’s unrecognizable without changing its title.", "domain": "drama_and_film"}
+{"url": "https://rangbhoomispaces.com/book-a-slot-for-prarambh/", "date": "2024-02-24T23:05:53Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-10/segments/1707947474569.64/warc/CC-MAIN-20240224212113-20240225002113-00394.warc.gz", "language_score": 0.921036958694458, "token_count": 570, "dump": "CC-MAIN-2024-10", "global_id": "webtext-fineweb__CC-MAIN-2024-10__0__5838405", "lang": "en", "text": "Book A Slot For Prarambh\nAre we ready to embark on a transformative journey into the captivating world of theatre and acting? Prarambh, a 50-day production-oriented workshop, awaits to ignite your passion for the performing arts and unleash the actor within you. This immersive experience will take you through a comprehensive curriculum that covers the fundamentals of theatre, voice exercises, movement exercises, characterisation, improvisation, and much more. With a focus on experiential learning and hands-on performances, Prarambh promises to be a transformative and unforgettable adventure.\nPrarambh is more than just an acting workshop; it is a journey of self-discovery. Through a carefully curated series of exercises and activities, participants will become more aware of themselves, exploring their emotions, and understanding the power of touch and energy in performance.\nThis journey of introspection sets the foundation for authentic and powerful storytelling on stage. Under the guidance of seasoned theatre professionals, participants will dive deep into the basics of theatre and acting. Voice exercises will enhance vocal resonance and expression, while learning the nav-rasas (nine emotions) will enable a profound understanding of emotional depth in character portrayal. Movement exercises will enhance physical expression, enabling actors to communicate without words. Characterisation is at the heart of acting, and Prarambh will offer valuable insights into developing well-rounded and compelling characters. Through various exercises and techniques, participants will learn to embody and bring to life diverse personas. Improvisation exercises will foster spontaneity, creativity, and the ability to think on your feet, essential skills for any performer.\nThe workshop isn’t just about hard work; it’s also about having fun and building connections. Prarambh will include team-building exercises and engaging theatre activities that foster collaboration, camaraderie, and a sense of community among participants. Together, you will explore the joy of theatre and its ability to unite people from diverse backgrounds.At Prarambh, theory meets practice, and participants will have the opportunity to showcase their newfound skills in multiple performances throughout the workshop. These performances will be the culmination of weeks of learning and growth, providing participants with invaluable real-world experience and the chance to captivate audiences with their talent.\nPrarambh is more than just a workshop; it’s an invitation to explore your artistic potential, dive deep into the nuances of acting, and embrace the magic of theatre. Join us on this 50-day transformative journey of self-expression and storytelling. Together, let’s set the stage for unforgettable performances and create memories that will resonate with you for a lifetime. Book your spot at Prarambh today, and let the curtain rise on a new chapter of artistic brilliance and personal growth.", "domain": "drama_and_film"}
+{"url": "http://www.jenniferniven.com/books/blonde/", "date": "2020-01-19T20:02:32Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-05/segments/1579250594705.17/warc/CC-MAIN-20200119180644-20200119204644-00347.warc.gz", "language_score": 0.9335789084434509, "token_count": 475, "dump": "CC-MAIN-2020-05", "global_id": "webtext-fineweb__CC-MAIN-2020-05__0__250817832", "lang": "en", "text": "A fearless and spirited pilot conquers Hollywood. Now can she survive movie stardom?\nIn 1945, Velva Jean Hart is a bona fide war heroine. After a newsreel films her triumphant return to America, Metro-Goldwyn-Mayer promises to make her a star. They give her a new life story and a brand new name. As \"Kit Rogers,\" she navigates the movie sets, recording sessions, parties, staged romances, and occasional backstabbing that accompany her newfound fame. She also navigates real-life romance, finding herself caught between a charismatic young writer and a sexy and enigmatic musician from her past. But when one of her best friends dies mysteriously and the most powerful studio in the world launches a cover-up, Velva Jean goes in search of the truth — risking her own life, as well as her heart, in the process.\nSet during Hollywood's Golden Age and peopled with a cast of unforgettable characters, American Blonde will mesmerize readers of The Chaperone as well as fans of the Velva Jean series.\nAmerican Blonde is utterly enthralling from the first page to the last, thanks to the magic of Jennifer Niven's lovely writing, and the riveting drama of her character's quest for her dreams and for herself. — Rosemary Harris, Tony Award-winning, Emmy Award-winning actress\nJennifer Niven is a stunning talent. Like Elmore Leonard, she's such a sneaky good writer that you might not notice what she's up to. On one level, American Blonde is a crackling thriller that will keep you up all night until the pieces of the plot come together. At the same time, it's an elegantly written, impressively researched novel that makes idealism, heroism, and a romantic era come to life. Either way, it's a total knockout. — Jonathan Eig, New York Times bestselling author of Get Capone, Luckiest Man, and Opening Day\nA rich recreation of the post-war Golden Age of Hollywood provides the setting for an irresistible murder mystery. You will not want to set it down. — Rock Brynner, author of Empire and Odyssey: The Brynners in Far East Russia and Beyond\nFans will relish this latest installment in the adventures of Velva Jean. — Booklist", "domain": "drama_and_film"}
+{"url": "https://www.stareuropetours.com/tours-in-london-warner-brothers-studio-tour.html", "date": "2023-04-01T14:50:52Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296950030.57/warc/CC-MAIN-20230401125552-20230401155552-00101.warc.gz", "language_score": 0.892806351184845, "token_count": 276, "dump": "CC-MAIN-2023-14", "global_id": "webtext-fineweb__CC-MAIN-2023-14__0__183819130", "lang": "en", "text": "Your journey starts where you'll meet your tour representative, when you arrive, enjoy timed access and be greeted by a dedicated Studio Tour guide who reveals the wonders you'll encounter throughout your tour of the original sets, props, and costumes from all eight of the Harry Potter films. You will be given your own personal headset to ensure you do not miss any of the fascinating behind-the-scenes facts.\nStart your experience with a short film in the cinema before you enter the iconic Great Hall set. The guide will share production secrets and inside information and tells you about the processes used to bring the films to life. Take a look inside Dumbledore’s office, and walk along cobbled Diagon Alley, which features the shop fronts of Ollivanders, Flourish and Blotts, Weasleys’ Wizard Wheezes, Gringotts Bank, and Eeylops Owl Emporium. Visit the original Hogwarts Express locomotive and a recreation of Platform 9 ¾. Climb aboard the train carriage, and pose with a luggage trolley as it disappears through the platform wall.\nOnce the guided tour comes to an end, you have the option to re-enter the Warner Bros. Studio Tour London at your leisure, find that perfect Harry Potter souvenir at the Studio Shop, or purchase a coffee at the Studio Tour Cafe.", "domain": "drama_and_film"}
+{"url": "http://yespunjab.com/punjabi-cinema", "date": "2014-04-16T13:03:19Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2014-15/segments/1397609523429.20/warc/CC-MAIN-20140416005203-00291-ip-10-147-4-33.ec2.internal.warc.gz", "language_score": 0.9265119433403015, "token_count": 494, "dump": "CC-MAIN-2014-15", "global_id": "webtext-fineweb__CC-MAIN-2014-15__0__47257371", "lang": "en", "text": "Chandigarh, April 13, 2014 (YP Bureau)\nPTC Motion Pictures Presentation Disco Singh broke all the records grossing Rs 2.10 cr on the first day itself.\nThe maiden venture of PTC Motion Pictures, Disco Singh opened in 203 theatres in India with over 840 shows making a record and an achievement in itself.\nProducers Rajiee M Shinde and Rabindra Narayan said that the response from Disco Singh fans has been phenomenal as the movie has broken the previously held records of collections by any Punjabi movie so far.\n“We stand committed to bring the best of Punjabi films to audiences worldwide. We will raise the bar of quality entertainment with every release under the banner of PTC motion pictures,” said Shinde.\nTaking the Punjabi film industry by storm, Disco Singh starring Diljit and Surveen Chawla collected over Rs 2.10 cr on its first day of release on April 11 and Rs 2.25 cr on second day of its release registering best ever opening collection by any Punjabi film.\nOverseas collections also indicate Disco Singh as the best movie that has come out of Punjabi film industry. Markets like Canada, USA, UK, Australia, NZ, Germany, Austria, Italy have reported people loving Disco Singh.\nNarayan added that Disco Singh has created new benchmarks in Punjabi film industry cementing the Punjabi film industry in the mind of viewers like never before.\nA laughter riot is directed by Anurag Singh, the director of laughter riot Jatt and Juliet\nStory of Disco Singh revolves around Diljit who plays role of effervescent owner of music band that falls in love with beautiful Surveen. Though “hired” just to pose as Surveen’s boyfriend, he ends up stealing her heart. Shot extensively in New Delhi, Gurgaon, Noida and Hyderabad the movie has best flavor of the season.\nIt is first Punjabi film to be shot in Delhi around the Qutub Minar, Humayun’s Tomb and other locations. The movie has strong star cast including Diljit Dosanjh, Surveen Chawla, Manoj Pahwa, Upasna Singh, Apoorva Arora, B N Sharma, Karamjit Anmol and Chandan Prabhakar.", "domain": "drama_and_film"}
+{"url": "https://naijatunez.com/gangs-of-lagos-2023-movie/", "date": "2023-09-28T21:53:34Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-40/segments/1695233510454.60/warc/CC-MAIN-20230928194838-20230928224838-00756.warc.gz", "language_score": 0.8330224752426147, "token_count": 335, "dump": "CC-MAIN-2023-40", "global_id": "webtext-fineweb__CC-MAIN-2023-40__0__270791107", "lang": "en", "text": "The action-packed crime drama Gangs of Lagos is a gritty, hard-hitting film with a real-life plot that is set in the busy streets of Isale Eko, Lagos. The movie has intricate set pieces, action sequences, interesting dialogue, a fast-paced plot, and a very moving central narrative.\nTitle: Gangs of Lagos\nReleased Year: 2023\nCountry: Nigeria 🇳🇬\nProduced by: Jade Osiberu\nDirected by: Jade Osiberu\nWritten by: Kay I. Jegede\nFilesize: 377MB, 1.05GB\nStar: Tobi Bakre, Adesua Etomi-Wellington, Chike Osebuka, Chioma Akpotha, and Iyabo Ojo\nA group of friends who each have to navigate their own destiny, growing up on the bustling streets and neighborhood of Isale Eko, Lagos.\nNow you can download, watch and enjoy Gangs of Lagos full movie mp4, mkv, blueray in HD now!\n480p version (377 MB)DOWNLOAD HERE\n720p version (1.05 GB)DOWNLOAD HERE", "domain": "drama_and_film"}
+{"url": "http://hlwspittal.at/index.php/englisches-theater-romy-julian", "date": "2019-10-17T08:50:54Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570986673250.23/warc/CC-MAIN-20191017073050-20191017100550-00481.warc.gz", "language_score": 0.9823653101921082, "token_count": 703, "dump": "CC-MAIN-2019-43", "global_id": "webtext-fineweb__CC-MAIN-2019-43__0__32896399", "lang": "en", "text": "Am Mittwoch, den 13. Dezember 2017, besuchten die zweiten und dritten Jahrgänge der HLW Spittal eine Aufführung des Vienna English Theatre.\nThe actresses and actors performing ‘Romy and Julian’ by Clive Duncan surprised the students of the HLW Spittal/Drau with a more than current and inspiring version of Shakespeare’s ‘Romeo and Juliet’. Thanks to everybody!\nSome students’ opinions:\nI was very impressed by this performance, because it shows us a lot - for example that we shouldn't look at people on the outside and that brand clothes aren't that important. We should pay more attention to the inner values of people, and we shouldn't give up when we love someone. The actors and the actresses played their roles very well. All in all, I liked it very much! Corinna F., 3AHW\nIt was very nice. The good thing is that this show was absolutely made for the youth of today. But at the beginning was it a little bit confusing. The actors were really easy to understand. It was also funny. It is a modern version of Romeo and Juliette. It shows us that the youth of today always look at the external values of other people. Moreover, you have to fight for what you love. Jaqueline, 3AHW\nThis play shows the old story of Romeo and Juliette from the perspective of today’s life. It’s about appreciation and to accept somebody else with all his or her mistakes. Secondly, it is said that you aren’t your label and you should wear whatever you feel comfortable in and what you prefer. At the end it is mentioned that if you love somebody you have to fight for it. Our opinion of this story is that the actors and actresses played very well and we understood everything quite easily. It was a pleasure to see this unique play. Maxime, Sandra, 3AHW\nWe the 3AHW had the chance to watch the play \"Romy and Julian\" in the city hall. The performance was very exciting, and it showed us how Romeo and Juliet would be today. It was very easy to understand the actors and actresses and they had very creative clothes. I would recommend everybody to go to this show. Finally, thanks to our teacher, we had the chance to talk to the actors and actresses and take a picture with them. Annika, 3AHW\nIn my opinion the performance was very good and funny, but also very meaningful. It says a lot about the youth of today. It showed that everything is dominated by the mobile phone. And it also points out that you shouldn't believe everything you hear. Sometimes you should trust the person you love because maybe she/he says the truth. You are supposed to fight for what you want and the person or things you love. The main actor, who played \"Julian\" was very funny and I laughed so much whenever he said something. Jasmin S., 3AHW\nWe watched the theatre performance of Romy & Julian and it was fantastic. I was really fascinated. The performance showed that our society is dominated by the mobile phone. At the end Julian said a very good sentence: Fight for what you love! This is a very good message, because it‘s the truth. Marie G., 3AHW", "domain": "drama_and_film"}
+{"url": "http://www.damaskblog.com/?p=347", "date": "2017-12-14T13:04:10Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-51/segments/1512948544124.40/warc/CC-MAIN-20171214124830-20171214144830-00435.warc.gz", "language_score": 0.9550188183784485, "token_count": 534, "dump": "CC-MAIN-2017-51", "global_id": "webtext-fineweb__CC-MAIN-2017-51__0__180112001", "lang": "en", "text": "Halloween is just around the corner. Spooks, Goblins, thing that go bump in the night – things that gives you the chills and make you scream.\nWhat’s the screams of all screams? Ever heard of the Wilhelm Scream? It started out quite mundanely as a stock sound effect for film. Originally recorded in 1951 for a movie called the Distant Drums, it was to be used for a scene wherein a group of soldiers are wading through the Everglades Swamp, and one of them is bitten and dragged underwater by ferocious alligator.\nIn most cases, these sound effects are recycled a few times in various productions, then shelved and forgotten in the Studio’s library archives. But not this scream. Like Freddy Kruger, this one didn’t go away.\nDuring the 1970′s, motion picture sound designer Ben Burtt was doing research in the Warner Brothers sound library when he came across a studio reel, labelled as “Man being eaten by alligator” which he incorporated into a scene in the Star Wars Episode IV: A New Hope. Burtt is noted for creating many of the iconic sound effects heard in the Star Wars film franchise, including the “voice” of R2-D2, the hum of the lightsaber and the heavy-breathing kuhhhhh-kkohhhh sound of Darth Vader. Burtt is also credited for dubbing this scream, the Wilhelm Scream, after Private Wilhelm - a character in a 1953 Western called The Charge at Feather River, where Private Wilhelm gets shot by an arrow in the leg and lets out this scream.\nOver the next decade, Burtt began incorporating the effect in other films he worked on, including most projects involving George Lucas or Steven Spielberg (it is used in all of the Star Wars and Indiana Jones movies). Other sound designers picked up on the effect, and inclusion of the Wilhelm scream in films became a tradition (actually more like an inside joke) amongst the community of sound designers.* A cinematic sound cliche, the Wilhelm scream is often used when someone is shot, falls from a great height, or is thrown from an explosion.\nThe research by Burtt suggests that actor and singer Sheb Wooley, best known for his novelty song “The Purple People Eater” in 1958, is likely to have been the voice actor who originally performed the scream. (Source: Wikipedia).\nSo in honour of Halloween, Sheb Wooley and the Wilhelm Scream, here’s our small tribute to it all. Long Live the Scream!\n*Want more? Click here.", "domain": "drama_and_film"}
+{"url": "https://lillianslist.org/teams/angie-flynn-mciver/", "date": "2017-12-18T05:09:46Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-51/segments/1512948608836.84/warc/CC-MAIN-20171218044514-20171218070514-00772.warc.gz", "language_score": 0.986357569694519, "token_count": 164, "dump": "CC-MAIN-2017-51", "global_id": "webtext-fineweb__CC-MAIN-2017-51__0__121774638", "lang": "en", "text": "Angie Flynn-McIver is the founder and President of Executive Repertory, a company that coaches clients in communication skills. Angie is the lead designer for all of the company’s training programs and recruits and trains all coaches. She comes to her coaching work from a lifetime spent in theatre. She also created and ran the education department for the National Shakespeare Company. She and her husband co-founded the North Carolina Stage Company, one of North Carolina’s premiere professional theatre company that has earned numerous awards. She holds an Honors degree in Theatre from Smith College, studied acting at the British American Drama Academy, and holds a Master’s Degree in Organizational Development and Leadership. She is married to Charlie Flynn-McIver, and they live in Asheville with their two children.", "domain": "drama_and_film"}
+{"url": "https://allflavors.net/malaise-exeretiko-sci-fi-animation/", "date": "2020-02-18T02:27:55Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-10/segments/1581875143455.25/warc/CC-MAIN-20200217235417-20200218025417-00347.warc.gz", "language_score": 0.8172515630722046, "token_count": 288, "dump": "CC-MAIN-2020-10", "global_id": "webtext-fineweb__CC-MAIN-2020-10__0__173394136", "lang": "en", "text": "Με ρετρό αισθητική, το σενάριο αφορά μια αστροναύτη που δέχεται επίθεση από εξωγήινα πλάσματα. Ο δημιουργός λέει:\nWith Malaise I wanted to do a project that was both visually exciting and a demonstration of my abilities as an animator. The look of the piece was influenced by an array of old sci-fi classics ranging from Andrei Tarkovsky’s Solaris to Jean-Claude Forest’s Barbarella. For the feel and tone of the film it was to Ridley Scott’s Alien franchise that I drew inspiration from. I wanted to pursue a slightly more realistic route for the animation so I researched live action movie footage, live reference as well as more recent CG efforts from America and Japan to help achieve to type of movement I desired. This project was a labor of love and I thank everyone who helped bring it to the screen. Enjoy the show!", "domain": "drama_and_film"}
+{"url": "https://timelesstrance.wordpress.com/2012/06/14/ctc-its-a-wondfl-life/", "date": "2018-07-22T15:53:51Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-30/segments/1531676593378.85/warc/CC-MAIN-20180722155052-20180722175052-00619.warc.gz", "language_score": 0.9834543466567993, "token_count": 1171, "dump": "CC-MAIN-2018-30", "global_id": "webtext-fineweb__CC-MAIN-2018-30__0__17828155", "lang": "en", "text": "It’s a Wonderful Life (1946)\nPersonally speaking, this is one film that has really inspired me in the way I perceive life. Its directed by Frank Capra, and James Stewart (whose performance stands unparalleled), Donna Reed and Lionel Barrymore stars in it. It’s a Wonderful Life is a kind of film, which is family based, and delves into the most simplest of human emotions and values- love, trust, truth and above all self esteem. Surely after watching this movie – you would evaluate yourself.\nIts Christmas eve, and all the people in the small town of Bedford are praying for this one person -George. All the way above us, it’s been decided that a guardian angel Clarence shall be sent for to save this man’s life. Stewart plays George Bailey, a small-town dreamer, who never limits his dreams within the walls, young, daring, enthusiastic and who longs to go around the world. His childhood is shown in a narrative style. His family runs a company ‘Building and Loans’, which loans money to the people of Bedford.\nDonna Reed plays a pivotal character named Mary Hatch, whom George marries. The scenes between Mary and George, are some of the most romantic ones that I’ve seen, pure plain romance. George, who dreams to go abroad for college and work, keeps it aside to take care of the company (along with his uncle) after his father dies of a stroke. This was a challenge he took up, to oust Henry Potter (Lionel Barrymore), a grumpy old self-centered and ignorant businessman, who holds a financial monopoly over the town, and who treats the people of the town, like cattle. The character George has tremendous growth after he takes up the job. He also sends his brother to college who later returns as a national hero after the war. George earns the people’s respect and support through his work, and becomes a person who they can look upto during their harsh times. Potter, who realizes his upsurge in town, even offers him a job, with an attractive prize money; but George declines it, though he initially fell for his words.\nBut he enters into the worst situations in his life, when his uncle accidentally misplaces $8000, on the Christmas eve, and adding insult to injury- the bank examiner arrives on the same day. George takes everything as lost, and even begs Potter for help, who turns him down and reports him as a fraud to the police. He rants at his children at home, breaking the whole family’s joy before Christmas, and runs out desperately, boozes and goes off to the edge of a bridge to commit suicide. This is when the lord sends in Clarence (his guardian angel, who has to put George on track, to get his wings) into the water. He cries out for help, and George rescues him. George takes him to shelter, and shares his trouble during their chat, which to George’s surprise, Clarence had already known. He laughs off when Clarence tells him that he was his guardian angel. George then casually wishes, that he was never born; but Clarence grants his wish and takes him outside.\nClarence takes him along a Bedford, that never knew about any George Bailey. He never existed. He walks through a Bedford that had turned dark- with, violence, abuse and sex. George runs into his friends Ernie the cab-driver, Bert the police officer, Nick the bartender, Mr. Cower- his old boss, but none of them could recognize him. He runs back to his home only to find his mother shutting the door on him like a stranger. George who trembles with disbelief in his dream-like state, goes to his friend Martin’s house (which was actually constructed by George),but shocked to find a graveyard, and his brother’s grave at that place. (George had actually saved Harry from drowning during their childhood – and Clarence clarifies it to him). George tells Clarence that he wants to meet Mary Hatch, who is now an unmarried maid, working at the library. When she fails to recognize him, he creates a ruckus in the street and gets chased by the police, his old friend Bert. He reaches over the bridge where he first met Clarence.\nEverything suddenly falls back to normalcy, his friend Bert takes him back, George rushes through the center of the street (and town), with a feeling of getting everything back, shouting out his wishes to the entire people around, the shops, realizing the effect every single man can have on others’ lives. He reaches his home and greets the banker, reporters and attorney who had come to arrest him, and he climbs up to his dear kids and hugs them. Mary and uncle Bill then enters the house, with a bag full of cash. Yes, it was the prize for George, from the people of Bedford when they came to know that George was in trouble.\nThe last few scenes are so moving and there’s no doubt you will be choked. The performance and the scenes where he dashes through the streets shouting out “Merry Christmas” and the ending scene where his brother Harry raises a toast for him are unforgettable. “It’s a Wonderful Life” is a timeless classic, and in my opinion it’s more than just a film. It’s a celebration of life, and a stage that proves the worth of each person. The film ends by leaving a message from Clarence the angel (who finally gets his wings); “Remember..No man is a failure who has friends“.", "domain": "drama_and_film"}
+{"url": "http://chaiebel.tumblr.com/post/54959660434/wayside-creations-and-dracogen-are-proud-to", "date": "2014-04-18T00:13:00Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2014-15/segments/1397609532374.24/warc/CC-MAIN-20140416005212-00068-ip-10-147-4-33.ec2.internal.warc.gz", "language_score": 0.9477499127388, "token_count": 374, "dump": "CC-MAIN-2014-15", "global_id": "webtext-fineweb__CC-MAIN-2014-15__0__87116084", "lang": "en", "text": "Wayside Creations and Dracogen are proud to present Fallout: Nuka Break - Red Star. This 25-minute episode will be released on Machinima Prime this Friday, July 12th!\nRed Star diverges from the humor-filled tone of Fallout: Nuka Break-Season One and instead follows the darker essence of the iconic character, “The Ranger.” Red Star begins with “The Ranger” searching for his old tracking partner whom he finds out was slaughtered by Raiders. His partner’s widow enlists “The Ranger” to track and rescue her kidnapped daughter who was sold into slavery. As he reluctantly accepts this quest, the audience quickly becomes aware that this tale is not only one of survival and action but one in which “The Ranger” finds a renewed sense of purpose.\nVincent Talenti returns to direct alongside lead actor, Cameron Diskin, and executive producers, Steven Dengler and Amer Rhamani. Red Star features stars from both film and television. Actress Toni Wynne, of Oz The Great and Powerful, successfully transforms the kidnapped daughter into a warrior her tracking father would be proud of; and The Mindy Project’s Catherine Carlen, embodies a mother’s desperation to find her child. Also starring alongside them are Ed O’Ross of Dick Tracey and Full Metal Jacket, as well as, Vic Mignogna from Fullmetal Alchemist and Star Trek Continues.\nTwig, Ben and Scar will return in the first episode of Season Two later this month. Machinima will decide the release date soon, and you’ll be the first to know!\nThank you so much for your continued support. It’s been an amazing journey, and we can’t wait for you to see the show!", "domain": "drama_and_film"}
+{"url": "http://www.promocodes.com/film-movement-coupons", "date": "2017-10-18T00:11:48Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-43/segments/1508187822625.57/warc/CC-MAIN-20171017234801-20171018014801-00879.warc.gz", "language_score": 0.9188891053199768, "token_count": 151, "dump": "CC-MAIN-2017-43", "global_id": "webtext-fineweb__CC-MAIN-2017-43__0__89164522", "lang": "en", "text": "Works sitewide. Use this code to get 15% off orders.\nWorks sitewide. Apply this code to receive 10% off your purchases.\nGet Free Shipping on your order over $100 at Film Movement.\nFilmMovement.com offers exclusive viewing of independent and foreign films that have not yet been released in theaters or to the general public. As reviewed in the New York Times and Newsweek magazine, the subscription provides you with one award-winning film each month that is yours to keep. Be the critic of this year’s top films. If you’re prone to rushing to midnight screenings and anxiously await next summer’s blockbusters in the spring, act now and join FilmMovement.com.", "domain": "drama_and_film"}
+{"url": "http://www.ledburyhistorysociety.co.uk/ledburyhistory/ledburysnippets/files/2aad96dc0f77481edfafd8be3c96ec92-86.html", "date": "2019-03-24T22:03:42Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-13/segments/1552912203493.88/warc/CC-MAIN-20190324210143-20190324232143-00500.warc.gz", "language_score": 0.986847996711731, "token_count": 166, "dump": "CC-MAIN-2019-13", "global_id": "webtext-fineweb__CC-MAIN-2019-13__0__921374", "lang": "en", "text": "In 1935, some local enthusiasts set up a film-making club. Membership grew and many films were made but lack of space led to the decision to put on a play once a year.\nIn 1938, Ledbury Amateur Cine & Dramatic Society was formed. During the Second World War, Italian prisoners at the camp at Mabel’s Furlong set up a theatre in a Nissen hut. After the war, LADS (the ‘cine’ had by then been dropped) took over the Camp Theatre. In the late 1950s, LADS moved into the old Market Theatre, then known as the Church Room. In 1986, the building was almost destroyed by fire. In 1999, the old building was demolished and Ledbury’s new Market Theatre opened in January 2000.", "domain": "drama_and_film"}
+{"url": "https://stocktonheathfestival.co.uk/whats-on/festival-family-movie-night/", "date": "2021-02-26T10:08:00Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2021-10/segments/1614178356456.56/warc/CC-MAIN-20210226085543-20210226115543-00568.warc.gz", "language_score": 0.9397448897361755, "token_count": 223, "dump": "CC-MAIN-2021-10", "global_id": "webtext-fineweb__CC-MAIN-2021-10__0__158963753", "lang": "en", "text": "Festival Family Movie Night – Toy Story 3 (please get tickets on the door)\nFestival Family Movie Night, Hill Cliffe Church, Saturday, 7pm\nAnother classic family film comes to Stockton Heath Festival. Toy Story 3 has delighted audiences of all ages since its release and was met by critical acclaim due to the rolercoaster ride the characters (and audiecne) are subject to, and the musical score from Randy Newman.\nThe animated story follows Woody, Buzz Lightyear and friends as they are accidentally given away to a day care centre. How will they make it back home?\nThis event is free and as spaces are limited to you will need to collect a ticket for entry, 7pm.\nPlease get remaining tickets on the door.\nApologies for this event first being billed Toy Story 2. Toy Story 3 is every bit as enjoyable!\nHere’s how to find Hill Cliffe Church, Red Lane WA4 5AL.\nHere’s a map showing the venues involved in the Stockton Heath Festival 2019, including blue badge parking.", "domain": "drama_and_film"}
+{"url": "http://perezamigos.com/rule-number-3-of-fiction-writing", "date": "2020-01-19T19:41:34Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2020-05/segments/1579250594705.17/warc/CC-MAIN-20200119180644-20200119204644-00183.warc.gz", "language_score": 0.9698888659477234, "token_count": 802, "dump": "CC-MAIN-2020-05", "global_id": "webtext-fineweb__CC-MAIN-2020-05__0__84138282", "lang": "en", "text": "To want and desire something is a very human experience. We all want to be loved. Some of us want children. And, others just want to express their inner emotions to the world. And still, some just want a glass of water. No matter what it is, we all are looking for something. Sometimes it is life-changing and others times it quenches an immediate thirst. In the realm of fiction writing, our hero must want something, very similar to real life.\nI especially enjoy the jest from Vonnegut that the protagonist could desire a simple glass of water. In that statement there is brilliance. It shows that even the mundane desires can have meaning. As in life, it is all in the details. The main component of a character’s desire is motivation. It can be a society based or otherwise, but nonetheless, it is there, and it is important.\nYou want something. What is it? There is your story. Does the public care? Do you care? Are you an addict? Nobody cares about your addiction. They may feel disgusted towards you. That repulsion can actually anchor a reader/observer. Are you seeking to conquer this problem?—now that is a story they can attach themselves to.\nIn the hero’s journey, the character must appeal to us and in some cases repulse us. He must be interesting enough for us to want to know his story. Remember, not all personas will please everyone. The author knows this, so in his mind, he has formed a “what if?” question to guide the story.\nFor example, “what if a kid tells his friends about a dead body some other kids found?” Can you name the movie? Can you name the Director? And what was the title of the original short story? The movie is Stand by Me, directed by Rob Reiner, and the short story was written by Stephen King—The Body. If you haven’t seen the movie, watch it. It is one of my favorites.\nIn Stand by Me, the main character is Gordie. His friend Chris tells him and his other two friends, Vern and Teddy, about a dead body by the railroad tracks. Like curious grade school kids, they decide to go and have a look for themselves. The preparations are made and the adventure begins. Having a goal to obtain is the key to any good story, as is seen here in the adaptation of the Stephen King tale. The “want” is to discover the dead body. Yes, it is morbid but definitely more exciting than a glass of water.\nAlthough the intent might appear to be the body, the real objective of the movie is much deeper. Throughout the mishaps of the story, we discover the reality of the children’s lives. There is nothing normal about any of them and the more we understand the more we empathize with them. This connection is what keeps us glued to the story. In our minds, we see a dead body, but our subconscious is interested in what makes these children tick.\nBy telling the audience the protagonist’s clear objective and desire, the author gives the reader/audience a reason to stick around. The quirks and misgivings of the main character and supporting actors are the glue that keeps the reader around until the end.\nRemember, your protagonist must be hungry or thirsty for something. This will interest the reader and when they are on the journey with your hero, surprise them with his often misguided decisions. The simple thing for the protagonist to do is to sit down and watch a television show and miss out on his life, but that would be boring. Always be clear in your head of what the main character must discover, overcome, or learn. Present this want or desire immediately to the reader and convince them to jump on the adventure with your hero come hell or high water.", "domain": "drama_and_film"}
+{"url": "https://tc.canada.ca/en/corporate-services/video-gallery/lifejackets-save-lives", "date": "2023-12-01T13:37:05Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-50/segments/1700679100287.49/warc/CC-MAIN-20231201120231-20231201150231-00157.warc.gz", "language_score": 0.9873395562171936, "token_count": 198, "dump": "CC-MAIN-2023-50", "global_id": "webtext-fineweb__CC-MAIN-2023-50__0__244846568", "lang": "en", "text": "The scene begins with a father who is driving a car and comes to a full stop.\nSeeming distressed, the father has a flashback to when he and his daughter were canoeing together.\nIn this flashback, he and his daughter approach heavy rapids and begin to panic. Both fall off the canoe and get swept into the rapids. The father is left searching for his daughter in the rapids.\nFearing she drowned, the father yells his daughter’s name multiple times. He hears a whistle sound and looks to see his daughter waving and blowing a whistle attached to her lifejacket. The father breathes a sigh of relief.\nThe scene returns to the father in his car. He smiles as his daughter comes out of the house where he is parked to greet her. The father gets out of the car and throws her the lifejacket in their preparation for another canoe trip.\nText on screen: Lifejackets save lives. Wear yours.", "domain": "drama_and_film"}
+{"url": "http://trempurlesschild.aircus.com/hindi-film-hungama-songs-11100", "date": "2018-07-18T00:26:24Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-30/segments/1531676589980.6/warc/CC-MAIN-20180718002426-20180718022426-00058.warc.gz", "language_score": 0.7764323949813843, "token_count": 1664, "dump": "CC-MAIN-2018-30", "global_id": "webtext-fineweb__CC-MAIN-2018-30__0__82444771", "lang": "en", "text": "Hindi Film Hungama Songs 11\nToday's Top Music Albums in India by Mp3Hungama - Download Free Mp3 Songs . . Instrumentals of Indian Bollywood Hindi Songs ; Chandra . New Movie 2018 Mp3 Surya .\nDownload New MP3 Songs Online, Free Latest Hindi, Bollywood . 11 days ago: Category: Movies: . from Hungama Digital Media Entertainment Pvt. F-1 Laxmi Woollen .\nWatch Latest Bollywood Movies Songs by HD Hungama Official Channel on Dailymotion here\nHungama 2003 movie Mp3 Songs Download. . Sonu Nigam, Babul Supriyo, Kumar Sanu, Richa Sharma Mp3 Download Links For Hindi Movie Hungama (2003): MP3 Songs .\nListen to the latest Bollywood songs from new upcoming Hindi movies.\nSongs from Bollywood movies are generally pre-recorded by professional playback singers, with the actors then lip synching the words to the song on-screen, .. Downloadming, Hungama (2003) Hindi Movie MP3 Songs Download Free Music Song DOWNLOADMING Direct Download Links For Hindi Movie Hungama MP3 Songs: Song Name (128 Kbps) 01 Pari Pari Download. Get updates on latest Hindi movies,enjoy Bollywood Movie Hungama,Hindi Songs Download,Hindi Movie Reviews,Tamil Songs,Movie Wallpapers,hot celebrity news,latest bollywood movies,latest. Hungama is a 2003 hindi comedy film film co-written and directed by priyadarshan.. World's Largest Online Community.. . Hungama (2003) (Hindi Comedy Film / Bollywood Movie / Indian Cinema DVD): . $11.90 & .. Download and listen MP3 songs free online to your Hungama account. Watch new and popular Hindi, English and regional movies, TV shows and videos online.. PK hungama mASTI Official Channel presents the latest Punjabi song of 2017 Superstar sung by . Stream it on Hungama . Latest Hindi Songs .. Hungame pe Hungama (2013) - Trailers, Review, Songs, Images, News, Synopsis, Plot, Cast & Crew, Wallpapers, Video Clips, User Review, User Rating. Check out latest Hindi songs, albums, movies, playlists & videos always on Hungama.. World's Largest Online Community.. Posts about BOLLYWOOD VIDEO SONGS written by hungama4u. KAL HO NAA HO Bollywood Hindi Movie Video Songs Download.. Lyrics and video of songs from Movie / Album : Hungama (2003); Music by: . - 11 votes. Alka Yagnik, Udit Narayan: . Lyrics of this song is also available in Hindi.. Download Hungama Music - Songs & Radio and enjoy . listen online or download from a massive library of Bollywood, Hindi .. Bollywood Hungama - News, Movies, Songs, . Vote for the upcoming movie that you will watch only at Bollywood Hungama. DA: 68 PA: 99 MOZ Rank: 11. Bollywood Hungama .. Download Music Mp4 - Full Download.. Listen to the latest Hindi songs from new upcoming Bollywood movies. Check out latest Indian Hindi Bollywood songs only at Hungama. Beta. Plans. . 11 Songs .. Listen to latest or old Hindi movie song and download Hindi albums songs on Gaana.com. Hindi Songs- Download Hindi movie songs online. . 11; Next. Popularity .. Mp3Hungama hungama free download latest hindi movie songs, old hindi songs, bhojpuri songs, mp3 songs download, bhojpuri mp3 & 3gp mp4 Movie Videos Mp3Hungama.Com. Hungama Movie Mp3 Songs (2003) . Home Bollywood Music Hungama Movie Mp3 Songs (2003) . Hungama - Title Song. Size : 2.06 MB, .. World's Largest Online Community.. (Update: Which Is the Best Music Streaming Service in India - 2015 Edition) Streaming services such as Saavn, Gaana and Hungama let users listen to music on the Web for free (with ads) and. Lyrics of Pari Pari Hindi Song from Hungama (2003), Pari Pari Lyrics Latest Hindi Songs Lyrics.. Hungama (English: Mayhem) is a 2003 Indian Hindi-language comedy film produced by Vijay Galani, co-written and directed by Priyadarshan.It stars Paresh Rawal, Aftab Shivdasani, Akshay Khanna. Download free for Mp3hungama Hindi Songs or search any related Mp3hungama Hindi Songs. . 15 Hit Songs Upload: 12-11-2013 . Full Movie Live Now On Eros Now .. World's Largest Online Community.. Bollywood Hungama is India's premier Hindi movie portal that provides Bollywood news, movies, songs, videos, wallpapers, reviews and box office information.. Play Hungama movie songs MP3 by Nadeem- Shravan and download Hungama songs on . unlimited access to over 30 million Hindi Songs, Bollywood Music, English MP3 .. Mp3Hungama hungama free download latest hindi movie songs, old hindi songs, bhojpuri songs, mp3 songs download, bhojpuri mp3 & 3gp mp4 Movie Videos Mp3Hungama.Com. hindi movies 2017 free download - New Hindi Movies, Hollywood Hindi Dubbed Movies, Dangal Free All Hindi Movies, and many more programs. Just plug in to Hungama Music App & plug out . Telugu Songs & Kannada Songs from down south or Bhojpuri Songs from the north.For Bollywood movie fans .. Bollywood Hungama is India's premier Hindi movie portal that provides Bollywood news, movies, songs, videos, wallpapers, reviews and box office information.. Listen to all Hungama songs now on Saavn. 2003 Hindi movie feat. Paresh Rawal, Akshay Khanna, Shoma Anand, Rimi Sen, Aftab Shivdasani, Akshay Khanna. Music by Nadeem-Shravan. 7 songs.. Hungama (English: Mayhem) is a 2003 Indian Hindi-language comedy film produced by Vijay Galani, co-written and directed by Priyadarshan.It stars Paresh Rawal, Aftab Shivdasani, Akshay Khanna. List of Bollywood films of 2016. . 11 March: Global Baba: Satire: Manoj . //in.bookmyshow.com/bhimadole/movies/chipku/ET00040492. The Latest Hindi Movie Hungama Music Available on Songs.PK, Movie is Directed By Best Director of Bollywood R D BurmanC Ramchandran, You Can Download All Mp3 Songs Free Torrent.. Mp3Hungama New Song 2018 Mp3 Free Download Latest Hindi Songs IndiaMp3 . Nanu Ki Jaanu, Raazi - Movie Songs, View All Bollywood Tracks:: Tere . Mp3 Hungama .com .. Bollywood Hungama radio is a leading Bollywood entertainment internet radio streaming Bollywood new hits, Bollywood Hindi songs, latest Bollywood news, Bollywood film review and much more.. Download this app from Microsoft Store for . of Hungama's music library of 2 million+ Songs and Music . songs from the latest Bollywood movies like .. Nike, Inc. 95ec0d2f82\nCooking Academy 3 Free Full Version 11\nmaria helena diniz direito de familia pdf 22\nyou are not alone full movie 15\nricoh caplio 500se software 11\nzanti gold cracked apk 20\npreventive and social medicine by k park pdf 133\n1964 cessna 182 poh pdf 30\nbound for glory woody guthrie ebook 15\nkniffelblock zum ausdrucken pdf 11\nlegacy kain defiance full version free 15", "domain": "drama_and_film"}
+{"url": "https://www.adrianfreedman.com/projects/music-for-theatre/", "date": "2017-11-21T15:19:30Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-47/segments/1510934806419.21/warc/CC-MAIN-20171121151133-20171121171133-00205.warc.gz", "language_score": 0.9566529393196106, "token_count": 494, "dump": "CC-MAIN-2017-47", "global_id": "webtext-fineweb__CC-MAIN-2017-47__0__248315885", "lang": "en", "text": "I have loved writing and performing music for theatre. Collaborating with directors, writers, designers and actors presents a constantly changing array of challenges, and encourages the exploration of new musical languages and compositional techniques.\nAt the age of 15, in the school play, I took the role of John Proctor in Arthur Miller’s The Crucible. This sparked an appetite for the stage that led to further roles at school and later at university, including Autolycus in Shakespeare’s A Winter’s Tale, and roles in plays by Tom Stoppard, Molière and Eugène Ionesco. I didn’t pursue acting beyond university days, however I subsequently became very interested in writing music for theatre.\nIn the late 1980’s I moved to Newcastle in the NorthEast of England where I worked extensively with street theatre and community theatre, including projects with Alan Lyddiard of Northern Stage and Ozzie Riley of Dodgy Clutch Street Theatre. I then moved to Japan where I composed music for several Japanese theatre productions including The Dream of Odin with Yurabe Masami, and The Cult of Dionysus with Zen Zen Zo physical theatre.\nIn 2003 after returning from Brazil to live in Cornwall, I became a musical director for Kneehigh Theatre, working with the director Bill Mitchell in creating the live soundtrack for A Very Old Man with Enormous Wings which toured for three years and was performed on the docks of Birgu in Malta, and in Nicosia, Cyprus, where the show was staged in the vast no mans land that separates Northern and Southern Cyprus.\nI then went on to become musical director for Wildworks Theatre, specialising in outdoor productions in spectacular locations. For Wildworks I worked again with Bill Mitchell, creating the music for Souterrain, based on the myth of Orpheus in the Underworld. This production was performed in the ruins of a Napoleonic citadel in Northen France, an empty department store in Colchester and a disused tin mine in Cornwall.\nWorking as musical director for these theatre companies I have been very fortunate to collaborate with a range of exceptional international musicians including the celebrated Cypriot singer Michalis Tterlikkas, the Maltese folk-fusion group Etnika, the French jazz group Trio d’vie and the African gospel choir Les Messagers.\nShare this page with your friends…", "domain": "drama_and_film"}
+{"url": "https://www.gmcompanystore.com/products/copy-of-transformers-studio-series-58-roadbuster", "date": "2023-03-24T20:08:53Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-14/segments/1679296945288.47/warc/CC-MAIN-20230324180032-20230324210032-00631.warc.gz", "language_score": 0.9046659469604492, "token_count": 245, "dump": "CC-MAIN-2023-14", "global_id": "webtext-fineweb__CC-MAIN-2023-14__0__100256278", "lang": "en", "text": "Transformers Studio Series 30 Crankcase is Deluxe Class and stands approximately 4.5-inches tall in robot mode. 30 Crankcase transforms from Sport Utility Vehicle to robot and back and is screen accurate to the Transformers: Dark Of The Moon live action movie. Each Studio Series figure jumps out of the big screen and into your collection with a high attention to detail and accurate color schemes reflecting their appearance in the Transformers live action movie.\nStudio Series Transformers are the perfect gift or collection starter for the casual fan. Available in Deluxe, Voyager, and Leader Classes with traditional colors, they’re the perfect blending of movie specs and designs with classic coloring and will look good in any collection.\nManufactured to the highest quality standards by Hasbro, each Studio Series Transformer is a high quality representation of the characters we’ve all come to know and love. They’re easy to transform, feature a few awesome accessories per character and are scaled to reflect their actual film size. With awesome articulation, customization and solid construction, Studio Series Transformers are sure to last for a long time whether you display or decide to take them out of their packaging and stage a movie-themed Transformers battle of your own.", "domain": "drama_and_film"}
+{"url": "https://www.firminc.org/flight-of-the-refugees-screening-apr-6/", "date": "2017-03-23T16:13:14Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2017-13/segments/1490218187144.60/warc/CC-MAIN-20170322212947-00156-ip-10-233-31-227.ec2.internal.warc.gz", "language_score": 0.9583139419555664, "token_count": 180, "dump": "CC-MAIN-2017-13", "global_id": "webtext-fineweb__CC-MAIN-2017-13__0__246689330", "lang": "en", "text": "FIRM is working very hard alongside other organizations in serving 26+ Syrian refugee families. Part of our work is helping the wider community understand some of the circumstances in Syria that led to such a large number of refugees.\nFlight of the Refugees is a 40 minute documentary film directed by Elias Matar. This film documents the harrowing journey of various families as they cross the Macedonian border from Greece to Germany. Over seven thousand refugees start this journey everyday seeking asylum in Western Europe. Flight of the Refugees bears witness to six of those days. The film has won a number of film festival awards.\nFlight of the Refugees will be screened in Fresno at the Tower Theatre on Thursday, April 6 at 6 PM. This is a free event, however there will be an opportunity to make donations to assist the local Syrian refugees. Director Elias Matar will be present for a Q & A time after the film.", "domain": "drama_and_film"}
+{"url": "http://www.bie.org/blog/special_screening_keynote_at_pbl_world_most_likely_to_succeed", "date": "2018-08-20T07:32:17Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-34/segments/1534221215858.81/warc/CC-MAIN-20180820062343-20180820082343-00180.warc.gz", "language_score": 0.9564870595932007, "token_count": 857, "dump": "CC-MAIN-2018-34", "global_id": "webtext-fineweb__CC-MAIN-2018-34__0__70072009", "lang": "en", "text": "by John Larmer\nEditor in Chief\nOur PBL World event in June is centered around BIE’s professional development workshops, but the keynote speakers, networking opportunities, and location in the Napa Valley are additional reasons why the event is so popular. Attendees will find some extra bonuses too, like they did last year with the screening of the film Beyond Measure.\nThis year, we’ve just confirmed that we’ll be screening the acclaimed documentary Most Likely to Succeed on Wednesday, June 21, 2017 at 3:30pm. And, bonus on top of bonus, we’re delighted to announce that the film’s producer Ted Dintersmith will be PBL World’s keynote speaker at 8:30am that morning.\nTed is quite a guy. In the 1980s, he ran a business at Analog Devices that “helped enable the digital revolution” and in the 1990s was named a “top performing venture capitalist.” More recently, he’s been described as “one of America’s leaders in innovation, entrepreneurship, and education.” He recently co-authored a book with Tony Wagner, Most Likely to Succeed: Preparing Our Kids for the Innovation Era. You can read more about him here.\nThe Most Likely to Succeed website has lots of information, clips from the film, and other tools—for parents, teachers, school leaders, students, and change agents— to provoke conversations and support education change efforts in schools and communities.\nThe goal of Ted Dintersmith’s campaign is to help schools “re-imagine their purpose, and create learning experiences that prepare kids for life in the 21st Century.” They’re making the film available to schools for screenings that bring teachers, parents, and students together and engage in discussion about the future of their school and kids. Dintersmith has been traveling to all 50 states, bringing together government officials, educators, business people, philanthropists, parents, and students. This campaign is being led by The Future Project, a non-profit dedicated to “transforming inner-city public schools across the country and with a big vision for America’s future. (We) seek to create a nationwide movement to empower our schools to help every child in America.”\nHere’s a quote from the film’s press release:\n“The acclaimed film Most Likely to Succeed offers an inspiring look at what students and teachers are capable of—if we have the vision and courage to transform our schools. Directed by acclaimed documentarian Greg Whiteley, the film has been an official selection of two dozen of the world’s top film festivals, including Sundance, Tribeca, and AFI DOCS. It’s been featured at leading conferences on education, including ASU/GSV, SxSWedu, Harvard/GoldmanSachs, and NewSchools Venture Fund. Audience members call it the most compelling film ever done on the topic of school.”\nI reviewed the film when BIE hosted a screening of it back in April, 2016. Here’s a teaser from that blog post:\n“The film interweaves commentary from various experts about our changing economy and mostly-unchanging schools with the story of High Tech High. It follows two ninth graders as they work on a project about why civilizations rise and fall. One girl is directing a play about the Taliban written and performed by her and her female classmates and based on Euripides' Trojan Women (the boys performed the original play). In another classroom that included math and science, the ninth graders are expressing their understanding of the driving question by building an elaborate work of art involving interconnecting gears, made mostly of wood. The central drama: will they be ready for Exhibition Day in the spring, when fellow students, parents, and the community show up to hear about and see their work?”\nSounds good, eh? See you there!\nRegister soon for PBL World 2017. A limited number of seats are available for the film screening.", "domain": "drama_and_film"}
+{"url": "http://www.ninakotyantz.com/about.html", "date": "2019-10-24T02:05:21Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2019-43/segments/1570987838289.72/warc/CC-MAIN-20191024012613-20191024040113-00118.warc.gz", "language_score": 0.9501632452011108, "token_count": 155, "dump": "CC-MAIN-2019-43", "global_id": "webtext-fineweb__CC-MAIN-2019-43__0__83086165", "lang": "en", "text": "A child of a drama theatre family, Nina Kotyantz is a writer/ director who grew up with immense fascination for the depths of the human psyche. Curious to understand what makes us who we are, she went on to explore the human condition through various artistic and academic forms, exploring memory, identity, dreams and the unconscious mind. She holds a master's degree from Harvard University specializing in existential anthropology, psychoanalytic theory and storytelling, and an MFA in film production from Loyola Marymount University. She has published fiction and non-fiction in various magazines, and her short films have screened at festivals domestically. Her upcoming short film, PHANTOM VALLEY, was shot on Super 16mm. Nina is currently developing a follow-up feature script.", "domain": "drama_and_film"}
+{"url": "https://carmodywilson.wordpress.com/2017/06/23/review-hamlet/", "date": "2018-07-20T04:25:36Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-30/segments/1531676591497.58/warc/CC-MAIN-20180720041611-20180720061611-00101.warc.gz", "language_score": 0.9780031442642212, "token_count": 1341, "dump": "CC-MAIN-2018-30", "global_id": "webtext-fineweb__CC-MAIN-2018-30__0__92413575", "lang": "en", "text": "I haven’t had the easiest time coming up with a response to Robert Icke’s Hamlet for a number of reasons. First, I hadn’t really wanted to see it in the first place. When it had its initial run at The Almeida, I thought I’d dodged a bullet. The last Icke production I’d seen at The Almeida was Uncle Vanya, arguably one of the most ponderous, tedious, and cruelly long evenings I’ve ever spent in the theatre. Telling tales out of school, I sat near the actor Stephen Mangan, who, swearing under his breath, left in a hurry at the first, (or was it the second?) interval. The ingredients in Uncle Vanya were all there for Hamlet: long play, lots of text, speeches galore, gloomy central male character, endless pontificating about life and man’s nature, Robert Icke directing, and Jessica Brown-Findlay. So I was hesitant. But when the invitation came through for the West End transfer to the Harold Pinter Theatre, I snapped it up, because an overwhelming amount of critical praise had been heaped upon the production at The Almeida. I then had another moment of doubt after coffee with an actor friend, who pointed out that not only did I have serious reservations about Icke, I also did not particularly care for the lead actor, Andrew Scott. Granted, I had only ever seen him in Sherlock, as a twerpy, psychopathic sort of Moriarty, but it was enough. I groaned at my ordeal. Thee plus hours of things that surely cannot, would not, come to good! So I went along, more in sorrow at myself than anger, and lo, was hoisted by my own petard. For I have been to a production of anything, let alone Hamlet, which was so alive to each and every actor onstage. From the electrifying moment a security guard shouts the famous first line (“Who’s there?”) to the equally famous last, I was gripped. I had such trouble coming to grips with the emotions from the play cluttering up my brain that it took a great deal of time to actually be able to sit and write them all down.\nI had done a disservice to both Icke and Scott. This is one of the most stupendous things I have seen onstage. I have never, even knowing the story well, had so many moments where my heart was in my mouth, laughter on my lips, or tears pricking my eyes. Shakespeare’s words leapt from the page and became (too, too solid) flesh, and the whole thing seemed so vital, so alive.\nThe wedding party is in full swing when Hamlet darkens the stage, fresh from travel. In the background, a gentle, throbbing baseline is heard, and balloons and streamers crowd the dance floor, as Gertrude and Claudius nuzzle each other, for one more slow dance. The famous lines in Hamlet come thick and fast, but never were they spoken in a more natural, unaffected way as here, particularly by Scott. I have written before about a problem actors have with Shakespeare: how if you don’t fully and completely understand each and every word you are saying, it comes out as a sort of beautiful word salad, but that if the person understands his speeches, their meaning then becomes clear to the audience. There was literally none of that here. Icke has teased out excellent performances from each of his players. So when Scott strolls on stage and plays verbal tennis with Claudius, uttering the refutation “A little more than kin, a little less than kind,” the rebuke is as stinging as a slap, but not half so showy. And when Hamlet enters into his first soliloquy, it is so natural, so funny, so mournful, that I forgot he was the Melancholy Dane, and was rapt.\nThe relationships here are one of the many things which stood out. Everyone seemed so much closer in this production, so when it all goes wrong it’s truly horrifying. Juliet Stevenson as Gertrude, leaves all of the one-note performances of that unfortunate lady behind with her kind, desperate, lustful Queen. Her relationship with Hamlet is clearly one of great mutual respect and concern (though not, as some have attempted, an incestuous one,) so when the scale of her folly is revealed, you feel Hamlet’s horror for her as well as her own. And Ophelia, poor, sexy, sacrificed Ophelia, is ruined and driven to suicide by Hamlet’s antic disposition (and the murder of Polonius.) Brown Findlay plays her straight, a young woman in love, and in thrall to her father and brother. The visual impact of her transformation from dewy ingénue to ruined madwoman could not have had a more unsettling effect.\nFor all of the death and navel-gazing, one of the more surprising things about Icke’s production was how funny it was. Polonious might categorise it as a “Tragi-Comedy.” There has always been an archness to Hamlet’s character, but Scott really subtly inhabits his dry, amused nature. There were many, many, laugh-out loud moments. The most famous of these often involve Polonius, and here he is ingeniously given bits of business in his spying and meddling which adds both to the overarching theme of surveillance in the play and to its comedic heart.\nBut, naturally, what Shakespeare does best is tragedy. And in Hamlet, famously, there is a lot of tragedy to go around. Without giving too much away, the final act, the duel, is so tightly crafted with suspense and horror that I was speechless at the end of it. Where Laertes was once Hamlet’s willing killer, here he is, after a time, reluctant, almost begging to switch swords. When the end has come for all, up comes the slow thrum of the wedding reception, and each character is welcomed back to the eternal party.\nI’ve never been so affected by anything in my theatre-going life. Bravo to all involved. It is a masterpiece.\nHamlet is at The Harold Pinter Theatre until 2nd September 2017.", "domain": "drama_and_film"}
+{"url": "http://unlikelyheroesplay.com/", "date": "2023-06-01T06:50:08Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2023-23/segments/1685224647614.56/warc/CC-MAIN-20230601042457-20230601072457-00338.warc.gz", "language_score": 0.963952898979187, "token_count": 354, "dump": "CC-MAIN-2023-23", "global_id": "webtext-fineweb__CC-MAIN-2023-23__0__5356381", "lang": "en", "text": "“If Arthur Miller were also a doctor on the side, he might have written a play like Unlikely Heroes”\n- Hap Erstein, Florida Theatre on Stage\nWORLD PREMIERE FAMILY DRAMEDY STARRING AVI HOFFMAN\nDark secrets, anger, laughter, love, and hope are woven into the fabric of this riveting new dramedy about a dysfunctional family (is there another kind?) that is faced with seemingly insurmountable circumstances. How fragile are the bonds that hold our families together? What defines heroism?\nSometimes strength can be a weakness and weakness a strength.\nMeet our Star/Director\nAvi was born ‘Avrum Ber’, son of Mendl and Miriam Hoffman, in 1958 in The Bronx, NY. A child of Holocaust survivors, Avi was taught at an early age to appreciate the beauty and depth of the Jewish culture, literature, music and tradition. At age 10, he was featured in his first professional production – “Bronx Express” – at the Yiddish Folksbiene Theater on East Broadway. The New York Times review said: “Avremele Hoffman displays a sense of humor.”\nBy 1969 his family had moved to Israel, and over the next 9 years Avi continued to perform in dozens of Hebrew and English plays, as well as two Israeli television series and a film – BLOOMFIELD – directed by and starring Richard Harris. In 1977, he returned to the US and got his BFA in Drama from the U. of Miami, graduating cum laude.", "domain": "drama_and_film"}
+{"url": "http://showbizohhlalove.blogspot.com/2014/12/chaar-sahibzaade-2014.html", "date": "2018-05-27T11:42:37Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2018-22/segments/1526794868248.78/warc/CC-MAIN-20180527111631-20180527131631-00398.warc.gz", "language_score": 0.8622944355010986, "token_count": 475, "dump": "CC-MAIN-2018-22", "global_id": "webtext-fineweb__CC-MAIN-2018-22__0__27100572", "lang": "en", "text": "Download Chaar Sahibzaade Streaming In HDFull Movie Chaar Sahibzaade Full Movie HD with duration 120 Min and released on 2014-11-06 and MPAA rating is 2.\nOriginal Title : Chaar Sahibzaade\nMovie title in your country : Chaar Sahibzaade\nYear of movie : 2014\nGenres of movie : Animation, Documentary, Family, Foreign,\nStatus of movie : Released\nRelease date of movie : 2014-11-06\nCompanies of movie :\nCountries of movie :\nLanguage of movie : English, ਪੰਜਾਬੀ, हिन्दी,\nDurationof movie : 120 Min\nAverage vote of movie : 5.3\nYoutube ID of movie :\nTranslation of movie : EN,\nCast of movie :\n- Om Puri ( Narrator )\nChaar Sahibzaade Synopsis:\nFull Streaming Chaar Sahibzaade Chaar Sahibzaade is the first photo realistic' 3D animation film in S-3D on Sikh history. It is the real story of the sacrifices of the four sons of Guru Gobind Singh ji (tenth guru of Sikhs)- Baba Ajit Singh ji, Baba Jujhar Singh ji, Baba Zorawar Singh ji and Baba Fateh Singh ji.\nFull Movie Chaar Sahibzaade High Quality\nYou can watch Chaar Sahibzaade Movie Streaming in HD Now. Play and free download Chaar Sahibzaade online movie with single fill out the form by clicking on the image of the sign up button. Enjoy all the albums new movie with all Faves Movie Streaming In ! Just watched it Chaar Sahibzaade full and free online movie. This is truly spectacular and could one of those rare amazing. The quality was great all around. Management, images and visual effects were all very innovative and brilliant. The pleasure of the script, often humorous and has a lot of heart for all his characters are all very well developed.\nDirector : Harry Baweja,\nYes, now you can Watch Movie Chaar Sahibzaade Full Movie Streaming and get the link to Chaar Sahibzaade In HD", "domain": "drama_and_film"}
+{"url": "https://zwick-news.com/latest-news/marvels-thunderbolts-movie-rides-out-its-creative-storm-as-mcu-film-finally-starts-shooting/", "date": "2024-04-18T14:13:15Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2024-18/segments/1712296817206.54/warc/CC-MAIN-20240418124808-20240418154808-00485.warc.gz", "language_score": 0.9209122657775879, "token_count": 398, "dump": "CC-MAIN-2024-18", "global_id": "webtext-fineweb__CC-MAIN-2024-18__0__142311816", "lang": "en", "text": "Marvel fans worldwide are rejoicing as the highly anticipated Thunderbolts movie finally enters production, marking a significant milestone in the Marvel Cinematic Universe (MCU). After much anticipation and speculation, the wheels are finally in motion for this thrilling addition to the superhero franchise.\nThe Thunderbolts, a team of complex and morally ambiguous characters from the Marvel comics, have long been a favorite among fans for their compelling narratives and dynamic personalities. Now, with the start of shooting, audiences can look forward to seeing these beloved characters brought to life on the big screen in spectacular fashion.\nDirected by a visionary creative team and featuring a star-studded cast, the Thunderbolts movie promises to deliver an unforgettable cinematic experience that will captivate audiences of all ages. With its blend of action, drama, and suspense, the film is poised to become a standout entry in the MCU canon.\nAs production gets underway, details about the plot and characters of the Thunderbolts movie are being closely guarded secrets, heightening anticipation and excitement among fans. However, rumors suggest that the film will explore themes of redemption, betrayal, and the blurred lines between heroism and villainy, providing a fresh and compelling perspective on the superhero genre.\nThe start of shooting for the Thunderbolts movie represents the culmination of years of planning, development, and anticipation, and fans can’t wait to see the final result. With its promise of thrilling action sequences, rich character development, and epic storytelling, the Thunderbolts movie is shaping up to be a must-see event for fans of the MCU and superhero cinema alike.\nAs production progresses and more details emerge, anticipation will only continue to grow for what promises to be an epic addition to the Marvel Cinematic Universe. With its stellar cast, talented creative team, and rich source material, the Thunderbolts movie is poised to make a significant impact on the world of cinema and leave a lasting impression on audiences worldwide.", "domain": "drama_and_film"}
+{"url": "http://dalempollock.com/", "date": "2015-02-01T22:40:25Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2015-06/segments/1422122189854.83/warc/CC-MAIN-20150124175629-00186-ip-10-180-212-252.ec2.internal.warc.gz", "language_score": 0.9764379262924194, "token_count": 192, "dump": "CC-MAIN-2015-06", "global_id": "webtext-fineweb__CC-MAIN-2015-06__0__190381286", "lang": "en", "text": "Dale M. Pollock is a film professor, writer, filmmaker and a catalyst who makes things happen. He is based in Winston-Salem, North Carolina, after a 22-year career in Los Angeles as an award-winning newspaper reporter and feature film producer, with 13 movies to his credit. Dale is also the author of Skywalking: The Life and Films of George Lucas, the best-selling authoritative biography of George Lucas. For seven years, Dale was the Dean of the School of Filmmaking at the University of North Carolina School of the Arts, and co-founded the Producing Program at the American Film Institute in Los Angeles. He also brought the RiverRun International Film Festival to prominence in Winston-Salem, where he has received numerous civic and artistic awards. He is currently Professor of Cinema Studies and Professor of Producing at UNCSA. Dale writes and speaks frequently about film at schools, conferences and festivals around the world.", "domain": "drama_and_film"}
+{"url": "http://senateminority.wordpress.com/2011/04/01/state-senate-recognition-for-cbs-tvs-five-0/", "date": "2013-05-19T22:24:19Z", "file_path": "s3://commoncrawl/crawl-data/CC-MAIN-2013-20/segments/1368698104521/warc/CC-MAIN-20130516095504-00039-ip-10-60-113-184.ec2.internal.warc.gz", "language_score": 0.9755033254623413, "token_count": 154, "dump": "CC-MAIN-2013-20", "global_id": "webtext-fineweb__CC-MAIN-2013-20__0__161036274", "lang": "en", "text": "Some cast members, production team and network executives were at the State Capitol yesterday (March 31) to receive congratulatory certificates from both the Senate and House recognizing a successful first season for the hit CBS TV show, “Hawaii Five-0″.\nCast members Alex O’Loughlin and Daniel Dae Kim were joined by original series actor Al Harrington as well as an executive from CBS TV on the Senate floor. Members of the production team as well officials from the state and city film offices met with legislators after the floor presentation.\nCBS is expected to renew “Hawaii Five-0″ for a second season this coming May.\nAl Harrington, Daniel Dae Kim and Alex O’Loughlin seated on the Senate floor.", "domain": "drama_and_film"}