Getting a great piece of modern art can really make your home look classy, but where you place the art, especially a painting, can make all the difference. You'll find a lot of advice about where to put it, but not so much advice on where not to put the art. There are some places that could result in the painting being ruined, or you being hurt.
In Direct Sunlight
Direct sunlight will cause furniture, carpet, books, and other items to fade, and it will cause the painting to fade as well. The fading is gradual, and you don't really notice it until it's gotten really bad. For good art that cost a pretty penny, fading is disastrous. And even if the art was cheap, you've still ruined a picture that you originally thought was nice. Keep the picture out of direct sunlight; if you want light to hit the picture, place it next to a spotlight meant for art.
Over the Bed
Hanging a picture over the bed may look nice, but if the nail fails, or if you experience an earthquake, the picture would fall on your head. Even areas with minor quake risks are still at risk of shaking, and you don't want that frame with its corners and the picture with its glass hitting you as you try to protect yourself in the quake. Even a flat poster, unframed, can be questionable as it could freak you out should it fall on you in the dark. If you want decoration over the bed, try adhesive wall decals or paint the wall itself.
Near the Kitchen
You'd think that a nice painting near the dining room table might help add some atmosphere to the room, but you don't want the painting to be too close to the stove or any countertop appliances. Not only can the heat from the appliances harm the painting, but the grease that wafts up in the air -- those tiny particles that get all over the cabinets and back walls -- can end up on the painting. Over the years, that grease will make the painting look awful and make it lose value. And cleaning grease off a painting is not very easy.
When you identify that wonderful piece of art, look at your home and choose several possible places for the piece. Observe each to ensure direct sunlight doesn't hit the spot, and be sure the painting will not clash with the rest of the room. To learn more about modern art for sale, contact an art dealer in your area.


conservation of venard paintings
As a paintings conservator, I have worked on many of Claude Venard’s paintings over the past 20 years. Each time it was a collaboration with John Hong, owner of Anne French Fine Arts, who is the expert in the field for this artist.
In most cases, the main condition problems stem from the artist’s technique. Venard applied the paint layers with high impasto, impetuously, thickly, often with a palette knife. He did not always wait for one layer to be completely dry, before applying the next one on top.
This has led over the years to layers separation, open craquelure and lifting paint areas. These areas of high craquelure need to be consolidated with adhesive and safely flattened into plane before his paintings can be cleaned.
But every time I was able to clean Venard’s paintings after this treatment, the colors and the painting in its entirety were restored to their original vibrant appearance. -Maria Iosifescu
Maria Iosifescu is a graduate of the prestigious Conservation Center, NYU, as well as the Istituto Centrale del Restauro in Rome, Italy. As part of her training she has interned in paintings conservation at the Metropolitan Museum, the Cooper Hewitt Museum and the Jewish Museum in New York.
She has been in charge of her own studio in New York for the past 20 years.
The studio offers examination, restoration and conservation of a wide range of Old
Masters, 19th Century, Impressionist, Modern and Contemporary paintings.
Clients include Christie’s, Sotheby’s, galleries and private collections.
Other services include consulting on condition reports and conservation proposals for collections and pre-sale estimates for Christie’s and Sotheby’s.
MARIA IOSIFESCU CONSERVATION STUDIO,INC
34-01 38th Avenue, 4th floor, studio 4
LIC, NY 1002
1(646) 431- 3293


APS Pro Can Aerosol Paints
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DANA SCHUTZ: Still Life
February 7th - March 21st
Shaheen Modern and Contemporary Art is pleased to announce an exhibition of new paintings by New York based painter and Cleveland Institute of Art alumnus Dana Schutz. This will be Schutz's first one-person gallery exhibition outside of New York, and she will be returning to Cleveland for the occasion. There will be an opening reception for the artist on Friday, February 7th from 5:30 to 8:00 p.m. The exhibition will continue through March 21st. On Wednesday, February 5th, the artist, along with gallery owner, Brett Shaheen, will be an on-air guest on WCPN/90.3 F.M. radio's "Around Noon with Dee Perry" (12 noon- 12:30 p.m.) to discuss the exhibition.
Upon graduating from the Cleveland Institute of Art in 2000, Dana Schutz moved on to attend Columbia University's prestigious graduate art program, where she received her M.F.A. in painting this past May. Since completing her first year at Columbia, Schutz's paintings have appeared in group exhibitions in New York, Los Angeles, Chicago and Stockholm, Sweden. Her recent (and first one person gallery) exhibition at LFL Gallery in New York met with resounding praise from collectors, critics and fellow artists.
For her exhibition at SHAHEEN, Shutz has executed six (mostly larger scale) somewhat hallucinatory vignettes that subvert traditional perceptions of and expectations surrounding the canonical genre of still life. Through the artist's ultra-imaginative vision and deft, exceptionally versatile command over her medium, the traditional inertia of still life gives way to an undercurrent of instability and eminent transformation. According to Schutz, "Still lives become personified, portraits become events, and landscapes become constructions. I embrace the area between which the subject is composed and decomposing, formed and formless, inanimate and alive ... In my work, I imagine a place, a moment, a fictional situation, which meshes the premise of a practical situation with the absurd." The lyrical and sometimes sculptural application of paint with which Schutz holds her playful compositions and the seemingly disparate cast of pictorial elements that populate them in dynamic counterbalance simultaneously drives her paintings to the verge of internal collapse, or spinning off into a wild network of tangents.


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My main interest is light and atmosphere and how these factors may change even the most familiar of landscapes.
Using sketches, photographs and memories, paintings are created mainly in the studio, some taking many months to complete.
The initial subject is sketched in quite boldly and then work upon over and over again using thin washes to create ethereal images, some unrecognizable from the initial starting point.
Although all my work is based on a real landscape it is not a likeness which I am attempting to capture but a feel for that particular place. In this way the paintings evolve over a period of time just as the landscape itself is constantly evolving.
Most of my work is based in Shropshire, Staffordshire and the West Midlands


Current 2019 Workshops:
Loosen Up Have Fun With Acrylics!
Do you want to have fun with painting? Then this class is for you. Art can be intimidating and many people are too afraid to even try it thinking they aren't “artistic”. We will smash that notion. We will just start painting, you learn best by doing. We will work fast and loose, layering our canvas with color, blocking in shapes, and adding definition to create a beautiful masterpiece. First timers are my favorite! I want to introduce you to the fun of paint, we will use spray bottles and drip, splat, brush, even use our hands to create magic. The object of this course is to have you fall in love with painting and give you the confidence to see yourself as a good artist.Content includes how to begin, paints to use, supplies, how to set up your space, what to paint, painting at least 3 finished paintings themed on floral, abstract and interior. Reference photos are encouraged. I guarantee a good time and skills to take you on your way to continued painting. Email Carrie today!
**New added class on Wednesdays at the Tannery from 1:00-3:30


Watercolor Painting with ArtStart - *Virtual*
Grades 2-3: Join an ArtStart artist to create your own watercolor still life and earn your painting badge! You'll experiment with several different watercolor techniques like wet on wet resist and get tips on how to paint from observation. By the end you'll have your very own watercolor masterpiece to keep.
Included: Painting badge, all supplies needed mailed to you (make sure to keep your extra supplies for a later project!)
How to Join: An email with details about how to join the zoom meeting will be sent to you 2-3 days before the event.
Payment details:This event has a minimum deposit.We ask registrants whoarepaying for this event with a credit card to pay the full balanceat check out.
If you are planning to request financial assistance,please pay the minimum depositwith a credit cardand select Financial Aidas a payment type.After registering, visitgirlscoutsrv.org/financial-assistance to submit yourfinancial assistanceapplication.
If you are planning to pay using program credits,pay as much of the total balance as you would like with a credit card andselect Program Credit as a payment type forthe remaining balance.Paper credits should be mailed to our St. Paul Service Center office. To submit Electronic Program Credits,visitvolunteers.girlscoutsrv.org/program-credit-redemption-form/.


Here are the two most common ways of thinking. airbrush compressors & airbrushing spares and accessories Click here to learn about airbrush painting for cars, and whether or not it’s best to utilize the skill of a professional airbrush artist. This will cause a backflow that will further help mix the paint and thinner. This is a clear base medium that can increase durability and spray performance and acts as an adhesion promoter. For those who are more confident of the thinner to paint ratio, you can mix a large amount into a bottle, so you don’t have to thin every time you use that color. Mix with an old synthetic brush. Add 2-3 drops of paint to the airbrush cup. I'm a hobby enthusiast with a real love for painting miniatures. Sold & shipped by UBesGoo. Here are some of our recent projects here at Deanos Custom Painting. I am meticulous with cleaning removing and cleaning the needle every time … It’s just a matter of adding the right amount of thinner to your paint until you get the consistency of skim milk. 4.5 out of 5 stars (13) Total ratings 13, £3.60 New. If you start with paint, the paint might get into the airbrush tube which could clog the brush or make it harder to clean. Some paints are not meant to be thinned, like shades or contrasts (more about contrast paints here). Iwata IW-NEO-CN Gravity Feed Airbrush. Don’t be afraid to experiment, because the more you see what different mixtures do, the better your ability to create the right consistency for your paints will become. Add more Airbrush Thinner to increase the sheer effect; Blending & blurring product that has already been applied to the face: Add 2-3 drops of Airbrush Thinner to a clean metal palette. It is important to take the time to thin out all your airbrush paints (, If you are willing to spend a little more money, airbrush thinner is the best way to go. The rule of thumb is to start with a thinner to paint ratio of 1:1 and adjust from there if needed. A look that is shinier or glossier than you want. If you’re unfamiliar with mediums used in miniature painting, head over to this article for a complete guide to the different types of mediums. Tip: The quality of your gear can have a huge impact on your finished results. I've enjoyed painting miniatures for a while now but remember being overwhelmed when starting out! Airbase High-Definition Airbrush Make-Up: Airbrush Thinner and Cleaner 250ml: Amazon.co.uk: DIY & Tools How and Why to Thin Acrylic Paints for Models and Miniatures, Best Paint Racks to Hold Acrylic Paint Sets for Miniatures. If you’re brand new to the hobby or are still in the midst of getting your feet wet, knowing what are absolutely must-haves and what you can get away with skipping can be pretty confusing. It will save you time, money, and frustration. PINSTRIPING is a combination of freehand painted lines, creating interesting shapes and patterns, with a brush, and requires a very steady hand! Just remember, there is no set formula for thinning paint. In the past, I use to purchase and use the paint thinner that was designed specifically for the paint I use. Add 2-3 drops of water or thinner to the airbrush cup. Keep up on our latest projects, designs, and get ideas for your next custom paint job! Using alcohol was okay when I was single, but using alcohol today will get some less-than-polite feedback from my wife. Thinning the paint is an easy process in theory. Best Airbrush Paint for Miniatures and Models, The Best Airbrush for Painting Miniatures and Models, You don’t have to thin these paints at all. Airbrushes, airbrush compressors, airbrushing accessories & supplies. Fill us in on all the details and we will reply with a quote. CRASH HELMETS. Our airbrush equipment is suitable for both beginners and professional airbrush artists. Free delivery. Join us on Facebook! There are a variety of things in which you can mix the paint and thinner depending on what you are comfortable with. 741 Medium Thinner. The cleaner prevents clogging of the airbrush gun, ensuring a flawless application every time. Join us on Facebook! How do you thin acrylic paint for an airbrush when painting miniatures? You’ll also learn: Everything you need to get started and then quickly up your game – all in one place. Other paints are not meant to be thinned and will need specific mediums made for thinning. Copyright 2014 - Deanos Custom Painting All Rights Reserved - website by www.johnbazay.com. Vallejo's recommendation is to 'leave to cure for 12 hours'. Use an old, cheap brush to mix the two. Whether you are a beginner purchasing your first airbrush or an experienced professional looking for the ultimate airbrush, our comprehensive range of products will have something to suit your airbrushing requirements. Vallejo Mediums Model Airbrush Paint Chipping Crackle Glaze Thinner 17ml Bottle. You can find the answer here – and I explain why they’re my favorite! Bikes - Lids - Trucks - Cars - Jackets - Jet Skis - Guitars. There are thinners specifically made to thin your paints for airbrushing. Companies like Vallejo and Citadel make paints specifically for airbrushes. Current Price $38.99 $ 38. I wish I had it when I was starting! Neither glazes nor shades (also commonly called washes – more on washes in this article) need to be thinned. However, many of those other recipes include ingredients that are said to be harmful to an airbrush. Some paints are specifically made for airbrushes, so they don’t need thinning at all. How to move from novice to pro in no time. It really is the most complete miniature painting guide you’ll find – the only one you’ll need. I’m mixing my paints in these small metal cups (Which I love and I’m very glad I found them, these have a little lip that helps pour it cleanly) rather than in the airbrush cup itself. This airbrush… 99 List List Price $59.99 $ 59. You will receive a final quote when you order the paint job. Last update on 2021-01-17 at 22:46 / Affiliate links / Images from Amazon Product Advertising API. It is a very usable option, but if your tap water is too hard and filled with minerals, it might affect the color of your paint and how the paint behaves. Keep up on our latest projects, designs, and get ideas for your next custom paint job! The airbrush thinner is to help thin out your airbrush acrylic paint, while paint extenders made by paint manufacturers only make the paint more transparent and not thinner. The substances you can use range in price from free to around $15. Here is the definitive list of custom airbrushing services near your location as rated by your neighborhood community. 1 X Airbrush Air Hose Quick Release Coupler 1/8 BSP Thread Most Recommended. Coverking - Brand of the Month - Hundreds to choose and build your own. How to improve immediately with a few simple steps. RPI Designs Home Blog Home Contact Us. The only thing that is going to perfect the process for you is experience. Mediums. A […] Toll Free: 888.257.8515 . As much as I love the control a brush gives, I needed a way to speed up the process as I have many small armies waiting for attention. Which one you use basically depends on the amount you are willing to spend and the consistency you are looking for. This beautiful video explains how you can … So, I apply one *very* thin coat and leave to cure for 12 hours. H&S Infinity CRplus 0.2mm airbrush review. To be able to use enamel paints in an airbrush, you will first have to thin out the enamel paint so as to correct the consistency. You can find out more and pick up your copy right here. Find supplies for airbrushing at JOANN. We stock a large range of airbrushes, compressors, acrylic paint and accessories to suit your needs. Thin Createx airbrush paint. Wondering what paints I prefer? Different companies and even different colors will have varying thicknesses. Then, I apply a 2nd very thin coat, and leave for another 12 hours. If you feel that you need to thin them for your airbrush, only use mediums specifically made for that paint. Shop airbrush supplies, including airbrush kits, airbrush paint, airbrush compressors, airbrush stencils and more! You don’t have to thin these paints at all, though you can thin them if they are thicker than you want or you want to dim the color. Even if you don’t plan on using an airbrush, you should still be thinning your paints. Average Rating: (4.1) out of 5 stars 7 ratings, based on 7 reviews. Note you need to use Tamiya Thinner with Tamiya paints, don’t use acrylic thinners or flow improvers to thin it. There are thinners specifically made to thin your paints for airbrushing. Airbrush thinners will give you the best consistency in your paints. Very useful when thinning Cellulose Primers When mixing with… Manufacturer. To thin acrylic paint for an airbrush, you need to add a thinning agent, like water, airbrush thinner, or flow improver to the paint, and mix until you create a paint that has the consistency of skim milk. If you are a novice at airbrushing, the Createx Colors Airbrush set may be a good product to start with. It’s really reduced the dry tip and clogging issues I’ve had. This is the most commonly used thinner, not because it is the best, but because it is free. £3.39. Airbrush thinners will give you the best consistency in your paints. This site also participates in other affiliate programs and is compensated for referring traffic and business to these companies. Add 2-3 drops of water or thinner to the paint. This has worked really well for me. On the other hand, if it is too thin, you will find your paint running off the area you are busy with. Keep up on our latest projects, designs, and get ideas for your next custom paint job! We provide quality airbrushes from leading brands including Sparmax and Harder & Steenbeck. Add 1-2 drops of Airbrush Thinner onto a metal palette & mix into your oil-based product with Artisan Brush #142. Even if you don’t plan on using an airbrush, you should still be thinning your paints. Use Artisan Brush #156 to lightly buff & blend over the desired areas of the face. 5 out of 5 stars (2) Total ratings 2, £75.99 New. Next came the Lifecolor and again thinned with about 30% thinner mixed and poured into the airbrush and the result was the same as the first paint. 3 watching. For instance, Some like to use Windex in their home brew reducers / cleaners. Our Ultimate Airbrush Thinner is specifically formulated to work with ALL brands of acrylic modellers paint, ours is the only brand of modellers acrylic thinner in the world able to claim this! Buy Now. If you really want to use water but are scared of the effect hard water will have on your paints, go with distilled water. Want to see who made the cut? It serves two purposes: Thinning, and stopping paint from drying on your needle. Airbrushes can clog if the paint isn’t thin enough for the nozzle. Graphics and flames quotes will be fairly accurate, however airbrush art is a little more difficult to quote without further discussion. Situated on the South Coast of West Sussex, between the seaside towns of Worthing and Lancing. Thick paint can lead to a lot of undesirable results when painting miniatures. The only limitation is your imagination. General purpose thinner, used for cleaning purposes and thinning of most paint types. It is best to err on the thin side and paint multiple coats because you cannot correct if it is too thick. The amount of thinner you use will change depending on brand and color. It allows you to mix a small amount of paint if you aren’t looking to use much or if you’re unsure how much thinner to add. Get in Touch! Another breakthrough in my airbrushing has been trying Tamiya paints. Want to see more? This 60+ page book will show you: Where to start, how to improve instantly, the best skills to work on and give you a step by step guide. RDG Airbrush Tank Compressor Kit 280k Art Crafts Paint Spraying Model Making. Please note: Email quotes are for reference only. Cover the nozzle with your finger, and move the lever back. Product Image. Find you airbrush supplies needs here at the lowest prices online. How do you thin acrylic paint for an airbrush when painting miniatures? Some paints are thicker than others and you’ll need to thin them down to get the milk-like consistency you are looking for. As an Amazon Associate, TactileHobby.com earns from qualifying purchases. £7.95. Free postage. HOW TO PAINT A BLOOD ANGELS REDEMPTOR DREADNOUGHT. £2.80 postage. Check Price on Amazon. Airbrush Thinner & Cleaner is required to keep your Airbase Airbrush in tip-top condition for your next application. Whether you are using a brush or an airbrush. After a recent bad experience with airbrush applied varnish lifting paint on a model (previous post) I am now wondering if the proprietary airbrush cleaner by Premi Air which is more or less cellulose thinners in an aerosol might be the problem with leaving residue in the brush that might get picked up with next use. To mix into your airbrush cup, you should: Following these simple steps should turn your acrylic paints into airbrush paints. Save 5% w/Coupon Code SAVE. Either a damaged brush or a clogged airbrush. Remember, when you thin-out your enamel paint, make sure you use the right paint thinner. Add to cart. After picking out an airbrush that fits my needs, it quickly became obvious that I was going to have to figure out how to make it work with my paints. If you scour the internet, you will find other recipes for making your own homemade airbrush thinner / cleaner. It removes all of the impurities that might mess with your paint. They are VERY smooth through the airbrush. A thick base coat that hides the details of the miniature. A note to our community regarding COVID-19. I recently decided to try painting my miniatures with an airbrush instead of the old tried-and-true brush. Here are some common paints and how to treat them. Airbrush Thinner. Want to see who made the cut? Whether you are using a brush or an airbrush, you should thin your paint, or you might have to deal with: In case you’re still on the fence deciding which airbrush you should get, I give you a complete breakdown of the best models out there in my article, “The Best Airbrush for Painting Miniatures and Models.”. Was: £5.75. What Is the Best Way to Strip Acrylic Paint From Miniatures? If you are willing to spend a little more money, airbrush thinner is the best way to go. OUR BEST SELLING BRANDS. It is worth knowing a little about these techniques so you can have the best experience using an airbrush with your miniatures. These are always a joy to paint, but check with me that your helmet is suitable for painting. You are not going to thin all paints in the same way. … All Createx illustration colors, automatic air colors and bad colors can be reduced with the high-performance reducer 4012. or Best Offer. Some paints are not meant to be thinned, like shades or contrasts (more about contrast paints here). It’s really been a huge help for my airbrushing. £49.00 Used. The most important thing to remember when using enamel paints in an airbrush is to ensure that you thoroughly clean out the airbrush once you have finished. Trouble Shooting Your Iwata Eclipse CS Airbrush – Bubbles in the Cup . There are, Some paints are not meant to be thinned, like shades or contrasts (, Neither glazes nor shades (also commonly called washes –. Whom you should be following on social media for tips and demos. 4.8 out of 5 stars (25) Total ratings 25, £975.00 New. It is important to take the time to thin out all your airbrush paints (I list the best here) before you use them to get the best looking miniatures possible, but what should you be using to thin your paints? Best Seller. Product Title UBesGoo Dual-Action Airbrush Kit Mini Air Compressor Air Brush Set Spray Gun for Hobby, Art, Tattoo, Cake Decorating, Nail Beauty, Makeup, Painting, Craft. The steps are a little different in order to keep the airbrush as clean as possible. It’s quite common to be able to make triple or even quadruple the amount of homemade airbrush thinner at the same cost as a bottle of store-bought airbrush thinner. Airbrushing is the art of using an airbrush tool to combine air and paint to create a fine spray that can be applied to almost any surface. Before you go, remember to check out my complete miniature painting guide. We have a design gallery with thousands of images to browse. These brands produce high quality, long-lasting airbrush equipment, making them a solid investment. I not only cover what essentials you really do need, but I offer DIY solutions to save you some money too. These quotes do not include shipping in either direction. Thinning your paints in a small cup, like those little, free-sample cups at the grocery store, is a common technique. I have been using Flow Improver for thinning more often lately. A medium speedy universal thinner, for use with solvent basecoats and 2k products Can be used in conjunction with Lechler 2k… Manufacturer Lechler. Buy Now. £11.37. Which advanced gear you’ll want as your skills improve. £5.46. Class capacity: From 4 to 8 students. Leading Airbrush brands :Harder & Steenbeck, Iwata Airbrushes, Werther Sil-Air, Tamiya, Createx, Mr Hobby Color and many more. Click here for How to Find Us. Click & Collect. Take a look at what I personally use and recommend here to find the best paints, brushes, and painting accessories. Join us on Facebook! Shoot that through and it will coat the needle. I also happen to run this site and write the majority of its content! £32.95. Location: The Airbrush Company Ltd. 79 Marlborough Road (East), Lancing Business Park, Lancing, West Sussex, BN15 8UF. You can add an acrylic medium or flow improver, which helps increase the flow and also keeps the tip from drying. Jerry’s Artarama offers a wide selection of artist quality airbrush supplies. These quotes do not include shipping in either direction. Some people feel that using a cup is an unneeded step. I've had really great results using alcohol as an acrylic thinner for paints from Tamiya, Gunze Sangyo (Aqueous/Mr.Hobby), Vallejo, Italeri, and Akan (don't try this with Testors Acryl, it took some time to clean the resulting goo from my airbrush). If your paint is too thick, you can clog up your airbrush. This is a airbrush MUA's must have product and is essential in helping to keep your airbrush in perfect condition. You don’t want to mess up an expensive brush mixing (. There is no set formula for thinning base paints. If you need to thin these, you should use a specific medium made for thinning those paints. Graphics and flames quotes will be fairly accurate, however airbrush art is a little more difficult to quote without further discussion. If you are willing to spend a little more money, airbrush thinner is the best way to go. If anything I would highly suggest trying a few drops of flow improver in the brush before you paint. I put in enough flow improver or thinner to give the bottom a full but thin coat, then add a few drops of paint, depending on what kind of paint it is. Your performance can be further improved by using 4030 Balancing Clear. There are different paints and different ways to mix. Toll Free: 888.257.8515. (11) 11 product ratings - THINNERS VALLEJO AIRBRUSH PAINT - MODEL AIR - AIRBRUSH THINNER 60ML - 71.361 . Have a dream build you want to get started? Airbrush Art & Custom Paint. And…. The thinner should be recommended by the manufacture for that particular type of paint. Our blended formula of six ingredients ensures a fast drying, smooth finish every time, no matter what brand of modelling acrylic paint you use. Non Toxic Airbrush Thinner 200ml Water Based Acrylic Paints Non Flammable Tool . GraphicAir is the UK’s Largest Stockist of Premium Brands of Airbrushes and Airbrush Equipment. Latest Posts. Specifically I love the Tamiya Flat White when I am zenithal priming. Extraction system: Our training room is equipped with a large extraction system for your comfort and safety. If you need airbrush stencils, Paasche airbrushes, or acrylic paint for airbrushing, you will find it here! Why mix and then transfer to the airbrush when you can just mix right in the airbrush? Thick paint can lead to a lot of undesirable results. ABEST 4 Set Airbrush Spray Gun Wash Cleaning Tools Needle Nozzle Brush Glass Cleaning Pot Holder ... 2 thin coats, 12 hours apart! That’s exactly why you should grab your copy of my comprehensive guidebook, The Miniature Painting Level Up Guide. For more tips for using an airbrush and to find the best products out there, be sure to visit my airbrush page for more how-to articles and guides. 2015 Ford Mustang Parts Added Weekly. Continue to add water or thinner a drop at a time until you get the consistency of skim milk. 744 Fade Out Thinner. 99. Can you use the Airbrush Cleaner as a Thinner?
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Mesmerized as a child by paintings by the Old Masters in Europe, Nicholas became a master himself painting highly realistic portraits and commissioned oil paintings. He also dedicates his time to Guardians of the Everglades, 11 6×4 ft oil portraits of people dedicated to protecting the Everglades.
Phil Fisher has been painting in Naples, FL in watercolors and oils, professionally, for the past 40 years. The majority of his work is done “plein air”, so he has a visual preference for landscapes. Natalie Guess is one of a small number of professional fine art batik artist across the U.S. She has worked in this medium for more than 32 years and finds that the possibilities are exciting and endless.


The opening reception/retablo extravaganza was last Thursday night at Lawndale Art Center. Daughter Anna and I got there late-ish (on purpose). Here's the requisite artist pose next to my pink chucks retablo while wearing the pink chucks that were the still life for the retablo. Are inanimate objects still a still life if I'm wearing them?
While at the opening, some friends asked me what shoes have to do with Day of the Dead. I told them that I wanted to put extra SOLE in my work. They laughed.
In the spirit of Day of the Dead, the next day I was Anna's model while she painted a skeleton on a black body suit while I was in it. It was a chilly day. The paint went through the fabric to my skin and was wet and cold. Here I am getting my bone-y @$$ painted, except in real life, my @$$ is not bone-y at all.
After she was finished painting, I had to stay upright and not bend or sit in the skeleton suit until the paint dried. It was really cold and took a long time for the paint to dry.
This is what the front of the skeleton suit Anna painted looks like. Anna did a great job! The bones suit is for her -- I was just the model -- and even though my bones are shorter than hers, it looks awesome on her when she wears it.


Paint and Sip Special
Sample complimentary wines from around the world from Wines for Humanity with paired snacks and then our facilitators will lead you step by step to paint a take-home your own version of "Wine & Flowers for You" on 16x20 canvas with non-toxic acrylic paint. Are you art-phobic? This is the paint party for you! The canvas will be painted chalk black and the image will be traced onto the canvas for you in advance. You choose the colors, and fill in the blanks! If you prefer a challenge or to paint something else, blank canvases are available. We will also have your favorite glitter and bejeweled adornments to add to the canvas to your liking.
Event Date: April 22, 2017 @ 6:00 PM
Event Location: Harbor Shores on Lake Geneva
$49 per person
(Covers wine & snacks, pre-drawn canvas and all materials needed)
- All materials needed to create your masterpiece are included in admission.
- Aprons are provided, but will not cover clothes entirely.
- Additional Adult & Soft Beverages, Snacks and Full Menu available for purchase from venue.
- Recommended ages 16+. Minors MUST be accompanied by a parent for this event.
To reserve your spot for this event
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I often listen to books on tape while I paint....I was listening to "The Secret Life of Bees" while painting this one. The subject of this painting is the Parfrey's Glen Area of the Devil's Lake State Park near Baraboo, Wisconsin. As a member of www.PaintTheParks.com I will donate 10% of the sale of this painting to the Ice Age Trail - National Scenic Trails.
After painting March Melt we had another snow storm, so there was still snow to melt in April. Today however, almost all the snow is gone.... yesterday was in the 80's and we had a hard rain last night. Only a few piles left and the ice on the lake is breaking up. I am looking forward to the next plein air painting which will hopefully have plenty of spring greens.


Find the perfect painting service to help paint your home with a stunning, flawless result. From the wide variety of services, choose one that will meet your expectations and provide great results. This article will guide you in choosing a Painters’ home painting service – click this link!
Local home painting contractors are a good place to begin. Choose a company with a good reputation and a lot of positive reviews. For recommendations, ask your friends, family and neighbors that have painted recently. They can give you some advice on the best painting contractors to choose.
Expertise: Home painting requires experience. Search for a painting contractor with experience. A professional painter can work on many different surfaces. Find out how much experience they have in the field and for how long.
Pick a licensed, insured painter. Licenses ensure that they are qualified and have the knowledge necessary to carry out your project. Insuring you and your painter against damage or accidents that occur while painting is important. Verify licensing and coverage before selecting.
Referrals and Portfolio: Ask to see the portfolio of a house painting service. An established company will be proud to display its work. Inquire about previous customers’ experiences, work quality, and professionalism.
Transparent Pricing: Compare detailed painting service estimates. The cost breakdown of a good painting company will include labor costs, materials, extras, etc. The low cost may be an indication of inferior workmanship or material. Search for a budget-friendly, reasonable price.
Communication and professionalism is essential to painting. A painting company that listens well, responds quickly and is communicative will be the best choice. Professional painters provide updates, timelines and milestones. While maintaining a tidy and clean workplace, they respect you and your home.
Ask about warranty and satisfaction guarantees. Trustworthy companies will resolve any issues that arise post-project. A warranty will ensure that you are able to trust your painters.
The tips below can assist you in finding a service to paint your house that will exceed all of your expectations. A professional painter will turn your home into something you’ll enjoy for years to come with their expertise, professionalism, customer service, and dedication.


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“Gent in Blue Coat”
An antique watercolour miniature painting of a gentleman by Philip Jean (1755-1802). He is wearing a blue coat, white waistcoat, stock and frilled chemise, his hair powdered and worn en queue.
Some other examples of works by this artist are included at the end of the photos.
Frame: The miniature is glazed and set within a gilt metal mount in a lacquered wood frame.
Provenance: The late Timothy Clowes Collection.
Condition: Some very light surface dirt under the glaze. Otherwise the work appears to be in good condition.
Measurements: Painting measures 6.5 x 5.2cm and the frame 12 x 10.5cm.
Biography: Jean was born in Saint Ouen, Jersey, the son of Nicholas Jean and Marie Grandin. He was at first in the English Royal Navy, but later devoted himself to painting. He was chiefly a miniaturist, yet also worked with oils.
While settled in London, Jean painted portraits of many members of the British Royal Family, amongst them the portraits of George III, of the Queen Charlotte, of the Duke and Duchess of Gloucester and of their children. He exhibited at the Royal Academy from 1787 to 1802. Amongst other collections, his works belong to the Victoria and Albert Museum and Windsor Castle.
Jean was married twice. His first wife (married 1781 in Jersey) was Anna (or Anne) Noel (1758-1787), the daughter of a large and prominent Jersey family. They had two children; Roger, who also became a miniaturist, and Anne Marthe. Jean remarried after Anna’s death, to Marie de Ste Croix (1763-1820) and they had 4 children. He died in Hempstead, Kent.
Out of stock


By Katie Webb Arts & Entertainment Editor
Bizarre dismembered body parts juxtaposed with delicate flowers arrest the eyes of passersby. Kerry Ann Castoria’s acrylic paintings, her interpretations of stills from the Japanese horror movie “House,” will capture the attention of anyone viewing her show at Calkin’s FORM gallery.
“I wanted to do movie stills – I like how dramatic they can be. I do portraits, so I felt like film stills would really capture the action and intensity in a figure I was looking for,” said Castoria, a senior fine arts major with a concentration in painting.
Castoria began replicating movie stills when she worked with “Kill Bill,” the notoriously gory Tarantino action thriller. But then she found the source of her collection’s inspiration in “House.” The storyline of the 1977 horror film follows a young girl and her friends who are devoured by the home in which they live, an eerie plot fitting for the content of Castoria’s work. You don’t need to see or even know about the film to understand the paintings on sight.
“I’ve never seen it [‘House’] before. People can look at my paintings and make their own story line,” confided Castoria.
An element of freakishly distorted reality runs through the collection. A vibrant color palette deftly transitions into black-and-white figures with misplaced piercing eyes.
“The eyes are kind of playful when you first look at them, but then they become creepy the closer you look,” said Castoria. It feels as if the closer the viewer gets to the work, the likelier the viewer is to tumble into the painting’s alternate universe.
Professor James Lee, who taught her painting 4 class, pushed Castoria to add her own signature to the work. The movie stills are layered beneath her own random, contour-line creations [featured in painting to the right].
“It’s funny because someone thought this painting [featured below] was the figure contemplating becoming a geisha,” Castoria laughs.
David Salle, an American post-modern surrealist painter, also inspired Castoria’s collection. Salle’s work has a rich pictorial language, much like Castoria’s. Both artists use multiple imagery to evoke a deep, richly layered story in their paintings. One glance is not enough; the images demand a long contemplative stare to even brush the surface.
“I painted her [figure featured to the right] reflection in the mirror and window,” said Castoria. “I didn’t like how it was coming out, so I painted over it. I was frustrated by her face, but then it still showed through and it ended up adding to the weird feeling of the piece. So I left it.”
The thrillingly disturbing collection would not even have been conceived if not for another professor pushing her into painting.
“I was undecided, and Professor Doug Hilson convinced me to go into painting,” recalled Castoria.
The collection will be featured in the FORM gallery, room 117 Calkins, starting Monday, September 23rd.
As for her career, Castoria plans to use her painting prowess to aid others.
“I met a girl who was doing art therapy and a couple of people suggested it to me,” said Castoria.
Having only seen the trailer for “House,” Castoria delved into the psyche of its characters, strikingly painting their stories. Undoubtedly she will be equally adept if she uses her passion to help future patients analyze their lives.


Banksy is a well known artist who's unknown. You may be saying to yourself, WHAT?! He's kept himself anonymous for years and his art reflects anti consumerism and dark humor. And no one knows who he, or she, is. Sotheby's sold one of his paintings at auction recently for just over $800 thousand dollars. Moments after the gavel dropped, the painting shredded itself with a built-in remote controlled shredder. The stunt may have backfired on Banksy though, experts are saying the strips of the work alone could be worth five times what it sold for.


I chose our new Operation Smile stamp set called Animal Greetings because the critters are just too cute and call out for soft watercolor washes!
I stamped the image and sentiment on a 2x3" piece of our new smooth surface Watercolor Paper (a must for being able to smooth colors around without risking paper pilling) using Memento Tuxedo Black.
Some of the things I learned in doing my first project:
- if you go directly from the pan to the project you get a chalky look and not a soft wash
- if you let an area dry you can go in with new colors on top (the antlers)
- you can remove an excess of paint by lifting with a damp brush
- use the lid of your paints as a palette to add more water and soften to a wash
-tiny pointed tip brushes are your friend for this size image
-you can use watercolor paints to color regular cardstock too (bottom yellow flower) but you won't be able to move the paint around like you can on watercolor paper
I am definitely looking forward to playing with and learning this new medium! I hope you'll grab your inks, markers, paints, colored pencils, chalks or anything else you like to use and join us at Heart2Heart Challenges this week for our Coloring Challenge!
If you would like to purchase any of the items I've used in my project or other Close to my Heart goodies, you can visit my shopping site! We have two brand new Idea Books available now chock full of fun and fab goodies!
Stay crafty my friends!


|Frank the Turkey by Larissa Lindsay (2021)|
On our way home from Palm Springs in March 2020 we saw a couple of wild turkeys roaming around the parking lot of one of the hotels where we stayed in California. In most states it's illegal to keep wild animals in captivity as pets.
|The Turkeys at the Chateau de Rottembourg,|
Montgeron (1877), Claude Monet
I was surprised to find this painting of domesticated white turkeys by Impressionist Claude Monet. Although I had been to the Musee d'Orsay in Paris in May 2011, I don't recall seeing this painting there. It was one of four panels commissioned by Ernest Hoschedé, a department store magnate in Paris. Soon after, he lost his Impressionist collection to bankruptcy.
|The Magpie (1868-9), Monet|
Monet's Magpie is my favorite of his paintings. I blogged about it in my January 2021 post entitled Snow Scenes in Painting and Photography. The small subject of this painting is perched atop a fence amidst this dramatically beautiful snow scene.
|November First (1950), Andrew Wyeth|
In my search for other artwork of the Thanksgiving season, I happened upon this watercolor painting by Andrew Wyeth. It's representative of the time when most if not all of the leaves are gone and the weather is turning crisp and cold. You can almost feel the wind.
|The Potato Eaters (1885), Van Gogh|
|Freedom from Want (1942),|


LiquidStack #6 – 36 x 35″ – watercolor on layered and sewn translucent Yupo paper
This coming Saturday, November 23, my 5th show with SMINK in Dallas will open with an evening reception. I won’t be there for this one, but if you are in Dallas, please come by to see the new work. There will be more of what I think of as the “bars” paintings, like LiquidStack #6, above, as well as paintings with circle grids, the format I’ve been working with for several years. As always, the paintings have a restful, flowing and expansive quality that I hope you will enjoy.
My thanks to the wonderful Smink sisters, Jennifer, Autumn and Dawn, for their constant support of my work!


When selling Highlands NC real estate do not discount the power of paint. A fresh coat of paint can do wonders, inside and outside of your home, offering a relatively inexpensive update. The important thing is to choose the right colors and get the job done right to make the biggest impact.
When painting the inside of your Highlands home it is best to stick to neutral colors if you are prepping it for sale. Choose colors that will lighten and brighten your space and stay away from any color that is too dark or too bold. Don’t forget the ceiling either. A white ceiling will always brighten a room.
The other important decision when painting a home is whether to hire a painter or do it yourself. If you want it to look its best and be done in a timely manner you may want to opt for the professional route. While painting is not rocket science it is tedious and requires great attention to detail if you want it to come out looking perfect.
Prepping your home for sale is an important part of attracting buyers. Contact me, Lynn Kimball, today for more information on selling Highlands real estate. My goal is to help my clients every step of the way from getting ready for showings all the way to the closing table.
Click here to read “Increase The Value Of Your Home” from Realty Times.


Most of the artists in Pouring it On do just this: apply paint in loose and generous ways on top of surfaces sturdy enough to support it. They also paint on. And on. Taking cues from abstract expressionism, color field, finish-fetish, hard-edge abstractionism, neo-geo and the like, these artists not only work from this lineage, they actually work upon it, as if the very layers of paint themselves embed the lineage that painting has assumed. That the doors of painting as practice and material are now so widely open is evident within the range of material processes, canny strategies, and sheer sensual pleasure presiding over this exhibition.
Matthew Kolodziej’s work germinates from familiar walks taken in and around Cleveland, Ohio—where he lives and works—usually from building sites he describes as “places of transition.” Like an architect or builder, the artist constructs these paintings in various stages that begin with photographic records of these meanderings. This photographic documentation is projected up onto canvases, traced, then systematically worked until the paintings reach a point of “fullness” – something that is not predetermined by the artist. The surfaces of his paintings are embossed the way a foot treading on the ground might leave an imprint. His paintings draw a link between the impression the weight of the human body imparts into the ground and the touch of the hand making a painted mark on the canvas. Raised lines appear as he pipes by squeezing gel medium out of bags used by pastry chefs. Into these lines he pours rivulets of paint that puddle and coalesce. Upon drying, the work is then sanded and repainted, layers simultaneously revealing and concealing. Initially applied heavy doses of paint are chipped away at, unearthed, producing an “archaeology” of painting. The resultant works echo certain works of George Condo, particularly the busy Cascading Butlers from 2011 or Black and Red Compression from 2011. Or like a “geometric” Arshile Gorky, Kolodziej clearly acknowledges the painting history within which his work is steeped while viscerally digging out his own path.
Like Kolodziej, Summer Wheat playfully applies paint to her canvases with tools traditionally used for domestic rather than artistic tasks. Despite being the only “figurative” artist in the show, her work comfortably and strategically straddles the objective and non-objective, a place where many contemporary painters willfully and successfully stake their claim. On initial viewing, Wheat’s imagery is wistful and emotive: suggestive of doll’s heads, children’s drawings. But the ramped-up paint application imparts an unexpected and urgent physicality to the work; what may be perceived as endearing is abruptly transformed into mask-like totemic or haunting symbols. Her earthy palette actually suggests mid-20th century British painters such as Leon Kossoff or Frank Auerbach, but her startling, esoteric paint application makes the work truly her own.
Leslie Wayne doesn’t just pour, she slathers, scrapes, cuts, peels, shaves, sculpts, rolls. She transforms paint into wedges, blobs, and strips that are either directly applied to a surface or made ahead of time, cut out, and adhered, at a later stage, into wet oil paint. There is an incredible heft to her work that creates a “geography” or “terrain” of paint. Wayne describes the physical swathes of material as “the color and the form becoming one and the same.” In this sense, there is a purposeful lack of illusion in her work. A self-described “process painter,” Wayne is less concerned with depictions as she is with physical, actualized descriptions of organic matter around us, everything from rock strata to fancily piped icing, from billowing fabrics to Gaudi’s architecture.
Her work nods toward some of the gestural sweeping of a Willem de Kooning, Hans Hoffman, or Franz Kline, but as she says herself, “I have focused on condensing the expansive arena of heroic painting into a tiny format, forcing a shift between size and scale, as if the world were on a thimble.” An emphasis on the sensual, even decorative, properties of paint, evident in works such as The Mouth that Roared from 2000 and the Touch of Beatriz from 1999, adds meaning to her work not apparent in the work of the aforementioned male painters. Terms such as “patter” and “decoration” can be applied to her work free of the pejorative meaning associated with them thirty years ago. Wayne’s work seems to beg of us to be seduced by its physical presence, unabashed lushness, and beauty.
Upon first viewing of a Tomory Dodge painting, one is visually arrested by a cascade of brushstrokes. In Mumblecore, from 2012, Dodge employs some strategies reminiscent of Jasper Johns’ “chevron” paintings in their vertical symmetry, allover pattern, and composition. From 2007 until the present day, Dodge’s work has become increasingly abstract. He has also added to his repertoire of applying paint. Dodge smartly and self-consciously embraces the “smorgasbord” that is contemporary painting. In an interview from the blog, “Painter’s Table,” he states, “I like the formal tension that comes from the inclusion of different approaches to painting on one surface.” These myriad “styles” employed on the same canvas include: scraping, squeegeeing, wet-into-wet, dry brushing that resembles airbrushing, layering, pouring, and staining—all the tropes of 1960’s Modernist abstraction employed to full force yet freed from the autonomy or purity of form sought by Clement Greenberg and the painters of the time. Dodge’s work, such as the 2006 Levitate, a gigantic 84” x 168” canvas, are a kaleidoscope of vibrant and splintered marks fanning out, falling down, exploding, and swirling around the picture plane. Looking at a Josh Smith painting is an emotively charged experience. There is a restless vitality to the way Josh Smith’s work challenges the notion of authorship through diverse imagery and styles. Sometimes intentionally clunky and raw, other times deft with a quicksilver touch, his work celebrates the possibilities of making images while highlighting the seriousness of this pursuit. One work, Untitled, a 30” x 24” oil on canvas from 2011, is a beautiful interplay of red and green complements, gestural, swirling paint, and lush, loose surfaces that recalls the German painter, Rainer Fetting’s 1978 Drummers and Guitarists and his 1981 canvas, Ricky Blau. Smith resists assigning specific narratives by leaving all of his work untitled. Like most of the painters in the show, his motivations and interests appear to lie more in the physical properties and history of painting from which he is able to draw so voraciously.
Cathy Choi draws attention to her method of pouring by enabling the lush, glossy paint mixed with latex and glue to pool and congeal at the bottom edge of the canvas. The materiality of the process or act of making is made self-evident. Her choice of resin and glue produces a surface sheen that cleverly reflects other paintings hanging in the periphery, as if the paintings themselves were looking around the gallery. Seeing paintings reflected in other paintings is also a wry commentary about the self-referential, historicized nature of painting. These slick surfaces, coupled with Choi’s “candy” palette recall the “Finish-Fetish” painters of Southern California, as well as materialism, commerce, and the fabricated forms of Donald Judd. The artist, however, cites de Kooning and the Abstract Expressionists as major influences, but lately her work seems more influenced by the natural world, in particular the movement and surface of water. Perhaps this is reflected in her choice of resin and clear-drying glue, which simulates the transparency and glass-like surface of water. Choi’s process-driven methodology recalls Wayne’s in this statement: “the process itself becomes a driving force that flows from within and becomes an innate response with no predetermined end.”
The recurring splash motif that crops up in many of Jonathan Feldschuh’s work seems to come directly from the hand dropping pigment from a huge house-painting brush loaded with paint. In fact, the image is derived from his research into various scientific experiments, such as the “Ligament Mediated Drop Formation,” or the “Mach Wave Radiation from a Jet.” The latter is described on Feldschuh’s website as being a “benchtop simulation of a problem in fluid dynamics.” Ironically, this description of the scientific experiment could actually be describing the phenomena of paint, particularly the term, “fluid dynamics.”
Feldschuh equates the material interaction in the scientific image with the painterly pour, gesture, or splash. Even though they appear to be masculine and gestural, they are actually driven by material processes found in scientific phenomena. His work is reminiscent of David Reed’s horizontal, “flattened” gestural paintings that also called into question the nature of gesture, albeit in a very different way. On first glance, other “pouring” painters like Larry Poons or Helen Frankenthaler come to mind, but Feldschuh works his images by embedding them in layers of gel medium or outlining the splashes themselves, producing a slowed-down, less “passionate” or heroic affect than these earlier Modern painters.


Paint that contains lead, which was used as a pigment and to speed up the drying time of paint. Lead Based Paint has been used on anything from toys to wall paint. Lead Based Paint was banned from use in 1978 but is still found in residential and commercial properties. Exposure concerns are primarily for children under the age of six years, whose bodies are still undergoing development. Lead Based Paint testing is often required for childcare facilities and other properties built prior to 1978, especially if peeling or degraded suspect lead based paint is identified at the property.


East Meets West
In Spring 2010, students had the rare opportunity to studied the arts of Thailand and China. The integration of Eastern and Western styles of painting is a subject that Mrs. Lunati has explored extensively as an artist for two decades. She was a champion of the notion of East Meets West before it received worldwide recognition in art circles. Students of Asian American and non Asian American came together for a cultural exchange. The imagery in the paintings were derived from classical Thai and Chinese paintings, artifacts, and sculptures. Traditional ink and watercolor where used for the Chinese art while the Thai art was executed with an acrylic in a contemporary style.
Click on an image to start a slideshow.


El Greco Museum
This small museum in Fodele, which is dedicated to one of Greece’s greatest artists, El Greco, is housed in a renovated stone residence that is believed (probably erroneously) to have been El Greco's home before he left for Heraklion.
It contains many copies of his better-known works, as well as a reconstruction of his studio.
Domenikos Theotokopoulos (1541 – 1641) was schooled in Byzantine art on his island of birth and became acquainted with Western art through copies of etchings and through paintings by Renaissance artists, which historical sources prove were seen in Heraklion at that time.
In 1566 or 1567 he left for Venice, where it is believed he apprenticed beside Titan, before moving on, in 1576-77, to Toledo, Spain where he settled permanently.
El Greco, which was the name Theotokopoulos signed his work with in Spain, lived for years with his common-law wife, Jeronima de las Cuevas (it is believed that she is depicted in the portrait Woman with Ermine) and had a son by her, Jorge Manuel, who also went on to become a very well-respected artist.
El Greco became an instant success in Toledo and was very soon receiving hundreds of commissions by church foundations and private churches for icons, as well as for portraits of distinguished personages.
His opus as a whole is considered one of the greatest artistic achievements of the time.
Countless studies by art historians reveal how he married Byzantine artistic tradition with the trends that emerged from the Venetian studios of the Renaissance, while also borrowing elements from Mannerism and Spanish Mysticism.
In Greece, works by Domenikos Theotokopoulos are on display in Athens (at the National Portrait Gallery and the Benaki Museum), on Syros (at the Church of the Dormition of the Virgin) and at Heraklion (at "Historical Museum of Crete").
from Explorer Guide Crete
Domenikos Theotokopoulos Museum - Fodele
Phone: 2810-521.500, 2810-823.388
Daily from April 1 to October 31: 09:00-17:00


Tips To Commission An Art Painting For Your Office
So you have a new office space and don’t have any artwork on your walls? Is the space kind of empty, and you want to add more color? Or you want to add a personal touch but you are not a painter but have a great idea? No problem! Here are some tips to commission an art painting for your office.
1. Find the type of artwork that may suit your office space.
Typically, a space is going to feel empty if there’s no artwork on the walls, and the book cabinet will not be enough to fill the space. However, if the wall is too long, a tryptic can be the perfect choice for a wide landscape view or images with an off-center subject or related images in a series. Depending on your business or own taste, the subject matter could also emphasize your branding.
2. Discuss the color pallet you wish to see in your office.
Even though, your walls might have an earth tone color like blue-gray, yellow ocher, or burnt sienna, a pop of color in your tryptic can uplift the mood of your office employees. Your custom art painting could turn your office into a more fun and creative place to work.
3. Any ideas you want to suggest your commission painter are welcome.
Your ideas will increase their creative process and help them make a unique painting for your office. Remember, at the end is a painting you will see every day you go to work. So, if you have a photograph of the last trip you took, or you are in love with your backyard view express your ideas with the commissioned artist and you will be more than please with the result.
Are you ready to commission an art painting for your office?
My name is Diana Shanlatte, and I am the owner of Shanlatte Art. I create art to your unique and original style, ranging from Abstract to Figurative. Where you’ll find in each of our personalized art pieces its own expression. We offer personalized services for your home, office, or special events. We appreciate your suggestions and comments regarding our artwork and services that we can fulfill your expectations. CLICK HERE for more infomation.


Imagine Art Gallery is looking to collaborate with artist, jewelers and other creative professionals.
This is an excellent opportunity to be exhibited in great location on very favorable terms.
The Gallery offers paintings for interior decoration. We work with art dealers, interior
designers and real estate agents. We are always looking forward to working with new individuals in these areas or related.
Imagine Art School provides space for seminars, master classes and various related events.
About Us: Imagine Art Gallery and School was established
in 2005 in the historical district of Thornhill. The criteria for the
formation of the exhibitions of the gallery is based on the standards
of European Academic and Modern Art Schools.
Our Gallery offers the exhibition space for the private collections, individual artist exhibitions and thematical group exhibitions. We offer professional consultations (portfolio consultations); work with artists, designers and art historians.
On the second floor of the Imagine Art Gallery located Imagine Art School. Our school gives the students the unique opportunity to exhibit in our gallery free of charge. The art school is for the individuals of any age, offering classes to previously trained as well as untrained students. Imagine Art School helps to prepare students portfolios, as well as gives art credits for the lessons.


The best tip I got before starting this project was to make sure to do the prep work right. It makes all the difference. What they didn’t tell me was how frustrating and how much longer the prep work makes the project, but it was worth it in the end.
Must have tools
- Paint brushes or rollers
- Top coat or varnish
- Drip sheet
Firstly, I used the sand paper to smooth the shelf and remove the layer of varnish already on the surface. Next I applied a layer of pink primer. Interestingly, the primer is pink to defuse the red lead in timber, this might not be in the wood anymore but the pink still helps to neutralize the colour.
Next I applied a layer of undercoat over the primer. Make sure to leave enough time for the primer to dry properly.
For the primer and undercoat I used a paint brush to cover the sides and corners and a roller to give it a smooth finish. I enjoy the look of the rolled paint much more than the paint brush. Remember to have a paint pan for this.
A day later I did the final layer of paint. Thanks to proper prep with primer and undercoat I only needed one layer of the final paint. I used Builders Warehouse Fired Earth House brand for Walls and Wood in the colour Shadow Beige and I am in love with this colour.
Finally apply the top coat and you can clean your brushes with the turpentine.
I watched many many many videos on how to clean the brushes and nothing I did worked out the same way, so if you are like me, you want to DIY but you don’t want the hassle of too much clean after, make sure you do the following things.
Number 1, make sure you lay down a drip sheet. You will mess. Don’t lie to yourself. Secondly, if you get 3 sets of brushes. One for each layer, especially if the cleaning of the brushes fail you like it did for me.
I had a serious love, hate relationship with this entire process. I loved how soothing it was to apply and smooth each late, I hated how long paint takes to dry.


Replace the people in Gustave Caillebotte’s French Impressionist painting “Paris Street; Rainy Day” with slabs of meat and the result is both jarring and intriguing.
This scene can be found in Weinberg senior Amina Dreessen’s final project for the Introduction to Painting course she took Winter Quarter this year.
The assignment was to choose any two paintings from the Art Institute of Chicago’s selection and combine them into one work of art. Students were left with unlimited creative license in producing a final hybrid painting.
Dreessen, a Chicago native who frequented the Art Institute during her high school years, was familiar with the work displayed at the downtown museum. She immediately knew she wanted to incorporate Francis Bacon’s 1954 painting called “Figure with Meat” into her assignment.
“The reason why I chose ‘Paris Street; Rainy Day’ was because it was a classic painting, a beautiful painting and just very gorgeous,” Dreessen says. “I wanted that contrast to be there. The really ugly with the beautiful.”
She replaced the people in Caillebotte’s piece with slabs of animal carcasses from Bacon’s piece to emphasize how humans mill about day-to-day activities in mundanity.
“Are we just our bodies? Are we more than our bodies?” Dreessen encourages those viewing her painting to think about such questions, invoking Bacon’s post-war Existentialist theories about the fragility of life and fate of humanity in the Atomic Age.
As for what to do with her painting, Dreessen is still unsure about giving the “weird” piece to someone as a gift. She may just display it in the Co-Op house on Foster Street where she lives “because we have many strange pieces of art hanging around.”


Due to variances in computer monitors, colors displayed may vary from actual paint colors. For best results, visit your Diamond Vogel Paint Store and refer to our color chips or samples.
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With a new focus on shelter and its importance, we look for inspiration to create spaces that are uplifting and offer a sense of purpose and comfort. A fresh coat of paint can change the mood and perspective of a home or space, or just refresh for a needed update. We share with you inspiring colors that honor gratitude, wellness, inspiration, and hope


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Transparency and composition project
Taking the sample you liked best from the class composition exercise, work the linear expressions into two dimensional shapes and into a strong dramatic composition being mindful of the variables we have been using throughout the semester such as:
Cut a window out from a letter size white paper that is 5″x 7″. Place the paper frame on a sheet of black construction paper. This will be your work area to decide your design. Tape the frame to the black construction paper.
Use additional tracing paper to cut the shapes in several sizes to arrange them in the 5″ x 7″ space on black construction paper. Use your selected work from the class exercise as a starting composition guide.
Place one sheet of tracing paper that has the 5″ x 7″ fame drawn, over each of the arrangements as you finish them and trace 6 of your best compositions. You will have 6 sheets of tracing paper compositions to select from. Bring them numbered [close to the lower right corner] of the drawn frame, to class.
FINISH UP TO THIS POINT FOR CLASS, DUE Mon., Nov. 23. No Exceptions. Be prepared to continue work in class.
After we have selected one from the six, transfer the composition to Bristol paper.
On the tracing selected, use colored pencil to determine the transparencies making sure
– 3 shapes with 2 layers of partial overlapping transparencies
– 3 shapes with 3 layers of partial overlapping transparencies
For the shapes’ colors include:
– primary, secondary and tertiary colors
– tints (up to 2)
– tones (up to 2)
– one shade [if it is not too dark]
For the background use a middle gray or other neutral achieved with complementary colors. You may use one that is gotten by mixing achromatic paint and one that is made by mixing two complements and white or gray.
Craft counts! Be certain to mix your colors with the painting knife, not the brush.
Work the edges first and then fill with paint made to the proper consistency of
water and paint mixed with the painting knife NOT the brush.
For presentation you will have:
– original newsprint composition selected to work from.
– color swatch schemes on Bristol.
– 6 tracing paper drawings including one with color pencil plans
– Finished professionally painted composition


“Krita is a production beast” ‐ David Revoy
Krita is the full featured family of painting applications for digital artists. Whether you want to sketch in the park, finish your character sheets in your studio or paint backgrounds for feature films in HDR color, Krita provides the tools to be creative and productive.
Krita provides powerful and flexible brush engines, full support for color management using ICC profiles or OpenColorIO, HDR painting and much more.
There are four versions of Krita:
- Krita Sketch: touch-based painting for ultrabooks and tablets
- Krita Gemini: seamless switching between touch-based painting in tablet mode and desktop based painting in laptop mode on your ultrabook
- Krita Desktop: the artist's mainstay
- Krita Studio: HDR painting for the movie and VFX industry.


Who knew we had a budding Picasso among us? CSO Jeff Dugmore, who works at Blackwood Station, has been spending his free time over the last few months, painting a mural on the wall at the Markham Resource centre. The large, brightly coloured creation is all from his imagination and has already proved a hit with the day visitors to the centre.
The resource centre in Markham used to be the Police House in the village and was purchased by Caerphilly County Borough Council in 2013. The building has since been converted and now provides day opportunities for people with learning disabilities. The people who access Markham are involved in activities within the local community including craft classes, archery and community education. There is a sensory garden in the grounds, which is maintained and used by members of the community, including the local primary school.
Jeff, who enjoys painting as a hobby, regularly attends the centre when he is patrolling on his ward. Talking about his style and inspiration, Jeff explained: “I have been painting in my spare time for the past five years and my paintings mostly depict typical valleys scenes incorporating coal mines and churches or coastal scenes, all with plenty of colour to give them a lift!”
The staff at the centre asked Jeff to paint the mural after they loved a painting he had previously given them for inside the centre. He continued: “The images in the mural are not of any place in particular, I just draw the designs randomly. The staff asked for a big, brightly coloured painted mural for the wall as the bright colours are stimulating. It has taken several months and many hours to complete, but the staff and individuals were very thankful.”
It seems this is just the beginning of Jeff’s artistic career. Having seen the impact his wonderful work has had on the visitors to the Markham centre, he has been approached by Caerphilly County Borough Council to consider another project. The Manager of Markham Community House and Sports Centre and the local councillor for Argoed ward would like him to paint another mural on the wall at the Community House, involving the help of local schoolchildren.
Let us hope he doesn’t hang up his uniform to become the next Banksy anytime soon.


We can order in stock for you. Submit an order request below and we'll let you know once its arrived.
Featuring synthetic bristles for optimal shape retention and the finest point, this medium brush (M Glaze) will make short work of applying Citadel Glaze paints to your miniatures. Detail work is made quick and easy - you’ll be amazed by what you can do!
As a Citadel STC brush, the bristles have been made out of the finest 100% synthetic fibres Games Workshop have ever produced, helping to maintain the ideal brush shape and prevent curling at the tip. This brush has been carefully designed to paint any level of detail you might encounter. It's an excellent companion to regular Citadel brushes, and designed to work perfectly with the Citadel Colour paint range.


Born in Reims in 1970, I arrived with my family in the
Périgord in the 1980's. I met a painter-sculptor Yves Le
Large, who passed on to me his passion for drawing and
painting. By going together to exhibitions for example in the
Cloisters at Reims or in Epinal I was initiated into an
appreciation of art in general, but when it comes to technique
I am self-taught and never lack inspiration.
Creation of individual works. I work on large, sometimes very
large, canvases. Working on different foundations such as
stretched canvas, wood or plaster I paint with acrylics and
create projects to order.
Using mixed media I create canvases of rich surface texture
and colour, full of emotion. My work asks questions and never
leaves people indifferent.
I favour layering in my work and use mortar and pigments to
this effect. These assemblages of materials are first brought
together on the canvas before the work is enlivened by the
addition of acrylic paint. The whole process is long but the
energy and life-force behind every piece is what makes each
canvas unique and sensitive.
Painter Workshop / Gallery
60 rue Saint Jacques
24 540 Monpazier
Tel : +33 (0)6 73 51 84 66


24 April 2022 14:00 - 18:00
Luxury painting and wine experience at Local Club with Mexican Artist Maricela Del Rio
4 hours ATELIER to enjoy some bubbles, wine, music, flowers..... and of course, painting beautiful Frida Kahlo.
This is beginners friendly!
It is limited to 6 people, to enjoy a quiet atmosphere and to be able to receive as much guidance as possible.
See you on Sunday 24 April 2022 starting at 14:00


CRS (Center for Remembering & Sharing) is pleased to announce “Moments of Silence,” an exhibition of small oil paintings by Douglas Newton.
These paintings invite sustained contemplation. Some are from observed reality. Others are mostly from his imagination. They are all painted over days and weeks of concentration and creativity. While his subjects from life are recognizable, he eschews photo realism in favor of building up a richness of color and sumptuousness of form.
The exhibition will remain on display through September 30, 2015.


The inspiration for my abstract landscapes range from the wild expanse of the Norfolk saltmarsh coast, to the light-filled stretches of the Venetian lagoon. Artworks are a culmination of experimentation with a variety of media: paint, oil pastel, ink, etc – an unpredictable and exciting process resulting in a distillation of my experience and an expressive, atmospheric evocation of place.
I was born in Manchester and studied art and design at Stockport College in the 1980s. My subsequent career as a graphic designer eventually led me to relocate to the Isle of Skye in 1995, where, inspired by the incredible landscape, I increasingly, painted and exhibited. I now live in Norfolk, working full-time as a contemporary mixed-media artist, inspired by a very different but no less exciting landscape of saltmarshes, coastline and reedbeds.
In the last few years I have exhibited at the Mall Galleries, London: as a selected artist in the Royal Institute of Painters in Watercolours exhibition, 2016 and 2017; a finalist in Artist & Illustrator Magazine's 'Artist of the Year' 2016; and a finalist in The Sunday Times Watercolour Competition 2014. I exhibit throughout the UK and my work is held in national and international private collections. I am an Associate member of the Institute of East Anglian Artists (IEA).
Cricket Fine Art, Chelsea, London.
Thompsons, Aldeburgh, Suffolk.
Grapevine Gallery, Burnham Market, Norfolk.
'Painters' curated by Hugh Pilkington, Cockley Cley, Norfolk, 2017
Summer exhibition, Cricket Fine Art, Chelsea, London, 2017
Selected artist, Royal Institute of Painters in Watercolours, Mall Galleries, 2016/2017
'Across the water', Artichoke Gallery, East Sussex, 2017
Thompsons Gallery, Aldeburgh, Mixed shows, 2014-2017
Affordable Art Fair Battersea, Sheridan Russell Gallery, 2017
Cley Contemporary 16, curated exhibition, Cley-next-the-Sea, Norfolk, 2016
Salt & Sand (solo), Grapevine Gallery, Burnham Market, Norfolk 2016
Finalist, Artists & Illustrators' Artist of the Year, Mall Galleries, London, 2016
Affordable Art Fair: Battersea/Chelsea/Hampstead, Sheridan Russell, 2016
PAiNT, The Undercroft, Norwich, Norfolk, 2015
The Sutton Gallery, Edinburgh, 2015
Art Fair East, Norwich, 2015
'Landmarks' (solo), Grapevine Gallery, Burnham Market, Norfolk, 2013
Greyfriars Art Space, King's Lynn (solo), 2013-2014
Highgate Contemporary Art, London (two artist show), 2012
Assembly House, Norwich (solo), 2011
Halesworth Gallery, Suffolk, 2011
PRESS & PUBLICATIONS:
'Blyth Spirit', Alan Marshall, Mascot Media 2014
'ART!', guide book to the arts of East Anglia, Green Pebble 2011
'How artists see East Anglian Places', Green Pebble 2010
The Artist Magazine, July 2016 (feature)
KL magazine, September 2014 (feature)
Venue Magazine, Autumn 2014
Lynn News, 11 July 2014
Ham & High (Hampstead & Highgate) News, Review of 'Inside Out', July 2012


Hi, I'm Mike!
Welcome to my website.
I am a Artist & Illustrator from Melbourne, Australia. I graduated
from the University of South Australia (1995 – 1998) with a Bachelor
of Design (Illustration Design) degree in 1999.
When I am not Illustrating, I am painting in my home studio for my represented gallery or exhibitions in Melbourne. My paintings are in private collections in Australia (Adelaide, Perth, Hobart, Melbourne, Sydney and Queensland) and overseas in Singapore, Hong Kong, USA and Europe.
For any painting sales, please email me via my contact page or via gallery links on the painting pages.


I should wait to share pictures of my recent work in the classroom for when I've got it all set up and looking good, but I can't. After eight hours of painting over the past three days I am so excited by my new, blue wall that I have to show it off!
That's the view (cluttered by lots of junk) when you first walk in my classroom. I've wanted to paint one wall of my room for some time now. My administrators had no problem with the idea. I was just lazy.
I love this time before school starts. Everything is possible.


FONTANA – The Art Depot Gallery is offering its latest exhibit by Jeni Bate, “Skyscapes for the Soul.”
Bate’s artwork will be on display through May 25. Bate specializes in watercolor painting and uses a technique called “refractured water painting” which is painting the same image several times but with different colors.
The Art Depot Gallery is at 16822 Spring St. and is open Tuesdays through Thursdays from 10 a.m. to 5 p.m., Fridays from 10 a.m. to 6 p.m., and Saturdays from noon to 4 p.m.
Information: arts.fontana.org or 909-349-6975


Painters of all skill levels are invited to join instructor Adriano Farinella at Allentown’s historic West Park for three full days of plein air painting!
Friday May 31 thru Sunday June 2, 9am to 4pm
Students will receive personalized instruction, a plein air painting guide book, and daily demos in composition, value, and color. (Students must provide their own materials)
The special discounted rate of $125 for this workshop will be donated in full to fund the West Park Civic Association Arts Education Scholarships
All work painted during the workshop will be automatically entered into Art-in-the-Park on June 15, 2019
For more on what to expect and a materials list click below: https://www.adrianofarinella.com/instruction
WPCA Contact: Joann Jones 610-972-6586 or firstname.lastname@example.org


Love and Flowers Wall Art
Wall Art - Size Guide
|6 x 7||13 x 18|
|6 x 8||15 x 20|
|8 x 10||20 x 25|
|9 x 10||21 x 30|
|12 x 16||30 x 40|
|16 x 20||40 x 50|
|20 x 28||50 x 70|
|24 x 32||60 x 80|
Any questions on size? Contact us.
A great gift for your sister or girlfriend, these romantic artworks features a lyrical canvas and one flush with pale pink peonies.
Hang the art in your dorm room or frame it in your bedroom at home.
The quality canvas is thick and durable and printed with fade-free ink, so the images look good forever.
- Eco-friendly, waterproof cotton canvas printed with anti-fading ink.
- Dimensions adapted to standard frame sizes.
- Frame is not included.


If you know me at all,
you know I love birds.
These are my new "Love Birds"...
Halloween Love Birds!
I already had a bird cage,
but it was just not their style.
It was great for my canary,
but these birds needed something different.
They needed something dark,
more suited for their personality.
So out came the spray paint and I painted it black.
Now doesn't that look better?
See something special at the bottom of the cage?
The Love Birds are going to have a family!
Just in time for Halloween!


Landscape master Wm. Scott Jennings applies the techniques
of the Judson River School to the grand majesty of the West.
His depth and scope as a painter is unparalleled in today's
plein air genre. Jennings' palette imbues the various
densities of light as it plays off nature's splendor.
As a consequence, he has been recognized with signature
status in the Laquana Plein Air Painters Association (LPAPA)
and is Master Signature Member of the Oil Painters of
Among the many
accolades Jennings has received for his work over the last
two decades, his Best of Show Gold Medal and $50,000
Grand Prize at the 1998 Arts for the Parks show and
being featured in the PBS series The Artists Workshop stand
out. He has also been commissioned to paint a painting
for the U.S. Capitol Building and two books have featured
his work as cover art. His participation in the Grand
Canyon River Trip and its related show "Painting Down
the Rapids" at the Forbes Gallery in Manhattan have
brought additional exposure. He has been invited to show
in the Yosemite Valley Show at the Haggin Museum in
Stockton, CA in Fall 2001.
on any picture to
view entire inventory
"Drama of the Southwest"


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"It is my greatest hope that when you see my work, you will know who I am."
Kacey Sydnor Carneal is a folk artist who lives in Gloucester, Virginia, a rural fishing and farming community. She works only in oil on wood or canvas. Characteristic of Carneal's work is her distinctive use of the frame. In most of her paintings, the frame acts as a painted extension of the canvas; in others it serves as an accent. The heart of her work is in the spirit of the painter herself, her vision of what touches her life and events that haunt her.
After beginning her career in 1985, Carneal, born in 1935, has now amassed a long list of credits. Her work has been in juried shows in 52 cities, 23 states and the Netherlands. Photographs of her paintings are on file with the Museum of American Folk Art, New York City and the Abby Aldrich Folk Art Museum in Williamsburg. The National Museum of Women in the Arts, Washington, DC, has a personal record of Carneal in its archives on women artists. She has received top awards from some of the most esteemed professionals in the country.
Carneal paints full time, eight hours per day, seven days per week while listening to music. Her small studio is located on her property on the banks of a creek leading into the Mobjack Bay. Her favorite question came from a seven-year-old girl who asked, "Do you dance while you paint?"
Shooting Star Gallery
16410 Courthouse Road
Eastville, VA 23347
Hours vary and are seasonal. Please contact us for our current schedule.


Indulge in the serene beauty of this stunning watercolor painting, capturing the essence of a fisherman's idyllic day on the enchanting River Wandle in Colliers Wood. Painted with a masterful blend of various hues of green and yellow, Prussian blue, and a subtle touch of neutral tint, this artwork transports you to a world of tranquility and natural splendor. The scene comes alive as the sun's radiant rays shimmer and glisten in the sky, casting a mesmerizing and dazzling glow upon the river's surface. The skillful brushwork and impeccable use of colors beautifully convey the peaceful ambiance, while the fisherman stands as a solitary figure, immersed in his craft amidst the serenity of nature. Whether you're an avid angler or an admirer of landscapes, this captivating painting is certain to evoke a sense of wonder and awe. Bring home this exquisite piece of art and let its ethereal charm infuse your space with a touch of natural serenity and visual delight.


While both Snowbound and Greek Villa are off-white paint colors, they are sort of like two sides to the same coin. Snowbound reads more cool, while Greek Villa reads more warm. Snowbound also has a lot of gray in it while Greek Villa paint doesn’t carry much in the way of gray undertones.
Is Sherwin Williams Greek villa cool or warm?
They play great bases and neutrals – hence, play a necessity in each and every aspect! And like we discussed the subcategories of these paints as cool and warm – let me introduce you to a notable example here. Sherwin Williams Greek Villa is a warm-toned off-white paint that has deep beige undertones!
Is Greek villa a warm white?
Is Greek Villa Sherwin Williams a warm or cool white? Sherwin Williams Greek Villa paint color is a classic, soft white with a touch of warmth, without being too yellow.
What is the undertone of Greek villa?
Greek Villa does have a touch of yellow undertone with maybe a wink of green, but it usually reads as a neutral soft, and creamy off-white without really any yellow at all.
Does Greek Villa have pink undertones?
Tip 1, if you’re thinking about painting your wall Greek Villa, I don’t recommend it unless you have large windows on both sides of your walls and it’s a South facing room. … If your countertop has a pink undertone, I would refrain from using this paint color.
Is Greek villa lighter than Alabaster?
Just like Alabaster, Greek Villa SW 7551 has greige undertones to it. Greek Villa is a hair warmer than Alabaster. Greek Villa is a tad lighter with a LRV of 84 which is higher than Alabaster’s LRV of 82.
Is Greek villa a greige?
Because Greek Villa is a light off-white paint color, it goes with a lot of other shades. … Greek Villa can even work with the oh-so-popular greige paint colors. Greek Villa works nicely with some pinks and reds, but mostly it loves cooler paint colors.
What kind of color is Greek villa?
Greek Villa is a beautiful and soft off-white color that transforms spaces into “magazine-worthy” sophisticated interiors. I would describe this color as a subtle creamy off-white that has a slight (very slight) beige undertone.
What is Joanna Gaines favorite white paint?
Joanna Gaines has used Alabaster so much it’s one of her favorite colors! She painted the main living areas of her own farmhouse Alabaster and she continually uses it in homes she designs on Fixer Upper as well.
What is the LRV of Greek villa?
The LRV for Sherwin Williams UO14 Greek Villa is 82.33.
What is the difference between Alabaster and Greek villa?
When you compare Alabaster with Greek Villa, you will see how Alabaster leans more gray, while Greek Villa leans more yellow. Both are warm colors, and both will look pretty white when painted on the wall. But Alabaster looks a little more muted than Greek Villa. Click here for a full color review on Greek Villa.
Is Greek villa good for kitchen cabinets?
Greek Villa is also a perfect color for kitchen cabinets if you are looking for a creamy off-white versus a super bright white. … The Peel and Stick Paint Samples make it easy to have confidence in your paint color choice and will save you time, effort and money while testing colors in your space.
Does repose gray go with Greek villa?
Repose Gray is very complimentary with several other colors. This gray goes really well with white or off-white trim, molding, and cabinetry. Some of the Sherwin Williams white paint colors that go well with this gray are Alabaster, Oyster, and Greek Villa. … Rugs with these colors will be a great pair with Repose gray.