Choosing the perfect gray paint color can be a little tricky – who knew there could be so many different shades of gray!
Are you stuck trying to decide between Sherwin Williams Summit Gray and Agreeable Gray? Or can’t decide between Benjamin Moore Classic Gray and your other favorite gray?
This gray paint guide is designed to help you find the perfect color for your home.
Best Gray Paint Colors
Before you decide on a specific paint color, choose one of the four gray paint categories: Neutral Gray, Warm Gray, Cool Gray, or Dark Gray.
The choice comes down to personal preference, but you should also consider the style and location of your home, as well as your decorating style.
To see which interior decorating style fits you best, check out this fun 10 question quiz I created: What’s Your Interior Decorating Style?
Neutral gray paint colors look great in most homes, and work with all design styles. All gray colors are inherently neutral, but these colors have been selected for their ability to ‘play nice’ and complement other color palettes.
Dark gray paint colors are bold, catch the eye, and make a statement. A color from this category could be perfect for you if your design style is eclectic, modern, contemporary, or industrial.
Warm gray paint colors make your home feel inviting and cozy. A color from this category is the perfect place to start if you’re into the rustic or traditional design styles.
Cool gray paint colorshave a slight blue undertone that keeps things light, bright, and airy. Make sure to check out these colors if your decorating style is: costal, modern, contemporary, bohemian, or minimalist.
To find a gray paint color that will look spectacular in your home, let’s break it down and talk about the benefits of each category + what makes each individual gray paint color unique. Here’s all the information you need to know, let’s get started!
Test Out Your Favorite Gray Paint Colors
When you’ve narrowed your paint color search down to a few favorites, test them out with Peel-and-Stick paint samples from Samplize!The 12″ x 12″ Peel-and-Stick samples use real paint, and make it easy see how a color looks in your home. Plus, it saves you the trouble of to painting test areas on your walls.
I wrote a full review about Samplize, check it out here: Samplize Review | How They Worked For Me
Neutral Gray Paint Colors
Gray is inherently neutral, so most gray paint colors can be classified as neutral. However, there are some grays that appear to have blue, yellow, green, brown or even purple undertones with certain lighting conditions.
The neutral gray paint colors in this category have been carefully curated to avoid paint colors with strong undertones. These paint colors should not clash with most other color palettes.
These neutral gray color selections are ‘light’ to ‘medium-light’ with LRV’s (Light Reflectance Value) ranging from 57 to 75.
Pale Oak by Benjamin Moore (OC-20)
Pale Oak – LRV: 69.89(LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
Pale Oak (OC-20) by Benjamin Moore is my personal favorite gray paint color. With a bright LRV of 69.89, it’s the second brightest gray paint color included in this guide.
I love how this subtle gray has just enough depth and color to make it feel like a true gray, but does it in a way that isn’t overly bold or in your face. Plus, Pale Oak walls look stunning against bright white ceilings, and trim.
Benjamin Moore discribes Pale Oak as:
Reminiscent of the majestic white oak, this beautiful neutral is graceful and elegant, conveying a sense of style and quiet restraint.
The picture below is our guest room with walls painted in Benjamin Moore Pale Oak (OC-20). The ceilings are Super White (OC-152), which is also a Benjamin Moore color.
Agreeable Gray by Sherwin Williams (SW 7029)
Agreeable Gray – LRV: 60 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 209 G: 203 B: 193 Hex Value: #d1cbc1
Agreeable Gray (SW 7029) by Sherwin-Williams is neutral gray paint color, and as the name implies – it is quite ‘agreeable’. This gray paint color works well with most interior decorating color schemes because of its balanced neutral appearance.
Agreeable Gray is on the warmer side of the neutral spectrum. It reads as a true gray, and does not have strong undertones with most light.
With an LRV of 60, Agreeable Gray is on the lighter side, but still stands out as distinctively gray. This is especially true when contrasting against true white trim, walls, or ceilings.
Agreeable Gray looks is perfect for kitchens, and looks amazing in the image below. It contrasts nicely against the true white cabinets and ceiling.
Classic Gray by Benjamin Moore (OC-23)
Classic Gray – LRV: 74.74 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
Classic Gray (OC-23) by Benjamin Moore is a popular gray paint, and for good reason – it’s spectacular! Creating an interior design plan around ‘Classic Gray’ is easy because of its light, neutral appearance. With a LRV of 74.74, Classic Gray is one of the lightest grays included in this paint color guide.
I recommend this color to anyone that can’t quite choose between off-white and gray. Classic Gray is really a hybrid between the two color classifications. Despite having ‘gray’ in the name, Benjamin Moore technically includes the color in their off-white color collection. Here’s what they have to about Classic Gray:
This color is part of the Off-White Color collection. Inherently sophisticated and endlessly versatile, the Off-White collection offers subtle nuances of whites that suit tranquil, serene environments as well as creates color-enhancing accents for dynamic spaces. A compilation of 152 white and off-white colors.
Classic Gray by Benjamin Moore looks superb in the living room below. It’s a perfect match for rooms with plenty of natural light.
The living room below is painted with Benjamin Moore Classic Gray. In rooms with less natural light, Classic Gray tends to look a little stronger, almost like a darker true gray.
Agreeable Gray vs Classic Gray
Benjamin Moore Classic Gray and Sherwin Williams Agreeable Gray are two of the most popular colors on this list, so it’s helpful to see them side by side.
Agreeable Gray is a little bit darker, and it’s more of a true gray color. Classic Gray is lighter and closer to off-white.
Both colors are true neutrals, with minimal undertones. Of the two colors, Agreeable Gray is slightly warmer.
Classic Gray and Agreeable Gray are a good comparison if you’re trying to decide between a light, and a medium gray. If you’re looking for something darker, let’s check out Agreeable Gray vs Summit Gray which.
Summit Gray vs Agreeable Gray
Sherwin Williams Summit Gray vs Sherwin Williams Agreeable Gray is another great side by side comparison. These are both extremely popular gray paint colors.
Summit Gray is significantly darker than Agreeable Gray, however, both are very appealing in their own way. Both colors are pretty neutral with no significant undertones, and no strong cool or warm bias.
Choosing between the two will come down to personal opinion (I think I’m on team Summit Gray!) but keep in mind that Agreeable Gray would be a better choice for a room with limited natural light.
All the details on Summit Gray can be found in the next category: Dark Gray Paint Colors.
Silver City by BEHR (MQ2-59)
Silver City – LRV: 57 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 200 G:200 B:194
Silver City by BEHR is a neutral gray with pleasant hints of metallic silver. The touch of silver that BEHR utilizes in this color really brings the paint to life!
The LRV for Silver City is 57, which makes it a great choice for many rooms. Its a nice medium depth – not too light, and not too dark. The bathroom in the image below has BEHR Silver City walls.
Repose Gray by Sherwin Williams (SW 7015)
Repose Gray – LRV: 58 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 204 G: 201 B: 192 Hex Value:
Repose Gray (SW 7015) by Sherwin Williams is a ‘true gray’. The color does not present strong undertones in most lighting conditions.
This medium-light gray is another one of my favorites. Repose Gray is a well balanced paint color, and it has just a touch of warmth which makes it perfect for bedrooms, bathrooms and living rooms.
Dark Gray Paint Colors
Dark gray paint colors stand out proudly and distinctively. You can’t miss the dominate grey in these colors. This category has the kind of loud paint colors that you build a color palette around.
With LRVs going all the way down to 14 – you’ll notice right away when exploring this category – these colors are significantly darker than all the previous grays in this paint color guide. If that’s the look you’re going for, dark gray paint colors are for you!
Summit Gray by Sherwin Williams (SW 7669)
Summit Gray – LRV 30 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 149 G: 148 B: 145 Hex Value: #959491
Color Collections: Timeless Color Wall
Summit Gray (SW7669) by Sherwin Williams is a strong dark gray paint color with a LRV of 30. The color has a balanced color profile. It has extremely close to equal parts red, green, and blue (R: 149 G: 148 B: 145).
This makes the color neutral with very minimal cool or warm tendencies, and no inherent undertones. Summit Gray will read very true on your walls, unless your artificial lighting has a large warm or cool bias.
Worsted by Farrow & Ball (No.284)
Worsted – F & B color description: ‘a rich gray’
Worsted (No.284) by Farrow & Ball is a medium-dark gray paint color can read with blue undertones, especially when illuminated with cool light. The slight blue bias keeps this paint color from feeling too heavy.
Farrow & Ball says this about their paint color Worsted:
This rich mid grey conjures memories of city suits made from flat woven fabric, so was named after the Norfolk village where the yarn was originally woven. For devotees of our Easy Neutrals, Worsted is stronger in tone than its counterpart Purbeck Stone, but lighter than Mole’s Breath. It has an understated richness with no cold tones, making it the perfect background to make clean accent colours pop.
Dovetail by Sherwin Williams (SW 7018)
Dovetail – LRV: 26 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 144 G: 138 B: 131 Hex Value: #908a83
Color Collections High Voltage, Cool Neutrals
Dovetail by Sherwin Williams is a well known dark gray paint color. With an LRV of 26, this gray is flirting with the bottom of the brightness scale – it’s the second darkest color in the category.
Sherwin Willams includes this color in their High Voltage color collection, which is a fun loving, well saturated, bold group of colors. Here’s how they describe the ‘high voltage’ colors:
Electronics, alternative rock and digital technology – plug those influences into one socket and you get a blast of high-voltage look-at-me colors. We’re not shying away from them; we’re splashing them across everything from cars to appliances to upholstery…
Arctic Seal by Benjamin Moore (CSP-15)
Arctic Seal – LRV: 14.96 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
Arctic Seal by Benjamin Moore is DARK! It has a LRV of 14.96, which makes it the darkest color in this gray paint color guide (by a significant margin). This cool dark gray could also be classified as a gray-black hybrid color.
Benjamin Moore personifies Arctic Seal in their paint color description:
In his chilly underwater playground, a graceful shadow darts and twirls among the polar ice flows.
Mindful Gray by Sherwin Williams (SW 7016)
Mindful Gray – LRV: 48 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 188 G: 183 B: 173 Hex Value: #bcb7ad
Color Collections: Nurturer
Sherwin Williams says that the Nurturer color collection is for bringing people together. Mindful Gray (SW 7016) fits in perfectly with this color collection’s inviting nature. It’s a comforting color that makes your home feel ready to entertain guests.
Mindful Gray (SW 7016) is a medium-dark bodied gray paint color with mild warm brown undertones. It has an LRV of 48 and is lighter than most of the paint colors in the Dark Gray category.
I recommend Mindful Gray for bedrooms, and common areas like the staircase area in the image below.
Dorian Gray by Sherwin Williams (SW 7017)
Dorian Gray – LRV: 39 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 172 G: 167 B: 158 Hex Value: #aca79e
Color Collections: Senior Living Cool Foundations, Acute Care Cool Foundations, PBteen – Fall/Winter 2019
Dorian Gray (SW 7017) by Sherwin Williams is a medium-dark gray paint color with a LRV of 39. It’s neutral, with a slightly cool appearance. The pleasing dark gray color contrasts nicely against true white trim, and ceilings.
If you choose Dorian Gray, I recommend sticking with a cool color pallet for the rest of the room as well.
Warm Gray Paint Colors
Painting your home with warm gray paint colors creates a relaxed, cozy vibe. This category is the best place to start if you love warm color palettes, and don’t want to select too dark of a gray paint.
Warm colors have stronger red and green color profiles, with less blue. Because of this red / green bias, gray paint colors tend to have a yellow, or brown hue. Depending on the exact mix of color, warm grays can also have orange, or olive undertones.
All the warm gray color selections in this category are ‘medium-light’ with LRV’s ranging between 48 and 63.
Colonnade Gray (SW 7641) by Sherwin Williams
Colonnade Gray – LRV: 53 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 198 G: 192 B: 182 Hex Value: #c6c0b6
Color Collections: Timeless Color Wall
Colonnade Gray is a medium-light gray with RGB values of R: 198 G: 192 and B: 182. The weak blue in this color profile gives Colonnade Gray its warmth, and the prominence of red is responsible for some brown undertones.
This is a great choice for nearly any room, but my personal favorite use for Colonnade Gray is kitchen cabinets. The beautiful gray cabinets in the image below are Colonnade Gray by Sherwin Williams.
Edgecomb Gray by Benjamin Moore (HC-173)
Edgecomb Gray – LRV: 63.88 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
Edgecomb Gray (HC-173) is relaxed, creamy and warm. The paint color has medium depth with a LRV of 63.88. Edgecomb Gray’s subtle elegance makes this paint color a favorite for many interior design professionals.
The color is a well balanced true gray, and doesn’t have strong undertones. These attributes make it a top contender if you’re looking for a warm-neutral gray that wants to be seen but doesn’t have to be the center of attention.
Benjamin Moore discribes Edgecomb Gray as:
A go-to gray that’s timeless with a modern edge, this earthy, organic neutral is soft and stylish, creating a setting that feels distinctly personal.
The walls in this bedroom are Benjamin Moore Edgecomb Gray.
Farrow & Ball – Elephant’s Breath (No.229)
Elephant’s Breath – F & B Color Description: ‘a warm mid grey’
If you’re looking for a unique warm gray paint color, Elephant’s Breath by Farrow & Ball is worth taking a serious look at. It’s a beautiful color, but be warned – Elephant’s Breath has strong magenta undertones.
I always recommend purchasing a sample pot, and testing paint colors on your walls before coming to a final decision, but this is especially important with Elephant’s Breath. The magenta hue can clash with other color palettes in your home. But when it works, it REALLY works – this is a beautiful paint color.
The following is Farrow & Ball’s description of Elephant’s Breath:
This warm and contemporary grey is renowned for its characterful paint name, originally created by John Fowler, the notable English interior designer. Elephant’s Breath reads as an uplifting mid grey with its hint of magenta, but can become almost lilac in the cooler light of west facing rooms. Try offsetting with Charleston Gray and London Clay for an invitingly earthy scheme with more intense accents, or pair with other Contemporary Neutrals such as the softer Strong White for a sense of neutrality and calm
The walls in the bathroom below below are Elephant’s Breath by Farrow & Ball.
Worldly Gray by Sherwin Williams (SW 7036)
Worldly Gray – LRV: 57 (LRV, or Light Reflectance Value is a scale commonly used by design professionals where 0 = absolute black and 100 is pure white.)
R: 206 G:198 B:187 Hex Value: #cec6bb
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Choosing a paint color is hard — we get it! While we always reveal paint colors from Amber’s projects on the blog, we rounded up our most asked about paint colors in one post. If this article misses a paint color you’re wondering about, check out Amber’s projects where we’ve laid out all the details. Don’t forget, we’ve also covered White Paints, Greige Paints and Dark Paints! Happy paint perusing!
Wall Paint: White Heat by Dunn Edwards // Cabinetry Paint: Black Lead by Dunn Edwards // Client What’s The Story Spanish Glory
Cabinetry Paint: Shady by Dunn Edwards // Client Canyon Cool
Cabinetry Paint: Revere Pewter by Benjamin Moore // Kitchen Island Base Paint: Wrought Iron by Benjamin Moore // Client Tupac Meets Biggie To Decorate The Diggies
Cabinetry Paint: Down Pipe by Farrow & Ball // Client West Coast Is The Best Coast
Wall Paint: Amherst Grey by Benjamin Moore // Client Canyon Cool
Cabinetry Paint: Manor House Grey by Farrow & Ball // Client West Coast Is The Best Coast
Exterior Paint: Black Top by Benjamin Moore // Shoppe Amber Interiors Pacific Palisades
Photo by Marisa Vitale
Wall Paint: Black Pool by Dunn Edwards // Client Canyon Cool
Wall Paint: White Heat by Dunn Edwards // Cabinetry Paint: Black Lead by Dunn Edwards // Client What’s The Story Spanish Glory
Cabinetry Paint: Figueroa by Portola Paints in Satin Enamel finish // Wall Paint: Figueroa by Portola Paints in Roman Clay finish // Client Me Myself and I Can’t Make Up My Mind
*A full breakdown of Amber’s home paint colors is coming soon! See Progress Tour One and Progress Tour Two in the meantime!
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If the mere thought of choosing a paint color gives you immediate dread, just wait until you have to pick the perfect shade of white. To the uninitiated, white seems like a simple enough shade. (In fact, it’s arguably the most popular wall color around.) Problem is, it has so many nuances and undertones. Suddenly, white isn’t just white: it’s pure white, off-white, or simply white, to name a few. Of course, the design plot only thickens when you factor in different finishes, plus how the shade in question will fare with your room’s natural sunlight and artificial glow.
To save you from the headache of trying to decide between hues that seem nearly indistinguishable, we got the scoop from top designers on the best shades of white, and where to use them. Whether you want to swath your home office in a fresh coat, paint your ceiling, or turn your bedroom into a serene oasis, there’s something here for every room.
1) Benjamin Moore Atrium White OC-145
“White can be a warm or a cool color depending on which tone of white you pick. If you want your home to feel really calm and relaxing, I suggest using a white that has a creamy tone to it. Benjamin Moore’s Atrium White has a little bit of a peach tone.” — Michelle Gerson
2) Benjamin Moore French Canvas OC-41
“Benjamin Moore’s French Canvas is a lovely off-white with bisque tones. I find it works especially well on ceilings where you may have a busy wallpaper or mural on the wall—and need a soft instead of a stark white that could potentially appear harsh in contrast to the pattern and color.” — Heather Hilliard
3) Benjamin Moore Distant Gray 2124-70
“Distant Gray is the perfect white, especially with contrasting trim. It has more depth than a pure white, but is still the perfect backdrop for a neutral interior.” — Miriam Verga, Mimi & Hill
4) Dunn Edwards Cool December DEW383
“Cool December by Dunn Edwards has been a staple in my designs for over 10 years. It’s a cooler tone that seems to open up a space and add a tempered brightness. The wrong shade of white can feel clinical and stale, or even a bit too creamy. Cool December strikes the perfect balance and always seems to do the trick for me. Plus, it’s touch-up-friendly and works well with Magic Erasers, [which is] important for moms like myself who have active kids.” —Breegan Jane
5) Sherwin-Williams Moderne White SW 6168
“White in a kitchen is classic for a reason. Subconsciously, humans interpret white as clean and pure—that’s why it’s such a popular color for kitchens and bathrooms. We like to add a little twist to our mostly white kitchens, like with a burst of orange on a barstool or a boldly patterned backsplash.” — Beth Dotolo and Carolina Gentry, Pulp Design Studios
6) Benjamin Moore Ivory White 925
“Sometimes you need a creamy white, which can be tough to get right. It’s easy to veer too yellow. I really love Benjamin Moore’s Ivory White. This creamy white works best when you envelop the room completely and paint the trim, walls, and ceiling in it. It reminds me of lightly tanned skin. It’s particularly nice in a beach house and looks fantastic with light wood finishes.” — Christina Kim
7) Benjamin Moore Snowfall White 2144-70
“For the perfect, crisp, icy white, we used Benjamin Moore Snowfall throughout this sky-high pied à terre. When the signature San Franciscan fog rolls in, you feel like you are floating on a cloud.” — Kendall Wilkinson
8) Sherwin-Williams Alabaster SW 7008
“My go-to white paint color is Alabaster from Sherwin-Williams, and my favorite color to pair it with is Naval by Sherwin-Williams. The key to selecting the perfect white paint is to determine the mood you want to create, and then choose a white that is either warm or cool. I like warmer whites like Alabaster for living rooms. But if I am creating an ultramodern, minimalist space, cooler whites help to complement the clean lines.” — Joelle Smith
9) Benjamin Moore Oxford White CC-20
“Oxford White by Benjamin Moore is a color I often use. It reads beautifully on walls and trims. It has a crisp and soft feeling with both natural and applied light.” — Mona Hajj
“Oxford White is our go-to for crisp, bright interiors. It’s just the slightest bit softer than a pure white, and is super adaptable to all interiors, modern and traditional.” — Stephanie Brown
10) Sherwin-Williams Origami White SW 7636
“Origami White is a gentle off-white; perfect for taking the edge off of modern interiors. [Great] for a more organic or eclectic vibe.” — Stephanie Brown
11) Farrow & Ball School House White No. 291
Farrow & Ball
“My no-fail, go-to white is Farrow & Ball’s Schoolhouse White. It’s a timeless off-white that promotes old-world warmth and is a solid foundation that marries architectural features, materials, and accent colors. The end result: a welcoming and comfortable home.” — Cortney Bishop
12) Benjamin Moore Cloud Nine OC-119
“As a colorist, white is seldom on my mind, but when I need a neutral gallery-esque background, I reach for Cloud Nine by Benjamin Moore. I painted the exterior of my office building in this particular shade and it’s the perfect contrast to the gloss black trim.”
— MA Allen
13) Clare Snow Day
“Snow Day is the perfect cool white that has just enough warmth to keep it from feeling sterile. This is a great option for a south-facing room or for a bright white to pair with cool colors.” — Nicole Gibbons
14) Sherwin-Williams Pure White 7005
“Finding the right white is always a tricky task. However, I’ve found that a successful shade of white is one that’s honest and bears no hidden undertones of blues, yellows or pinks. Pure White by Sherwin Williams is an elegant white, which grounds the space and creates a nice neutral background to allow your furniture to shine.” – Eileen Keshishian
15) Benjamin Moore White Dove OC-17
“Our go-to living room paint color, Benjamin Moore White Dove, is a warm white that perfectly complements the fresh pastel colors of this feminine space, creating a calm and welcoming room for entertaining. We typically opt for the wow color moments in the fabrics and accessories, rather than on the walls, to keep the living room a more transitional space and the formal center of the home.” — Christine Markatos
“White Dove has a creamy undertone that brings a lovely warmth to homes in urban environments or those in climates that often experience grey and overcast skies. Meanwhile, in more traditional settings, White Dove reads as a crisp white without being too cold or modern.” — Emilie Munroe
“I love to use White Dove by Benjamin Moore. It’s so versatile! Because I focus a lot on art and artists in my work, this color never fights with sculptures, street art or abstracts. My favorite thing to do is apply one coat of Wise Owl's Opalescent Pearl Glaze over the White Dove. It softly shimmers with directional lighting, and the walls 'slow dance' without fighting with the art, fabrics and rugs. It's clean, simple and timeless!” — Kari Whitman
16) Benjamin Moore Simply White OC-117
“Benjamin Moore Simply White is always a crowd-pleaser. It’s a warm, but true white, that looks both crisp and cozy in every space.” — Kristen Peña
“Benjamin Moore Simply White is my go-to for a kitchen. It just feels right–not too cool, not too warm.” — Victoria Hagan
“Benjamin Moore Natura Simply White has a slight warm undertone, which keeps it from feeling too sterile (no hospital vibes here). I have yet to come across a color scheme Simply White wouldn’t complement. It also really goes to work in those darker spaces with little to no natural light because the paint color itself simply radiates. Bonus, this is an eco-friendly zero VOC paint for the environmentally conscious!” — Meridith Baer
17) Benjamin Moore Chantilly Lace OC-65
“When I want a really clean, pure white like I used in every room of a Spanish Modern home in Los Angeles, my favorite shade is Benjamin Moore 'Chantilly Lace' OC-65. It has a subtle cool grey base as opposed to warm yellow undertones, which makes for a very clear and beautiful shade of white.” — Rosa Beltran
“The most universal paint color I've used is Chantilly Lace by Benjamin Moore. I find myself going back to it again and again in order to create a bright white space that is warm and welcoming rather than sterile and cold. In a sea of whites, this is my tried and true!” —Nicole Davis
"It feels clean and bright without being cold or ‘dormy’." — Melanie Burnstin
18) Benjamin Moore Chalk White 2126-70
“My favorite white paint color is Benjamin Moore 2126-70. It is appropriately named Chalk White–a grey-scale white, which works universally juxtaposed with cool and warm tones. I use this color for paint, stain finishes, custom color reverse painted glass and metal as a foil contrasting with other elements. Almost every paint schedule our firm issues includes this shade of white.” — Katherine Newman
19) Portola Snow Leopard
"My favorite choice for white is Snow Leopard by Portola. I am always in search of a white color with depth, but without other discernible tints. This color creates a beautiful backdrop for both modern and traditional projects. Best of all, it is truly white when it’s up but creates a beautiful, warm environment." — Kazuko Hoshino
20) Benjamin Moore Navajo White OC-05
“Think melted vanilla ice cream. Its cream undertone makes it the perfect white for a country house and warm, naturally-lit spaces. You can do a whole room in Navajo White and it stands alone and gives it a soul.” — Alexandra Champalimaud
21) Dunn-Edwards Whisper
“I must admit I have a sore spot for colors with whimsical names. This one especially ‘whispered’ to me when I was looking to paint my entire office and showroom in Guadalajara. This color is a very calm, soothing tone that mimics the shade of white found in nature. I love it because it's primitive but very organic.” — Erick Millan
22) Benjamin Moore Cloud White 967
"Cloud White by Benjamin Moore is ethereal and soft. It is a timeless shade of white that works to either modernize or pare down a space without making it seem too sterile." — Anne Hepfer
23) Sherwin-Williams Extra White SW 7006
"This color is crisp and clean, but not too stark. It complements all different interiors." — Robin Strickler
24) Benjamin Moore Dune White 968
"I am currently having a love affair with Benjamin Moore's Dune White. I veer away from whites that are too clear and absent of pigment. I like the knocked-down elements of Dune White. It's a warm, flattering color inside and outside. I tell my clients it's a true white with the dimmer switch dialed down." — Janie Molster
25) Farrow & Ball Wevet No. 273
Farrow & Ball
“I love a good white with plenty of depth. Wevet by Farrow & Ball is one of my favorites for this reason. It has a beautiful hue of gray. It always looks brilliant and has great contrast that goes with many of my other favorites as well as looking beautiful on its own.” — Raquel Garcia
26) Benjamin Moore Super White PM-1
"It's the most pure expression of white with no color undertones. It reminds me of the galleries at the Gagosian Gallery. What I love about this color is that it makes your furnishings stand out like a piece of art." — Jon Call
“I love super white. I find it’s the cleanest and crispest and ALWAYS brightens my spaces. It's too cool for some people’s preferences. For me, it's spot on!” — Tali Roth
27) Benjamin Moore Crisp Linen CSP-305
"When it comes to white paint, I always prefer a warm undertone versus cool. Simply White by Benjamin Moore is my go-to, and for a slightly more historical lived-in feel, I warm it up a bit with Crisp Linen, also from Benjamin Moore." — Katie Hackworth
28) Benjamin Moore Calm OC-22
"My absolute favorite white of all time is Calm by Benjamin Moore. It has a softer and cozier feel thanks to a drop of warm gray in the hue, while establishing the background for crisp, clean, and timeless interiors. Calm is also particularly responsive to changes in lighting, whether natural or artificial. It is extremely versatile no matter what style, color scheme, or room you are working with." — Allison Babcock
"What could be more appropriate in one's bedroom retreat than the feeling of calm, promoting quiet, reflective and relaxing moments?" — Dayna Dabek
29) Benjamin Moore White Diamond 2121-60
"My old living room was painted this super cool white and I loved it for the space. I loved it because generally I’m more attracted to cool tones rather than warm tones. If you put it up to a true white, it looked a little blue. But in person, it just looked really white. So if you are looking for the perfect cool white, then this is a great option for you, as it doesn’t have any yellow or cream tones in it." — Emily Henderson
30) Benjamin Moore China White PM-20
"It seldom fails me, no matter where in the country I use it. It doesn't break green or pink. When held up against pure white, it has an off-white or greige appearance, but on its own, it holds up as true white—but with a little more body." — Eric Cohler
31) Farrow & Ball All White No. 2005
"My new favorite white is All White by Farrow & Ball. It’s described as 'a totally pure white,' and that’s just what it is. The biggest challenge with white paint is when it leans gray, or blue, or yellow and skews the look you were going for; All White is a gorgeous, pure white that doesn’t have an underlying tone." — Alessandra Wood, Modsy
"It's like a good friend. Easy to be around, dependable and it makes you and all the things around you look terrific. It stays consistent in any light, but in the afternoon, it can really make a room feel like it's glowing." — Brad Ford
32) C2 Cotton C2-836
"White is not a shy color—it makes everything placed in its path come forward. And Cotton by C2 is the softest of whites, with a touch of yellow as its undertone. It's the perfect backdrop to enhance wood and I especially love it in bedrooms. It makes skin sparkle." — Elizabeth Martin
33) Valspar Honeymilk 7003-4
"Getting white paint right can be a daunting proposition. Your best bet is a kinder, warmer white that has just a hint of grey or beige in it. Honeymilk is a soft white that's great for walls. I've used it in a gazillion rooms and have never been disappointed." —Elaine Griffin
34) Benjamin Moore Lily of the Valley 905
"This is a very creamy white, really warming up the space. If you try to use this in another brand, however, it will look baby-nursery yellow ... so stick to the Benjamin Moore original!" — Isabel Ladd
"I found this color more than 20 years ago when I wanted a really great, warm white for trim, and it has been my standby ever since. It works well in rooms that get a lot of light and also in those that need it." — Alessandra Branca
35) Farrow & Ball Great White
"It's a white with character, and it's anything but sterile. Great White works best in natural light, particularly in the morning when fresh, warm tones peek in. Throughout the day, it changes color ever so slightly—from white to not-quite-grey." — Kara Mann
36) Benjamin Moore Decorator's White CC-20
"I love this white for ceilings and woodwork, or in any room where I want a bright, clean white. It works well in all applications and with every kind of light source. Some whites can be cold and slightly blue, while others can have a creamy, yellow tone, but Decorator's White is a true white that is both warm and modern." — Jeff Andrews
"Nothing beats a clean crisp white wall and my go-to is Benjamin Moore Decorator's White. It is crisp and slightly cool, making it the the perfect backdrop to pop other colors used within a room." — Ohara Davies-Gaetano
37) Benjamin Moore Paper White OC-55
"Paper White [is great] for a lovely lighting grey white" — Highlyann Krasnow, The Design High
"I use Paper White in kitchens and bathrooms because it melds the grays of Carrara marble and the stark white of sinks and toilets." — Katie Ridder
38) Farrow & Ball Pointing No. 2003
"This is the perfect ivory for almost every setting—not too bright and not too creamy. We're all about striking that balance. It's proven itself in both a sun-drenched farmhouse living room and a one-windowed New York City bedroom." — Anne Maxwell Foster and Suysel dePedro Cunningham of Tilton Fenwick
39) Benjamin Moore White Wisp OC-54
"It's a tinted white with a hint of grey-green, but it reads as bright white. I like to use it on the trim for cool-colored walls. I use quite a bit of wall coverings in hemp cloth and other natural materials. White Wisp as a trim makes many of these papers look crisp." — Frank Roop
40) Farrow & Ball Wimborne White No. 239
"It has just a hair of yellow, but does not read too 'warm.’ It really just feels like a perfect, clean, white. Because of the depth of Farrow & Ball's formulas, it has a certain richness to it. It’s the white I tend to favor for more traditional interiors." — Amy Sklar
"What I love about the Farrow & Ball Wimborne White is that it is a beautiful shade of white that has depth and dimension. Using it in high-gloss achieves a very chic and modern look without using a real lacquer." — Suzanne Kasler
41) Benjamin Moore Winter Orchard 1555
"I love Winter Orchard because it has a super subtle tinge of grey in it, so it works with every color." — Taniya Nayak
42) Dunn Edwards Swiss Coffee DEW341
"There should be one cozy room, such as the living room, in every home. In this type of space, I like to use white paint as the backdrop for an amazing collection of art, which brings a pop of color. For me, the perfect shade of white, like this one from Dunn Edwards, isn't too yellow or too pink." — Trip Haenisch
43) Farrow & Ball Slipper Satin No. 2004
"Slipper Satin is my go to for 'fleshing up' more traditional rooms, as it is calming and gives a sense of ease and serenity. It is inviting and cozy, yet also works well on more architectural houses punctuating the accoutrements." — Jeffrey Alan Marks
44) Dunn Edwards Historic White DET653
"The classic warm white complements any interior then, now and forever. Ultra-premium paint from the DE Everest collection gives clients low-odor, zero-VOC finishes that are durable and contribute to good indoor air quality." — Sarah Barnard
45) Benjamin Moore Acadia White OC-38
"Acadia White by Benjamin Moore is my go-to Goldilocks. Not too warm, not too cool, but just right. It's the perfect creamy off-white." — Patrick Ediger
Kelsey MulveyKelsey Mulvey is a freelance lifestyle journalist, who covers shopping and deals for Marie Claire, Women's Health, and Men's Health, among others.
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The 10 Best Neutral Paint Colors That Never Go Out of Style
Neutral paint colors have always been in style and always will be. But defining a "neutral" color can be more difficult than you imagine. By the traditional definition, a neutral is any color that doesn't fall into any of the standard families associated with the color wheel. These include the gray, brown, and white families. Neutral colors such as taupe, off-whites, and light grays do not have a deﬁnitive color, so they almost never cause discord with furnishings and other color schemes. These "none-colors" are virtually foolproof since they easily support all other colors.
More recently, interior designers have broadened the definition of "neutral" to include shades that have definite undertones of a definable color. Most color families will now include a neutral or two that is predominantly taupe, off-white, or gray, but with a very subtle hint of color.
Whether a classic neutral or a subtle variation within a color family, a neutral paint color has many advantages in a room design:
- They are flexible, classic colors that are always in style.
- They are perfect for people who are unsure of their color preferences, or who change their minds a lot. A room's color scheme can be changed merely by switching accents against the neutral background.
- They are ideal for people who prefer bright, colorful accents and furniture.
- The overall effect of neutral paint is to make a room restful and relaxing.
- Color Family: Varies and can lean into grays, taupe, beiges, greiges, and even whites
- Complementary Colors: They work with virtually all colors because they're neutral
- Pairs Well With: Most colors pair well with these neutrals
- Mood: Calming
- Where to Use: Great for living rooms, bedrooms, dining rooms, offices
Here are 10 of the best neutral paint colors for your home's interior walls.
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Well, as suggested. Considering our communication at such moments, she She told me to leave the bottle and go. Although I would love to stay. She came out of the bathroom in her dressing gown, steamed, with red cheeks. After watching a little TV, she went to bed, and I again remained in the hall myself, in confusion with an excited member and with my desires.


Painting by Italian artist Botticelli sells for $45 million at auction in New York
- 2022-01-29 00:06:20
- 25 views
A painting by Italian artist Sandro Botticelli was sold for about $45 million, after a struggle at an auction in New York.
Sotheby's said Thursday that three bidders had bid for the Renaissance painting for about seven minutes. But it did not reveal the buyer who won the auction.
The painting called “The Man of Sorrows” dates back to the late fifteenth or early sixteenth century, and it depicts Jesus with a crown of thorns on his head, and his hands and feet are tied with a rope. It was previously a private collection.
It is noteworthy that a year ago, Sotheby's sold the same Italian artist a painting "Young Man Holding A Roundabout" or "The Young Man With a Medal" for $92.2 million. No work of Botticelli's artwork has fetched such a price before that at auction.
According to the auction house, there are only about ten paintings known to be by the Italian artist worldwide, few of which are private collections.


Featured Artist: Cindy Hammond
My interest in Art began at an early age with my mother and grandmother crafting, knitting, sewing, and expressing their creativity in many ways. My interest in 2-D art began in high school and further developed in college as a Studio Arts major concentrating in Drawing and Design.
After graduation, I worked as a designer and then entered the field of graphics. Taking time out to raise my family, I didn’t re-ignite my love for Art until the early 2000’s admiring the works of many painters. First, working in watercolors, years later, I then moved to oils and acrylics. Today, I primarily work in oils and love the texture, color, and values achieved in the richly pigmented paints. I consider myself self taught in painting and continue to take workshops to further my techniques, skill, and knowledge of painting. I have worked with many seasoned artists throughout my journey. To name a few, Mary Segars, Jacki Newell, Alice Williams, Gary Bodner, Jeff Erikson, Mark Bettis, Leslie Saeta, and Sandra Roper. They all have inspired me in different ways and I feel fortunate to have studied with these exceptional artists.
I am a contemporary oil painter working in both experimental and representational themes. I create abstracts in an oil and cold wax medium lending itself to a freer form of art, focusing on, form, color, line, texture, markings, and movement. When I paint traditional oils, I like a loose brushstroke, creating soft edges, harmonious color, simplicity, and a painterly style. I like to work from photographs and use a limited palette to maintain harmony in the painting.
I hope you enjoy viewing my art as much as I enjoy creating it. All of the art are original pieces created in my studio located in Fountain Inn, SC at 301 Farmwood Drive, Fountain Inn, SC 29644.
I can be reached at 864-270-5063 and via email at firstname.lastname@example.org or email@example.com.


Draw a circuit. Cold solder. Paint and screen print circuits.
Bare Conductive’s Electric Paint provides a great platform for discovering, playing, repairing and designing with electronics.
Electric Paint can be used as both a liquid wire and a conductive adhesive. This handy material allows you to paint and screen print capacitive surfaces. Electric Paint is nontoxic, solvent free and water soluble.
This material is a great prototyping tool for makers of all ages. Once applied the paint dries quickly at room temperature, and can be removed with soap and water. Nontoxic, air-drying. Works great on many materials including paper, plastic, textiles and conventional electronics.
Works with: Electrical components, prototyping materials, PCBs, microcontrollers (Arduino, Raspberry Pi, MaKey MaKey, LilyPad, FLORA), e-textiles, and conductive thread. You can use a brush, a roller or even printmaking equipment! Please be aware that as Electric Paint dries the conductivity increases (and will continue to increase to a certain extent even after the paint “feels” dry), so if your project requires calibration, let the paint dry completely before testing it.
Directions: Apply with a brush, roller, or screen print. Leave to dry for 10 minutes, Electric Paint becomes conductive when completely dry.
It is important to let the paint dry for at least 10 minutes as Electric Paint only becomes conductive when completely dry.
Electric Paint is not meant for use on skin!
Electric Paint is not waterproof.


Paderna is a multi-awarded and well-recognized artist. He has works on acrylic on canvas, oil on canvas, oil pastel, chalk pastel, bronze cast sculptures and welded bronze sculptures. Both his paintings and sculptures have been recognized not only in the country, but in other countries as well. A signature image in his works is what he calls “the hands that rock the cradle,” which are basically images of women with big hands. He aims “to give joy to the viewer, to relate my thoughts, my experiences, and my feelings as an artist, to represent my time so that in the future, that generation will have an idea of what is art in our time. To be remembered as an artist (not a craftsman) and give back.” The vibrancy of the colors and the grace of his sculptures are striking. But what makes Rafael Paderna’s works stunning are the stories that these works depict, and what they stand for.


About the Art
February 01 – September 28, 2015
“Inspirations” showcases watercolor paintings that represent the dreams, illusions, and emotions of the artists who created them. This popular medium of art is a very powerful way for artists to capture their truest visions. The “Inspirations” exhibit is comprised of impressive watercolor artwork done by regional artists.
Julie is a self-taught painter. She started out faux painting, using acrylics and other items to add texture. Julie then discovered another way to express her energy and ideas by painting on canvas and other papers. Her tools include brushes, sponges, plastic, sticks and more. Julie is inspired by the beauty around her. A portion of the sale of Julie’s paintings, are sent to an organization that helps at-risk children on the Thailand/Burma border where her daughter works. By painting, Julie feels she makes a difference in the lives of children. Most of all she hopes to bring peace, joy, contentment or a smile to those that see her work. For more information please visit her website at www.wallexpressionsbyjulie.com.
Glenn James Murray is an architect with the City of Cleveland, Department of Building and Housing. He has threatened to take up painting for years. His loving wife Lynn called his bluff, and arranged for lessons at the Beck Center of Art as a birthday gift. The paintings that are currently on exhibit are the results. Glenn is inspired by the ruins and remnants of Cleveland’s industrial past, and the workaday world of her life blood, river and lake.
Bernard Johnson is an amateur artist from Cleveland, Ohio. His love of art began at a very early age drawing cartoons which later lead to sketching comics. As his passion grew, he later developed an eye for abstract art. Much of his artwork is portrayed through vibrant colors using acrylic and watercolor paints to depict human expressions and feelings. He believes that “art is one of the best ways to express to others how you view the world around you......the beauty of the imagination is boundless.”
Before picking up the paintbrush, Pimei Huang was a high school teacher in Taiwan. She immigrated to the United States with her husband and raised two amazing children. When Pimei found herself with more free time, she started watercolor painting as a hobby. It soon became more than just a hobby, and now she uses it to express the wonders of God’s creation.
Pimei is most inspired by her personal connection with her paintings’ subjects and the beauty in nature. Pimei’s paintings have been routinely showcased on the cover of the Evangelical Formosan Church’s monthly journal. She has had three solo exhibitions, and her work has been in many group shows. She has won a number of awards including the most recent “First Place” award at the Independence Home Day Juried Art Show in 2014.
For more information please email her at email@example.com.
Anna Hsu seeks to express the philosophy of benevolence through tranquil images of trees and blossoms. She has studied brush painting since 1996. Her paintings have been juried into Shaker Heights Library Barbara Luton Competition several times and she won Honorable Mention in 2009. Anna lives in Shaker Heights. For more information please visit her at www.annasbrushpainting.blogspot.com.
Sharlene Gannon began her employment with the City of Cleveland in 2003. She started out in Central Payroll and has since settled in at the Division of Taxation. She loves working for the City and says she has great coworkers. One of her creative outlets is painting with gouache, an opaque watercolor. Her subjects are mostly found in nature; animals, birds, insects…whether flying or crawling, she is truly fascinated by their existence. Whether it’s handmade cards, bead embroidery, knitting, crochet, baking cakes or just working in her garden or with her beehives, she truly enjoys her free time.
Janine Jacobs-Beleski lives in Vermilion, Ohio and has been creating and selling her artwork for more than 20 years. She has exhibited her paintings in many galleries throughout the United States and Canada. Janine states, “When I am painting, I often lose track of time. I become completely involved with the work in progress. It dictates to me where I should go, the intensity of the colors and the overall mood of the picture.” Her art has been described by others as portraying an overwhelming dramatic story of stormy landscapes, wild and emotional florals, intense, sometimes moody portraits, all with a wash of unrestricted color. For more information please email her at firstname.lastname@example.org.
Carrie Kelley is an artist from Northeastern Ohio. She’s taken art courses at the University of Miami in Florida, Cleveland Institute of Art, Cleveland State University and Cuyahoga Community College. Carrie is also a certified graphic designer and a photographer. In fact, many of her works are based on her photographs. She works in a variety of mediums such as watercolors, pencil, acrylics, oil and digital art. Her favorite subjects are nature, animals, flowers and landscapes. Some of her most recent art can be seen on her blog at: carriekelleyart.tumblr.com
Tom Tindira is an accomplished artist whose paintings reflect his love of the outdoors and his childhood neighborhood, Tremont. He has studied with nationally recognized watercolor artists and works daily in his home studio. Tom is a member of the Crooked River Gang of Artists. His works are on display at the MD Garage Art Gallery in Cuyahoga Valley National Park from April through October annually. Tom has won numerous awards at local art shows. For more information email him at email@example.com.
Renee Sarosy is an artist who since 1987 has had a passion for drawing faces of famous rock and roll artists. It was in an art class while attending Parma Senior High School, that she discovered an expertise in facial portraits in a project where she drew Stevie Nicks. At Cleveland State University, this talent re-emerged in a black and white ink portrait of Jim Morrison. Her abstract watercolors were also displayed at Cuyahoga Community College’s western campus showcase. Renee’s use of mediums includes ebony pencil, chalk, watercolor, acrylic and ink. She also has a collection of nature photography focusing on sunsets, clouds and flowers. In addition, she also likes to create projects out of seashells. Her work can also be seen on Wren’s Gallery on Pinterest. For more information email her firstname.lastname@example.org.
After a successful career as a home furnishing designer and Illustrator, Mitzi is painting full time, as Artist-in-Residence for the Ohio Arts Council’s Arts Learning program. She also teaches at the Cleveland Museum of Art. Mitzi, a long time teacher and workshop instructor, has a Master’s degree in Art from Stephen F. Austin State University, Texas. Her works have been exhibited nationwide through invitation and international juried competitions. Mitzi’s art works are collected by many private individuals and corporates. Mitzi’s work is currently on exhibit at the Ohio Governor’s Office, PNC Bank, Kent State University (Brecksville, Ohio), Immigration Law Office of Margaret Wong and Siam Cafe, Cleveland, Ohio. Mitzi paints whatever inspires her, from still life, floral, landscape, portrait, figures to animal in different media. For more information please visit her website at www.mitzilai.com, www.mitzilaiart.com
Nancy Notarianni is a watercolorist, graphic designer and watercolor painting instructor. She earned a Bachelor’s of Fine Art from the University of Kansas. Nancy is currently the art director and web administrator for City Visitor Communications. In her free time she enjoys teaching watercolor. Nancy has also been invited to many of the Cuyahoga County, Ohio branch libraries (Parma South, Bedford, Olmsted Falls, Orange and Mayfield to name a few) to present watercolor programs. She exhibits in many juried shows throughout Northeast Ohio. Nancy has studied watercolor with Charles Reid, one of the foremost watercolorists of today, Alvaro Castagnet and Ted Nuttall. Nancy is an active member of the Ohio Watercolor Society, serving as newsletter editor. Watercolor is Nancy’s favorite medium because of the transparent quality and the unpredictability of the combination of water and paint. For more information visit her website at www.nancynotarianni.com.
Dee Riley is a life-long resident of Ashtabula, Ohio, one of Ohio’s largest counties located along the shores of Lake Erie. Dee started her painting career because of poverty. She could not afford a camera to record the events in her life, so she started drawing on scrap paper, discarded window blinds or anything she could find. She bought her first camera by picking tomatoes for a produce grower. Not wanting to be confined to just photography, Dee still enjoys recording life’s event through painting and drawing. For more information please email her at email@example.com.


Paint products consist of many ingredients. The have adhesives, solvents, excipients and pigments. For example oil paints and oil varnish have a linseed oil adhesive, wood turpentine solvent, and a drier as a excipient.
The purposes of the adhesives are:
- Bind the paint pigments and make the paint or varnish stick to its base.
- Give a protective layer to the finished surface.
- Improve the weather and temperature sealing.
- Improve the water and chemical resistance.
Each adhesive has a different effect on the paints or varnishes drying speed and workability. The adhesive produce a coating on the paint/varnish after it dries
- Chemically drying which means a chemical reaction starts the drying process.
- Physically drying which means that the adhesive dries without any chemical reaction such as the solvent dissolving.
The purposes of the solvents are:
- Dissolve the adhesive on the paint or varnish
- Lowering the viscosity.
- Control/regulate the application properties, evening and drying speeds.
The purpose of the excipients are:
- Improving the quality of the paint ingredients
- Making the paint or varnish dry faster
- Improve the shelf life and leveling
- Prevent mold from living inside the paint
- Prevent UV-light from changing the color of the paint
Paint products can be divided into paints and varnishes. Paints are opaque and they have color pigments.Varnishes don’t have pigments and therefore produce a clear coat. Both of the paint products however, have adhesives, solvents and excipient. Paint products can also be grouped based on the solvent. Waterborne and solventborne paint.
Waterborne paints and varnishes
- Suited for indoor use such as walls and ceiling
- They can also be used with furniture however they tend to dry fast so expertise required.
Solventborne paints and varnishes
- Dry slow but are very durable
- Smell bad
- Alkydpaints are suited for furniture, indoor doors and windows.
- Oil based paints are suited for outdoor furniture and outdoor doors and windows and also furniture restoration.
Latexpaint is a uniform name for different types of waterborne paints. Waterborne paints, also known as latexpaints are plastic dispersion paints that have small polymer particle adhesives are free in the water. While drying, water is dissolved from the paint until it becomes plastic and glues into a paint coat.
The paint that was created in the 50’s and 60’s had a latex adhesive. This adhesive caused molding problems in buildings. The latex formed a coat that was too strong and therefore didn’t let any air or moisture through it. This way the molding got stuck inside and started to destroy the ceiling. Calling a watesborne paint a latex paint is wrong since they no longer have latex in them.
Waterborne paints are commonly known as acrylate paint.
In the 60’s latex paints were the most used indoor paints. Their popularity had many reasons. The paint was suitable for paint rollers and therefore made the spreading of the paint easier and sped up the painting process. The smell wasn’t as strong as the paints used before. All though back then those paints weren’t considered a health risk or a risk for the environment. Paints noawadays are both safe for the painter and are environmentally friendly.


Watercolour painting is a beautiful and versatile medium that has been used by artists for centuries. With its unique translucent quality and vibrant colors, watercolours have a timeless appeal that is both captivating and challenging. In recent years, there has been a growing demand for watercolour painting freelancers who can create stunning, one-of-a-kind pieces for clients. If you are considering hiring a watercolour painting freelancer, one of the first questions that may come to mind is how much they charge for their services. In this article, we will explore the factors that influence the pricing of watercolour painters as freelancers, and provide insight into what you can expect to pay for their services.
Factors Influencing Pricing
The pricing of watercolour painting freelancers can vary widely depending on a number of factors. One of the most significant influencers of pricing is the experience and skill level of the artist. Those who have been painting for many years and have a strong portfolio of work are likely to charge more for their services than those who are newer to the field. Additionally, the complexity of the project and the amount of time and effort required will also impact pricing. A simple portrait may cost less than a detailed landscape or still life, for example. Finally, the reputation and demand for the artist’s work can also influence their pricing. Artists who are in high demand may charge more for their services, while those who are just starting out may offer lower rates to attract clients and build their portfolio.
When it comes to pricing, watercolour painting freelancers may use a variety of different cost structures. Some artists charge by the hour, while others may prefer to charge per project. Hourly rates can range from $30 to $100 or more, depending on the artist’s experience and geographic location. Project-based pricing can also vary widely, and may be influenced by the size and complexity of the painting as well as any additional services that the artist offers, such as framing or shipping. It’s important to discuss pricing and payment terms with the artist before beginning a project to ensure that both parties are in agreement and there are no surprises.
What to Expect
So, what can you expect to pay for the services of a watercolour painting freelancer? As mentioned earlier, pricing can vary widely depending on a number of factors. On the low end, you may find artists offering their services for as little as $50 for a small, simple painting. On the higher end, experienced and highly sought-after artists may charge several hundred or even thousands of dollars for a larger, more complex piece. When considering the cost of hiring a watercolour painting freelancer, it’s important to keep in mind that you are not just paying for the physical painting itself, but also for the artist’s time, skill, and expertise.
In conclusion, the pricing of watercolour painting freelancers can vary widely depending on a number of factors, including the artist’s experience and skill level, the complexity of the project, and the artist’s reputation and demand for their work. It’s important to have a clear understanding of the artist’s pricing and cost structure before beginning a project to ensure that both parties are in agreement and there are no surprises. Ultimately, the cost of hiring a watercolour painting freelancer is a reflection of the value of their time and expertise, and can result in a beautiful, one-of-a-kind piece of art that you can cherish for years to come.


Re-visiting Twentieth-Century Chinese Oil Paintings
Oil paintings are often considered through a Western lens. To shake up this view and invite new perspectives, Hong Kong University’s Museum and Art Gallery, HKU, showcases the versatile nature of Chinese oil paintings in its aptly named exhibit, Across Time and Space. With works exploring sprawling landscapes, intimate interiors and evocative profiles, the exhibition opens discussion and reflection on cross-cultural experiences. With forty-seven pieces on display, the collection blends work belonging to the university, the Hong Kong Museum of Art, and private owners. Curated by Chinese paintings and transcultural art market specialist Dr Shuo Hua, the themes running through the exhibition show the active discourse between Eastern and Western sentiment in the arts.
Reverse Glass Painting
The collection begins with a reverse glass painting titled Captain of the Ship ‘Lord Clarendon’. A popular media form between the seventeenth and early nineteenth century, its establishment in Chinese art culture was spurred by European introduction by traders and diplomats offering gifts to the imperial court. A glass painting’s unique look is borne of complex layering that runs counter to the typical oil painting procedure, with the artist beginning at the highlights and ending at the base layers. Initially made in Canton’s painting studios, eighteenth-century glass paintings were a prolific art form in China.
Ng Po-wan: Fruits
In the first room, a fair amount of the subject matter focuses on people, objects and hobbies of the middle class. Ng Po-wan’s Fruits is a standout example. Dynamic in its execution, the light and layering of the portrait are reminiscent of the Dutch master painter Rembrandt. While the clear, simple lines, rich tones and structural focus echo Western works, the fruit of choice marks the artist’s regionality. Typically, fruit portraiture was a unique form of wealth signalling; in the seventeenth century, pineapples were such a hot commodity that people would even rent them for clout, hence their prevalence in fruit-laden artwork. However, in Ng’s work, the more pedestrian carambola (star fruit) and tomatoes take centre stage. This calls back to his time at the University of the Philippines, where he studied painting with the renowned “Grand Old Man of Philippine Art”, Fernando Amorsolo.
Liu Haisu: Yungu Villa
Moving into the next viewing area, the audience is invited to join in the introspection of nature. Setting the stage is an entire wall dedicated to prolific twentieth-century Chinese painter Liu Haisu. Following his series on the Yellow Mountains of Anhui province, Yungu Villa neatly summarises his myriad accomplishments. Created during Liu’s tenth visit to the site in 1988, the occasion marked the seventieth anniversary of his very first trip there. The spontaneous blend of villa and nature highlights technical fluency and expressive spirit, the signature marks of Liu’s oil studies. By creating an oil painting with the approach of Chinese calligraphy and splashed ink, Liu’s coarse outlines represent a spirit of resilience. The eponymous villa was where the painter stayed during his visit, bearing the typical characteristics of Huizhou architecture. Liu’s addition of pine trees represents self-discipline and fortitude.
Mao Huaiqing: Palace in the Sun
Shifting from abstract to more authentic perspectives, Mao Huaiqing presents a romantic interior. Created in 1990, Palace in the Sun shows an inner courtyard deep within the imperial palace. The landmark’s traditional architecture is divided diagonally into warm walls, a clear sky at the top right, and cool greys at the bottom left. Here, a phrase corresponding to a famous line from An Exquisite Zither by Tang dynasty poet Li Shangyin is displayed in Yan-style calligraphy. Much akin to theatrical staging, Mao would go on to serve as a production designer for numerous historical television series.
Yin Xiong: Pottery Jar
The adage “more than meets the eye” perfectly fits Yin Xiong’s Pottery Jar. The portrait depicts the painter’s delicate and perceptive nature and captures the nuances of ancient Chinese Han pottery. While delving into Yin’s playful layering, viewers can explore the distinctions between sculpture and painting. The longer one looks, the more delicate notes and subtle textures reveal themselves. In direct conversation with Yin’s piece is Leng Jun’s photorealistic Coconut on a Canvas (1993). Although the piece utilises similar colours, its warmer tones contrast Yin’s cooler ones. Pitting the themes of modernism and traditionalism, as well as control and absurdity, Leng’s contradictory composition reflects his concerns with 1990’s urbanisation and consumerism, implicitly expressing subjective feelings towards objective matters.
Wang Zhijie: Tibetan Girl
The tone shifts to intimate scenes, which also demonstrate the advances taking place in contemporary Chinese art. From afar, Wang Zhijie’s Tibetan Girl evokes a fond nostalgia typically associated with antique photographs. The image captured is a half-naked girl basking under the warm spring sun, arms raised above her head as she wraps her jet-black hair into a bun. The lighting provides a soft glow to the stone wall behind her. The artist, a native of Jingde in Anhui province, was the country’s first professional artist following the establishment of the People’s Republic of China. While Wang’s portrait leans into realism, Liu Haisu’s Young Lady of Paris (1981) shows clear inspiration from French art academies. As one of China’s first art educators, Liu significantly influenced modern Chinese art by promoting female artists and introducing the controversial practice of nude life figure drawing to the Shanghai Art Academy.
Lee Joseph: Four Seasons
The next room bursts with vibrancy. In a fine show of the ever-evolving conversation between nature and time, Lee Joseph’s Four Seasons (1997) elicits a sense of nostalgia. Each season is shown at its peak, with tiny human figurines for scale. Refined brushwork, pastel colours and hazy atmospheres convey Joseph’s subtle feelings of sorrow and his inner attachment to the land. He also employs different formal elements such as dots, lines and planes to evoke seasonal changes and the concept of time through the variations of nature. Born in wartime Hong Kong, in his youth, Joseph moved to Macau and later emigrated to Vancouver. His experience of war and life in foreign lands had a lasting influence on his artistic creation. Maintaining a distance from daily reality, Joseph’s works offer freedom from everyday issues.
Oil painting introduction to Chinese art academies
The early twentieth century introduced oil painting into Chinese art academies. Over time, it has become an essential feature and an increasingly popular medium. It also has an ongoing discourse between time and paint. With oil paint sometimes taking weeks to dry, there is a level of experimentation available to the artist, the ability to go back in time and alter the outcome. In addition, the mutability of an oil painting can mimic shifting views about the subject matter. Through multiple layers of paint and dynamically charged brushstrokes, portraits allow artists and viewers alike to travel through history with a glance.
Text & photos by Victoria Mae Martyn


Colorado Artist With K99 Ties Launches Her New Website
Over the past 30 years we have many some very interesting, very kind, and very talented people. One of those people is The Artist Kelsie. She has been part of the K99 family for over 5 years.
Kelsie is a diverse multi-media artist that resides in Lakewood America, just west of Denver Colorado. With extensive experience in varied creative arts that range in media and community involvement; Kelsie is recently expressing again on canvas and is re-emerging of sorts after a several year absence from the art scene.
She recently launched a new website titled "The Artist Kelsie multi-dimensional works". The painting at the top of the page is titled "Old Man John". This one is called "Medicine woman":
The piece she did for the 28 Hours of Hope is titled “I need a Hug”. Brian Gary bought the painting in our on-line auction and it now hangs in his home in Greeley.
Kelsie is also famous for painting a sloppy joe on my belly, live on the air!


Join us for a very special art exhibition event - contact [email protected] to reserve your space.
Eileen Olimb comes from Norway but left at the age of 18 and travelled the world for many years before settling in Luxembourg. Her painting journey started more than 20 years ago, during which time her art has evolved and developed. She uses mainly acrylic paint and also experiments with posters, paper, marker pens spray paint and charcoal colors.
Her art is a reflection of her journey and life experiences, using a lot of colors and lively images to express herself through her paintings.
Welcome to her solo exhibition at Foundry which she has called « the urban jungle » showcasing a total mix of her different art styles.
See more about Eileen on Twitter.


Reproduction on canvas
This reproduction features incredibly sharp, vivid colors, rich blacks, and archivability of more than 200 years. All the textures and details of the original are clearly portrayed through this print.
It is displayed on a 100% cotton canvas with a satin finish and is on a 1 1/2" wooden mount. It comes with a certificate of authenticity and the signature of the artist.
Original art by Emmanuelle Bressan: "Caballo Rojo", acrylic on canvas, 36"x48", 2016 - FOR SALE
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Born and raised in Vancouver, British Colombia, Lauren Brevner certainly shows off her mixed heritage upbringing in her unique, eclectic artworks reminiscent of ancient Japanese tradition and culture.
Moving to Osaka, Japan in 2009 and apprenticed to renowned Japanese artist and fashion designer, Sin Nakayamal, she began her journey into the art world.
His inspiration and influence resonates with the way she dresses her subjects, mixing that with touches of traditional Japanese, Art Nouveau, Abstract and realism against bold, dazzling textile patterns.
Using mixed medias including gold leaf, oils, acrylics, and resin combined with a collage of Japanese chiyogami, yuzen, and washi paper on wooden panels, Lauren creates her distinctive style that primarily involves the interpretation of female portraiture.
Existing in surreal and sometimes isometric spheres, her figures attempt to embody the power yet feminine beauty of women, and create a commentary on the subject of women and their depiction in art throughout the ages.
‘Her portrayal of women serves to empower rather than objectify: a reflection of the vitality of sensuality over sexuality.’
With a host of exhibitions across the US and Australia in recent years, plus upcoming exhibitions in the US, her work has featured in numerous publications and is also included in private collections in London, Los Angeles, Vancouver, Australia and Singapore.
With a love for the bold and eloquent, and aspirations in a portrayal of women that serves to empower rather than objectify, her work is:
“a reflection of the vitality of sensuality over sexuality.”


Lose yourself in this charming work of art. Hand-painted on wood panels, the neutral colours form a lone canoe on a grey lake. Evoking the feeling of being engrossed in a day dream, this painting is a whimsical addition to any room in your home.
Hand-painted on wood panels.
Measures 36" wide by 48" tall.
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We use time-tested oil-based classical painting techniques that permit your Timeless Painting to cross the centuries. The lasting freshness and depth of such portraits may be due to the decades needed for their oil paint to fully dry, though clearly their prestige is also based on the intellectual tradition and techniques developed in the Renaissance and still used today by our artists. A painted portrait cannot be rushed, not only for the paint to settle, but for the artist to grow into the image itself.
For classical style portraits our artists follow the tried and tested rule of ‘Gras sur Maigre’ that allows the painter to pull out flexible contours and shading while holding a stable base behind the surface. This technique gives the artist the ability to precisely emulate the spirit of personalities found in every family.
At Timeless Paintings, we are working with artists who have achieved profound mastery in different techniques, styles, materials and surfaces and who have been personally selected by our team. All our painters are qualified connoisseurs with extensive educational backgrounds and production.
Acrylic on canvas
Acrylic paint on wall
Acrylic and oil on canvas
Pastel and sanguine on paper
Sanguine on Paper
Oil on canvas


Hi, I'm Abraham.
I make digital paintings that go viral.
I’ve been drawing and painting since I was around 3 years old, and this is still the best way for me to entertain myself. I started creating digital paintings in 2007, and since then, I open for custom digital painting orders in different subjects like portraits, caricatures, guitars, cars, you name it.
Watch Me Create
Take a sneak peek inside my workshop to discover how I make my digital paintings.
Watch over my shoulder as I paint some of the greatest guitars and cars of rock ‘n roll and sport history!
And if you enjoy videos like these, be sure to check out my Instagram!


When deciding to have an interior painting service provider repaint inside your home it’s good to have a color scheme in mind before bringing them onboard. You don’t want to just think about what color should go on which wall but instead think of how it will all tie together into a cohesive whole home design. Deciding on the colors means taking a critical eye to the entire interior space.
This guide can help you decide what you should be thinking about when you want some rooms in your home, or the entire home, repainted by an interior painting specialist. To start you need to pay attention to the ceilings and floors, not just the walls. The ceilings of homes are usually painted some shade of white for a good reason. It opens up the room and makes it look brighter. Secondly, having a white ceiling keeps the focus on the walls instead of what’s above them.
The best first step is to get hold of a color catalog or some samples of paint you can use in your home. This will help to inform you of what colors will work best in each room given the color of the floor, ceiling, and furniture. You can see if everything coordinates well and which prominent wall color works best given the conditions. If you’re painting your home to sell it, though, you should choose against bold colors as that can turn off some potential homebuyers who don’t see it fitting with what they own or like.
There are a number of interior painting services Peoria IL for homeowners there who want a professional repainting their walls. You should get quotes from at least of these firms and check into how long they have been in business. You should also check that they are licensed, bonded, and insured so that you know you’re dealing with a company that puts professionalism first. There are many such companies to choose from who will work throughout the greater Peoria area.
According to Real Simple, the national average to repaint an entire home’s interior is $1,750. The least expensive state to have this work done is Wisconsin at $1,047 while Hawaii tops the list at $3,358. Some homes will cost more than average such as those with vaulted ceilings and highly detailed molding and trim.
There are a number of reasons to hire a professional interior painter, not least of which is that doing this work yourself is very time consuming. Professional painters know which type of paint is best for each area of the home such as using a flat finish paint in a formal dining room. They can also do the needed preparatory work such as sanding rough spots and using spackle to fill in gouges on the wall. Whether you are painting your home for yourself or to sell it there are many reasons to use a professional interior painting service to complete the work. You will end up with a home that feels almost new and can be enjoyed for years to come.


Looking to buy a painting kit specially made for grown-ups ? Look no more, we got the perfect D-I-Y Paint By Number Painting Kit for you. Comes in two variants - one with frame & one without frame, you can choose the one you like. This DIY Paint By Numbers Painting Kit comprises of canvas with prints, paints & paint brushes required to make a beautiful painting. It makes an amazing gift for your friend who loves to paint or someone who loves to meditate. Research says, painting is one of the best forms of meditation. This DIY Painting kit will help them express themselves through the beauty of art. Gift this DIY Painting for Adults Kit to all the art lovers!
How to use Wooden Painting Set?
Frequently Asked Questions (FAQs)


I LOVE it. Thanks for explaining, Palma.
I have a great idea -- how about if you write up the Technique and put it in the Tips & Techniques section, along with your sample. I need to try this technique. I didn't know the tip about letting the paint dry before adding the next color -- that's why mine always turned into mud.
Originally Posted by Palma
I did my background using acrylic paints. I started with yellow paint and then I spreaded it with an old credit card. Let it dry and then lighlty dot on another colour, spreading it in random directions. It's something that I learned recently.
The secret is to let each layer dry before adding another colour.


Today’s art club challenge was to paint anything using gouache. I’ve been shying away from gouache for years, but now the look has great appeal, and I find that I can’t get the look digitally. I want to give gouache a try in my future children’s books and I know the most reasonable way to get the look is to use the real stuff.
I bought scant palette of seven colors: cadmium red and red light, cobalt blue, cadmium yellow, yellow ochre, and cadmium orange, as well as some titanium white and zinc white. I painted the view of the Siskiyou Mountains, as I see them from my back yard, from memory. I was going for a purple haze for the atmospheric perspective, but I wasn’t able to mix the color I wanted. I see now that I was on the right track, but I could have mixed in more white.
When the painting hour was over, I felt that I’d broken some long standing ice. I liked my painting. My dread of real painting with real paint was lifted. I could see that my fear of creating an ugly painting had kept me from taking the plunge. Fear is such a waste of time.


Most Dad’s have home-improvement projects on their list of things to do, and my husband is no different.
HomeRight recently introduced the Pro 5.5 Power Paint Sprayer, making painting faster, neater and easier with the new.
About the product (per product description at www.homeright.com)…
“The Power Paint Sprayer saves time and work. Just pull the trigger to effortlessly release a consistent spray of paint to cover walls, ceilings, fences, wicker furniture, shutters and other things that paint brushes cannot reach.
The Power Paint Sprayer’s powerful motor makes quick work of painting, applying up to five gallons of paint in under an hour, or one gallon of paint in just 11 minutes. The Sprayer’s wide spray pattern provides a smooth even finish without brush strokes or roller marks.
Simply fill the Power Paint Sprayer with paint, stain or wood sealer, attach one of the nozzles. Pull the trigger and paint.
The Power Paint Sprayer sprays thin to thick materials such as semi-transparent stain, clear wood preservative, water sealer, varnish, oil-based paint, oil-based stain or latex paint. It applies light to the heaviest liquid finishes and formulas, and multiple tips allow for a large variety of finishes.
For larger projects connect the Power Paint Sprayer to a paint can with a five foot suction tube and draw paint directly from the can.
With its lightweight ergonomic design, beautiful results and easy clean up, the Power Paint Sprayer makes quick work out of your painting projects.
The 5.5 Power Paint Sprayer comes with 9 accessories for easy spraying and clean up (flexible extension, 5’ suction tube with clamp, .6mm and .8mm ceramic spray tips, extra atomizers, clean up brush and oil).”
What I thought…
The first thing on my honey do husband’s to do list was paint the rose trellis. It was in desperate need of sprucing up.
Brian was happy to paint the trellis for me, once we got the HomeRight Pro 5.5 Power Paint Sprayer. He said that the sprayer “made quick work” of the trellis. He also said that the sprayer is easy to use, balanced, and “a lot easier to clean up than expected.” The Pro 5.5 Power Paint Sprayer does sound like a fog horn when it runs out.
What I would change…
Brian said he wouldn’t really change anything about the sprayer, although he did say that it would probably be best used on projects with less “air space” than the trellis to minimize waste.
You can learn more about the HomeRight Pro 5.5 Power Paint Sprayer, and other fine HomeRight products, at www.homeright.com
Where you can buy it…
The HomeRight Pro 5.5 Power Paint Sprayer is available on Amazon.
I received the HomeRight Pro 5.5 Power Paint Sprayer to facilitate this review. All opinions expressed are 100% mine and are based on my experience. Your experience may differ.


14" x 21" signed and numbered canvas print out of 40.
Printed on canvas and sprayed with a UV protective coating these are archival quality fine art gallery prints. Each canvas print comes with a special certificate of authenticity.
13" x 19" signed and numbered print out of 200.
Printed on Epson Watercolor Paper these are archival quality fine art prints. The print is sealed in a acid free plastic sleeve and placed flat between cardboard for shipping.


My name is Mariya Tsipovyaz (ex. Vozvyshaieva), I am Ukrainian artist, art director and visual lover. Aesthetics is my passion, my life and a way to explore issues I feel demand my attention. For 12 years now I have been creating art projects for my clients that subsequently become an integral part of their homes. My paintings are in private collections in Ukraine, USA, United Kingdom, Qatar, Monaco, France, Netherlands and the Kazakhstan.


Featured Artist: Brooke Welch
Brooke’s Acrylic Art will be displayed at the library during August & September 2022.
My subject matter is nature and represents color in a magical way. Like me, this body of work has a big personality and a natural drive to be seen and heard. My goal is to take the viewer through ROYGBIV and back again by sharing whimsical color pallets, patterns, and strokes that help the viewer connect with color in a new way that inspires falling in love with something new.
Brooke is a Acrylic/Mixed Media Artist and Designer based in Bozeman, MT.


Every homeowner experiences the nagging feeling every 2 to 5 years. When your walls are beginning to look drab and dull, it’s time to consider applying a fresh coat of paint to your home. It’s never a good idea to put painting on the back burner, as it is hard the reverse the damage weather can do to the wood or stucco on your home. Exterior painting in Los Angeles maintains a clean look to your home, and helps to avoid problems in the future. In the event you want to sell your home, you would want it to be in the best condition possible. It may sound like a hassle, but Just Right Painting knows how to keep a paint job hassle free and professional.
Avoiding the Red Flags of Painting
It’s easy to let the days pass without looking into the details of you home’s upkeep. Being aware of the age and state of your home will benefit you in the long run. Through exterior painting in Los Angeles you are avoiding problems such as rotting wood, peeling paint, and mildew. When you look at the exterior of your home you want the outside to pop as the paint is bright and clean. Just Right Painting can ensure that for you, as we have been in operation for over 17 years in the city of Los Angeles. We know exactly what to look for, and we know what your home would need if you are looking to update. If you notice anything askew, it may be time to bring in one of our contractors.
Painting in the Summer
Even in summer applying a fresh coat is simple and can be done. The Los Angeles heat comes in handy when it comes to paint drying, however its ideal to paint with caution. Just Right Painting understand that some jobs need to be done despite the conditions, and you can rely on us and our team to have your house repainted and looking great. Stay proud of your home as you maintain the quality with the modern colors and styles offered.
Contact Just Right Painting for More Information
If you are interested in a consultation with Just Right Painting, call us at (323) 592-6394 or fill out an online form. We would be more than happy to examine your home’s conditions and help you choose the right option for repainting. We make exterior painting in Los Angeles quick, professional, and to your satisfaction.


Plein air is a French expression that means “in the open air” and describes the act of painting outdoors. Plein air is a branch of impressionism.
Skilled outdoor painters are able to choose compositions from many options; recognize a variety colors; and mix paint quickly to capture the sense of light on form. Tom’s outdoor-painting experience and resulting field studies contribute to the success of his studio work.
Search “Navajo Country” on this website to see example of Tom using a plein air study to develop a large-scale painting.
Sometimes Haas uses one or more of his plein air paintings for inspiration to create a new work in the studio. In addition, Tom’s process can include “thumb nail” drawings (ink or pencil on paper; oil on a small canvas; or oil sketch on clean area of palette) to experiment with composition or fine tune the color harmony he will use in the final piece.


Effective maintenance and painting are important for your commercial as well as residential property. This will ensure you continue to benefit from its purpose and enjoy the best possible lifestyle and environment.
Here at United Trade Links, we provide reliable and cost-effective maintenance and painting services in Sydney. At every stage, our team of painters works with our customers and provides advice to ensure highest standard of workmanship and safety best practices. We serve high rise, low rise residential customers, commercial customers, shopping complexes and malls, schools, hospitals and hotels.
We excel in interior, exterior and commercial maintenance and painting. Whether it is remodels, existing homes, businesses or a new construction, we give equal attention to everything. When you hire our maintenance and painting experts, you will have complete peace of mind. We cover all areas of interior and exterior painting including mildew and mould removal, minor repair work, priming, finish painting and staining. Once the job is done, we will clean up the work areas so that you experience no hassles.
United Trade Links would appreciate the opportunity to partner with you in all your painting needs to make you a happy and satisfied customer. We use only highest quality paint products to make your property look like new and have a nice feel. Our painters and other tradesmen are experienced, capable, responsible, and courteous. They will ensure the job is done the right first time.
We serve homeowners, businesses, property managers and real estate agents throughout Sydney including areas of Southern Sydney, South-western Sydney, Sutherland Shire, Western Sydney, Sydney Metro, Sydney CBD, Campbelltown and Penrith.
Our experienced painters are just a call away. Reach them on 1300 698 559 or email on email@example.com to discuss your needs. We will provide you a solution that fits your budget and needs.


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Pictured in the mural is a portrait of Carlos Fonseca, founder of FSLN the leftist political party in Nicaragua. The mural is signed "Caracas," and the artist is implied to be César Caracas, Nicaraguan artist who painted during the Nicaraguan revolution. Archived by Leah Williams. Photographed by Professor David Schwartz, Albright College, 1981. Current Access status:
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If you are considering painting the outside of your house, you might be wondering how to find the best exterior house painters in Auckland. Here are a few things to look for and make your choice. You want someone who has been in the industry for several years, has excellent references and can give you a free quote on your project. After that, you should carefully select the company you hire to paint your home. You can even request for a free quote from different companies to make sure you get the best value for your money.
One of the most important things to keep in mind when choosing an exterior house painter is the size of your project. The cost of exterior paint is around $200 per square meter, and you may need to add on other requirements. The hourly rate for a painter is usually $30 per hour. The time it takes to paint a room depends on the size and condition of the exterior of your house. A room with a lot of windows will take longer than a smaller one, so choose a company that will do a good job for you. Typically, a four hundred to five hundred square foot room will take around five to six hours.
When choosing an exterior house painter in Auckland, you should check their reputation and the services they provide. There is one such company that provides an extensive range of painting services. Their team is well-trained, and the quality of their work is second to none. They are highly regarded in the industry and have a proven track record of providing excellent work. They even offer floor coating, timber staining, and floor tiling.
There is another good exterior house painter in Auckland. This company offers a number of different types of paint jobs and has been operating for over ten years. They have a wide range of experience and are based on the Auckland. Their team has over ten years of experience, so you can be assured of receiving a quality finish. They are also licensed to provide carpentry services, which makes the entire process easy.
There is another great option. They specialize in commercial and residential painting, and also offer house washing. They respond quickly to any inquiries and provide useful advice. They are also highly reliable and efficient. They are one of the best exterior house painters in Auckland, and their reputation for excellence is backed by their service and quality paint work. And, they are known for offering a warranty on their work and paint. The team is friendly and reliable, and they stand behind their guarantee.
On point painters has over 10 years of experience in residential painting. This painting company has been serving the needs of homeowners in Auckland for years. They offer excellent quality paint work at an affordable price. Their staff is friendly and efficient, and they will leave your property spotless once the job is done. And, they are certified, which is an added bonus. And, of course, they are insured and bonded.
Hiring an exterior house painters in Auckland can improve the energy levels of your home. Fresh paint can help us forget about bad memories. And many of us are highly visual. A freshly painted house can make us forget about those memories. You may even be surprised at how much your house will improve if you hire a professional painter in Auckland! They can give you a free quote and also discuss various repair options. It will help you choose the best option for your project and make sure that the results meet your expectations.
The exterior of a home is heavily influenced by the weather. A good paint job protects your home from the elements such as rust and temperature changes. Proper priming and preparation is essential to ensure a quality paint job. In addition, acrylic paints last the longest. Because of their durability, you can save money on raw materials. That's a bonus! You can rest assured that your home will look beautiful when the exterior house painters in Auckland complete their job.
An exterior house painters in Auckland is an essential part of any painting project. They will ensure that the paint job is done correctly, which is vital when it comes to the health of your family. Plaster wall damage will release microscopic plaster particles into the air, which is harmful to people with breathing problems or babies. Moreover, a house painter will take a lot longer to paint a large property, so you want to hire a company that works quickly and efficiently. Check their website in East Auckland Painters at www.painterseastauckland.nz.