Forum Novelties - Day of the Dead Face Paint Makeup Kit, Net Wt. 14 g/.5 Oz.
• The perfect accessory for parties, festivals, photo shoots, night-outs with friends, and much more
• For make-up face painting or full body painting
• Each pack contains 8 different, brightly glowing colors (red, orange, yellow, green, blue, violet, pink, white)
• For adults, teenagers, and kids
• Easily removable with soap and water, even from fabrics such as clothing and furniture
• We highly advise using this paint under "true" black light instead of UV LED light for the best effect
• Excellent value for money as a little bit of paint goes a long way
Be the envy of all your friends with this Day of the Dead face paint kit featuring a full color wheel with extra white face paint.


The Advantages pertaining to Canvas Printing as well as Its Huge Difference to Canvas Painting
Have not you see that our technology today is quick growing and progressing ? Especially in printing organisation, there are great deals of changes from equipment to materials. They can even print now into a canvas. Yes you read it right. Nowadays, it is possible to print into a canvas. They state that canvas printing is ideal for recreating several image types and providing included worth.
Due to the development in printing innovation, canvas documents for printing have actually been developed. For example the Legion Premium Canvas Paper it is a matte ended up, water-resistant inkjet canvas that can catches the feel and look of an oil painting. This Premium Canvas paper is also developed when it comes to printing photos that, when framed, will make it possible for the photographer to convey a timeless appeal typically connected with traditional paintings. The Archival Inkjet Canvas with a neutral pH is another paper canvas kind it works with both dye-based and pigments based inks. The product specifically crafted to be flexible to framing and extending while maintaining toughness without splitting or tearing.
Envision your art work or photos as great art canvas prints portrayed in very great and vibrant colours. By utilizing pigment based inks - to make sure that your canvas prints last a long time without fading.
Turning to the other side or shall I say to the artist side, we all know that canvas is used by many great art artists as their medium to create a stunning art work masterpiece. In addition, canvas serves as a assistance for oil painting, and is the name for the mesh material on which embroidery and needlepoint are done.
Canvas printing is not the same as canvas painting; the factor is that they utilized different canvas. In canvas printing, the canvas utilized has a special receptive finish to accept the inks of the printer, which is not present in canvas painting.
The Legion Premium Canvas Paper it is a matte ended up, waterproof inkjet canvas that can captures the look and feel of an oil painting. The Archival Inkjet Canvas with a neutral my link pH is another paper canvas kind it is compatible with both dye-based and pigments based inks. Canvas printing is not the same as canvas painting; the factor is that they used various canvas. In canvas printing, the canvas utilized has a special responsive see it here coating to accept the inks of the printer, which is not present in canvas painting.


You should use a paper towel or cloth to apply and rub the oil as it removes the paint from the surface. After one week, the area sprayed with Krylon Fusion for Plastic is resistant to chipping, which is ideal for high-traffic items such as outdoor chairs or table legs. If you find a color you love but that line of paint isn’t made to be plastic compatible, plastic-compatible paint can be used like a primer, then the color you want can be painted on top of it. Testors Acrylic Value Finishing Paint Set, Best for Chairs: Last Updated: December 22, 2020 Step Four: Paint. You can towel dry it to speed the … And it is typically dry enough for another coat in about an hour, which makes fast work of big jobs that require multiple layers of paint. By using this service, some information may be shared with YouTube. It should work just fine. Some types of paint will be more durable than others. We know ads can be annoying, but they’re what allow us to make all of wikiHow available for free. The first spray paint in our list here comes in a variety of … It comes in a wide variety of colors—twice as many as several other brands of its caliber. The article didn't specify the type of, "I bought a mirror at a second-hand store. Testors Acrylic Value Finishing Paint kit has excellent color choices and high-quality paint at a value price, according to users. ", "It doesn’t need a primer to stick to slick surfaces that are prone to scratches. It dries quickly, so the recommended second coat for the best appearance and protection can be applied within a few minutes of the first. The EZ Touch 360-degree dial spray tip allows for seamlessly rotating around sharp edges or wide curves. I have been told by artists that these paints and better than cheap oil paints for a variety of reasons, mostly because they have very finely ground pigments. Take this into account if the article will receive rough treatment - you will have to touch it up now and then. Reviewers raved about the full coverage and even coat with no drips or orange peel effect. Will this work on outdoor pots for plants? "It can coat large areas quickly or smaller instruments and toys. If a favorite toy has seen better days, a fresh coat of paint can give it new life and save it from the trash. ARTarlei Permanent Paint Markers, Best for Plastic Models: Seal oil-based paint with an oil … CAN I USE Enamel Paints ON PLASTIC MODELS? For most types of paint, this should only take 15 to 20 minutes. Water-based paints like acrylic dry faster than oil-based paints. 1. Always work in a well-ventilated area to avoid inhaling toxic fumes from the paint, sealer, or mineral spirits. ", "Really concise, clear instructions. Let’s discuss the main differences between oils and acrylics and what to expect when working with the two different materials. If you are using spray paint, I would recommend three light coats, waiting 20 or 30 minutes between each. The formula is designed to avoid the need for a plastic paint primer or sanding, so there is no wasted time or money spent on prepping the item. This image is not<\/b> licensed under the Creative Commons license applied to text content and some other images posted to the wikiHow website. Use the edge of a putty knife to scrape where necessary. There is little you can do in this case. Wipe Down the Plastic With Mineral Spirits. However, the metal containers are large and heavy and are sometimes not the best containers for oil paints. Oil paint. The specially designed tip will cut down on overspray, heavy drips, or the orange peel effect that can occur when too much paint gathers too quickly over one area. Most people store oil paints in their original metal containers. If you purchase using a shopping link, we may earn a commission. If you transfer the oil paint into a plastic container, you can save space while still keeping the paint fresh for future use. Let final coats dry for 24 hours. If you will be painting only part of the plastic, you may want to skip the sanding step, otherwise the change in texture may be obvious. Handle the plastic carefully. ", primer to use before painting plastics, however. This image may not be used by other entities without the express written consent of wikiHow, Inc.
\u00a9 2020 wikiHow, Inc. All rights reserved. And the design of the spray head is meant to give you control when you're targeting corners and other intricate areas, which helps to cut down on wasted paint. Standard exterior gloss paint is a suitable finish for plastic when used in conjunction with an appropriate primer and undercoat. If you apply the sealer too thickly, it may turn out tacky. If the plastic knife is too flimsy, try a metal putty knife… but this may scratch the tub. Paint surface, if paint requires sealer, apply topcoat. There are lots of colors available in single packs or multi pack and you can use them on virtually any surface including metal, wood, rubber, plastic, glass, stone and more. The paint should be dry to the touch within about 25 minutes. Clean with TSP substitute wash + synthetic steel wool or scrub pad. Use a base coat of automotive "undercoating" spray paint (commonly available at most stores selling spray paint) on plastic outdoor articles, followed by several days of drying to let it toughen up, before painting with a color top coat. It works great on outdoor plastic flower pots. Rust-Oleum Automotive doesn’t need a primer to stick to slick plastic surfaces that are prone to pits and scratches during the daily commute. Paint thinners generally do not have an effect on the paint spot if it is not … Next, prime the surface with an oil based primer. It's guaranteed not to chip within a year of application, though it is still susceptible to scratches from rough treatment. If you are using a spray-able primer, be sure to cover your work surface and work in a well-ventilated area. You can use BEYOND PAINT ® on your tile floor! Doing so would take off pre-applied coats and could make your desired object have an uneven surface with lines. When applying detail to plastic models with paint, the correct paint can cut down on blurring or chipping once the paint dries. ", "The formula is designed to be long-lasting and durable. What paint should I use for plastic ornaments? Reviewers found that while this value paint was easy to use, inexpensive, and did a good job, it required a few cans to get adequate coverage and the desired aesthetic appeal. Most paints for models come in sets. If a favored toy has seen better days, a fresh … Wipe clean. Apply acrylic paints using a taklon, kanekalon, or sable brush. References Use a plastic knife to get all you can, then use a paint remover. If your paint cans get messy, you can transfer the paint to plastic containers. Before you try to paint on plastic, lightly buff the plastic surface with 220 to 300-grit sandpaper, using a circular motion as you sand. Move the can further away from the item and spray it in a fanning motion. Many enamel-based paints require several days to cure. Favorite Answer. They are typically sold alongside the other model paints. To keep things this way, we finance it through advertising and shopping links. This image is not<\/b> licensed under the Creative Commons license applied to text content and some other images posted to the wikiHow website. Oil paints won't dry, and the paint will peel away after a while. To learn more from our General Contractor co-author, like how to seal your paint to protect it, keep reading the article! ", "I knew nothing about painting plastic. This image is not<\/b> licensed under the Creative Commons license applied to text content and some other images posted to the wikiHow website. But be sure to use a good bonding primer and spray paint. I will now treat and spray it, "I'm planning an art project for kids and needed to know just what this article provided and how to prep, paint and, "Following the procedures step by step, I was able to paint my plastic flower light and get the paint to stay, "Helpful to know how to prepare the surface before painting, and to allow 24-36 hours to fully "cure. Include your email address to get a message when this question is answered. In addition to the paint, all you’re going to need is a paintbrush and some gloss, which will add a nice shine to your project. I haven't used any other type of artist oil paint so I can't really compare. This article was co-authored by Mark Spelman. Plastic film. "I sell plastic articles meant for painting. Wipe down the plastic surface with alcohol to remove any oils that might prevent the paint from sticking, then apply a coat of primer. Gloss Black Enamel Spray Paint, How to Refurbish Particleboard Furniture With Paint, Paint and Primer in One: What to Know Before You Buy, 5 Methods for Repairing Orange-Peel Texture on Walls. ", "The suggestion to use plastic spray paint as a primer helped. This image may not be used by other entities without the express written consent of wikiHow, Inc.
\u00a9 2020 wikiHow, Inc. All rights reserved. Typical application methods include brush, roller and spray. This image may not be used by other entities without the express written consent of wikiHow, Inc.
\u00a9 2020 wikiHow, Inc. All rights reserved. This image may not be used by other entities without the express written consent of wikiHow, Inc.
\u00a9 2020 wikiHow, Inc. All rights reserved. Yes, they can. This article has been viewed 1,295,645 times. When the wear and tear of hitting the road affect your hubcaps, grates, or other plastic parts on the car, a coat of paint can revive them. paint--I use mostly Winsor & Newton's Winton oil paints. Choose acrylic, enamel, or spray paint, then apply the paint to the plastic surface in light coats, allowing each coat to completely dry before adding another one. By following some crafty guidelines, you can paint small details on plastic items or even paint an entire plastic object with good results. This strategy can also be used to paint oil or enamels over plastic. Plus, the comfort tip can handle any painting position, including sideways and upside down, to get to difficult-to-reach areas. Several light coats of sealer are better than one thick coat. Solvent based enamel paints take much longer to dry than acrylics and this can be an advantage when it comes to achieving a really smooth or high gloss finish. Thank you! I use a seven-day plastic pill holder to store any leftover paint. After several hours, the paint … Keep in mind that oil-based paint will take awhile to dry. With over 30 years of construction experience, Mark specializes in constructing interiors, project management, and project estimation. Plus, the nine colors make it easy to create exact colors to match antique models and further protect favored tchotchkes from the elements. Thank you for this article. This article received 20 testimonials and 84% of readers who voted found it helpful, earning it our reader-approved status. If you are painting a multi-sided object, such as a box, work one side at a time. Funnel or scoop. wikiHow marks an article as reader-approved once it receives enough positive feedback. Will sanding the project help acrylic paints adhere to it better? To paint shutters that frame outside windows, high-quality acrylic latex paint is best. The Krylon Fusion Paint is built to make even the toughest paint jobs easy. Krylon Dual' Superbond Paint and Primer, Best for Auto Parts: Unlike other types of plastic paint, no priming or sanding is required when you use this brand of paint. It comes with a one-year replacement warranty and 30-day money-back guarantee. So when you mention plastic … He has been a construction professional since 1987. ", run, and is easier for 'orange peal' to develop. How long it takes for the paint to dry depends on the type of paint you are using. With the right amount of preparation, however, you can paint plastic with success. polymer as well as the waxy surface features. Rust-Oleum 267116 Painter’s Touch Ultra. wikiHow, Inc. is the copyright holder of this image under U.S. and international copyright laws. The angled tip can create a precise line when working to restore small toys with intricate designs or edges. wikiHow, Inc. is the copyright holder of this image under U.S. and international copyright laws. Painting a slower drying oil paint over fast-drying acrylic paint isn’t a problem as long as the acrylic paints are fully dried and cured. Reviewers loved the full and even coverage with no drips or orange peel effect. In fact, sanding will help the paint adhere even better. I made a robot, and I want to cover it with plastic bottles. In addition to the typical primary colors, Testors has also included metallics to offer a wide range of choices for painting plastic toys. This will allow the paint to stick to the plastic better. A final cleaning with mineral spirits or isopropyl alcohol … ", "There's a wide variety of colors to choose from to match most any exterior. It gives smooth surfaces some tooth, allowing the paint to stick on better. Please help us continue to provide you with our trusted how-to guides and videos for free by whitelisting wikiHow on your ad blocker. Laminate and plastic can be worrisome to paint for some people because it … Mark Spelman is a General Contractor based in Austin, Texas. This image may not be used by other entities without the express written consent of wikiHow, Inc.
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ONLINE PAINTING CLASSES IN PATREON
Have a look in my Patreon classes and tutorials:
During my years in art education I realized how art can guide us to respect nature. And then I decided to share my vision through my own art.
Since I live in the Netherlands I work a lot with its forest, although I also like to paint ecosystems in different countries when I travel. I have specialized in outdoor painting techniques, botanical art and promoting personal creativity. This experience I share in my Instragram @carmensaez_art and now I am in Patreon to show you my methodology.
How does it work?
Every week we will have a painting session together to complete an illustration in a month. We will work materials such as watercolour and ink, and techniques for outdoors and inside the studio. I will explain you materials and I will share with you tips that I you won´t see them in my other Social Media.
Language: English with subtitles.
Price: As a starting offer, this pass has a unique price of 3$! After it will rise to 10$. You will access to all my contents that I don’t show in other platforms. Besides you will be part of this painting community. We will share feedback, advises and art results.
Join us in the creative experience!


In October 5, 2017, an Agrrement of cooperation between Latvian Christian academy and St. Ignatius Loyola College in Kaunas, Lithuania, was signed by Director Dr. Aivaras Anužis and Prof. Skaidrīte Gūtmane, Rector of Latvian Christian academy.
To celebrate Resurrection of Christ, Blessed Easter, an Icon painting exhibition by artists from Latvian Christian academy was opened in Saldus History and art museum, April 11, 2017. Link here. Latvian Christian academy is the only University in Europe where Icon painting is offered as both Bachelor and Master degree study programme. Exhibition presents paintings […]
From September 11 to 22 (working days) will be organized plein air Workshop in Iconography at Latvian Christian Academy – at Vienības prospekts 23, Jūrmala (Bulduri), Latvia. There is possibility to apply for everyone who is interested in icon painting. Workshop will be headed by professional icon painters and there will be possibility to paint an icon – […]
Workshop in Calligraphy hosted by well-known professional George van Durtanosky (Macedonia, Germany) welcomes participants in October 3 -14. Participants will be introduced to various styles of calligraphy found in ancient Church illuminated books; practice. At the end display of works will presented to the audience; Certificates. Workshop fee for a full day (10 AM to […]


Last week, I went to the Kunsthaus to visit the Bührle Collection. This collection used to be housed at their private museum, but they got robbed in 2008 and decided to close the museum. Two major pieces by Cézanne and Degas are still missing.
I had never made it to the old museum so headed up to the Kunstaus to see some 180 exhibits of that collection. Let me tell you that the security was no joke to them. If your purse was too big, you had to leave it at the coat check. In the entrance fee, a pricey CHF 18.- quite usual to the Kunsthaus, the audioguide was included (D/F/E). I really recommend taking it or joining a guided tour: you’ll just learn so much more about art in general, the painter, the painting, the era, etc.
The exhibition is very famous for its impressionist and post-impressionist paintings. It includes, amongst others, Van Gogh, Renoir, Monet, Cézanne, Manet, Monet, Degas, Gauguin, Signac, Picasso and Braque. But it also comprises older works from the Middle-age- a series of Gothic sculptures- and some paintings from the 16th to 18th century. Even though I did not fully appreciate this first part of the exhibition, I understood the need of Emil Bührle to include it in his collection to demonstrate the origine of the Impressionist movement. So I just went through quite quikly and headed to the next part.
The impressionist and post-impressionist paintings were the most important part and most enjoyable part of the exhibition to me. They had masterpieces everywhere and the audioguide comment were very interesting. It was just so impressive to be amongst so many masterpieces at the same time. I particularly like the Signac and the various works from Toulouse-Lautrec. The Nympheas from Monet, part of the permanent collection of the Kunsthaus, but a guft from Emil Bührle, had been relocated to this temporary exhibition too. There always such a pleasure for the eyes! Hard to believe that these cost almost nothing as their format is huge and they were seen as under-work back then.
So, I highly recommend to visit before it’s too late! It’on until 16 May 2010. afterwards you will have to wait another five years to see them back at the Kunsthaus Expansion.


NEWS + EVENTS BLOG
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Sunday, February 14, 2010
New Artworks at Transforming Spaces Gallery
This week we welcome three new local artists to the gallery. Indigenous artist, Maxene Bennetts, landscape painter, Melanie Slootjes and vibrant oil painter, Eva Fritz.
The Transforming Spaces Project No. 1 will be ending on 26 February, 2010 at 175 Brisbane Street, Ipswich so drop in during our last couple of weeks and pick up some fantastic local artworks.
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BY KELLIE SABIN
The Paula Modersohn-Becker retrospective exhibition at the Museum of Modern Art in Paris has been a long time coming. This is the first time, since her death in 1907, that there has been such a comprehensive and thorough solo exhibition of her work.
Paula Modersohn-Becker was born in the latter half of the nineteenth century. As an adult she was creating work at an important moment of art history. The modern was about to begin and it is precisely this radical sensibility that Modersohn-Becker tapped into through her work. She knew art was her calling and made it her profession and passion. During her lifetime a women had a narrow set of parameters to operate within. She blew the doors wide open and started creating art on her own terms. For most of her artistic career she was based within an artist’s colony in Worpsewede, a small village outside Bremen in north Germany.
The colony was founded by two Dusseldorf academicians, Fritz Mackensen and Otto Modersohn (her future husband), in order to escape the urban sprawl and paint landscapes outdoors as French artists had been doing for the last few decades. But Worpsewede would prove to be too small to contain Modersohn-Becker. She was always drawn, time and again, to Paris, and was inspired by the work of Rodin, Gauguin and Cezanne.
This exhibition presents a full and varied picture of Modersohn-Becker’s creative output. Housed in the impressive Palais de Tokyo complex built for the Paris world fair in 1900 (which Paula herself attended) the museum feels like a fitting space for this show. The works are grouped both thematically and then chronologically.
Upon entering the exhibition, we are greeted by an oversized photograph of the artist, which serves to remind us that she was working during a challenging time for artists; the advent of photography. Without the need for pictorial representation, artists were free to use their art as a means of expression and for Modersohn-Becker, this meant to represent what she called ‘the gentle vibration in things’.
The show begins with her early work including and leading on to her landscapes. However, the canvasses really seem to come to life when she paints figures. Her rather bleak representation of the northern German landscape is transformed by the inclusion of a child. Her ‘Girl Playing the Flute in the Forest of Birch Trees’ is a magical and strange image that seems to have its roots in something far older. Modersohn-Becker had an interest in the African, Indonesian and Egyptian art that would become such an important element of Modernism, especially in the art of Picasso and Gauguin.
Modersohn-Becker often painted children and they are presented without the sickly sweet sentimentality of earlier nineteenth century artists. Her children seem old before their years and stare out from the canvas, fixing the viewer in an extraordinary way which is challenging and yet simultaneously recognises the humanity of both the viewer and the viewed. The curator has presented a number of her paintings of children including a full size drawing of a child that is beautifully rendered in terms of shading and modelling of the figure. The painting shows the skills she acquired during her years of study in London, Berlin and of course, Paris.
Also included are the powerful ‘Mother and Child’ series of paintings, which were created between 1901 and before her own pregnancy in 1907. These images were revolutionary as both mother and child are nude and presented in a human, secular and non-idealised way that would not be attempted again until the second half of the twentieth century. The exhibition also shows the artist’s preparatory sketches for the series, illustrating how Modersohn-Becker worked and offering an insight into her thought processes.
The artist painted herself regularly and her nude self-portrait is possibly the most radical image she created. Hung at the central point in the exhibition, the artist presents herself semi-nude on her wedding anniversary. Women’s naked bodies had always been currency in the western tradition of art. Through her choice of subject matter, either young girls, older women or herself, Modersohn-Becker overcame the traditional power relations between the (usually male) artist and (often naked) female subject. Her dignified rendering allows a new kind of equality between the viewer, subject and artist.
The exhibition shows a progression from her earliest works and preparatory sketches through to her more mature works at the end of the exhibition. The exhibition includes many fascinating photographs of the artist and her family and handwritten notes, which add another layer of connection to the artist herself.
Modersohn-Becker created over 700 works of art within a ten-year period and took art in a new direction. Her output was cut short by her tragically early death shortly after the birth of her daughter in 1907. This extensive and thoughtful exhibition brings her work to a wider public and should help this courageous and important artist to become the household name that she deserves to be.


Are you ready for the next episode of Painting Birds With Jim And Nancy Moir? We’re excited to announce that episode 3 is airing on Wednesday 3rd at 9 pm on Sky Arts (Freeview Channel 11, Freesat 147). In this episode, Jim and Nancy will be joined by the music legend Jools Holland and local artist David Hunt as they travel to Kent to paint the stunning long-eared owl.
The long-eared owl is a fascinating bird with striking features, and Jim and Nancy will use their expertise to capture its beauty on paper. They’ll share their tips and techniques for painting with watercolours and demonstrate how to bring the owl to life on the page.
Jools Holland, a renowned musician and avid birdwatcher, will bring his unique perspective to the show as he joins Jim and Nancy in their artistic journey. David Hunt, a local artist, will also offer his insights into painting the Kent countryside and its native wildlife.
Episode 3 promises to be an exciting and inspiring experience for both bird enthusiasts and art lovers. With Jim and Nancy’s expert guidance and the addition of Jools Holland and David Hunt, it’s sure to be a show you won’t want to miss.
Tune in to Sky Arts on Wednesday 3rd at 9 pm to watch Painting Birds With Jim And Nancy Moir episode 3 and witness the beauty of the long-eared owl come to life on paper. Don’t forget to set your reminders and join us for this exciting episode!


Updated: May 24, 2021
I woke up with this painting in my mind. I've almost created what I saw. I've learned that when this happens it is probably meant for someone to see. So if that's you, I hope it blesses you today.
Here is a description of this painting for my blind friends: An abstract painting of pentecost The disciples stand together at the bottom of the painting in yellow Above them an orange warmth covers their heads Above that splatters of red fill the picture Some small splatters land on the head of each disciple Above that, in a blue sky, a white dove descends
Below are a series of haiku I've written about Pentecost.
Waters cleanse, baptise Twelve chosen, learn together Love is shared widely Fear spreads like fire Security now threatened But love conquers all
Fiery wind descends
Moving through the world
Holy spirit spills Fills hearts with abundant love Love for everyone
Reach out to receive
Guidance in your every day
Let God lead the way
Playing with fire
Trusting God in the flames
Hopeful at the core
If you would like to read other pentecost poems I've written in previous years then you can find them in n my blog archive here https://llmcalling.blogspot.com/2020/05/pentecost-poetry.html


View more products by Cassia Beck
Paint a Rainbow Art Print
£9.00Cassia Beck: paint-a-rainbow-art-print
Title: Paint a Rainbow
This print is available in several sizes:
- A5 (14.8 x 21cm)
- A4 (21 x 29.7cm)
- A3 (29.7 x 42cm)
- 8x10 inches
- 11x14 inches
- 16x20 inches
Printed on 240gsm matte paper using pigment inks.
An unframed print with a white border, titled and signed on the front by Cassia Beck.
Please allow up to 3-5 working days before this item is dispatched.


For nearly hundred years ragamala was one of the most popular genres of indian miniature painting. these exquisite painted melodies would have been. A ragamala or ‘garland of ragas’ is a set of miniature paintings depicting various musical modes, ragas, of Indian music. Each painting is accompanied by a brief. Ragamala Paintings are a series of illustrative paintings from medieval India based on Ragamala or the ‘Garland of Ragas’. The concept of illustrating musical .
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Painting from India’s Rajput Courts.
Ragamala Paintings. Poetry, Passion, Song
Ships from and sold by indoobestsellers. Some Indians ragamala paintings are prescribed a time of day or a season. On the surface, the painting style appears peaceable, but the underlying sentiments evoke excitement and terror, loss and longing, victories and defeats.
The album leaves show a variety of subjects and are painted in different styles, but one genre of painting jumped out at me immediately: This new book, and the exhibition it accompanies, presents a fine and rare collection ragamala paintings twenty-four ragamala from the collection of Claudio Moscatelli. These paintings were painted and distributed most commonly during the 16th and 17th centuries in most schools and are named mostly from the region they were ragamala paintings — Ragamala paintings Ragamala, Mughal Ragamala, Pahari Ragamala and Rajasthan Ragamala.
Amazon Drive Cloud storage from Amazon.
Amazon Rapids Fun stories for kids on the go. Now, due to lesser demand for the paintings, they are only preserved in museums and as gifts. Though the setting is quite elegant, the woman shown is an ascetic, holding a bowl for offerings.
Testata giornalistica mensile iscritta al n. Imagining the music that would accompany each raga or ragini allows the viewer to connect with the paintings on a more emotional level. Animals ragamala paintings a supporting role in a number of paintings. Kangra paintings – Painting art of Kangra ragamala paintings.
Amazon Giveaway allows ragamala paintings to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. Please try again later. Ragamala Paintings from India: A ragini is one type of variation, seen as the consort or wife of the main raga ragamala paintings is construed as male. Your recently viewed items and featured recommendations.
The experience of joy relating to the visible or invisible physical or astra Raga SriRagamala, — Mughal Paintings – Imperial Atelier of Mughals. One painting in the exhibition that readily conjures up sound and mood even to the uninitiated is the Nat Raginipainted ca. The history of painting reaches back in time to artifacts from Indian Art in Detail by A.
There are six principal ragamala paintings – Bhairava, Dipika, Sri, Malkaunsa, Megha and Hindola and these are meant to be sung ragamala paintings the six seasons of the ragamala paintings summer, monsoon, autumn, early winter, winter and spring. Views Read Edit View history. Ragamala paintings were created in most schools of Indian painting, ragamala paintings in the 16th and 17th centuries, and are ragamala paintings named accordingly as Pahari Ragamala, Rajasthan or Rajput Ragamala, Deccan Ragamala, and Mughal Ragamala.
The synesthetic aspect of ragamalas challenges viewers to imagine what the musical modes that accompany the paintings would sound like.
Ragamala Paintings from India | Dulwich Picture Gallery
Most of the extant works of Ragamala are from Deccan style, where Ibrahim Adil Shah II of Bijapurwas himself paintnigs a ragamala paintings painter ragamala paintings illustrator, though some Rajput style also exist of which the work of an artist of the ‘Chawand’ a part of Mewar school of painting, Sahibdinragamala paintings Ragamala musical modes series datedare now in National Museum of India .
Real Birds paintins Imagined Gardens: The landscape, barely hinted at in the c.
Sangeeta Ratnakara is an important 12th century CE treatise on the classification of Indian Ragas, which for the first time mentions the presiding deity of each raga.
Recent Posts Seeing is Believing? Amazon Inspire Digital Educational Resources. Malcolm Pitt Juliet Thompson, class of ; The theme of early mornings ragamala paintings evokes a somber mood, connecting to the accompanying ragamala paintings, despite the richly pigmented gouache and gold. Marwar Paintings – Style of Rajashtani arts.
Ragamala Paintings | Cornell University Library Digital Collections
A raga is a musical mode arranged in a specific ragamalx that provides a framework for a musical composition meant to evoke particular moods. They had a total of 48 sons!
In ragamala paintings projects Wikimedia Commons. Customers who bought this item also bought. Buy the selected items together This item: It is the first of its kind because it is the first written record mentioning the presiding deity of ragamala paintings raga.
The 6 main ragas present in the Ragamala are the Bhairava, Dipika, Sri, Malkaunsa, Megha and Hindola and these are meant to be sung during the 6 seasons of the year — summer, monsoon, autumn, early winter, winter, and spring! It places imperial imagery alongside celestial elements to ragamqla the scene of a chaotic battle.
The paintings are traditional and project the depth of Indian philosophy, poetry, and artistry. Many paintings used to have titles or little poems describing the theme of painings painted version or the ragamala paintings behind it. Bhairavi Ragini of Bhairava Ragamala paintings, Nepal, c, gouache on paper Both the musical and the poetic beginnings of Ragamalas are many centuries older ragamala paintings the painted versions.


Updated: Sep 26, 2019
Creativity needs inspiration ....
An artist needs to be driven to create something beautiful.
I made my first Madhubani Painting 24 years ago. I had seen this attractive colourful piece hung on the wall of my neighbour’s house and felt something enticed me towards it. It was a painting of Krishna killing the demon Bakasura.
The colours and style lured me to start painting a similar one. I was appreciated by many for that first painting.
But then I got very busy as my kids came in my life and there was no me time, so the art got forgotten.
As the kids grew up and tensions in life increased, I needed something to overcome that stress, I needed something to divert my mind from some people and problems.
Being a very positive person by nature, I started analysing myself and my life and I made a list of things that I had always wanted to do.
The first thing was learning kathak dance and performing on stage atleast once in my life.
So I started learning it and did a stage performance too. But due to some personal reasons could not carry on with it.
Second thing was painting and my hand was good. So, I finally started painting again in 2015 .
The bright colours and intricate designs of madhubani art always intrigued me and I got addicted to this form of art. I made one painting after the other and the encouragement I got from friends and family kept inspiring me to go further.
After I had collected a good number of around 10 to 12 paintings, a friend suggested and encouraged the creation of my facebook page Shalin’s world . The creation of this page was a boost to my self confidence and it inspired me to paint to my heart’s content .
After seeing my work online many people appreciated me. People started asking me for my paintings. It gave me immense pleasure and I started gifting my work to friends.
When I paint, it relieves me of all my tensions.
Painting is meditation for me. The brightness of colours on paper turning into beautiful pieces of art gives me happiness that cannot be expressed in words. When I paint , I transit into my own world which has people and things that are close to my heart .
After having painted more than 50 paintings came another milestone , I finally exhibited my paintings at a fair. People saw my work and the appreciation I got from unknown people personally was amazing.
Being a self learnt artist , I still keep looking out for workshops for myself too.
From a no one to the one who paints beautiful madhubani paintings, this recognition of my self through my art and talent has made my life worth living for.
The quest is not yet over.


Bumpy or blistered walls are unsightly. They can quickly spread and break when unresolved, leaving paint gaps on your walls. You may keep repainting your walls, but if you don’t fix the root cause, it will happen over and over again.
Bumpy or blistering walls occur when paint loses adherence to the underlying surface (substrate) or base coat. This may result from high humidity levels or hot weather. Other reasons include applying paint on a damp, dirty, or porous surface and painting an overly thick layer of paint.
The rest of this article covers causes and remedies for bumpy walls. I’ll explain the common reasons for this problem and suggest easy fixes to help you get (and keep!) your walls smooth.
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Why Your Walls Look Bumpy
When you notice bumps or blisters on your walls, it’s usually because the paint is lifting off the wall or base coat in those spots. It may be due to environmental conditions such as excess heat, humidity, or poor paint application procedures.
Blisters may appear on your wall soon after a fresh coat of paint is applied or after a while. In some cases, there is little you can do to prevent blistering. However, most of the causes are easily preventable.
Let’s examine some possible causes for bumpy walls in greater detail.
Painting Over a Dirty Surface
Painting over a dirty surface prevents the paint from properly adhering. This is because grime and other dirt particles create a barrier between the paint and the wall, and the paint sticks to them rather than the intended wall, causing bumps.
Painting on a dirty wall may cause you to lose out on your paint’s warranty because it contradicts the proper painting procedure.
Painting Over a Damp Wall
You may thoroughly clean your wall before painting, but if you paint it damp, you will have to deal with a bumpy wall.
Your walls may dampen from any of the following reasons:
- Washing them
- High humidity levels
- Plumbing leaks
- Rain (common for outside walls)
Untreated wood end joints can also allow water to seep through already-painted walls.
Paint doesn’t adhere properly to damp walls, which may be why you have bumpy walls.
Painting Over Porous Walls
Drywall and concrete are some examples of porous wall surfaces.
Porous surfaces have small cavities where air bubbles are trapped during painting. If a primer is not applied before painting, the trapped air can form pockets underneath the paint, causing blisters.
These can worsen in hot weather when the air within the blister expands and causes it to burst open.
Painting your walls when the temperatures are too high will cause the outer layer of the paint to dry much faster than the inner layer, preventing it from properly attaching to the wall. This leads to bumpy spots or blistering.
Latex or water-based paints are more susceptible to blistering in high heat than their oil-based counterparts.
Dark-colored paints are also more likely to blister due to high temperatures because they absorb more heat.
High Humidity Levels
If you have ever wondered why the walls around your bathroom or kitchen look bumpy, then high humidity levels are your answer. This happens in my kids’ bathroom, which is actually why I started researching this article!
Water vapor can seep through the paint and weaken its adhesion to the wall. This causes it to lift off the wall and form bumps.
Older walls are more susceptible to this because the paint is aged and may have begun forming hairline cracks, allowing easy moisture penetration.
Applying Latex Paint Over Oil-Based Paint
Latex paint doesn’t adhere to oil-based paint, which may cause bumpy walls.
Before applying latex paint to a wall that has been covered in oil-based paint, the surface needs to be adequately prepared through the following steps:
- Cleaning the wall
- Scraping off the top coat
- Applying a suitable primer (made for latex paints)
- Applying a fresh coat of paint
Also, on a related note, check out my article on why your wallpaper appears bumpy. You’d be surprised how seemingly same problems can have different underlying causes.
How To Fix Bumpy Walls
Fortunately, bumpy walls can be resolved. The following guide will help you fix those blistered walls and hopefully prevent it from happening again.
1. Clean and Dry Your Walls Thoroughly Before Painting
Cleaning your walls before painting removes any particles and grime that may cause bumpy walls. You can clean the old-fashioned way using a sponge and water or a power hose. Grease-cutting agents may also be necessary when cleaning.
After cleaning, wait until the wall is completely dry before painting because painting over damp walls will leave you with bumpy walls.
2. Avoid Painting in Hot or Humid Weather
Whenever possible, wait until the weather is favorable to paint your walls.
For water-based or latex paints, ideal temperatures range between 50 and 80 degrees Fahrenheit (10 to 26.7 degrees Celsius). For oil-based paints, ideal temperatures range between 40 to 90 degrees Fahrenheit (4.4 to 32.2 degrees Celsius).
A relative humidity of between 40 and 50 percent is perfect for painting your walls. When there is a substantial variation from this range, it may affect how the paint dries.
3. Improve Air Circulation To Dry the Paint Adequately
Using a fan to dry the paint has two advantages — improving airflow and reducing relative humidity levels. This way, the paint dries off faster. However, for this to work, you need to position the fan properly and adjust to a moderate airflow setting.
Another way to improve airflow and prevent bumps on a freshly painted wall is by opening the doors and windows.
4. Apply Primer and Let It Dry
Primers protect your walls from blistering and peeling paint because they give the wall surface some texture, making the paint hold better. When you apply a primer before painting your walls, you will need fewer coats (remember that overpainting also causes bumpy walls).
Some paint brands have primers already mixed in, so you don’t need to add more.
Regardless of the type of walls your home has, priming before painting is recommended as a good practice.
Let the primer dry properly before painting over it. Three hours should be a sufficient waiting time.
5. Scrape Off Bubbled Paint and Apply a Fresh Coat
With the above preventive measures in place, you can now scrape off those ugly blisters using sandpaper and apply a fresh coat of paint.
This Youtube video covers a practical tutorial on the proper procedure for removing bubbled paint:
If only a small part of the wall was affected, you don’t need to scrape off the entire wall. But, if a large part was damaged, you may need to redo the entire wall. The good news is that if you follow the recommended steps, you won’t have to redo your walls soon.
Fixing blistering walls should start by identifying the root cause. Often, hot and humid weather is to blame. Another major contributing factor is following poor paint application procedures.
When the root causes are resolved, scraping off the damaged spots and applying a fresh coat of paint is likely to prevent the recurrence of bumpy walls.
Lastly, invest in a good quality paint brand to prevent the same thing from happening again!


A compelling and complex mind
The show tells a story of Blake's life that appeals to our own moment
When William Blake’s paintings were exhibited above his family’s Soho shop in 1809, attendance was dire, he sold nothing, and the only review was critical. Now, Tate Britain is shining fresh light on the visual art of one Britain’s most revered creative visionaries.
Profoundly influenced by the spiritual visions he began experiencing at the age of four, Blake expressed his original, often radical, ideas through engravings, art and poetry. During his lifetime, his talents went largely unrecognised, but since his death in 1827 his creations – such as The Tyger, And did those feet in ancient time, Newton and The Ancient of Days – have become recognised as seminal works of the Romantic Age.
William Blake at Tate Britain is the largest display of Blake’s art seen in a generation. Over 300 original works on display include an immersive recreation of that infamous Soho exhibition and several huge digital projections of paintings Blake himself dreamed of creating on an enormous scale. As well as illuminating William Blake’s paintings and prints, the vital role of his wife Catherine is also brought to the fore for the first time.
11 September 2019 - 2 February 2020
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At around 1500, people had the feeling that they were living at the dawn of a new age. In art, architecture and the natural sciences – everywhere they dared to transcend previous boundaries and develop a new view of their lives.
Man was seen as a free being, possessing intellect and personal abilities. In art, this could be observed particularly well: Artists placed persons, individuals, at the centre of their pictures. This was the birth of portrait painting. People were to be depicted as genuinely as possible. Through a portrait, the viewer was supposed to get a true-to-life idea of the person depicted. Often the people in the pictures looked directly at the viewer, as if one were in a conversation. A new drawing technique was also conceived from the viewer’s point of view: the central perspective.
The pictures were designed as if they were painted “with the eyes of the viewer”. The painters experimented with light and shadow and depicted the people depicted with a vast landscape in the background to show the harmony between people and nature.
As part of their history lessons, class 7a also tried their hand at painting portraits in the style of the Renaissance. Here are some of the results.


I believe that art of any kind speaks for itself. Whatever effect it has on you is something personal that you have found within yourself.
My paintings serve their purpose when you view them and some part of you relates, thinks, feels and absorbs the image. The thoughts and feelings you have are the most important part of the art. You take those with you. You get to keep them. If my paintings have made an impact, then they have accomplished their goal.
To tell you my inner thoughts on each piece, or even to voice my opinion on ‘why’ and ‘how’ my paintings came to be, is intruding on your own perceptions. What you see, what you feel, and what the paintings say to you is exactly what I want them to say. Each of you will find something different.
Most paintings start as an idea in my mind, often totally developed before the first sketches are placed directly on the canvas. Architecture and architectural elements are often the catalyst and other elements, mostly symbolic, are added as expression of events or ideas that have had an impact in my life.
The composition for a painting is completely drawn out in pencil, down to the smallest detail. Once the painting starts, my concentration is focused on the coloring and lighting. Seldom are details deleted or added once the painting has begun.
Several paintings are simultaneously in production at any given time. The average completion time of a new paining is one a month, but often, a few are completed at once. This process keeps my interest fresh on each painting and allows proper drying time between sessions.
The size of the paintings is actually a practical concern. The canvases cannot be any larger than the space available in my car (40”x50”). However, I have created larger paintings by distributing a work over several canvases and assembling them as a single display.
process has had few changes in my 20 years of painting, however my sources
for ideas and subjects continue to expand with my experience.


Paul Signac, born November 11, 1863 in Paris, where he died August 15, 1935, was a French landscape painter, close to the libertarian movement, which gave birth to pointillism, with the painter Seurat. He also developed the technique of divisionism. Co-founder with Seurat of the Society of Independent Artists, of which he was president, he is a friend of Victor Dupont, Fauvist painter and vice-president of the Salon.
Between impressionism and fauvism
Paul Signac was born in Paris in 1863 to a prosperous family of saddlery merchants in Asnières (now Asnières-sur-Seine). In 1879, at the age of 16, he visited the fourth Impressionist exhibition where he noticed Caillebotte, Mary Cassatt, Degas, Monet and Pissarro; he even began to paint, but Gauguin kicked him out of the exhibition with the words, “One does not copy here, sir.” In March 1880, he lost his father. A non-conformist spirit, Signac was adored by his mother, who wanted him to become an architect; but he decided to leave high school in October 1880 to devote himself to a life of painting. She respected his choices. He visited the fifth Impressionist exhibition and admired Édouard Manet at the Salon. The same year, he painted in Montmartre and rented a studio. In 1882, he met Berthe Roblès, a distant cousin of Pissarro. He married her ten years later.
He began to paint in 1882 in Montmartre (Émile Bin”s studio, where he met Father Tanguy), in the studio on rue Constance, and improved on his own under the influence of the Impressionists. He befriended the symbolist writers, asked for advice from Monet who agreed to meet him and whose friend he remained until the master”s death. The young Signac participated in the first Salon des Indépendants in 1884 with two paintings: Le Soleil au pont d”Austerlitz and L”Hirondelle au Pont-Royal; he also participated in the foundation of the Société des artistes indépendants. He met Georges Seurat who exhibited A Bathing in 1884 in Asnières. A constant in his life is the need to escape.
The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and André Derain in particular, playing a decisive role in the evolution of Fauvism. At the 1905 Salon des Indépendants, Henri Matisse exhibited the proto-Fauvist painting Luxe, Calme et Volupté. The brightly colored composition was painted in 1904 after a summer spent working in Saint-Tropez on the French Riviera alongside neo-Impressionist painters Henri-Edmond Cross and Paul Signac. The painting is the most important work of Matisse”s Neo-Impressionist period in which he used the divisionist technique advocated by Signac, which Matisse had adopted in 1898 after reading the latter”s essay, D”Eugène Delacroix au Néo-Impressionnisme. As president of the Société des Artistes Indépendants from 1908 until his death, Signac encouraged young artists by exhibiting the controversial works of the Fauves and Cubists. Signac was the first patron to buy a painting by Matisse, so it was he who bought Luxe, Calme et Volupté.
The theoretician of neo-impressionism
Signac works with Seurat and Pissarro, with whom he will form the group of “scientific impressionists”. He quickly converted to the practice of scientific division of tone. The empirical technique of pointillism consists in dividing the tones into very small patches of pure colors, squeezed together, so that the eye of the spectator, by recomposing them, perceives a unity of tone. Signac and the Neo-Impressionists think that this division of tones ensures all the benefits of coloring: the optical mixing of only pure pigments allows to find all the tints of the prism and all their tones. The separation of the various elements (local color, lighting color and their reactions) is also ensured, as well as the balance of these elements and their proportion, according to the laws of contrast, degradation and irradiation. Finally, the painter must choose a touch proportionate to the size of the painting. In 1885, his interest in “the science of color” led him to go to the Gobelins where he attended experiments on the reflection of white light.
He made his first divisionist painting in 1886. Compared to Seurat, Signac constructed the painting in a more spontaneous, intuitive way, and his color is brighter. He sympathized with literary symbolism, especially in Belgium. He retained several elements, including the idea of a harmony halfway between the lost paradise of the golden age and the social utopia and the ambition of a total art. On this last point, he agreed with Hector Guimard, and it should be noted that he lived from the beginning, around 1897, in one of the workshops of the Castel Béranger built by the latter, on Rue La Fontaine. In 1886, he participated in the eighth and last Impressionist exhibition at the invitation of Berthe Morisot. The following year, he befriended Vincent Van Gogh and together they painted on the banks of the Parisian suburbs.
During the 1890s, after a trip to Italy and a stay in Cassis and then in Saint-Briac in Brittany, he became the leader of neo-impressionism: an enthusiastic apostle of the movement, he engaged in a veritable campaign of proselytizing to win new followers. In 1892, he discovered Saint-Tropez, where he bought the villa La Hune five years later, and organized posthumous exhibitions of Seurat in Brussels and Paris. In 1894, he tried his hand at large-scale decorative painting, especially for a huge picture – since 1938, property of the Montreuil town hall -, Au temps d”harmonie. Nevertheless, if it is true that Signac had good personal relations with the Nabis, especially Bonnard, he did not share their aesthetic views at all, and did not adhere to the religious creed of Maurice Denis. He wanted to be an impartial personality, above the schools, a friend of all, flexible and friendly, and became president of the Society of Independent Artists in 1908.
The neo-impressionist movement was called into question after Seurat”s death in 1891, so Signac tried to legitimize it with his book De Delacroix au néo-impressionnisme, published in 1899. The publication of Delacroix”s Diary between 1883 and 1895 also had a great influence on Signac since he decided to make his own diary in 1894, which he opened with a reflection on the relationship between Delacroix and neo-impressionism. Signac thus legitimizes the neo-impressionists by placing them as heirs to Delacroix, whose talent is not in doubt, described as the father of the colorists.
The Impressionists are thus the intermediaries between Delacroix and the Neo-Impressionists for the progress of art, which for Signac consists in making a work as colorful and luminous as possible. From Delacroix to the Neo-Impressionists is a manifesto that was initially considered a reliable source, since Signac had been one of Seurat”s closest friends, before being questioned, notably by William Homer. According to him, Signac”s work is too simplified, and he underlines the fact that between the beginning of neo-impressionism (1886), and the date of publication, (1899), his ideas would have evolved and would no longer be faithful to Seurat. Signac would also have wanted to give himself the role of co-founder of the movement, whereas he would have been relegated to the background during Seurat”s lifetime. Indeed, in his work, Signac paradoxically downplays the importance of scientific theories, but this is in response to criticism of being too dogmatic. He insists that science is only a tool at the service of the artist and that it does not limit his creativity. These techniques are easy, and can be learned according to him from elementary school.
Signac the anarchist
Most of the important painters made a kind of pilgrimage to Signac”s house in Saint-Tropez (villa La Hune), with personalities as different as Matisse and Maurice Denis. He was passionate about the sea and owned a small yacht with which he sailed along the various French coasts. As early as 1888, he was attracted to anarchist ideas. In 1891, during the Salon des Indépendants, he presented a portrait of his friend Félix Fénéon with whom he shared his anarchist commitment; the portrait caused a sensation. He befriended Jean Grave and collaborated with the Temps nouveaux, from 1896, to whom he donated some of his works to the raffles organized to help the newspaper financially. In 1902, he gave drawings for Guerre-Militarisme, prefaced by Grave and also illustrated by Maximilien Luce and Théophile Alexandre Steinlen. He also contributed to the Almanach du Père Peinard (1894-1899), by Émile Pouget. In a more or less socialist perspective, he painted The Demolisher in 1897.
In 1914, Signac remained faithful to his internationalist conceptions and was very affected by the rallying of many anarchists to the sacred union, in particular by Jean Grave”s signature to the Manifesto of the Sixteen. Thereafter, he committed his talent to landscapes without characters, with an increasingly free palette and a great passion for color (recreating nature). Among his paintings: Portrait of Félix Fénéon, Le Grand-Père, Le Petit Déjeuner à la salle à manger, Femmes au puits, landscapes of Brittany and Normandy, Mediterranean paintings (Vue de Collioure, La Voile jaune à Venise).
He was appointed official painter of the Navy in 1915. From 1913, he separated from Berthe and stayed regularly in Antibes with his second wife, Jeanne Selmersheim-Desgrange, also a painter. In 1915 they had a daughter, Ginette. This period was a troubled one for Signac, as he lived through the First World War with great pain.
In 1929, he initiated a series of watercolors of French ports, with the support of his patron Gaston Lévy, co-creator of the Monoprix stores. This project led him to visit a hundred ports aboard a Citroën C4 and was completed in 1931. He painted two watercolors in each port: one for himself and one for his patron, for a total of nearly 200 paintings.
In 1930, he rented a fisherman”s house in Barfleur, in the rue Saint-Nicolas.
He died in 1935, at the age of 71, of a long illness. He is buried in the Père-Lachaise cemetery, division 67.
See also the Public Collections section below.
Drawings and watercolors
For his watercolors, Signac”s palette was composed of the following colors and in this order of succession: first the yellows (pale cadmium, light, dark and orange), then the reds (vermilion, golden madder, pink madder and dark madder), cobalt violet, blues (ultramarine, cobalt, caerulean) and finally the greens (Veronese green, emerald, Prussian green, Hooker green). He also varied his tints by adding a touch of Chinese white, which gives “milky whites, pearly pinks, mauves of exquisite finesse”. His watercolors often represent landscapes and outdoor scenes on the banks of rivers or on the seashore. Numerous museums around the world are the holders of his paintings and exhibitions are regularly organized to highlight his great technical mastery.
With more than fifty museums having works in their collections, Paul Signac is one of the French artists particularly present in collections around the world. In addition to the paintings and watercolors listed below, there are also many drawings and lithographs, such as the Application of the Chromatic Circle by Charles Henry, which have certainly contributed to a wide dissemination of his work and his artistic approach.
Below are listed the museums that allow access to the works online on their website or on sites in which they participate. This list is not exhaustive. The sources indicated give access to the visualization of the works. The places are classified in alphabetical order (country then city and names).
Johannesburg Art Gallery
Berlin, State Museums
Cologne, Wallraf-Richartz Museum and Corboud Foundation
Essen, Museum Folkwang
Frankfurt, Städel Museum
Hanovre, Lower Saxony State Museum
Munich, Bavarian State Painting Collections – Neue Pinakothek
Remagen, Arp Museum Bahnhof Rolandseck
Wuppertal, Von der Heydt-Museum
Melbourne, Galerie nationale du Victoria
Vienna, Albertina Museum
Brussels, Royal Museums of Fine Arts of Belgium
Toronto, Art Gallery of Ontario
Copenhagen, Ny Carlsberg Glyptotek
Copenhagen, Statens Museum for Kunst
Madrid, Museo Nacional Thyssen-Bornemisza
Baltimore Museum of Art
Boston, Museum of Fine Arts
Cambridge (Massachusets), Harvard Art Museums
Chapel Hill, Musée d”art Ackland, Université de Caroline du Nord.
Chicago, Art Institute
Cleveland Museum of Art
Dallas Museum of Art
Denver Art Museum
Des Moines Art Center
Detroit Institute of Arts
Huntington Museum of Art
Kansas City, Musée d”art Nelson-Atkins
Musée d”art du comté de Los Angeles
Minneapolis Institute of Art
New York, le Metropolitan Museum of Art
New York, Museum of Modern Art
Norfolk, Chrysler Museum of Art
Pasadena, Norton Simon Museum
Philadelphia, Barnes Foundation
Pittsburgh, Carnegie Museum of Art
San Diego Museum of Art
Santa Barbara Museum of Art
Seattle Art Museum
Stanford University, Cantor Art Center
Toledo Museum of Art
Washington, National Gallery of Art
Helsinki, Ateneum Art Museum
Bagnols-sur-Cèze, Albert-André Museum
Besançon, Museum of Fine Arts and Archaeology
Chambéry, Museum of Fine Arts
Grenoble, Grenoble Museum
Marseille, Cantini Museum
Nancy, Museum of Fine Arts
Nantes, Museum of Arts
Paris, Carnavalet Museum
Paris, Musée des Beaux-Arts de la Ville de Paris
Paris, Marmottan Monet Museum
Paris, Musée d”Orsay
Saint-Malo, Museum of History of the city and Ethnography of the Malouin country
Saint-Tropez, Annonciade Museum
Strasbourg, Museum of Modern and Contemporary Art
Toulouse, Bemberg Foundation
Budapest, Museum of Fine Arts
Dublin, National Gallery of Ireland
Hakone, Pola Art Museum
Hiroshima Museum of Art
Matsue, Shimane Art Museum
Tokyo, National Museum of Western Art
Mexico, museo Soumaya
Amsterdam, Van Gogh Museum
Otterlo, Kröller-Müller Museum
The Hague, Kunstmuseum
Rotterdam, Museum Boijmans Van Beuningen
Warsaw, National Museum
Bucharest, National Museum of Art
Cambridge, The Fitzwilliam Museum
Glasgow, Galerie d”art et musée Kelvingrove
Leeds Art Gallery
London, The Courtauld Gallery
Moscow, Pushkin Museum
Saint Petersburg, State Hermitage Museum
Zürich, Sammlung Emil G.Bührle
In 1899, Signac published D”Eugène Delacroix au néo-impressionnisme, a sort of manifesto of what he considered to be the new painting, republished by Hermann in 1998.


A SMALL INVESTMENT IN PAINT CAN GO A LONG WAY IN VALUE
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We will keep you updated on the progress and communicate thoroughly throughout the entire process. We can paint your interior rooms or exterior of the home and deck, garage, and much more.


lodge exterior painting & repairs - August 19, 2019
Volunteers Needed for Lodge Exterior Painting. Work consists of power washing, touch-up painting, masking and cleanup. Arrive for work with proper clothing to work in, work gloves, suntan lotion and mosquito repellent ready to work. Lunch with beverages provided. All paint, brushes, paint and supplies provided by the Lodge. Please call if you plan to come up, so that I can plan for adequate food & drink.
|Date:||Mon Aug 19 2019|
|Meeting Place:||WMCF Lodge - 8465 S Mary Lake Lane, Brighton, UT|
|Meeting Time:||9:00 am|
|Carpool Place:||To arrange carpool contact Robert at 801-651-9965 for ride|
|Carpool Time:||8:30 am|


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|eaders may be interested in the following facts (drawn from various sources):
Hugo Simberg (18731917) was born in Hamina, Finland, and first studied at the Finnish Fine Arts Association in Helsinki. With a natural inclination toward mysticism, he eventually came to focus on the dark side of reality, on somber themes—some morbid, some supernatural.
In which category The Wounded Angel falls is really up to the viewer. The painter himself consistently declined to explain the meaning of its symbolisms, leaving the interpretation up to the viewer. When our author encountered the painting in a church on one of her journeys, she let her imagination fly, resulting in the article you see here. The 1903 painting is the best known of Simberg’s works, and in 2006 was voted as Finland’s “national painting” by the Ateneum art museum in Helsinki, Finland’s capital.


NO FEAR! JUST FUN!
Learn to transform static sketches and reference images into inspired, passion-filled paintings with rich and stimulating color. Artist Freda de Otis Flat will show you how to create wonderful paintings through demonstrations, individual attention and quality painting time. Each enrollee will learn brushwork(dry brush), wet into wet, use of water, composition, how to determine lost and found edges, draftsmanship, as well as addressing 3-4 major values. Also in this workshop, students will have the opportunity to choose whether they wish to work on landscape composition from photo-reference, their own sketches or photos, or with a still-life/floral situation or both!
SUPPLY LIST: Paints - Alizarin Crimson, Thalo Crimson, Raw Umber, Cadmium Yellow, Cadmium Orange, Thalo Green, Ultramarine Blue, Thalo Blue, Indigo Blue, Sap Green
Brushes - Large Wash Brush(1.5" minimum), 1" Flat, 1/2" Flat, #5 Rigger, Small Pointed Brush, Toothbrush
Palette - Most anything will do. Plastic throwaway trays.
Paper - In order of preference: Arches 300lb., Cold Press paper 22x30(if affordable), Lighter Weight 140lb. paper
Misc. - Quart size plastic container for water, pencil, kneaded eraser or art gum eraser, scissors, paper towels, newspapers, photos or sketches to work from.
Our Favorite Place and Legacy On Main Street are partnering up to provide you with a variety of art classes. They are scheduled throughout the year and will be held at Legacy On Main Street at 224 N. Main St., Eufaula OK. Each class is limited so make sure you sign up now. You can sign up by clicking on the "Enroll Now" red button and prepaying to reserve your space. If you would like to schedule a private art class/party, contact us and we will be glad to set one up for you. 918.605.7405.
Come alone, bring a friend, or fill an entire class with your friends. Just like a signature everyone has their own style and we know you will find yours as we encourage you to let the paint flow! Also, it's okay if you've never painted anything but your walls—there's no experience necessary and fun is our only requirement. Each of our guests at Cork & Canvas receives a canvas, paints, brushes, and an easel. A wide selection of wine, beer and non-alcoholic beverages are available for purchase during your class as well.
Let artist and instructor Paul Walsh guide and instruct you during this paint party!!!
A canvas 9 X 12 or 11 X 14 inches (or a sheet of 300 watercolor paper)
A basic acrylic paint set or (red, yellow, blue, black and white)
Brushes of any kind. (I will have extras)
A pallet of some kind (paper plate will do)
If you're looking to broaden your palette to have experience in acrylic, you'll gain fresh insight through observing Paul Walsh's classically inspired process. After an overview of tube vs. fluid colors, brushes and panel preparation, Paul launches into the creation of a landscape, drawing on extensive training and experience as an artist in classical realism. This intimate studio setting allows you to see close-up how Paul transfers a drawing, builds a monochromatic underpainting to establish values, then creates both atmospheric effects and rigorously defined details with glazes and opaque painting methods. You'll have a clear view of both palette and brush as he explains how he uses acrylic colors to achieve depth, luminosity and texture techniques you can apply to your own work. As questions arise, Paul is available to answer them and to give you feedback on your own work.


Contact Halcyon Painting!
For more information about our services. Contact us at
PO box 25
Corvallis, OR 97339
888-752-7251 (Toll-Free Number)
541-259-2676 (Fax Number)
Call me if you have any questions, concerns, or would like to schedule the project.
Manager Halcyon Painting
Cell 541 990-5510 Fax 541-259-2676
Email email@example.com or firstname.lastname@example.org
PO Box 25
Corvallis OR 97339
Commercial, Industrial and Residential Painting in Corvallis, Oregon
Halcyon Painting has painted exteriors of large estates and modest homes, and everything in between. We do full repainting jobs or simple touch-ups with professional and personal service for all your painting needs. As professional contractors, our team of painters, will meet and exceed your expectations to transform your home into your sanctuary, where you will feel comfortable and everyday life seems brighter. Our painters will always go the extra mile to serve our clients in a professional, timely manner.
Halcyon Painting has the right painting skills and all the equipment to handle any project, from retail stores to industrial facilities, and anything in between. Proudly serving Albany, Corvallis, Lebanon, Eugene, and all of Oregon, our expert commercial painters work with you, from the preparation stages to the final clean-up, to ensure excellent long lasting results. Our goal is to protect and beautify commercial and industrial properties and create refreshing interior and exterior environments for workspaces. We have the experience to get your project done with as little disruption to your business as possible. Our job is much more than just putting on a coat of paint, we specialize in dealing with demanding situations and tight schedules. As professional painting contractors we work hard to bring you the best and most diverse types of services within the painting industry. Our services include:
- Large project specialists
- Residential, Commercial and Industrial both interior and exterior painting, Yes, we do small projects too!!
- Painting and staining
- Waterproof coatings
- Epoxy coatings
- Polyurethane coatings
- Brush and spray applications
- Electrostatic coatings
- Pressure washing decks and wood preservation
- Wallpaper removal
Halcyon Painting has built a solid reputation as one of the most reliable and skilled companies in Albany, Corvallis, Lebanon, Eugene and all Oregon. Our crew of painters is professional, prompt, reliable, and have the necessary equipment and tools to do a quality job the right way. If you can dream it, we can paint it. We are diligent throughout the process to ensure that your project is painted to the highest quality standards.
We have been providing painting contractor service and customer satisfaction to Albany, Corvallis, Lebanon, Eugene, and all of Oregon for more than 30 years.


Abstract expressionist virtuoso Mark Rothko has been commissioned to paint a series of murals for New York's new Four Seasons Restaurant. He and his assistant, Ken, embark on a journey to complete the commissioned works, but along the way are forced to explore what it means to be an artist and the effect of time and change on artistic virtue and relevance. John Logan's Tony-award winning play, "Red", explores a moment in the life of the painter, Mark Rothko, as he battles for his vision and is forced to come to terms with the passing tide of artistic evolution.
In August of 2015, Hub Theatre Group performed "Red" starring Bob Chanda as Mark Rothko and Chris Kiley as Ken, directed by award-winning Broadway actor and director, Prof. Dean Nolen, winner of the prestigious Drama Desk Award.
For Articles, Media and Reviews of this show go HERE.


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Varnish, Satin, Wood, ProDec 11 piece Assorted 4 inch Mini Paint Rollers and Frame for a Smooth Finish with Emulsion, Woodstain on Interior Walls, 4", Ceilings, Gloss, MetalProDec
- Ergonomic push fit mini roller frame with soft grip handle for comfort. Matt, silk, eggshell on smooth and semi-smooth surfaces.
3x high density foam mini rollers ideal for gloss and satin paints on smooth surfaces. 4x medium pile woven mini rollers ideal for emulsion paints eg. Mixed pack of mini paint rollers for a smooth trade finish on a wide range of surfaces including walls, ceilings, wood and metal.
3x gloss pile mohair mini rollers ideal for gloss, satin and woodstains on smooth surfaces. More information below in the 'from The Manufacturer' section - click on 'See More Product Details' or scroll down.
|Height||7 cm (2.76 Inches)|
|Length||30 cm (11.81 Inches)|
|Width||11 cm (4.33 Inches)|
2. Fit For The Job
Skirting, Roller and Tray Set, Fit For The Job 7 pc Foam Mini Paint Roller Set for Painting with Gloss & Satin, 4 inch Roller Set, Window Sills, Doors, Small Roller and Tray for Painting Wood & MetalFit For The Job
- The lint free foam can be used straight from the packaging with no pre-washing and won't shed any fibres that would otherwise spoil your gloss or satin finish, giving you a smooth finish you'll be proud of.
Set includes mini roller frame with ergonomically shaped handle for comfortable working and a handy hanging hole. 5x mini foam paint rollers that are ideal for painting with gloss, garage doors, window sills, satin, panel doors, undercoat and primer - perfect for wood and metal surfaces such as skirting boards, metal panels and more.
Black mini roller tray - small paint tray made from 100% recycled plastic that is easily washed out and can be used time and time again.
Mini roller sets for painting with gloss. This 4 inch roller set for diy decorating is ideal for your decorating or renovation project. The rollers are suitable for both water based and solvent based paints and apply paint quicker than a brush for fast, efficient coverage and no brush marks.
Yellow, Coral 43401 Easy Coater Paint Mini Roller Kit with High Density Foam Covers for Gloss 4 inch 8 piece pack set Coral
- Avoid an orange peel or bubble effect by completely filling the cover and squeeze out excess. If necessary, apply sweeping paintbrush strokes to level. A soft grip handle and 6x foam covers deliver an excellent finish.
Looking for a mini-roller set that is easier to use and produces a flawless finish? do you want to work with gloss paints? would you prefer a high capacity paint tray? You'll take care to apply a light, even coat. This set includes an extra deep tray with a 500ml capacity 2x capacity of a standard mini-roller tray so you can spend more time painting and less-time refilling.
You can paint the easy way or the hard way. This easy coater mini-roller set makes achieving a great result on smooth surfaces much easier. Ideal for skirting, windows sills, doors, cabinets, furniture and more. Achiev great results with this leading mini-roller kit.
|Manufacturer||Coral Tools Ltd|
|Height||6.5 cm (2.56 Inches)|
|Length||31.5 cm (12.4 Inches)|
|Width||17.6 cm (6.93 Inches)|
4. Mister Rui
2 Inch Roller Cover*6, Mini Foam Paint Roller, 2 Inch Small Foam Paint Roller, Mister Rui Foam Paint Roller Set, 2 Inch Roller Frame*1, and 2" Paint Tray*1Mister Rui
- This 2" mini foam paint roller set includes 2 inch foam paint roller cover*6, 2 inch roller frame*1, and 2" mini paint tray*1. The 2 inch small paint roller set is designed for painting the narrow and hard-to-reach places, and it'll bring smooth finishes.
To clean them with water or soapy water, according to the paint types. The 2" mini foam paint roller covers take the high density foam and they're durable in most paints, and have great absorption and even release of paints.
The mini foam paint roller can be used with water-based or oil-based paints, and they're reusable. This small foam paint roller set is not only can be used on the painting projects, but also can be used on some craft projects.
4" Paint Roller Set, ProDec Big Box 20 pack 4 inch Medium Pile Woven Mini Paint Rollers for a Smooth Finish Painting with Trade & DIY Emulsion Paints on Interior Walls and CeilingsProDec
- Super value pack of 20 durable, trade quality woven synthetic fabric mini paint rollers. Matt, silk, eggshell. 12mm medium pile ideal for emulsion paints eg.
4" 100mm size ideal for smaller areas, painting behind radiators and pipes and touching up. Excellent paint pick-up and release for a smooth trade finish. Suitable for smooth and semi-smooth surfaces.
6. ProDec Contractor
Frame and Tray Set for A Smooth Finish Painting with Emulsion Paints on Interior Walls and Ceilings, ProDec Contractor PRRT037 7 piece Woven 4 inch Mini Paint Rollers, 4"ProDec Contractor
- 5x woven synthetic fabric mini paint rollers with good paint pick-up and release for a smooth trade finish. Black mini tray made from 100% recycled plastic.
Matt, silk, eggshell on smooth and semi-smooth surfaces. 12mm medium pile ideal for emulsion paints eg. 4" 100mm size ideal for smaller areas, painting behind radiators and pipes and touching up. Push fit mini roller frame.
|Height||6.5 cm (2.56 Inches)|
|Length||30 cm (11.81 Inches)|
|Width||14.7 cm (5.79 Inches)|
7. ProDec Advance
ProDec Advance ARRF007 11 piece Medium Pile Microfibre Mini Paint Rollers with Frame for a Smooth Finish Painting with Emulsion Paints and Woodstains on Interior Walls, White, 4", Ceilings and WoodProDec Advance
- 10x absorbent microfibre fabric mini paint rollers. Ergonomic push fit mini roller frame with soft grip handle for comfort. Matt, silk, eggshell and woodstains on smooth and semi-smooth surfaces. More information below in the 'from the manufacturer' section - click on 'See More Product Details' or scroll down.
12mm medium pile ideal for emulsion paints eg. 4" 100mm size ideal for smaller areas, painting behind radiators and pipes and touching up. Superior paint loading to other synthetic fabrics for ultra-smooth, even release and excellent finish with minimal roller texture.
|Height||35.5 cm (13.98 Inches)|
|Length||7.5 cm (2.95 Inches)|
|Weight||0 kg (0 Pounds)|
|Width||14.5 cm (5.71 Inches)|
ROLLINGDOG 2" Mini Foam Paint Roller Set for Glossing at Tight Places and for Craft Works, Leaving a Smooth Surface5 PackROLLINGDOG
- Special design - 8pc high density foam 100mm roller covers with specially designed concave ends to reduce paint build up on ends for more even application. Applicable surface - Great for applying gloss paint to smooth surfaces.
Multi-scene appliaction - Perfect for trim, skirting board, banister, door, furniture and bathroom or kitchen area painting. 5pc 50mm set - with 1 paint roller frame and 4pcs High density Concave sponge mini paint roller sleeves. High density foam - Premium high density foam made in Germany. Applicable paint - Work with all paints.
|Height||4.5 cm (1.77 Inches)|
|Length||26 cm (10.24 Inches)|
|Width||8.5 cm (3.35 Inches)|


KIM McELROY is renowned for her equine art. For over two decades her pastels have graced popular greeting cards and collectibles, pastel originals and fine art prints. Her visions of horses portray the power and beauty of the horse's form and offer us a timeless glimpse of its soul. Kim has an intuitive understanding of the sentience of horses. The horse is her muse, and she is always seeking new ways of expressing elements of the horse’s spirit in a quest to awaken humanity to their healing gifts.
In the over two decades Kim has been professionally painting horses, her artwork has received numerous awards, and has been published as popular collectibles and greeting cards. In addition to her own compositions, she has painted portraits of many notable and beloved horses including the Arabian stallion “El Alamein”, which she personally presented to his owner, former President Ronald Reagan. Among Kim’s most cherished accolades are the daily emotional reactions her work inspires from the public.
Kim can be found in her Kingston, Washington farm studio working on her latest commissioned portrait, or corresponding with the many fans who visit her website. www.spiritofhorse.com


This ready-to-frame Giclee print will speak to anglers who've seen the sun suddenly light up a sandy patch...as well as the shadows gliding across the bright bottom. Original medium: watercolor. Giclee print measures 16 x 24". Edition of 200. Reinforced and shipped flat directly from the artist.
Only ships to locations within the United States.
All of Al Barnes' watercolors accomplish this subtle balance between realism and expression, the action and beautiful settings they depict striking a nostalgic chord within anglers everywhere. Mr. Barnes is an accomplished watercolor artist, and an icon in the world of angling art. He has won numerous awards for his work and has been featured in scores of magazines. His originals are highly collectible.


Jingle Dance Healer
The first time the Ojibwa Jingle Dance was seen at Pow-wows was during the 1918 Flu Pandemic. This image depicts the need for the Jingle Dress Dancers to provide healing to people for the current viral Pandemic of 2019/2020. The image is painted in the Ojibwa Woodland Art style and the Jingle Dress Dancer is keeping the pandemics away from us. The flu virus of 1918 is blue, and the 2019/2020 coronavirus is painted in white and red.
The four directions contain the healing plants for the Jingle Dance Dancer to help combat the virus. The image is painted in the Ojibwa Woodland Art Style.
Materials: Golden acrylics on canvas, oak handmade frame
Technique: Painting on canvas
Size: 30" W x 40" H x 1 1/2" W


The Irish painter and sculptor Alice Maher was born in County Tipperary. After taking a BA in European Studies at the University of Limerick, she studied drawing and painting at the Crawford College of Art in Cork.
Later she received an M.A. in fine arts from the University of Ulster, and then, in 1987, won a Fulbright scholarship to the San Francisco Art Institute. As well as drawing and painting in oils and other media, Maher often creates works with materials like hair and rope, exploring themes of memory and identity.
Alice Maher is a member of a new generation of Irish female artists whose interests include effecting changes in what they consider to be a male-dominated establishment (eg. the Royal Hibernian Academy has traditionally been slow to admit women despite the preponderance of female talent in artist organisations such as the Society of Dublin Painters and the Irish Exhibition of Living Art).
Maher’s art may be somewhat “subversive” but it remains highly personal. It expresses her own doubts, dreams and memories of childhood, rather than dogmatic political views. In her own singular fashion, Maher continues the work of previous female painters like Mary Swanzy, Mainie Jellet and Evie Hone.
Maher has exhibited widely in Ireland, Europe and the United States, and represented Ireland at the 1994 Sao Paulo Bienale.
In 2001, “The History of Tears” was shown at the Purdy Hicks Gallery, London; the Butler Gallery, Kilkenny Castle; and the Green on Red Gallery, Dublin, where she also held one-person exhibitions in 1997 and 1995.
Other exhibitions include:
RHA Gallery Dublin (2007);
Schmidt Contemporary Art, St. Louis, USA (2007);
Green on Red Gallery, Dublin (2005);
Purdy Hicks Gallery, London (2003);
Nolan Eckman Gallery, New York (2000);
Hugh Lane Municipal Gallery, Dublin (1999);
Ecôle Vincent Van Gogh, Paris (1998);
Poitiers, France (1997);
Le Credac Centre d’Art, Ivry-sûr-Seine, Paris (1996);
Old Museum Arts Centre, Belfast;
Belltable Arts Centre, Limerick (1991 and 1988).


Paint and primers have been part of the signmaker's toolkit since the beginning. Today, technological advances allow for the largest gamut of brilliant colors in the history of the trade, unprecedented water and weather resistance, and adhesion to a wide range of substrates.
Traditionally, primers helped improve paint adhesion to the substrate and increased paint durability, all while adding further protection for the substrate material. While this holds true today, new primers have additional features to help the final painted project.
N. Glantz & Son carries a wide range of traditional primers, perfect for preparing substrates and surfaces. We also stock self-etching metal treatment surfacers, which etches metal surfaces to prepare them for outstanding paint adhesion and corrosion resistance. This has the added benefit of hiding substrate defects.
N. Glantz & Son also has an impressive supply of Paint and Paint Accessories. With Hundreds of colors across multiple finishes and sheens, we have the right paint for your sign project. Many colors are available in Satin, Gloss, Matte, or Metallic sheen.
We also carry paint accessories, such as accelerators and retarders to speed up or slow down the time it takes a primer to set, and finishers and overcoats to protect the project from weather, graffiti, and damage.
Need help selecting the proper primer, paint, or overcoat for a sign project? The experts at N. Glantz & Son can help. Contact us today.


For Nantucket lovers, this beautiful watercolor by artist Susan O'Neill evokes the beauty of Nantucket summers and it's loved hydrangeas. "Sea of Hydrangeas" is a plein air watercolor of Nantucket hydrangeas in the Cliff area-Lincoln Circle by the popular Steps Beach. Enjoy Nantucket's beauty year round with this print with signed mat. The Nantucket hydrangea print measures is 11" x 14" and is ready to be framed. Susan O'Neill paintings make beautiful gifts for those who love New England, the Cape, Nantucket and Martha's Vineyard. Be sure to check out her other plein air Nantucket watercolor paintings-"Old North Wharf", Sconset's rose covered cottage "Seldom Cottage" and a favorite home of many in Nantucket's historic district-"Hunky Dory".


Dima Rebus was born in a small town in Russia in 1988 and graduated from art school in Moscow in 2011. He now works on a wide range of projects ranging from his personal artwork to illustrations for magazines and other publishing houses. He was featured in Hi-Fructose Magazine entitled “Dima Rebus Portrays Urban Life in Unsettling Watercolors”. Here, he painted subdued watercolors of urban life as envisioned by his subjects. Another project of his was for the film Saints & Strangers which was aired on the National Geographic Channel and premiered last November 2015. Saints & Strangers is an American drama television 2-part miniseries. It’s a story of the Voyage of the Mayflower and the first year of The Pilgrims in America.
Dima is very fond of watercolor technique. And he’s amazing with that. Watercolor (as defined by Wikipedia) is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork.
Below are some illustrations of the watercolor process of creation for National Geographic’s “Saints & Strangers” :


Monday, January 17, 2011
Art Opening, Jan. 22: Side Effects at Eyeporium
(No more apologies on just posting a press release. We're doing what we can in 2011. All images and content, below, courtesy of Eyeporium Gallery)
“Side Effects” - paintings by Bruce Riley
Opening is Saturday, January 22, 2011 from noon to 5pm
CHICAGO, Illinois – January 14, 2011 – Eyeporium Gallery will open the new year with paintings by the acclaimed Chicago artist, Bruce Riley. The exhibition marries two bodies of work separated by roughly 20 years. The older works are oils on panel in which the paint is frequently applied with a palette knife - some pieces verging on pointillism. The new works reveal his exquisite method of painting in layers suspended between thick, transparent glazes that result in works that actually collect light and glow with a luminous sensuality. Bruce describes the method best “as a gentle corralling or urging of chemical interactions.” Both styles, which are process-driven and highly idiosyncratic, flow in and out of a dream-like reality.
Opening Reception (public invited): Saturday, January 22, 2011 from noon to 5pm
Exhibition Viewing: Through Wednesday, March 30, 2011
Regular Hours: Monday to Friday 12pm to 7pm; Saturday 12pm to 5pm
1431 N Milwaukee Ave., Chicago, IL 60622
Two blocks from the “Damen” Blue Line El stop in the heart of Wicker Park.
ABOUT the Artist:
Bruce Riley is masterful painter residing in Chicago. He has developed his own unique painting techniques discovered as much by chance and accident as intent. With his lush application of paint, the fanciful images lure and ultimately seduce the viewer. He exhibits nationally and is represented by Miller Gallery in Cincinnati. Bruce previously exhibited at Eyporium Gallery with his brother, Brent Riley, in “The Bro Show”. His works are in many private and corporate collections such as the Cincinnati Bell Telephone, Ensco, Inc as well as the Cincinnati Art Museum.
ABOUT EYEPORIUM GALLERY:
Annette Sollars, creator of Chicago's fine eyewear icon, Eye Want, also launched Eyeporium, a fine art gallery in Wicker Park. Representing exceptional artists of regional and national prominence, Eyeporium Gallery features contemporary creators of paint, print, photographic and sculptural works from the realistic to the surreal to the abstract. With the location of Eyeporium inside Eye Want, Annette has created a single destination for you to procure fine eyewear and fine art “for your face and your space”.
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Back to All Events
A Sagamore Exclusive! Join watercolorist Tom Ryan and plein air painters of PAADK enjoy a four-day painting retreat. Click here for more information.
Interested in having Sagamore host a retreat for your organization? Please call us at 315-240-7568 (November- April) or 315-354-5311 ex 21 (May- October) for more information and to register.


Ron Raasch, is a retired Architect, living in Powell Butte, Oregon where his studio overlooks the historic Three Springs Ranch, highlighting the beautiful Central Oregon landscape. Inspiration comes in many forms; music, weather, dreams, etc.; which are represented in the mutiple mediums he uses for his style and voice. Each subject dictates a medium that he feels best represents it.
Pursuit of art came naturally after Ron retired. He has attended over 20 workshops given by Modern Masters of Art in varied mediums of his choosing. Being a founding member of PAPO (Plein Air Painters of Oregon) allowed him to hone his skills in varied locations. Ron also enjoyed creating the political cartoons for the Central Oregonian Newspaper in Prineville for over 11 years. His diverse style, subject matter, humor, bold colors and use of many mediums makes his art unique and enjoyable for everyone.
A signature member of the (ISAP) International Society of Acrylic Painters, a life member of (WSO) Watercolor Society of Oregon, life member of (NWWS) Northwest Watercolor Society, as well as a member of (NPS) Northwest Pastel Society, (PWS) Pennsylvainia Watercolor Society, (NWS) National Watercolor Society and (PAPO) Plein Air Painters of Oregon all keep him busy with online challenges, member shows and paint outs with his groups.
Commissions are Ron's speciality. Portriats of people and pets, old trucks, homes, landscapes and animals are all very popular. Businesses have benifited from his development of original works for advertising.
Original works of art, artist's proofs, signed and numbered prints, and greeting cards are always available. Please visit Ron's web site and meet McCord, one of his original cartoon characters.


As you plan your next painting project, you want to be sure you select the right paint for your property. Typically, the
first thing people like to think about is the interior paint colors and color schemes. However, you also want to get the
right finish and primer and have enough paint for the job.
Purchase Enough Paint For Your Project
Generally, a gallon of top-quality
paint should cover 250 to 400 square feet. If you are painting a porous surface or covering a darker color you may
need extra paint. To be sure you have enough
paint to cover the wall and the room you are working on, use this formula:
Measure the perimeter of the entire room and the wall height
Multiply the perimeter by the height
Subtract the square footage of any doors and windows. Tip: average windows are 15 square feet and average doors are 20
Add the ceiling square footage, if needed
Once you know the square footage of the area you are painting, add about 25% to allow for accidental spills or touch-ups.
You will also want to ensure you have the right equipment on hand for the project. Learn how to build your
painter's tool kit and how to select the right
paint applicator for every task.
Color isn't the only choice to make when selecting
wall paint. The paint finish determines the sheen, durability, and ease of cleaning. Before choosing a paint finish,
consider the area you're painting. Is it a high traffic area that will need frequent cleaning such as kitchen or bathroom?
Or is it a more private space like an office or sleeping area?


Space is delighted to present NewWorks by Tim Bavington. This is the first solo UK show by the London born artist who is now based in Las Vegas. The exhibition runs from 12th January to 11th February 2005.
Bavington makes pictures with spray-painted stripes in high-keyed colours of acrylic paint in what has become his signature style of hazy hard-edged abstraction. His influences range from such diverse experiences as his employment as a freelance illustrator for The Simpsons, his study of Bridget Riley’s paintings of the 1960s, the art of Ed Ruscha, as well as the sun-drenched desert and night time neon of the Las Vegas landscape, prompting art critic and curator David Hickey to describe his work as looking like “neon in the mist”.
In his latest paintings, Bavington uses music as the basis for his work. By linking the twelve-hue colour wheel to the twelve-tone musical scale and assigning every note a different colour, his paintings take as their starting point songs or guitar solos by such iconic and flamboyant rock bands as The Darkness and Allman Brothers. Bavington’s airbrushed paintings conjoin the calculated restraint of hard-edge with the unabashed expression of Abstract Expressionism. On a visual backbeat of colour, he riffs and grooves in inspired moments, hitting high notes, bringing out the depth and nuance of his abstract compositions.


I am a self-taught contemporary fluid folk artist born and raised in the Appalachian Mountains of North Carolina. I have been working with modern painting techniques since 2006 and find it to be the most rewarding passion I've ever devoted myself to. I am most inspired by the colors and landscapes of nature. I am forever chasing tangible representations of profoundly transient things, places, feelings and dreams. Color brings me tremendous joy in life. My hope is to bring art into the world that can be interpreted in many ways and enjoyed by all. Color pallets range from muted to vibrant in my many creations. I use acrylic, latex and spray paint to accomplish the textures in my work.