Who doesn’t love a sweet cow? Bethany has been painting cows for the past 6 years in oil pastel and acrylic. Her favorite cow to paint is a Jersey because of their coloring and sweet faces. She takes hundreds of photos of cows during family vacations to New England , especially Billings Farm in Woodstock, Vermont. Here are some of her favorite cows, many of them available as prints.
acrylic on canvas 24” x 24” - SOLD
acrylic on canvas 12”x12” - SOLD
acrylic on canvas 8” x 8”- SOLD
8” x 16” acrylic on panel - SOLD
oil pastel on paper 10” x 10” - SOLD
oil pastel on board 5”x 7” - SOLD
oil pastel on paper 6”x 6” - SOLD
Landscape paintings in acrylic and oil pastel
Barns & Buildings
Barns and Buildings
Paintings of my favorite places and travels. I love the challenge of structures, capturing the way light falls across buildings. I love finding the colors in the shadows, and defining shapes they create in a building.


Calling All Artists!
Deadline March 6 Midnight
Are you an oil painter, or would like to try your hand at painting a 16”x20” canvas in oil? If so, this competition may be right for you! Artists will have one week to create an oil painting in any style or with any subject they prefer. Artists will be required to post their process and final painting on IG (story or feed)
Please email firstname.lastname@example.org for more information and to be notified for when applications are open.
March 20 - 26


We are delighted that the Patron of our Friends group, Maggi Hambling has generously donated a painting from her celebrated 'North Sea' series. The painting will be auctioned through this website and the proceeds from its sale will go towards supporting the House
Maggi said 'I am a passionate lover of the House, for it is where, as a child, I first encountered great art. Since November 2002, the North Sea waves off our Suffolk coast have been my constant subject. I hope this painting may bring good fortune to a House full of inspiration.'
Bidding for Summer Wave ended at midnight on 12 July 2012. The winning bid was £3,500.
oil on canvas, 2012
Gainsborough's House | 46 Gainsborough Street | Sudbury | Suffolk | CO10 2EU | T: 01787 372958 | F: 01787 376991 | firstname.lastname@example.org (registered charity number: 214046) Gainsborough's House is an Accredited Museum.


What do you think this is a painting of?
Yes – It’s a flower, but it doesn’t look little and fragile as we usually expect flowers to look.
Why did Georgia O’Keeffe decide to paint it like this? This is what she said:
‘Nobody really sees a flower really – it is so small we haven’t time – and to see takes time… So I said to myself “I’ll paint what I see – what the flower is to me but I’ll paint it big and they will be surprised into taking time to look at it”’.
Who is she and what is she famous for?
Born in 1887, Georgia O’Keeffe was an American artist known for her emotional responses to nature. She is most known for her paintings of flowers and desert landscapes. She played an important part in the development of modern art in America, becoming the first female painter to gain respect in New York’s art world in the 1920s. Her unique and new way of painting nature, simplifying its shapes and forms meant that she was called a pioneer. The artwork below is a landscape. Do you see how she has simplified the clouds, sun and mountains?
Interestingly, O’Keeffe was fascinated by the bones and skulls she found in the landscape. She said, “To me they are as beautiful as anything I know…The bones seem to cut sharply to the center of something that is keenly alive on the desert even tho’ it is vast and empty and untouchable.” Do you agree? Why do you think she painted them so large in front of the landscape?
How did she develop her style?
Georgia knew from the age of 12 that she wanted to be an artist. She went to art school but what she was taught there didn’t seem relevant to the way she wanted to paint. Then in 1912 she discovered the revolutionary ideas of an artist and designer called Arthur Wesley Dow. He emphasised the importance of composition – which means how you arrange shapes and colours. As O’Keeffe explained: ‘His idea was, to put it simply, fill a space in a beautiful way’. This was a light-bulb moment for her and from then on she began to experiment with shapes, colours and marks.
Georgia met other artists who, like her, were experimenting with abstract art. Art in the 1920s was exciting. Artists didn’t just want to show how something looked but were using colours, shapes and brush-marks in unexpected ways to express meanings, ideas and feelings. This encouraged Georgia to develop her own unique style – a combination of abstract and realistic.
What inspired her?
Look at this painting of hills. Although you can recognise what it is, it also has a strange and powerful atmosphere that a photograph of the landscape, or a more traditional, straightforward realistic painting, wouldn’t have. What words would you use to describe this landscape?
It was painted in New Mexico, USA. Georgia first visited New Mexico in 1916 and fell in love with the dramatic desert landscape with its rugged mountains. This is what she said about the landscape:
‘As soon as I saw it, that was my country. I’d never seen anything like it before but it fitted to me exactly. There’s something that’s in the air, its just different. The sky is different the stars are different, the wind is different’.
On the Road
Georgia wanted to stay as close as possible to the remote landscape places she loved, she travelled around the desert drawing and painting. She battled the heat and heavy wind and camped out under the stars. Luckily she had favourite mobile studio with her – her car – which she’d specially adapted as a place to work.
Have you ever visited a landscape that has taken your breath away? Next time try putting those feelings across using shapes and colours and try, (as Georgia says) to ‘fill the space in a beautiful way’.
You can see some of O’Keeffe’s beautiful artwork for yourself at an upcoming exhibition at Tate Modern. Remember you go free – as its free to go to all Tate exhibitions if you are Under 12.


We can handle all of your strata council’s needs. Whether your exterior needs a complete repaint or your building needs some regular maintenance, we can do it.
Here are a few of the services we offer that will help your strata council get the job done:
strata presentations, colour consultations and samples, painting schedules, notices for owners, on-site foreman at all times, friendly staff, clean workspace and jobsite, touch-up kits and more…
We know what products work best and how to apply them properly.
Hire Imperial Painting Ltd. for any of your residential painting needs and you can rest assured of a job we can both be proud of.


I have been using gold and brass accents for a while but hated the color some of my picture frames had.
Although about 15 years old, several were just too orange and had a fake "factory" look that I wanted to get rid of.
I wanted to achieve a look similar to a frame my grandmother had painted at least 60-70 years ago.
I spray painted them black, let them dry, then sanded lightly.
I then dry-brushed on gold craft paint, but a cooler gold color. I know most would paint the gold first, then come back with dark wax, but I thought I could get the depth and color I wanted better this way.
I wanted them to look old with more of a green or verdigris tint...
...like the brass candelabra from Lebanon.
I am loving how they look -- especially with old family photos...
It's a great way to give a new frame "old" life:-)
I'll be joining:


Furchgott Sourdiffe Gallery is pleased to announce the opening of Double Vision: Paintings by Steven P. Goodman and Cameron Schmitz, which will run August 23 to September 24, 2013 . An opening reception with the artists will take place Friday
August 30th from 5:30 to 7:30 pm. The exhibit features two regional artists’ response to the landscape that inspires them.
Bernardston, MA based artist Cameron Schmitz’s work, which includes painting, drawing, printmaking and photography, has been featured at Fitchburg Art Museum’s biannual exhibition, New England/New Talent, Green Mountain College, Kyoto Seika University, Emory University, Northern Arizona University Art Museum, and Rogue Space in Chelsea, New York.
Schmitz finds much of her inspiration in the landscape. “Whether walking through the forest, driving down an open road, or standing at a gaping, wide, open field, I have a passion for interpreting the light, energy, and spirit that I sense from these locations and merge them with a painterly perspective, to embody a sense of place. This translates into color-specific expressions that illustrate my own fascination with mark-making, visual perception, and the contradictions of movement and stasis. As a part of my process, I allow each image to drive and dictate my use of mark making techniques while exploring emotive qualities that become present during the painting process. Dashes of paint, graphic lines and gestural strokes are evidence revealing an active search and visual dialogue being shaped. It is here that I explore the distilled orchestration of movement and rhythm found within nature and the meditative qualities that each subject provides. Through this exploration, my aim is to provide my viewers with a distinct feeling and sense of meaning, while creating a bridge that connects my own passion and wonder, with my viewer’s own personal experiences,” she says.
Work by Goodman and by Schmitz:
Vermont based artist Steven P. Goodman began his career as a painter, spent many years working in digital imagery, and in the past several years has returned to painting. This exhibit focuses on his recent small to mid-sized landscape paintings done in oil and acrylic.
“The paintings in this body of work are all balancing acts that explore the various interactive elements of our landscape… the give and take of light and shadow, the push/pull of the topography, the fleeting conditions of weather. In addition, the work explores the boundaries between surface and representational space,” he states.


A professional, qualified, trustworthy and fully insured painter and decorator.
As a company, we pride ourselves in holding various health and safety qualifications including IOSH and working at height. We also hold CSCS and CCNSG qualifications to enable us to work on construction and engineering sites.
Longman painting and decorating can help you to create your own individual look, combining two or more colours to give your home a new modern makeover. We can provide colour samples and suggestions to help you create the ideal look for your perfect home. We understand that your time is precious to you, so we are happy to collect all the materials for your project prior to starting work.
As part of our professional service, you can guarantee that when you contact Longman Painting and Decorating to arrange an appointment, we will will be with you at a time that is convenient for you. When we say we will be there, we will be there.
We provide free competitive quotes for all your painting and decorating needs both internal and external, residential and commercial. Services include insurance quotes, paint application and removal, wallpaper application and removal.


Scott Bean Artwork
I hope you have enjoyed my art. I am a retired elementary school art teacher. I paint from life and love the discovery that goes into developing each image. My paintings are not a moment in time but a distillation of discoveries and sensations over time. I have always been most comfortable when completely lost. Each painting begins with confusion and develops as I find first one interesting form and then connect it to the next find. I advise my students not to waste time looking for the perfect scene but rather take a few steps, sit down, and start. Discover where you are, really see it, be only there in that moment. I currently live in St. Louis, Missouri where I focus on urban scenery in my Benton Park neighborhood. I spend each summer in northern Minnesota on the Whiteface Reservoir where I find inspiration in the lush natural landscapes.


The summer blockbusters are starting to get rolled out. And here’s a particularly exciting one, courtesy of the good people at Tate Liverpool. Sadly, though, it’s for next summer. But we think it’s worth waiting for.
We’re not quite sure what the Cultural Olympiad is about – nor particularly comfortable with the irony behind it: the white elephants of east London have sucked our culture coffers dry at a time when they’re already beleaguered. Still, when events like this happen – if not in its name, then at least timed to coincide with the hoopla – it would be churlish to complain. We only wonder whether it will be better than the fabled Merseyside Mist. Our guess is yes.
JMW Turner (1775-1851) and Claude Monet (1840-1926) produced some of their most stunning and experimental works late in life. Cy Twombly (b.1928) continues to be inspired by classicism into his eighties. Tate Liverpool will bring together a collection of important later works by the three artists for a groundbreaking exhibition showing Turner and Monet in a contemporary light, for a change.
All three artists have been considered radical painters in their time. They met with criticism for pushing the boundaries of the conventions of painting. The exhibition examines not only the art historical links and affinities between the artists, but suggests common characteristics and motivations underlying their late style.
The exhibition will explore their shared fascination with light, landscape, the sublime and mythology as well as the painterly qualities of their work, whether as makers of figurative or abstract images.
Displaying over 60 works, the exhibition will treat each artist in considerable
depth, with rooms dedicated to each individual artist in addition to rooms
juxtaposing the works of two, or all three, of the artists. Works by Monet and
Twombly will be drawn from museums and private collections across the world, while works from Tate’s Turner Bequest will be supplemented by loans from American museums.
Dr Christoph Grunenberg, Director of Tate Liverpool said: “Turner Monet Twombly will make Liverpool a focal point for visitors in the year of the Olympics. This will be a spectacular exhibition bringing together masterpieces drawn from important collections across the world and spanning three centuries. Seeing Turner’s late abstractions next to Monet’s Water Lilies and Twombly’s recent monumental flower paintings should provide an unparalleled visual feast. We are excited about staging such an ambitious exhibition in an important year for culture in the UK.”
Turner Monet Twombly
22 June – 28 October 2012


In this world people always want to create few of extraordinary things. Many of them are too bored with ordinary things therefore they want to create something that is different than others. If you want to see some of extraordinary collections of paintings then we suggest you to check our latest paintings on full article.
There are so many good paintings that you can see on that online gallery. You can also see there are some of extraordinary paintings on that online gallery. Here are some of extraordinary paintings that you have to know so you will understand the meaning of them. We share information about the technique that those painters do when they paint their objects on the canvas. The first technique that you must know is the under painting technique.
This technique is very unique because the painter will trace the actual painting with few of different tools. They don’t use painting brush or oil paints when they do this extraordinary technique. Most of painters who do this technique will use some of different tools such burnt umber and burnt sienna. So basically the painter will paint under the actual painting that is made from oil paints or acrylics. They can create a good three dimensions effect on that actual painting. They normally use a fine wood as their canvases so they can create that extraordinary effect under the actual painting.
The second extraordinary technique that they have is called as blocking in. This kind of technique still requires normal painting brushes. The only extraordinary technique for this style is creating some of different stroke types so they can create all different results for their paintings. They use their abilities to create such an extraordinary painting from the painting brush. Some of painters can use different types of brushes. There are three types of brushes that they use such larger brush, flatter brush and broader brushes.


Hokusai - The Great Wave Landscape Poster
Hokusai - The Great Wave Poster
Hokusai - The Great Wave Square Poster
Hokusai - Kirifuri Waterfall at Kurokami Mountain in Shimotsuke Poster
Hokusai - Yoro Waterfall in Mino Province Poster
Hokusai - Trumpet Lilies Poster
Hokusai - Hydrangea and Swallow Poster
In this category by the Japanese artist Hokusai, you will find many of his signature paintings reflected in landscapes, especially paintings of the blue waves of the sea.
Hokusai paintings have a large element of Japanese nature. Together with muted and calm colours, his paintings fit into all types of rooms. These paintings fit just as well in the living room and hallway as in the bedroom or kitchen.


Wood, Bottlecaps, Steel, Resin.1 min
Jennifer Vranes is best known for her vibrant paintings of Aspen Forests.38 s
Like layers of paint on a fence post, these paintings tell a story over time.2 min
A San Francisco Original2 min
The warmth of Summer is forever romanticized by her rich glowing work.38 s
We are delighted to be a part of the first Wharf Art Walk, organized by The Fisherman's Wharf Community Benefit District. We have highlighted a few of our top artists in this tour, including native San Franciscan Amy Nelder. Family-owned-and-operated, with over 24 years in gallery management, Chloe Fine Arts, LLC represents American and International Modern and Contemporary art through its well-known San Francisco gallery. Positioned in one of the top art markets in the world, Chloe Fine Arts attracts artists and clients from across the United States and from all over the world.


The watermark in the lower right corner of the image will not appear on the final print.
Eye of Egypt by Sue Harper - 6.5" x 10"
Gallery Wrap Stretched Canvas Print - 1.5" Stretcher Bars - Mirrored Image Sides
Eye of Egypt canvas print by Sue Harper. Bring your artwork to life with the texture and depth of a stretched canvas print. Your image gets printed onto one of our premium canvases and then stretched on a wooden frame of 1.5" x 1.5" stretcher bars (gallery wrap) or 5/8" x 5/8" stretcher bars (museum wrap). Your canvas print will be delivered to you "ready to hang" with pre-attached hanging wire, mounting hooks, and nails.
Close up of Egyptian Wall Art showing the artistic depiction of an eye. Many ancient Egyptian paintings have survived in tombs, and sometimes... more
3 - 4 business days
Round Beach Towel
Weekender Tote Bag
Portable Battery Charger
Canvas Print Tags


I recently took advantage of all our spring organizing to take some pictures of Madeline's nursery while it was 100% clean.
We're not allowed to paint the walls, so I tried to bring color in everywhere else I could. I got a blue crib, a wall decal, I painted the wooden alphabet on her wall, I decoupaged her dresser, and there are lots of bright boxes and toys littering up the place.
I have two small craft projects in mind to add to the walls, but her nursery is pretty much finished.
I really love Madeline's room. I always feel so happy when I'm in there. I hope she does too.


Sunday, December 26, 2010
definition time: encaustic
Encaustic is a beeswax-based paint mixed with pigment and kept molten while painting. The word encaustic comes from the Greek meaning to "burn in" which refers to the process of fusing the paint. This type of painting was used in the 5th century B.C. for weathering boats and coloring marble. Encaustic is the most durable of the artist's paints because the beeswax is impervious to moisture. As a result, it will not deteriorate, yellow or darken and it can be polished to a high gloss for a brilliant surface. The beauty and the difficultly in the paint is found in its immediate drying time. Because it cools immediately, the gesture and brush strokes are captured. "Encaustic" was first made popular in the contemporary art world by the famous, American, pop artist, Jasper Johns.


We believe our solid oak kitchen is stunning but if you want a completely custom look to your kitchen, why not choose to paint your kitchen cabinets? Painting kitchen cabinets gives you the freedom of choosing your look with the knowledge that the cabinets are highest quality Besp-Oak solid oak.
Get creative- you could us a darker colour on the base units and a lighter coordinating colour on the wall units for an on trend look. Leaving drawers or shelves unpainted on your larder can add another level of interest.
What Paint Should you Use For Kitchen Cabinets?
Which finish is best when painting kitchen cabinets- matte , satin or gloss? Your quality Besp-Oak Kitchen has a 10-year guarantee, so you want to choose a hard-wearing finish that will last as long as our high-quality cabinets. For this reason, matte paint is not ideal. We would suggest semi-gloss, gloss or satin, and try to use the highest quality your budget can afford. A high gloss finish is very hard wearing, but can be less forgiving during the painting process. A satin finish can be more forgiving, hiding brush strokes yet being washable to withstand the wear and tear of a family kitchen.
Below is our step by step guide to painting kitchen cabinets- whichever style you choose!
The foundation of a perfectly painted finish is to clean with soap spray- any grease or grime on your cabinets will lead to the paint finish being uneven, or not lasting as long.
Label all your cabinets, doors and drawers so you know where to put them back. You could use a hand drawn plan and masking tape labels on each item. Remove the doors drawers’ hinges and knobs, and store them in sandwich bags labelled clearly.
Create a suitable work area for you to do your painting, making sure it is clean and dry. Use painters’ tripods to rest your doors and drawers on while painting kitchen cabinets so you can easily reach the edges for a smooth finish.
Lightly sand the surfaces using 150 or 200 grit sandpaper, giving the surfaces a quick buff to take the surface from gloss to matt to help the paint adhere. Next, make sure to clean all dust and debris away using a vacuum with the brush attachment and a tack cloth- take time here to make sure it is all removed as any debris will spoil your finish.
Use a knot and resin blocking primer to ensure any natural pattern in the wood will not bleed through and ruin your paint finish. Work from inside out, back to front. Use a mini roller for large flat areas. When you’ve covered the surface, take your dry roller or brush (don’t reload it) and lightly go over the surface once again to remove any build-up. This is called “laying off.”
Next prime the doors and drawers. Paint the back first, then turn over on tripods to paint the front. Start with the most detailed areas making sure the paint does not pool in corners, and then use your paint roller on larger areas.
For drawers just paint the front if possible, as painting the side and bottom can cause the drawers to stick.
Allow primer to dry for a few hours. Depending on the primer you use it may suggest to sand with a light sandpaper once dry. If this is required then make sure to vacuum and use tack cloth again to remove all dust- this will keep your paint finish completely smooth and free of impurities. Then it’s time to paint!
Painting Kitchen Cabinets
When painting kitchen cabinets, simply use the same technique with the paint as you used to apply the primer. Starting with the inside and back, working to the front. Refer to the paint you have chosen for a guide to paint drying times, as they may vary between brands. Remember to use the “laying off” technique again to create a perfectly smooth finish.
Apply a second coat of paint once the first is fully dry.
One of the most important steps is to make sure you are leaving enough time for the cabinets to fully dry, because rushing here might mean having to redo a whole section so try to be patient!
Once everything is dry you can use your labels to reattach doors and drawers.
Use the hinges and knobs supplied with your kitchen units, or you could even choose a whole new look. Our Besp-Oak Kitchen Cabinets come with door knobs supplied but the cabinets are not drilled. This ensures you can choose what height you would prefer to mount them, or you can even buy a completely different style to suit your taste.
With a little preparation and some patience, you can have completely unique customized kitchen cabinets with a perfectly professional finish!
For any further guidance, see the below links-
Call or email us for help-


Degree: MA in art history (Mg. art.)
Working at the Institute of Art History since 2021.
Research interests: 20th and 21st century art.
Other fields of activity: contemporary art criticism, curatorial work.
Education: Riga 45th Secondary School (1992–2004), Art History Department of the Art Academy of Latvia (BA diss. “Iconography of Socialist Realist painting in Latvia”, 2008; MA diss. “Iconography of Socialist Realist painting in Latvia in the context of canonical examples and analogies”, 2010).
Since 2011 – Doctoral programme at the Art Academy of Latvia. Subject of PhD diss.: “Latvian artists in Soviet Russia (1917–1938)”, scientific supervisor Eduards Kļaviņš.


If you want to get your house painted, you will find many professionals that offer their services in Folkestone. There was a time when there were only a couple of designs, styles, and colors in painting. Now, you will come across some of the interesting options in painting that can completely change the look of your house.
The first thing that you should do is find a local painter from Folkestone, a local professional is the best to hire as you can have one on one discussions to share the kind of painting work you want for your house. It also helps you to save money as the local painters charge less as compared to a professional that will travel a far distance to reach you.
What kind of work do you need?
- Do you want the interior and exterior area of your house painted?
- Do you wish to add wallpapers to the interiors?
- Do you wish to prepare surfaces for decorating and painting?
The choice of a professional depends on the kind of work you want. It is also a good idea to go through the background of different painters to understand the kind of services they offer.
How to find a reliable painter?
- The kind of experience a professional holds will help you understand the work you can expect from them. You can also go through the past work done by a painter.
- Getting recommendations from your family and friends can make it easy for you to find an expert.


Tips for Painting Your Bike
Bike Paint is the original and best range of bike-specific personalised colour paint designed for both professional and amateur use. Spray. Bike Paint is a unique pigment based dry powder coating which thats dries without drips, dries quickly and evenly, and offers high-quality finish for a wide range of metal, aluminum and carbon parts. The spray can be used on bicycles with sealed deck casings, full suspension or bare frame.
Bike Paint can be applied on almost all areas of the bike, from the handlebars to the backrest and seatstays to the pegs and fenders. It works on all types of frames including: aluminum, steel, carbon and dual suspension. Available in over forty colours. Ideal for customising, restoring and fixing. Spray on bike paints are formulated to provide a durable, long-lasting finish that is easy to clean and apply, as well as offering excellent resistance to scratches and dents.
Bike Paint is not only used for personalised bodywork and custom modifications; it can also be used to paint the entire bike frame to give it that classic, biker look. Bike paints are available in multiple colours allowing you to create a bike that looks like it's custom made for you. You can achieve this by either spraying the whole frame with one colour, or by picking out a specific colour to work around. Spray painting is great for all types of metal, even rust!
Bike painting is great for classic, vintage and retro bikes. It can give any bike frame that classic biker look you've been after. Spray on bike paints are non-toxic and environmentally friendly, making them great for painting any type of bike frame. They will not scratch or discolour the metal.
Bike painting also works great if you have some rust on your bike frame. Simply apply rust converter and you'll get a great finish that hides the rust. Apply rust converter in thin coats, allowing plenty of drying time between each coat. If you have some deep rust then a micro fibre towel will do, but don't use regular sponges as they will scratch and discolour the bike. Don't try to force the water out - just let it dry naturally.
To make your painted bike look better we have a couple of suggestions. Firstly, consider how you intend to wear your bike. The colour you choose will also set the look and feel of the bike. If you're painting your bike in a contrasting colour, like red, then choose a different paint brand to keep your bike looking different. A different paint colour will usually stand out more and stand out against rust.
Also, think about whether you want your bike to have some deep rusting. If so, then choose a bike coating with an extra layer of protection - but be aware that the extra protection can sometimes cost a little more. A little expensive protection can save you money in the long run when you need to replace some expensive components on your bike. For example, a layer of car wax can protect your expensive motor from rusting, but if you're on a budget you might want to skip the wax and go straight to the aluminum spray on paint. The spray on coating dries very quickly and protects the chrome very well.
You'll find many great professional quality products for painting your bike at Autoctic. You can choose a high quality steel treatment to add protection to your bikes body and chrome, or you can choose a high quality paint with a high gloss finish for a bright, shiny touch. Whatever you choose to do, it's important to remember that you can't change the rust on your bike. The only way to make the bike look good again is to take it in to the auto shop and have it painted there.


Embellishing With Wall Surface ArtCreated by-Bowman Stout
You can include real depth and character to your house's exterior with the help of wall art. These wonderful additions make an effect with their rich colours, imaginative layouts and also rustic appeal.
To get started with wall decorating, begin with a colour motif. Bear in mind that you have a selection of nearly limitless choices when it comes to wall surface decoration. For instance, there are various sorts of wall surface design like wall surface style murals, wall surface prints, wall surface panels, wall graphics, etc
. Next, select a real color scheme that matches your interior decoration style. Remember that you can utilize your colour option to produce an impression of depth or distance in the space. For example, by utilizing deep tones of red, it will develop a larger space and also really feel even more large.
One of the most vital aspect of adding interior design components like art, graphics as well as fabrics is to use them to enhance the aesthetic charm of the room. It is also vital to remember that walls are the first thing individuals see when they enter an area.
In addition, these aspects work well in producing a state of mind, brightening up the area, adding character as well as rate of interest, producing a centerpiece, or even producing an impression of deepness. As an example, if you have art work that contrasts with the other colours in the room, this develops a various sensation as well as search for the space.
Making https://www.architecturaldigest.com/story/interior-design-trade-shows-you-should-consider-in-2020 of art as a centerpiece for a room is a wonderful way to show off your unique preferences and also to enhance the design. There are numerous methods you can accomplish this effect. Nonetheless, when attempting to attain the very best effect, it is essential to consider your surroundings, the sort of art that you select, the room you have available, the colour selections, the dimension of the art work, the total size of the artwork, the style of the art work, the size of the art, the motif of the artwork, the objective of the art work, and the spending plan you have offered.
One method you can include deepness to your room is to mount a mural that is created with your favourite art work and also images. For example, you can place some artwork with your childhood memories, artwork that is purposeful to you and those who share the same passion, items of household treasures, and so on
. On top of that, you can use wall art to produce some interest in the middle of a dull wall surface. For instance, you might use artwork with pets, flowers, landscapes, fire, or religious things in the location.
click here to find out more to use wall surface art is to use it to accentuate a centerpiece within a space. For instance, if you have a fireplace in your room as well as the area looks shoddy, you can turn it into the centre of attention with a vibrant art piece.
When choosing wall art, remember that certain things are not appropriate for all areas. For instance, colourful pastel paintings need to be avoided in small rooms as well as on smaller sized areas of the wall such as the corners of the space.
When you utilize wall art as part of your interior decoration system, you can produce a positive, bright environment in your space. You can utilize vibrant wall surface art to add enjoyable, colour and also beauty to your area.
When you incorporate wall surface art with well chosen furniture, you can change the space and also transform a boring area right into a soothing area with a real centerpiece. Consequently, wall art is a very prominent kind of interior design.


Kevin Hosseini began painting in 2003 when he was nine years old when introduced to art by a clinician, Colin, through the UCSB Koegel Autism Center. He quickly advanced from watercolors, to acrylic, to oil painting. Acrylic and oil are his preferred medium and he has a talent for mixing colors, and adding elements such as liquen impasto and liquen original to give depth and texture to his paintings. He also likes to use natural elements, such as sticks and dirt in his paintings. Kevin is a prolific artist and his art is on display in governmental and nonprofit offices in Santa Barbara and Sacramento, California. Currently 55 of his paintings are on display at the Koegel UCSB Autism Clinic. Kevin has been featured in newspaper articles across the United States and his art is featured on the cover of the Normal Films documentary ARTS (2009) and is on the cover of the book Raising Brendan – Creating Independence for Adult Kids with Autism & Special Needs. His art work has been featured in Jill Mullin’s book Drawing Autism (Mark Batty Publisher, 2009) and Debra Hosseini’s books Artism: The Art of Autism (Autism Today, 2011) and The Art of Autism: Shifting Perceptions (2012). He is part of the Art of Autism project.
Painting has given Kevin confidence and allowed him to express himself. He is influenced by a number of artists including Gerhard Richert, David Hocking, Vincent Van Gogh, Paul Gauguin, and Pablo Picasso. In 2006, when he was only eleven years old, Kevin won a scholarship from the John E. Profant Foundation for the Arts. In March, 2010 he won first prize in a juried Abstract show at 855 at the Arts Center in Carpinteria. He won several honorable mentions from the Arts Center in 2009.
In 2009, Kevin also won the CVS VSA Arts Award for young artists in California and was flown to Washington DC as the California representative for VSA Arts. In 2012, he returns to Washington D.C. in September as part of the VSA and Volkswagen America Group “Sustaining/Creating” exhibit at the S. Dillon Ripley Center at the Smithsonian. His painting Train was on display at Union Station in Washington DC. In 2010, he was picked as a California finalist for VSA Arts. Two of his paintings are part of the traveling East Coast show Don’t Dis the Ability. In 2010 and 2012, he had a one-man show at Cate School Library in Carpinteria.


Well I have had a busy month of painting with a couple of days to go and still a couple of units on painting table that I hope to get done as of now I have completed an extra 15 , I have also based the guard and corps troopers.
Well one of the best ways I find to get to painting is the 10mins a day rule and the joining a painting group or comp. Well this year I have to have a few groups underway as I would like to get a large number of the mins I own painted up as it seems that I have far two many not painted. I really do not find time to play the games due to real life so one of the parts of the hobby I enjoy is the painting part so I keep on painting.
This year the first hobby challenge I will sign up for is the ICs hobby challenge. I have the last of my 40k guard units to paint and would like to see that project finished this year. So that leads me to set up the challenge of lets paint want I have left and use a hobby challenge to do that.
so here is the photos of all the models I would like to paint this year as part of the challenge they are all undercoat ed as one of the things I do is built and undercoat all my minions and they are always ready for paint if I just feel like painting that unit. These are mostly all old range and metal minis.
We it has been a while before I have kept you up to date on my painting . It seems that I have not been recording the painting for the last six months. Well I can tell you I have been painting and have not stopped all together. So I will make sure this year that I keep up the blog posts of what I am painting and photos of what I have finished.
So first up here is what I have painted since the first of January -


Thank you to everyone who visited during the reception! We are so proud of Kitty and her beautiful paintings and proud to celebrate Contemporary Art Month 2016!
Alexis worked for days looking for the right pieces to match with each painting from Color Explorations. Kitty's paintings are so filled with life and color they brought a lightness to each vignette.
We had an amazing turn out. I'd never seen the store so filled with people enjoying themselves and appreciating the finer things in life. Then again, everything in life is appreciated a little bit more with a glass of wine.
Thanks again to everyone who came out! If you missed the open house, don't worry Kitty's paintings will be on display here at Alexis Hunter Interiors until March 31st! So you still have time to come explore some colors!


Brazilian Stories took place between August and October 2022 at the Museu de Arte de São Paulo Chateaubriand (MASP) in a recording of the 200th anniversary of the Independence of Brazil and the 100th anniversary of the Week of Modern Art, taking the visitor behind the scenes of art and the decolonization movement and generating connections between contemporary man and his ancestry, mixing science, popular knowledge, reflection on native and Afro peoples, recalling social and political struggles faced by Brazilians over time.
It is curated by Adriano Pedrosa, artistic director, MASP, and Lilia M. Schwarcz, guest curator, followers of Amanda Carneiro, assistant curator, MASP; André Mesquita, curator, MASP; Clarissa Diniz, guest curator; Fernando Oliva, curator, MASP; Glaucea Brito, assistant curator, MASP; Guilherme Giufrida, assistant curator, MASP; Isabella Rjeille, curator, MASP; Sandra Benites, guest curator; Tomás Toledo, guest curator.
The work “Portrait of Maria Auxiliadora” was commissioned by MASP and was present in the “Portraits” section. Here is an entry by Leandro Muniz, assistant curator, about the painting:
[…] Auxiliadora (1935-1974) was a self-taught artist who recorded her socio-cultural context in paintings full of patterns and three-dimensional elements that represent scenes such as samba circles, candomblé cults, affective relationships, or the artist herself in his studio, forming a work with a strong autobiographical nature. Castro starts from a photograph in which the artist is next to her easel, with two paintings, barefoot, in a straight dress above the knee and a scarf in her hair, wearing what appears to be a wig, very much in the style of the 1960s fashion and 70 . Castro reproduces the composition of the photograph, but alters the scale and emphasizes the gestural elements of his own work. “Portrait of Maria Auxiliadora” has a 1:1 scale with the human body praising the artist represented and creating a dialogue between two generations of artists whose productions converse. By choosing an image in which Auxiliadora appears next to her works, Castro also establishes a reflection on the craft of painting itself, questioning the subjects who historically dominated this field and affirming the presence of racialized women as emancipated artists.


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We stock a wide range of Dulux Trade and Dulux Colour Paint, including ready mixed emulsions, trims and masonry paints.


This August, TORC invites you to paint from home and join an online painting session hosted by artist Rochelle Lucey. As part of TORC’s Tenant Engagement programme, Rochelle Lucey will be facilitating two online painting classes for tenants– one for adults (or teens) and one for children ages 7-12 years old. These classes are suitable for beginners and no previous experience is necessary to be able to join in. Rochelle will guide you step by step in creating a beautiful acrylic paint artwork.
Both classes will be held on Thursday the 26th of August. The Kid’s class will be in the morning and the Adult’s class in the evening.
Kids class (7-12 years) – 11.00am – 12.00pm
Adult Class – 6.30pm – 7.45 pm
All materials are included. Acrylic paints, paintbrushes, canvas and apron will be posted out to each participant before the classes start. You will need access to a computer, tablet or smart phone and an internet connection to access the class live on Zoom.
From Killorglin in Kerry, Rochelle graduated in 2012 with a degree in Fine Art Painting from the Limerick School of Art and Design where she was the recipient of the inaugural Tom Fox Exhibition award. She has exhibited her work in a number of group and solo exhibition shows over the years and in 2020 she was appointed as Arts Director for the ‘KFEST Music and Arts Festival’. She is currently Artist in Residence at 3 National schools under the Kerry County Council Artists in Schools Scheme.
TORC is delighted to have Rochelle on board to share her skills and passion for creativity with our tenants at these live art classes.
Classes are free of charge but there are very limited places – sign up now to avoid disappointment. Deadline to sign up is August 13th 2021.
To sign up, send the following information to firstname.lastname@example.org or WhatsApp the information to Bethany on 087 627 5605
If you have any questions at all about this event – please contact Bethany on the email or number provided above.


Whether you'd like to spruce up your living room, office, or home, hiring a house painter in Manukau is a great way to get the desired result. These professionals can create the look you're aiming for, making your household look fantastic. And if you don't have the time or skill to paint your own walls, they'll still be able to deliver the same high-quality finish. And you can expect excellent customer service.
The type of painting that you require will determine how much time it will take. A single person will not be able to paint your entire house in a few days. A small project will probably take a few days, but a large project could take several weeks. Also, make sure you pick a company with at least two or three painters to minimize the time spent on preparation. This is important to ensure that the paint adheres to the surface, making it last longer.
Professional house painters are detail-oriented and have the tools and experience to provide an excellent finish. They know how to prepare the surface before applying the paint and will handle tape and brushstrokes with precision. Professional house painters will also complete the job in a timely manner. That way, you can focus on other parts of your life. A house painter in Manukau will be able to get the job done faster and with less hassle.
The most important aspect of hiring a house painter in Manukau is the quality of work. Choosing a company that provides both painting and decorative services is crucial for your home. A good company will be able to deliver top-quality work and leave your home looking gorgeous. However, it's important to remember that the paint should dry between fifty and ninety degrees Fahrenheit. Direct sunlight or hot weather will speed up the process of drying paint, and temperatures below fifty degrees will cause it to bubble and peel.
While hiring a house painter in Manukau, remember that you should also look for a contract with all the details. A decent contract will detail the details of the project, including prep work before the painting process. And a good painter will also supply you with a comprehensive checklist of tasks before and after the project. This will ensure that your home looks great, and it's a great investment. And you can't afford to hire an unprofessional painter - you want your home to look perfect and presentable.


Plein air artists usually paint in their own way, with reference to time, place and subject. Occasionally a wild card will be thrown into the mix. This spring, in the American Impressionist Society paint out, artists were challenged to complete a painting from some area venues including the Museum of Appalachia.
A beautiful site on a lovely day, the wildflowers were some of the best I’d seen. With trillium and snow drops catching the light, the peacocks were screeching, my fellow painters were slinging pigment and the Big Tater Valley Schoolhouse was my subject. My dog’s ophthalmologist appointment left little time to paint so I finished this outside from memory.
This schoolhouse, from Bull Run Creek near the Union-Grainger County line, was built in the early 1800s. Used until the 1890’s, it was then converted into a house. The museum purchased it from Edgar and Dorothy Keck in the 1970s.
A challenge for sure, but no complaints here. Even the dog was happy in the spring weather.
Photographer Chris and painter Robin Rohwer each week share a painting or photograph that captured their interest in hopes that it will also capture yours. They have a small studio and gallery in the Phoenix Building at 418 South Gay Street where you can stop and see their work. Their website is www.ChristopherRobinArts.com. All works are copyright protected.


Orsina Sforza is an Italian artist born in Milan, now working in Rome. After graduating from the San Francisco Art Institute, Sforza worked for more than 25 years as a designer, focusing primarily on lamps - ‘Lights’ as she calls them - but also on sets, costume and furniture design.
Her most recent body of work is a collection of small oil paintings which explore the theme of geometry, using bold colours and metallic accents. Each small canvas displays a different intricate and sharp geometric design. When exhibited as part of a group, the works take on a new dimension, each pattern complementing and challenging the next. Sforza describes her oil paintings as her ‘personal mind maze’, helping her to investigate perception and its possibilities.


BEd (QUT), GradDipVA, MVA (Griff),
Jennifer is the principal of Brizart and is tutoring the Intermediate to Advanced Group, as well as Children, Teens and Young Adults
Jennifer Andrews is the Principal of Brizart and tutors both regular weekly classes and workshop. Jennifer Andrews works with a variety of drawing & painting media as well as mixed media and digital graphics. Her art work demonstrates a passion for manipulating surfaces and integrating the mark making process of creating art. She has exhibited in numerous exhibitions and has completed design commissions for public art works, textile works, illustration and works for print & web.
In 2011 she successfully completed her Master of Visual Art at QCA, Griffith University with an exhibition, "Uncharted Terrains" comprising large innovative drawings and digital images based on rainforests. Her research and studio work aims to explore conventional understanding of representation and ways of integrating traditional and digital image making. Jennifer has extensive experience as an art educator, tutoring beginners, intermediate and advanced levels.
"Gaudette" Oil on Canvas
"Creek Rocks"" Oil on Canvas
"Sepia Nude" Mixed media on paper
"Resting" Acrylic on Canvas
"To Sleep" Essence of Being series Charcoal on paper
2 - 6
MAVA Hons 1st Class(Griff),
Nicola is tutoring the Adults Beginners Class
Nicola is a Brisbane based practicing artist, art educator and workshop facilitator with a Masters of Art in Visual Arts with Class 1 Hons, and is currently a Doctoral Candidate at Queensland College of Art (Griffith University). Her work has been exhibited nationally and internationally, and is held in public and private collections.
Nicola works with a variety of drawing, painting and printmaking media. Nicola has been the recipient of several residencies and grants, the recipient of the 2015 Regional Arts Queensland Annie Tan Memorial watercolour prize and has been shortlisted for a number of art prizes.
Nicola endeavours to make her classes informative with an injection of fun for all to enjoy.
Tracey Marning-Studin is a Brisbane based artist whose work has been shown in a wide variety of Art shows and exhibitions as well as private commissions. She is also an advance member of the Brizart Studio Class and has been attending classes and workshops at Brizart for over 10 years.
Tracey is strongly drawn to realism in art and chooses to express her interpretations on this subject through a variety of mediums including pastels, acrylic, oils and mixed media. In all mediums her work remains both expressive and lyrical in style. Tracey Marning-Studin aims to constantly explore new sources of inspiration and to portray a flowing visual narrative through vibrant colour and composition.
Since 2004 Tracey has been an assistant turor, a class romm assitant and at times a locum tutor. In 2005 took on the additional role of Brizart Administration Assistant and is Brizart's "2IC"
1 - 3
© Brizart 2018
PO Box 5110 Kenmore, Brisbane 4069 Australia


This is the first piece I’ve posted. I’m looking to sell my lovely Alice painting :) Hand drawn and painted with acrylics on 11x14 canvas. Anyone interested take a look!
“Creature from the Black Lagoon” Universal Monsters Collection 9.25.12
“The Bride & Groom” Universal Monsters Collection 9.25.12
This was my birthday cake that Cj and I made together :) I handmade my Rango and painted him to perfection! I was very happy the way everything turned out.
The finished product :) I had so much fun making this. @ceejers16 #art #paint #personal #sleepyhollow #headlesshorseman #pumpkin #halloween (Taken with Instagram)
New artwork coming soon! #western #art #new #outside #canvas #florida (Taken with Instagram)
My Cowboy 6.26.12(Taken with Instagram)
Working on a new picture, this is the rough draft. I call it “Fox Hunter”. Done on canvas with a 5b pencil. (Taken with Instagram)
It still needs some work but this is what it looks like thus far.
I’ve been working on my “Universal Monsters” collection. Three down, two more to go. I’m quite proud of myself.
Working on my “Universal Monsters” sketches :) (Taken with instagram)
Working on some sketches :) (Taken with instagram)


So, a year ago I got my first art commission to paint a mural for Dunder Mifflin, and I decided to paint the history of paper. Which was just some trees and stuff, and then someone spray painted a bunch of butts on it, and I had to start from the beginning. But, it all worked out for the best, because I think that I’ve painted the perfect thing, which is the history of us. All of us. And this is for you, Jim.
The Office S09E25 - Finale


Painting cabinets is a cost-effective way to give your kitchen or bathroom a fresh new look without having to undergo a full renovation. However, when it comes to choosing the right paint for cabinets, there are several factors to consider. In this essay, we’ll explore the different types of paint you can use on cabinets and what you need to know to make an informed decision.
The first thing to consider is the type of material your cabinets are made of. If your cabinets are made of wood, you’ll want to choose a paint that is designed to adhere well to wood surfaces. The two main types of paint for wood cabinets are oil-based and latex-based paints.
Oil-based paints have been a popular choice for painting cabinets for many years. They are durable and have a high-gloss finish that can give your cabinets a smooth, polished look. However, oil-based paints require a longer drying time, emit strong fumes, and are more difficult to clean up than latex-based paints.
Latex-based paints have become increasingly popular in recent years because they are easier to work with, dry quickly, and have low levels of VOCs (volatile organic compounds). They also have a matte or satin finish that gives your cabinets a more natural look. Latex-based paints are a good choice for cabinets that are frequently used, as they are more resistant to wear and tear.
The color of the paint
Another important factor to consider is the color of the paint you choose. Lighter colors can make a small kitchen or bathroom appear larger and more spacious, while darker colors can create a cozy and inviting atmosphere. If you’re unsure about what color to choose, it’s a good idea to consult with a professional painter or interior designer.
When it comes to application, it’s important to prepare your cabinets properly before painting. This means removing all hardware and sanding the surface to ensure a smooth, even finish. It’s also a good idea to use a primer before painting to ensure the paint adheres properly and to prevent any bleed-through from the wood.
In summary, when choosing a paint for your cabinets, consider the material your cabinets are made of, the type of paint you prefer, the color you want to achieve, and the preparation required before painting. With the right choice of paint and proper preparation, painting your cabinets can be an easy and cost-effective way to transform your kitchen or bathroom.
For kitchen cabinets, there are two main types of paint to consider: oil-based and latex-based paints.
- oil-based cabinets are durable and have a high-gloss finish that can give your cabinets a smooth, polished look.
- latex-based paints are easier to work with, dry quickly, and have low levels of VOCs (volatile organic compounds).
Oil-based paints have been a popular choice for painting wood cabinets for many years.They also penetrate into the wood surface and provide good adhesion, making them a good choice for cabinets that have been previously painted.


Van gogh - cafe terrace at night (luxury line) oil painting reproduction framed art at overstockartcom. The night sky depicted by van gogh in the starry night painting is brimming with whirling clouds, shining stars, and a bright crescent moon the (. Van gogh was interested in painting night scenes, as can be seen in his paintings of starry night and café terrace at night today, we are lucky to know so much about van gogh's paintings by the hundreds of letters that vincent wrote in one such letter, he said “the night is much more alive and richly colored than the day. Free essay: there are some people sitting at several tables, a waiter is taking an order a few tables are placed on the street, they are standing apart from. This is how van gogh's perspective would translate into three dimensions created for a class assignment for imagining the ultrareal in the graduate school. In the essay on eye-opening art de botton is in provence, france, and reflecting on the role vincent van gogh's art has had on his preconceptions of provence the night is even more richly coloured than the dayif only one pays attention to it (pg 196) cafe terrace at night, arles 1888 – van gogh.
10 awesome van gogh prints terracesart paintingsimpressionist paintingsoil on canvasvincent van goghvansvan gogh printsart printsone night cafe terrace at night the café terrace on the place du forum, arles, at night, metropolitan museum of art. Café terrace at night by vincent van gogh print facts • medium: oil on canvas • date: 1888 • size: 318 x 257 inches • location: kroller-muller museum otterlo , netherlands • place of creation: arles-sur-tech, france • style: post- impressionism • genre: urban scene or cityscape • this painting was the first in a trilogy. 3 works cited, 1348 words (39 pages), strong essays, [preview] analyzing cafe at night painted by vincent van gogh - analyzing cafe at night painted by vincent van gogh i have chosen to write my paper on painting titled “café at night” by vincent van gogh since this picture is a very popular one, i might have seen it.
Cafe terrace at night, vincent van gogh - van gogh's depiction of a coffee house in arles, france comes to life in a new form in this hand carved and hand painted ceramic art trivet tile reproduction this gift can just as easily decorate a wall or a table #giftguide. Café terrace at night (1888) artwork description & analysis: this was one of the first scenes van gogh painted during his stay in arles and the first painting where he used a nocturnal background using contrasting colors and tones, van gogh achieved a luminous surface that pulses with an interior light, almost in defiance.
More info · navigate the tag cloud · essay // eternal september the rise of amateur culture theme chapter powered by tumblr #art meme # vincent van gogh #cafe terrace at night #paintings #ryan gosling #celebrities # mashup #hipster · 3 years ago / 5 notes · 1twitter 2facebook 5google + 6 pinterest n c. The painting that i chose to write my formal analysis on is called “the café terrace on the place du forum, arles, at night” this piece was created by vincent van gogh in arles, france and was completed sometime in september of 1888 this painting is oil on canvas, and it is currently housed in the kroller- muller museum. Free essay: color is highly evident in this painting, and helps to draw the viewer's eye to certain places in the painting the café is yellow, and adds a the painting that i chose to write my formal analysis on is called “the café terrace on the place du forum, arles, at night” this piece was created by. Did vincent van gogh hide an homage to leonardo da vinci's “the last supper” in one of his most famous paintings independent researcher jared baxter thinks he did according to the huffington post, baxter's been lecturing, most recently at the 2015 dutch association aesthetics, on his theory that van.
Café terrace at night, also known as the cafe terrace on the place du forum, is an oil painting executed by the dutch artist vincent van gogh while at arles, france, in mid-september 1888 the painting is not signed, but described and mentioned by the artist in three letters visitors to the site can still stand at the. Vincent van gogh's the cafe terrace stands as one of the painter's most remarkable works it is also, without question, one of the most famous produced in van gogh's brief but prolific career this work is the first in a trilogy1 of paintings which feature starlit skies starry night over the rhone came within a month, followed. Vincent van gogh,the cafe terrace at night,1888,painter,art,painting,culture.


Iaysha’s work reflects the soul of the artist and represents her spiritual journey through life. Atmospheric swathes of colour in abstract composition create a meditative and contemplative atmosphere that may inspire and free the viewer to explore their own emotions. Iaysha sees art as a healing power, as a dream in which we seek our true selves. Her methods reflect this belief; she does not plan her compositions or create endless sketches, but paints from instinct, allowing her inspiration and intuition to dictate the palette and balance of the canvas.
‘In my art I love invoking a strong desire that talks to you and gets you to reflect, feel passionate and inspired in your own life. My art is nourishment for your Soul.’


Comparative Analysis of Two Vincent van Gogh’s paintings
Vincent van Gogh made “The Peasant Woman Cooking by a Fireplace” just after he completed “The Potato Eaters.” “Peasant Woman Cooking by a Fireplace” and the “Potato Peeler” both represent women working in the Nuenen period, spring 1885. Even though one of the paintings is a self-portrait and the other one shows a peasant women cooking, both paintings show working humble women engrossed in their work.
Both paintings show his fascination with the working class, portrayed here in a crude style of thickly applied dark pigments. The “Peasant Woman Cooking by a Fireplace” clearly has more number of colors in it than “The Potato Peeler” which just has shades of one color. The peasant woman cooking has a sad and lonely expression on her face whereas “The Potato Peeler” has a tilted face with no expression (straight face) even though she looks humble. The figures in both paintings are extremely large as compared to the canvas size. The scale of the figures changes the focus from the entire composition to just the ladies. In the “The Peasant Woman Cooking by a Fireplace” the fireplace, kettle, pan and cup are small in size whereas the peasant woman is large. In the other painting, the potato and knife are the only two components other than the peasant woman. Hence the viewer concentrates more on the peasant women and less on their respective activities. The figures are very humble while at the same time very bold.
Keeping perspective in mind, “The Potato Peeler” seems to be a zoomed in version of “The Peasant Woman Cooking by a Fireplace”: Their sitting posture is almost the same and have a similar attire. While the peasant woman working in the fireplace shows the woman with the background of the working space, the potato peeler concentrates on the expression of the woman more than her work. Vincent restricted himself to just a few colors and block painting while making “The Potato Peeler” whereas he added more color, finer strokes to the next painting. Upon closer examination ¬of “The Potato Peeler”, though, the woman has a scarf and a straw hat, the woman in the fireplace doesn’t. Vincent van Gogh used dark shades of oil paint on canvas to display his admiration for peasants in both the paintings. His study possessed the coarse, flat faces, low foreheads and thick lips, not sharp but full of peasants.
The paintings of “The Peasant Woman Cooking by a Fireplace” and “The Potato Peeler” are of working women in which they are doing their respective activities i.e. cooking in the fireplace and peeling potatoes. In these paintings, Van Gogh deliberately chose coarse and simple models, so that they would be natural and unspoiled in his finished work: He wanted people to know that peasants, who eat their potatoes by the light of their little lamp, have tilled the earth themselves with the hands they put in the dish, and it speaks that they have thus honestly earned their food. The paintings are a portrayal of the simplicities of life. Even though the paintings consist of working women they have different compositions.


Elizabeth Lev has an excellent reflection on Pope Francis choice of art for his Christmas Card, Giotto’s Nativity.
The many faceted-personality of Pope Francis has partly revealed itself in his exceptionally “catholic” (read “wide-ranging”) taste in art over the past four years of his pontificate. When, during the barrage of personal questions that followed his election, the matter of art came up, Pope Francis declared his favorite works of art to be Caravaggio’s “Calling of St Matthew,” painted in Rome in 1600, and the 1938 “White Crucifixion” by Franco-Russian artist Marc Chagall. – See more at: http://aleteia.org/2016/12/18/in-giottos-nativity-a-novel-pope-has-chosen-a-novel-image/#sthash.2mA6s87p.dpuf
For more read http://aleteia.org/2016/12/18/in-giottos-nativity-a-novel-pope-has-chosen-a-novel-image/
[…] Background: Giotto’s Nativity […]


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Let's Paint Together @ New Farm Park
Sat., 19/11/2016, 10:00 am – Fri., 20/01/2017, 12:00 pm AEST
Join us in New Farm Park opposite the Ferry Terminal for a relaxed and creative morning. All art materials provided. Our lead artist will lead you through the creation of your own art work based on the painting for the day. Bring a friend! contact Kerry on 0402 520 891 Check out our Facebook page /letspainbttogetherbrisbane
or our website www.letspainttogether.com.au We are taking a break over the Christmas period. Look out for us in 2017!


We're hosting our third Wine & Design Night on November 13th at 7:00pm! Greenville's own Wine & Design studio will be providing all of your art supplies and instruction. They will walk you through the process of creating your very own winter themed dog portrait! You can even customize your painting to match your dog! They are creating a custom painting for us and we will post it as soon as it is available! If you would like to sign-up please call us at 864-297-9636!


Watercolors are hard (haaarrrrd). I’ve dabbled in a lot of different media throughout the years, but I’ve always steered clear of watercolors. I guess that was because no one ever really taught it to me in school. On the other hand, I’ve always seen flyers for oil painting but no watercolors.
Through the years, I started realizing that it is THE most difficult media around. Why? One word…water.
My goodness it’s hard to control the amount of water necessary to get the right consistency of paint, the right color and the right tone! It all comes down to knowing just how much water you need to get the effect you want. This ain’t acrylic or oil painting, folks, where adding white will save the day. No sirree, Bob!
Even so, I’ve decide to embark on this path, and I haven’t regretted it AT ALL. Instead of getting discouraged, I’m actually getting more and more inspired. I tend towards abstract art, but the realism you can get from painting still-lifes and nature is alluring. I hope to incorporate watercolors into my abstract art to get new, and more interesting, pieces.
This is my first watercolor project, and I am very happy with the results. I followed this tutorial on YouTube by Angela Fehr. Check it out!
Here is (some of) the process and final result.
I’m not sure if you can tell much of a difference between the second and third pictures. What I did was add more dots to the center of the sunflower and darken the entire flower plus the leaves to offset them from the background.
Give it a go if you like. It’s a really fun project and a lot simpler than you might think. I plan on repeating this project myself. Here’s the outline if you want to print it out and trace it onto your paper (I just freehanded mine).
Until next time!


New Paint Bathroom Sink
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Yesterday, I started on the Human team that comes with Dreadball. Today, I painted the 2 guards. They were a test for my color scheme, and I’m happy with it. The light blue didn’t come out very strong, but I’m good with that.
The assembled models. From left to right: a striker (there are 4), jack (there are 4), and guard (there are 2).
I primed all the models, and washed them. This is so I can play the game with them, even before they are painted.
Today, I painted the 2 guards. I had half a plan when I started, and it evolved as I went. That’s pretty much how I paint most things.
This is a guard basecoated and ready for a wash.
I washed it very heavily in black. When it was dry I highlighted and drybrushed it.
Next, I need to apply the number decal, then spray on a few coats of Dullcote varnish. The Dullcote puts the finishing touch on it, plus it protects the paint. I just love how minis look after a coat of Dullcote. It’s hard to describe, but they just look “finished”. After that, I’ll put just a dab of Citadel’s ‘Ardcoat on the eyes to make them shiny.
Then it’s 2 down, 8 to go!


Andre Brasilier – Chantel on the White Bank
Andre Brasilier – Chantel on the White Bank Lithograph
Medium: Original Lithographic Poster, 1981
Dimensions: 76 x 52,5 cm
Classic Poster Paper – Great Condition A
Produced for an exhibition at the Galerie Des Chaudronniers in Geneva, Switzerland in 1981, André Brasilier designed this original lithographic poster, which was then printed by Mourlot. This beautiful image depicts a woman wrapped in an elegant white dress, while waiting on a park bench.
Like Henri Matisse, André Brasilier is an uplifting and restorative artist whose work lifts the spirit. He combines expressionism with ethereal beauty in his creations. Many of his works have recurring patterns and topics involving equines, the outdoors, musical expression, and women. His tale is one of adoration for the world around us, and his wife Chantal has been his inspiration for decades.
b.1929 in Saumur, France
André Brasilier is a French painter and printmaker whose work is typified by a blend of expressionism and abstraction. André Brasilier's lyrical, dreamlike paintings explore an intimate communion with nature. The artist's wife and muse, Chantal, is a favourite subject, often portrayed delicately arranging flowers or beautifully poised on benches surrounded by nature . Horses are also a recurring theme in the artist's work, described by Brasilier as "a superb creation...charged with symbolism, strength, dynamism and beauty". The majesty of these wonderful creatures feature prominently throughout Brasilier's career, their elegant forms cantering through serene seascapes, chilly winter woods and brilliant sunsets.
Surrounded by the idyllic French countryside, Brasilier’s artistic talents and appreciation for nature blossomed early on. Brasilier states that ‘painting must be alive’. The artist has spent his career trying to ‘capture emotions and share them,’ striving to create works that survive him. ‘Every masterpiece that has moved humanity throughout history was a testimony of life,’ he explains. Painting, he adds dramatically, is ‘a fight for life against death.’
Nature is a recurrent focus of his paintings, which frequently depict pastoral scenes, or the changing seasons. The focus, the artist explains, is instinctive: ‘I live in the countryside; I was practically born in the countryside.’ For Brasilier, ‘every window becomes a painting; I see trees as if they are drawings, their branches organised.’ Inspired by the work of the Fauves and Gauguin, who he describes as his père spirituel, Brasilier casts these landscapes in bright colour, working in a palette of vivid blue, pink, orange and yellow.
There has been a remarkable rise of André Brasilier works in the last 6 years and it shows no sign of slowing down. His work has risen in value of 557%, which is mirrored by the number of his pieces sold at auction.


Here & There: Paintings by Lisa Milroy
17 January – 18 March 2018
Parasol Unit Gallery, 14 Wharf Road, London N1 7RW
“Parasol unit foundation for contemporary art is delighted to present Here & There: Paintings by Lisa Milroy.
This major solo exhibition brings together a selection of Milroy’s paintings from the past fifteen years, exploring her approaches to still life through making, looking, touch and transformation.
The term ‘still life’ signals the fundamental experience of painting for Milroy, encapsulating her fascination with the relation between stillness and movement, contemplation and action.”


A 1984 Pattonville High School graduate has been the MVP — Most Valuable Painter — for the St. Louis Cardinals this year. Patrick Barrett became the painter foreman in November 2018 after working seasonally for 12 years with the team. His rookie season was during high school when he worked on the grounds crew while his father was employed as a seasonal painter.
“What makes my job cool is I get to paint everything at Busch Stadium from the front offices to the dugout to the bullpen and the concourse areas,” he said. “I could also be out in the parking lot painting stripes or painting Yadier Molina’s catcher’s mask.”
Molina debuted a hockey style catcher's mask on Aug. 26 that featured a yellow face shield.
“The guys in the clubhouse sent me a picture of the mask and asked if I could paint it for him,” Barrett said. “The shield was blue to start with, so after picking the color yellow he wanted, I lightly scuffed the paint, primed it and then put about four coats of the yellow paint on.”


A guided journey from basic calligraphy brush stroke to complete ink painting.
A guided journey from basic calligraphy brush strokes to complete ink painting
“The unique quality of Zen brushwork is a result of an encounter between the artist, the subject of the work, and the medium and the format.”
This 6-week course is based on traditional Chinese ink painting techniques and Zen philosophy. This class will start with the basic brush strokes and focus more on finding your inner peace through the connection with your brush.
We are delighted to have Mark Duggan from Dublin Shamblaha (Meditation) Center to join me for this course. Mark will lead the meditation during this course and assist you with any related questions you may have.
Introduce painting tools and materials, basic brush strokes and painting methods, and continue to build skills for painting plants and animals of increasing complexity. Try your hand at these historically and culturally important methods, and create some beautiful paintings of your own.
Date: June 21 - July 26 (Six Classes)
Time: 11.00am-12.30pm (Sunday mornings)
Ink Painting Teacher: Angelia Yingge Xu
Meditation Instruction & Co-ordination: Mark Duggan
*This course will be delivered online through Zoom.The course link will be sent out to the participants before the course starts.
Materials: This 6-week course would require basic ink painting tools such as Chinese/Japanese ink painting brush, ink and xuan paper or normal A4 paper.
If you don't have these materials or would like to get a set, we will send you more details upon registration.
There will be a live demo on this course from 11.00-12.00am June 14, Sunday. Please book your place through email@example.com.
** every course will start with a 5-minute sitting meditation. We would recommend settling yourself in a quiet place and wearing comfortable clothes.
If you are interested in this course or if you want to know more about the details please email us through email to: firstname.lastname@example.org.


Comes in both 8” x 10” and 11” x 14”
Giclee print. Printed on fine art museum quality watercolor paper.
This collage was created for a social media collage challenge with the theme of “fall.” After having just gone on a tirp to Idaho Springs in the middle of autumn, I was inspired by the warm golds, reds, and oranges that the landscape provided. I wanted to incorporate some water to contrast the firey fall colors, and I left out the subject's eyes to emphasize emotion through body language.
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"Such a pleasure purchasing my new art piece from Elisabeth! Great quality framing and BEAUTIFUL artwork- I’m so in love with my new piece. Thank you!!"
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Earth Colors Liquid Pigment BLACK 118ml WS-C1220
Earth Colors Liquid Pigment Burnt Umber WS-C1222
Earth Colors Liquid Pigment Slate Gray 118ml WS-C1219
Earth Colors Liquid Pigment Stone Gray 118ml WS-C1218
Earth Colors Liquid Pigment Yellow Ocher WS-C1223
Water Tint Navy Blue 59.1ml WS-CW4519
Water Tint Sage Green 59.1ml WS-CW4522
Water Undercoat Hunter Green 118ml WS-CW4532
Water Undercoat Navy Blue 110ml WS-CW4531
PAINT SETS, TEXTURES, LARGE PRIMERS AND OTHERS
Vallejo Paint 73099 Weathering a Steam Locomotive Paint Set
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David Levinson has been creating " one of a kind " oil portraits since 1986. His work is part of the Boxing Hall of Fame permanent collection and owned by the family of the " Brown Bomber " Joe Louis . Levinson created a limited edition lithograph of New York Jet Wayne Chrebet for the Colleen Giblin Foundation. The original oil painting hangs in Chrebet's home and one of the 80 lithos is in NY Jet's owner Woody Johnson's office.
Levinson has created portraits of some of the greatest athletes of all time including Muhammad Ali, Mickey Mantle, Derek Jeter, Tiger Woods and Martin Brodeur to name a few.
In addition to creating " one of a kind " sports collectible paintings, Levinson has been commissioned to paint numerous traditional portraits as well.


Thursday, June 17, 2010
How to Make your Color Palette
One of the ways to explore the world of colors is to create your own personal color palette.
Cut a strip of thin white card about 3" x 12" and punch a row of holes along one long edge. Collect a selection of yarns or fabric in colors that you like and loop a short length of each one through alternate holes.
Add some flavor into your palette with different colors if yarn or fabric, adding new lengths gradually, one color at a time to see the effect that it creates.
You may have a liking to warm colors such as yellow, mustard or orange or cool colors such as lavender, blue, green, turquoise (my favorite) or blue gray. Or you may like pastel colors either warm or cool pastel colors. Whatever colors you prefer, enjoy your color palette. Be comfortable in your color palette. It is no one else palette but yours.
For me as I am in the middle of painting my home, I have discovered that my own personal palette depends on the room use. For example I chose a cool pastel color for the family room and olive green for dining room. It is not my usual color selections but I very much love it because it gives it a warm feeling either in a formal setting or an informal setting.
Share your own color palette and how it has changed over the years.


Delphine Dion is a French artist who has loved nature and animals her entire life, so her path came naturally; she began studying ecology while drawing remained only her hobby. Fast forward a couple of years later, now she is a freelance illustrator whose Instagram page is full of colorful watercolor paintings of the animal kingdom.
“For me, this is the perfect job, but the thing I love most about it is when people see their pet’s portrait for the first time, and it makes them so happy,” the artist shared on Bored Panda and added that she has found her aesthetic.
“My style has evolved throughout these years to achieve what I realize today: semi-realistic illustrations in a soft and rounded style full of life thanks to bright colors, combining watercolors and colored pencils, always linked to the animal world and nature.”
If you see some of her amazing work, just keep on scrolling!


THE CANON OF PROPORTIONS - LEONARDO DA VINCI & THE ROSSLYN MOTET
Format: mp3 (320kbps)
The only surving music of Leonardo Da Vinci - Arranged, scored and produced by Stuart Mitchell
Including The Rosslyn Motet and Songs of the Chartres Labyrinth (2006) and detailed information on we deciphered the music from the 500 year old painting now known to be a self-portrait of Da Vinci himself.
Portrait of a Musician is an oil on wood painting attributed to Leonardo da Vinci by some scholars. It was probably painted in 1490.
The man in the painting was at one time thought to be Franchino Gaffurio, who was the maestro di cappella of the Milanese Cathedral. Although some believe it to be a portrait of Gaffurio, others think the man is anonymous. The piece of paper he holds is at least one part of a musical score; it has notes written on it. The painting was greatly restored and repainted, and Leonardo probably left the portrait unfinished but close to completion.
The man is positioned in a three-quarter position and he is holding a partition sheet. The musician stares at something outside the spectator's field of vision. Compared to the detailed face of the musician, the red hat, his tunic and his hair seem to be painted by a completely other painter. Art historians have recognized the fine art of da Vinci in the young man's face, Siegfried Woldhek, a Dutch illustrator, has claimed that 'Portrait of a Musician' is one of three self-portraits by Leonardo.
Stuart Mitchell and I spent 2 years researching and translating the music that is in the painting and we will present to you now our musical findings based on the sequence of notes that Da Vinci made available to us within the painting.


By Miguel Juárez
The late Felipe Adame painted his first murals in El Paso in the early 1980s. Felipe was born on August 23, 1942. He considered his murals “as a means to preserve the culture, to retain a heritage, and to value the community organized effort behind a work of art.” Adame was a seasoned muralist who had painted dozens of murals throughout the United States before returning to El Paso.
Between 1968 and 1972, he painted murals in Denver, Colorado, Kansas City, Montana, California, and Washington, D.C. He was among the artists involved in the Movimiento (Chicano Movement) politics of the late 1960s and early 1970s. In 1978 he worked with area youth to paint a thirty-by-eighty-foot mural in Chicano Park in San Diego. He also supervised the painting of eight pillars, involving three hundred area high school art classes, each painting one mural at a time during the years from 1974 to 1978. He thenparticipated in Mural Marathon ’78, where artists created murals on the pillars of the Coronado Bridge in San Diego.
He took four years of mechanical drawing and drafting and art at El Paso Technical High School, five years of stagecraft and set design at the UTEP Drama Department and two years of mural work under the direction of Jose Montoya in Berkeley, California. In San Diego, he completed a two-year internship at Centro Cultural de la Raza under Gilberto Ramírez. According to Lisa Deaderick, writing in The San Diego Union-Tribune:
Gilberto Ramirez, a muralist from Mexico City who had studied the art form with one of the country’s great muralists, David Alfaro Siqueiros. Ramirez had heard about San Diego’s college students’ activism focused on Chicano and Mexican identity issues, so he traveled to San Diego “intent on giving them a public and permanent way to express themselves artistically,” said Seth Mallios, an anthropology professor at San Diego State University. He taught students including Aranda, who then disseminated mural art at Chicano Park, and later across California. [“Top weekend events: Deaderick, Lisa, “Earth Day, David Crosby, Chicano Park Day,” The San Diego Union-Tribune, April 21, 2017].
Adame painted more than a dozen works in El Paso beginning in 1980. The most popular were his Virgen de Guadalupe murals: one on a pillar by the Lincoln Cultural Arts Center, at the corner of Durazno and Uva, painted in 1981; one on the west exterior wall of La Corona Grocery on Seventh and South Ochoa streets in memory of Thunderbird gang members slain that year; and another with Juan Diego at the Salazar Housing Projects in 1983. Jesús Hernández assisted Adame with the painting of the Virgen at La Corona Grocery.
In 1981 Hernández painted a richly detailed Aztec Calendar on a small wall inside the tenements under a flight of steps. He also assisted the Kofu gang members in South El Paso with a mural on the second story of their tenement building at Florence and Eighth streets near the Armijo Center during the early 1980’s. According to Jan Wilson, researcher of Segundo Barrio murals, the art work was taken from an emblem worn on their jackets by Kofu members.
His 1981 Virgen near the Lincoln Art Cultural Center was painted on a freeway pillar under a highway interchange known as the Spaghetti Bowl. The location is near the corner of Durazno and Uva streets. The mural is the only one left intact to date, as a result of the I-10 Connect Project. The image was reproduced in the poster for a 1989 citywide celebration of Our Lady of Guadalupe. Adame said he sought to create El Paso’s version of San Diego’s Chicano Park there, but was deterred by authorities. Before Artist Carlos Callejos’ murals were painted in 1999, an unfinished four-by-eight-foot image of a revolutionary figure stood on a freeway pillar that he painted in 1981–a lone image of the artist’s effort to create a Chicano Park.
In 1982 Adame painted “Ixtacihuatl, Mujer Blanca, Leyenda de los Volcanos,” taken from a painting by the Mexican artist Jesús Helguera, inside the Armijo Recreational Center at 710 East Seventh in South El Paso. He was assisted by Elizabeth Joyce, Raul Macias, Nacho Guerrero and Jesús “Machido” Hernandez. They used a perforated paper technique to transfer the mural on the wall. The wall was plastered by Ignacio Guerrero, Nacho’s father. Adame in 1982 painted “Dale Gas,” at Gator’s Grocery in South El Paso. The mural showed a Zoot Suiter with El Paso’s skyline in the background. The thirty-foot mural, which no longer exists, was located near the corner of Sixth Street and the alley west of Cotton Street. The mural of the Virgen of Guadalupe and Juan Diego, the man to whom she appeared in a vision in 1531, painted by Adame in 1982-83 at the Rubén Salazar Housing Complex Building 10 on Eucalyptus Street was painted at the request of the Thunderbirds and the Cornejo family. It took six months to complete and was financed by Adame who sold square-foot blocks of the mural to the League of United Latin American Citizens (LULAC), Ruidoso Grocery and numerous other sponsors. The mural was restored by Adame and neighborhood youth in 1991 with the assistance of a $5,000 stipend from the Junior League’s Los Murales Project.
In 1986, he painted a panoramic scene of early El Paso and the Rio Grande at the Campus Queen Restaurant at 2700 North Mesa Drive in West El Paso. The painting shows a covered wagon at the Ysleta Mission. He began working with youth from Varrio Quinta Street (VQS) at Father Rahm (Fifth Street) and Campbell streets in 1985, in an effort to deter the problem use of spray inhalants in that area. The mural, approximately twenty-two feet long by twenty-six feet high, displays the Aztec gods of Iztaccíhuatl and Popocatépetl. The name of this group reflects the use of the street name for barrio as varrio, also found in the names of several other groups.
In 1985, Adame also painted a mural in Chihuahuita on the garage of Lico Zubia in memory of his son, Forentino Zubia Jr., “Nuni,” who had died in a motorcycle accident in 1980. Zubia asked Adame to paint a scene from the film “Easy Rider.” A pick-up truck is shown emerging from a snow-covered area, driving toward a beach. Before traveling to Seattle in 1992 to create other work, Adame restored the mural at the corner of Campbell and Father Rahm under a stipend from the Los Murales Project.
The late Felipe Adame was one of El Paso’s most prolific artists. He passed away on November 23, 2017 at the age of 75. Felipe’s passing, like so many artists before him leads to me to ask, how will we remember artists in El Paso? Maybe here? If you would like to feature a late El Paso artist, send us a message here.
Dr. Miguel Juarez is the Editor in Chief of El Paso News and is the author of Colors on Desert Walls: the Murals of El Paso (1997, Texas Western Press). In 1997 he also recorded a 14 episode interview series titled “Frontera Artists: Mexican and Chicano Artists in El Paso.” You can contact Juarez at: firstname.lastname@example.org
This is marvelous, Miguel. Thank you.
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The 1931 work, titled “The Making of a Fresco Showing the Building of a City,” is a fresco within a fresco. The tableau portrays the creation of both a city and a mural — with architects, engineers, artisans, sculptors and painters hard at work. Rivera himself is seen from the back, holding a palette and brush, with his assistants. One involved the filmmaker George Lucas’s buying the mural for the Lucas Museum of Narrative Art in Los Angeles. Another would have seen the San Francisco Museum of Modern Art take ownership of the mural but leave it on campus as an annexed space.
Source: New York Times January 12, 2021 23:43 UTC


Hampton Court, London
© The Fountain Gallery 2016, Website design by Beverley Waller
26 Bridge Road, Hampton Court, East Molesey, Surrey, KT8 9HA
020 8941 5865
1130 - 1730 Daily
12-24 July 2016
2 Way Art
Maureen Farr & Celia Lewis
Maureen Farr – paintings in acrylic using landscape and still life as subject matter .Handmade books covered with Japanese and Italian marble paper .
Celia Lewis – mounted work of linocuts and watercolours depicting all aspects of nature .


They hung the painting in the living room the woman in that painting is my grandmother i like painting more than sculpture he is studying abstract painting she wants to devote all her time to painting. Find and save ideas about paintings on pinterest see more ideas about canvas paintings painting ideas for beginners and art inspo
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