A analysis of the Film by Baz Luhrmann called Romeo and Juilet. Analyzes the whole movie and gets in depth on the different attributes Luhrmann used.
Romeo and Juliet was a classic love story recreated by many directors around the world. Which is better, which is more intriguing? The version made by director Baz Luhrmann seems to be the answer to those questions. He took the classic Shakespearian play and turned it into a stunning, sexy and radiant movie. Luhrmann used music, colorfulness, and uniqueness to help the film be its best. Luhrmann is a unique and extraordinary director that shows amazing talent when it comes to creating a film.
Music, the basis of every movie, is one of the most important parts of a film. Music existed befor…
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SDCC: Marvel's "Doctor Strange" Combats "Death and Pain" in New Trailer
Comic Books, Film
Developed for Warner Bros. Interactive by Turbine, the free-to-play multiplayer online battle arena game features player vs. player battles set within the DC Multiverse, where users can control different incarnations of their favorite heroes and villains.
The finest known copy of Action Comics #1, featuring the first appearance of Superman, sold late this afternoon on eBay for a record $3.2 million. It’s the first comic to fetch more than $3 million at auction.
The previous record price of $2.16 million was paid in 2011 for a copy of the same comic once owned by actor Nicolas Cage. While both are rated 9.0 by the Certified Guaranty Company, the Cage issue had “cream to off-white pages”; this one is considered to be in pristine condition. They’re the only two copies of Action Comics #1 to receive that high of a rating.
This copy was acquired several years ago in a private sale by Darren Adams of Pristine Comics in Federal Way, Washington, and stored a temperature-controlled vault. He said the original owner bought the comic from a newsstand in 1938, and then kept in a cedar box for about four decades until a local dealer in West Virginia purchased it in an estate sale. The issue then passed to a third person, who held onto it for 30 years.
Halfway through the 10-day eBay auction, bidding for the finest known copy of Action Comics #1 has surpassed $1.95 million.
Owned by Darren Adams of Pristine Comics in Federal Way, Washington, it’s just one of two copies of Superman’s first appearance to receive a 9.0 rating from the Certified Guaranty Company. The other, previously owned by actor Nicolas Cage, sold at auction in 2011 for a record $2.16 million. The difference between the two is that the Cage issue had “cream to off-white pages,” while Adams’ copy is considered to be in pristine condition.
Bidding has slowed considerably as the price inches higher: The comic jumped from a starting price of 99 cents to more than $1.6 million in the auction’s first day. Still, already this morning the price has moved from $1.8 million to a little more than $1.95 million. It appears just nine people have participated in the auction, for a total of 27 bids.
The auction continues through Aug. 24, with a portion of the proceeds going to benefit the Christopher & Dana Reeve Foundation, dedicated to curing spinal cord injury. Adams, who acquired the comic several years ago, is only its fourth owner. He said he recently turned down an offer of $3 million, deciding instead to sell the book on eBay.
It’s just one of two copies to receive a 9.0 rating from the Certified Guaranty Company. The other, previously owned by actor Nicolas Cage, sold at auction in 2011 for a record $2.16 million. However, the Cage issue had “cream to off-white pages,” while this copy is considered to be in pristine edition.
An opening bid of $1 million was submitted Thursday within four minutes of the auction’s opening. Although the comic’s owner, retailer Darren Adams of Pristine Comics in Federal Way, Washington, had said more than 75 people had applied to bid in the restricted sale, it appears as if just five have participated so far.
For serious collectors with seriously deep pockets, this is a momentous day: It’s the beginning of the 10-day eBay auction of the holy grail of comic books — the finest known copy of Action Comics #1.
“I’ve been in business 28 years and you chase a lot of leads hoping to find something like this,” retailer Darren Adams, who owns the CGC-graded 9.0 copy, tells Seattle’s KCPQ TV. “This is the needle in the haystack, because most books are not preserved with such quality.”
The owner of Pristine Comics in Federal Way, Washington, Adams acquired the comic several years ago in a private sale, and stored it in a temperature-controlled vault. He tells the Federal Way Mirror the original owner bought the comic (for 10 cents) from a newsstand in 1938, and then stored it in a cedar box for about four decades until a local dealer in West Virginia purchased it in an estate sale. The issue then passed to a third person, who held onto it for 30 years.
Horning in on Batman Day, eBay has announced it will auction a CGC-graded 9.0 copy of Action Comics #1, the finest known copy of the 1938 first appearance of Superman.
Just one other copy of Action Comics #1, the one previously owned by actor Nicolas Cage, has received a 9.0 rating from the Certified Guaranty Company, but it had “cream to off-white pages,” while this comic is considered to be in pristine edition. The Cage issue sold at auction in 2011 for a record $2.16 million; the expectation is, of course, that this copy, owned by collectibles dealer Darren Adams, will fetch a considerably higher price.
“The quality and preservation of this Action #1 is astounding,” Paul Litch, CGC’s Primary Grader, said in a statement. “The book looks and feels like it just came off the newsstand. It is supple, the colors are deep and rich and the quality of the white pages is amazing for a comic that is 76 years old.”
The eBay auction will be held Aug. 10-24, with a portion of proceeds going to the Christopher & Dana Reeve Foundation, which is dedicated to curing spinal cord injury.
You can view the comic on the CGC Comics website.
When Batman won’t be alone when he debuts in August in DC Comics’ digital-first Smallville Season 11 — that much was clear from the cover art released earlier this week. But it turns out that’s not Robin but Nightwing warning the Caped Crusader of
Superman’s The Blur’s arrival. What’s more, that’s not a young Dick Grayson under the mask, but rather Stephanie Brown.
“Bruce can be somewhat of an angry man,” writer Bryan Q. Miller explains to TV Guide. “Stephanie’s personality is so can-do and unsinkable and bright, so it’s very much on purpose on Bruce’s part that he has a good cop going out on patrol with him every night.”
The storyline, called appropriately enough “Detective,” will also explain why Stephanie is Nightwing and not Batgirl, the identity she assumed in the DC Universe from 2009 to 2011. Miller, a former staff writer and executive story editor on The CW’s Smallville, also wrote DC’s Batgirl during Stephanie’s time in the costume.
Batman and Nightwing will arrive online in Smallville Season 11 in August, and then in print in September. Miller is joined on the four-part arc by ChrisCross and Marc Deering.
Even as the ax falls on three more DC Universe titles — Captain Atom, Resurrection Man and Voodoo — Vertigo’s September solicitations reveal the DC Comics imprint is canceling Dominique Laveau: Voodoo Child with Issue 7.
Announced in October at New York Comic Con, the series by Selwyn Seyfu Hinds and Denys Cowan followed Dominique Laveau, heir to the voodoo queenship of New Orleans and the prime suspect in the murder of the previous 1ueen.
“I’d call it a dark fantasy that engages real world pathologies, crime being just one,” Hinds, former editor-in-chief of The Source magazine, told Comic Book Resources last fall. “I’m just as interested in the character, quirks and travails of the very real city of New Orleans and the people who call it, and have called it, home as I am in the supernatural elements that we’ve constructed in our story world.”
The title premiered in March with sales of only about 12,800 copies, a figure that fell to about 8,300 by the second issue — only slightly more than the recently canceled iZombie. The only Vertigo comics to appear lower than those two on April’s sales chart were the final issue of Northlanders and the 32nd issue of Sweet Tooth, which ends in December.
Publishing | Jennifer de Guzman announced that, after 10 years, she has left her position as editor-in-chief of SLG Publishing: “My decade SLG was, I suspect, like no other decade anyone has spent working anywhere. I had great co-workers and got to work with fantastic creators, all of whom I will miss very much. (Though because this is comics and a community like no other, we will always stay in contact.)” [Possible Impossibilities]
Retailing | Chris Powell, current general manager and chief relationship officer for Texas-based comic chain Lone Star Comics, has accepted the newly created position of executive director of business development for Diamond Comic Distributors. The Comic Book Legal Defense Fund board member will start his new position in March. [ICv2]


14 year old phenom DJ Elle Morgan rocks rooms and packs dance floors with her signature sets of Electronica and Electro House. Her authentically honed DJ skills boast perfect beat-matching and in-key mixes without the use of software or a laptop. Elle is the real deal, securing her first residency at her first public performance. Elle is driven to bring EDM to a younger audience and already positions herself as a positive role model to her fan base of dancing kids everywhere. All that drive and skill packed into one adorable package is what makes DJ Elle Morgan the most in-demand 14 year old DJ in the US and fastest rising star in electronic dance music.


She derived the name Lady Gaga from the famous song Radio Ga Ga.
Akon gave her the first prominent breakthrough of her career, as he signed her in.
Her album Born This Way became the fastest selling album and sold more than one million copies in its first week.
At the point, Gaga was declared to be one of the most financially successful female artists.
The performance was only accessible for fans that proved their boldness by completing a Doritos Bold Mission.
Lady Gaga was spotted with fans at Pulkovo Airport in St.
Lady Gaga Facts Is Lady Gaga a billionaire? Born on March 28, 1986, Lady Gaga aka Stefani Joanne Angelina Germanotta came in connection with music from a very early age.
On what would have been her 86th birthday, Lady Gaga wished the late, great Marilyn Monroe a happy birthday the best way she knows how - by styling herself up with Monroe's signature big blonde curls and posting the image on her Twitter ladygaga.


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Online poker odds calculators are poker software tools that automatically calculate the poker odds for a hand, using the information that is available. Supports Sky Poker. Holdem Indicator is the first online Poker Odds Calculator that supports Sky Poker. Jan 09, 2012 Holdem Indicator 2.2.7 released. Patch for PokerStars.
The CardsChat.com Poker Odds Calculator is a calculator app that provides odds for a wide range of poker variants, including Texas Hold'em, Omaha, and more. Generate your odds of winning (through simulation) against up to 10 players, across a variety of popular table poker games. You can also add in Flop & Turn cards to more accurately calculate the chances of you holding the winning hand. 1/20/2021 Watch as Ross from PokerSchoolOnline explains how to use the calculator at the school to understand better the odds and probabilities of your poker hand winn Official poker odds calculator of Betonline Poker. Officially approved poker calculator by PokerStars. Works with Ignition, Bodog anonymous tables and ZONE games, PokerStars ZOOM tables, Full Tilt Poker RUSH games. Supports more than 300 online poker sites. Automatically attaches to the game table and reads your cards. The terms "poker odds calculator" and "poker win percentage calculator" might seem like a bit of a mouthful, but using one - such as CardsChat's offering above - is actually pretty simple.
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Can you believe “Olivia Pope” never won an Emmy for her portrayal on Scandal? Did you also know Kerry Washington was the executive producer of the live version of All in The Family & Good Times? She finally won an Emmy for Outstanding Variety Special Category for All in The Family and Good Times.
She is also up for three more Emmy’s this weekend for work she did on Little Fires and American Son.
Were you surprised to find out she never won an Emmy for Scandal?
See story here


Howley, Jonty. The Animal Song. Random House Studio. 2023. 978-0-593-38146-5. $18.99. Grades PreK-3.
A bear, crocodile, and a weasel. What do they have in common? They love music and are in a band together! From spring to fall, these animals play music for their forest friends. When winter hits and their forest friends go to sleep, they don’t have anyone to play for, and they aren’t ready to go to sleep! This musical animal band moves and continues playing through the winter, until finally, everyone is ready to sleep!
THOUGHTS: A fun musical story with a fun rhythm to read. The back of the book contains the lyrics and musical score for The Animal Song, allowing musical readers to play and sing along!
Bailey, Annie. Mud! Illustrated by Jen Corace. Abrams Appleseed, 2022. 978-1-419-75097-7. 36p. $17.99. Grades PK-2.
Annie Bailey entices young readers to join two siblings as they romp and rhyme their way through a day of outdoor play in… Mud! Full of imagination and mischief, this book explores mud building, mud cooking, mud fights, and plain mucking about… followed by clean-up time (and maybe a little more mud). Jen Corace’s gouache, pencil, and ink illustrations reflect the book’s spirit of play and adventure, and Annie Bailey’s use of onomatopoeia reflects the muddy world she has created for her characters to explore.
THOUGHTS: This book is pure fun and outdoor exploration… and a welcome reminder that readers can still have fun outdoors even on a soggy spring day (as long as their caretakers tolerate the mess!). Readers will enjoy the word play on the pages with both rhyme and onomatopoeia and the joy the artist portrays adds to the fun. A welcome addition to libraries looking to promote outdoor play or add to their spring collections.
Dapier, Jarrett. Jazz for Lunch! Atheneum Books for Young Readers. 978-1-534-45408-8. 40 p. $17.99. Grades K-3.
Built on the foundations of jazz music and creative cooking, this rhyming story vividly depicts the power both music and food have to bring people together. A young boy and his aunt set out to have lunch at a jazz club where his aunt is a regular. In the club, the sounds from the kitchen mix with the sounds from the stage, creating a vibrant, animated atmosphere. But, the club is so crowded that the boy and his aunt can’t get close enough to see the performers or place an order. They leave early, stop by a produce stand, and the next day, they cook up their own jazzy lunch at home. Each dish is inspired by jazz greats, including Billie Holiday, Nat King Cole, John Coltrane, and Ella Fitzgerald. End papers feature brief biographies of 20 jazz greats mentioned in the story as well one of their album titles. The lively digital illustrations capture the movement and the emotions the food and the music inspire.
THOUGHTS: Share this title with music teachers who can make curricular connections with the featured jazz musicians and the music vocabulary sprinkled in the text. Music and ELA teachers will also appreciate the use of onomatopoeia as the boy and his aunt cook up their feast. This exuberant book captures the joy of coming together to enjoy great food and great music.
Picture Book Anne Bozievich, Southern York County SD


2016 is starting to become an interesting year for gaming. Recent rumors about an upgraded PS4 system being released is gaining steam even though Sony has not said anything official yet. The only thing we do know is that Sony is going to release their VR headset later this year.
So what is the PlayStation VR and what should we expect from it? Well first of all, there are a couple of other VR headsets out there already such as the Samsung Gear VR and the Oculus Rift. What’s neat about the Gear VR is that you can connect the latest Samsung smartphones to it for some cool experiences. You can read more about the Samsung Gear VR here.
Next we have the Oculus Rift which is very similar to the Gear VR and is compatible with PCs and even comes with an Xbox One controller. There’s a neat video at their site that shows you the games that will be available to play on this headset. Check out their official website. The Oculus Rift is quite pricey though at around $1,300 while the Samsung Gear VR headset is $99.99. There are differences between the two as you might be able to tell by the price difference.
Where does that leave Sony’s upcoming VR set and will it be different than the other 2? Well first and foremost it will be about the gaming experience and what I like about what Sony has said about the PlayStation VR is that it is a simple plug and play device. What the company has also said about how movement will work is that it will use a combination of the LEDs in the headset, Dualshock 4 wireless controller, as well as the Move motion controller that will all be tracked via the PlayStation camera. Check it out at Sony’s official site.
It is planned to be released sometime in October with a price point of $399. That’s more than Samsung’s, but much less than the Oculus Rift. I’m curious to see how well it will sell at that price point as I mentioned in a previous post that is the same price as the original PS4 when it was released nearly 3 years ago. Are people really going to spend that much on a VR headset and will it offer a new immersive gaming experience that people will want to experience? Only time will tell on that one.
Then there’s the other factor to throw in there as well which is only rumors right now and I’ve mentioned quite a bit already. The PlayStation 4.5 as it is rumored to be called right now. Again, Sony has not said anything official about it, but there are strong hints it is coming sometime this year and quite possibly just before the PlayStation VR launches.
It should be noted however, that Sony has said the VR set will work with the current PS4 system. The VR set has an OLED 1080p display so if Sony is trying to make a console that supports 4k resolution, why not make the display 4k on the VR set as well? They may not want to fracture their support base that way as it would probably render the original PS4 system useless.
As we head into summer and the gaming expo E3 hits around that time, you can expect big announcements and surprises from both Sony and Microsoft. It will definitely be an interesting E3 for sure. I for one am excited for VR for the possible experience of open world games. I’m just imagining playing a Grand Theft Auto game on the PlayStation VR or even a racing game such as The Crew. That would certainly make for a great gaming experience.
GameStop is already offering preorders for it, but with limited preorder spots available. As tempting as it is to preorder one right now, I really want to wait and see how this is all going to play out and what the reviews say about as well as the possibility of a new PS4 system launching before Sony’s VR launches in October. Here’s a list of some of the details of the virtual reality set from GameStop’s official page:


I attended the Pittsburgh Replay FX last year Friday and Saturday - the show runs from Thursday to Sunday. So this year for 2016 I attended Thursday through Saturday. I also joined the Replay World Championships, played a lot of Time Pilot and Dig Dug on max difficulty, but got eliminated in the first round finals. Also attended some GREAT seminars, played countless pinball, coin-ops, and consoles, and heard some good music. Great show!
This returned for a 2nd year at Replay FX Pittsburgh. I got to talk with one of the youngest competitors, Tanner, who shared with me some of his knowledge of how DK works and various patterns and percentages rules. Pretty cool. Billy Mitchell was walking around and also playing the game himself. I saw one fellow get over a million points and achieve the final "Kill Screen" - level 22.1 I believe. And I bought some Pepper Sauce!
Replay World Championships.
The difficulty settings were set high on all the games, so several of us laughed and struggled to even beat a few boards of Time Pilot. Several of us concluded that Stage 1 was harder than stage 2, due to the bombs along with the many shots. If I had more patience, I would have just stuck it out on Stage 2 , not killing the boss plane and hitting 100-point planes for 30 minutes. I didn't see anyone get past stage 3, with the helicopters and guided missiles. The gamer who got the highest TP score did so by staying on Stage 1 the entire time!
I also concentrated on Dig Dug, which I'd had a chance to practice at max difficulty. But there were players who just knew the game inside out and could consistently get 10,000 point rock-drops for example, and could consistently outwit the monsters. I got about 120k I think ; top score I saw was over 900k. All games had a 30 minute time limit.
They also had Frogger, Tempest (too hard!), Missile Command (that ball arghhhh), Space Zap, Gyruss, Lady Bug , and Centipede. In the first round finals, I was quickly eliminated by my foe "Chris" at Lady Bug. I'm not very good at the game, never really played it, besides it was Saturday night and all the Seminars were starting so I was anxious to move on to those.
Game Playing Highlights
I enjoyed trying out games I don't own -- TurboGrafx (Blazing Lazers, and Victory Run), Vectrex (multi-cart - mostly the Tank game and Berzerk), and Neo Geo (a vertical shooter ). Also tried out Sega Saturn NHL Powerplay 96 for the first time in 20 years - we used to LOVE that game , and it has held up pretty well. I didn't see good representation of Atari's though. Most of the Atari's and the Colecovision were actually Flashback systems. There was at least one 2600 (Pitfall was in it when I passed by), but no 5200's, and I didn't see any 7800's either. I couldn't pass up Genesis Outrun for a few rounds.
On the many coin-ops, I enjoyed playing rounds of Zaxxon, Tron, SEGA's vector sit-down Star Trek game (awesome!), Karate Champ (I still can't do the bonus segments), and about 50 others for a token play.
There were of course tons of Pinball games there. Pinburgh competitions were going on and lots of pinball fans. I especially enjoyed playing Twilight Zone and Funhouse. There was an AC-DC pinball - I expected lots of great rockin' stuff, but either the game has no actual AC-DC songs, or the volume was set too low.
I did bump into Ed Fries as he played Williams' Sinistar and we discussed strategies of this too-hard game.
I kind of felt bad for the Saturday night Seminars folks - attendance was sparse, even though the location was right outside of the main halls. Last year we had an excellent multi-media room, but it was very far away and upstairs. Mike Stulir told me the idea was to move it closer to the main show this year. The show had high quality banners advertising the Seminars. Still, Pittsburgh gamers kind of showed their indifference by not showing up. Slightly unfortunately, the seminars area was kind of stuck in a small corner along the side of the lobby area (with bright sun shining in sometimes), and the projection TV really should have been much bigger. It was hard some of the details unless you sat close enough. Sound quality was pretty good and loud enough - especially Mark Bussler's CGR seminar where he reveled at saying TRUXTON!!!!! into the mike.
Mark Bussler, Classic Game Room - pretty much what you'd expect, and entertaining CGR based show with a intro video (which I had not seen before) where Mark , and 2 of the Replay FX guys, played the Robocop pinball game. The entire audience were enjoying it and busting a gut laughing at those guys doing 'the robot' in the video as another played the pinball Robocop game. Further Robocop NES discussion took place and talk of the future of CGR.
Mike Stulir - Mike's fascinating show had plenty of pictures as he discussed the American Classic Arcade Museum.
Ed Fries, My Life in Games - Ed talked about coding Atari 8bit games in the 80's, his Microsoft days and Halo, reading Racing the Beam and subsequently working on the Atari 2600 homebrew Halo, and his involvement with the Smithsonian American Art Museum (Halo 2600 is in it!). During the Q&A, I asked Ed how Microsoft's legal team felt about his Halo 2600. He laughed a bit and said he had indeed discussed that aspect , and it sounds like he got an unofficial 'okay' . He said humorously that nothing is in writing, so they may come after him legally yet. He also mentioned that he talked to Namco about his Atari 2600 Rally-X port; I got the impression Namco was not going for it, thus that project is still a work-in-progress and in limbo somewhere on one of Ed's computers.
Steve Golson, the Atari 7800 ProSystem - I had heard Steve's seminar at last year's Replay FX too, and I was pleasantly surprised that the content was quite different this year. Very interesting to me - Steve worked for GCC , and I was already knowledgeable about GCC's creating Ms. Pac-Man , some 5200 games, and the 7800 system itself . What I didn't know until now is that GCC was responsible for several Atari 2600 games, including Atari Cube , Ms. Pac-Man, and Phoenix. Steve is a hardware guy, thus he showed a lot of PCB's and diagrams as he discussed the "Atari 3600" design, which would become the Atari 7800 later.
After Steve's seminar, several of us perused his items - design docs, and amazingly, the Atari 7800 adapter for the Atari 5200, the only one (a prototype) in existence!
Warren Davis, creator of Q*bert - Warren also had plenty of pictures and videos of various games he worked on, including Q*bert of course, but also "Us vs Them", a film-like Laser-disc game which I'm surprised didn't end up on the Sega CD 10 years later. Warren ended his interesting seminar with a video showing the making of the Aerosmith game Revolution X in the 90's, which was pretty awesome to be honest.
This ends my brief synopsis of Replay FX highlights. I had a great time. In conclusion, let me mention some other things that made the show cool - watching people enjoy playing the games; watching people get exhausted attempting to play Capcom vs Street Fighter (projected onto a huge screen) by stepping on foot pads to control it; seeing the Star Wars stormtroopers, Boba Fett, Darth Vader, and Imperials walk around; listening to Pittsburgh Rush-inspired band Caress of Steel City (Friday night), and even better the excellent and tight band Flashback play Journey, Bon Jovi, Billy Idol, Judas Priest (with guest vocalist Richie Knuckles!), The Doobie Brothers and many others (Saturday Night) .


A decade after Jeannie C. Riley topped the country chart with Tom T. Hallâ€™s â€œHarper Valley P.T.A.,â€ the song was made into a feature film starring Barbara Eden. Eden had turned her early training as a singer, and the fame generated by I Dream of Genie, into a 1967 album for Dot and numerous appearances on television variety shows. For the soundtrack of this 1978 film she sang the Tom T. Hall songs â€œMr. Harperâ€ and â€œWidow Jones,â€ the latter released as a single. The album leads off with the stereo version of the title tune, and adds well-known songs by Jerry Lee Lewis (â€œHigh School Confidentialâ€) and Johnny Cash (â€œBallad of a Teenage Queenâ€) to Carol Channingâ€™s cover of â€œWhatever Happened to Charlie Brown.â€ Of more interest to soundtrack collectors will be Nelson Riddleâ€™s instrumental pieces, which include swing, late-night jazz and a classical pastiche. Unfortunately, though listenable, the fidelity of the Riddle tracks doesnâ€™t match that of the rest of the album. Worth getting, but someone should take another look in the vault for better source material. [Â©2019 Hyperbolium]
Six years before John Denver catapulted to fame with 1971â€™s â€œTake Me Home Country Roads,â€ he was a hard working folkie on the Los Angeles club scene. In 1965, when Chad Mitchell left his eponymous folk trio for a solo career, Denver survived the audition process to assume the groupâ€™s leadership. The new lineup issued a pair of studio albums and a live set on Mercury, and when the last original member, Mike Kobluk, left the group, Denver carried on with recent addition David Boise and the newly added Michael Johnson, as Denver, Boise & Johnson. The latter trio released only one single, Denverâ€™s â€œTake Me to Tomorrow,â€ but recorded additional material, of which three previously unreleased selections are included here.
The Mitchell Trioâ€™s legacy of humor is heard in the 1967 single â€œLike to Deal with Ladies as Sung in the Shower Accompanied by a Twenty-Seven Piece Band,â€ as well as a live performance of â€œHe Was a Friend of Mine.â€ The latter, stretching to nearly eight minutes, finds Denver intertwining smart-aleck stage patter with an audience sing-along and the trioâ€™s superb harmonizing. Denverâ€™s early years found him writing several of his most beloved songs, including â€œLeaving on a Jet Plane,â€ originally self-released in solo form as â€œBabe, I Hate To Go (Leaving On A Jet Plane).â€ The retitled song is offered here in both a poorly conceived, band-backed studio single, as well as a beautifully sung acoustic live performance from 1967.
Denver, Boise & Johnsonâ€™s single â€œTake Me to Tomorrowâ€ is a terrific up-tempo original, while itâ€™s B-side, â€œâ€˜68 Nixon (This Yearâ€™s Model),â€ sung in barbershop harmony, carries on the satirical social criticism of the Mitchell Trio. The set includes three previously unreleased tracks from Denver, Boise and Johnson, including superb vocal arrangements of Joni Mitchellâ€™s â€œBoth Sides Nowâ€ and Tom Paxtonâ€™s â€œVictoria Dines Alone,â€ and a 1968 take on Denverâ€™s â€œYellow Catâ€ thatâ€™s more sedate than the version recorded for Rhymes & Reasons. The disc closes with the unison singing and banjo of â€œIf You Had Me in Shackles,â€ capping a set that highlights the folk roots that preceded Denverâ€™s transformation into a â€œfar out!â€ â€˜70s superstar. [Â©2019 Hyperbolium]
You may have never heard country-soul singer-songwriter Jim Ford, but youâ€™ve likely heard his songs, and youâ€™ve certainly heard his fans. Ford co-wrote P.J. Probyâ€™s hit single â€œNiki Hoeky,â€ an album for the Temptations, and songs recorded by Bobby Womack, Aretha Franklin, Bobbie Gentry, Dave Edmunds and Nick Lowe. The latter named Ford as his biggest musical influence, and recorded Fordâ€™s songs with his pub rock group Brinsley Schwarz and as a solo act. This 1969 debut was the only full-length release of Fordâ€™s lifetime, which also included singles, unreleased albums for Capitol and Paramount, and a wealth of session tracks that slowly found their way out of the tape vault.
Recorded in Los Angeles with support from James Burton, Dr. John, Jim Keltner and Pat and Lolly Vegas, Ford laid down an unusual mix of funk, soul, country and swamp pop. Burtonâ€™s guitar figures combine with soulful backing vocals, horns and strings, to create an album that sounds as if it could have just as easily been recorded in Memphis as in Southern California. The title track looks back at the poverty and back breaking work from which Ford ran away as a teenager. The songâ€™s breakdowns into hymn contrast with full throated pleas for relief, as Ford recounts the sort of living that wears a man down by his early twenties. His early years inform his recording of Delaney & Bonnieâ€™s â€œLong Road Ahead,â€ and his move from New Orleans to California is essayed in the autobiographical â€œWorking My Way To LA.â€
Oddly, for an album by a songwriter, half the selections are covers, including Stevie Wonderâ€™s â€œI Wanna Make Her Love Me,â€ a swamp-boogie take on Willie Dixonâ€™s â€œSpoonful,â€ and a vocally strained rendition of Alex Harveyâ€™s â€œTo Make My Life Beautiful.â€ Fordâ€™s originals include the broken hearted road metaphors of â€œUnder Construction,â€ the emotionally satisfied â€œLove on My Brainâ€ and the not-too-subtle drug references of â€œDr. Handyâ€™s Dandy Candy.â€ None of this made an impression on radio programmers or record buyers, and the album quickly disappeared. Ford eventually made his way to England where sessions with Brinsley Schwarz and the Grease Band failed to generate releases, and additional masters recorded for Paramount were shelved.
Ford drifted into partying and out of the music industry, eventually ending up in Northern Californiaâ€™s Mendocino County, where he passed away in 2007. Bill Dahlâ€™s liner notes tell the story of Fordâ€™s career leading up to, through and following this album, and the booklet reproduces the albumâ€™s front and back cover art. The original ten tracks have been reissued several times on vinyl and CD, including a 2014 release by Varese, and an expanded 2013 edition by Bear Family. Additional volumes [1 2 3 4] of previously unreleased material have also been issued, but if youâ€™re new to Ford as a performer, this 1969 debut is the place to start. [Â©2018 Hyperbolium]
With Warner Archivesâ€™ Express Yourself no longer in print on CD, Varsese fills the vacancy with this sixteen track set. Included are the Los Angeles groupâ€™s three crossover hits (â€œDo Your Thing,â€ â€œLove Landâ€ and â€œExpress Yourselfâ€), an additional selection of period material, and two new tracks (â€œHappinessâ€ and â€œRemember That Thingâ€) that anticipate an upcoming album. The Mississippi-born Wright moved to Los Angeles as a pre-teen, where he performed in a number of doo-wop bands before founding and growing what would become the Watts 103rd Street Rhythm Band. Wright was equally at home with hypnotic James Brown-styled riffing as with soul vocals, and the interlocking rhythm section of bassist Melvin Dunlop, drummer James Gadson and guitarist Al McKay, was equally adept with percussive funk riffs as they were with melodic tunes.
In addition to the crossover hits, the set includes three singles that charted R&B – â€œTill You Get Enough,â€ â€œMust Be Your Thingâ€ and â€œYour Love (Means Everything to Me).â€ Those who already own the Warner Archives release will find four more vintage titles here, including the funky â€œI Got Love,â€ but six from the previous volume, including the instrumentals “The Joker (On a Trip Through the Jungle)” and “65 Bars and a Taste of Soul” are dropped. Also note that â€œSpreadinâ€™ Honeyâ€ seems to have a shorter drum intro here than on the previously anthologized recording. Fans will want to track down the expanded reissues of the original albums (and look forward to the new album), but those just looking for a taste of this bandâ€™s funk and soul will find this a good place to start. [Â©2018 Hyperbolium]
This late-60s, multiethnic, multinational soul ensemble is best known to U.S. audiences for its two Top 40 singles, â€œBaby, Now That Iâ€™ve Found Youâ€ and â€œBuild Me Up Buttercup.â€ Both hits, and a good deal of their other material, were co-written by producer Tony Macaulay, often with his regular writing partner John MacLeod. The band had two more hits in the UK (â€œBack on My Feet Againâ€ and â€œIn the Bad Bad Old Days (Before You Loved Me)â€), as well as a number of minor chart entries, but after only four years, and numerous personnel changes, they packed it in. Various members toured and recorded under variations of â€œThe Foundationsâ€ name throughout the 1970s, but itâ€™s the original material from 1967-1970 thatâ€™s featured here. Varese has included all of the groupâ€™s A-sides for Pye (UK) and Uni (US), including the UK-only â€œBaby, I Couldnâ€™t Seeâ€ and US-only â€œMy Little Chickadee,â€ a handful of B-sides and a pair of tracks from the bandâ€™s final album, Digging the Foundations.
The bandâ€™s 1967 introduction attached them to the backside of the British Invasion, and their association with Macauley gave their hits a pop breeziness. But their innate sound was more in line with Motown, Stax and American horn bands. Given the chance to record original material, the group showed off grittier soul, jazz and blues influences on the B-side â€œNew Directionâ€ and the late A-Side â€œIâ€™m Gonna Be a Rich Man.â€ That said, they could also write bubblegum, such as the B-side â€œSolomon Grundy,â€ and they picked up sunshine pop tunes that include â€œBaby, I Couldnâ€™t Seeâ€ and â€œTake a Girl Like You.â€ Vareseâ€™s sixteen track set (including mono single mixes on 1, 4-6, 11, 13 and 15) provides a good overview of the groupâ€™s charms, and the CDâ€™s screening with the rainbow swirl Uni label is a nice touch. For a more complete rendering of the groupâ€™s story, look for the out-of-print Build Me Up Buttercup – The Complete Pye Collection, but for most this is a good place to start. [Â©2017 Hyperbolium]
Smokey and the Bandit was originally developed by stuntman-turned-director Hal Needham as a cheap B-movie with singer-actor Jerry Reed as the star. But with the signing of box office dynamo Burt Reynolds, Reed was demoted to second banana, Universal quintupled the budget, and the film went on to gross more than $300 million worldwide. The soundtrack was scored by Nashville legend Bill Justis, and includes three vocal titles by Jerry Reed. The latterâ€™s â€œEast Bound and Downâ€ became a signature song, and is included here in a second variation titled â€œWest Bound and Down.â€ Reed also detailed the Banditâ€™s earlier adventures in â€œThe Legendâ€ and sings Dick Fellerâ€™s ballad, â€œThe Bandit.â€ Justis mixes original country instrumentals with covers of chestnuts, including Ervin T. Rouseâ€™s â€œOrange Blossom Specialâ€ and Jerry Wallaceâ€™s 1972 hit, â€œIf You Leave Me Tonight Iâ€™ll Cry, with uncredited fiddle and steel players who are excellent throughout the album.
The 1980 sequel, Smokey and the Bandit II, didnâ€™t have the box office power of the original, but its soundtrack spun off a number of hits, including Jerry Reedâ€™s â€œTexas Bound and Flyinâ€™,â€ the Statler Brothersâ€™ â€œCharlotteâ€™s Webâ€ and Tanya Tuckerâ€™s â€œPecos Promenade.â€ The Snuff Garrett-supervised soundtrack album also includes performances by Don Williams, Mel Tillis, Brenda Lee, Roy Rogers with the Sons of the Pioneers and Burt Reynolds, the latter of whom scraped onto the country chart with â€œLet’s Do Something Cheap and Superficial.â€ The albumâ€™s two instrumentals, performed by the Bandit Band, included a mashup of â€œDueling Banjosâ€ and â€œWildwood Flowerâ€ titled â€œDeliverance of the Wildwood Flower,â€ and an original co-written by Garrett and Nashville legend Jerry Kennedy titled â€œPickinâ€™ Lone Star Style.â€ Both of these soundtracks are good spins, though the sequelâ€™s collection of vocal material will likely be more memorable for country music fans. [Â©2017 Hyperbolium]
The last album released during Chuck Berryâ€™s lifetime, Rockit also marked a rare deviation from his tenure at Chess. Released in 1979, it would be Berryâ€™s last release until the posthumous Chuck earlier this year. Berryâ€™s voice, guitar and lyrical ability were intact, as was Johnnie Johnsonâ€™s inimitable piano playing, and the rhythm section – Berryâ€™s longtime bassist, Jim Marsala, Nashville studio drummer Kenny Buttrey, and Muscle Shoals bassist Bob Wray – is tight. The production hasnâ€™t the grit of Berryâ€™s Chess years, but his roots shine through the too-tidy studio sound. â€œMove Itâ€ and â€œIf I Wereâ€ show off Berryâ€™s guitar licks and his lyrical dexterity. He borrows from his own â€œBack in the USAâ€ for the joyous â€œOh What a Thrill,â€ but unsuccessfully rearranges â€œHavana Moonâ€ with an odd meter and distracting backing vocal. Much better is the biting rewrite of â€œIt Wasnâ€™t Meâ€ as â€œWudenâ€™t Me,â€ the love letter â€œCaliforniaâ€ and the atmospheric blues â€œPass Away.â€ The latter is particularly interesting for its spoken storytelling and a looser vibe that evades the rest of the album. This may not measure up to Berryâ€™s landmark Chess records, but itâ€™s vital, clever and satisfying. [Â©2017 Hyperbolium]
Though John Sebastian returned to the top of the charts with the 1976 theme song to â€œWelcome Back Kotter,â€ his solo career never gained the commercial traction of his earlier work with the Lovinâ€™ Spoonful. Which isnâ€™t to suggest there wasnâ€™t artistic growth or musical riches in his solo years – there was plenty of both – but other than the single â€œWelcome Backâ€ and his self-titled solo debut album, his releases failed to crack the Top 40. Vareseâ€™s sixteen track collection cherrypicks material from Sebastianâ€™s five albums for Reprise, including the rare live album Cheapo Cheapo Productions Presents Real Live John Sebastian. The selections include his first solo single, â€œSheâ€™s a Lady,â€ the ambitious sixteen-minute â€œThe Four of Us,â€ the soulful â€œGive Us a Break,â€ a thoughtful cover of Jimmy Cliffâ€™s â€œSitting in Limbo,â€ the country-tinged â€œStories We Could Tellâ€ (famously recorded by the Everly Brothers in 1972), a modernized remake of â€œDidnâ€™t Wanna Have to Do It,â€ and a quartet of live Lovinâ€™ Spoonful covers. All four studio albums (John B. Sebastian, Four of Us, Tarzana Kid, Welcome Back) are available for digital download and in a grey-market 2-CD set, but Vareseâ€™s 16-track set offers those new to Sebastianâ€™s solo years a well-curated single-disc introduction. [Â©2017 Hyperbolium]
Peter Cetera is best known as a founding bassist and vocalist of Chicago Transit Authority. He was the lead vocalist on the breakthrough â€œ25 or 6 to 4,â€ as well as the groupâ€™s first chart-topper, â€œIf You Leave Me Now.â€ His earliest solo work, a self-titled 1981 album and the single â€œOn the Line,â€ was overshadowed by continued success with with the band; but by mid-decade, his vocals on Chicagoâ€™s hits, and his presence in the bandâ€™s videos provided enough personal notoriety to relaunch his solo career. 1986â€™s Solitude/Solitaire scored back-to-back #1s with Karate Kid IIâ€™s â€œGlory of Loveâ€ and the Amy Grant duet, â€œThe Next Time I Fall.â€ He scored again with 1988â€™s â€œOne Good Woman,â€ and continued to find success in adult contemporary throughout the â€˜90s. Vareseâ€™s fourteen track collection runs through 1992â€™s World Falling Down, highlighted by a handful of original single versions. Ceteraâ€™s solo work, tinged by the production sound of the â€˜80s, isnâ€™t as timeless as his early sides with Chicago, but his tenor is fetching among the synthesized keyboards and big drums, and his power ballads are well crafted. [Â©2017 Hyperbolium]
San Franciscoâ€™s Beau Brummels cast a long shadow with a surprisingly short chart resume. Their run in the Top 40 lasted two years, and amounted to only three hit singles, â€œLaugh, Laugh,â€ â€œJust a Littleâ€ and â€œYou Tell Me Why.â€ From there, the singles dwindled down the chart, and ended with 1966â€™s â€œOne Too Many Mornings.â€ But their sound – particularly their harmony arrangements – was unique, and their albums and non-album singles have retained an artistic currency beyond their commercial success. All six albums are on CD, along with best of and rarities collections, and a pair of deep vault explorations. Varese adds to the catalog a sixteen-track set that collects the groupâ€™s twelve original mono A-sides, a trio of Sal Valentino singles and the groupâ€™s 1975 reworking of â€œYou Tell Me Why.â€ The 45-minute disc is accompanied by a twelve-page booklet of photos, liner notes by noted West Coast music historian Alec Palao, and song notes that Palao gathered from band members Ron Elliott, Sal Valentino, John Peterson, Ron Meagher and Don Irving, lyricist Bob Durand and producer Lenny Waronker. Those new to the groupâ€™s catalog may find a greatest hits collection to be a better overall introduction, but fans will really enjoy the original mono A-sides (and long for the Bâ€™s!). [Â©2017 Hyperbolium]


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The BT London Live Opening Ceremony Celebration Concert staged in London’s Hyde Park on Friday 27 July presents a multi-talented headline bill, with live performances from some of the biggest acts in the UK, from all four corners of Great Britain.
Live on stage will be multi-million album selling Snow Patrol, BRIT Award-winning Stereophonics, pop superstars Duran Duran and acclaimed singer-songwriter Paolo Nutini.
This massive open-air celebration concert coincides with the key opening moment of the London 2012 Olympic Games, the Opening Ceremony. Not only will the thousands of ticket-holders in Hyde Park see some of the UK’s biggest bands exclusively live on stage, but performances will be timed so that they will also be able to enjoy live coverage, courtesy of the BBC, of the London 2012 Opening Ceremony from the Olympic Park on giant screens.
The full coverage of the Opening Ceremony from the Olympic Park will also be shown on selected screens.


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Rouge Drops New Song ‘No Cap Freestyle’
Rouge Drops New Song ‘No Cap Freestyle’: Phenomenal Rap queen, Rouge dropped a new single today which is titled, ‘No Cap Freestyle“. The artiste had promised fans an album and this may be one of the songs from her upcoming project.
The song has Rouge spitting heavy bars and dropping witty punchlines and those who are familiar with the word “No Cap” will know what it means. Therefore whatever bars she is lacing on the beat is all “facts” and not “Cap”.
The rap has a solid flow, addressing exactly why she should be held in high regard and given her rightful title. Delivered in her characteristic animated cadence over a heavy 808 bass line, the joint has a fusion of different languages which added texture to the song
Rouge is one of SA most gifted lyricists and she just proved herself in this new song.


S A T U R D A Y N i G H T S O U L
Saturday, May 25th 2013
Le Piano Rouge Lounge – 22 St-Paul E. – Montreal
Live performance: Shaharah
Dj: Kelly Nunes
JOIN LE PIANO ROUGE GROUP HERE!
This Saturday will go back… back to the roots of Saturday Night Soul with one the original of resident of this very special night, KELLY NUNES. A smooth NeoSoul R&u;B Funky Vibe is what you can expect for this very very special night.
Intimate space with limited capacity ~ Arrive early!!!
The night starts @ 10pm with a live Soul R&B performance by Shaharah 😉
Saturday Night Soul @ Le Piano Rouge… Mtl’s best kept secret… tell your friends
For reservation, bottle service or info:


I’m in a pensive mood, peoples. Another idol of my childhood has passed on, and her demise from the world is impacting my thoughts today.Annette Funicello, wife, mother, actress and a childhood idol of mine died today. She was 70 years old. I believe that a person who affected my life in such a good way needs to be remembered for all those excellent times of my life that she played a part in creating.
Back when I was a kid, the only television colors were black and white, and there were only three or four broadcast channels available. Programming made expressly for children was just beginning to be created. There was no PBS. No Sesame Street. No Mr. Rogers. No cable or satellite services.
What was available for kids in the 1950’s and 60’s who had a television in their homes were programs like Captain Kangaroo, Howdy Doodey, Sheriff John, Engineer Bill, and The Mickey Mouse Club.
The Mickey Mouse Club was my favorite. It had everything a kid could want in a program. The cast consisted of a group of talented kids of all ages along with an adult named Uncle Jimmy, who provided respectable grown up supervision. There was singing, dancing, jokes, cartoons, and Spin and Marty episodes. Anyone remember Spin and Marty? It also had a zippy memorable opening theme song. Thanks to YouTube, I can share that song with you all. Click here and sing along. I’ll bet you know all the words.
The program was created by Walt Disney. Walt actually interviewed and selected the majority of the original cast members. Annette was one of those chosen. Click here to view Annette in a 1955 episode.
The original Mickey Mouse Club was an offshoot to Walt’s entertainment empire that included cartoons like Mickey Mouse and Donald Duck; movies like Cinderella and Bambi; a weekly television show on NBC called Walt Disney Presents; and, the best theme park ever, Disneyland, located in Anaheim,California.
The Mickey Mouse Club is still being produced today. It airs on the Disney Channel. A number of talented entertainers got their start in show business as members of The Mickey Mouse Club cast. Anyone ever heard of Justin Timberlake, Christine Aguilera, or Brittany Spears? They all put in time as Mouseketeers. Take a look at what The Mickey Mouse Club was like when they were kids circa1993.
Annette Funicello moved from Mousketeer to teen singing star and actress in cool movies like Beach Blanket Bingo and Muscle Beach Party, both of which I spent money to go see. Annette was the perfect teen-aged role model. She was sweet, pretty, talented. And she knew Frankie Avalon! I so wanted to be her. This is a clip from Beach Blanket Bingo. If you ever get a chance to, watch the whole movie. It was excellent.
Annette married, began raising a family, and pretty much retired from full-time acting and singing. In 1992, she formally announced to her fans via a press conference that she had been diagnosed with multiple sclerosis. She died from complications from this disease.
There will doubtlessly be a few minutes of television coverage related to Annette’s death today. Brief highlights of her professional life achievements will be presented. I expect there will be lots of young folks who won’t even know who the heck Annette Funicello was.
I know who you were to me, Annette Funicello. You entertained me and you inspired me. I sang along with you and the other Mouseketeers as a little kid, danced to your music as a teen, and I do believe I saw all your movies at least once. All those pleasant moments you inspired are stored in my memory, and each time they are recalled, I’ll enjoy the moment and think of you….


Date of Birth: 08/03/1922
Place of birth: a. Novoukrainka
Podilsya March 8, 1922 in the village Novoukrainka Skadovsk district, Kherson region. Father - Semyon Matveev Kalinovich. Mother - Kovalenko Nadezhda Fedorovna. Wife - Lidiya Matveeva (1925 born.). Daughter - Svetlana Matveeva (1947 born.). The son - Andrey Matveev (1957 born.). Grandchildren: Alex, Eugene, Hope.
Yevgeny Matveyev early joined to a hard peasant labor, peasant could do any work; great respect for the man who is working on the ground, kept for a lifetime. As a boy, Jack went into the field, where there was no end in sight. He left because he felt great joy, remaining alone with him, listening to the singing of a lark. There, in the sorrowful thought of my mother, who went to the fate of a single woman. Impressions of childhood were often bitter, so Jack was always drawn to something light, joyful, cheerful. He liked to imitate the singing of various birds, causing a kind smiling villagers loved to sing, accompanying himself on the balalaika. At school, everyone called him Eugene-artist. In early childhood, the boy did not know that in the world there are theaters and actors, but unconsciously already litsedeystvoval.
From 2nd grade boy was transferred immediately to the 4th - the teacher noticed him a taste for study and advised the mother to move to the city to give him an education. The city Tsyuryupinske he first saw an amateur show and realized that his place in the theater. The theater won him and became his only dream. Eugene began to engage in the initiative, was a magician, a dancer, a singer. In 9th grade Eugene firmly decided to quit school and go to Kherson - the closest regional center, where they were a professional troupe and theater studio. After receiving the blessing of his mother, 17-year-old boy sat on the barge with watermelons and swam to his dream.
It was 1939. In the Kherson Theatre Matveev became involved in crowd scenes, he was trusted and small roles. One of them was a musician in the play the role of "mediocre." The young man dashing to the music hit the drum, and not even know that his professional opinion said Nikolai Cherkasov, who was in the hall. Cherkasov praised wordless artist, advised him to study in Kiev at Dovzhenko, promising his support.
After graduating as an external student the last two classes of the school and received a certificate, Eugene entered the acting school at the Kiev studio. Here he became a pupil of Alexander Dovzhenko, who taught his students responsiveness, attentiveness to the people, but the main thing, of course - highly complex craft of the actor.
Outbreak of war destroyed all the plans. Under the incessant bombing Eugene dug trenches, participated in the creation of fortifications around the city. Forever in his memory remained eerie sound of the engines of the German airplanes, whistling bombs, panic defenseless people. Matveev was eager to volunteer for the front. But fate decreed otherwise. He was sent to study in Tyumen Infantry School. Since childhood is not accustomed to do anything carelessly, Matveev and the school was an excellent student. And ... what honors he was left as a teacher. Numerous requests and reports to send to the front left without attention.
Having taught military science, he did not forget about his nationality attachment. Soon a young officer the whole city knew how gifted an actor. I came and success - first place in the competition readers of the Siberian Military District.
In 1946, demobilized, Yevgeny Matveyev stayed in Tyumen, becoming a local actor Drama Theatre, directed by director D. Barhatov. Life provincial theaters always complex: a small company, part of the Premier, the constant trips with performances in remote areas. However, many of the actors who have passed the school peripheral theaters, rightly believe that nowhere else does not have such a great variety of possibilities to beat roles, test themselves in different roles.
Yevgeny Matveyev was doomed to the role of the "heroes". Tall, handsome, courageous, charming, emotional - all this makes the game actor contagious. He played roles in "Young Guard" Fadeeva (Vanya Zemnukhov), "For those who are at sea" B. Lavrenev (Borowski), "Young Forest" N. Pogodin (Cheremizov). Success was not long in coming. For her performance as Borowski Eugene Matveev he received the prize and was admitted to the final round of the All-Russian review of youth theater in Moscow. Successful demonstration in Moscow led to a lot of tempting offers. The young actor was invited in Alma-Ata, and in Krasnoyarsk and Moscow Theater of the Lenin Komsomol. But he chose the Novosibirsk "Red Torch", which is not without reason considered the "Siberian Moscow Art Theatre." It was a great company and a great direction. In Novosibirsk, he started a real serious professional study Matveeva. A study here was one. At the head of the theater was a man of great culture - V. Redlich, worked here and VK Denis, strict, exacting director and teacher, and EM Behbudov with his explosive temper, vivid theatricality. Here, the young actor first came into contact with the teachings of KS Stanislavsky. Mentors Matveeva seriously cared about the creative growth of the young actor. It is in the "Red Torch" sought to reveal his identity.
At the theater, ES Matveev played a lot and successfully. Among his works of those years: John Harmon ( "Our Mutual Friend" by Charles Dickens), Leontiev ( "Candidate of the Party" A. Crone), Victor Lavrov ( "The great strength of" Boris Romashov) Aksanich ( "Constantine Barrier" A . Movzona), Yuri Podnebesko ( "Happiness" on the novel by P. Pavlenko), Baron Vietinghoff and the District Commissioner ( "Unforgettable 1919" Sun Vishnevsky), Neil ( "Philistines" Gorky). The biggest success was the young artist a share in Uldysa role in the play "Twist, a breeze!" Staged by E. Behbudov play classical Latvian literature Rainis.
This production was an important milestone in the creative path of the actor. In 1951, "Red Torch" showed the play during a tour in Leningrad. Again Matveev was invited to several theaters of Moscow and Leningrad. This time, he accepted the offer of the oldest team of the country - the Maly Theatre in 1952 and made his debut on stage in the role of academic Neznamova drama AN Ostrovsky "Guilty Without Guilt". The desire to improve results Yevgeny Matveyev in creative laboratory MN Kedrov, student KS Stanislavsky, organized at the All-Russian Theatrical Society. Together with the young aspiring actor classes visited by many famous actors and directors, among them B. Marecki, Plyatt R., N. Annenkov and other great masters.
Among the images created by Evgeny Matveev 12 years at the State Academic Maly Theater, stand out: Zvonarev ( "Port Arthur" Stepanova and Popova), Spring ( "Love Spring" K. Treneva) Rawdon ( "Vanity Fair "W. Thackeray), Trofimov (" main role "S. Aleshin), Poles (" Autumn Dawns "Vladimir Blinov), Erastus (" The heart is not stone, "Ostrovsky), Oswald (" Ghosts "by Ibsen .), etc. In 1958, Yevgeny Matveyev was awarded its first honorary title - "Honored Artist of the RSFSR."
Even as a stage actor, Yevgeny Matveyev sought most mass art form - cinema. The ability to reach an audience of millions, to strengthen its voice on the unprecedented power of "voice" - this was his dream. And in 1955, his dream began to be implemented. By the end of the 1950s, his record already numbered several roles in the movie: the main role in the film "The Searchers" on the novel by D. Granik, Constantin film Kulidzhanov L. and J. Segel, "The house where I live," Lobanov film "Case" Motley "" commander Sorokin in "eighteenth year".
End 1950 - beginning of 1960 - a very busy period in the creative biography E.Matveeva. The works followed one after another, and all of them were marked by talent, inspiration, temperament and because of their creator had a well-deserved success. For a short time at the Small Theater was 11 Prime with his participation. The films in which he played Matveev, do not descend from screens. Fedotov appeared in the film M. Ershov "Native Blood", shook all their manly kindness and poignant sincerity, Trofim Red Army soldier from the short film "Colt" on a story by Mikhail Sholokhov, Pavlovsky in "crash".
From his youth, one of the favorite characters, who wanted to play the actor was Makar feeding of Sholokhov "Virgin Soil Upturned". Image of Makara in the highest degree corresponds to the fact that it is possible to define the words "hero Matveeva," which is the main theme of his work - the love for the motherland, the people of life. And in life and on the stage attracted the people living at the limit of physical and emotional strength, when every moment is filled to overflowing, each minute is lived as if it was the last.
It is easy to imagine the state of the actor, when a telegram arrived from Leningrad with an invitation to the shooting of the film "Virgin Soil Upturned". But the meeting with the director of the film A. Ivanov acted on Matveeva like a bucket of cold water. He was offered the role is not fattening, and Davydov. The actor felt a sense of shame, bitterness, a state of irretrievable loss of a loved one, a loved one with whom he lived his best years. Yet Matveyev begged the director at least try it as Nagulnova. The sample produced at all such a strong impression that the question no one had: Matveev - Feeding and there. So there was a meeting of the actor and the role, which was not only one of the most successful, memorable and the best works of the actor, but also a real event in the Soviet cinema, classics of Russian cinema.
Makar feeding appeared before the audience a true "knight of the revolution." This bundle of energy, vnebytovoy hero. For him, any action - a fragment of the struggle for life and death in the name of revolution. The Civil War was not the end for him, and in each case, which is entrusted to him by the party, he is thrown in the fight, in a dashing cavalry attack. Of course, it also has a naive and childlike simplicity, but at the same time the deep charm of outstanding personality.
"All the actors and directors need to undergo" clean "classics. Check yourself - how "grown" up to it ". These are the words of Yevgeny Matveyev. Eugene S. is himself also passed this test. During the filming of "Virgin Soil Upturned" director M. Schweitzer invited Yevgeny Matveyev on the role of Prince Nekhlyudov in the adaptation of the novel LN Tolstoy`s "Resurrection". Time for a smooth, unhurried way of joining in was not. Combining both jobs was incredibly difficult, even physically difficult, not to mention the fact that we had to literally turn the course of Nagulnova to Nekhludoff, and vice versa. A different characters more difficult to imagine. It was necessary that all the powerful emotion of the actor "bubbled" only inside him and very sparingly, minimally, just bit by bit to go outside. Nekhludoff - a man with a heart capable of the emotional movement, and acting personality Matveeva responded to it, and the role of the actor brought a huge success.
Despite the success in film, theater always remained for Eugene Matveev his love, his pain and his dream. An incredible performance, just at the limit of physical and mental strength, over the years has become a credo Yevgeny Matveyev. Otherwise, he could not. It is difficult to say how long Yevgeny Matveyev would have remained "serve two masters" - film and theater. However, during the filming of "Virgin Soil Upturned" he fell from his horse and injured his spine. Serious illness permanently tore actor of your favorite things. On the stage, he never returned.
Long two years Yevgeny Matveyev was bedridden. It has long been "secretly" sick directing, he surrounded by books, studied the theory of directing, dreamed of a full-fledged creative work, his "screen" was the ceiling on which it mentally through my future films. Art did not allow him to panic and despondency. That`s when he vowed to get on their feet, and under the pressure of his will for life and passion for the profession of the disease has receded.
Directorial debut ES Matveev was the film "Gypsy", staged on the novel by Alexander Kalinin. For seemingly artless story of the good, brave, do not harden soul blacksmith Budulay rose living human fate, which, as so often happens in life, sorrow and joy are not present in equal proportions. Since the release of the film, where the director and played a major role, the audience accepts the job Matveev-director as well as to take this work Matveeva actor. As a director, he made the film "Gypsy" (role Budulai, 1967), "Post novel" (the role Kovshova, 1969), "Especially important task" (the role of Kirillov, 1980), "Easy Money" (1981), "Victory "(role Karpov, 1984)," Love the earth "(the role of Zahara Deriugina, 1974)," Fate "(the role of Zahara Deriugina, 1977)," The cup of patience "(Ch. part). Among his works, shot in 1990, - three films under the title "Love in Russian."
As an actor, ES Matveev much fruitful acted in other directors: "Soldiers of Freedom" (Brezhnev), "The Taming of the Fire" (Plant Manager) "Sibiryachka" (Dobrotin, 1972), "Fury" (Gulyavin), "And there was evening and there was morning, "(Yartsev)," mortal enemy "(Arseny, 1971)," front for the front line "(Secretary of the Regional Committee, 1977)," The front of the rear of the enemy "(Secretary of the Regional Committee, 1981), and others.
Wonderful acting and directing achievements Matveeva assessed on merit: the audience repeatedly called him the best actor of the year; painting "postal romance" gets the prize IV All-Union Film Festival as the best historical-revolutionary film; film series "Love the Earth" and "Fate" Matveyev bring the title of laureate of USSR State Prize, and Vasilyev Brothers State Prize of the RSFSR; for the main role in the Novels "high rank", he becomes the owner of a gold medal AP Dovzhenko; for the role of Pugachev in the film "Emelyan Pugachev" it is recognized the best performer male role at the XVI International Film Festival in Czechoslovakia; film "Victory" receives a special prize of the Organizing Committee and the Ministry of Defence at the XVIII All-Union Film Festival; for his role in the film "Love in Russian" E .Matveev awarded the prize for Best Actor at the XII International Film Festival of Asia, Africa and America.
ES Matveev was elected an academician of the National Academy kinematogarficheskih Arts and Sciences of Russia.
Another side of the creative life of Yevgeny Matveyev was his teaching activities. For several years he was a professor of the All-Union State Institute of Cinematography, the head of Azerbaijan acting workshop. Perhaps the most critical time in the work with future actors Matveev considered the initial stage, the first stage of the exercises and simple sketches. Therefore, despite the huge workload, all classes invariably conducted himself. He taught his students to master the law of the actor`s art - an internal, focused, precise action, through which we can express the problem of image, personality, character, genre works. He did not cease to remind that the creative life of an actor is difficult that the profession of the actor - a profession enthusiastic people, music is a profession. "We are with you - feel the sun, the word leaves ... diamond set in gold - that`s what the actor ..."
A special area of ??the life of Eugene S. were creative meeting with spectators. To them he treated very seriously and responsibly. I went around the country, read excerpts from literary works, the scene played out films and performances, was especially fond of listening to the audience and answer their questions.
ES Matveev - People`s Artist of the USSR (1974), was awarded two Orders of Lenin, Order of October Revolution, the Order "For Merit


Tuesday, May 26, 2009
You Did NOT Miss Wolverine #72
For all of you Old Man Logan fans who think your comic book retailer doesn't know what he or she is doing because you never got the last issue of the story, blame Marvel, not the retailer.
Yes, that's right. You DID NOT miss issue #72 of Wolverine. I do understand that you recently took home issue #73 and were completely confused. Again - blame Marvel. They needed to move onto the next story line and unfortunately they've (as usual) been pretty easy on the deadlines for the creators of the Old Man Logan story. It's coming out this week (Thursday if you're a USA resident, Wednesday if you're not).
I know you are shaking your head, barely believing me. It's been since those bad days we refer to as the 90's when publishers felt the need to publish issues of their comic books out of order. But I swear it's true! Here's Marvel's official solicitation - with the date of May 28th on it, and the solicitation for issue #73, with May 13th as the release date. Marvel isn't even hiding the fact that THEY are the ones to blame. They let the Old Man Logan story fall well behind deadlines and then had to rush Wolverine #73 - that must have a story tying into other Marvel events. It's crazy! It's annoying! It's Marvel.
You'll get the last issue of the Old Man Logan storyline, not to worry. Just don't blame your local comic book retailer for the out-of-sync issues.


This poster for the upcoming Apocalyptic thriller Legion has been around for a month or so. I hadn't heard much about it, and thought it sounded an awful lot like the 1995 Christopher Walken movie, The Prophecy, so I pretty much ignored it.
Now, just so you understand, this time of year, my day job is very slow and I have lots of time to surf the web. While visiting one of my favorite horror sites, ShockTillYouDrop, today, I came across the red-band trailer for the movie and had to watch it at least twice more.
Not only does it star the pictured Paul Bettany (Ironman; The Davinci Code) as the Archangel Michael, it features the still so hot Dennis Quaid; my secret crush Jon Tenney ("The Closer"); sexy red-headed siren Kate Walsh ("Private Practice" - yes, I can still appreciate a beautiful woman, even if I have no desire to sleep with one); Kevin Durand (the evil Keamy from "Lost") and Hellboy's Doug Jones. And to top it all off, the trailer looks like the movie will be nothing less than bat-shiat insane.
Take a look for yourself (and sorry about the age requirement - I know no children read this blog, but STYD has this thing about age-appropriateness) here.
I mean really, now. Could you ask for more insanity from one trailer? Just imagine what the whole movie must be like. Legion is scheduled to open on January 22nd, 2010. I'll be in line.
PS - Stephen brought up an interesting question in a comment on my last posting. What's the best remake you've ever seen? Let me know. You know how I love hearing from you.
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Today we will discuss in this blog about how important music really is while finalizing corporate video projects.
In metro cities like gurugram, noida , delhi, manesar there is a race within the companies to stay ahead of the curve and keep their marketing activities at the top. Each company or multinational mnc wants the best content , stay original and get appreciated by audience.
Now using common royalty free music doen’t provide that kick to the corporate representatives of their projects.
And that’s the reason here we are discussing use of good music in corporate films and advertisements because a lot of people kind of treat music as their last priority .
Its like ..okay whenever we get the film done we’ll put it in the
editing and then we’ll kind of find some music that fits the sequence because they’re so focused on the look . They want to make sure the camera angle is perfect , and the color is perfect and the visuals are perfect and yes we all agree the visuals are very important but you forget that when you’re watching a corporate film or advertisement it’s actually half visual and then half listening
So as much time as we spend on the visuals and the look we need to spend just as much on the music and on the audio .
Music could be any sort of music but the music is something that gives you emotions and it really gets inside you and
gives you goosebumps. Like the recent sports cycle brand advertisement gave goosebumps to audience of cyber city gurugram.
Lets say you come across some brand advertisement online and you’re looking at it and its like wow that’s really cool but if the music fits just right it can really bring your
emotions out or if a music doesn’t fit a scene then it’s not really going to work and you’re not really going to feel as
emotional about this scene.


Fashion queen Jennifer Lopez's latest English album, which show her courage to unbridledly play music!
Getting back to the soul concept, this brand new album largely uses guitar rhymes and is performed in simple way.
The Midsummer Station...
It is the most favorite fresh electronic music favored by art youth.
Encore is an album by English soprano Sarah Brightman. It includes tracks from 2 previous albums, and 4 previously unreleased tracks.
Touchdown is the debut album of the Swedish boy band JTR, who got seventh in season 5 of the Australian version of The X Factor.
Meet The Vamps...
Meet The Vamps is the debut studio album by British pop rock band The Vamps.
X is the tenth studio album by Australian singer Kylie Minogue, which is also the 'comeback' album.
Queen Of The...
Rely on the Perfect combination of pop, electric and rock music, Tove Lo's debut album ranks No.6 in Sweden.
R.E.D. is the fifth album by American singer-songwriter Ne-Yo, which contain songs that crossover different genres of music.
It is the debut studio album by American rock band Linkin Park, which was a huge commercial success.
In The Lonely Hour...
It's the debut album of BBC voice of 2014, which attracts famous producers.
Progress is the 6th album by Take That. It is the band's first album to feature the return of Robbie Williams since his departure.


|Polychrome, the Shaggy Man, and Betsy assist Tik-Tok.|
Oliver Morosco produced The Tik-Tok Man of Oz at the Majestic Theater in Los Angeles, California, where it premiered March 31, 1913. The show then toured the USA and Canada, arriving in San Diego, California, in 1914. Now, one hundred years later, San Diego will once again host a presentation of The Tik-Tok Man of Oz. It's appropriate that The Tik-Tok Man of Oz will be performed in San Diego, since L. Frank Baum wrote the earliest drafts of the show in 1907 at the Hotel del Coronado, the famous luxury resort near San Diego.
|Sheet music from 1913|
|Sheet music from 1913|
The Tik-Tok Man of Oz Kickstarter Campaign
A Kickstarter campaign for The Tik-Tok Man of Oz has launched. Won't you consider becoming part of this fascinating project by making a pledge? To contribute, click here to go directly to Kickstarter. We're offering some cool rewards for contributors, including a DVD of the performance, a book reprinting all the surviving sheet music from the original production, artwork by Eric Shanower, VIP seating at the performance, posters, and more--you could even have a walk-on role in the show! Some of these rewards are exclusive and won't be available anywhere else. Watch our Kickstarter video to hear music from The Tik-Tok Man of Oz.
Auditions and Open Dance Call
The cast will have about twenty members to bring The Tik-Tok Man of Oz to life. Auditions are April 4 in the San Diego area. Open Dance Call is April 6. For details, see the Audition Notice here.
Behind the Curtain
The creative team for The Tik-Tok Man of Oz is already in place, and here they are:
Chrissy Burns, Director: Chrissy has directed such productions as 42nd Street, Sweet Charity, Nunsense, and Chicago. She has acted on many San Diego stages, including Lambs Players, Diversionary Theatre, Starlight Theatre, and more. She was recently seen in miXtape, the hit 1980's musical at the Horton Grand Theater. She teaches Musical Theater and Voice at Infinity Dance Arts in El Cajon, California.
David Maxine and Eric Shanower, Set and Costume Design: David has designed productions including Sweeney Todd, Oklahoma!, and The Baltimore Waltz for theaters such as Skylight Opera, Yale Rep, Trenton State College, and Bard College. He was Associate Designer for ABC News, Production Designer for the film Ready? OK!, and Scenic Artist at San Diego Opera and La Jolla Playhouse. Eric is a cartoonist whose comics projects include the ongoing series Age of Bronze, the story of the Trojan War, and scripts for New York Times best-selling comics adaptations of L. Frank Baum's Oz books with art by Skottie Young. He has illustrated numerous other comics and books.
If you want to be in the audience for this historic performance of L. Frank Baum's The Tik-Tok Man of Oz, be sure to register for Winkie Con 50 as soon as you can.
To see many aspects of Tik-Tok and his friends, see the gallery of images on The Tik-Tok Man of Oz website here.


Bingo has always been a popular game for a lot of people in the world with groups of friends and family members often playing bingo together each week at local bingo halls. The pandemic caused the introduction of lockdowns which led to the closure of bingo halls and led bingo companies to head to online platforms due to them not being able to open the doors to customers at the bingo halls. There is a good number of online bingo websites now and a lot of these offers a casino without registration which has become a popular choice for many online bingo players, you can click here for more sites that are often used by bingo players. The decision to move to an online platform has proven to be a wise move by the bingo industry with online bingo websites now attracting thousands of new users each week. One reason why online bingo has become so popular is due to users being able to play the game from their smartphone and the palm of their hand which has proved to be very popular due to people being able to play online bingo from home or whilst they are on a break at work. Online bingo is now one of the most popular games to play across the different casinos with there being different themed bingo games so players can get a new and exciting gaming experience to what they are usually used to.
Even with the pandemic easing and lockdowns being lifted online bingo is still the chosen method for bingo players even with bingo halls being open again. Online bingo is now one of the more popular games at online casinos with more gamblers taking up online bingo since they can play multiplayer games with friends or family members. Bingo games now are also featuring a chat option so players can speak to each other which has proven to be a popular addition to online bingo games with players getting the feeling that they are back in the bingo hall with friends. Online bingo looks set to have the best year on record this year with the industry hitting new targets and profits each week with more people taking up online bingo over any other online casino games. A lot more online casinos are now making sure to provide bingo games to their users after seeing how popular they have become.


"There's no glory for a robot."
We're catching up on our Oscar movies and this week we're talking
about Cate Blanchett's wonderous
performance in Tár. Also discussed: Season 4 of You, the
Scamfluencers podcast and Lisa's new year-long
"Do nothing. Stay and fight. Leave."
This week, we collectively take a deep breath and discuss Sarah
Polley's brilliant film Women Talking. Also discussed:
I'm Glad My Mom Died, Girls5EVA, and Pamela,
A Love Story.
"Empirically sexy at any age." This
week we're talking about Emma Thompson and Daryl McCormack in the
British sex comedy Good Luck To You Leo Grande. Also
discussed: Begonia's new album, Ginny & Georgia, and
breaking up with your hairdresser.
"You will do something illegal."
This week we talk about Aubrey Plaza's latest - and perhaps
greatest - film, Emily the Criminal. Also discussed:
Soap Opera Weekly, unpaid internships, and Marie Kondo's
Our podcast, Pop This!, is three women talking about feminism and pop culture. Lisa Christiansen is a broadcaster, journalist and longtime metal head. Andrea Warner is a music critic, author and former horoscopes columnist. Andrea Gin is a producer and an avid figure skating fan. Every week they talk about things they love, stuff that pisses them off and pop culture: movies new and old, TV, books, music and more. Press play and come hang out with your new best friends.


Identity Thief (2013) Soundtrack7 Feb 2013
Identity Thief, released on 7 Feb 2013, consists of a playlist of 53 credited songs, from various artists including M.I.A., Cham Pain and Lil' Wendy. The original score is composed by Christopher Lennertz.
List of Songs
Official Soundtrack OST
No soundtracks are currently available for this title.


Freddi Fish 3: The Case of the Stolen Conch Shell is a point & click adventure game developed and published by Humongous Entertainment for PC and Mac platforms.
The game centered around Freddi Fish and his friend Luther as They discover that the conch shell has been stolen. Freddi and Luther must search for clues to find the culprit.
The game uses a simplified version of the SCUMM engine like Humongous' other popular game series', Spy Fox and Pajama Sam. The culprit in the game changes every time you play it.


Howdy troublemakers! Go play some pinball this weekend in your costumes, that’s about as fun as it gets! My gal Kate is back in town, and she’s in Thursday Friday and Saturday from 8p to midnight. Go party! Just no drinks on the games, you ghouls!
Posted in Blog


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Channing Tatum, Zoe Saldana and Diego Luna voice characters in the animated film from producer Guillermo del Toro. READ MORE
Channing Tatum, Zoe Saldana and Ron Perlman star in Jorge R. Gutierrez's animated feature. The film from producer Guillermo del Toro is set to hit theaters on Oct. 17. READ MORE
Love conquers death — or, at least, tries to — in the first trailer for the animated movie starring Channing Tatum and Zoe Saldana. READ MORE
Guillermo del Toro and Jorge Gutierrez's animated comedy about a young man torn between his family's expectation and the love of his life. The film, starring Zoe Saldana, Channing Tatum and Diego Luna is set to hit theaters on Oct. 17.
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Bosir – Together EP
GBM029 Grooveboy Music
Release Date – 16th February 2015
First Grooveboy Music release of 2015 sees the label return to its trademark smooth soulful sound with a classy jazz tinged two track EP from French DJProducer Bosir. Together and Nice Day are both masterfully crafted with some beautiful soul drenched elements.
Together is a smooth as silk groover that features some classic deep house ingredients that perfectly underscore the souring saxophone and seductive vocals.
Nice Day is a sublime slice of mellow down tempo perfection. The track is ready made for those poolside chill out sets. A spellbinding sax motif and some infectious vocal chants are expertly arranged over lush keys and deep beats.


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