when Kong escapes the theatre and finally sees the Girl again in NYC
question: What's the greatest scene?, context: Everyone knows this story so I will be brief.  1979 version w/ Jessica Lange had a stronger sexual element to the monkey/girl relation, but was very touching nonetheless.  The relation here is more of an 'obsession' with a prized possession to protect, that the gorilla has with the girl, versus some type of purely sexual interest.I hate to say it, but here goes, fellows, we have all been that ape at one time or another.  You know what Im saying.  So the story is universal in that we can identify with the feelings of the protagonist, even if it is a monkey.Certain scenes are visually unforgettable.  Such as when Kong escapes the theatre and finally sees the Girl again in NYC, walking smokily down a blue lit street in pitch black winter.  You can see his expression go from fear it wont be her, to calm, and sad acceptance.  Throughout, Kong looks doomed and aware of it, even on the island.  He seems to be an older creature, and tired of the throne, which makes the protector relation to the girl more convincing.Really, a true classic.  Snubbed at the Oscars, but then LOTR was grossly overpraised, so it evens out.  Do not miss this. 
What's the greatest scene?
 Such as when Kong escapes the theatre and finally sees the Girl again in NYC , walking smokily down a blue lit street in pitch black winter.
Everyone knows this story so I will be brief.  1979 version w/ Jessica Lange had a stronger sexual element to the monkey/girl relation, but was very touching nonetheless.  The relation here is more of an 'obsession' with a prized possession to protect, that the gorilla has with the girl, versus some type of purely sexual interest.I hate to say it, but here goes, fellows, we have all been that ape at one time or another.  You know what Im saying.  So the story is universal in that we can identify with the feelings of the protagonist, even if it is a monkey.Certain scenes are visually unforgettable.  Such as when Kong escapes the theatre and finally sees the Girl again in NYC, walking smokily down a blue lit street in pitch black winter.  You can see his expression go from fear it wont be her, to calm, and sad acceptance.  Throughout, Kong looks doomed and aware of it, even on the island.  He seems to be an older creature, and tired of the throne, which makes the protector relation to the girl more convincing.Really, a true classic.  Snubbed at the Oscars, but then LOTR was grossly overpraised, so it evens out.  Do not miss this. 
 Such as <hl> when Kong escapes the theatre and finally sees the Girl again in NYC <hl> , walking smokily down a blue lit street in pitch black winter.
Everyone knows this story so I will be brief. 1979 version w/ Jessica Lange had a stronger sexual element to the monkey/girl relation, but was very touching nonetheless. The relation here is more of an 'obsession' with a prized possession to protect, that the gorilla has with the girl, versus some type of purely sexual interest.I hate to say it, but here goes, fellows, we have all been that ape at one time or another. You know what Im saying. So the story is universal in that we can identify with the feelings of the protagonist, even if it is a monkey.Certain scenes are visually unforgettable. Such as <hl> when Kong escapes the theatre and finally sees the Girl again in NYC <hl>, walking smokily down a blue lit street in pitch black winter. You can see his expression go from fear it wont be her, to calm, and sad acceptance. Throughout, Kong looks doomed and aware of it, even on the island. He seems to be an older creature, and tired of the throne, which makes the protector relation to the girl more convincing.Really, a true classic. Snubbed at the Oscars, but then LOTR was grossly overpraised, so it evens out. Do not miss this. 
Everyone knows this story so I will be brief. 1979 version w/ Jessica Lange had a stronger sexual element to the monkey/girl relation, but was very touching nonetheless. The relation here is more of an 'obsession' with a prized possession to protect, that the gorilla has with the girl, versus some type of purely sexual interest. I hate to say it, but here goes, fellows, we have all been that ape at one time or another. You know what Im saying. So the story is universal in that we can identify with the feelings of the protagonist, even if it is a monkey. Certain scenes are visually unforgettable. <hl> Such as when Kong escapes the theatre and finally sees the Girl again in NYC , walking smokily down a blue lit street in pitch black winter. <hl> You can see his expression go from fear it wont be her, to calm, and sad acceptance. Throughout, Kong looks doomed and aware of it, even on the island. He seems to be an older creature, and tired of the throne, which makes the protector relation to the girl more convincing. Really, a true classic. Snubbed at the Oscars, but then LOTR was grossly overpraised, so it evens out. Do not miss this.