Question: What the players wear for the game?

Home-field advantage in the World Series has been tied to the outcome of the All-Star Game since 2003. Complain all you want, but nothing is likely to change. The new commissioner, Rob Manfred, is emphatically in favor of keeping the link between the sport’s so-called jewel events. Maybe the answer is not to eliminate the link, but for those in uniform to take the game more seriously. The managers could strategize a little more. The hitters could work deeper counts. The pitchers could avoid any semblance of sentimentality; who can forget Adam Wainwright giving the retiring Derek Jeter a good pitch to hit last summer? Even so, compared with the N.F.L., N.B.A. and N.H.L. frolics, this All-Star event most closely resembles the competition in an actual game. The scores are familiar, and while Major League Baseball cannot help using silly caps — this year’s have horizontal stripes across the front — at least the players still wear their regular uniforms for the game.

Answer: regular uniforms

Home-field advantage in the World Series has been tied to the outcome of the All-Star Game since 2003. Complain all you want, but nothing is likely to change. The new commissioner, Rob Manfred, is emphatically in favor of keeping the link between the sport’s so-called jewel events. Maybe the answer is not to eliminate the link, but for those in uniform to take the game more seriously. The managers could strategize a little more. The hitters could work deeper counts. The pitchers could avoid any semblance of sentimentality; who can forget Adam Wainwright giving the retiring Derek Jeter a good pitch to hit last summer? Even so, compared with the N.F.L., N.B.A. and N.H.L. frolics, this All-Star event most closely resembles the competition in an actual game. <hl> The scores are familiar, and while Major League Baseball cannot help using silly caps — this year’s have horizontal stripes across the front — at least the players still wear their regular uniforms for the game. <hl>

Home-field advantage in the World Series has been tied to the outcome of the All-Star Game since 2003. Complain all you want, but nothing is likely to change. The new commissioner, Rob Manfred, is emphatically in favor of keeping the link between the sport’s so-called jewel events. Maybe the answer is not to eliminate the link, but for those in uniform to take the game more seriously. The managers could strategize a little more. The hitters could work deeper counts. The pitchers could avoid any semblance of sentimentality; who can forget Adam Wainwright giving the retiring Derek Jeter a good pitch to hit last summer? Even so, compared with the N.F.L., N.B.A. and N.H.L. frolics, this All-Star event most closely resembles the competition in an actual game. The scores are familiar, and while Major League Baseball cannot help using silly caps — this year’s have horizontal stripes across the front — at least the players still wear their <hl> regular uniforms <hl> for the game.


Question: What was the name of the Arab Prisoner?

One day, a gendarme, Balducci (Vincent Martin), rides up on horseback to Daru’s schoolhouse with an Arab prisoner, Mohamed (Reda Kateb), on foot. Balducci explains that the prisoner, who’s never named in the Camus story, has cut the throat of a cousin (“like a sheep”) and now Daru needs to take Mohamed to another town for some French justice and certain death. Daru refuses, but when Balducci rides off, the teacher is left with Mohamed and a quandary. After giving Mohamed dinner and a bed, and after a restive night with a gun by his side, Daru wakes to tell Mohamed that he can leave of his own accord. This seems as if it should be an easy call, but Daru’s assumptions about free will don’t pan out. Mohamed refuses to flee.

Answer: Mohamed (Reda Kateb)

<hl> One day, a gendarme, Balducci (Vincent Martin), rides up on horseback to Daru’s schoolhouse with an Arab prisoner, Mohamed (Reda Kateb) , on foot. <hl> Balducci explains that the prisoner, who’s never named in the Camus story, has cut the throat of a cousin (“like a sheep”) and now Daru needs to take Mohamed to another town for some French justice and certain death. Daru refuses, but when Balducci rides off, the teacher is left with Mohamed and a quandary. After giving Mohamed dinner and a bed, and after a restive night with a gun by his side, Daru wakes to tell Mohamed that he can leave of his own accord. This seems as if it should be an easy call, but Daru’s assumptions about free will don’t pan out. Mohamed refuses to flee.

One day, a gendarme, Balducci (Vincent Martin), rides up on horseback to Daru’s schoolhouse with an Arab prisoner, <hl> Mohamed (Reda Kateb) <hl>, on foot. Balducci explains that the prisoner, who’s never named in the Camus story, has cut the throat of a cousin (“like a sheep”) and now Daru needs to take Mohamed to another town for some French justice and certain death. Daru refuses, but when Balducci rides off, the teacher is left with Mohamed and a quandary. After giving Mohamed dinner and a bed, and after a restive night with a gun by his side, Daru wakes to tell Mohamed that he can leave of his own accord. This seems as if it should be an easy call, but Daru’s assumptions about free will don’t pan out. Mohamed refuses to flee.

One day, a gendarme, Balducci (Vincent Martin), rides up on horseback to Daru’s schoolhouse with an Arab prisoner, <hl> Mohamed (Reda Kateb) <hl> , on foot.


Question: For who should be organized "safe spaces"?

That category could easily have included me. In 2006 I was shot at by a drunken 20-something man on the North Side of Chicago while riding in a car with three female friends. The reason? I was in the back seat next to the man’s ex-girlfriend. Enraged, he burst from his house, pistol popping. Luckily, his aim was bad, and my friend was a good defensive driver: The shooter only managed to crack the rear window. I learned later that he had loose ties to a Hispanic set. Since then, I have sometimes wondered how close I came, as a brown man, then in my mid-20s, to having my death trivialized by a two-word phrase in a police blotter. The chimera of devious street tribes might give people a scapegoat for Chicago’s gun violence, but it doesn’t reflect the complex reality on the ground. And sending in tactical units to “destroy the gangs,” as the former Chicago police superintendent Garry McCarthy recently vowed, distracts from the structural problems that lead to gun violence in inner-city neighborhoods. When our solution to crime is to target gangs, we risk targeting whole swaths of people in economically disadvantaged neighborhoods, almost all of them black and Hispanic. A real solution would involve more opportunities for employment and education, stricter policies on gun control and safe spaces for those who have been traumatized, in order to minimize the chance of violence being perpetuated — the same things people have spent half a century calling for in these neighborhoods.

Answer: those who have been traumatized

That category could easily have included me. In 2006 I was shot at by a drunken 20-something man on the North Side of Chicago while riding in a car with three female friends. The reason? I was in the back seat next to the man’s ex-girlfriend. Enraged, he burst from his house, pistol popping. Luckily, his aim was bad, and my friend was a good defensive driver: The shooter only managed to crack the rear window. I learned later that he had loose ties to a Hispanic set. Since then, I have sometimes wondered how close I came, as a brown man, then in my mid-20s, to having my death trivialized by a two-word phrase in a police blotter. The chimera of devious street tribes might give people a scapegoat for Chicago’s gun violence, but it doesn’t reflect the complex reality on the ground. And sending in tactical units to “destroy the gangs,” as the former Chicago police superintendent Garry McCarthy recently vowed, distracts from the structural problems that lead to gun violence in inner-city neighborhoods. When our solution to crime is to target gangs, we risk targeting whole swaths of people in economically disadvantaged neighborhoods, almost all of them black and Hispanic. <hl> A real solution would involve more opportunities for employment and education, stricter policies on gun control and safe spaces for those who have been traumatized , in order to minimize the chance of violence being perpetuated — the same things people have spent half a century calling for in these neighborhoods. <hl>

That category could easily have included me. In 2006 I was shot at by a drunken 20-something man on the North Side of Chicago while riding in a car with three female friends. The reason? I was in the back seat next to the man’s ex-girlfriend. Enraged, he burst from his house, pistol popping. Luckily, his aim was bad, and my friend was a good defensive driver: The shooter only managed to crack the rear window. I learned later that he had loose ties to a Hispanic set. Since then, I have sometimes wondered how close I came, as a brown man, then in my mid-20s, to having my death trivialized by a two-word phrase in a police blotter. The chimera of devious street tribes might give people a scapegoat for Chicago’s gun violence, but it doesn’t reflect the complex reality on the ground. And sending in tactical units to “destroy the gangs,” as the former Chicago police superintendent Garry McCarthy recently vowed, distracts from the structural problems that lead to gun violence in inner-city neighborhoods. When our solution to crime is to target gangs, we risk targeting whole swaths of people in economically disadvantaged neighborhoods, almost all of them black and Hispanic. A real solution would involve more opportunities for employment and education, stricter policies on gun control and safe spaces for <hl> those who have been traumatized <hl>, in order to minimize the chance of violence being perpetuated — the same things people have spent half a century calling for in these neighborhoods.

A real solution would involve more opportunities for employment and education, stricter policies on gun control and safe spaces for <hl> those who have been traumatized <hl> , in order to minimize the chance of violence being perpetuated — the same things people have spent half a century calling for in these neighborhoods.


Question: How old was the daughter of the 3rd defendant when he died in prison?

Two of the men had each spent almost 33 years in prison on arson and murder charges, the longest time served by any defendant whose conviction has been vacated under Ken Thompson, the Brooklyn district attorney. The third defendant died in prison. Now 70 and 66, the surviving defendants, William Vasquez and Amaury Villalobos, stood in State Supreme Court in Brooklyn. Next to them stood the widow and daughter of the third defendant, Raymond Mora. His daughter, who was 7 when he died in prison in 1989, held up a photo of her father. “I don’t know how this case managed to proceed,” Assistant District Attorney Mark J. Hale, who oversees the Conviction Review Unit in the office, told Justice Matthew J. D’Emic as he asked him to vacate the men’s convictions. In February 1980, a townhouse at 695 Sackett Street burned to the ground. The third-floor tenants, a mother and her five young children, were killed.

Answer: 7

Two of the men had each spent almost 33 years in prison on arson and murder charges, the longest time served by any defendant whose conviction has been vacated under Ken Thompson, the Brooklyn district attorney. The third defendant died in prison. <hl> Now 7 0 and 66, the surviving defendants, William Vasquez and Amaury Villalobos, stood in State Supreme Court in Brooklyn. <hl> Next to them stood the widow and daughter of the third defendant, Raymond Mora. His daughter, who was 7 when he died in prison in 1989, held up a photo of her father. “I don’t know how this case managed to proceed,” Assistant District Attorney Mark J. Hale, who oversees the Conviction Review Unit in the office, told Justice Matthew J. D’Emic as he asked him to vacate the men’s convictions. In February 1980, a townhouse at 695 Sackett Street burned to the ground. The third-floor tenants, a mother and her five young children, were killed.

Two of the men had each spent almost 33 years in prison on arson and murder charges, the longest time served by any defendant whose conviction has been vacated under Ken Thompson, the Brooklyn district attorney. The third defendant died in prison. Now <hl> 7 <hl>0 and 66, the surviving defendants, William Vasquez and Amaury Villalobos, stood in State Supreme Court in Brooklyn. Next to them stood the widow and daughter of the third defendant, Raymond Mora. His daughter, who was 7 when he died in prison in 1989, held up a photo of her father. “I don’t know how this case managed to proceed,” Assistant District Attorney Mark J. Hale, who oversees the Conviction Review Unit in the office, told Justice Matthew J. D’Emic as he asked him to vacate the men’s convictions. In February 1980, a townhouse at 695 Sackett Street burned to the ground. The third-floor tenants, a mother and her five young children, were killed.

Now <hl> 7 <hl> 0 and 66, the surviving defendants, William Vasquez and Amaury Villalobos, stood in State Supreme Court in Brooklyn.


Question: What is the website for The Purple Crayon?

Music and Dance BEACON Towne Crier Cafe Al Stewart, folk and pop. April 9 at 7:30 p.m. $35 and $40. Le Vent du Nord, folk. April 10 at 8:30 p.m. $25 and $30. Galbo and Wiggins, blues. April 11 at 8:30 p.m. $25 and $30. Máirtín O’Connor Trio, Ireland. April 12 at 7:30 p.m. $25 and $30. Towne Crier Cafe, 379 Main Street. 845-855-1300; townecrier.com. CROTON-ON-HUDSON Croton Free Library Westchester Klezmer Program. April 12 at 2 p.m. Free. Croton Free Library, 171 Cleveland Drive. crotonfreelibrary.org; 914-271-6612. CROTON-ON-HUDSON Unitarian Universalist Congregation of the Hudson Valley Loren Stillman, alto saxophone, and Gary Versace, piano. April 11 at 7:30 p.m. Suggested donation, $20. Unitarian Universalist Congregation of the Hudson Valley, 2021 Albany Post Road. 914-271-4283; uucroton.org. HASTINGS-ON-HUDSON Common Ground Coffeehouse, at First Unitarian Society of Westchester Bumper Jacksons, jazz and country. April 11 at 7:30 p.m. $18. Common Ground Coffeehouse, at First Unitarian Society of Westchester, 25 Old Jackson Avenue. commongroundfusw.com; 914-693-1065. HASTINGS-ON-HUDSON The Purple Crayon Lyra Lynn, folk. April 18 at 8 p.m. $18. The Purple Crayon, 52 Main Street. 914-231-9077; purpl.org.

Answer: purpl.org

914-231-9077; purpl.org .

Music and Dance BEACON Towne Crier Cafe Al Stewart, folk and pop. April 9 at 7:30 p.m. $35 and $40. Le Vent du Nord, folk. April 10 at 8:30 p.m. $25 and $30. Galbo and Wiggins, blues. April 11 at 8:30 p.m. $25 and $30. Máirtín O’Connor Trio, Ireland. April 12 at 7:30 p.m. $25 and $30. Towne Crier Cafe, 379 Main Street. 845-855-1300; townecrier.com. CROTON-ON-HUDSON Croton Free Library Westchester Klezmer Program. April 12 at 2 p.m. Free. Croton Free Library, 171 Cleveland Drive. crotonfreelibrary.org; 914-271-6612. CROTON-ON-HUDSON Unitarian Universalist Congregation of the Hudson Valley Loren Stillman, alto saxophone, and Gary Versace, piano. April 11 at 7:30 p.m. Suggested donation, $20. Unitarian Universalist Congregation of the Hudson Valley, 2021 Albany Post Road. 914-271-4283; uucroton.org. HASTINGS-ON-HUDSON Common Ground Coffeehouse, at First Unitarian Society of Westchester Bumper Jacksons, jazz and country. April 11 at 7:30 p.m. $18. Common Ground Coffeehouse, at First Unitarian Society of Westchester, 25 Old Jackson Avenue. commongroundfusw.com; 914-693-1065. HASTINGS-ON-HUDSON The Purple Crayon Lyra Lynn, folk. April 18 at 8 p.m. $18. The Purple Crayon, 52 Main Street. <hl> 914-231-9077; purpl.org . <hl>

Music and Dance BEACON Towne Crier Cafe Al Stewart, folk and pop. April 9 at 7:30 p.m. $35 and $40. Le Vent du Nord, folk. April 10 at 8:30 p.m. $25 and $30. Galbo and Wiggins, blues. April 11 at 8:30 p.m. $25 and $30. Máirtín O’Connor Trio, Ireland. April 12 at 7:30 p.m. $25 and $30. Towne Crier Cafe, 379 Main Street. 845-855-1300; townecrier.com. CROTON-ON-HUDSON Croton Free Library Westchester Klezmer Program. April 12 at 2 p.m. Free. Croton Free Library, 171 Cleveland Drive. crotonfreelibrary.org; 914-271-6612. CROTON-ON-HUDSON Unitarian Universalist Congregation of the Hudson Valley Loren Stillman, alto saxophone, and Gary Versace, piano. April 11 at 7:30 p.m. Suggested donation, $20. Unitarian Universalist Congregation of the Hudson Valley, 2021 Albany Post Road. 914-271-4283; uucroton.org. HASTINGS-ON-HUDSON Common Ground Coffeehouse, at First Unitarian Society of Westchester Bumper Jacksons, jazz and country. April 11 at 7:30 p.m. $18. Common Ground Coffeehouse, at First Unitarian Society of Westchester, 25 Old Jackson Avenue. commongroundfusw.com; 914-693-1065. HASTINGS-ON-HUDSON The Purple Crayon Lyra Lynn, folk. April 18 at 8 p.m. $18. The Purple Crayon, 52 Main Street. 914-231-9077; <hl> purpl.org <hl>.


Question: What photography teacher influenced Sally Mann?

Like an essayist collecting quotations, Mann ransacks the history of photography for her imagery. “I’m a shameless borrower,” she says. The influence of Norman Sieff, her photography teacher at Bennington and best known for his sepia-tinted album cover for the Band, can still be felt. At Hollins, she reprinted the glass plates of Michael Miley, Robert E. Lee’s main portrait photographer, and further immersed herself in the technology of the 19th century. A feeling of nostalgia as well as hidden danger has marked Mann’s work for years.

Answer: Norman Sieff

Like an essayist collecting quotations, Mann ransacks the history of photography for her imagery. “I’m a shameless borrower,” she says. <hl> The influence of Norman Sieff , her photography teacher at Bennington and best known for his sepia-tinted album cover for the Band, can still be felt. <hl> At Hollins, she reprinted the glass plates of Michael Miley, Robert E. Lee’s main portrait photographer, and further immersed herself in the technology of the 19th century. A feeling of nostalgia as well as hidden danger has marked Mann’s work for years.

Like an essayist collecting quotations, Mann ransacks the history of photography for her imagery. “I’m a shameless borrower,” she says. The influence of <hl> Norman Sieff <hl>, her photography teacher at Bennington and best known for his sepia-tinted album cover for the Band, can still be felt. At Hollins, she reprinted the glass plates of Michael Miley, Robert E. Lee’s main portrait photographer, and further immersed herself in the technology of the 19th century. A feeling of nostalgia as well as hidden danger has marked Mann’s work for years.

The influence of <hl> Norman Sieff <hl> , her photography teacher at Bennington and best known for his sepia-tinted album cover for the Band, can still be felt.


Question: Who is one of Greece's main creditors?

Blockupy is a left-wing alliance of dozens of activist groups from across Europe. Its members include one of the largest German labor unions, the United Service Union, known as Ver.di, and Syriza, the left-wing, anti-austerity Greek political party that is now leading the government in Athens. The European Central Bank is one of Greece’s main creditors, and it is part of the so-called troika of international organizations that are supervising the Greek bailout program that the government of Prime Minister Alexis Tsipras is trying to renegotiate. The central bank, along with the European Commission and the International Monetary Fund, is widely blamed for imposing austerity measures on countries that have needed bailouts.

Answer: European Central Bank

Blockupy is a left-wing alliance of dozens of activist groups from across Europe. Its members include one of the largest German labor unions, the United Service Union, known as Ver.di, and Syriza, the left-wing, anti-austerity Greek political party that is now leading the government in Athens. <hl> The European Central Bank is one of Greece’s main creditors, and it is part of the so-called troika of international organizations that are supervising the Greek bailout program that the government of Prime Minister Alexis Tsipras is trying to renegotiate. <hl> The central bank, along with the European Commission and the International Monetary Fund, is widely blamed for imposing austerity measures on countries that have needed bailouts.

Blockupy is a left-wing alliance of dozens of activist groups from across Europe. Its members include one of the largest German labor unions, the United Service Union, known as Ver.di, and Syriza, the left-wing, anti-austerity Greek political party that is now leading the government in Athens. The <hl> European Central Bank <hl> is one of Greece’s main creditors, and it is part of the so-called troika of international organizations that are supervising the Greek bailout program that the government of Prime Minister Alexis Tsipras is trying to renegotiate. The central bank, along with the European Commission and the International Monetary Fund, is widely blamed for imposing austerity measures on countries that have needed bailouts.


Question: What are people looking for when they go to a search engine?

Some observers agree. “The analogy I like to use is, complaining that Google is lifting its own vertical search engine over other vertical search engines would be like complaining that The New York Times is not carrying The Los Angeles Times’s sports section,” said Danny Sullivan, founder of Search Engine Land, an online publication that tracks the search industry. “You don’t expect The New York Times to carry a rival sports section. But you do expect it to have a sports section. When people go to a search engine, they’re looking to search across everything.” As Google pointed out in its response to the European filing, linking to its own services has not destroyed its rivals. Google Travel, for instance, is still far less popular than competitors.

Answer: they’re looking to search across everything.

Some observers agree. “The analogy I like to use is, complaining that Google is lifting its own vertical search engine over other vertical search engines would be like complaining that The New York Times is not carrying The Los Angeles Times’s sports section,” said Danny Sullivan, founder of Search Engine Land, an online publication that tracks the search industry. “You don’t expect The New York Times to carry a rival sports section. But you do expect it to have a sports section. <hl> When people go to a search engine, they’re looking to search across everything. ” As Google pointed out in its response to the European filing, linking to its own services has not destroyed its rivals. <hl> Google Travel, for instance, is still far less popular than competitors.

Some observers agree. “The analogy I like to use is, complaining that Google is lifting its own vertical search engine over other vertical search engines would be like complaining that The New York Times is not carrying The Los Angeles Times’s sports section,” said Danny Sullivan, founder of Search Engine Land, an online publication that tracks the search industry. “You don’t expect The New York Times to carry a rival sports section. But you do expect it to have a sports section. When people go to a search engine, <hl> they’re looking to search across everything. <hl>” As Google pointed out in its response to the European filing, linking to its own services has not destroyed its rivals. Google Travel, for instance, is still far less popular than competitors.

When people go to a search engine, <hl> they’re looking to search across everything. <hl> ” As Google pointed out in its response to the European filing, linking to its own services has not destroyed its rivals.


Question: Which game of the series did the Rangers play that night?

The Rangers salvaged at least part of Harvey’s night. Around the time that Harvey took the mound, the Rangers took the ice at Madison Square Garden for the most important game of their season, Game 5 of their Eastern Conference semifinal against the Washington Capitals in a series in which they trailed by three games to one. There was no video board at Citizens Bank Park showing the score. The right-field scoreboard displayed minor league baseball scores. But it would not have been surprising if Harvey was a bit curious about how the Rangers were faring. Harvey may be the Rangers’ most prominent and identifiable fan. The last few years, he has been spotted at numerous Rangers games, sometimes with a woman by his side. He and Henrik Lundqvist, the Rangers’ goalie, are friends. Jon Niese has been to Rangers games with Harvey twice. He said they had arranged for tickets through a Mets staff member, who coordinates with the Rangers, and they inevitably ended up sitting in a prime location near other celebrities.

Answer: Game 5

The Rangers salvaged at least part of Harvey’s night. <hl> Around the time that Harvey took the mound, the Rangers took the ice at Madison Square Garden for the most important game of their season, Game 5 of their Eastern Conference semifinal against the Washington Capitals in a series in which they trailed by three games to one. <hl> There was no video board at Citizens Bank Park showing the score. The right-field scoreboard displayed minor league baseball scores. But it would not have been surprising if Harvey was a bit curious about how the Rangers were faring. Harvey may be the Rangers’ most prominent and identifiable fan. The last few years, he has been spotted at numerous Rangers games, sometimes with a woman by his side. He and Henrik Lundqvist, the Rangers’ goalie, are friends. Jon Niese has been to Rangers games with Harvey twice. He said they had arranged for tickets through a Mets staff member, who coordinates with the Rangers, and they inevitably ended up sitting in a prime location near other celebrities.

The Rangers salvaged at least part of Harvey’s night. Around the time that Harvey took the mound, the Rangers took the ice at Madison Square Garden for the most important game of their season, <hl> Game 5 <hl> of their Eastern Conference semifinal against the Washington Capitals in a series in which they trailed by three games to one. There was no video board at Citizens Bank Park showing the score. The right-field scoreboard displayed minor league baseball scores. But it would not have been surprising if Harvey was a bit curious about how the Rangers were faring. Harvey may be the Rangers’ most prominent and identifiable fan. The last few years, he has been spotted at numerous Rangers games, sometimes with a woman by his side. He and Henrik Lundqvist, the Rangers’ goalie, are friends. Jon Niese has been to Rangers games with Harvey twice. He said they had arranged for tickets through a Mets staff member, who coordinates with the Rangers, and they inevitably ended up sitting in a prime location near other celebrities.


Question: Where was the restaurant located?

We were eating dinner at Houseman, a restaurant opened by the chef Ned Baldwin on the once-quiet far-western side of SoHo, now called Hudson Square. It is a spare, welcoming room, with walls of white brick, warm lighting, smooth wooden tables the color of Bridgehampton sand — a neighborhood restaurant for those who live amid art and commerce, who travel widely, who want to eat simply and well. There was succulent roast chicken in front of us, and a confitted turkey leg accompanied by bacon and prunes and a slab of grilled bread, a shatteringly crisp fist of fried haddock, a few fingers of juicy sausage. There was a plate of roasted carrots with cottage cheese and pumpkin seeds. There were soft, perfect leeks with fried cauliflower, anchovies and bread crumbs that caught the light from the flickering votive candles on the table. This all made for superb eating.

Answer: SoHo

<hl> We were eating dinner at Houseman, a restaurant opened by the chef Ned Baldwin on the once-quiet far-western side of SoHo , now called Hudson Square. <hl> It is a spare, welcoming room, with walls of white brick, warm lighting, smooth wooden tables the color of Bridgehampton sand — a neighborhood restaurant for those who live amid art and commerce, who travel widely, who want to eat simply and well. There was succulent roast chicken in front of us, and a confitted turkey leg accompanied by bacon and prunes and a slab of grilled bread, a shatteringly crisp fist of fried haddock, a few fingers of juicy sausage. There was a plate of roasted carrots with cottage cheese and pumpkin seeds. There were soft, perfect leeks with fried cauliflower, anchovies and bread crumbs that caught the light from the flickering votive candles on the table. This all made for superb eating.

We were eating dinner at Houseman, a restaurant opened by the chef Ned Baldwin on the once-quiet far-western side of <hl> SoHo <hl>, now called Hudson Square. It is a spare, welcoming room, with walls of white brick, warm lighting, smooth wooden tables the color of Bridgehampton sand — a neighborhood restaurant for those who live amid art and commerce, who travel widely, who want to eat simply and well. There was succulent roast chicken in front of us, and a confitted turkey leg accompanied by bacon and prunes and a slab of grilled bread, a shatteringly crisp fist of fried haddock, a few fingers of juicy sausage. There was a plate of roasted carrots with cottage cheese and pumpkin seeds. There were soft, perfect leeks with fried cauliflower, anchovies and bread crumbs that caught the light from the flickering votive candles on the table. This all made for superb eating.

We were eating dinner at Houseman, a restaurant opened by the chef Ned Baldwin on the once-quiet far-western side of <hl> SoHo <hl> , now called Hudson Square.


Question: Who would assume responsibility for the loans if the banks failed?

But the strategy has been controversial, and it was criticized by none other than Yanis Varoufakis, the Greek finance minister, who, a year ago described the practice as a “hidden bailout from European taxpayers.”  Mr. Varoufakis, then a relatively unknown economist, argued that the loans were a potent risk for Greece, which would have to assume responsibility for them if the banks failed. The practice has also been flagged by two German economists as a questionable way for troubled eurozone economies to extract funding from the central bank.

Answer: Greece,

But the strategy has been controversial, and it was criticized by none other than Yanis Varoufakis, the Greek finance minister, who, a year ago described the practice as a “hidden bailout from European taxpayers.” <hl> Mr. Varoufakis, then a relatively unknown economist, argued that the loans were a potent risk for Greece, which would have to assume responsibility for them if the banks failed. <hl> The practice has also been flagged by two German economists as a questionable way for troubled eurozone economies to extract funding from the central bank.

But the strategy has been controversial, and it was criticized by none other than Yanis Varoufakis, the Greek finance minister, who, a year ago described the practice as a “hidden bailout from European taxpayers.” Mr. Varoufakis, then a relatively unknown economist, argued that the loans were a potent risk for <hl> Greece, <hl> which would have to assume responsibility for them if the banks failed. The practice has also been flagged by two German economists as a questionable way for troubled eurozone economies to extract funding from the central bank.


Question: when was an obscure law adopted ?

The biggest setback for this kind of litigation came two years ago when the Supreme Court sharply limited the use of an obscure law adopted in 1789, the Alien Tort Statute, to bring international claims in American courts. Meanwhile, a number of controversies involving Mr. Collingsworth and other lawyers have cast a shadow over the field and made it possible for companies to mount counterattacks. “The bar has been set higher,” for human rights litigation, said Susan H. Farbstein, a law professor at Harvard.

Answer: in 1789

<hl> The biggest setback for this kind of litigation came two years ago when the Supreme Court sharply limited the use of an obscure law adopted in 1789 , the Alien Tort Statute, to bring international claims in American courts. <hl> Meanwhile, a number of controversies involving Mr. Collingsworth and other lawyers have cast a shadow over the field and made it possible for companies to mount counterattacks. “The bar has been set higher,” for human rights litigation, said Susan H. Farbstein, a law professor at Harvard.

The biggest setback for this kind of litigation came two years ago when the Supreme Court sharply limited the use of an obscure law adopted <hl> in 1789 <hl>, the Alien Tort Statute, to bring international claims in American courts. Meanwhile, a number of controversies involving Mr. Collingsworth and other lawyers have cast a shadow over the field and made it possible for companies to mount counterattacks. “The bar has been set higher,” for human rights litigation, said Susan H. Farbstein, a law professor at Harvard.

The biggest setback for this kind of litigation came two years ago when the Supreme Court sharply limited the use of an obscure law adopted <hl> in 1789 <hl> , the Alien Tort Statute, to bring international claims in American courts.


Question: What ability is demonstrated in Lightning Rods?

Joe’s is a descriptivist moralism made evident by empty jargon, meaningless tautologies and cheerful resignation. “Let’s face it,” he likes to say, before making an assumptive declaration. “If you’re in sales” is one of his favorite introductory phrases. A refrain is the literary term for what in life we would call an “annoying verbal tic.” Repeat a line over and over in a book, and it’s an aesthetic choice that your readers will react to with an approving nod. Repeat a line over and over again in speech and whoever you’re talking to will fidget and try to get away from you. In DeWitt’s novel, the redundancy does both. Like the authors of the best science fiction, DeWitt applies logistical rigor to a riotously imaginative premise. Were the world of the book the same as the world we live in, we’d never tolerate the mundanity she provides: the bureaucratic hurdles, the financial negotiations, the material impediments to tricking out toilets with glory holes. But it’s just this kind of gratuitous information that lends the novel its necessary plausibility; it’s just this kind of boring nuance that makes up a good part of a worker’s day (or so I hear). DeWitt’s satirical prose, which is rich in italics and ridden with corporate platitudes, succeeds in the unlikely task of getting the reader both to laugh with derision and to agree, however reluctantly, with the optimism and sick logic of our protagonist. Almost nothing is more satisfying than observing improvement. Like time-lapse footage of a construction site, “Lightning Rods” is an account of progress, a record of how someone became skillful at something. That the “something” here is anonymous sex on demand as a means of increasing corporate profit is both funny and horrifying.

Answer: rigor

Joe’s is a descriptivist moralism made evident by empty jargon, meaningless tautologies and cheerful resignation. “Let’s face it,” he likes to say, before making an assumptive declaration. “If you’re in sales” is one of his favorite introductory phrases. A refrain is the literary term for what in life we would call an “annoying verbal tic.” Repeat a line over and over in a book, and it’s an aesthetic choice that your readers will react to with an approving nod. Repeat a line over and over again in speech and whoever you’re talking to will fidget and try to get away from you. In DeWitt’s novel, the redundancy does both. <hl> Like the authors of the best science fiction, DeWitt applies logistical rigor to a riotously imaginative premise. <hl> Were the world of the book the same as the world we live in, we’d never tolerate the mundanity she provides: the bureaucratic hurdles, the financial negotiations, the material impediments to tricking out toilets with glory holes. But it’s just this kind of gratuitous information that lends the novel its necessary plausibility; it’s just this kind of boring nuance that makes up a good part of a worker’s day (or so I hear). DeWitt’s satirical prose, which is rich in italics and ridden with corporate platitudes, succeeds in the unlikely task of getting the reader both to laugh with derision and to agree, however reluctantly, with the optimism and sick logic of our protagonist. Almost nothing is more satisfying than observing improvement. Like time-lapse footage of a construction site, “Lightning Rods” is an account of progress, a record of how someone became skillful at something. That the “something” here is anonymous sex on demand as a means of increasing corporate profit is both funny and horrifying.

Joe’s is a descriptivist moralism made evident by empty jargon, meaningless tautologies and cheerful resignation. “Let’s face it,” he likes to say, before making an assumptive declaration. “If you’re in sales” is one of his favorite introductory phrases. A refrain is the literary term for what in life we would call an “annoying verbal tic.” Repeat a line over and over in a book, and it’s an aesthetic choice that your readers will react to with an approving nod. Repeat a line over and over again in speech and whoever you’re talking to will fidget and try to get away from you. In DeWitt’s novel, the redundancy does both. Like the authors of the best science fiction, DeWitt applies logistical <hl> rigor <hl> to a riotously imaginative premise. Were the world of the book the same as the world we live in, we’d never tolerate the mundanity she provides: the bureaucratic hurdles, the financial negotiations, the material impediments to tricking out toilets with glory holes. But it’s just this kind of gratuitous information that lends the novel its necessary plausibility; it’s just this kind of boring nuance that makes up a good part of a worker’s day (or so I hear). DeWitt’s satirical prose, which is rich in italics and ridden with corporate platitudes, succeeds in the unlikely task of getting the reader both to laugh with derision and to agree, however reluctantly, with the optimism and sick logic of our protagonist. Almost nothing is more satisfying than observing improvement. Like time-lapse footage of a construction site, “Lightning Rods” is an account of progress, a record of how someone became skillful at something. That the “something” here is anonymous sex on demand as a means of increasing corporate profit is both funny and horrifying.


Question: What topic of magazine would Charlie Hebdo fall into?

The editors, journalists and cartoonists of Charlie Hebdo reveled in controversy and relished hitting nerves. The magazine’s editorial director, Stéphane Charbonnier, who was killed in the attack, had scoffed at any suggestion that the magazine should tone down its trademark satire to appease anyone. For him, free expression was nothing without the right to offend. And Charlie Hebdo has been an equal-opportunity offender: Muslims, Jews and Christians — not to mention politicians of all stripes — have been targets of buffoonish, vulgar caricatures and cartoons that push every hot button with glee.

Answer: satire

The editors, journalists and cartoonists of Charlie Hebdo reveled in controversy and relished hitting nerves. <hl> The magazine’s editorial director, Stéphane Charbonnier, who was killed in the attack, had scoffed at any suggestion that the magazine should tone down its trademark satire to appease anyone. <hl> For him, free expression was nothing without the right to offend. And Charlie Hebdo has been an equal-opportunity offender: Muslims, Jews and Christians — not to mention politicians of all stripes — have been targets of buffoonish, vulgar caricatures and cartoons that push every hot button with glee.

The editors, journalists and cartoonists of Charlie Hebdo reveled in controversy and relished hitting nerves. The magazine’s editorial director, Stéphane Charbonnier, who was killed in the attack, had scoffed at any suggestion that the magazine should tone down its trademark <hl> satire <hl> to appease anyone. For him, free expression was nothing without the right to offend. And Charlie Hebdo has been an equal-opportunity offender: Muslims, Jews and Christians — not to mention politicians of all stripes — have been targets of buffoonish, vulgar caricatures and cartoons that push every hot button with glee.


Question: What prescription antidepressant is not safe for teenagers?

Air pollution is killing 3.3 million people a year worldwide, according to a study published in the journal Nature. • Unsafe for teenagers? New research concludes that the antidepressant Paxil is not safe for teenagers, contradicting a drugmaker’s findings 14 years ago. • Pennant races heat up. The Chicago Cubs and Pittsburgh Pirates, two of the top baseball teams in the National League, play today (12:35 p.m. Eastern, MLB Network), and the Texas Rangers and Houston Astros, two of the best in the American League, take the field tonight (8:05 p.m. Eastern, MLB Network). The playoffs begin in two and a half weeks. • What’s on TV. Some of the women who accused Bill Cosby of sexual assault and other misconduct discuss why they came forward and what comes next on “Cosby: The Women Speak” at 9 p.m. Eastern on A&E.

Answer: Paxil

Air pollution is killing 3.3 million people a year worldwide, according to a study published in the journal Nature. • Unsafe for teenagers? <hl> New research concludes that the antidepressant Paxil is not safe for teenagers, contradicting a drugmaker’s findings 14 years ago. <hl> • Pennant races heat up. The Chicago Cubs and Pittsburgh Pirates, two of the top baseball teams in the National League, play today (12:35 p.m. Eastern, MLB Network), and the Texas Rangers and Houston Astros, two of the best in the American League, take the field tonight (8:05 p.m. Eastern, MLB Network). The playoffs begin in two and a half weeks. • What’s on TV. Some of the women who accused Bill Cosby of sexual assault and other misconduct discuss why they came forward and what comes next on “Cosby: The Women Speak” at 9 p.m. Eastern on A&E.

Air pollution is killing 3.3 million people a year worldwide, according to a study published in the journal Nature. • Unsafe for teenagers? New research concludes that the antidepressant <hl> Paxil <hl> is not safe for teenagers, contradicting a drugmaker’s findings 14 years ago. • Pennant races heat up. The Chicago Cubs and Pittsburgh Pirates, two of the top baseball teams in the National League, play today (12:35 p.m. Eastern, MLB Network), and the Texas Rangers and Houston Astros, two of the best in the American League, take the field tonight (8:05 p.m. Eastern, MLB Network). The playoffs begin in two and a half weeks. • What’s on TV. Some of the women who accused Bill Cosby of sexual assault and other misconduct discuss why they came forward and what comes next on “Cosby: The Women Speak” at 9 p.m. Eastern on A&E.


Question: What influence the groom and hard hitting effect of Gatz song?

At a neon-drenched Leviticus, Lucious, still reeling from his estranged son’s pointed emasculation of his music production, coolly sends Hakeem a rap call-to-arms via his Gutter Life Records protégé, Freda Gatz. The missive’s brutally coy hook — “Daddy’s little girl / You’re just daddy’s little girl” — inflames Hakeem as much as it ennobles Gatz, who has been groomed into something between surrogate child and unknowing executor of the barely-hidden id of the man who killed her father in prison. It’s disconcerting, watching the one viable female artist in the Lyon universe take on Lucious’s paternal insecurity rather than the profound contours of her own life story. But despite the petty subject, Gatz’s expert interplay between high masculine and low feminine delivery invigorates the show’s sometimes dull man-child music landscape.

Answer: killed her father in prison.

At a neon-drenched Leviticus, Lucious, still reeling from his estranged son’s pointed emasculation of his music production, coolly sends Hakeem a rap call-to-arms via his Gutter Life Records protégé, Freda Gatz. <hl> The missive’s brutally coy hook — “Daddy’s little girl / You’re just daddy’s little girl” — inflames Hakeem as much as it ennobles Gatz, who has been groomed into something between surrogate child and unknowing executor of the barely-hidden id of the man who killed her father in prison. It’s disconcerting, watching the one viable female artist in the Lyon universe take on Lucious’s paternal insecurity rather than the profound contours of her own life story. <hl> But despite the petty subject, Gatz’s expert interplay between high masculine and low feminine delivery invigorates the show’s sometimes dull man-child music landscape.

At a neon-drenched Leviticus, Lucious, still reeling from his estranged son’s pointed emasculation of his music production, coolly sends Hakeem a rap call-to-arms via his Gutter Life Records protégé, Freda Gatz. The missive’s brutally coy hook — “Daddy’s little girl / You’re just daddy’s little girl” — inflames Hakeem as much as it ennobles Gatz, who has been groomed into something between surrogate child and unknowing executor of the barely-hidden id of the man who <hl> killed her father in prison. <hl> It’s disconcerting, watching the one viable female artist in the Lyon universe take on Lucious’s paternal insecurity rather than the profound contours of her own life story. But despite the petty subject, Gatz’s expert interplay between high masculine and low feminine delivery invigorates the show’s sometimes dull man-child music landscape.


Question: Where is porcelain found now?

His dilemma is understandable. Once precious, porcelain is now everywhere, not only in your kitchen (and bathroom), but also in your mouth, if your teeth are crowned, and used as insulation in electrical devices. It has become mundane. “The White Road” eventually becomes a brief against standardized production and industrialization — the opposite of what de Waal loves in hand-potting — and the price paid for it by workers. This culminates in a grim chapter on Allach porcelain, made by the Nazis, using slave labor, in Dachau. Still, the link between mass-produced porcelain and oppression hardly seems inevitable, and I can’t help remembering my friend’s coffee set, which was not handmade. Yet it is still a treasure, for reasons never quite acknowledged in “The White Road.” All of its value was acquired after its making. It embodies domesticity (an element strangely absent from what is essentially a book about dishes) and aspiration and above all the dream of holding fast to what can so easily be lost in this merciless world.

Answer: everywhere

His dilemma is understandable. <hl> Once precious, porcelain is now everywhere , not only in your kitchen (and bathroom), but also in your mouth, if your teeth are crowned, and used as insulation in electrical devices. <hl> It has become mundane. “The White Road” eventually becomes a brief against standardized production and industrialization — the opposite of what de Waal loves in hand-potting — and the price paid for it by workers. This culminates in a grim chapter on Allach porcelain, made by the Nazis, using slave labor, in Dachau. Still, the link between mass-produced porcelain and oppression hardly seems inevitable, and I can’t help remembering my friend’s coffee set, which was not handmade. Yet it is still a treasure, for reasons never quite acknowledged in “The White Road.” All of its value was acquired after its making. It embodies domesticity (an element strangely absent from what is essentially a book about dishes) and aspiration and above all the dream of holding fast to what can so easily be lost in this merciless world.

His dilemma is understandable. Once precious, porcelain is now <hl> everywhere <hl>, not only in your kitchen (and bathroom), but also in your mouth, if your teeth are crowned, and used as insulation in electrical devices. It has become mundane. “The White Road” eventually becomes a brief against standardized production and industrialization — the opposite of what de Waal loves in hand-potting — and the price paid for it by workers. This culminates in a grim chapter on Allach porcelain, made by the Nazis, using slave labor, in Dachau. Still, the link between mass-produced porcelain and oppression hardly seems inevitable, and I can’t help remembering my friend’s coffee set, which was not handmade. Yet it is still a treasure, for reasons never quite acknowledged in “The White Road.” All of its value was acquired after its making. It embodies domesticity (an element strangely absent from what is essentially a book about dishes) and aspiration and above all the dream of holding fast to what can so easily be lost in this merciless world.

Once precious, porcelain is now <hl> everywhere <hl> , not only in your kitchen (and bathroom), but also in your mouth, if your teeth are crowned, and used as insulation in electrical devices.


Question: Simon Baron Development will be allowed to create how many units?

These conversions include 12 East 88th Street, a red-brick 13-story building near Fifth Avenue designed by Rosario Candela, the architect responsible for much of the Upper East Side’s elegant look. Under an approved offering plan, Simon Baron Development will be allowed to create up to 53 units for sale in the building, ranging from one- to five-bedrooms, after combining some of the existing 65 apartments. Seventeen of the units currently have tenants paying regulated rents. Just outside the Carnegie Hill Historic District, the property, completed in 1931 and on the same block as the Guggenheim Museum, can be altered without city approval. But other than upgrading windows, the developer said there were no plans to change the exterior.

Answer: 53

These conversions include 12 East 88th Street, a red-brick 13-story building near Fifth Avenue designed by Rosario Candela, the architect responsible for much of the Upper East Side’s elegant look. <hl> Under an approved offering plan, Simon Baron Development will be allowed to create up to 53 units for sale in the building, ranging from one- to five-bedrooms, after combining some of the existing 65 apartments. <hl> Seventeen of the units currently have tenants paying regulated rents. Just outside the Carnegie Hill Historic District, the property, completed in 1931 and on the same block as the Guggenheim Museum, can be altered without city approval. But other than upgrading windows, the developer said there were no plans to change the exterior.

These conversions include 12 East 88th Street, a red-brick 13-story building near Fifth Avenue designed by Rosario Candela, the architect responsible for much of the Upper East Side’s elegant look. Under an approved offering plan, Simon Baron Development will be allowed to create up to <hl> 53 <hl> units for sale in the building, ranging from one- to five-bedrooms, after combining some of the existing 65 apartments. Seventeen of the units currently have tenants paying regulated rents. Just outside the Carnegie Hill Historic District, the property, completed in 1931 and on the same block as the Guggenheim Museum, can be altered without city approval. But other than upgrading windows, the developer said there were no plans to change the exterior.


Question: What type of deals did Mr. Kohlberg like to focus on?

Yet Mr. Kohlberg and his protégés grew apart, separated by philosophies over corporate strategy and lifestyle. Where Mr. Kravis and Mr. Roberts were willing to pursue large-scale, hostile takeovers, Mr. Kohlberg instead chose to focus on smaller deals, always on friendly terms. By the time Mr. Kohlberg retired from the sector altogether in 1994, the leveraged-buyout business — since renamed “private equity” — was on its path to becoming immense, eventually making billionaires of Mr. Kravis and Mr. Roberts, as well as rivals like Stephen A. Schwarzman of the Blackstone Group and David Rubenstein of the Carlyle Group. Mr. Kohlberg maintained a less ostentatious life, shunning the high-roller social soirees for tennis, reading and later yoga.

Answer: smaller deals

Yet Mr. Kohlberg and his protégés grew apart, separated by philosophies over corporate strategy and lifestyle. <hl> Where Mr. Kravis and Mr. Roberts were willing to pursue large-scale, hostile takeovers, Mr. Kohlberg instead chose to focus on smaller deals , always on friendly terms. <hl> By the time Mr. Kohlberg retired from the sector altogether in 1994, the leveraged-buyout business — since renamed “private equity” — was on its path to becoming immense, eventually making billionaires of Mr. Kravis and Mr. Roberts, as well as rivals like Stephen A. Schwarzman of the Blackstone Group and David Rubenstein of the Carlyle Group. Mr. Kohlberg maintained a less ostentatious life, shunning the high-roller social soirees for tennis, reading and later yoga.

Yet Mr. Kohlberg and his protégés grew apart, separated by philosophies over corporate strategy and lifestyle. Where Mr. Kravis and Mr. Roberts were willing to pursue large-scale, hostile takeovers, Mr. Kohlberg instead chose to focus on <hl> smaller deals <hl>, always on friendly terms. By the time Mr. Kohlberg retired from the sector altogether in 1994, the leveraged-buyout business — since renamed “private equity” — was on its path to becoming immense, eventually making billionaires of Mr. Kravis and Mr. Roberts, as well as rivals like Stephen A. Schwarzman of the Blackstone Group and David Rubenstein of the Carlyle Group. Mr. Kohlberg maintained a less ostentatious life, shunning the high-roller social soirees for tennis, reading and later yoga.

Where Mr. Kravis and Mr. Roberts were willing to pursue large-scale, hostile takeovers, Mr. Kohlberg instead chose to focus on <hl> smaller deals <hl> , always on friendly terms.


Question: The National Register of Historic Places was updated with the location in question in what year?

The Stonewall is not architecturally distinguished and would not earn landmark status on aesthetic grounds, several speakers noted. The Stonewall was already part of the city-designated Greenwich Village Historic District, and it was placed on the National Register of Historic Places in 1999. But speakers at the hearing said the individual city landmark designation was necessary to preserve the Stonewall and recognize its historic importance. “It must be protected against rapacious developers who would destroy the history of this sacred place and all it represents,” Letitia James, the city’s public advocate, said.

Answer: 1999

The Stonewall is not architecturally distinguished and would not earn landmark status on aesthetic grounds, several speakers noted. <hl> The Stonewall was already part of the city-designated Greenwich Village Historic District, and it was placed on the National Register of Historic Places in 1999 . <hl> But speakers at the hearing said the individual city landmark designation was necessary to preserve the Stonewall and recognize its historic importance. “It must be protected against rapacious developers who would destroy the history of this sacred place and all it represents,” Letitia James, the city’s public advocate, said.

The Stonewall is not architecturally distinguished and would not earn landmark status on aesthetic grounds, several speakers noted. The Stonewall was already part of the city-designated Greenwich Village Historic District, and it was placed on the National Register of Historic Places in <hl> 1999 <hl>. But speakers at the hearing said the individual city landmark designation was necessary to preserve the Stonewall and recognize its historic importance. “It must be protected against rapacious developers who would destroy the history of this sacred place and all it represents,” Letitia James, the city’s public advocate, said.

The Stonewall was already part of the city-designated Greenwich Village Historic District, and it was placed on the National Register of Historic Places in <hl> 1999 <hl> .


Question: What is Young hitting this season?

“The pitching staff is probably the biggest deal,” Yankees outfielder Chris Young said. “The back-end bullpen guys, I think that plays a big part in how you feel as the game’s progressing. If you’re up or down a couple of runs, do you feel like you’re still in the game? If you’re up by three runs but you’re still not really sure if you have a hold on the game yet, you start to press, and things happen.” Young was an All-Star for Arizona in 2010, when he was 26. He may never reach that level again, but he has hit well for the Yankees and is almost an everyday player. Manager Joe Girardi has found a way to get 10 players at least 70 plate appearances each, an important skill with a veteran roster. Young was out of Sunday’s starting lineup, but even after a pinch-hit strikeout, he was hitting .313 with six homers and 12 runs batted in. He offered no reason for his improvement from recent seasons other than the comfort of playing for the Yankees, with whom he enjoys the daily grind.

Answer: .313

“The pitching staff is probably the biggest deal,” Yankees outfielder Chris Young said. “The back-end bullpen guys, I think that plays a big part in how you feel as the game’s progressing. If you’re up or down a couple of runs, do you feel like you’re still in the game? If you’re up by three runs but you’re still not really sure if you have a hold on the game yet, you start to press, and things happen.” Young was an All-Star for Arizona in 2010, when he was 26. He may never reach that level again, but he has hit well for the Yankees and is almost an everyday player. Manager Joe Girardi has found a way to get 10 players at least 70 plate appearances each, an important skill with a veteran roster. <hl> Young was out of Sunday’s starting lineup, but even after a pinch-hit strikeout, he was hitting .313 with six homers and 12 runs batted in. <hl> He offered no reason for his improvement from recent seasons other than the comfort of playing for the Yankees, with whom he enjoys the daily grind.

“The pitching staff is probably the biggest deal,” Yankees outfielder Chris Young said. “The back-end bullpen guys, I think that plays a big part in how you feel as the game’s progressing. If you’re up or down a couple of runs, do you feel like you’re still in the game? If you’re up by three runs but you’re still not really sure if you have a hold on the game yet, you start to press, and things happen.” Young was an All-Star for Arizona in 2010, when he was 26. He may never reach that level again, but he has hit well for the Yankees and is almost an everyday player. Manager Joe Girardi has found a way to get 10 players at least 70 plate appearances each, an important skill with a veteran roster. Young was out of Sunday’s starting lineup, but even after a pinch-hit strikeout, he was hitting <hl> .313 <hl> with six homers and 12 runs batted in. He offered no reason for his improvement from recent seasons other than the comfort of playing for the Yankees, with whom he enjoys the daily grind.


Question: How did Mr. Yates try to avoid the fine?

It does not matter, she said, that what Mr. Yates destroyed was not a document. “A person who hides a murder victim’s body is no less culpable than one who burns the victim’s diary,” she wrote. “A fisherman, like John Yates, who dumps undersized fish to avoid a fine is no less blameworthy than one who shreds his vessel’s catch log for the same reason.” Justices Antonin Scalia, Anthony M. Kennedy and Clarence Thomas joined Justice Kagan’s dissenting opinion.

Answer: dumps undersized fish to avoid a fine

It does not matter, she said, that what Mr. Yates destroyed was not a document. “A person who hides a murder victim’s body is no less culpable than one who burns the victim’s diary,” she wrote. <hl> “A fisherman, like John Yates, who dumps undersized fish to avoid a fine is no less blameworthy than one who shreds his vessel’s catch log for the same reason.” <hl> Justices Antonin Scalia, Anthony M. Kennedy and Clarence Thomas joined Justice Kagan’s dissenting opinion.

It does not matter, she said, that what Mr. Yates destroyed was not a document. “A person who hides a murder victim’s body is no less culpable than one who burns the victim’s diary,” she wrote. “A fisherman, like John Yates, who <hl> dumps undersized fish to avoid a fine <hl> is no less blameworthy than one who shreds his vessel’s catch log for the same reason.” Justices Antonin Scalia, Anthony M. Kennedy and Clarence Thomas joined Justice Kagan’s dissenting opinion.


Question: Where did some of the evacuees sleep at during the fire?

On Monday, the fire leapt across Highway 20, embers blowing from treetop to treetop, dismaying the firefighters, who had hoped to contain the blaze to one side of the road. The ability of a fire to keep catching — called its probability of ignition — is assessed by fire experts. The Rocky Fire has a probability of ignition of 100 percent, almost unheard-of when the tinder is forest and scrub, as it is here. “That’s something I’ve never seen,” Captain Oatman said. In the gymnasium of nearby Middletown High School, a few evacuees were sleeping on green cots in an impromptu Red Cross shelter, one of two in the area. In the school’s theater, about a dozen people ate a meal of chicken and linguine, occasionally rising to scan a large printout of the day’s fire map on the wall, anxiously checking how close the angry red blotch was to their homes.

Answer: Middletown High School

On Monday, the fire leapt across Highway 20, embers blowing from treetop to treetop, dismaying the firefighters, who had hoped to contain the blaze to one side of the road. The ability of a fire to keep catching — called its probability of ignition — is assessed by fire experts. The Rocky Fire has a probability of ignition of 100 percent, almost unheard-of when the tinder is forest and scrub, as it is here. “That’s something I’ve never seen,” Captain Oatman said. <hl> In the gymnasium of nearby Middletown High School , a few evacuees were sleeping on green cots in an impromptu Red Cross shelter, one of two in the area. <hl> In the school’s theater, about a dozen people ate a meal of chicken and linguine, occasionally rising to scan a large printout of the day’s fire map on the wall, anxiously checking how close the angry red blotch was to their homes.

On Monday, the fire leapt across Highway 20, embers blowing from treetop to treetop, dismaying the firefighters, who had hoped to contain the blaze to one side of the road. The ability of a fire to keep catching — called its probability of ignition — is assessed by fire experts. The Rocky Fire has a probability of ignition of 100 percent, almost unheard-of when the tinder is forest and scrub, as it is here. “That’s something I’ve never seen,” Captain Oatman said. In the gymnasium of nearby <hl> Middletown High School <hl>, a few evacuees were sleeping on green cots in an impromptu Red Cross shelter, one of two in the area. In the school’s theater, about a dozen people ate a meal of chicken and linguine, occasionally rising to scan a large printout of the day’s fire map on the wall, anxiously checking how close the angry red blotch was to their homes.

In the gymnasium of nearby <hl> Middletown High School <hl> , a few evacuees were sleeping on green cots in an impromptu Red Cross shelter, one of two in the area.


Question: Who is a drinking buddy of novelist Calvin Kentfield?

Mr. Connell’s drinking buddies included the novelist Calvin Kentfield, who like Mr. Connell was an early editor of Contact, an old Bay Area literary magazine that had been restarted in 1958. Early issues of this new Contact, with offices on the Bridgeway, near the No Name Bar, featured young writers like Mr. Connell, Updike and Ray Bradbury, as well as established hands like William Saroyan and William Carlos Williams. It also featured early works by Gina Berriault, Donald Barthelme and Wallace Stegner. In the convivial, hard-drinking Sausalito writing crowd, Mr. Connell kept his distance. “Whatever social life he had going, he was pretty private about,” Mr. Seymour said. They knew one another mainly through the bars. After I left Mr. Seymour’s house, I walked by the old Glad Hand, the defunct bar where the idea for the No Name was born. The building is still there, on a pier cantilevered over the bay. After the Glad Hand closed around 1959, the building became a coffee shop. Since 1965 it has been Scoma’s, a popular seafood house.

Answer: ill there, on a pier cantilevered over the bay. After the Glad Hand closed around 1959, the building became a coffee shop. Since 196

Mr. Connell’s drinking buddies included the novelist Calvin Kentfield, who like Mr. Connell was an early editor of Contact, an old Bay Area literary magazine that had been restarted in 1958. Early issues of this new Contact, with offices on the Bridgeway, near the No Name Bar, featured young writers like Mr. Connell, Updike and Ray Bradbury, as well as established hands like William Saroyan and William Carlos Williams. It also featured early works by Gina Berriault, Donald Barthelme and Wallace Stegner. In the convivial, hard-drinking Sausalito writing crowd, Mr. Connell kept his distance. “Whatever social life he had going, he was pretty private about,” Mr. Seymour said. They knew one another mainly through the bars. After I left Mr. Seymour’s house, I walked by the old Glad Hand, the defunct bar where the idea for the No Name was born. <hl> The building is st ill there, on a pier cantilevered over the bay. After the Glad Hand closed around 1959, the building became a coffee shop. Since 196 5 it has been Scoma’s, a popular seafood house. <hl>

Mr. Connell’s drinking buddies included the novelist Calvin Kentfield, who like Mr. Connell was an early editor of Contact, an old Bay Area literary magazine that had been restarted in 1958. Early issues of this new Contact, with offices on the Bridgeway, near the No Name Bar, featured young writers like Mr. Connell, Updike and Ray Bradbury, as well as established hands like William Saroyan and William Carlos Williams. It also featured early works by Gina Berriault, Donald Barthelme and Wallace Stegner. In the convivial, hard-drinking Sausalito writing crowd, Mr. Connell kept his distance. “Whatever social life he had going, he was pretty private about,” Mr. Seymour said. They knew one another mainly through the bars. After I left Mr. Seymour’s house, I walked by the old Glad Hand, the defunct bar where the idea for the No Name was born. The building is st<hl> ill there, on a pier cantilevered over the bay. After the Glad Hand closed around 1959, the building became a coffee shop. Since 196 <hl>5 it has been Scoma’s, a popular seafood house.

The building is st <hl> ill there, on a pier cantilevered over the bay. After the Glad Hand closed around 1959, the building became a coffee shop. Since 196 <hl> 5 it has been Scoma’s, a popular seafood house.


Question: What was her sister's first job after school?

A. No. I think for women it wasn’t expected in my family, even though my sister ended up studying gemology. She was a diamond grader in New York and eventually worked for our gemstones division. When I did look to enter the business, the idea wasn’t rejected, but it was just not expected. Q. Why did you want to join? A. I think very innately I had a strong connection to the product and the business because I grew up in it. Every single meal conversation was about the company, and growing up as a child I was interested. But later on my first reaction was, “I’m not going to go into the business, I’m going to find my own identity, and do my own thing,” which is why I studied art history and languages and started working in the art world and then the fashion industry.

Answer: diamond grader

A. No. I think for women it wasn’t expected in my family, even though my sister ended up studying gemology. <hl> She was a diamond grader in New York and eventually worked for our gemstones division. <hl> When I did look to enter the business, the idea wasn’t rejected, but it was just not expected. Q. Why did you want to join? A. I think very innately I had a strong connection to the product and the business because I grew up in it. Every single meal conversation was about the company, and growing up as a child I was interested. But later on my first reaction was, “I’m not going to go into the business, I’m going to find my own identity, and do my own thing,” which is why I studied art history and languages and started working in the art world and then the fashion industry.

A. No. I think for women it wasn’t expected in my family, even though my sister ended up studying gemology. She was a <hl> diamond grader <hl> in New York and eventually worked for our gemstones division. When I did look to enter the business, the idea wasn’t rejected, but it was just not expected. Q. Why did you want to join? A. I think very innately I had a strong connection to the product and the business because I grew up in it. Every single meal conversation was about the company, and growing up as a child I was interested. But later on my first reaction was, “I’m not going to go into the business, I’m going to find my own identity, and do my own thing,” which is why I studied art history and languages and started working in the art world and then the fashion industry.


Question: What does the fairies take away?

In folklore, the figure of the changeling often involves an enchanted piece of wood placed in a crib by fairies that a parent finds instead of her baby. The wood might become ill and die, or the fairies might skip the wood altogether and leave a fairy-baby instead, carting the little human off for other purposes. Either way, there’s a particular kind of terror inherent in the situation: to look in a crib expecting to see one’s cooing infant and instead find something inert and unknown. Maurice Sendak’s picture book “Outside Over There” captures the horror with a rich gorgeousness, where the replacement baby is made of ice, and glows milky and terrifying and odd on the page.

Answer: the little human

In folklore, the figure of the changeling often involves an enchanted piece of wood placed in a crib by fairies that a parent finds instead of her baby. <hl> The wood might become ill and die, or the fairies might skip the wood altogether and leave a fairy-baby instead, carting the little human off for other purposes. <hl> Either way, there’s a particular kind of terror inherent in the situation: to look in a crib expecting to see one’s cooing infant and instead find something inert and unknown. Maurice Sendak’s picture book “Outside Over There” captures the horror with a rich gorgeousness, where the replacement baby is made of ice, and glows milky and terrifying and odd on the page.

In folklore, the figure of the changeling often involves an enchanted piece of wood placed in a crib by fairies that a parent finds instead of her baby. The wood might become ill and die, or the fairies might skip the wood altogether and leave a fairy-baby instead, carting <hl> the little human <hl> off for other purposes. Either way, there’s a particular kind of terror inherent in the situation: to look in a crib expecting to see one’s cooing infant and instead find something inert and unknown. Maurice Sendak’s picture book “Outside Over There” captures the horror with a rich gorgeousness, where the replacement baby is made of ice, and glows milky and terrifying and odd on the page.


Question: What person said he texted Pierre-Paul shortly after the accident?

To date, most of the communication between the Giants and Pierre-Paul has been by text messages. Mara said he had texted Pierre-Paul in the days after the accident. “He told me that this was a little bump in the road and that he would be back as good as ever,” Mara said. “I’m disappointed he’s not here because this is the best place for him. We have the best training staff in the league and have access to some of the best doctors in the world.” Mara conceded that he was speaking with reporters in an effort to get his message to Pierre-Paul. Mara said the Giants had had little contact with Pierre-Paul’s representatives. Asked what his primary message was to Pierre-Paul, Mara said, “Come home; we miss you.”

Answer: Mara

To date, most of the communication between the Giants and Pierre-Paul has been by text messages. <hl> Mara said he had texted Pierre-Paul in the days after the accident. <hl> “He told me that this was a little bump in the road and that he would be back as good as ever,” Mara said. “I’m disappointed he’s not here because this is the best place for him. We have the best training staff in the league and have access to some of the best doctors in the world.” Mara conceded that he was speaking with reporters in an effort to get his message to Pierre-Paul. Mara said the Giants had had little contact with Pierre-Paul’s representatives. Asked what his primary message was to Pierre-Paul, Mara said, “Come home; we miss you.”

To date, most of the communication between the Giants and Pierre-Paul has been by text messages. <hl> Mara <hl> said he had texted Pierre-Paul in the days after the accident. “He told me that this was a little bump in the road and that he would be back as good as ever,” Mara said. “I’m disappointed he’s not here because this is the best place for him. We have the best training staff in the league and have access to some of the best doctors in the world.” Mara conceded that he was speaking with reporters in an effort to get his message to Pierre-Paul. Mara said the Giants had had little contact with Pierre-Paul’s representatives. Asked what his primary message was to Pierre-Paul, Mara said, “Come home; we miss you.”


Question: Who complained last year for the breast enhancement ad?

“Sex does sell, but does it sell a moving service?” Mr. Crutchfield said. “I would have to question whether that is appropriate.” The state-run Metropolitan Transportation Authority says it is trying to maintain a family-friendly environment for passengers young and old. The authority’s ad space has long been a battleground for clashes over decency. The governor’s office complained last year about the breast enhancement ad, citing a report in The Daily News that compared it to a strip club billboard, and asked the agency to review its standards.

Answer: The governor’s office

“Sex does sell, but does it sell a moving service?” Mr. Crutchfield said. “I would have to question whether that is appropriate.” The state-run Metropolitan Transportation Authority says it is trying to maintain a family-friendly environment for passengers young and old. The authority’s ad space has long been a battleground for clashes over decency. <hl> The governor’s office complained last year about the breast enhancement ad, citing a report in The Daily News that compared it to a strip club billboard, and asked the agency to review its standards. <hl>

“Sex does sell, but does it sell a moving service?” Mr. Crutchfield said. “I would have to question whether that is appropriate.” The state-run Metropolitan Transportation Authority says it is trying to maintain a family-friendly environment for passengers young and old. The authority’s ad space has long been a battleground for clashes over decency. <hl> The governor’s office <hl> complained last year about the breast enhancement ad, citing a report in The Daily News that compared it to a strip club billboard, and asked the agency to review its standards.


Question: What are some ramifications from having Title IX?

Heinrichs was the first female coach of the women’s national team and the first female player elected to the National Soccer Hall of Fame. She is convinced that American determination, fitness, hustle and competitiveness must be broadened with accelerated development of technical skill if the United States is to keep pace with teams like Germany, France and Japan, the defending World Cup champion. “We think players on an elite track that aspire to be women’s national team players one day should self-select and play up earlier,” Heinrichs said. “If more players and more club coaches saw the value in having their players in the most challenging environment that she could have on a daily basis, they would see how much faster she would grow.” Title IX, the federal law that prohibits discrimination based on gender, has been applied so effectively to sports over the past four decades that female soccer players in the United States have widespread access to their own leagues from a young age. While it is necessary for girls to have an environment in which they can feel comfortable and progress at their own rate, Heinrichs said, she sees an unintended consequence of Title IX: Fewer top-level girls seem to be honing their skills against boys today than when she and Hamm and Wambach developed into elite players. “It’s important because in Europe, they’re all playing up, and their 12- to 16-year-olds are playing against boys,” Heinrichs said. “We don’t have that anymore, for the most part.”

Answer: Fewer top-level girls seem to be honing their skills against boys today than when she and Hamm and Wambach developed into elite players.

Heinrichs was the first female coach of the women’s national team and the first female player elected to the National Soccer Hall of Fame. She is convinced that American determination, fitness, hustle and competitiveness must be broadened with accelerated development of technical skill if the United States is to keep pace with teams like Germany, France and Japan, the defending World Cup champion. “We think players on an elite track that aspire to be women’s national team players one day should self-select and play up earlier,” Heinrichs said. “If more players and more club coaches saw the value in having their players in the most challenging environment that she could have on a daily basis, they would see how much faster she would grow.” Title IX, the federal law that prohibits discrimination based on gender, has been applied so effectively to sports over the past four decades that female soccer players in the United States have widespread access to their own leagues from a young age. <hl> While it is necessary for girls to have an environment in which they can feel comfortable and progress at their own rate, Heinrichs said, she sees an unintended consequence of Title IX: Fewer top-level girls seem to be honing their skills against boys today than when she and Hamm and Wambach developed into elite players. “It’s important because in Europe, they’re all playing up, and their 12- to 16-year-olds are playing against boys,” Heinrichs said. <hl> “We don’t have that anymore, for the most part.”

Heinrichs was the first female coach of the women’s national team and the first female player elected to the National Soccer Hall of Fame. She is convinced that American determination, fitness, hustle and competitiveness must be broadened with accelerated development of technical skill if the United States is to keep pace with teams like Germany, France and Japan, the defending World Cup champion. “We think players on an elite track that aspire to be women’s national team players one day should self-select and play up earlier,” Heinrichs said. “If more players and more club coaches saw the value in having their players in the most challenging environment that she could have on a daily basis, they would see how much faster she would grow.” Title IX, the federal law that prohibits discrimination based on gender, has been applied so effectively to sports over the past four decades that female soccer players in the United States have widespread access to their own leagues from a young age. While it is necessary for girls to have an environment in which they can feel comfortable and progress at their own rate, Heinrichs said, she sees an unintended consequence of Title IX: <hl> Fewer top-level girls seem to be honing their skills against boys today than when she and Hamm and Wambach developed into elite players. <hl> “It’s important because in Europe, they’re all playing up, and their 12- to 16-year-olds are playing against boys,” Heinrichs said. “We don’t have that anymore, for the most part.”


Question: Where is Steve Martin curating an exhibition?

An article last Sunday about three women involved with the play “Eclipsed,” which focuses on Liberia’s civil war, using information from a publicist, referred incorrectly to a big-budget project that one of the women, the director Liesl Tommy, is working on. It is a stage adaptation of a movie, not a movie. • An article last Sunday about an exhibition that Steve Martin is curating at the Hammer Museum in Los Angeles misstated part of the name of a musical that he is working on with Edie Brickell. It is “Bright Star,” not “Bright Eyes.” The article also referred incorrectly to Mr. Martin’s working relationship with the museum. In 2003, Mr. Martin wrote wall text for artworks in the exhibition “Writings on the Wall”; his tribute to the photographer Cindy Sherman in 2012 wasn’t “his only prior connection to the museum.” And a picture credit with the article misidentified the source of the image “Mountains in Snow: Rocky Mountain Paintings VII.” It was the Thomson Collection/Art Gallery of Ontario, not Michael Cullen. BOOK REVIEW

Answer: Hammer Museum

An article last Sunday about three women involved with the play “Eclipsed,” which focuses on Liberia’s civil war, using information from a publicist, referred incorrectly to a big-budget project that one of the women, the director Liesl Tommy, is working on. It is a stage adaptation of a movie, not a movie. • <hl> An article last Sunday about an exhibition that Steve Martin is curating at the Hammer Museum in Los Angeles misstated part of the name of a musical that he is working on with Edie Brickell. <hl> It is “Bright Star,” not “Bright Eyes.” The article also referred incorrectly to Mr. Martin’s working relationship with the museum. In 2003, Mr. Martin wrote wall text for artworks in the exhibition “Writings on the Wall”; his tribute to the photographer Cindy Sherman in 2012 wasn’t “his only prior connection to the museum.” And a picture credit with the article misidentified the source of the image “Mountains in Snow: Rocky Mountain Paintings VII.” It was the Thomson Collection/Art Gallery of Ontario, not Michael Cullen. BOOK REVIEW

An article last Sunday about three women involved with the play “Eclipsed,” which focuses on Liberia’s civil war, using information from a publicist, referred incorrectly to a big-budget project that one of the women, the director Liesl Tommy, is working on. It is a stage adaptation of a movie, not a movie. • An article last Sunday about an exhibition that Steve Martin is curating at the <hl> Hammer Museum <hl> in Los Angeles misstated part of the name of a musical that he is working on with Edie Brickell. It is “Bright Star,” not “Bright Eyes.” The article also referred incorrectly to Mr. Martin’s working relationship with the museum. In 2003, Mr. Martin wrote wall text for artworks in the exhibition “Writings on the Wall”; his tribute to the photographer Cindy Sherman in 2012 wasn’t “his only prior connection to the museum.” And a picture credit with the article misidentified the source of the image “Mountains in Snow: Rocky Mountain Paintings VII.” It was the Thomson Collection/Art Gallery of Ontario, not Michael Cullen. BOOK REVIEW


Question: What would be a good thing?

Kwame Anthony Appiah: If the police haven’t changed the behavior, that suggests they haven’t done enough. Unless this child is a committed lifelong criminal and doesn’t care about this sort of thing, the fact of going before a juvenile court might make a difference. Being scared a little bit by police intervention would be a good thing. I grew up in a place where every adult was Auntie This or Uncle That and everybody was in charge of you. You had absolutely no right as a child to ignore the suggestions, advice and admonishment of other adults; that was one of the reasons we all felt so safe. There would always be somebody looking out for us.

Answer: Being scared a little bit by police intervention

Kwame Anthony Appiah: If the police haven’t changed the behavior, that suggests they haven’t done enough. Unless this child is a committed lifelong criminal and doesn’t care about this sort of thing, the fact of going before a juvenile court might make a difference. <hl> Being scared a little bit by police intervention would be a good thing. <hl> I grew up in a place where every adult was Auntie This or Uncle That and everybody was in charge of you. You had absolutely no right as a child to ignore the suggestions, advice and admonishment of other adults; that was one of the reasons we all felt so safe. There would always be somebody looking out for us.

Kwame Anthony Appiah: If the police haven’t changed the behavior, that suggests they haven’t done enough. Unless this child is a committed lifelong criminal and doesn’t care about this sort of thing, the fact of going before a juvenile court might make a difference. <hl> Being scared a little bit by police intervention <hl> would be a good thing. I grew up in a place where every adult was Auntie This or Uncle That and everybody was in charge of you. You had absolutely no right as a child to ignore the suggestions, advice and admonishment of other adults; that was one of the reasons we all felt so safe. There would always be somebody looking out for us.


Question: What do some lawmakers say is a valid reason for not getting vaccinated?

JACKSON, Miss. —  The Mississippi state epidemiologist, Dr. Thomas E. Dobbs III, stood in a crowded room at the State Capitol this week and waited for a legislative verdict on the law that fostered what he regards as a public health triumph in a place that has few of them: the country’s highest immunization rate among kindergarten students. But in recent weeks, the nearly unbending nature of Mississippi’s law requiring students to be vaccinated has been in jeopardy, with two dozen lawmakers publicly supporting an exemption for “conscientious beliefs.” The debate, coming as other states grappled with a measles outbreak, turned Mississippi into one more battleground between medical experts who champion vaccinations and parents who fear the government’s role in medical decision-making.

Answer: conscientious beliefs

JACKSON, Miss. — The Mississippi state epidemiologist, Dr. Thomas E. Dobbs III, stood in a crowded room at the State Capitol this week and waited for a legislative verdict on the law that fostered what he regards as a public health triumph in a place that has few of them: the country’s highest immunization rate among kindergarten students. <hl> But in recent weeks, the nearly unbending nature of Mississippi’s law requiring students to be vaccinated has been in jeopardy, with two dozen lawmakers publicly supporting an exemption for “ conscientious beliefs .” <hl> The debate, coming as other states grappled with a measles outbreak, turned Mississippi into one more battleground between medical experts who champion vaccinations and parents who fear the government’s role in medical decision-making.

JACKSON, Miss. — The Mississippi state epidemiologist, Dr. Thomas E. Dobbs III, stood in a crowded room at the State Capitol this week and waited for a legislative verdict on the law that fostered what he regards as a public health triumph in a place that has few of them: the country’s highest immunization rate among kindergarten students. But in recent weeks, the nearly unbending nature of Mississippi’s law requiring students to be vaccinated has been in jeopardy, with two dozen lawmakers publicly supporting an exemption for “<hl> conscientious beliefs <hl>.” The debate, coming as other states grappled with a measles outbreak, turned Mississippi into one more battleground between medical experts who champion vaccinations and parents who fear the government’s role in medical decision-making.

But in recent weeks, the nearly unbending nature of Mississippi’s law requiring students to be vaccinated has been in jeopardy, with two dozen lawmakers publicly supporting an exemption for “ <hl> conscientious beliefs <hl> .”


Question: What is one feature of Navdy's feature?

“I love you,” the man responds, and then, before signing off, “I’m making a video right now.” That video — the one posted on YouTube — was a promotion commissioned by Navdy, one of a handful of start-up companies bringing a futuristic spin to the debate over distracted driving, and how to curb it. The devices project driving information and data streamed from a smartphone into a driver’s field of view. There are several versions of this nascent technology, but they generally work by using a projection device that wirelessly picks up information from the phone and uses sophisticated optics to allow the information — maps, speed, incoming texts, caller identification and even social media notifications — to hover above the dashboard. Hand gestures or voice commands allow drivers to answer a call or hang up.

Answer: maps, speed, incoming texts, caller identification and even social media notifications

“I love you,” the man responds, and then, before signing off, “I’m making a video right now.” That video — the one posted on YouTube — was a promotion commissioned by Navdy, one of a handful of start-up companies bringing a futuristic spin to the debate over distracted driving, and how to curb it. The devices project driving information and data streamed from a smartphone into a driver’s field of view. <hl> There are several versions of this nascent technology, but they generally work by using a projection device that wirelessly picks up information from the phone and uses sophisticated optics to allow the information — maps, speed, incoming texts, caller identification and even social media notifications — to hover above the dashboard. <hl> Hand gestures or voice commands allow drivers to answer a call or hang up.

“I love you,” the man responds, and then, before signing off, “I’m making a video right now.” That video — the one posted on YouTube — was a promotion commissioned by Navdy, one of a handful of start-up companies bringing a futuristic spin to the debate over distracted driving, and how to curb it. The devices project driving information and data streamed from a smartphone into a driver’s field of view. There are several versions of this nascent technology, but they generally work by using a projection device that wirelessly picks up information from the phone and uses sophisticated optics to allow the information — <hl> maps, speed, incoming texts, caller identification and even social media notifications <hl> — to hover above the dashboard. Hand gestures or voice commands allow drivers to answer a call or hang up.


Question: What did the report reveal about American wrongdoing?

The revelations about American wrongdoing in the Senate torture report, and, earlier, about the National Security Agency’s surveillance abuses, have taught The Times a lesson, Mr. Baquet said. “We’ve learned the perils of not monitoring and policing warfare” as rigorously as possible, and of too readily agreeing to government requests to withhold information.

Answer: torture

<hl> The revelations about American wrongdoing in the Senate torture report, and, earlier, about the National Security Agency’s surveillance abuses, have taught The Times a lesson, Mr. Baquet said. <hl> “We’ve learned the perils of not monitoring and policing warfare” as rigorously as possible, and of too readily agreeing to government requests to withhold information.

The revelations about American wrongdoing in the Senate <hl> torture <hl> report, and, earlier, about the National Security Agency’s surveillance abuses, have taught The Times a lesson, Mr. Baquet said. “We’ve learned the perils of not monitoring and policing warfare” as rigorously as possible, and of too readily agreeing to government requests to withhold information.


Question: Who is the co-author of Emily Post's Etiquette?

“The problem with Instagram and Facebook is that they’re being used by career-minded people outside the original targeted audience — the college crowd — Ms. Sternheimer said. “Everyone is using it now, so smartphones are essentially monitoring our behavior,” she said. “People may be behaving better for fear of being captured doing something inappropriate without their consent.” Ms. Sternheimer added that people are more careful about what they let others see, especially because they know that other employment opportunities can be hindered if they portray themselves negatively in either a work or social setting. If the web is monitoring, it’s also educating us in good performance. “We get a lot of ideas from media,” said Anna Post, a co-author of “Emily Post’s Etiquette” and a spokeswoman for the Emily Post Institute in Burlington, Vt. “The generation before the Internet watched movies and learned how to behave from them,” she said, pointing to the John Hughes cult film “Sixteen Candles” as one example. “People acted a little drunk and goofy.”

Answer: Anna Post

“The problem with Instagram and Facebook is that they’re being used by career-minded people outside the original targeted audience — the college crowd — Ms. Sternheimer said. “Everyone is using it now, so smartphones are essentially monitoring our behavior,” she said. “People may be behaving better for fear of being captured doing something inappropriate without their consent.” Ms. Sternheimer added that people are more careful about what they let others see, especially because they know that other employment opportunities can be hindered if they portray themselves negatively in either a work or social setting. If the web is monitoring, it’s also educating us in good performance. <hl> “We get a lot of ideas from media,” said Anna Post , a co-author of “Emily Post’s Etiquette” and a spokeswoman for the Emily Post Institute in Burlington, Vt. <hl> “The generation before the Internet watched movies and learned how to behave from them,” she said, pointing to the John Hughes cult film “Sixteen Candles” as one example. “People acted a little drunk and goofy.”

“The problem with Instagram and Facebook is that they’re being used by career-minded people outside the original targeted audience — the college crowd — Ms. Sternheimer said. “Everyone is using it now, so smartphones are essentially monitoring our behavior,” she said. “People may be behaving better for fear of being captured doing something inappropriate without their consent.” Ms. Sternheimer added that people are more careful about what they let others see, especially because they know that other employment opportunities can be hindered if they portray themselves negatively in either a work or social setting. If the web is monitoring, it’s also educating us in good performance. “We get a lot of ideas from media,” said <hl> Anna Post <hl>, a co-author of “Emily Post’s Etiquette” and a spokeswoman for the Emily Post Institute in Burlington, Vt. “The generation before the Internet watched movies and learned how to behave from them,” she said, pointing to the John Hughes cult film “Sixteen Candles” as one example. “People acted a little drunk and goofy.”

“We get a lot of ideas from media,” said <hl> Anna Post <hl> , a co-author of “Emily Post’s Etiquette” and a spokeswoman for the Emily Post Institute in Burlington, Vt.


Question: Which Campus did Holmes attend at school?

To that end, prosecutors brought in professors and classmates who described Mr. Holmes’s struggles as a first-year graduate student in the neuroscience program at the Anschutz Medical Campus of the University of Colorado. Mr. Holmes quit the program in June 2012, after he failed important oral exams, and declined the chance to retake them. Prosecutors showcased pages from a spiral notebook in which Mr. Holmes inscribed murderous fantasies and nonsensical theories about life and death, and where he plotted what kind of attack to carry out, and how and where to do it.

Answer: Anschutz Medical Campus

<hl> To that end, prosecutors brought in professors and classmates who described Mr. Holmes’s struggles as a first-year graduate student in the neuroscience program at the Anschutz Medical Campus of the University of Colorado. <hl> Mr. Holmes quit the program in June 2012, after he failed important oral exams, and declined the chance to retake them. Prosecutors showcased pages from a spiral notebook in which Mr. Holmes inscribed murderous fantasies and nonsensical theories about life and death, and where he plotted what kind of attack to carry out, and how and where to do it.

To that end, prosecutors brought in professors and classmates who described Mr. Holmes’s struggles as a first-year graduate student in the neuroscience program at the <hl> Anschutz Medical Campus <hl> of the University of Colorado. Mr. Holmes quit the program in June 2012, after he failed important oral exams, and declined the chance to retake them. Prosecutors showcased pages from a spiral notebook in which Mr. Holmes inscribed murderous fantasies and nonsensical theories about life and death, and where he plotted what kind of attack to carry out, and how and where to do it.