Question: Over the last few years has inflation been high or low?

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in San Francisco: No.

Answer: low

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. <hl> Over the last few years, employment has been growing and inflation has been low . <hl> But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in San Francisco: No.

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been <hl> low <hl>. But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in San Francisco: No.

Over the last few years, employment has been growing and inflation has been <hl> low <hl> .


Question: What should be targeted by the Fed as a third metric?

Answer: wages

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. <hl> Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages . <hl> The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in San Francisco: No.

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: <hl> wages <hl>. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in San Francisco: No.

Yet there is one obvious factor that drives American living standards but risks being lost in this mix: <hl> wages <hl> .


Question: What percentage has the annual wage growth been stuck at for the last six years?

Answer: 2

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. <hl> But annual wage growth has been stuck at about 2 percent going on six years now. <hl> This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in San Francisco: No.

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. But annual wage growth has been stuck at about <hl> 2 <hl> percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in San Francisco: No.


Question: What is the title Janet Yellen holds at the Fed?

Answer: chairwoman

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. <hl> Janet Yellen, the Fed chairwoman , happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. <hl> Ms. Yellen gave her answer in a recent speech in San Francisco: No.

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed <hl> chairwoman <hl>, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in San Francisco: No.

Janet Yellen, the Fed <hl> chairwoman <hl> , happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction.


Question: Ms. Yellen recently gave a speech in what city?

Answer: San Francisco

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. <hl> Ms. Yellen gave her answer in a recent speech in San Francisco : No. <hl>

The Federal Reserve is supposed to achieve two goals simultaneously: full employment with stable prices. Yet there is one obvious factor that drives American living standards but risks being lost in this mix: wages. The economic status of most working-age households is determined by whether people are employed and for how many hours. It is also affected by how quickly prices are rising and whether their paychecks are at least keeping up with, if not outpacing, those prices. Over the last few years, employment has been growing and inflation has been low. But annual wage growth has been stuck at about 2 percent going on six years now. This combination has caused some economists and Fed watchers to argue that the Fed should target wages as a third metric. Janet Yellen, the Fed chairwoman, happens to agree with many of these wage-conscious analysts on a wide range of other economic issues, raising the possibility the Fed might indeed move in this direction. Ms. Yellen gave her answer in a recent speech in <hl> San Francisco <hl>: No.

Ms. Yellen gave her answer in a recent speech in <hl> San Francisco <hl> : No.


Question: Who's stance offers a reason to explain the benefits of monitoring wages?

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. Ms. Yellen’s stance offers a reason to explain those benefits. So here goes: The current unemployment rate is an unreliable indicator of the job market’s strength. The unemployment rate has long informed Fed policy by signaling the extent of slack in the labor market, but in recent years, it has been biased down in this regard. For example, the job market is not as tight as its current level of 5.5 percent unemployment suggests.

Answer: Ms. Yellen

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. <hl> Ms. Yellen ’s stance offers a reason to explain those benefits. <hl> So here goes: The current unemployment rate is an unreliable indicator of the job market’s strength. The unemployment rate has long informed Fed policy by signaling the extent of slack in the labor market, but in recent years, it has been biased down in this regard. For example, the job market is not as tight as its current level of 5.5 percent unemployment suggests.

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. <hl> Ms. Yellen <hl>’s stance offers a reason to explain those benefits. So here goes: The current unemployment rate is an unreliable indicator of the job market’s strength. The unemployment rate has long informed Fed policy by signaling the extent of slack in the labor market, but in recent years, it has been biased down in this regard. For example, the job market is not as tight as its current level of 5.5 percent unemployment suggests.

<hl> Ms. Yellen <hl> ’s stance offers a reason to explain those benefits.


Question: What is the current unemployment level?

Answer: 5.5 percent

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. Ms. Yellen’s stance offers a reason to explain those benefits. So here goes: The current unemployment rate is an unreliable indicator of the job market’s strength. The unemployment rate has long informed Fed policy by signaling the extent of slack in the labor market, but in recent years, it has been biased down in this regard. <hl> For example, the job market is not as tight as its current level of 5.5 percent unemployment suggests. <hl>

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. Ms. Yellen’s stance offers a reason to explain those benefits. So here goes: The current unemployment rate is an unreliable indicator of the job market’s strength. The unemployment rate has long informed Fed policy by signaling the extent of slack in the labor market, but in recent years, it has been biased down in this regard. For example, the job market is not as tight as its current level of <hl> 5.5 percent <hl> unemployment suggests.


Question: What is an unreliable indicator of the job market's strength?

Answer: The current unemployment rate

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. Ms. Yellen’s stance offers a reason to explain those benefits. <hl> So here goes: The current unemployment rate is an unreliable indicator of the job market’s strength. <hl> The unemployment rate has long informed Fed policy by signaling the extent of slack in the labor market, but in recent years, it has been biased down in this regard. For example, the job market is not as tight as its current level of 5.5 percent unemployment suggests.

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. Ms. Yellen’s stance offers a reason to explain those benefits. So here goes: <hl> The current unemployment rate <hl> is an unreliable indicator of the job market’s strength. The unemployment rate has long informed Fed policy by signaling the extent of slack in the labor market, but in recent years, it has been biased down in this regard. For example, the job market is not as tight as its current level of 5.5 percent unemployment suggests.


Question: The unemployment rate informs the Fed of slack in what?

Answer: labor market

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. Ms. Yellen’s stance offers a reason to explain those benefits. So here goes: The current unemployment rate is an unreliable indicator of the job market’s strength. <hl> The unemployment rate has long informed Fed policy by signaling the extent of slack in the labor market , but in recent years, it has been biased down in this regard. <hl> For example, the job market is not as tight as its current level of 5.5 percent unemployment suggests.

I count myself among those analysts who have described the potential benefits of wage targeting at the Fed — waiting until wages are growing considerably faster than they are today before tapping the brakes. Ms. Yellen’s stance offers a reason to explain those benefits. So here goes: The current unemployment rate is an unreliable indicator of the job market’s strength. The unemployment rate has long informed Fed policy by signaling the extent of slack in the <hl> labor market <hl>, but in recent years, it has been biased down in this regard. For example, the job market is not as tight as its current level of 5.5 percent unemployment suggests.

The unemployment rate has long informed Fed policy by signaling the extent of slack in the <hl> labor market <hl> , but in recent years, it has been biased down in this regard.


Question: Where was Mr. Reed warmly received?

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. Mr. Reed is creating a work for Mr. Blum’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”

Answer: Europe

<hl> Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. <hl> “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. Mr. Reed is creating a work for Mr. Blum’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”

Indeed, Mr. Reed said he had been more warmly received in <hl> Europe <hl> where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. Mr. Reed is creating a work for Mr. Blum’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”


Question: Who was warmly received in Europe?

Answer: West 57th Street gallery

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. <hl> Mr. Reed is creating a work for Mr. Blum’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. <hl> “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. Mr. Reed is creating a work for Mr. Blum’s <hl> West 57th Street gallery <hl> — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”


Question: Who did Mr. Reed create work for?

Answer: Mr. Blum

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. <hl> Mr. Reed is creating a work for Mr. Blum ’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. <hl> “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. Mr. Reed is creating a work for <hl> Mr. Blum <hl>’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”

Mr. Reed is creating a work for <hl> Mr. Blum <hl> ’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office.


Question: Who extend a wall through?

Answer: West 57th Street gallery

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. <hl> Mr. Reed is creating a work for Mr. Blum’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. <hl> “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. Mr. Reed is creating a work for Mr. Blum’s <hl> West 57th Street gallery <hl> — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. Painting is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”


Question: What is a long game?

Answer: Painting

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. Mr. Reed is creating a work for Mr. Blum’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. <hl> Painting is a long game — you need a lot of years. <hl> I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”

Indeed, Mr. Reed said he had been more warmly received in Europe where, in a series of recent shows, he explored the concept of the filmstrip in his paintings. “It’s always been strange to feel that I’m an American painter who’s much more appreciated in Europe than I am here,” he said. Mr. Reed is creating a work for Mr. Blum’s West 57th Street gallery — seven adjacent Technicolor canvases making a 42-foot-long horizontal piece that appears to extend through a wall and into Mr. Blum’s office. “I hope the painting seems endless,” Mr. Reed said. “I’m excited about what I’m doing now,” he added. “I just hope I live long enough to be able to explore it. <hl> Painting <hl> is a long game — you need a lot of years. I feel like I’m finally getting a feel for certain things and it’s taken me this long to do it.”


Question: She has an extraordinary talent for what?

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”

Answer: Her palette is very unusu

<hl> “She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “ Her palette is very unusu al. <hl> It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “<hl> Her palette is very unusu <hl>al. It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “ <hl> Her palette is very unusu <hl> al.


Question: Where does Northern European artists come from?

Answer: Belgian

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. <hl> It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” <hl> So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. It has a lot to do with that great tradition of <hl> Belgian <hl> Northern European artists dealing with a quality of light.” So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”


Question: Where was there first solo show located?

Answer: United States

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” <hl> So he decided to give the artist her first solo show in the United States , traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. <hl> “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” So he decided to give the artist her first solo show in the <hl> United States <hl>, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”

So he decided to give the artist her first solo show in the <hl> United States <hl> , traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery.


Question: When does it open?

Answer: Jan. 8

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” <hl> So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. <hl> “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens <hl> Jan. 8 <hl> at his 10th Avenue gallery. “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”


Question: Where is the gallery?

Answer: 10th Avenue

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” <hl> So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his 10th Avenue gallery. <hl> “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”

“She has this extraordinary talent for distilling form, landscape, abstraction and color,” Mr. Kelly said. “Her palette is very unusual. It has a lot to do with that great tradition of Belgian Northern European artists dealing with a quality of light.” So he decided to give the artist her first solo show in the United States, traveling to Belgium recently to choose the paintings and watercolors for the exhibition, which opens Jan. 8 at his <hl> 10th Avenue <hl> gallery. “It’s impossible to separate Ilse D’Hollander’s work from her personality,” Eric Rinckhout wrote in an essay. “She withdrew into her work as into a house, to seek the rest, order and control she could not find in her head at times.”


Question: Who perished on thursday?

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. Robert Tyler, a family friend, said the apparent cause was heart failure. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

Answer: Darryl Dawkins

<hl> Darryl Dawkins , who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. <hl> He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. Robert Tyler, a family friend, said the apparent cause was heart failure. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

<hl> Darryl Dawkins <hl>, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. Robert Tyler, a family friend, said the apparent cause was heart failure. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

<hl> Darryl Dawkins <hl> , who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa.


Question: What was Darryl Dawkins nickname?

Answer: Chocolate Thunder from Planet Lovetron

<hl> Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron , died on Thursday in Allentown, Pa. <hl> He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. Robert Tyler, a family friend, said the apparent cause was heart failure. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as <hl> Chocolate Thunder from Planet Lovetron <hl>, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. Robert Tyler, a family friend, said the apparent cause was heart failure. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as <hl> Chocolate Thunder from Planet Lovetron <hl> , died on Thursday in Allentown, Pa.


Question: Who was on good terms with Darryl Dawkins?

Answer: Robert Tyler

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. <hl> Robert Tyler , a family friend, said the apparent cause was heart failure. <hl> One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. <hl> Robert Tyler <hl>, a family friend, said the apparent cause was heart failure. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

<hl> Robert Tyler <hl> , a family friend, said the apparent cause was heart failure.


Question: What killed Darryl Dawkins?

Answer: heart failure

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. <hl> Robert Tyler, a family friend, said the apparent cause was heart failure . <hl> One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. Robert Tyler, a family friend, said the apparent cause was <hl> heart failure <hl>. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

Robert Tyler, a family friend, said the apparent cause was <hl> heart failure <hl> .


Question: Who selected Darryl for their team team?

Answer: Philadelphia 76ers

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. Robert Tyler, a family friend, said the apparent cause was heart failure. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. <hl> Selected as an 18-year-old from Orlando, Fla., by the Philadelphia 76ers as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. <hl> A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)

Darryl Dawkins, who arrived in professional basketball as a gigantic teenager and became one of the game’s fiercest dunkers and most notoriously lovable characters, a backboard-smashing, referee-dissing, fun-loving manchild known to fans as Chocolate Thunder from Planet Lovetron, died on Thursday in Allentown, Pa. He was 58. Tracey Sechler, a spokeswoman for Lehigh Valley Hospital in Allentown, confirmed the death. Robert Tyler, a family friend, said the apparent cause was heart failure. One of basketball’s larger-than-life figures — though at 6-foot-11 and more than 250 pounds he was pretty large to begin with — Dawkins made his mark on the sport’s history in a number of ways. Selected as an 18-year-old from Orlando, Fla., by the <hl> Philadelphia 76ers <hl> as the fifth overall choice in the 1975 National Basketball Association draft, he became the first player to make the leap directly from high school to the N.B.A. (He was not the first high schooler to turn pro. A year earlier, Moses Malone had jumped from high school in Virginia to the Utah Stars, a franchise in the American Basketball Association, which merged with the N.B.A. in 1976.)


Question: Who did Dawkins remind people of?

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to Wilt Chamberlain. He was mischievous and flamboyant — he was known to wear an electric lime-green suit — and fond of rhyming and hyperbolic fantasy musings. (He invented the Planet Lovetron business when he was in high school.) But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — “I was uncoachable,” he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld.

Answer: Wilt Chamberlain

<hl> With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to Wilt Chamberlain . <hl> He was mischievous and flamboyant — he was known to wear an electric lime-green suit — and fond of rhyming and hyperbolic fantasy musings. (He invented the Planet Lovetron business when he was in high school.) But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — “I was uncoachable,” he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld.

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to <hl> Wilt Chamberlain <hl>. He was mischievous and flamboyant — he was known to wear an electric lime-green suit — and fond of rhyming and hyperbolic fantasy musings. (He invented the Planet Lovetron business when he was in high school.) But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — “I was uncoachable,” he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld.

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to <hl> Wilt Chamberlain <hl> .


Question: Did Dawkins listen to advice?

Answer: “I was uncoachable,”

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to Wilt Chamberlain. He was mischievous and flamboyant — he was known to wear an electric lime-green suit — and fond of rhyming and hyperbolic fantasy musings. (He invented the Planet Lovetron business when he was in high school.) <hl> But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — “I was uncoachable,” he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld. <hl>

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to Wilt Chamberlain. He was mischievous and flamboyant — he was known to wear an electric lime-green suit — and fond of rhyming and hyperbolic fantasy musings. (He invented the Planet Lovetron business when he was in high school.) But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — <hl> “I was uncoachable,” <hl> he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld.


Question: What did Dawkins like to wear?

Answer: an electric lime-green suit

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to Wilt Chamberlain. <hl> He was mischievous and flamboyant — he was known to wear an electric lime-green suit — and fond of rhyming and hyperbolic fantasy musings. <hl> (He invented the Planet Lovetron business when he was in high school.) But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — “I was uncoachable,” he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld.

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to Wilt Chamberlain. He was mischievous and flamboyant — he was known to wear <hl> an electric lime-green suit <hl> — and fond of rhyming and hyperbolic fantasy musings. (He invented the Planet Lovetron business when he was in high school.) But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — “I was uncoachable,” he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld.


Question: Did Dawkins dabble in music?

Answer: and fond of rhyming and hyperbolic fantasy musings.

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to Wilt Chamberlain. <hl> He was mischievous and flamboyant — he was known to wear an electric lime-green suit — and fond of rhyming and hyperbolic fantasy musings. (He invented the Planet Lovetron business when he was in high school.) <hl> But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — “I was uncoachable,” he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld.

With a sculpted physique, inordinate strength and an unusually accurate jump shot for a man his size, Dawkins was expected to be a star in the league for years to come, drawing comparisons to Wilt Chamberlain. He was mischievous and flamboyant — he was known to wear an electric lime-green suit — <hl> and fond of rhyming and hyperbolic fantasy musings. <hl> (He invented the Planet Lovetron business when he was in high school.) But immature, not technically adept around the basket and resistant to the entreaties of his coaches, Gene Shue and later Billy Cunningham — “I was uncoachable,” he admitted years later — he began his career in the shadows of other N.B.A. big men like Kareem Abdul-Jabbar, Bob Lanier and Wesley Unseld.


Question: What were his typical basketball stats?

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. For his career, he averaged 12 points and 6.1 rebounds per game. More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because the refs were never crazy about him), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. Darryl Dawkins was born in Orlando on Jan. 11, 1957. He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. He led Maynard Evans High School in Orlando to the Florida state championship in 1975.

Answer: 12 points and 6.1 rebounds per game

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. <hl> For his career, he averaged 12 points and 6.1 rebounds per game . <hl> More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because the refs were never crazy about him), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. Darryl Dawkins was born in Orlando on Jan. 11, 1957. He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. He led Maynard Evans High School in Orlando to the Florida state championship in 1975.

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. For his career, he averaged <hl> 12 points and 6.1 rebounds per game <hl>. More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because the refs were never crazy about him), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. Darryl Dawkins was born in Orlando on Jan. 11, 1957. He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. He led Maynard Evans High School in Orlando to the Florida state championship in 1975.

For his career, he averaged <hl> 12 points and 6.1 rebounds per game <hl> .


Question: Was he popular with game moderators?

Answer: the refs were never crazy about him

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. For his career, he averaged 12 points and 6.1 rebounds per game. <hl> More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because the refs were never crazy about him ), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. <hl> Darryl Dawkins was born in Orlando on Jan. 11, 1957. He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. He led Maynard Evans High School in Orlando to the Florida state championship in 1975.

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. For his career, he averaged 12 points and 6.1 rebounds per game. More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because <hl> the refs were never crazy about him <hl>), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. Darryl Dawkins was born in Orlando on Jan. 11, 1957. He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. He led Maynard Evans High School in Orlando to the Florida state championship in 1975.

More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because <hl> the refs were never crazy about him <hl> ), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history.


Question: When was he introduced to the world?

Answer: Jan. 11, 1957

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. For his career, he averaged 12 points and 6.1 rebounds per game. More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because the refs were never crazy about him), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. <hl> Darryl Dawkins was born in Orlando on Jan. 11, 1957 . <hl> He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. He led Maynard Evans High School in Orlando to the Florida state championship in 1975.

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. For his career, he averaged 12 points and 6.1 rebounds per game. More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because the refs were never crazy about him), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. Darryl Dawkins was born in Orlando on <hl> Jan. 11, 1957 <hl>. He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. He led Maynard Evans High School in Orlando to the Florida state championship in 1975.

Darryl Dawkins was born in Orlando on <hl> Jan. 11, 1957 <hl> .


Question: What team did he help to the state championship?

Answer: Maynard Evans High School

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. For his career, he averaged 12 points and 6.1 rebounds per game. More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because the refs were never crazy about him), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. Darryl Dawkins was born in Orlando on Jan. 11, 1957. He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. <hl> He led Maynard Evans High School in Orlando to the Florida state championship in 1975. <hl>

He also played for the New Jersey Nets (now the Brooklyn Nets), the Utah Jazz and the Detroit Pistons. For his career, he averaged 12 points and 6.1 rebounds per game. More notably, he led the league three times in personal fouls, testimony to his ferocious inside play (and possibly because the refs were never crazy about him), and because he dunked so often and shot well from midrange, his career shooting percentage, .572, is the seventh highest in league history. Darryl Dawkins was born in Orlando on Jan. 11, 1957. He was raised mostly by his mother, the former Harriet James, though Mr. Tyler, his friend, said he remained close to his father, Frank Dawkins. He led <hl> Maynard Evans High School <hl> in Orlando to the Florida state championship in 1975.


Question: Did Dawkins play outside of the US?

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman, who became his fourth wife in 2001. A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

Answer: Italy and spent a year with the Harlem Globetrotters

<hl> After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters . <hl> In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman, who became his fourth wife in 2001. A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

After his N.B.A. career ended, Dawkins played professionally in <hl> Italy and spent a year with the Harlem Globetrotters <hl>. In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman, who became his fourth wife in 2001. A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

After his N.B.A. career ended, Dawkins played professionally in <hl> Italy and spent a year with the Harlem Globetrotters <hl> .


Question: Did Dawkins try his luck with professional coaching?

Answer: professional teams in Winnipeg and in Allentown

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. <hl> In recent years he coached professional teams in Winnipeg and in Allentown , where he met Janice Hoderman, who became his fourth wife in 2001. <hl> A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. In recent years he coached <hl> professional teams in Winnipeg and in Allentown <hl>, where he met Janice Hoderman, who became his fourth wife in 2001. A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

In recent years he coached <hl> professional teams in Winnipeg and in Allentown <hl> , where he met Janice Hoderman, who became his fourth wife in 2001.


Question: Did Dawkins have a family?

Answer: son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman, who became his fourth wife in 2001. A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. <hl> In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings . <hl>

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman, who became his fourth wife in 2001. A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their <hl> son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings <hl>.

In addition to his wife, his survivors include their <hl> son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings <hl> .


Question: In what year did Dawkins marry for the fourth time?

Answer: 2001

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. <hl> In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman, who became his fourth wife in 2001 . <hl> A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman, who became his fourth wife in <hl> 2001 <hl>. A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman, who became his fourth wife in <hl> 2001 <hl> .


Question: Who was Dawkins fourth marriage partner?

Answer: Janice Hoderman

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. <hl> In recent years he coached professional teams in Winnipeg and in Allentown, where he met Janice Hoderman , who became his fourth wife in 2001. <hl> A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

After his N.B.A. career ended, Dawkins played professionally in Italy and spent a year with the Harlem Globetrotters. In recent years he coached professional teams in Winnipeg and in Allentown, where he met <hl> Janice Hoderman <hl>, who became his fourth wife in 2001. A gentle giant in his later years, Dawkins also coached the basketball team at Lehigh Carbon Community College in Schnecksville, Pa., not far from Allentown, where he lived. In addition to his wife, his survivors include their son, Nicholas, and daughter, Alexis; a stepdaughter, Tabitha; a daughter from a previous marriage, Dara; his mother; and several siblings.

In recent years he coached professional teams in Winnipeg and in Allentown, where he met <hl> Janice Hoderman <hl> , who became his fourth wife in 2001.


Question: Did Dawkins break any rims after upgrades were introduced?

Not long after Dawkins’s backboard-shattering spree, the league introduced the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. “The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia,” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks. “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ so I went ahead and brought it down.

Answer: The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia,

Not long after Dawkins’s backboard-shattering spree, the league introduced the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. <hl> “ The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia, ” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks. <hl> “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ so I went ahead and brought it down.

Not long after Dawkins’s backboard-shattering spree, the league introduced the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. “<hl> The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia, <hl>” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks. “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ so I went ahead and brought it down.

“ <hl> The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia, <hl> ” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks.


Question: Were Dawkins scoring moves popular?

Answer: “All the fans were hollering, ‘You’ve got to do one for the home crowd,’

Not long after Dawkins’s backboard-shattering spree, the league introduced the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. “The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia,” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks. <hl> “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ so I went ahead and brought it down. <hl>

Not long after Dawkins’s backboard-shattering spree, the league introduced the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. “The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia,” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks. <hl> “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ <hl> so I went ahead and brought it down.


Question: When did Times talk to Dawkins?

Answer: 2004

Not long after Dawkins’s backboard-shattering spree, the league introduced the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. <hl> “The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia,” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks. <hl> “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ so I went ahead and brought it down.

Not long after Dawkins’s backboard-shattering spree, the league introduced the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. “The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia,” Dawkins recalled in the <hl> 2004 <hl> Times interview, referring to his most smashingly spectacular dunks. “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ so I went ahead and brought it down.


Question: What upgrades were introduced in basketball?

Answer: the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction.

<hl> Not long after Dawkins’s backboard-shattering spree, the league introduced the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. “The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia,” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks. <hl> “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ so I went ahead and brought it down.

Not long after Dawkins’s backboard-shattering spree, the league introduced <hl> the so-called breakaway rim, which yields to downward pressure and then snaps back to the horizontal, minimizing the potential for destruction. <hl> “The first one was an accident, but I wanted to see if I could do it again when I got back to Philadelphia,” Dawkins recalled in the 2004 Times interview, referring to his most smashingly spectacular dunks. “All the fans were hollering, ‘You’ve got to do one for the home crowd,’ so I went ahead and brought it down.


Question: Which network airs a TV show featuring the Notre Dame college football team?

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.

Answer: Showtime

“At times it can be a little much, a little bit of a hassle,” Prosise said. <hl> “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. <hl> The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” <hl> Showtime <hl> has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.


Question: Why couldn't Ronnie Stanley accept the captain position on the team?

Answer: parking violations

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. <hl> The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations . <hl> Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of <hl> parking violations <hl>. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.

The scene was not included in the program, and Stanley later revealed that he could not accept because of <hl> parking violations <hl> .


Question: Who maintained some control over the content of the show alongside Espinoza?

Answer: the university

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. <hl> He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. <hl> The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with <hl> the university <hl> on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.


Question: What happened to Malik Zaire to end his season?

Answer: broke his ankle

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. <hl> Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle , ending his season. <hl>

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he <hl> broke his ankle <hl>, ending his season.

Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he <hl> broke his ankle <hl> , ending his season.


Question: What demographic did the show focus on?

Answer: student-athletes

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. <hl> Espinoza said the network also understood it was about student-athletes and did not want to embarrass anyone. <hl> Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.

“At times it can be a little much, a little bit of a hassle,” Prosise said. “But it’s kind of cool to say you have your own TV show and you’re part of a TV show.” Showtime has shown Notre Dame in a positive light, though Kelly was not happy that it carried a teaser of him telling the team that tackle Ronnie Stanley was unable to accept being a captain. The scene was not included in the program, and Stanley later revealed that he could not accept because of parking violations. Stephen Espinoza, the executive vice president and general manager of Showtime sports and event programming, said the network had apologized. He also said that Showtime had worked with the university on story lines and on putting the show together and that it retained control over the program’s content. The university is aware of what scenes Showtime plans to use but does not see the full program until it runs. Espinoza said the network also understood it was about <hl> student-athletes <hl> and did not want to embarrass anyone. Players had the option of signing releases and could ask not to be filmed. “This show can only be produced in collaboration,” Espinoza said. Viewers have seen some lows, including the raw emotion of quarterback Malik Zaire after he broke his ankle, ending his season.


Question: What instrument can Corey Robinson play?

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.

Answer: ukulele

<hl> Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. <hl> During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the <hl> ukulele <hl> and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.


Question: Who coached a women's flag football team in an episode of the show?

Answer: Cole Luke

<hl> Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. <hl> During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback <hl> Cole Luke <hl> coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.