Question: What did Madonna do for the album which arrived Tuesday?

Answer: She also worked frantically to finish the rest of the album

Madonna was perfectly turned out and running nearly an hour late for an interview at her Upper East Side home on Wednesday evening. She looked tense as she apologized. “I’m late for everything now,” she said. She added that she has been in a rush since December, when a hacker put unfinished songs online from her new album, “Rebel Heart”; a suspect has been indicted in Israel. Madonna’s immediate response was to release the finished, and much improved, versions of six songs for sale; they zoomed into the top 10 worldwide. <hl> She also worked frantically to finish the rest of the album , which arrives on Tuesday. <hl> It’s at once familiar — full of love, dancing, empowerment, blasphemy and raunch — and up-to-the-minute, made with a huge number of collaborators and tweaked by multiple hands under Madonna’s constant supervision. “I intended to think about things, choose things more slowly — the whole process,” she said. “Then I got forced into putting everything out, and now I’m trying to catch up with myself.”

Madonna was perfectly turned out and running nearly an hour late for an interview at her Upper East Side home on Wednesday evening. She looked tense as she apologized. “I’m late for everything now,” she said. She added that she has been in a rush since December, when a hacker put unfinished songs online from her new album, “Rebel Heart”; a suspect has been indicted in Israel. Madonna’s immediate response was to release the finished, and much improved, versions of six songs for sale; they zoomed into the top 10 worldwide. <hl> She also worked frantically to finish the rest of the album <hl>, which arrives on Tuesday. It’s at once familiar — full of love, dancing, empowerment, blasphemy and raunch — and up-to-the-minute, made with a huge number of collaborators and tweaked by multiple hands under Madonna’s constant supervision. “I intended to think about things, choose things more slowly — the whole process,” she said. “Then I got forced into putting everything out, and now I’m trying to catch up with myself.”

<hl> She also worked frantically to finish the rest of the album <hl> , which arrives on Tuesday.


Question: Who was Madonna supervising?

Madonna was perfectly turned out and running nearly an hour late for an interview at her Upper East Side home on Wednesday evening. She looked tense as she apologized. “I’m late for everything now,” she said. She added that she has been in a rush since December, when a hacker put unfinished songs online from her new album, “Rebel Heart”; a suspect has been indicted in Israel. Madonna’s immediate response was to release the finished, and much improved, versions of six songs for sale; they zoomed into the top 10 worldwide. She also worked frantically to finish the rest of the album, which arrives on Tuesday. It’s at once familiar — full of love, dancing, empowerment, blasphemy and raunch — and up-to-the-minute, made with a huge number of collaborators and tweaked by multiple hands under Madonna’s constant supervision. “I intended to think about things, choose things more slowly — the whole process,” she said. “Then I got forced into putting everything out, and now I’m trying to catch up with myself.”

Answer: made with a huge number of collaborators and tweaked by multiple hands

Madonna was perfectly turned out and running nearly an hour late for an interview at her Upper East Side home on Wednesday evening. She looked tense as she apologized. “I’m late for everything now,” she said. She added that she has been in a rush since December, when a hacker put unfinished songs online from her new album, “Rebel Heart”; a suspect has been indicted in Israel. Madonna’s immediate response was to release the finished, and much improved, versions of six songs for sale; they zoomed into the top 10 worldwide. She also worked frantically to finish the rest of the album, which arrives on Tuesday. <hl> It’s at once familiar — full of love, dancing, empowerment, blasphemy and raunch — and up-to-the-minute, made with a huge number of collaborators and tweaked by multiple hands under Madonna’s constant supervision. <hl> “I intended to think about things, choose things more slowly — the whole process,” she said. “Then I got forced into putting everything out, and now I’m trying to catch up with myself.”

Madonna was perfectly turned out and running nearly an hour late for an interview at her Upper East Side home on Wednesday evening. She looked tense as she apologized. “I’m late for everything now,” she said. She added that she has been in a rush since December, when a hacker put unfinished songs online from her new album, “Rebel Heart”; a suspect has been indicted in Israel. Madonna’s immediate response was to release the finished, and much improved, versions of six songs for sale; they zoomed into the top 10 worldwide. She also worked frantically to finish the rest of the album, which arrives on Tuesday. It’s at once familiar — full of love, dancing, empowerment, blasphemy and raunch — and up-to-the-minute, <hl> made with a huge number of collaborators and tweaked by multiple hands <hl> under Madonna’s constant supervision. “I intended to think about things, choose things more slowly — the whole process,” she said. “Then I got forced into putting everything out, and now I’m trying to catch up with myself.”


Question: What did the experience change into?

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.

Answer: something quite crazy

<hl> She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy . <hl> A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into <hl> something quite crazy <hl>. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into <hl> something quite crazy <hl> .


Question: What was considered instant?

Answer: Instant success and instant failure. Instant discovery, instant destruction, instant construction.

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. <hl> Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. <hl> Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. <hl> Instant success and instant failure. Instant discovery, instant destruction, instant construction. <hl> It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.


Question: Where did they speak.

Answer: in her sitting room

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” <hl> We spoke in her sitting room , where a Fernand Léger painting presides from above the fireplace. <hl> A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke <hl> in her sitting room <hl>, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.

We spoke <hl> in her sitting room <hl> , where a Fernand Léger painting presides from above the fireplace.


Question: What was above the fire place?

Answer: a Fernand Léger painting

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” <hl> We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. <hl> A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where <hl> a Fernand Léger painting <hl> presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.


Question: What is Madonna working on?

Answer: the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells.

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. <hl> A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells. ” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor. <hl>

She continued: “What started out as an invigorating, life-enhancing, joyous experience evolved into something quite crazy. A strange artistic process, but a sign of the time. We’re all digital, we’re all vulnerable and everything’s instant — so instant. Instant success and instant failure. Instant discovery, instant destruction, instant construction. It’s as splendid and wonderful as it is devastating. Honestly, to me it’s the death of being an artist in many ways.” We spoke in her sitting room, where a Fernand Léger painting presides from above the fireplace. A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on <hl> the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells. <hl>” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.

A large coffee table was neatly stacked with books and folders of photographs that Madonna has been using for research as she works on <hl> the screenplay for her next film project, based on the novel “The Impossible Lives of Greta Wells. <hl> ” Imposing cream-colored couches flanked the coffee table, but Madonna preferred sitting on the floor.


Question: What does Madonna call it when she works on tracks in person?

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” Toby Gad, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”

Answer: her “old-fashioned” way

<hl> But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. <hl> “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” Toby Gad, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”

But Madonna insisted on collaborating in what she called <hl> her “old-fashioned” way <hl> — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” Toby Gad, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”


Question: Who was the producer who also worked with Beyonce?

Answer: Toby Gad

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? <hl> Don’t you want to go make some calls?’ ” Toby Gad , a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. <hl> “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” <hl> Toby Gad <hl>, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”

Don’t you want to go make some calls?’ ” <hl> Toby Gad <hl> , a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album.


Question: What has Toby Gad worked with Madonna on?

Answer: 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” <hl> Toby Gad, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love, ” reached the album. <hl> “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” Toby Gad, a producer who has also written with Beyoncé, worked on <hl> 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love, <hl>” reached the album. “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”

Toby Gad, a producer who has also written with Beyoncé, worked on <hl> 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love, <hl> ” reached the album.


Question: What did Toby Gad think of Madonna?

Answer: The first week she was quite intimidating,

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” Toby Gad, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. <hl> “ The first week she was quite intimidating, ” he said. <hl> “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” Toby Gad, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. “<hl> The first week she was quite intimidating, <hl>” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But she also likes honest, harsh critics to say things as they are. It worked out really well and she got sweeter and sweeter.”

“ <hl> The first week she was quite intimidating, <hl> ” he said.


Question: What did Toby Gad say Madonna likes?

Answer: she also likes honest, harsh critics to say things as they are

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” Toby Gad, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. <hl> But she also likes honest, harsh critics to say things as they are . <hl> It worked out really well and she got sweeter and sweeter.”

But Madonna insisted on collaborating in what she called her “old-fashioned” way — not handing off tracks to be polished for later approval, but shaping them in person. “I never leave the room,” she said. “Sometimes I think that makes them mad. Like, ‘Don’t you have to go to the bathroom? Don’t you have somewhere to go? Don’t you want to go make some calls?’ ” Toby Gad, a producer who has also written with Beyoncé, worked on 14 songs with Madonna; seven, including “Joan of Arc” and “Living for Love,” reached the album. “The first week she was quite intimidating,” he said. “It was like a test phase. You have to criticize, but you can’t really offend. But <hl> she also likes honest, harsh critics to say things as they are <hl>. It worked out really well and she got sweeter and sweeter.”

But <hl> she also likes honest, harsh critics to say things as they are <hl> .


Question: Who was said to have had their own original style?

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.

Answer: John and Robert Rubel

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. <hl> Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel . <hl> She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, <hl> John and Robert Rubel <hl>. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.

Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, <hl> John and Robert Rubel <hl> .


Question: What was Ms. Mizrahi-Rubles grandfather known for being?

Answer: diamond specialist

<hl> Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. <hl> Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known <hl> diamond specialist <hl> Marcel Rubel. Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.


Question: Besides being precious what was another attribute of the stones Ms Mizrahi-Rubel was trained to work with?

Answer: colored

<hl> Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. <hl> Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious <hl> colored <hl> stones by her grandfather, the well-known diamond specialist Marcel Rubel. Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.


Question: What did Ms. Mizrahi-Rubel open to view her uncles archives?

Answer: old trunk

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. <hl> Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. <hl> She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron. She also has worked at Fred and Mauboussin. Three years ago, she opened an <hl> old trunk <hl> in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.


Question: Who did Ms. Mizrahi-Rubel collaborate with during her career?

Answer: Cartier, Van Cleef & Arpels and Boucheron

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. <hl> Her 20-year career has been built on collaborations with such top French jewelers as Cartier, Van Cleef & Arpels and Boucheron . <hl> She also has worked at Fred and Mauboussin. Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.

Ms. Mizrahi-Rubel, 51, who is based in Paris, was trained in working with diamonds and precious colored stones by her grandfather, the well-known diamond specialist Marcel Rubel. Her 20-year career has been built on collaborations with such top French jewelers as <hl> Cartier, Van Cleef & Arpels and Boucheron <hl>. She also has worked at Fred and Mauboussin. Three years ago, she opened an old trunk in the attic of a family country house to rediscover the forgotten archives of her great uncles, John and Robert Rubel. She said the hundreds of drawings, gouaches, patents and even scale models of their designs revealed the unusual style and originality of their Art Deco creations.

Her 20-year career has been built on collaborations with such top French jewelers as <hl> Cartier, Van Cleef & Arpels and Boucheron <hl> .


Question: What brand is Ms. Mizrahi-Rubel reviving?

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème. Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.

Answer: John Rubel

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. <hl> Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème. <hl> Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the <hl> John Rubel <hl> brand with the collection La Bohème. Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.


Question: How many pieces are there in the collection?

Answer: 18

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème. <hl> Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. <hl> “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème. Inspired by the shapes and bold colors of Rubel Frères style, the <hl> 18 <hl> pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.


Question: What is the name of the collection?

Answer: La Bohème

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. <hl> Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème . <hl> Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection <hl> La Bohème <hl>. Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.

Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection <hl> La Bohème <hl> .


Question: Who was the Ginger ring named for?

Answer: Ginger Rogers

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème. Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” <hl> John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers , which the buyer can have pavéd with diamonds, emeralds, or sapphires. <hl> The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème. Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for <hl> Ginger Rogers <hl>, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named La Divine, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.

John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for <hl> Ginger Rogers <hl> , which the buyer can have pavéd with diamonds, emeralds, or sapphires.


Question: What is the name of the Mozambique ruby and diamond ring?

Answer: La Divine

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème. Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. <hl> The Mozambique ruby and diamond ring, named La Divine , was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds. <hl>

Success brought a private clientele and the Rubels opened stores on Fifth Avenue and in Palm Beach, Fla. But, by the mid-1950s, the boutiques had closed. The last vestiges of their fame are the vintage pieces that turn up for auction occasionally at Sotheby’s, Christie’s and Bonhams. Since finding her grand uncles’ archives, Ms. Mizrahi-Rubel has been working on designs and is now reviving the John Rubel brand with the collection La Bohème. Inspired by the shapes and bold colors of Rubel Frères style, the 18 pieces in the collection are made of diamonds, rubies, emeralds, blue and pink sapphires and blue-green tourmalines. “I call it dancing jewelry” she said. “It’s very colorful, very joyful with touches of Art Deco style.” John Rubel’s Modernist-style Rouleau bracelet of curved gold and blue and pink sapphires inspired Ms. Mizrahi-Rubel’s Ginger ring, named for Ginger Rogers, which the buyer can have pavéd with diamonds, emeralds, or sapphires. The Mozambique ruby and diamond ring, named <hl> La Divine <hl>, was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.

The Mozambique ruby and diamond ring, named <hl> La Divine <hl> , was derived from Rubel’s Undersea Flower clip of turquoises, rubies and diamonds.


Question: What did the couple do in Amman, Jordan?

They flirted awkwardly at a conference in Amman, Jordan, where they met in 2011. Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. Their mobile phones both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/Or what you did/As long as you love me.” They got engaged, exchanging rings and completing a contract to marry in an Islamic court. But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. Romance is not among the humanitarian reasons for which Israel allows Palestinians to travel from here to there. Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”

Answer: They flirted awkwardly at a conference

<hl> They flirted awkwardly at a conference in Amman, Jordan, where they met in 2011. <hl> Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. Their mobile phones both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/ Or what you did/As long as you love me.” They got engaged, exchanging rings and completing a contract to marry in an Islamic court. But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. Romance is not among the humanitarian reasons for which Israel allows Palestinians to travel from here to there. Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”

<hl> They flirted awkwardly at a conference <hl> in Amman, Jordan, where they met in 2011. Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. Their mobile phones both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/Or what you did/As long as you love me.” They got engaged, exchanging rings and completing a contract to marry in an Islamic court. But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. Romance is not among the humanitarian reasons for which Israel allows Palestinians to travel from here to there. Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”


Question: What did the couples phones have in common musically?

Answer: both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/Or what you did/As long as you love me.”

They flirted awkwardly at a conference in Amman, Jordan, where they met in 2011. Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. <hl> Their mobile phones both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/Or what you did/As long as you love me.” They got engaged, exchanging rings and completing a contract to marry in an Islamic court. <hl> But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. Romance is not among the humanitarian reasons for which Israel allows Palestinians to travel from here to there. Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”

They flirted awkwardly at a conference in Amman, Jordan, where they met in 2011. Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. Their mobile phones <hl> both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/Or what you did/As long as you love me.” <hl> They got engaged, exchanging rings and completing a contract to marry in an Islamic court. But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. Romance is not among the humanitarian reasons for which Israel allows Palestinians to travel from here to there. Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”


Question: What faith did the couple marry in?

Answer: Islam

They flirted awkwardly at a conference in Amman, Jordan, where they met in 2011. Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. Their mobile phones both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/ Or what you did/As long as you love me.” <hl> They got engaged, exchanging rings and completing a contract to marry in an Islam ic court. <hl> But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. Romance is not among the humanitarian reasons for which Israel allows Palestinians to travel from here to there. Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”

They flirted awkwardly at a conference in Amman, Jordan, where they met in 2011. Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. Their mobile phones both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/Or what you did/As long as you love me.” They got engaged, exchanging rings and completing a contract to marry in an <hl> Islam <hl>ic court. But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. Romance is not among the humanitarian reasons for which Israel allows Palestinians to travel from here to there. Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”

They got engaged, exchanging rings and completing a contract to marry in an <hl> Islam <hl> ic court.


Question: Who keeps the couple separated?

Answer: Israel

They flirted awkwardly at a conference in Amman, Jordan, where they met in 2011. Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. Their mobile phones both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/ Or what you did/As long as you love me.” They got engaged, exchanging rings and completing a contract to marry in an Islamic court. But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. <hl> Romance is not among the humanitarian reasons for which Israel allows Palestinians to travel from here to there. <hl> Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”

They flirted awkwardly at a conference in Amman, Jordan, where they met in 2011. Then, in flurries of text messages over a few weeks, they discovered they both were interested in photography and astronomy and craved the Saudi rice dish kabsa. Their mobile phones both had the Backstreet Boys song with the lyrics: “I don’t care who you are/Where you’re from/Or what you did/As long as you love me.” They got engaged, exchanging rings and completing a contract to marry in an Islamic court. But theirs is a love unfulfilled. Dalia Shurrab, 32, lives here in the southern Gaza town of Khan Younis, and Rashed Sameer Faddah, 35, in the West Bank city of Nablus. Romance is not among the humanitarian reasons for which <hl> Israel <hl> allows Palestinians to travel from here to there. Now, the couple have started a Facebook campaign calling on President Mahmoud Abbas of the Palestinian Authority to “Deliver the Bride to the Groom.” “I have the love of my life — he’s really warm and kind, he always tries to make me happy, he’s proud of me,” Ms. Shurrab said, blushing and giggling as she shared their story. “When we cannot achieve what we are dreaming of, it dies slowly inside of us.”


Question: Who are the couple trying to reason with?

Ms. Shurrab says she is focusing her appeals on Mr. Abbas, not Israel, because “he’s responsible for the Palestinian people.” She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. Nabil Abu Rudeineh, Mr. Abbas’s spokesman, did not return a text message. The president’s media department did not respond to an email inquiry. Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which “have been dramatically radicalized in the last few years.”

Answer: Mr. Abbas

<hl> Ms. Shurrab says she is focusing her appeals on Mr. Abbas , not Israel, because “he’s responsible for the Palestinian people.” <hl> She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. Nabil Abu Rudeineh, Mr. Abbas’s spokesman, did not return a text message. The president’s media department did not respond to an email inquiry. Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which “have been dramatically radicalized in the last few years.”

Ms. Shurrab says she is focusing her appeals on <hl> Mr. Abbas <hl>, not Israel, because “he’s responsible for the Palestinian people.” She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. Nabil Abu Rudeineh, Mr. Abbas’s spokesman, did not return a text message. The president’s media department did not respond to an email inquiry. Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which “have been dramatically radicalized in the last few years.”

Ms. Shurrab says she is focusing her appeals on <hl> Mr. Abbas <hl> , not Israel, because “he’s responsible for the Palestinian people.”


Question: Who is the PR representative for Mr. Abbas?

Answer: Nabil Abu Rudeineh

Ms. Shurrab says she is focusing her appeals on Mr. Abbas, not Israel, because “he’s responsible for the Palestinian people.” She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. <hl> Nabil Abu Rudeineh , Mr. Abbas’s spokesman, did not return a text message. <hl> The president’s media department did not respond to an email inquiry. Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which “have been dramatically radicalized in the last few years.”

Ms. Shurrab says she is focusing her appeals on Mr. Abbas, not Israel, because “he’s responsible for the Palestinian people.” She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. <hl> Nabil Abu Rudeineh <hl>, Mr. Abbas’s spokesman, did not return a text message. The president’s media department did not respond to an email inquiry. Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which “have been dramatically radicalized in the last few years.”

<hl> Nabil Abu Rudeineh <hl> , Mr. Abbas’s spokesman, did not return a text message.


Question: What has happened with Israel's methods?

Answer: “have been dramatically radicalized in the last few years.”

Ms. Shurrab says she is focusing her appeals on Mr. Abbas, not Israel, because “he’s responsible for the Palestinian people.” She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. Nabil Abu Rudeineh, Mr. Abbas’s spokesman, did not return a text message. The president’s media department did not respond to an email inquiry. <hl> Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which “have been dramatically radicalized in the last few years.” <hl>

Ms. Shurrab says she is focusing her appeals on Mr. Abbas, not Israel, because “he’s responsible for the Palestinian people.” She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. Nabil Abu Rudeineh, Mr. Abbas’s spokesman, did not return a text message. The president’s media department did not respond to an email inquiry. Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which <hl> “have been dramatically radicalized in the last few years.” <hl>


Question: Why do the couple try to talk to Mr. Abbas?

Answer: “he’s responsible for the Palestinian people.”

<hl> Ms. Shurrab says she is focusing her appeals on Mr. Abbas, not Israel, because “he’s responsible for the Palestinian people.” She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. <hl> Nabil Abu Rudeineh, Mr. Abbas’s spokesman, did not return a text message. The president’s media department did not respond to an email inquiry. Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which “have been dramatically radicalized in the last few years.”

Ms. Shurrab says she is focusing her appeals on Mr. Abbas, not Israel, because <hl> “he’s responsible for the Palestinian people.” <hl> She imagines that Palestinian officials could somehow intervene on her behalf since they coordinate with Israel on security issues. Nabil Abu Rudeineh, Mr. Abbas’s spokesman, did not return a text message. The president’s media department did not respond to an email inquiry. Xavier Abu Eid of the Palestine Liberation Organization, which Mr. Abbas also heads, said in an email that the couple was in “an awful situation that reflects the nightmare that thousands of Palestinian families have due to Israeli apartheid policies,” which “have been dramatically radicalized in the last few years.”


Question: What shift is more pressing in Europe than any other major region except Japan?

The demographic shift is more pressing in Europe than almost any other major region, save Japan. There are an estimated 28 Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. By the end of the century, the United Nations expects the European figure to double. Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.

Answer: demographic

<hl> The demographic shift is more pressing in Europe than almost any other major region, save Japan. <hl> There are an estimated 28 Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. By the end of the century, the United Nations expects the European figure to double. Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.

The <hl> demographic <hl> shift is more pressing in Europe than almost any other major region, save Japan. There are an estimated 28 Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. By the end of the century, the United Nations expects the European figure to double. Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.


Question: How many Europeans 65 or older are there for every 100 residents aged 20 to 64?

Answer: 28

The demographic shift is more pressing in Europe than almost any other major region, save Japan. <hl> There are an estimated 28 Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. <hl> By the end of the century, the United Nations expects the European figure to double. Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.

The demographic shift is more pressing in Europe than almost any other major region, save Japan. There are an estimated <hl> 28 <hl> Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. By the end of the century, the United Nations expects the European figure to double. Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.


Question: The United Nations expects the European figure to do what by the end of the century?

Answer: double

The demographic shift is more pressing in Europe than almost any other major region, save Japan. There are an estimated 28 Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. <hl> By the end of the century, the United Nations expects the European figure to double . <hl> Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.

The demographic shift is more pressing in Europe than almost any other major region, save Japan. There are an estimated 28 Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. By the end of the century, the United Nations expects the European figure to <hl> double <hl>. Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.

By the end of the century, the United Nations expects the European figure to <hl> double <hl> .


Question: Who already faces existential questions about adult diaper sales beginning to overtake baby diapers?

Answer: Japan

<hl> The demographic shift is more pressing in Europe than almost any other major region, save Japan . <hl> There are an estimated 28 Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. By the end of the century, the United Nations expects the European figure to double. Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.

The demographic shift is more pressing in Europe than almost any other major region, save <hl> Japan <hl>. There are an estimated 28 Europeans 65 or older for every 100 residents ages 20 to 64, almost twice the world average, according to the United Nations, and compared with 24.7 for the United States. By the end of the century, the United Nations expects the European figure to double. Such trends will transform societies, potentially reducing economic growth and increasing stress on public pension systems and requiring more elder care. Japan already faces existential questions in a country where adult diaper sales are beginning to eclipse those of baby diapers.

The demographic shift is more pressing in Europe than almost any other major region, save <hl> Japan <hl> .


Question: Who faces an increased burden to sustain social programs?

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. Productivity gains over time, though, can make up for such population stresses. Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. But that is hardly an issue now for much of Europe, which is mired in high unemployment.

Answer: active work force

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. <hl> Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. <hl> Productivity gains over time, though, can make up for such population stresses. Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. But that is hardly an issue now for much of Europe, which is mired in high unemployment.

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the <hl> active work force <hl> faces an increased burden to sustain social programs. Productivity gains over time, though, can make up for such population stresses. Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. But that is hardly an issue now for much of Europe, which is mired in high unemployment.


Question: Which country is mentioned to be facing a gap in skilled labor?

Answer: Germany

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. Productivity gains over time, though, can make up for such population stresses. <hl> Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. <hl> But that is hardly an issue now for much of Europe, which is mired in high unemployment.

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. Productivity gains over time, though, can make up for such population stresses. Declining birthrates can also lead to labor shortages, and <hl> Germany <hl> has faced a gap in skilled labor. But that is hardly an issue now for much of Europe, which is mired in high unemployment.


Question: Labor shortages are partly due to declining what?

Answer: birthrates

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. Productivity gains over time, though, can make up for such population stresses. <hl> Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. <hl> But that is hardly an issue now for much of Europe, which is mired in high unemployment.

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. Productivity gains over time, though, can make up for such population stresses. Declining <hl> birthrates <hl> can also lead to labor shortages, and Germany has faced a gap in skilled labor. But that is hardly an issue now for much of Europe, which is mired in high unemployment.


Question: Overtime what can make up for population stresses?

Answer: Productivity gains

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. <hl> Productivity gains over time, though, can make up for such population stresses. <hl> Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. But that is hardly an issue now for much of Europe, which is mired in high unemployment.

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. <hl> Productivity gains <hl> over time, though, can make up for such population stresses. Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. But that is hardly an issue now for much of Europe, which is mired in high unemployment.


Question: A major current issue for Europe is a high what?

Answer: unemployment

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. Productivity gains over time, though, can make up for such population stresses. Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. <hl> But that is hardly an issue now for much of Europe, which is mired in high unemployment . <hl>

But there is not a consensus about the impact of demographics. Some see a natural maturing of developed societies. Others see disaster ahead, because with fewer workers and more retirees, the active work force faces an increased burden to sustain social programs. Productivity gains over time, though, can make up for such population stresses. Declining birthrates can also lead to labor shortages, and Germany has faced a gap in skilled labor. But that is hardly an issue now for much of Europe, which is mired in high <hl> unemployment <hl>.

But that is hardly an issue now for much of Europe, which is mired in high <hl> unemployment <hl> .


Question: What kind of reckoning has Tunisia had with it's own past?

As part of its remarkable journey toward democracy, Tunisia has embarked on a painful reckoning with its past. Since last year, its Truth and Dignity Commission, created by constitutional mandate in 2013, has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the dictators Habib Bourguiba and Zine el-Abidine Ben Ali.

Answer: painful

<hl> As part of its remarkable journey toward democracy, Tunisia has embarked on a painful reckoning with its past. <hl> Since last year, its Truth and Dignity Commission, created by constitutional mandate in 2013, has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the dictators Habib Bourguiba and Zine el-Abidine Ben Ali.

As part of its remarkable journey toward democracy, Tunisia has embarked on a <hl> painful <hl> reckoning with its past. Since last year, its Truth and Dignity Commission, created by constitutional mandate in 2013, has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the dictators Habib Bourguiba and Zine el-Abidine Ben Ali.


Question: Tunisia has been on a road towards which form of government?

Answer: democracy

<hl> As part of its remarkable journey toward democracy , Tunisia has embarked on a painful reckoning with its past. <hl> Since last year, its Truth and Dignity Commission, created by constitutional mandate in 2013, has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the dictators Habib Bourguiba and Zine el-Abidine Ben Ali.

As part of its remarkable journey toward <hl> democracy <hl>, Tunisia has embarked on a painful reckoning with its past. Since last year, its Truth and Dignity Commission, created by constitutional mandate in 2013, has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the dictators Habib Bourguiba and Zine el-Abidine Ben Ali.

As part of its remarkable journey toward <hl> democracy <hl> , Tunisia has embarked on a painful reckoning with its past.


Question: What were the names of two dictators that many Tunisians suffered torture because of?

Answer: dictators Habib Bourguiba and Zine el-Abidine Ben Ali.

As part of its remarkable journey toward democracy, Tunisia has embarked on a painful reckoning with its past. <hl> Since last year, its Truth and Dignity Commission, created by constitutional mandate in 2013, has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the dictators Habib Bourguiba and Zine el-Abidine Ben Ali. <hl>

As part of its remarkable journey toward democracy, Tunisia has embarked on a painful reckoning with its past. Since last year, its Truth and Dignity Commission, created by constitutional mandate in 2013, has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the <hl> dictators Habib Bourguiba and Zine el-Abidine Ben Ali. <hl>


Question: What Commission was created in 2013?

Answer: Truth and Dignity Commission, created by constitutional mandate in 2013,

As part of its remarkable journey toward democracy, Tunisia has embarked on a painful reckoning with its past. <hl> Since last year, its Truth and Dignity Commission, created by constitutional mandate in 2013, has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the dictators Habib Bourguiba and Zine el-Abidine Ben Ali. <hl>

As part of its remarkable journey toward democracy, Tunisia has embarked on a painful reckoning with its past. Since last year, its <hl> Truth and Dignity Commission, created by constitutional mandate in 2013, <hl> has been collecting harrowing accounts of torture suffered by thousands of Tunisians over nearly six decades, primarily under the regimes of the dictators Habib Bourguiba and Zine el-Abidine Ben Ali.


Question: What entities might the I.S.S. be biased toward?

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

Answer: activist hedge funds

<hl> Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds , but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. <hl> And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

Such a report may suggest that I.S.S. is biased in favor of the <hl> activist hedge funds <hl>, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

Such a report may suggest that I.S.S. is biased in favor of the <hl> activist hedge funds <hl> , but this statistic may not be truly surprising because hedge funds tend to pick struggling targets.


Question: What kinds of targets do hedge funds usually choose?

Answer: struggling targets

<hl> Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets . <hl> And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick <hl> struggling targets <hl>. And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick <hl> struggling targets <hl> .


Question: Which company did the I.S.S. claim is not broken?

Answer: DuPont

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. And every contest is unique. <hl> What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” <hl> The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that <hl> DuPont <hl> is “not a broken company.” The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”


Question: Which law firm does Martin Lipton work for?

Answer: Wachtell Lipton Rosen & Katz

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” <hl> The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz . <hl> In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm <hl> Wachtell Lipton Rosen & Katz <hl>. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm <hl> Wachtell Lipton Rosen & Katz <hl> .


Question: Who sent a memo to clients about lessons from the DuPont conflict?

Answer: Martin Lipton

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” <hl> The significance of the I.S.S. decision was perhaps best put by Martin Lipton of the law firm Wachtell Lipton Rosen & Katz. <hl> In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”

Such a report may suggest that I.S.S. is biased in favor of the activist hedge funds, but this statistic may not be truly surprising because hedge funds tend to pick struggling targets. And every contest is unique. What is unusual about the recommendation is something I.S.S. acknowledged in its report: that DuPont is “not a broken company.” The significance of the I.S.S. decision was perhaps best put by <hl> Martin Lipton <hl> of the law firm Wachtell Lipton Rosen & Katz. In a memo to clients on the lessons in the DuPont fight, Mr. Lipton stated that I.S.S. and major shareholders would “be responsive to and support well-presented attacks on business strategy and operations” even if the company was run by “an outstanding C.E.O. and board of directors.”


Question: How much money has Trian invested in DuPont?

Trian, which has invested $1.7 billion in DuPont, disputes this and is putting forth an equally vigorous case that DuPont has underperformed. According to Trian, DuPont has repeatedly missed its long-term earnings targets. The firm attributes the rise in DuPont’s stock price to market fluctuations and the influence of Trian’s presence. It also notes that the company’s 2015 earnings per share are expected to be below its 2011 numbers. Trian says that the company is also likely to miss its earnings forecast this year. Trian also claims that DuPont has bloated costs in both administrative and research and development efforts, as well as bad corporate governance practices. DuPont’s acquisition of Danisco was a “disaster,” and DuPont left about $6 billion on the table in the sale of its performance coatings business, Trian said.

Answer: $1.7 billion

<hl> Trian, which has invested $1.7 billion in DuPont, disputes this and is putting forth an equally vigorous case that DuPont has underperformed. <hl> According to Trian, DuPont has repeatedly missed its long-term earnings targets. The firm attributes the rise in DuPont’s stock price to market fluctuations and the influence of Trian’s presence. It also notes that the company’s 2015 earnings per share are expected to be below its 2011 numbers. Trian says that the company is also likely to miss its earnings forecast this year. Trian also claims that DuPont has bloated costs in both administrative and research and development efforts, as well as bad corporate governance practices. DuPont’s acquisition of Danisco was a “disaster,” and DuPont left about $6 billion on the table in the sale of its performance coatings business, Trian said.

Trian, which has invested <hl> $1.7 billion <hl> in DuPont, disputes this and is putting forth an equally vigorous case that DuPont has underperformed. According to Trian, DuPont has repeatedly missed its long-term earnings targets. The firm attributes the rise in DuPont’s stock price to market fluctuations and the influence of Trian’s presence. It also notes that the company’s 2015 earnings per share are expected to be below its 2011 numbers. Trian says that the company is also likely to miss its earnings forecast this year. Trian also claims that DuPont has bloated costs in both administrative and research and development efforts, as well as bad corporate governance practices. DuPont’s acquisition of Danisco was a “disaster,” and DuPont left about $6 billion on the table in the sale of its performance coatings business, Trian said.


Question: How has DuPont performed in regard to its earning targets?

Answer: missed its long-term earnings targets

Trian, which has invested $1.7 billion in DuPont, disputes this and is putting forth an equally vigorous case that DuPont has underperformed. <hl> According to Trian, DuPont has repeatedly missed its long-term earnings targets . <hl> The firm attributes the rise in DuPont’s stock price to market fluctuations and the influence of Trian’s presence. It also notes that the company’s 2015 earnings per share are expected to be below its 2011 numbers. Trian says that the company is also likely to miss its earnings forecast this year. Trian also claims that DuPont has bloated costs in both administrative and research and development efforts, as well as bad corporate governance practices. DuPont’s acquisition of Danisco was a “disaster,” and DuPont left about $6 billion on the table in the sale of its performance coatings business, Trian said.

Trian, which has invested $1.7 billion in DuPont, disputes this and is putting forth an equally vigorous case that DuPont has underperformed. According to Trian, DuPont has repeatedly <hl> missed its long-term earnings targets <hl>. The firm attributes the rise in DuPont’s stock price to market fluctuations and the influence of Trian’s presence. It also notes that the company’s 2015 earnings per share are expected to be below its 2011 numbers. Trian says that the company is also likely to miss its earnings forecast this year. Trian also claims that DuPont has bloated costs in both administrative and research and development efforts, as well as bad corporate governance practices. DuPont’s acquisition of Danisco was a “disaster,” and DuPont left about $6 billion on the table in the sale of its performance coatings business, Trian said.

According to Trian, DuPont has repeatedly <hl> missed its long-term earnings targets <hl> .


Question: How are DuPont's earnings in 2015 expected to compare to its 2011 earnings?

Answer: below

Trian, which has invested $1.7 billion in DuPont, disputes this and is putting forth an equally vigorous case that DuPont has underperformed. According to Trian, DuPont has repeatedly missed its long-term earnings targets. The firm attributes the rise in DuPont’s stock price to market fluctuations and the influence of Trian’s presence. <hl> It also notes that the company’s 2015 earnings per share are expected to be below its 2011 numbers. <hl> Trian says that the company is also likely to miss its earnings forecast this year. Trian also claims that DuPont has bloated costs in both administrative and research and development efforts, as well as bad corporate governance practices. DuPont’s acquisition of Danisco was a “disaster,” and DuPont left about $6 billion on the table in the sale of its performance coatings business, Trian said.

Trian, which has invested $1.7 billion in DuPont, disputes this and is putting forth an equally vigorous case that DuPont has underperformed. According to Trian, DuPont has repeatedly missed its long-term earnings targets. The firm attributes the rise in DuPont’s stock price to market fluctuations and the influence of Trian’s presence. It also notes that the company’s 2015 earnings per share are expected to be <hl> below <hl> its 2011 numbers. Trian says that the company is also likely to miss its earnings forecast this year. Trian also claims that DuPont has bloated costs in both administrative and research and development efforts, as well as bad corporate governance practices. DuPont’s acquisition of Danisco was a “disaster,” and DuPont left about $6 billion on the table in the sale of its performance coatings business, Trian said.