Question: How long is each episode?

Answer: 30-minute show

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. <hl> Espinoza said the network was pleased with the weekly 30-minute show . <hl> “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly <hl> 30-minute show <hl>. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.

Espinoza said the network was pleased with the weekly <hl> 30-minute show <hl> .


Question: What was the average viewership for the first few episodes?

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.

Answer: 663,000 viewers

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” <hl> The first three episodes averaged 663,000 viewers across all platforms. <hl> That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged <hl> 663,000 viewers <hl> across all platforms. That compares favorably with Showtime’s most popular sports series, “Inside the NFL,” and the show is the third-most-watched program through its streaming service, Espinoza said.


Question: What is the first most-watched sports series on Showtime?

Answer: Inside the NFL

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. <hl> That compares favorably with Showtime’s most popular sports series, “ Inside the NFL ,” and the show is the third-most-watched program through its streaming service, Espinoza said. <hl>

Viewers have watched linebacker Jaylon Smith bowling, receiver Corey Robinson playing the ukulele and singing and Day and cornerback Cole Luke coaching a women’s flag-football team. During their off week, crews accompanied some players home. Espinoza said the network was pleased with the weekly 30-minute show. “There’s been a lot of drama within the program,” he said. “Some unexpected injuries, some come-from-behind wins. We couldn’t have scripted it any better.” The first three episodes averaged 663,000 viewers across all platforms. That compares favorably with Showtime’s most popular sports series, “<hl> Inside the NFL <hl>,” and the show is the third-most-watched program through its streaming service, Espinoza said.

That compares favorably with Showtime’s most popular sports series, “ <hl> Inside the NFL <hl> ,” and the show is the third-most-watched program through its streaming service, Espinoza said.


Question: What time span did uber and Lyft take to insert shared rides in 6 major USA cities?

In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line. Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.

Answer: 15 months

<hl> In the last 15 months , Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line. <hl> Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.

In the last <hl> 15 months <hl>, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line. Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.

In the last <hl> 15 months <hl> , Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line.


Question: What name did Uber give to their ride shares?

Answer: UberPool

<hl> In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line. <hl> Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.

In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through <hl> UberPool <hl> and Lyft Line. Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.


Question: What name did Lyft give to their ride shares?

Answer: Lyft Line

<hl> In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line . <hl> Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.

In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and <hl> Lyft Line <hl>. Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.

In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and <hl> Lyft Line <hl> .


Question: What is the name of a competitor of UberPool and Lyft Line?

Answer: Carma

In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line. Cars or vans sporting names like Split (sections of Washington only) <hl> Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma , which also runs in Chicago, Houston, San Diego and Seattle, also compete. <hl> Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.

In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line. Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and <hl> Carma <hl>, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston.

Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and <hl> Carma <hl> , which also runs in Chicago, Houston, San Diego and Seattle, also compete.


Question: Who is Tony Dutzik?

Answer: a senior policy analyst at the Frontier Group, a research company in Boston.

In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line. Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. <hl> “They’re very specific to niche transportation needs,” said Tony Dutzik, a senior policy analyst at the Frontier Group, a research company in Boston. <hl>

In the last 15 months, Uber and Lyft have introduced shared rides in Austin, Boston, New York, San Francisco, Los Angeles and Washington through UberPool and Lyft Line. Cars or vans sporting names like Split (sections of Washington only) Via (sections of Manhattan only) Bridj (rush hours in Boston and Washington) and Carma, which also runs in Chicago, Houston, San Diego and Seattle, also compete. Some ride-sharing apps are available internationally as well. “They’re very specific to niche transportation needs,” said Tony Dutzik, <hl> a senior policy analyst at the Frontier Group, a research company in Boston. <hl>


Question: What percentage of workers drove alone in 2013?

The new services come after a long decline of car-pooling. According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. About 76 percent of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.

Answer: 76 percent

The new services come after a long decline of car-pooling. According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. <hl> About 76 percent of people who traveled to work drove alone in 2013, according to the report. <hl> Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.

The new services come after a long decline of car-pooling. According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. About <hl> 76 percent <hl> of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.


Question: Who released a report saying car-polling was just over 9% in 2013?

Answer: the Census Bureau

The new services come after a long decline of car-pooling. <hl> According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. <hl> About 76 percent of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.

The new services come after a long decline of car-pooling. According to a report released by <hl> the Census Bureau <hl> in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. About 76 percent of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.


Question: What percentage of people car-pooled in 1980?

Answer: 20 percent

The new services come after a long decline of car-pooling. <hl> According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. <hl> About 76 percent of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.

The new services come after a long decline of car-pooling. According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly <hl> 20 percent <hl> in 1980. About 76 percent of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.


Question: What would be a good summary of what happened with car-pooling from 1980 to 2013?

Answer: a long decline of car-pooling

<hl> The new services come after a long decline of car-pooling . <hl> According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. About 76 percent of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.

The new services come after <hl> a long decline of car-pooling <hl>. According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. About 76 percent of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, a research fellow at the Mercatus Center at George Mason University, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.

The new services come after <hl> a long decline of car-pooling <hl> .


Question: Who was Christopher Koopman?

Answer: a research fellow at the Mercatus Center at George Mason University

The new services come after a long decline of car-pooling. According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. About 76 percent of people who traveled to work drove alone in 2013, according to the report. <hl> Christopher Koopman, a research fellow at the Mercatus Center at George Mason University , gained firsthand experience in the sharing economy. <hl> After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.

The new services come after a long decline of car-pooling. According to a report released by the Census Bureau in August, car-pooling fell to a low of just over 9 percent in 2013, the last year for which figures are available, from nearly 20 percent in 1980. About 76 percent of people who traveled to work drove alone in 2013, according to the report. Christopher Koopman, <hl> a research fellow at the Mercatus Center at George Mason University <hl>, gained firsthand experience in the sharing economy. After landing at Reagan National Airport in Washington, he considered the traditional options: taking a taxi or riding on mass transit. In the end, he used UberPool, a recent venture by Uber that offers shared rides on demand. Although the trip to his office took a detour to a hotel to drop off his traveling companion, the price of the ride fell to $8, from $12 if he had ridden solo.

Christopher Koopman, <hl> a research fellow at the Mercatus Center at George Mason University <hl> , gained firsthand experience in the sharing economy.


Question: What company intended to serve Kansas City at the beginning of the new year?

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an email. Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.

Answer: Bridj

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. <hl> Bridj , however, said it had plans to enter Kansas City early next year in a partnership with the city. <hl> Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an email. Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. <hl> Bridj <hl>, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an email. Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.

<hl> Bridj <hl> , however, said it had plans to enter Kansas City early next year in a partnership with the city.


Question: Who was the author of the Census Bureau Report?

Answer: Brian McKenzie

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. <hl> “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie , the author of the Census Bureau report, wrote in an email. <hl> Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” <hl> Brian McKenzie <hl>, the author of the Census Bureau report, wrote in an email. Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.

“Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” <hl> Brian McKenzie <hl> , the author of the Census Bureau report, wrote in an email.


Question: How did Brian McKenzie write about the less than admirable work locations for ride-sharing?

Answer: email

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. <hl> “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an email . <hl> Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an <hl> email <hl>. Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.

“Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an <hl> email <hl> .


Question: Who doubted the expansion of car-pooling?

Answer: Mr. Schwieterman

Whether car-pooling will expand to other cities is unclear. <hl> “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. <hl> Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an email. Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” <hl> Mr. Schwieterman <hl> said. Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an email. Still, smartphones have presented a more efficient way to organize commuters based on where they live and work.


Question: What invention is said to bring car-poolers together better?

Answer: smartphones

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an email. <hl> Still, smartphones have presented a more efficient way to organize commuters based on where they live and work. <hl>

Whether car-pooling will expand to other cities is unclear. “There are only a handful of cities where people live and work along densely populated corridors,” Mr. Schwieterman said. Bridj, however, said it had plans to enter Kansas City early next year in a partnership with the city. Others have doubts about an expansion as well. “Employment clusters are less geographically concentrated than they once were, so people who live near one another are less likely to be headed in the same direction,” Brian McKenzie, the author of the Census Bureau report, wrote in an email. Still, <hl> smartphones <hl> have presented a more efficient way to organize commuters based on where they live and work.


Question: Were there any deaths reported?

No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.

Answer: No

<hl> No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. <hl> The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.

<hl> No <hl> deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.


Question: How many people were seriously injured?

Answer: 202

<hl> No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. <hl> The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.

No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with <hl> 202 <hl> sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.


Question: Where did the incident take place?

Answer: New Taipei City

<hl> No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City , where the incident took place, outside of Taipei. <hl> The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.

No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of <hl> New Taipei City <hl>, where the incident took place, outside of Taipei. The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.

No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of <hl> New Taipei City <hl> , where the incident took place, outside of Taipei.


Question: How many hospitals received victims?

Answer: 43

<hl> No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. <hl> The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.

No deaths were reported, but as of Sunday evening, 498 people had been sent to <hl> 43 <hl> area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.


Question: How many people were sent to local hospitals?

Answer: 498

<hl> No deaths were reported, but as of Sunday evening, 498 people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. <hl> The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.

No deaths were reported, but as of Sunday evening, <hl> 498 <hl> people had been sent to 43 area hospitals, with 202 sustaining serious injuries, according to the website of the Public Health Department of New Taipei City, where the incident took place, outside of Taipei. The injured, many suffering from serious burns and smoke inhalation, were overwhelmingly young, in their 20s or younger, with one 18-year-old woman receiving burns on 90 percent of her body, according to the official Central News Agency.


Question: What was the name of the event?

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on Saturday, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.

Answer: Color Play Asia

<hl> Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on Saturday, after nightfall. <hl> Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.

Video taken at the scene showed the flames erupting within the crowd at the event — called <hl> Color Play Asia <hl> and organized by a group using the same name — about 8:30 p.m. on Saturday, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.


Question: Around what time did flames erupt?

Answer: 8:30 p.m

<hl> Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m . <hl> on Saturday, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about <hl> 8:30 p.m <hl>. on Saturday, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about <hl> 8:30 p.m <hl> .


Question: What day of the week did the incident take place?

Answer: Saturday

<hl> Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on Saturday , after nightfall. <hl> Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on <hl> Saturday <hl>, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on <hl> Saturday <hl> , after nightfall.


Question: How many people from the United States were injured?

Answer: one person

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on Saturday, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. <hl> The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department. <hl>

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on Saturday, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, <hl> one person <hl> from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.


Question: How many people from Hong Kong were injured?

Answer: four

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on Saturday, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. <hl> The victims were mostly from Taiwan, but among the injured were four people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department. <hl>

Video taken at the scene showed the flames erupting within the crowd at the event — called Color Play Asia and organized by a group using the same name — about 8:30 p.m. on Saturday, after nightfall. Some people were shown carrying the injured from the scene in inflatable rafts, and others were shown running away, silhouetted by flames. The fire was quickly controlled, but not before hundreds were hurt. Taiwan’s Ministry of Health and Welfare said on its website that Taipei-area hospitals had victims requiring skin grafts. The ministry said hospitals were also urgently requesting other medical supplies needed to treat burns. The victims were mostly from Taiwan, but among the injured were <hl> four <hl> people from Hong Kong, one person from the United States, one from Singapore, one from Japan, one from Macau and one from Malaysia, according to the local public health department.


Question: Where is SGS based?

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is a Geneva-based testing, inspection and verification company. No one from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. On Sunday, Color Play Asia’s Facebook page was filled with comments expressing outrage that the event could have so quickly turned into an inferno. “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.

Answer: Geneva

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is <hl> a Geneva -based testing, inspection and verification company. <hl> No one from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. On Sunday, Color Play Asia’s Facebook page was filled with comments expressing outrage that the event could have so quickly turned into an inferno. “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is a <hl> Geneva <hl>-based testing, inspection and verification company. No one from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. On Sunday, Color Play Asia’s Facebook page was filled with comments expressing outrage that the event could have so quickly turned into an inferno. “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.

a <hl> Geneva <hl> -based testing, inspection and verification company.


Question: What does SGS do?

Answer: testing, inspection and verification

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is <hl> a Geneva-based testing, inspection and verification company. <hl> No one from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. On Sunday, Color Play Asia’s Facebook page was filled with comments expressing outrage that the event could have so quickly turned into an inferno. “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is a Geneva-based <hl> testing, inspection and verification <hl> company. No one from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. On Sunday, Color Play Asia’s Facebook page was filled with comments expressing outrage that the event could have so quickly turned into an inferno. “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.


Question: Who from SGS commented on the incident?

Answer: No one

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is a Geneva-based testing, inspection and verification company. <hl> No one from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. <hl> On Sunday, Color Play Asia’s Facebook page was filled with comments expressing outrage that the event could have so quickly turned into an inferno. “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is a Geneva-based testing, inspection and verification company. <hl> No one <hl> from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. On Sunday, Color Play Asia’s Facebook page was filled with comments expressing outrage that the event could have so quickly turned into an inferno. “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.


Question: What social media site did SGS use to state that their products were in line with safety standards?

Answer: Color Play Asia’s Facebook page

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is a Geneva-based testing, inspection and verification company. No one from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. <hl> On Sunday, Color Play Asia’s Facebook page was filled with comments expressing outrage that the event could have so quickly turned into an inferno. <hl> “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.

Color Play Asia said on its Facebook page that its products were in line with standards set by SGS, which is a Geneva-based testing, inspection and verification company. No one from SGS was immediately available to comment on whether Color Play Asia’s products had received certification and whether that process also included tests for flammability. On Sunday, <hl> Color Play Asia’s Facebook page <hl> was filled with comments expressing outrage that the event could have so quickly turned into an inferno. “The organizers just know about money, they don’t know about the dangers,” wrote someone going by the name of Kalin Chang. “I hope you give a reasonable explanation to all the families who have been hurt by this,” another person said.


Question: Which poet is Ms. Clyne creating a chamber opera about?

Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman. This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.

Answer: Emily Dickinson

<hl> Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson , parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman. <hl> This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.

Ms. Clyne is at work on a chamber opera about the poet <hl> Emily Dickinson <hl>, parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman. This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.

Ms. Clyne is at work on a chamber opera about the poet <hl> Emily Dickinson <hl> , parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman.


Question: Who will direct the Ensemble Signal's performance of Ms. Clyne's chamber opera?

Answer: Brad Lubman

<hl> Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman . <hl> This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.

Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of <hl> Brad Lubman <hl>. This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.

Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of <hl> Brad Lubman <hl> .


Question: Ms. Clyne used facsimiles of what possession of Emily Dickinson as inspiration?

Answer: letters

Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman. <hl> This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. <hl> The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.

Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman. This time, Ms. Clyne used facsimiles of <hl> letters <hl> by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.


Question: Ms. Clyne's musical creation process is rooted in what?

Answer: image and movement

Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman. This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. <hl> But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement . <hl>

Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman. This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in <hl> image and movement <hl>.

But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in <hl> image and movement <hl> .


Question: At which theater will parts of the chamber opera be performed?

Answer: Miller

<hl> Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at Miller by the Ensemble Signal under the direction of Brad Lubman. <hl> This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.

Ms. Clyne is at work on a chamber opera about the poet Emily Dickinson, parts of which will be performed at <hl> Miller <hl> by the Ensemble Signal under the direction of Brad Lubman. This time, Ms. Clyne used facsimiles of letters by Dickinson to jump-start the creative process, projecting her handwriting onto a wall and retracing the magnified letters with an indelible marker. The end product — fastidiously constructed compositions that typically carry a potent emotional charge — bears no traces of these playful beginnings, although Ms. Wolfe remembers Ms. Clyne turning in scores that were beautifully lettered and bound by hand. But there is a distinct sense of shape and momentum to her music that grows out of a creative process rooted in image and movement.


Question: Ms. Clyne originally composed what type of music?

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”

Answer: electronic

<hl> Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. <hl> Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of <hl> electronic <hl> music — an intangible art form. Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”


Question: Where does Ms. Clyne currently live?

Answer: Brooklyn

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. <hl> Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn . <hl> To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in <hl> Brooklyn <hl>. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”

Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in <hl> Brooklyn <hl> .


Question: Where was Ms. Clyne born?

Answer: London

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. <hl> Ms. Clyne, who was born in London , spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. <hl> To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. Ms. Clyne, who was born in <hl> London <hl>, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”

Ms. Clyne, who was born in <hl> London <hl> , spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn.


Question: Ms. Clyne wrote her program with what choreographer in mind?

Answer: Kitty McNamee

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” <hl> The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. <hl> In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer <hl> Kitty McNamee <hl> and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great shape to it.”


Question: The choreographer that Ms. Clyne worked with said that Ms. Clyne's music has great what to it?

Answer: shape

It has great shape to it.”

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. <hl> It has great shape to it.” <hl>

Ms. Clyne’s attention to craft across different media is all the more noteworthy because she started out as a composer of electronic music — an intangible art form. Ms. Clyne, who was born in London, spoke about her creative process during a recent interview over tea and McVitie’s biscuits in her sunlit apartment in Brooklyn. To avoid becoming bogged down in habit and “tendencies,” she seeks out conversations across disciplines — whether in collaboration with choreographers and visual artists or, as in the case of the “Night Ferry” collages, with her own inner painter. “It was like a timeline,” she said of the seven panels, which each represented three minutes of music. “I knew I wanted it to have a very turbulent beginning. I’d paint that, and then I’d write it. It would keep me on track.” The Miller program includes “Fits and Starts,” for solo cello and electronics, which she wrote for the choreographer Kitty McNamee and in which an increasingly lyrical and impassioned cello line coalesces out of skittish and distorted beginnings. In a phone interview, Ms. McNamee described Ms. Clyne’s musical language as “very visual,” adding: “It has incredible tension and release, which is very helpful to me. It has great <hl> shape <hl> to it.”


Question: Where does Ms. Clyne keep her drafts?

On her computer are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. On the desk are a pair of headphones, which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. “It’s a way to connect to the physicality of the music,” she said. “I’ll put this on and not look at the score and just move to see if it feels right.” She’s not a dancer any more than she is a painter, and said she would be “mortified” if anyone saw her doing it. But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”

Answer: On her computer

<hl> On her computer are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. <hl> On the desk are a pair of headphones, which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. “It’s a way to connect to the physicality of the music,” she said. “I’ll put this on and not look at the score and just move to see if it feels right.” She’s not a dancer any more than she is a painter, and said she would be “mortified” if anyone saw her doing it. But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”

<hl> On her computer <hl> are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. On the desk are a pair of headphones, which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. “It’s a way to connect to the physicality of the music,” she said. “I’ll put this on and not look at the score and just move to see if it feels right.” She’s not a dancer any more than she is a painter, and said she would be “mortified” if anyone saw her doing it. But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”


Question: What does Ms. Clyne use to listn to her music while dancing?

Answer: headphones

On her computer are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. <hl> On the desk are a pair of headphones , which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. <hl> “It’s a way to connect to the physicality of the music,” she said. “I’ll put this on and not look at the score and just move to see if it feels right.” She’s not a dancer any more than she is a painter, and said she would be “mortified” if anyone saw her doing it. But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”

On her computer are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. On the desk are a pair of <hl> headphones <hl>, which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. “It’s a way to connect to the physicality of the music,” she said. “I’ll put this on and not look at the score and just move to see if it feels right.” She’s not a dancer any more than she is a painter, and said she would be “mortified” if anyone saw her doing it. But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”

On the desk are a pair of <hl> headphones <hl> , which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room.


Question: When Ms. Clyne puts on her headphones and doesn't look at the score, what is she trying to discover about her music?

Answer: if it feels right

On her computer are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. On the desk are a pair of headphones, which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. “It’s a way to connect to the physicality of the music,” she said. <hl> “I’ll put this on and not look at the score and just move to see if it feels right .” <hl> She’s not a dancer any more than she is a painter, and said she would be “mortified” if anyone saw her doing it. But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”

On her computer are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. On the desk are a pair of headphones, which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. “It’s a way to connect to the physicality of the music,” she said. “I’ll put this on and not look at the score and just move to see <hl> if it feels right <hl>.” She’s not a dancer any more than she is a painter, and said she would be “mortified” if anyone saw her doing it. But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”

“I’ll put this on and not look at the score and just move to see <hl> if it feels right <hl> .”


Question: Ms. Clyne said she would feel what emotion if someone caught her dancing?

Answer: mortified

On her computer are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. On the desk are a pair of headphones, which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. “It’s a way to connect to the physicality of the music,” she said. “I’ll put this on and not look at the score and just move to see if it feels right.” <hl> She’s not a dancer any more than she is a painter, and said she would be “ mortified ” if anyone saw her doing it. <hl> But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”

On her computer are drafts for a work for chamber ensemble and taped spoken word, featuring the voice of John Cage. On the desk are a pair of headphones, which Ms. Clyne will wear to listen to draft versions of her piece while walking, gesturing, dancing through the room. “It’s a way to connect to the physicality of the music,” she said. “I’ll put this on and not look at the score and just move to see if it feels right.” She’s not a dancer any more than she is a painter, and said she would be “<hl> mortified <hl>” if anyone saw her doing it. But it’s a process she trusts — at least for now, for this piece. At any rate, she said, “I’m having to invent things each time.”

She’s not a dancer any more than she is a painter, and said she would be “ <hl> mortified <hl> ” if anyone saw her doing it.


Question: How many visits has the tracker got since it debut in October?

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. The feature, which is updated monthly, has had 56,000 visits since it made its debut in October. While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — five Brooklyn dog runs, for example. That could make the job more attractive to prospective contractors.

Answer: 56,000

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. <hl> The feature, which is updated monthly, has had 56,000 visits since it made its debut in October. <hl> While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — five Brooklyn dog runs, for example. That could make the job more attractive to prospective contractors.

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. The feature, which is updated monthly, has had <hl> 56,000 <hl> visits since it made its debut in October. While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — five Brooklyn dog runs, for example. That could make the job more attractive to prospective contractors.


Question: The capital projects "tracker" is updated how often?

Answer: monthly

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. <hl> The feature, which is updated monthly , has had 56,000 visits since it made its debut in October. <hl> While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — five Brooklyn dog runs, for example. That could make the job more attractive to prospective contractors.

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. The feature, which is updated <hl> monthly <hl>, has had 56,000 visits since it made its debut in October. While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — five Brooklyn dog runs, for example. That could make the job more attractive to prospective contractors.

The feature, which is updated <hl> monthly <hl> , has had 56,000 visits since it made its debut in October.


Question: How many Brooklyn dog runs could be combined into one?

Answer: five

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. The feature, which is updated monthly, has had 56,000 visits since it made its debut in October. <hl> While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — five Brooklyn dog runs, for example. <hl> That could make the job more attractive to prospective contractors.

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. The feature, which is updated monthly, has had 56,000 visits since it made its debut in October. While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — <hl> five <hl> Brooklyn dog runs, for example. That could make the job more attractive to prospective contractors.


Question: When did the capital projects tracker debut on the website?

Answer: October

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. <hl> The feature, which is updated monthly, has had 56,000 visits since it made its debut in October . <hl> While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — five Brooklyn dog runs, for example. That could make the job more attractive to prospective contractors.

The department also created a capital projects “tracker” on its website so that people can check on the status of park construction. The feature, which is updated monthly, has had 56,000 visits since it made its debut in <hl> October <hl>. While the department’s options are limited when it comes to soliciting bids, Mr. Silver did say that he planned to bundle several smaller projects into one — five Brooklyn dog runs, for example. That could make the job more attractive to prospective contractors.

The feature, which is updated monthly, has had 56,000 visits since it made its debut in <hl> October <hl> .


Question: What advocacy group released the critical report?

In June, the advocacy group New Yorkers for Parks released a critical report comparing the management of capital projects by the parks department with that of other public agencies. While Mr. Silver questioned the fairness of some of the comparisons, he nonetheless said that the slow pace of construction would be a chief focus of his first year as commissioner. Tupper Thomas, executive director of New Yorkers for Parks, called the changes “a great start.” Ms. Thomas previously served as the president of the Prospect Park Alliance and the Prospect Park administrator for the parks department. In both capacities, she saw how long it took to finish projects. She said she especially approved of the idea of standardizing design for certain things, like restrooms, rather than creating each one from scratch. “It totally makes sense,” she said. “You work with the guys in the technical shops who say, ‘Don’t use that flushometer; it doesn’t work.’ It saves time, and the plumbers know what valves to get.” Others, however, are waiting for more aggressive changes, particularly in the area of procurement. No fewer than six city agencies get involved in bidding. Matthew Marienthal, an organizer for East Brooklyn Congregations, a coalition of churches and nonprofit groups, said Mr. Silver should “take the lead” in reforming the procurement process, even if it meant “creating some tension” with the mayor. Last month, the group invited Mr. Silver to speak to 650 residents assembled at St. Barbara’s Church in Bushwick, Brooklyn. They had won pledges from the parks department last year to renovate two neighborhood spaces — Heckscher Playground and Green Central Knoll Park — and they wanted to know when the projects would be finished. Mr. Silver said that Heckscher would be done in spring 2017 and Green Central Knoll in October 2017. Work, however, has not started on either park. Adriane Williams, a leader of East Brooklyn Congregations, told Mr. Silver at the meeting, “We think a process where the most simple of fixes take three years is no process at all, just a mess.”

Answer: New Yorkers for Parks

<hl> In June, the advocacy group New Yorkers for Parks released a critical report comparing the management of capital projects by the parks department with that of other public agencies. <hl> While Mr. Silver questioned the fairness of some of the comparisons, he nonetheless said that the slow pace of construction would be a chief focus of his first year as commissioner. Tupper Thomas, executive director of New Yorkers for Parks, called the changes “a great start.” Ms. Thomas previously served as the president of the Prospect Park Alliance and the Prospect Park administrator for the parks department. In both capacities, she saw how long it took to finish projects. She said she especially approved of the idea of standardizing design for certain things, like restrooms, rather than creating each one from scratch. “It totally makes sense,” she said. “You work with the guys in the technical shops who say, ‘Don’t use that flushometer; it doesn’t work.’ It saves time, and the plumbers know what valves to get.” Others, however, are waiting for more aggressive changes, particularly in the area of procurement. No fewer than six city agencies get involved in bidding. Matthew Marienthal, an organizer for East Brooklyn Congregations, a coalition of churches and nonprofit groups, said Mr. Silver should “take the lead” in reforming the procurement process, even if it meant “creating some tension” with the mayor. Last month, the group invited Mr. Silver to speak to 650 residents assembled at St. Barbara’s Church in Bushwick, Brooklyn. They had won pledges from the parks department last year to renovate two neighborhood spaces — Heckscher Playground and Green Central Knoll Park — and they wanted to know when the projects would be finished. Mr. Silver said that Heckscher would be done in spring 2017 and Green Central Knoll in October 2017. Work, however, has not started on either park. Adriane Williams, a leader of East Brooklyn Congregations, told Mr. Silver at the meeting, “We think a process where the most simple of fixes take three years is no process at all, just a mess.”

In June, the advocacy group <hl> New Yorkers for Parks <hl> released a critical report comparing the management of capital projects by the parks department with that of other public agencies. While Mr. Silver questioned the fairness of some of the comparisons, he nonetheless said that the slow pace of construction would be a chief focus of his first year as commissioner. Tupper Thomas, executive director of New Yorkers for Parks, called the changes “a great start.” Ms. Thomas previously served as the president of the Prospect Park Alliance and the Prospect Park administrator for the parks department. In both capacities, she saw how long it took to finish projects. She said she especially approved of the idea of standardizing design for certain things, like restrooms, rather than creating each one from scratch. “It totally makes sense,” she said. “You work with the guys in the technical shops who say, ‘Don’t use that flushometer; it doesn’t work.’ It saves time, and the plumbers know what valves to get.” Others, however, are waiting for more aggressive changes, particularly in the area of procurement. No fewer than six city agencies get involved in bidding. Matthew Marienthal, an organizer for East Brooklyn Congregations, a coalition of churches and nonprofit groups, said Mr. Silver should “take the lead” in reforming the procurement process, even if it meant “creating some tension” with the mayor. Last month, the group invited Mr. Silver to speak to 650 residents assembled at St. Barbara’s Church in Bushwick, Brooklyn. They had won pledges from the parks department last year to renovate two neighborhood spaces — Heckscher Playground and Green Central Knoll Park — and they wanted to know when the projects would be finished. Mr. Silver said that Heckscher would be done in spring 2017 and Green Central Knoll in October 2017. Work, however, has not started on either park. Adriane Williams, a leader of East Brooklyn Congregations, told Mr. Silver at the meeting, “We think a process where the most simple of fixes take three years is no process at all, just a mess.”