Question: What country mentioned suffers from bad roads and rails?

Answer: United States

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. <hl> The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. <hl> So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The <hl> United States <hl> suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.


Question: What institute of higher learning does Ricardo Caballero belong to?

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.

Answer: M.I.T.

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? <hl> The answer, according to M.I.T. ’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. <hl> Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to <hl> M.I.T. <hl>’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.

The answer, according to <hl> M.I.T. <hl> ’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash.


Question: What does a reliable government provide to avoid a cash scramble?

Answer: provides “safe assets”

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? <hl> The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. <hl> Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments <hl> provides “safe assets” <hl> that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.


Question: What year was was the financial crisis that included the housing bubble bursting?

Answer: 2008

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. <hl> In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. <hl> But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the <hl> 2008 <hl> financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.


Question: What is one of Geoffrey Holder's jobs?

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. With a towering height (6-foot-6) and personality to match, he made his presence known all over New York for over 50 years. He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

Answer: He was also a choreographer

Geoffrey Holder was, for starters, a dancer. <hl> He was also a choreographer , an actor, a painter — the list goes on. <hl> With a towering height (6-foot-6) and personality to match, he made his presence known all over New York for over 50 years. He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

Geoffrey Holder was, for starters, a dancer. <hl> He was also a choreographer <hl>, an actor, a painter — the list goes on. With a towering height (6-foot-6) and personality to match, he made his presence known all over New York for over 50 years. He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

<hl> He was also a choreographer <hl> , an actor, a painter — the list goes on.


Question: How tall was Geoffrey Holder?

Answer: 6-foot-6

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. <hl> With a towering height ( 6-foot-6 ) and personality to match, he made his presence known all over New York for over 50 years. <hl> He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. With a towering height (<hl> 6-foot-6 <hl>) and personality to match, he made his presence known all over New York for over 50 years. He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

With a towering height ( <hl> 6-foot-6 <hl> ) and personality to match, he made his presence known all over New York for over 50 years.


Question: Where was Geoffrey Holder active during his career?

Answer: all over New York

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. <hl> With a towering height (6-foot-6) and personality to match, he made his presence known all over New York for over 50 years. <hl> He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. With a towering height (6-foot-6) and personality to match, he made his presence known <hl> all over New York <hl> for over 50 years. He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.


Question: When did Geoffrey Holder die?

Answer: He died last fall

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. With a towering height (6-foot-6) and personality to match, he made his presence known all over New York for over 50 years. <hl> He died last fall , but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. <hl> A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. With a towering height (6-foot-6) and personality to match, he made his presence known all over New York for over 50 years. <hl> He died last fall <hl>, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

<hl> He died last fall <hl> , but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday.


Question: Who was Geoffrey Holder married to?

Answer: Carmen de Lavallade

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. With a towering height (6-foot-6) and personality to match, he made his presence known all over New York for over 50 years. He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. <hl> A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer Carmen de Lavallade , will be preceded by a discussion with the filmmakers (and husband and wife) <hl> Nick Doob and Linda Atkinson.

Geoffrey Holder was, for starters, a dancer. He was also a choreographer, an actor, a painter — the list goes on. With a towering height (6-foot-6) and personality to match, he made his presence known all over New York for over 50 years. He died last fall, but Mr. Holder’s legacy is alive and well as Lincoln Center Out of Doors pays tribute with free events on Saturday to commemorate what would have been his 85th birthday. A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer <hl> Carmen de Lavallade <hl>, will be preceded by a discussion with the filmmakers (and husband and wife) Nick Doob and Linda Atkinson.

A screening of the 2009 documentary “Carmen & Geoffrey,” about Mr. Holder’s prolific career and his relationship with his wife, the dancer <hl> Carmen de Lavallade <hl> , will be preceded by a discussion with the filmmakers (and husband and wife)


Question: What does Garth Fagan Dance have roots in?

That night Garth Fagan Dance performs outside. The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who emigrated from Trinidad. The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.

Answer: has roots in Afro-Caribbean dance

That night Garth Fagan Dance performs outside. <hl> The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who emigrated from Trinidad. <hl> The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.

That night Garth Fagan Dance performs outside. The company’s work <hl> has roots in Afro-Caribbean dance <hl> — a fit for Mr. Holder, who emigrated from Trinidad. The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.


Question: Where did Geoffrey Holder immigrate from?

Answer: emigrated from Trinidad

That night Garth Fagan Dance performs outside. <hl> The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who emigrated from Trinidad . <hl> The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.

That night Garth Fagan Dance performs outside. The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who <hl> emigrated from Trinidad <hl>. The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.

The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who <hl> emigrated from Trinidad <hl> .


Question: How old is Ms. de Lavallade?

Answer: 84

That night Garth Fagan Dance performs outside. The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who emigrated from Trinidad. The dancers will perform a new piece that honors Mr. Holder as well as three other short works. <hl> Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). <hl> Tickets are not required, but you may want to grab a seat at least an hour in advance.

That night Garth Fagan Dance performs outside. The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who emigrated from Trinidad. The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at <hl> 84 <hl> will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.


Question: When was the dance solo "The Creation" created?

Answer: 1972

That night Garth Fagan Dance performs outside. The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who emigrated from Trinidad. The dancers will perform a new piece that honors Mr. Holder as well as three other short works. <hl> Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). <hl> Tickets are not required, but you may want to grab a seat at least an hour in advance.

That night Garth Fagan Dance performs outside. The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder, who emigrated from Trinidad. The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at 84 will perform the <hl> 1972 <hl> solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.


Question: Who choreographed "The Creation"?

Answer: Mr. Holder

That night Garth Fagan Dance performs outside. <hl> The company’s work has roots in Afro-Caribbean dance — a fit for Mr. Holder , who emigrated from Trinidad. <hl> The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.

That night Garth Fagan Dance performs outside. The company’s work has roots in Afro-Caribbean dance — a fit for <hl> Mr. Holder <hl>, who emigrated from Trinidad. The dancers will perform a new piece that honors Mr. Holder as well as three other short works. Next up on the program is Ms. de Lavallade herself, who at 84 will perform the 1972 solo “The Creation,” which Mr. Holder scored and choreographed (with vocals by the Ebony Ecumenical Ensemble). Tickets are not required, but you may want to grab a seat at least an hour in advance.

The company’s work has roots in Afro-Caribbean dance — a fit for <hl> Mr. Holder <hl> , who emigrated from Trinidad.


Question: When is the panel discussion on Saturday?

(Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.)

Answer: 1 p.m

<hl> (Saturday’s events: panel discussion, 1 p.m ., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.) <hl>

(Saturday’s events: panel discussion, <hl> 1 p.m <hl>., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.)

(Saturday’s events: panel discussion, <hl> 1 p.m <hl> ., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.)


Question: When is the screening on Saturday?

Answer: 2 p.m.

<hl> (Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m. , at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.) <hl>

(Saturday’s events: panel discussion, 1 p.m., and screening, <hl> 2 p.m. <hl>, at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.)

(Saturday’s events: panel discussion, 1 p.m., and screening, <hl> 2 p.m. <hl> , at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.)


Question: Where will Saturday's events take place?

Answer: 144 West 65th Street, Lincoln Center

<hl> (Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center , and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.) <hl>

(Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at <hl> 144 West 65th Street, Lincoln Center <hl>, and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.)

(Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at <hl> 144 West 65th Street, Lincoln Center <hl> , and a performance at 7:30 p.m., Damrosch Park; lcoutofdoors.org.)


Question: When is the performance on Saturday?

Answer: 7:30 p.m.

<hl> (Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m. , Damrosch Park; lcoutofdoors.org.) <hl>

(Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at <hl> 7:30 p.m. <hl>, Damrosch Park; lcoutofdoors.org.)

(Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at <hl> 7:30 p.m. <hl> , Damrosch Park; lcoutofdoors.org.)


Question: Where is the performance on Saturday?

Answer: Damrosch Park

<hl> (Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., Damrosch Park ; lcoutofdoors.org.) <hl>

(Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., <hl> Damrosch Park <hl>; lcoutofdoors.org.)

(Saturday’s events: panel discussion, 1 p.m., and screening, 2 p.m., at 144 West 65th Street, Lincoln Center, and a performance at 7:30 p.m., <hl> Damrosch Park <hl> ; lcoutofdoors.org.)


Question: How many Tony awards did Mr. Holder win?

Before going upstairs, don’t miss Mr. Holder’s two Tony Awards on the opposite wall. Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: “The Wiz.” You’ll find Mr. Holder’s sketches for the costumes, as well as photos from rehearsals and the costume for the lead character, Dorothy. For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from Aug. 12-14, the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)

Answer: two Tony Awards

<hl> Before going upstairs, don’t miss Mr. Holder’s two Tony Awards on the opposite wall. <hl> Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: “The Wiz.” You’ll find Mr. Holder’s sketches for the costumes, as well as photos from rehearsals and the costume for the lead character, Dorothy. For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from Aug. 12-14, the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)

Before going upstairs, don’t miss Mr. Holder’s <hl> two Tony Awards <hl> on the opposite wall. Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: “The Wiz.” You’ll find Mr. Holder’s sketches for the costumes, as well as photos from rehearsals and the costume for the lead character, Dorothy. For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from Aug. 12-14, the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)


Question: When are the SummerStage's free performances of "The Wiz: A Celebration in Dance and Music,"?

Answer: Aug. 12-14

Before going upstairs, don’t miss Mr. Holder’s two Tony Awards on the opposite wall. Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: “The Wiz.” You’ll find Mr. Holder’s sketches for the costumes, as well as photos from rehearsals and the costume for the lead character, Dorothy. <hl> For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from Aug. 12-14 , the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” <hl> (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)

Before going upstairs, don’t miss Mr. Holder’s two Tony Awards on the opposite wall. Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: “The Wiz.” You’ll find Mr. Holder’s sketches for the costumes, as well as photos from rehearsals and the costume for the lead character, Dorothy. For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from <hl> Aug. 12-14 <hl>, the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)

For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from <hl> Aug. 12-14 <hl> , the collection is a good warm-up that may leave you whistling “Ease on Down the Road.”


Question: What show did Mr. Holden win Tony awards for?

Answer: “The Wiz.”

Before going upstairs, don’t miss Mr. Holder’s two Tony Awards on the opposite wall. <hl> Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: “The Wiz.” You’ll find Mr. Holder’s sketches for the costumes, as well as photos from rehearsals and the costume for the lead character, Dorothy. <hl> For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from Aug. 12-14, the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)

Before going upstairs, don’t miss Mr. Holder’s two Tony Awards on the opposite wall. Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: <hl> “The Wiz.” <hl> You’ll find Mr. Holder’s sketches for the costumes, as well as photos from rehearsals and the costume for the lead character, Dorothy. For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from Aug. 12-14, the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)


Question: What did Mr. Holder sketch for The Wiz?

Answer: costumes

Before going upstairs, don’t miss Mr. Holder’s two Tony Awards on the opposite wall. Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: “The Wiz.” <hl> You’ll find Mr. Holder’s sketches for the costumes , as well as photos from rehearsals and the costume for the lead character, Dorothy. <hl> For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from Aug. 12-14, the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)

Before going upstairs, don’t miss Mr. Holder’s two Tony Awards on the opposite wall. Then head to the final leg of the exhibition, which is mostly about the show behind those Tonys: “The Wiz.” You’ll find Mr. Holder’s sketches for the <hl> costumes <hl>, as well as photos from rehearsals and the costume for the lead character, Dorothy. For anyone planning to catch SummerStage’s free performances of “The Wiz: A Celebration in Dance and Music,” from Aug. 12-14, the collection is a good warm-up that may leave you whistling “Ease on Down the Road.” (Through Aug. 29 at 40 Lincoln Center Plaza; 917-275-6975; nypl.org.)

You’ll find Mr. Holder’s sketches for the <hl> costumes <hl> , as well as photos from rehearsals and the costume for the lead character, Dorothy.


Question: The letter was signed by members of what group?

London The writers are, respectively, a former British defense secretary and the former leader of the Liberal Democrats in the House of Lords. The letter was signed by eight other members of the Top Level Group.

Answer: Top Level Group

London The writers are, respectively, a former British defense secretary and the former leader of the Liberal Democrats in the House of Lords. <hl> The letter was signed by eight other members of the Top Level Group . <hl>

London The writers are, respectively, a former British defense secretary and the former leader of the Liberal Democrats in the House of Lords. The letter was signed by eight other members of the <hl> Top Level Group <hl>.

The letter was signed by eight other members of the <hl> Top Level Group <hl> .


Question: How many members signed the letter?

Answer: eight

London The writers are, respectively, a former British defense secretary and the former leader of the Liberal Democrats in the House of Lords. <hl> The letter was signed by eight other members of the Top Level Group. <hl>

London The writers are, respectively, a former British defense secretary and the former leader of the Liberal Democrats in the House of Lords. The letter was signed by <hl> eight <hl> other members of the Top Level Group.


Question: One of the writers was a former leader in the House of Lords of what?

Answer: Liberal Democrats

<hl> London The writers are, respectively, a former British defense secretary and the former leader of the Liberal Democrats in the House of Lords. <hl> The letter was signed by eight other members of the Top Level Group.

London The writers are, respectively, a former British defense secretary and the former leader of the <hl> Liberal Democrats <hl> in the House of Lords. The letter was signed by eight other members of the Top Level Group.


Question: One of the writers was a former British what?

Answer: defense secretary

<hl> London The writers are, respectively, a former British defense secretary and the former leader of the Liberal Democrats in the House of Lords. <hl> The letter was signed by eight other members of the Top Level Group.

London The writers are, respectively, a former British <hl> defense secretary <hl> and the former leader of the Liberal Democrats in the House of Lords. The letter was signed by eight other members of the Top Level Group.


Question: The agreement was between the six world powers and who?

We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East. The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.

Answer: Iran

<hl> We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East. <hl> The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.

We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and <hl> Iran <hl> is a major step toward building stability and peace in the Middle East. The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.


Question: This agreement can help bring peace and stability where?

Answer: Middle East

<hl> We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East . <hl> The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.

We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the <hl> Middle East <hl>. The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.

We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the <hl> Middle East <hl> .


Question: This agreement freezes further enrichment for 10 to 15 what?

Answer: years

We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East. The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. <hl> In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years . <hl>

We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East. The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 <hl> years <hl>.

In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 <hl> years <hl> .


Question: What is the group that wrote this letter?

Answer: Top Level Group

<hl> We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East. <hl> The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.

We, members of the <hl> Top Level Group <hl> of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East. The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.


Question: This agreement has to do with which of Iran's programs?

Answer: nuclear

We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East. <hl> The agreement is comprehensive and covers the main areas of concern over Iran’s nuclear program. <hl> It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.

We, members of the Top Level Group of U.K. Parliamentarians for Multilateral Nuclear Disarmament and Nonproliferation, believe that the agreement reached between the six world powers and Iran is a major step toward building stability and peace in the Middle East. The agreement is comprehensive and covers the main areas of concern over Iran’s <hl> nuclear <hl> program. It includes intrusive, detailed measures for verification and inspection of Iran’s civil nuclear program, in line with the requirements of the International Atomic Energy Agency’s additional protocol. In effect, it sharply reduces the amount of enriched uranium Iran can hold and freezes further enrichment for 10 to 15 years.


Question: It is important to keep Iron within the structure of what Treaty?

Iran is a major regional power. Keeping it fully within the structures of the Nonproliferation Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. We very much hope that our legislative colleagues in the United States Congress, in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of NATO.

Answer: Nonproliferation

Iran is a major regional power. <hl> Keeping it fully within the structures of the Nonproliferation Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. <hl> We very much hope that our legislative colleagues in the United States Congress, in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of NATO.

Iran is a major regional power. Keeping it fully within the structures of the <hl> Nonproliferation <hl> Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. We very much hope that our legislative colleagues in the United States Congress, in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of NATO.


Question: Who is a major regional power in the Middle East?

Answer: Iran

Iran is a major regional power.

<hl> Iran is a major regional power. <hl> Keeping it fully within the structures of the Nonproliferation Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. We very much hope that our legislative colleagues in the United States Congress, in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of NATO.

<hl> Iran <hl> is a major regional power. Keeping it fully within the structures of the Nonproliferation Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. We very much hope that our legislative colleagues in the United States Congress, in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of NATO.


Question: These views are shared by Euopean Union and the European members of what?

Answer: NATO

Iran is a major regional power. Keeping it fully within the structures of the Nonproliferation Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. We very much hope that our legislative colleagues in the United States Congress, in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. <hl> We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of NATO . <hl>

Iran is a major regional power. Keeping it fully within the structures of the Nonproliferation Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. We very much hope that our legislative colleagues in the United States Congress, in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of <hl> NATO <hl>.

We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of <hl> NATO <hl> .


Question: What legislative branch of the United States government is this letter targeted towards?

Answer: Congress

Iran is a major regional power. Keeping it fully within the structures of the Nonproliferation Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. <hl> We very much hope that our legislative colleagues in the United States Congress , in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. <hl> We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of NATO.

Iran is a major regional power. Keeping it fully within the structures of the Nonproliferation Treaty is an important element in building the rule of law in a region that is being torn apart by national, religious and local conflict. We very much hope that our legislative colleagues in the United States <hl> Congress <hl>, in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed. We trust also that they appreciate that these views are shared by a majority of the United States’ most loyal allies, including the members of the European Union and the European members of NATO.

We very much hope that our legislative colleagues in the United States <hl> Congress <hl> , in their deliberations on these issues, will bear in mind the multilateral nature of the agreement, the value of sustaining that coalition for its successful implementation, and the views that we have expressed.


Question: What often accompanies large cartoonish illustrations in the displays?

The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by thought-provoking questions about the gray areas in liability. Still, this is Ralph Nader, and educational does not mean nonpolitical. Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe as strenuous efforts by companies to deceive the public about risks. Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: the 1992 suit by a 79-year-old woman who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee.

Answer: thought-provoking questions

<hl> The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by thought-provoking questions about the gray areas in liability. <hl> Still, this is Ralph Nader, and educational does not mean nonpolitical. Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe as strenuous efforts by companies to deceive the public about risks. Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: the 1992 suit by a 79-year-old woman who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee.

The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by <hl> thought-provoking questions <hl> about the gray areas in liability. Still, this is Ralph Nader, and educational does not mean nonpolitical. Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe as strenuous efforts by companies to deceive the public about risks. Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: the 1992 suit by a 79-year-old woman who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee.


Question: When did the included case take place?

Answer: 1992

The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by thought-provoking questions about the gray areas in liability. Still, this is Ralph Nader, and educational does not mean nonpolitical. Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe as strenuous efforts by companies to deceive the public about risks. Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: <hl> the 1992 suit by a 79-year-old woman who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee. <hl>

The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by thought-provoking questions about the gray areas in liability. Still, this is Ralph Nader, and educational does not mean nonpolitical. Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe as strenuous efforts by companies to deceive the public about risks. Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: the <hl> 1992 <hl> suit by a 79-year-old woman who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee.


Question: How do museum labels describe Ralph Naders showcased disputes?

Answer: as strenuous efforts by companies to deceive the public about risks

The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by thought-provoking questions about the gray areas in liability. Still, this is Ralph Nader, and educational does not mean nonpolitical. <hl> Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe as strenuous efforts by companies to deceive the public about risks . <hl> Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: the 1992 suit by a 79-year-old woman who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee.

The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by thought-provoking questions about the gray areas in liability. Still, this is Ralph Nader, and educational does not mean nonpolitical. Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe <hl> as strenuous efforts by companies to deceive the public about risks <hl>. Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: the 1992 suit by a 79-year-old woman who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee.

Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe <hl> as strenuous efforts by companies to deceive the public about risks <hl> .


Question: Who spilled a cup of coffee on themselves?

Answer: a 79-year-old woman

The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by thought-provoking questions about the gray areas in liability. Still, this is Ralph Nader, and educational does not mean nonpolitical. Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe as strenuous efforts by companies to deceive the public about risks. <hl> Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: the 1992 suit by a 79-year-old woman who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee. <hl>

The displays, despite large cartoonish illustrations, require close reading, and many are accompanied by thought-provoking questions about the gray areas in liability. Still, this is Ralph Nader, and educational does not mean nonpolitical. Though the language is not shrill, a common element in the showcased disputes is what the museum’s labels describe as strenuous efforts by companies to deceive the public about risks. Pointedly included is the case that became a symbol to some of consumer overreach and trial lawyer greed: the 1992 suit by <hl> a 79-year-old woman <hl> who was badly burned in the groin and thighs when she spilled a cup of scalding McDonald’s coffee.


Question: Was the woman driving when she spilled her cup of coffee?

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.

Answer: she was not

<hl> In the misguided popular lore, the display says, the woman was driving when the coffee spilled ( she was not ), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s <hl> (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (<hl> she was not <hl>), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.

In the misguided popular lore, the display says, the woman was driving when the coffee spilled ( <hl> she was not <hl> ), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s


Question: What was her initial request to the McDonald's company?

Answer: $20,000 to cover medical expenses

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s <hl> (the company rejected her initial request for just $20,000 to cover medical expenses ) and she received millions (she received less than $500,000). <hl> The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s (the company rejected her initial request for just <hl> $20,000 to cover medical expenses <hl>) and she received millions (she received less than $500,000). The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.

(the company rejected her initial request for just <hl> $20,000 to cover medical expenses <hl> ) and she received millions (she received less than $500,000).


Question: What kind of injuries did the woman sustain from spilling the cup of coffee?

Answer: third-degree burns that put her in the hospital for eight days and caused permanent scarring

<hl> In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring ), she was out to fleece McDonald’s <hl> (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with <hl> third-degree burns that put her in the hospital for eight days and caused permanent scarring <hl>), she was out to fleece McDonald’s (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with <hl> third-degree burns that put her in the hospital for eight days and caused permanent scarring <hl> ), she was out to fleece McDonald’s


Question: In what type of building is the museum located?

Answer: a former bank

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). <hl> The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. <hl> Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). The museum is in <hl> a former bank <hl> in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two.


Question: How much money did Mr. Nader initially hope to raise within a year or two?

Answer: $5 million

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. <hl> When he first described his vision for the museum, in 1998, he had hoped to raise $5 million within a year or two. <hl>

In the misguided popular lore, the display says, the woman was driving when the coffee spilled (she was not), she was not badly injured (she was, with third-degree burns that put her in the hospital for eight days and caused permanent scarring), she was out to fleece McDonald’s (the company rejected her initial request for just $20,000 to cover medical expenses) and she received millions (she received less than $500,000). The museum is in a former bank in this struggling town, dotted with abandoned factories but on the path of weekend visitors to more prosperous areas. Mr. Nader knows that a museum in Washington would have more influence but said he had a hard enough time raising close to $3 million for this location. When he first described his vision for the museum, in 1998, he had hoped to raise <hl> $5 million <hl> within a year or two.


Question: How long is the 606?

The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along a derelict freight track, wending east-west across a mix of industrial and residential areas. What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, Rahm Emanuel, to green up gritty areas of the city. Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. Rough, ready, community-friendly, the 606 speaks to Chicago’s heart.

Answer: 2.7-mile

<hl> The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along a derelict freight track, wending east-west across a mix of industrial and residential areas. <hl> What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, Rahm Emanuel, to green up gritty areas of the city. Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. Rough, ready, community-friendly, the 606 speaks to Chicago’s heart.

The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a <hl> 2.7-mile <hl> elevated park along a derelict freight track, wending east-west across a mix of industrial and residential areas. What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, Rahm Emanuel, to green up gritty areas of the city. Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. Rough, ready, community-friendly, the 606 speaks to Chicago’s heart.


Question: Who is Chicago's mayor?

Answer: Rahm Emanuel

The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along a derelict freight track, wending east-west across a mix of industrial and residential areas. What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. <hl> But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, Rahm Emanuel , to green up gritty areas of the city. <hl> Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. Rough, ready, community-friendly, the 606 speaks to Chicago’s heart.

The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along a derelict freight track, wending east-west across a mix of industrial and residential areas. What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, <hl> Rahm Emanuel <hl>, to green up gritty areas of the city. Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. Rough, ready, community-friendly, the 606 speaks to Chicago’s heart.

But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, <hl> Rahm Emanuel <hl> , to green up gritty areas of the city.


Question: What does the park run along?

Answer: a derelict freight track

<hl> The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along a derelict freight track , wending east-west across a mix of industrial and residential areas. <hl> What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, Rahm Emanuel, to green up gritty areas of the city. Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. Rough, ready, community-friendly, the 606 speaks to Chicago’s heart.

The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along <hl> a derelict freight track <hl>, wending east-west across a mix of industrial and residential areas. What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, Rahm Emanuel, to green up gritty areas of the city. Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. Rough, ready, community-friendly, the 606 speaks to Chicago’s heart.

The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along <hl> a derelict freight track <hl> , wending east-west across a mix of industrial and residential areas.


Question: What does the 606 speak to?

Answer: Chicago’s heart

The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along a derelict freight track, wending east-west across a mix of industrial and residential areas. What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, Rahm Emanuel, to green up gritty areas of the city. Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. <hl> Rough, ready, community-friendly, the 606 speaks to Chicago’s heart . <hl>

The other day I walked part of the 606, Chicago’s down-home twist on the chic High Line in New York: a 2.7-mile elevated park along a derelict freight track, wending east-west across a mix of industrial and residential areas. What I saw wasn’t sleek or even especially beautiful, with plantings that need time to grow, a little too much concrete and tall steel fencing. But it connects ground-level neighborhood parks and belongs to a larger, humanizing campaign by Chicago’s mayor, Rahm Emanuel, to green up gritty areas of the city. Young mothers push strollers; elderly couples walk arm in arm; joggers and speeding bicyclists hog the pathways. Rough, ready, community-friendly, the 606 speaks to <hl> Chicago’s heart <hl>.

Rough, ready, community-friendly, the 606 speaks to <hl> Chicago’s heart <hl> .


Question: Gottfried Ludewig is apart of which parliment?

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over civic identity.

Answer: Berlin City

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. <hl> Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. <hl> He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over civic identity.

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. Gottfried Ludewig is a young member of the <hl> Berlin City <hl> Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over civic identity.


Question: What is Angela Merkel's party?

Answer: Christian Democratic Union

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. <hl> Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right Christian Democratic Union , Angela Merkel’s party. <hl> He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over civic identity.

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right <hl> Christian Democratic Union <hl>, Angela Merkel’s party. He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over civic identity.

Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right <hl> Christian Democratic Union <hl> , Angela Merkel’s party.


Question: Who has become one of the project's most vocal champions?

Answer: Gottfried Ludewig

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. <hl> Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. <hl> He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over civic identity.

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. <hl> Gottfried Ludewig <hl> is a young member of the Berlin City Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over civic identity.


Question: What is the real struggle over?

Answer: civic identity

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. <hl> The real struggle is over civic identity . <hl>

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over <hl> civic identity <hl>.

The real struggle is over <hl> civic identity <hl> .


Question: Gottefried Ludewig and who else would not divulge the project's cost?

Answer: Tim Edler

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. <hl> Neither he nor Tim Edler would divulge the project’s projected cost, which must be many, many millions of dollars. <hl> But both said the major hurdle would not be money. The real struggle is over civic identity.

The Flussbad speaks to a tradition here; there are other urban Flussbads in this part of the world, so the idea has local resonance. Gottfried Ludewig is a young member of the Berlin City Parliament from the center-right Christian Democratic Union, Angela Merkel’s party. He has become one of the project’s most vocal champions, enlisting political allies across the aisle, corralling money for a feasibility study and promoting a grass-roots, community-based campaign. Neither he nor <hl> Tim Edler <hl> would divulge the project’s projected cost, which must be many, many millions of dollars. But both said the major hurdle would not be money. The real struggle is over civic identity.


Question: Ludewig says development and politics in the city should be like what?

“Urban development and politics here should be like music in the city, where you have both the Philharmonic and nightclubs like Berghain,” Mr. Ludewig argued. “We should have Museum Island and also the Flussbad to show we’re still a city where crazy ideas can become reality.” Opponents of the Flussbad fume about the prospect of bikini-clad bathers despoiling a noble site. But the real embarrassment is the dirty canal. Architectural preservationists fret that stairways cut into the canal’s retaining walls will tamper with a World Heritage Site, altering the work of a cultural hero, the neo-Classical architect Karl Friedrich Schinkel, who conceived the museum quarter. But the walls have been rebuilt untold times over the years, and a mess of lights, moorings and signs have been stuck onto them. They are hardly inviolable.

Answer: music

<hl> “Urban development and politics here should be like music in the city, where you have both the Philharmonic and nightclubs like Berghain <hl> ,” Mr. Ludewig argued. “We should have Museum Island and also the Flussbad to show we’re still a city where crazy ideas can become reality.” Opponents of the Flussbad fume about the prospect of bikini-clad bathers despoiling a noble site. But the real embarrassment is the dirty canal. Architectural preservationists fret that stairways cut into the canal’s retaining walls will tamper with a World Heritage Site, altering the work of a cultural hero, the neo-Classical architect Karl Friedrich Schinkel, who conceived the museum quarter. But the walls have been rebuilt untold times over the years, and a mess of lights, moorings and signs have been stuck onto them. They are hardly inviolable.

“Urban development and politics here should be like <hl> music <hl> in the city, where you have both the Philharmonic and nightclubs like Berghain,” Mr. Ludewig argued. “We should have Museum Island and also the Flussbad to show we’re still a city where crazy ideas can become reality.” Opponents of the Flussbad fume about the prospect of bikini-clad bathers despoiling a noble site. But the real embarrassment is the dirty canal. Architectural preservationists fret that stairways cut into the canal’s retaining walls will tamper with a World Heritage Site, altering the work of a cultural hero, the neo-Classical architect Karl Friedrich Schinkel, who conceived the museum quarter. But the walls have been rebuilt untold times over the years, and a mess of lights, moorings and signs have been stuck onto them. They are hardly inviolable.


Question: What is the real embarrassment of the city?

Answer: the dirty canal

“Urban development and politics here should be like music in the city, where you have both the Philharmonic and nightclubs like Berghain,” Mr. Ludewig argued. “We should have Museum Island and also the Flussbad to show we’re still a city where crazy ideas can become reality.” Opponents of the Flussbad fume about the prospect of bikini-clad bathers despoiling a noble site. <hl> But the real embarrassment is the dirty canal . <hl> Architectural preservationists fret that stairways cut into the canal’s retaining walls will tamper with a World Heritage Site, altering the work of a cultural hero, the neo-Classical architect Karl Friedrich Schinkel, who conceived the museum quarter. But the walls have been rebuilt untold times over the years, and a mess of lights, moorings and signs have been stuck onto them. They are hardly inviolable.

“Urban development and politics here should be like music in the city, where you have both the Philharmonic and nightclubs like Berghain,” Mr. Ludewig argued. “We should have Museum Island and also the Flussbad to show we’re still a city where crazy ideas can become reality.” Opponents of the Flussbad fume about the prospect of bikini-clad bathers despoiling a noble site. But the real embarrassment is <hl> the dirty canal <hl>. Architectural preservationists fret that stairways cut into the canal’s retaining walls will tamper with a World Heritage Site, altering the work of a cultural hero, the neo-Classical architect Karl Friedrich Schinkel, who conceived the museum quarter. But the walls have been rebuilt untold times over the years, and a mess of lights, moorings and signs have been stuck onto them. They are hardly inviolable.

But the real embarrassment is <hl> the dirty canal <hl> .


Question: Who conceived the museum quarter?

Answer: Karl Friedrich Schinkel

“Urban development and politics here should be like music in the city, where you have both the Philharmonic and nightclubs like Berghain,” Mr. Ludewig argued. “We should have Museum Island and also the Flussbad to show we’re still a city where crazy ideas can become reality.” Opponents of the Flussbad fume about the prospect of bikini-clad bathers despoiling a noble site. But the real embarrassment is the dirty canal. <hl> Architectural preservationists fret that stairways cut into the canal’s retaining walls will tamper with a World Heritage Site, altering the work of a cultural hero, the neo-Classical architect Karl Friedrich Schinkel , who conceived the museum quarter. <hl> But the walls have been rebuilt untold times over the years, and a mess of lights, moorings and signs have been stuck onto them. They are hardly inviolable.

“Urban development and politics here should be like music in the city, where you have both the Philharmonic and nightclubs like Berghain,” Mr. Ludewig argued. “We should have Museum Island and also the Flussbad to show we’re still a city where crazy ideas can become reality.” Opponents of the Flussbad fume about the prospect of bikini-clad bathers despoiling a noble site. But the real embarrassment is the dirty canal. Architectural preservationists fret that stairways cut into the canal’s retaining walls will tamper with a World Heritage Site, altering the work of a cultural hero, the neo-Classical architect <hl> Karl Friedrich Schinkel <hl>, who conceived the museum quarter. But the walls have been rebuilt untold times over the years, and a mess of lights, moorings and signs have been stuck onto them. They are hardly inviolable.

Architectural preservationists fret that stairways cut into the canal’s retaining walls will tamper with a World Heritage Site, altering the work of a cultural hero, the neo-Classical architect <hl> Karl Friedrich Schinkel <hl> , who conceived the museum quarter.