Question: What will union members do after the agreement is presented?

Answer: vote on the pact

will vote on the pact .

The U.A.W. had been discussing creating a health care collective covering workers at all three companies for the purpose of saving money on the costs of medical care and prescription drugs. “The cooperative arrangement is embedded in the spirit of this agreement, and I really hope it gets implemented,” Mr. Marchionne said. Mr. Williams said he would present the tentative agreement on Wednesday to union officials from Fiat Chrysler facilities across the country. After that takes place, union members <hl> will vote on the pact . <hl> He said the vote would probably take place next week.

The U.A.W. had been discussing creating a health care collective covering workers at all three companies for the purpose of saving money on the costs of medical care and prescription drugs. “The cooperative arrangement is embedded in the spirit of this agreement, and I really hope it gets implemented,” Mr. Marchionne said. Mr. Williams said he would present the tentative agreement on Wednesday to union officials from Fiat Chrysler facilities across the country. After that takes place, union members will <hl> vote on the pact <hl>. He said the vote would probably take place next week.


Question: When will the vote take place?

The U.A.W. had been discussing creating a health care collective covering workers at all three companies for the purpose of saving money on the costs of medical care and prescription drugs. “The cooperative arrangement is embedded in the spirit of this agreement, and I really hope it gets implemented,” Mr. Marchionne said. Mr. Williams said he would present the tentative agreement on Wednesday to union officials from Fiat Chrysler facilities across the country. After that takes place, union members will vote on the pact. He said the vote would probably take place next week.

Answer: next week

The U.A.W. had been discussing creating a health care collective covering workers at all three companies for the purpose of saving money on the costs of medical care and prescription drugs. “The cooperative arrangement is embedded in the spirit of this agreement, and I really hope it gets implemented,” Mr. Marchionne said. Mr. Williams said he would present the tentative agreement on Wednesday to union officials from Fiat Chrysler facilities across the country. After that takes place, union members will vote on the pact. <hl> He said the vote would probably take place next week . <hl>

The U.A.W. had been discussing creating a health care collective covering workers at all three companies for the purpose of saving money on the costs of medical care and prescription drugs. “The cooperative arrangement is embedded in the spirit of this agreement, and I really hope it gets implemented,” Mr. Marchionne said. Mr. Williams said he would present the tentative agreement on Wednesday to union officials from Fiat Chrysler facilities across the country. After that takes place, union members will vote on the pact. He said the vote would probably take place <hl> next week <hl>.

He said the vote would probably take place <hl> next week <hl> .


Question: Where is Fiat Chrysler's sport utility vehicle plant located?

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in Detroit said they were hopeful that a deal that preserved jobs could be reached. “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about $19 an hour. Another entry-level worker, Fred Alnajjar, said he hoped the new contract included raises for all union members.

Answer: Detroit

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. <hl> Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in Detroit said they were hopeful that a deal that preserved jobs could be reached. <hl> “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about $19 an hour. Another entry-level worker, Fred Alnajjar, said he hoped the new contract included raises for all union members.

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in <hl> Detroit <hl> said they were hopeful that a deal that preserved jobs could be reached. “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about $19 an hour. Another entry-level worker, Fred Alnajjar, said he hoped the new contract included raises for all union members.


Question: How much does Jeremiah Meyerhoff earn?

Answer: $19 an hour.

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in Detroit said they were hopeful that a deal that preserved jobs could be reached. <hl> “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about $19 an hour. Another entry-level worker, Fred Alnajjar, said he hoped the new contract included raises for all union members. <hl>

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in Detroit said they were hopeful that a deal that preserved jobs could be reached. “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about <hl> $19 an hour. <hl> Another entry-level worker, Fred Alnajjar, said he hoped the new contract included raises for all union members.


Question: How did workers describe their views on the negotiation?

Answer: hopeful

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. <hl> Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in Detroit said they were hopeful that a deal that preserved jobs could be reached. <hl> “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about $19 an hour. Another entry-level worker, Fred Alnajjar, said he hoped the new contract included raises for all union members.

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in Detroit said they were <hl> hopeful <hl> that a deal that preserved jobs could be reached. “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about $19 an hour. Another entry-level worker, Fred Alnajjar, said he hoped the new contract included raises for all union members.


Question: What does Fred Alnajjar hope the new contract includes?

Answer: raises

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in Detroit said they were hopeful that a deal that preserved jobs could be reached. “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about $19 an hour. <hl> Another entry-level worker, Fred Alnajjar, said he hoped the new contract included raises for all union members. <hl>

The union will most likely not start final negotiations with either G.M. or Ford until a vote is taken on the Fiat Chrysler deal. Mr. Williams said he expected the deal to set a pattern for talks at G.M. and Ford, but left open the possibility that those companies, which are more profitable, might be asked for better economic terms. “The pattern is unique to each company,” Mr. Williams said. Earlier on Tuesday, workers at Fiat Chrysler’s sport utility vehicle plant in Detroit said they were hopeful that a deal that preserved jobs could be reached. “I’m just hoping I can keep coming back every day so I can provide and build for my family,” said Jeremiah Meyerhoff, an entry-level worker at the plant who was hired three years ago and earns about $19 an hour. Another entry-level worker, Fred Alnajjar, said he hoped the new contract included <hl> raises <hl> for all union members.


Question: What is the first thought on "Me and Earl and the Dying Girl"?

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. On paper, Mr. Andrews’s book is lovely: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere.

Answer: should be dreadful

<hl> On paper, “Me and Earl and the Dying Girl” should be dreadful . <hl> That’s not quite fair. On paper, Mr. Andrews’s book is lovely: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere.

On paper, “Me and Earl and the Dying Girl” <hl> should be dreadful <hl>. That’s not quite fair. On paper, Mr. Andrews’s book is lovely: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere.

On paper, “Me and Earl and the Dying Girl” <hl> should be dreadful <hl> .


Question: What is the second thought on "Me and Earl and the Dying Girl"?

Answer: is lovely

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. <hl> On paper, Mr. Andrews’s book is lovely : sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. <hl> But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere.

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. On paper, Mr. Andrews’s book <hl> is lovely <hl>: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere.

On paper, Mr. Andrews’s book <hl> is lovely <hl> : sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence.


Question: What other feelings are felt toward the book?

Answer: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. <hl> On paper, Mr. Andrews’s book is lovely: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence . <hl> But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere.

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. On paper, Mr. Andrews’s book is lovely: <hl> sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence <hl>. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere.

On paper, Mr. Andrews’s book is lovely: <hl> sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence <hl> .


Question: What is the narrator considered?

Answer: self-conscious

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. On paper, Mr. Andrews’s book is lovely: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. <hl> The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere. <hl>

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. On paper, Mr. Andrews’s book is lovely: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The <hl> self-conscious <hl> narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere.


Question: What group of people with this likely raise alarms to?

Answer: grown-up admirers of the auteurs whom Earl and Greg mock and revere

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. On paper, Mr. Andrews’s book is lovely: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. <hl> The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among grown-up admirers of the auteurs whom Earl and Greg mock and revere . <hl>

On paper, “Me and Earl and the Dying Girl” should be dreadful. That’s not quite fair. On paper, Mr. Andrews’s book is lovely: sensitive and rueful and attuned to both the solipsism and the ethical seriousness of adolescence. But it’s also full of the sort of themes, emotions and situations that can turn maudlin and embarrassing on the way from page to screen. The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among <hl> grown-up admirers of the auteurs whom Earl and Greg mock and revere <hl>.

The self-conscious narrator, the kooky parents and above all the dying girl — these elements are likely to raise alarms among <hl> grown-up admirers of the auteurs whom Earl and Greg mock and revere <hl> .


Question: What does Gomez-Rejon do?

As I said, potentially awful stuff. But Mr. Gomez-Rejon turns down the melodramatic volume and slows the plot almost to the point of stasis. (The music, by Brian Eno with contributions from Nico Muhly, is also wielded gently and judiciously). “Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage, but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion. And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

Answer: turns down the melodramatic volume and slows the plot almost to the point of stasis

As I said, potentially awful stuff. <hl> But Mr. Gomez-Rejon turns down the melodramatic volume and slows the plot almost to the point of stasis . <hl> (The music, by Brian Eno with contributions from Nico Muhly, is also wielded gently and judiciously). “Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage, but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion. And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

As I said, potentially awful stuff. But Mr. Gomez-Rejon <hl> turns down the melodramatic volume and slows the plot almost to the point of stasis <hl>. (The music, by Brian Eno with contributions from Nico Muhly, is also wielded gently and judiciously). “Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage, but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion. And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

But Mr. Gomez-Rejon <hl> turns down the melodramatic volume and slows the plot almost to the point of stasis <hl> .


Question: Who is the music by?

Answer: Brian Eno with contributions from Nico Muhly

As I said, potentially awful stuff. But Mr. Gomez-Rejon turns down the melodramatic volume and slows the plot almost to the point of stasis. <hl> (The music, by Brian Eno with contributions from Nico Muhly , is also wielded gently and judiciously). <hl> “Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage, but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion. And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

As I said, potentially awful stuff. But Mr. Gomez-Rejon turns down the melodramatic volume and slows the plot almost to the point of stasis. (The music, by <hl> Brian Eno with contributions from Nico Muhly <hl>, is also wielded gently and judiciously). “Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage, but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion. And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

(The music, by <hl> Brian Eno with contributions from Nico Muhly <hl> , is also wielded gently and judiciously).


Question: What is "Me and Earl and the Dying Girl" about?

Answer: growing up, facing death, making and losing friends and other rites of passage

As I said, potentially awful stuff. But Mr. Gomez-Rejon turns down the melodramatic volume and slows the plot almost to the point of stasis. (The music, by Brian Eno with contributions from Nico Muhly, is also wielded gently and judiciously). <hl> “Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage , but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion. <hl> And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

As I said, potentially awful stuff. But Mr. Gomez-Rejon turns down the melodramatic volume and slows the plot almost to the point of stasis. (The music, by Brian Eno with contributions from Nico Muhly, is also wielded gently and judiciously). “Me and Earl and the Dying Girl” is about <hl> growing up, facing death, making and losing friends and other rites of passage <hl>, but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion. And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

“Me and Earl and the Dying Girl” is about <hl> growing up, facing death, making and losing friends and other rites of passage <hl> , but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion.


Question: What else can "Me and Earl and the Dying Girl" be about?

Answer: drifting, hanging out, wasting time and succumbing to confusion

As I said, potentially awful stuff. But Mr. Gomez-Rejon turns down the melodramatic volume and slows the plot almost to the point of stasis. (The music, by Brian Eno with contributions from Nico Muhly, is also wielded gently and judiciously). <hl> “Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage, but it’s also, and more immediately, about drifting, hanging out, wasting time and succumbing to confusion . <hl> And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

As I said, potentially awful stuff. But Mr. Gomez-Rejon turns down the melodramatic volume and slows the plot almost to the point of stasis. (The music, by Brian Eno with contributions from Nico Muhly, is also wielded gently and judiciously). “Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage, but it’s also, and more immediately, about <hl> drifting, hanging out, wasting time and succumbing to confusion <hl>. And it provides three young people in whose company it is a pleasure to drift and wonder and loaf.

“Me and Earl and the Dying Girl” is about growing up, facing death, making and losing friends and other rites of passage, but it’s also, and more immediately, about <hl> drifting, hanging out, wasting time and succumbing to confusion <hl> .


Question: What are film makers not above?

While the filmmakers are not above trying to wring a few tears, they don’t wage an all-out assault on your feelings. There is a notable absence of aggression and of the kind of manipulation that yanks adjectives like “devastating” from the laptops of unwitting reviewers. The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the obvious lessons learned.

Answer: wring a few tears

<hl> While the filmmakers are not above trying to wring a few tears , they don’t wage an all-out assault on your feelings. <hl> There is a notable absence of aggression and of the kind of manipulation that yanks adjectives like “devastating” from the laptops of unwitting reviewers. The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the obvious lessons learned.

While the filmmakers are not above trying to <hl> wring a few tears <hl>, they don’t wage an all-out assault on your feelings. There is a notable absence of aggression and of the kind of manipulation that yanks adjectives like “devastating” from the laptops of unwitting reviewers. The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the obvious lessons learned.

While the filmmakers are not above trying to <hl> wring a few tears <hl> , they don’t wage an all-out assault on your feelings.


Question: There is a notable absence of what?

Answer: aggression and of the kind of manipulation that yanks adjectives like “devastating”

While the filmmakers are not above trying to wring a few tears, they don’t wage an all-out assault on your feelings. <hl> There is a notable absence of aggression and of the kind of manipulation that yanks adjectives like “devastating” from the laptops of unwitting reviewers. <hl> The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the obvious lessons learned.

While the filmmakers are not above trying to wring a few tears, they don’t wage an all-out assault on your feelings. There is a notable absence of <hl> aggression and of the kind of manipulation that yanks adjectives like “devastating” <hl> from the laptops of unwitting reviewers. The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the obvious lessons learned.


Question: Feelings you get from the film would be?

Answer: touching and small, but also thoughtful and assured

While the filmmakers are not above trying to wring a few tears, they don’t wage an all-out assault on your feelings. There is a notable absence of aggression and of the kind of manipulation that yanks adjectives like “devastating” from the laptops of unwitting reviewers. <hl> The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the obvious lessons learned. <hl>

While the filmmakers are not above trying to wring a few tears, they don’t wage an all-out assault on your feelings. There is a notable absence of aggression and of the kind of manipulation that yanks adjectives like “devastating” from the laptops of unwitting reviewers. The film is <hl> touching and small, but also thoughtful and assured <hl> in a way that lingers after the inevitable tears have been shed and the obvious lessons learned.


Question: Would there be lessons learned?

Answer: obvious lessons learned

While the filmmakers are not above trying to wring a few tears, they don’t wage an all-out assault on your feelings. There is a notable absence of aggression and of the kind of manipulation that yanks adjectives like “devastating” from the laptops of unwitting reviewers. <hl> The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the obvious lessons learned . <hl>

While the filmmakers are not above trying to wring a few tears, they don’t wage an all-out assault on your feelings. There is a notable absence of aggression and of the kind of manipulation that yanks adjectives like “devastating” from the laptops of unwitting reviewers. The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the <hl> obvious lessons learned <hl>.

The film is touching and small, but also thoughtful and assured in a way that lingers after the inevitable tears have been shed and the <hl> obvious lessons learned <hl> .


Question: What is responsible for the contemporary relavence of Poliuto

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, mostly to the interwar period. The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.

Answer: centenary of the Armenian genocide or to events in the Middle East.

<hl> The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, mostly to the interwar period. <hl> The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.

The contemporary relevance of “Poliuto” is potentially strong, whether to the <hl> centenary of the Armenian genocide or to events in the Middle East. <hl> Ms. Clément updates the action, mostly to the interwar period. The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.


Question: What period does Ms.Clement  update the action to?

Answer: mostly to the interwar period

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. <hl> Ms. Clément updates the action, mostly to the interwar period . <hl> The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, <hl> mostly to the interwar period <hl>. The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.

Ms. Clément updates the action, <hl> mostly to the interwar period <hl> .


Question: What are the costumes a nod to?

Answer: dictatorships

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, mostly to the interwar period. <hl> The costumes nod to dictatorships , maybe Nazi or Italian, less likely the Communism of Armenia. <hl> Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, mostly to the interwar period. The costumes nod to <hl> dictatorships <hl>, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.

The costumes nod to <hl> dictatorships <hl> , maybe Nazi or Italian, less likely the Communism of Armenia.


Question: what do the videographer projections point to

Answer: 1990s siege of Sarajevo

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, mostly to the interwar period. The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. <hl> Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo , and to an international criminal court. <hl> Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, mostly to the interwar period. The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the <hl> 1990s siege of Sarajevo <hl>, and to an international criminal court. Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.

Muddled projections by the videographers fettFilm point obliquely and fleetingly to the <hl> 1990s siege of Sarajevo <hl> , and to an international criminal court.


Question: In whose sets does the stone pillars change

Answer: Julia Hansen’s

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, mostly to the interwar period. The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. <hl> Towering stone pillars change position in Julia Hansen’s sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly. <hl>

The contemporary relevance of “Poliuto” is potentially strong, whether to the centenary of the Armenian genocide or to events in the Middle East. Ms. Clément updates the action, mostly to the interwar period. The costumes nod to dictatorships, maybe Nazi or Italian, less likely the Communism of Armenia. Muddled projections by the videographers fettFilm point obliquely and fleetingly to the 1990s siege of Sarajevo, and to an international criminal court. Towering stone pillars change position in <hl> Julia Hansen’s <hl> sets, suggesting the protean power of tyranny and the danger of lives lived in the shadows, but they transform awkwardly.


Question: Who is Paolina in a secret meeting with.

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

Answer: Severo

<hl> Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. <hl> Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

<hl> Severo <hl> finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.


Question: Who arrests Nearco

Answer: Callistene

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. <hl> Aided by Callistene , whose machinations drive much of the plot, Poliuto finds them and vows revenge. <hl> But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by <hl> Callistene <hl>, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

Aided by <hl> Callistene <hl> , whose machinations drive much of the plot, Poliuto finds them and vows revenge.


Question: what does Poliuto confess

Answer: his baptism

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. <hl> But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism . <hl> Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses <hl> his baptism <hl>. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses <hl> his baptism <hl> .


Question: which scholars are responsible for the new critical edition

Answer: William Ashbrook and Roger Parker

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? <hl> Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. <hl> But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars <hl> William Ashbrook and Roger Parker <hl> that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.


Question: what does Ms.Clement's production aim to do

Answer: tease out these gray areas

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? <hl> Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to tease out these gray areas . <hl> But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

Severo finds out that Paolina has married, and in a secret meeting with him, she refuses to be unfaithful. Aided by Callistene, whose machinations drive much of the plot, Poliuto finds them and vows revenge. But when Callistene arrests Nearco, another Christian, Poliuto puts his faith before his love, and confesses his baptism. Visiting Poliuto in prison, Paolina urges him to recant. When Poliuto remains steadfast, she converts, too, following him to an unseen death in the arena. Does Paolina really mean it? Is her baptism a response to Severo’s return, or genuinely a matter of faith? Is Poliuto a political figure or a religious one, if the two could be separated? Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to <hl> tease out these gray areas <hl>. But in a relentlessly monochrome production, she deals with politics weakly, vacillating between forcing the point and not making it at all.

Using a new critical edition by the scholars William Ashbrook and Roger Parker that excises all the French accretions, Ms. Clément’s production tries to <hl> tease out these gray areas <hl> .


Question: What team did Sather lead as general manager?

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games.

Answer: the Rangers

<hl> Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. <hl> Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games.

Glen Sather, who has been at the helm of <hl> the Rangers <hl> since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games.


Question: Who is Sather's assistant?

Answer: Jeff Gorton

<hl> Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton . <hl> Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games.

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant <hl> Jeff Gorton <hl>. Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games.

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant <hl> Jeff Gorton <hl> .


Question: Who did Sather's team face in the 2014 finals?

Answer: Kings

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. <hl> They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games. <hl>

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles <hl> Kings <hl> in five games.


Question: What did Sather's team reach in 9 of the last 10 years?

Answer: postseason

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. Sather, 71, will remain team president. <hl> After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. <hl> They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games.

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the <hl> postseason <hl> in nine of the last 10 years. They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games.


Question: What is the name of the Cup given in the finals?

Answer: Stanley Cup

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. <hl> They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the Stanley Cup finals in 2014, when they lost to the Los Angeles Kings in five games. <hl>

Glen Sather, who has been at the helm of the Rangers since 2000, said Wednesday that he was relinquishing his role as general manager in favor of his assistant Jeff Gorton. Sather, 71, will remain team president. After missing the playoffs in Sather’s first four seasons, the Rangers have reached the postseason in nine of the last 10 years. They advanced to the Eastern Conference finals three times in the last four seasons, including a trip to the <hl> Stanley Cup <hl> finals in 2014, when they lost to the Los Angeles Kings in five games.


Question: Who is the president of France?

The French President, François Hollande, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

Answer: François Hollande

<hl> The French President, François Hollande , says France is “at war” against “a jihadi army.” <hl> France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

The French President, <hl> François Hollande <hl>, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

The French President, <hl> François Hollande <hl> , says France is “at war” against “a jihadi army.”


Question: ISIS has come to terrorize the world since what year?

Answer: 2013

The French President, François Hollande, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. <hl> Since 2013 , ISIS has come to terrorize the world. <hl> Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

The French President, François Hollande, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since <hl> 2013 <hl>, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

Since <hl> 2013 <hl> , ISIS has come to terrorize the world.


Question: How many years ago did President Bashar al-Assad use chemical weapons?

Answer: two

The French President, François Hollande, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” <hl> More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. <hl> Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

The French President, François Hollande, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” More than <hl> two <hl> years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.


Question: Who will travel to Moscow and Washington next week?

Answer: Hollande

<hl> The French President, François Hollande , says France is “at war” against “a jihadi army.” <hl> France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

The French President, François <hl> Hollande <hl>, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

The French President, François <hl> Hollande <hl> , says France is “at war” against “a jihadi army.”


Question: Where did Obama speak at on Monday?

Answer: Turkey

The French President, François Hollande, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. <hl> If the President Obama he finds is the same Obama who spoke in Turkey on Monday, the French president will be disappointed. <hl> The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.

The French President, François Hollande, says France is “at war” against “a jihadi army.” France will be “pitiless.” There will be “no respite, no truce.” More than two years ago, after President Bashar al-Assad used chemical weapons, Hollande was ready to bomb Syria alongside President Obama. Then Obama wavered. Hesitation has been Obama’s modus operandi on Syria. Now there are body bags in Paris. Since 2013, ISIS has come to terrorize the world. Hollande will travel to Washington and Moscow next week in an attempt to forge a broad coalition to act “decisively” against it. If the President Obama he finds is the same Obama who spoke in <hl> Turkey <hl> on Monday, the French president will be disappointed. The contrast between Hollande’s fire and Obama’s flatness as he insisted he would not put American troops on the ground to defeat ISIS was one of the stranger aspects of being in Paris this week.


Question: What is closer to Europe than Tora Bora?

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). Raqqa is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent soldiers. They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.

Answer: Raqqa

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). <hl> Raqqa is much closer to Europe than Tora Bora. <hl> ISIS has effective terrorists but indifferent soldiers. They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). <hl> Raqqa <hl> is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent soldiers. They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.


Question: The Afghan safe haven was home of who?

Answer: Al Qaeda

<hl> This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). <hl> Raqqa is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent soldiers. They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of <hl> Al Qaeda <hl> was after 9/11 (before the disastrous distraction of Iraq). Raqqa is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent soldiers. They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.


Question: What militias have made rapid inroads?

Answer: Kurdish

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). Raqqa is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent soldiers. They are beatable. <hl> Kurdish militias — not the U.S. military by any means — have made rapid inroads. <hl> They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). Raqqa is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent soldiers. They are beatable. <hl> Kurdish <hl> militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.


Question: ISIS has effective terrorist but indifferent what?

Answer: soldiers

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). Raqqa is much closer to Europe than Tora Bora. <hl> ISIS has effective terrorists but indifferent soldiers . <hl> They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). Raqqa is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent <hl> soldiers <hl>. They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.

ISIS has effective terrorists but indifferent <hl> soldiers <hl> .


Question: In Obama's example, how many troops would he sent to Syria?

Answer: 50,000

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). Raqqa is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent soldiers. They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. <hl> “Let’s assume we send 50,000 troops into Syria,” he said in Turkey. <hl> “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.

This border-straddling ISIS sanctuary must be eliminated, just as the Afghan safe haven of Al Qaeda was after 9/11 (before the disastrous distraction of Iraq). Raqqa is much closer to Europe than Tora Bora. ISIS has effective terrorists but indifferent soldiers. They are beatable. Kurdish militias — not the U.S. military by any means — have made rapid inroads. They and other local forces can help. But Obama does not have the will. “Let’s assume we send <hl> 50,000 <hl> troops into Syria,” he said in Turkey. “What happens when there’s a terrorist attack generated from Yemen?” That’s a straw-man game unworthy of the president. Its subtext: Because you can’t solve all the problems of the world, solve none. ISIS in Syria and Iraq is the core of the terrorist threat to Europe and America today. So destroy it.


Question: Where is the restaurant Charritos located?

One ideal place to be this summer is the slender terrace overlooking Manhattan at Charritos, a restaurant in Weehawken specializing in the colorful dishes of Oaxaca, a region in southern Mexico. For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, which Charritos does serve, and grasshoppers, which it does not. From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.

Answer: Charritos, a restaurant in Weehawken

<hl> One ideal place to be this summer is the slender terrace overlooking Manhattan at Charritos, a restaurant in Weehawken specializing in the colorful dishes of Oaxaca, a region in southern Mexico. <hl> For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, which Charritos does serve, and grasshoppers, which it does not. From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.

One ideal place to be this summer is the slender terrace overlooking Manhattan at <hl> Charritos, a restaurant in Weehawken <hl> specializing in the colorful dishes of Oaxaca, a region in southern Mexico. For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, which Charritos does serve, and grasshoppers, which it does not. From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.


Question: What does Charritos not serve?

Answer: which Charritos does serve, and grasshoppers, which it does not.

One ideal place to be this summer is the slender terrace overlooking Manhattan at Charritos, a restaurant in Weehawken specializing in the colorful dishes of Oaxaca, a region in southern Mexico. <hl> For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, which Charritos does serve, and grasshoppers, which it does not. From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. <hl> If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.

One ideal place to be this summer is the slender terrace overlooking Manhattan at Charritos, a restaurant in Weehawken specializing in the colorful dishes of Oaxaca, a region in southern Mexico. For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, <hl> which Charritos does serve, and grasshoppers, which it does not. <hl> From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.


Question: What country is Oaxaca a region in?

Answer: Oaxaca, a region in southern Mexico

<hl> One ideal place to be this summer is the slender terrace overlooking Manhattan at Charritos, a restaurant in Weehawken specializing in the colorful dishes of Oaxaca, a region in southern Mexico . <hl> For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, which Charritos does serve, and grasshoppers, which it does not. From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.

One ideal place to be this summer is the slender terrace overlooking Manhattan at Charritos, a restaurant in Weehawken specializing in the colorful dishes of <hl> Oaxaca, a region in southern Mexico <hl>. For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, which Charritos does serve, and grasshoppers, which it does not. From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.

One ideal place to be this summer is the slender terrace overlooking Manhattan at Charritos, a restaurant in Weehawken specializing in the colorful dishes of <hl> Oaxaca, a region in southern Mexico <hl> .


Question: What borough does the terrace of Charritos overlook?

Answer: the slender terrace overlooking Manhattan

<hl> One ideal place to be this summer is the slender terrace overlooking Manhattan at Charritos, a restaurant in Weehawken specializing in the colorful dishes of Oaxaca, a region in southern Mexico. <hl> For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, which Charritos does serve, and grasshoppers, which it does not. From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.

One ideal place to be this summer is <hl> the slender terrace overlooking Manhattan <hl> at Charritos, a restaurant in Weehawken specializing in the colorful dishes of Oaxaca, a region in southern Mexico. For those unfamiliar with Oaxacan cuisine, it is known for chocolate-infused moles, which Charritos does serve, and grasshoppers, which it does not. From this tiny terrace perched on the Palisades, you can peer as far north as the George Washington Bridge and as far south as the Verrazano. If you order a mojito, which the bartender perfects with muddled mint and a generous squeeze of fresh lime, the view can seem even more enchanting.


Question: What is the stone bowl used to make guacamole called?

The guacamole is pulverized at the table in the traditional molcajete, the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. My favorite appetizers, however, were the tacos al pastor, three junior-size tacos filled with pungent cubes of pork that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely influenced by Lebanese immigrants who brought gyro-style lamb to Mexico. The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by Uzziel Arias’s mother and his Aunt Divina.

Answer: molcajete

<hl> The guacamole is pulverized at the table in the traditional molcajete , the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. <hl> My favorite appetizers, however, were the tacos al pastor, three junior-size tacos filled with pungent cubes of pork that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely influenced by Lebanese immigrants who brought gyro-style lamb to Mexico. The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by Uzziel Arias’s mother and his Aunt Divina.

The guacamole is pulverized at the table in the traditional <hl> molcajete <hl>, the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. My favorite appetizers, however, were the tacos al pastor, three junior-size tacos filled with pungent cubes of pork that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely influenced by Lebanese immigrants who brought gyro-style lamb to Mexico. The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by Uzziel Arias’s mother and his Aunt Divina.

The guacamole is pulverized at the table in the traditional <hl> molcajete <hl> , the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor.


Question: Who influenced the meat preparation of al pastor?

Answer: influenced by Lebanese immigrants

The guacamole is pulverized at the table in the traditional molcajete, the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. My favorite appetizers, however, were the tacos al pastor, three junior-size tacos filled with pungent cubes of pork that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. <hl> Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely influenced by Lebanese immigrants who brought gyro-style lamb to Mexico. <hl> The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by Uzziel Arias’s mother and his Aunt Divina.

The guacamole is pulverized at the table in the traditional molcajete, the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. My favorite appetizers, however, were the tacos al pastor, three junior-size tacos filled with pungent cubes of pork that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely <hl> influenced by Lebanese immigrants <hl> who brought gyro-style lamb to Mexico. The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by Uzziel Arias’s mother and his Aunt Divina.


Question: What is in tacos al pastor?

Answer: tacos filled with pungent cubes of pork

The guacamole is pulverized at the table in the traditional molcajete, the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. <hl> My favorite appetizers, however, were the tacos al pastor, three junior-size tacos filled with pungent cubes of pork that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. <hl> Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely influenced by Lebanese immigrants who brought gyro-style lamb to Mexico. The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by Uzziel Arias’s mother and his Aunt Divina.

The guacamole is pulverized at the table in the traditional molcajete, the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. My favorite appetizers, however, were the tacos al pastor, three junior-size <hl> tacos filled with pungent cubes of pork <hl> that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely influenced by Lebanese immigrants who brought gyro-style lamb to Mexico. The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by Uzziel Arias’s mother and his Aunt Divina.


Question: Who prepared the fluffy corn dough?

Answer: Uzziel Arias’s mother and his Aunt Divina.

The guacamole is pulverized at the table in the traditional molcajete, the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. My favorite appetizers, however, were the tacos al pastor, three junior-size tacos filled with pungent cubes of pork that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely influenced by Lebanese immigrants who brought gyro-style lamb to Mexico. The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. <hl> The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by Uzziel Arias’s mother and his Aunt Divina. <hl>

The guacamole is pulverized at the table in the traditional molcajete, the stone bowl with a pebbly surface that allows bits of jalapeño, onion and other ingredients to retain texture and, some chefs think, more flavor. My favorite appetizers, however, were the tacos al pastor, three junior-size tacos filled with pungent cubes of pork that were well seasoned with dried chilies and achiote paste, a thick, spicy red sauce, and then roasted beneath a wedge of juicy pineapple. Cooked vertically in the manner of a gyro, the meat preparation for the dish was likely influenced by Lebanese immigrants who brought gyro-style lamb to Mexico. The surprise in the ensalada verde was peppery watercress. Served beside string beans, romaine lettuce and slices of buttery avocado, it lightened the effect of heavier dishes like the tacos al pastor and the tamales stuffed with chicken and red mole. The Oaxacan costeño chilies in the red mole imparted a tangy, citrus essence, but the lingering flavor from the stuffed tamales was that of masa, the fluffy corn dough prepared by <hl> Uzziel Arias’s mother and his Aunt Divina. <hl>


Question: What should be issued more (to pay for things) when the price is right?

One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.

Answer: debt

<hl> One answer is that issuing debt is a way to pay for useful things, and we should do more of that when the price is right. <hl> The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.

One answer is that issuing <hl> debt <hl> is a way to pay for useful things, and we should do more of that when the price is right. The United States suffers from obvious deficiencies in roads, rails, water systems and more; meanwhile, the federal government can borrow at historically low interest rates. So this is a very good time to be borrowing and investing in the future, and a very bad time for what has actually happened: an unprecedented decline in public construction spending adjusted for population growth and inflation. Beyond that, those very low interest rates are telling us something about what markets want. I’ve already mentioned that having at least some government debt outstanding helps the economy function better. How so? The answer, according to M.I.T.’s Ricardo Caballero and others, is that the debt of stable, reliable governments provides “safe assets” that help investors manage risks, make transactions easier and avoid a destructive scramble for cash. Now, in principle the private sector can also create safe assets, such as deposits in banks that are universally perceived as sound. In the years before the 2008 financial crisis Wall Street claimed to have invented whole new classes of safe assets by slicing and dicing cash flows from subprime mortgages and other sources. But all of that supposedly brilliant financial engineering turned out to be a con job: When the housing bubble burst, all that AAA-rated paper turned into sludge. So investors scurried back into the haven provided by the debt of the United States and a few other major economies. In the process they drove interest rates on that debt way down.