Question: How many times a year is the event Radikal Styles?

Answer: twice

Despite its roots in the UK, which can still be treated as the "home" of drum and bass, the style has firmly established itself around the world. There are strong scenes in other English-speaking countries including Australia, Canada, South Africa, the United States and, New Zealand. It is popular throughout continental Europe, and in South America. São Paulo is sometimes called the drum and bass Ibiza.[citation needed] Brazilian drum and bass is sometimes referred to as "sambass", with its specific style and sound. In Venezuela and Mexico, artists have created their own forms of drum and bass combining it with experimental musical forms. <hl> In Colombia there is a large underground scene, The RE.set Label and Bogotá Project are two collectives that put on DnB events in the city, as well as a twice yearly event called Radikal Styles, that brings together local talent and international big names. <hl>

Despite its roots in the UK, which can still be treated as the "home" of drum and bass, the style has firmly established itself around the world. There are strong scenes in other English-speaking countries including Australia, Canada, South Africa, the United States and, New Zealand. It is popular throughout continental Europe, and in South America. São Paulo is sometimes called the drum and bass Ibiza.[citation needed] Brazilian drum and bass is sometimes referred to as "sambass", with its specific style and sound. In Venezuela and Mexico, artists have created their own forms of drum and bass combining it with experimental musical forms. In Colombia there is a large underground scene, The RE.set Label and Bogotá Project are two collectives that put on DnB events in the city, as well as a <hl> twice <hl> yearly event called Radikal Styles, that brings together local talent and international big names.


Question: Breakcore and digital hardcore where created around the same time as what genre?

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.

Answer: jungle

<hl> Born around the same time as jungle , breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. <hl> German Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.

Born around the same time as <hl> jungle <hl>, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.

Born around the same time as <hl> jungle <hl> , breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation.


Question: Extreme drum and bass can be also considered as what type of genre music?

Answer: German Drum and Bass DJ The Panacea

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. <hl> German Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. <hl> Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. <hl> German Drum and Bass DJ The Panacea <hl> is also one of the leading Digital Hardcore artists. Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.


Question: The DJ The Panacea, is what nationality?

Answer: German

German Drum and Bass DJ

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. <hl> German Drum and Bass DJ <hl> The Panacea is also one of the leading Digital Hardcore artists. Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. <hl> German <hl> Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.


Question: What type of music spawns from the ragga inspired jungle music of the 1990s?

Answer: Raggacore

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. <hl> Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). <hl> Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. <hl> Raggacore <hl> resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). Darkcore, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.


Question: What genre type led to the creation of darkstep?

Answer: Darkcore

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). <hl> Darkcore , a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. <hl> There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.

Born around the same time as jungle, breakcore and digital hardcore share many of the elements of drum and bass and to the uninitiated, tracks from the extreme end of drum and bass, may sound identical to breakcore thanks to speed, complexity, impact and maximum sonic density combined with musical experimentation. German Drum and Bass DJ The Panacea is also one of the leading Digital Hardcore artists. Raggacore resembles a faster version of the ragga influenced jungle music of the 1990s, similar to breakcore but with more friendly dancehall beats (dancehall itself being a very important influence on drum and bass). <hl> Darkcore <hl>, a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep. There is considerable crossover from the extreme edges of drum and bass, breakcore, darkcore, digital hardcore and raggacore with fluid boundaries.

<hl> Darkcore <hl> , a direct influence on drum and bass, was combined with influences of drum and bass itself leading to the creation of darkstep.


Question: What popular rap rock group was influenced by drum and bass?

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass.

Answer: Linkin Park

<hl> The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park , The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. <hl> Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass.

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, <hl> Linkin Park <hl>, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass.

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, <hl> Linkin Park <hl> , The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements.


Question: Apart from being influenced by drum and bass, how do some groups show their reverence to drum and bass?

Answer: quoting

<hl> The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. <hl> Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass.

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others <hl> quoting <hl> drum and bass and using drum and bass techniques and elements. Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass.


Question: Ghettotech and drum and bass share what similar elements?

Answer: synth and basslines

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. <hl> Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass. <hl>

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. Recently created in the United States is a genre called ghettotech which contains <hl> synth and basslines <hl> similar to drum & bass.


Question: Ghettotech was recently created in what country?

Answer: the United States

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. <hl> Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass. <hl>

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. Recently created in <hl> the United States <hl> is a genre called ghettotech which contains synth and basslines similar to drum & bass.


Question: Which two groups used elements of Goldie's "Timeless"?

Answer: Nine Inch Nails, David Bowie

<hl> The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, Nine Inch Nails, David Bowie (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. <hl> Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass.

The genre has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop, with artists such as Bill Laswell, Incubus, Pitchshifter, Linkin Park, The Roots, Talvin Singh, MIDIval Punditz, Missy Elliott, The Freestylers, Bowery Electric, <hl> Nine Inch Nails, David Bowie <hl> (the last two both using elements of Goldie's "Timeless")[citation needed] and others quoting drum and bass and using drum and bass techniques and elements. Recently created in the United States is a genre called ghettotech which contains synth and basslines similar to drum & bass.


Question: What are two major international music labels?

The major international music labels such as Sony Music and Universal have shown very little interest in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. Roni Size's Full Cycle Records played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.[citation needed] Roni Size, Krust and DJ Die produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed]

Answer: Sony Music and Universal

<hl> The major international music labels such as Sony Music and Universal have shown very little interest in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. <hl> Roni Size's Full Cycle Records played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.[citation needed] Roni Size, Krust and DJ Die produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed]

The major international music labels such as <hl> Sony Music and Universal <hl> have shown very little interest in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. Roni Size's Full Cycle Records played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.[citation needed] Roni Size, Krust and DJ Die produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed]


Question: Who played a big part in the creation of drum and bass with their dark, baseline sounds?

Answer: Roni Size's Full Cycle Records

The major international music labels such as Sony Music and Universal have shown very little interest in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. <hl> Roni Size's Full Cycle Records played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. <hl> V Recordings also played a large part of the development of drum and bass.[citation needed] Roni Size, Krust and DJ Die produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed]

The major international music labels such as Sony Music and Universal have shown very little interest in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. <hl> Roni Size's Full Cycle Records <hl> played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.[citation needed] Roni Size, Krust and DJ Die produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed]


Question: Who produced some of the first mainstream drum and bass tracks?

Answer: Roni Size, Krust and DJ Die

The major international music labels such as Sony Music and Universal have shown very little interest in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. Roni Size's Full Cycle Records played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. <hl> V Recordings also played a large part of the development of drum and bass.[citation needed] Roni Size, Krust and DJ Die produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed] <hl>

The major international music labels such as Sony Music and Universal have shown very little interest in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. Roni Size's Full Cycle Records played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.[citation needed] <hl> Roni Size, Krust and DJ Die <hl> produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed]


Question: Are major international labels interested in drum and bass?

Answer: have shown very little interest

<hl> The major international music labels such as Sony Music and Universal have shown very little interest in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. <hl> Roni Size's Full Cycle Records played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.[citation needed] Roni Size, Krust and DJ Die produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed]

The major international music labels such as Sony Music and Universal <hl> have shown very little interest <hl> in the drum and bass scene though there have been a few signings, most recently Pendulum's In Silico LP to Warner. Roni Size's Full Cycle Records played a big, if not the biggest, part in the creation of drum and bass with their dark, baseline sounds. V Recordings also played a large part of the development of drum and bass.[citation needed] Roni Size, Krust and DJ Die produced some of the first tracks to be considered[who?] mainstream drum and bass tracks.[citation needed]


Question: What are two music networking websites?

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, radio and television, the latter being the most uncommon method. More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of Podcasts. Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.

Answer: SoundCloud and MixCloud

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, radio and television, the latter being the most uncommon method. <hl> More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. <hl> Record labels have adopted the use of Podcasts. Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, radio and television, the latter being the most uncommon method. More recently, music networking websites such as <hl> SoundCloud and MixCloud <hl> have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of Podcasts. Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.


Question: What have record labels adopted recently to help promote drum and bass?

Answer: Podcasts

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, radio and television, the latter being the most uncommon method. More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. <hl> Record labels have adopted the use of Podcasts . <hl> Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, radio and television, the latter being the most uncommon method. More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of <hl> Podcasts <hl>. Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.

Record labels have adopted the use of <hl> Podcasts <hl> .


Question: How was drum and bass previously broadcasted?

Answer: over pirate radio

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, radio and television, the latter being the most uncommon method. More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of Podcasts. <hl> Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio . <hl>

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, radio and television, the latter being the most uncommon method. More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of Podcasts. Prior to the rise of the internet, drum and bass was commonly broadcast <hl> over pirate radio <hl>.

Prior to the rise of the internet, drum and bass was commonly broadcast <hl> over pirate radio <hl> .


Question: What is the most uncommon way drum and bass is promoted?

Answer: radio and television

<hl> Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, radio and television , the latter being the most uncommon method. <hl> More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of Podcasts. Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, <hl> radio and television <hl>, the latter being the most uncommon method. More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of Podcasts. Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (YouTube, Dailymotion), blogs, <hl> radio and television <hl> , the latter being the most uncommon method.


Question: What video sharing services are used to promote drum and bass today?

Answer: YouTube, Dailymotion

<hl> Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services ( YouTube, Dailymotion ), blogs, radio and television, the latter being the most uncommon method. <hl> More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of Podcasts. Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services (<hl> YouTube, Dailymotion <hl>), blogs, radio and television, the latter being the most uncommon method. More recently, music networking websites such as SoundCloud and MixCloud have become powerful tools for artist recognition, providing a vast platform that enables quick responses to new tracks. Record labels have adopted the use of Podcasts. Prior to the rise of the internet, drum and bass was commonly broadcast over pirate radio.

Today, drum and bass is widely promoted throughout the world using different methods such as video sharing services ( <hl> YouTube, Dailymotion <hl> ), blogs, radio and television, the latter being the most uncommon method.


Question: What is the BBC's urban station?

The BBC's "urban" station BBC Radio 1Xtra used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called Xtra Bass. London pirate radio stations have been instrumental in the development of Drum and Bass, with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential.

Answer: BBC Radio 1Xtra

<hl> The BBC's "urban" station BBC Radio 1Xtra used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. <hl> The network also organises a week-long tour of the UK each year called Xtra Bass. London pirate radio stations have been instrumental in the development of Drum and Bass, with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential.

The BBC's "urban" station <hl> BBC Radio 1Xtra <hl> used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called Xtra Bass. London pirate radio stations have been instrumental in the development of Drum and Bass, with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential.


Question: What is the name of the tour in the UK for drum and bass that lasts a week each year?

Answer: Xtra Bass

The BBC's "urban" station BBC Radio 1Xtra used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. <hl> The network also organises a week-long tour of the UK each year called Xtra Bass . <hl> London pirate radio stations have been instrumental in the development of Drum and Bass, with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential.

The BBC's "urban" station BBC Radio 1Xtra used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called <hl> Xtra Bass <hl>. London pirate radio stations have been instrumental in the development of Drum and Bass, with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential.

The network also organises a week-long tour of the UK each year called <hl> Xtra Bass <hl> .


Question: What have London pirate radio stations been instrumental in?

Answer: development of Drum and Bass

The BBC's "urban" station BBC Radio 1Xtra used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called Xtra Bass. <hl> London pirate radio stations have been instrumental in the development of Drum and Bass , with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential. <hl>

The BBC's "urban" station BBC Radio 1Xtra used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called Xtra Bass. London pirate radio stations have been instrumental in the <hl> development of Drum and Bass <hl>, with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential.

London pirate radio stations have been instrumental in the <hl> development of Drum and Bass <hl> , with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential.


Question: Which Drum and Bass station gained a temporary legal license?

Answer: Don FM

The BBC's "urban" station BBC Radio 1Xtra used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called Xtra Bass. <hl> London pirate radio stations have been instrumental in the development of Drum and Bass, with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, Don FM (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential. <hl>

The BBC's "urban" station BBC Radio 1Xtra used to feature the genre heavily, with DJ Bailey (show axed as of 29/08/2012) and Crissy Criss (show axed as of August 2014) as its advocates. The network also organises a week-long tour of the UK each year called Xtra Bass. London pirate radio stations have been instrumental in the development of Drum and Bass, with stations such as Kool FM (which continues to broadcast today having done so since 1991), Origin FM, <hl> Don FM <hl> (the only Drum and Bass pirate to have gained a temporary legal license), Renegade Radio 107.2FM, Rude FM, Wax Fm and Eruption among the most influential.


Question: What did the Ministry of Sound radio do in 2014?

Drum and bass was supported by Ministry of Sound radio from the early 2000s until 2014, with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community. Stations like Rough Tempo are proving very popular with listeners.

Answer: abruptly dropped all non-mainstream genres to focus on mainstream EDM

Drum and bass was supported by Ministry of Sound radio from the early 2000s until 2014, with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. <hl> From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM , causing disappointment amongst the fans of the D&B community. <hl> Stations like Rough Tempo are proving very popular with listeners.

Drum and bass was supported by Ministry of Sound radio from the early 2000s until 2014, with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. From September 2014, Ministry <hl> abruptly dropped all non-mainstream genres to focus on mainstream EDM <hl>, causing disappointment amongst the fans of the D&B community. Stations like Rough Tempo are proving very popular with listeners.

From September 2014, Ministry <hl> abruptly dropped all non-mainstream genres to focus on mainstream EDM <hl> , causing disappointment amongst the fans of the D&B community.


Question: What station stepped up for the Drum and Bass community after the Ministry of Sound went in a different direction?

Answer: Rough Tempo

Drum and bass was supported by Ministry of Sound radio from the early 2000s until 2014, with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community. <hl> Stations like Rough Tempo are proving very popular with listeners. <hl>

Drum and bass was supported by Ministry of Sound radio from the early 2000s until 2014, with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community. Stations like <hl> Rough Tempo <hl> are proving very popular with listeners.


Question: How long did the Ministry of Sound radio support Drum and Bass?

Answer: early 2000s until 2014

<hl> Drum and bass was supported by Ministry of Sound radio from the early 2000s until 2014 , with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. <hl> From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community. Stations like Rough Tempo are proving very popular with listeners.

Drum and bass was supported by Ministry of Sound radio from the <hl> early 2000s until 2014 <hl>, with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community. Stations like Rough Tempo are proving very popular with listeners.

Drum and bass was supported by Ministry of Sound radio from the <hl> early 2000s until 2014 <hl> , with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records.


Question: What day did the Ministry of Sound have Drum and Bass music on air?

Answer: Tuesday

<hl> Drum and bass was supported by Ministry of Sound radio from the early 2000s until 2014, with Bryan Gee of V Recordings, and later featuring Tuesday shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. <hl> From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community. Stations like Rough Tempo are proving very popular with listeners.

Drum and bass was supported by Ministry of Sound radio from the early 2000s until 2014, with Bryan Gee of V Recordings, and later featuring <hl> Tuesday <hl> shows from labels such as Metalheadz, Dispatch Recordings, Fabio & Grooverider, DJ Marky, DJ Bailey, Viper Recordings, Technique Recordings, Shogun Audio and Hospital Records. From September 2014, Ministry abruptly dropped all non-mainstream genres to focus on mainstream EDM, causing disappointment amongst the fans of the D&B community. Stations like Rough Tempo are proving very popular with listeners.


Question: What is North America's longest running Jungle Radio Show?

In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, DJ Prime and Mr. Brown Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. Seattle also has a long-standing electronica show known as Expansions on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called Edge Essential Mix mixed by DJ Demko showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as "Digital Empire", Friday nights at 10pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.

Answer: DJ Prime and Mr. Brown

<hl> In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, DJ Prime and Mr. Brown Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. <hl> Seattle also has a long-standing electronica show known as Expansions on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called Edge Essential Mix mixed by DJ Demko showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as "Digital Empire", Friday nights at 10pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.

In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, <hl> DJ Prime and Mr. Brown <hl> Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. Seattle also has a long-standing electronica show known as Expansions on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called Edge Essential Mix mixed by DJ Demko showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as "Digital Empire", Friday nights at 10pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.


Question: What is the name of the long-existing electronica show in Seattle?

Answer: Expansions

In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, DJ Prime and Mr. Brown Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. <hl> Seattle also has a long-standing electronica show known as Expansions on 90.3 FM KEXP. <hl> The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called Edge Essential Mix mixed by DJ Demko showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as "Digital Empire", Friday nights at 10pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.

In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, DJ Prime and Mr. Brown Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. Seattle also has a long-standing electronica show known as <hl> Expansions <hl> on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called Edge Essential Mix mixed by DJ Demko showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as "Digital Empire", Friday nights at 10pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.


Question: Which Oklahoma rock station showcases drum and bass?

Answer: Edge Essential Mix

In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, DJ Prime and Mr. Brown Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. Seattle also has a long-standing electronica show known as Expansions on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." <hl> Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called Edge Essential Mix mixed by DJ Demko showcasing electronic and drum and bass style. <hl> While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as "Digital Empire", Friday nights at 10pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.

In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, DJ Prime and Mr. Brown Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. Seattle also has a long-standing electronica show known as Expansions on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called <hl> Edge Essential Mix <hl> mixed by DJ Demko showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as "Digital Empire", Friday nights at 10pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.


Question: What electronic show in Tucson, Arizona plays some drum and bass?

Answer: Digital Empire

In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, DJ Prime and Mr. Brown Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. Seattle also has a long-standing electronica show known as Expansions on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called Edge Essential Mix mixed by DJ Demko showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. <hl> In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as " Digital Empire ", Friday nights at 10pm (MST). <hl> Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.

In North America, The Prophecy on 89.5 CIUT-FM With Marcus Visionary, DJ Prime and Mr. Brown Is North America's longest running Jungle Radio show[citation needed] (Toronto), Album 88.5 (Atlanta) and C89.5fm (Seattle) have shows showcasing drum and bass. Seattle also has a long-standing electronica show known as Expansions on 90.3 FM KEXP. The rotating DJs include Kid Hops, whose shows are made up mostly of drum and bass. In Columbus, Ohio WCBE 90.5 has a two-hour electronic only showcase, "All Mixed Up," Saturday nights at 10pm. At the same time WUFM 88.7 plays its "Electronic Playground." Also, Tulsa, Oklahoma's rock station, 104.5 The Edge, has a two-hour show starting at 10:00PM Saturday nights called Edge Essential Mix mixed by DJ Demko showcasing electronic and drum and bass style. While the aforementioned shows in Ohio rarely play drum and bass the latter plays the genre with some frequency. In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as "<hl> Digital Empire <hl>", Friday nights at 10pm (MST). Resident DJ Trinidad showcases various styles of electronica, with the main focus being drum and bass, jungle & dubstep. In Augusta, Georgia, zarbizarre of the Cereal Killaz hosts a show called FreQuency on WHHD on Friday nights from 11pm until 1am, showcasing drum and bass during the 2nd hour of the show.

In Tucson, Arizona, 91.3 FM KXCI has a two-hour electronic show known as " <hl> Digital Empire <hl> ", Friday nights at 10pm (MST).


Question: Where does Drum and Bass originates from ?

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. From its roots in the UK, the style has established itself around the world. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.

Answer: From its roots in the UK

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. <hl> From its roots in the UK , the style has established itself around the world. <hl> Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. <hl> From its roots in the UK <hl>, the style has established itself around the world. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.

<hl> From its roots in the UK <hl> , the style has established itself around the world.


Question: Where does Drum and bass is most listened to ?

Answer: Drum and Bass remains most popular in the UK,

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. From its roots in the UK, the style has established itself around the world. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. <hl> Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia. <hl>

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. From its roots in the UK, the style has established itself around the world. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. <hl> Drum and Bass remains most popular in the UK, <hl> but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.


Question: What genres did Drum and bass influenced ?

Answer: hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. From its roots in the UK, the style has established itself around the world. <hl> Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop . <hl> Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. From its roots in the UK, the style has established itself around the world. Drum and bass has influenced many other genres like <hl> hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop <hl>. Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.

Drum and bass has influenced many other genres like <hl> hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop <hl> .


Question: What are five of the subgenres of Drum and bass ?

Answer: breakcore, ragga jungle, hardstep, darkstep, techstep

<hl> Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep , Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. <hl> From its roots in the UK, the style has established itself around the world. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.

Drum and bass subgenres include <hl> breakcore, ragga jungle, hardstep, darkstep, techstep <hl>, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. From its roots in the UK, the style has established itself around the world. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. The major international music labels have shown very little interest in the drum and bass scene. Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.

Drum and bass subgenres include <hl> breakcore, ragga jungle, hardstep, darkstep, techstep <hl> , Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass.


Question: Why does Drum and bass remains most popular in the UK ?

Answer: The major international music labels have shown very little interest in the drum and bass scene.

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. From its roots in the UK, the style has established itself around the world. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. <hl> The major international music labels have shown very little interest in the drum and bass scene. Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia. <hl>

Drum and bass subgenres include breakcore, ragga jungle, hardstep, darkstep, techstep, Neurofunk, ambient drum and bass, liquid funk, deep, drumfunk, funkstep, sambass dnbnoise and drill 'n' bass. From its roots in the UK, the style has established itself around the world. Drum and bass has influenced many other genres like hip hop, big beat, dubstep, house music, trip hop, ambient music, techno, rock and pop. Drum and bass is dominated by a small group of record labels. <hl> The major international music labels have shown very little interest in the drum and bass scene. <hl> Drum and Bass remains most popular in the UK, but has developed scenes all around the world, in countries such as the Netherlands, Belgium, New Zealand, Canada and Australia.


Question: What new style of music came up in the late 1980s and early 1990s?

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

Answer: rave music

<hl> In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music , which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. <hl> But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called <hl> rave music <hl>, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called <hl> rave music <hl> , which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes.


Question: What does "BPM" mean?

Answer: beats per minute

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. <hl> But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. <hl> This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) <hl> beats per minute <hl> (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."


Question: What are the characteristics of "Jungle Techno"?

Answer: heavy basslines and samples of older Jamaican music

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. <hl> This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music , were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. <hl> It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with <hl> heavy basslines and samples of older Jamaican music <hl>, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with <hl> heavy basslines and samples of older Jamaican music <hl> , were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain.


Question: What other style of music combined samples and breakbeats?

Answer: hip-hop

<hl> In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop , combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. <hl> But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like <hl> hip-hop <hl>, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like <hl> hip-hop <hl> , combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes.


Question: What are the differences between house and rave music?

Answer: rave music tended to feature stronger bass sounds and a faster tempo

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. <hl> But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. <hl> This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. But <hl> rave music tended to feature stronger bass sounds and a faster tempo <hl> (127 to over 140) beats per minute (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1991, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."


Question: What year jungle began to gain mainstream popularity?

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

Answer: By 1994

<hl> By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. <hl> The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

<hl> By 1994 <hl> jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.


Question: What name was given to the fans of jungle?

Answer: junglists

<hl> By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists ) became a more recognizable part of youth subculture. <hl> The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as <hl> junglists <hl>) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as <hl> junglists <hl> ) became a more recognizable part of youth subculture.


Question: What did Jungle inherited from the UK's hip-hop scene?

Answer: some associations with violence and criminal activity

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. <hl> Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity , both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). <hl> However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited <hl> some associations with violence and criminal activity <hl>, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited <hl> some associations with violence and criminal activity <hl> , both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples).


Question: In what city was the dancehall-based Jamaican music culture prevalent from?

Answer: London

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). <hl> However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London . <hl> By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in <hl> London <hl>. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in <hl> London <hl> .


Question: Since what year Jungle started to be labelled as Drum and Bass.

Answer: 1995

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. <hl> By 1995 , whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass. <hl>

By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognizable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. By <hl> 1995 <hl>, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.

By <hl> 1995 <hl> , whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.