Question: Who asked Bev whom was Emily's mother?

Answer: Sandy

And just the other day, Robyn went on, Emily had been chatting in the kitchen with her mother and Bev. <hl> After Emily walked out, Sandy turned to Bev and asked, “Who is that person’s mother?” <hl> “You are,” Bev said, trying not to cry. “I thought so,” Sandy said. ” I thought it might be me.” Emily now understood that Sandy was deteriorating rapidly. Karen organized a small gathering on Sunday, May 18, to celebrate Sandy’s life. It was very intimate, just Sandy, Daryl, Emily, Karen, Bev and Robyn. (Jeremy had moved out West and still wasn’t in contact with his family, though Sandy and Daryl left a voice mail message to let him know when Sandy would die.) At the gathering, Daryl talked about a lawsuit that the Equal Employment Opportunity Commission filed in 1972 against AT&T for sex discrimination in its recruitment practices, in which he and Sandy took the stand together to testify as a team.

And just the other day, Robyn went on, Emily had been chatting in the kitchen with her mother and Bev. After Emily walked out, <hl> Sandy <hl> turned to Bev and asked, “Who is that person’s mother?” “You are,” Bev said, trying not to cry. “I thought so,” Sandy said. ”I thought it might be me.” Emily now understood that Sandy was deteriorating rapidly. Karen organized a small gathering on Sunday, May 18, to celebrate Sandy’s life. It was very intimate, just Sandy, Daryl, Emily, Karen, Bev and Robyn. (Jeremy had moved out West and still wasn’t in contact with his family, though Sandy and Daryl left a voice mail message to let him know when Sandy would die.) At the gathering, Daryl talked about a lawsuit that the Equal Employment Opportunity Commission filed in 1972 against AT&T for sex discrimination in its recruitment practices, in which he and Sandy took the stand together to testify as a team.


Question: Who quoted a poem by Fred Chappell?

“Can you come with me?” she asked. So Daryl and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. He helped Sandy back into bed, and within five minutes she was unconscious. Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. “How powerful a presence is her absence,” Daryl would say at a memorial service that summer, quoting from a poem by Fred Chappell. “The rooms were quiet when she was resident./Now they lie silent. That is different.”

Answer: Daryl

“Can you come with me?” she asked. <hl> So Daryl and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. <hl> He helped Sandy back into bed, and within five minutes she was unconscious. Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. “How powerful a presence is her absence,” Daryl would say at a memorial service that summer, quoting from a poem by Fred Chappell. “The rooms were quiet when she was resident./Now they lie silent. That is different.”

“Can you come with me?” she asked. So <hl> Daryl <hl> and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. He helped Sandy back into bed, and within five minutes she was unconscious. Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. “How powerful a presence is her absence,” Daryl would say at a memorial service that summer, quoting from a poem by Fred Chappell. “The rooms were quiet when she was resident./Now they lie silent. That is different.”


Question: Where did Daryl read a quote from a poem?

Answer: memorial service

“Can you come with me?” she asked. So Daryl and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. He helped Sandy back into bed, and within five minutes she was unconscious. Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. <hl> “How powerful a presence is her absence,” Daryl would say at a memorial service that summer, quoting from a poem by Fred Chappell. <hl> “The rooms were quiet when she was resident./Now they lie silent. That is different.”

“Can you come with me?” she asked. So Daryl and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. He helped Sandy back into bed, and within five minutes she was unconscious. Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. “How powerful a presence is her absence,” Daryl would say at a <hl> memorial service <hl> that summer, quoting from a poem by Fred Chappell. “The rooms were quiet when she was resident./Now they lie silent. That is different.”


Question: How long did it take for Sandy to go unconscious after getting into bed?

Answer: within five minutes

“Can you come with me?” she asked. So Daryl and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. <hl> He helped Sandy back into bed, and within five minutes she was unconscious. <hl> Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. “How powerful a presence is her absence,” Daryl would say at a memorial service that summer, quoting from a poem by Fred Chappell. “The rooms were quiet when she was resident./Now they lie silent. That is different.”

“Can you come with me?” she asked. So Daryl and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. He helped Sandy back into bed, and <hl> within five minutes <hl> she was unconscious. Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. “How powerful a presence is her absence,” Daryl would say at a memorial service that summer, quoting from a poem by Fred Chappell. “The rooms were quiet when she was resident./Now they lie silent. That is different.”


Question: When was Sandy's memorial service held?

Answer: summer

“Can you come with me?” she asked. So Daryl and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. He helped Sandy back into bed, and within five minutes she was unconscious. Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. <hl> “How powerful a presence is her absence,” Daryl would say at a memorial service that summer , quoting from a poem by Fred Chappell. <hl> “The rooms were quiet when she was resident./Now they lie silent. That is different.”

“Can you come with me?” she asked. So Daryl and Sandy walked to the bathroom together, and Daryl sat outside the door while his dying wife sat on the toilet. He helped Sandy back into bed, and within five minutes she was unconscious. Daryl watched her for a while, not quite feeling anything. Still to come were the calls to 911 and the coroner and the undertaker, and the writing up of the death notice, highlighting the reasons for Sandy’s decision. Still to come, too, was the brutal reality of what it would feel like for Sandy to be completely gone from his life. “How powerful a presence is her absence,” Daryl would say at a memorial service that <hl> summer <hl>, quoting from a poem by Fred Chappell. “The rooms were quiet when she was resident./Now they lie silent. That is different.”

“How powerful a presence is her absence,” Daryl would say at a memorial service that <hl> summer <hl> , quoting from a poem by Fred Chappell.


Question: What has led to the situation of marketplace confusion?

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” a guide for aspiring filmmakers. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

Answer: rapidly shifting film school landscape

<hl> But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. <hl> Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” a guide for aspiring filmmakers. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

But the <hl> rapidly shifting film school landscape <hl> has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” a guide for aspiring filmmakers. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.


Question: What does the book "The Reel Truth" contain in terms of content?

Answer: a guide for aspiring filmmakers

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. <hl> “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” a guide for aspiring filmmakers . <hl> A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” <hl> a guide for aspiring filmmakers <hl>. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

“You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” <hl> a guide for aspiring filmmakers <hl> .


Question: Who wrote the book "The Reel Truth"?

Answer: Reed Martin

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. <hl> “You practically need a degree just to sort through it,” said Reed Martin , author of “The Reel Truth,” a guide for aspiring filmmakers. <hl> A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said <hl> Reed Martin <hl>, author of “The Reel Truth,” a guide for aspiring filmmakers. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

“You practically need a degree just to sort through it,” said <hl> Reed Martin <hl> , author of “The Reel Truth,” a guide for aspiring filmmakers.


Question: How much increase did Full Sail see in the amount of applicants from 2012 to 2013?

Answer: 47 percent

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” a guide for aspiring filmmakers. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. <hl> Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. <hl> Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” a guide for aspiring filmmakers. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007, says it received 2,800 film-related applicants last year, a <hl> 47 percent <hl> increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.


Question: In which year did Full Sail begin offering a masters program?

Answer: 2007

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” a guide for aspiring filmmakers. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. <hl> Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in 2007 , says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. <hl> Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

But the rapidly shifting film school landscape has led to what a business professor might refer to as marketplace confusion. Never have the film school options been so many, and never has there been greater bewilderment about where to go — or whether to go at all. “You practically need a degree just to sort through it,” said Reed Martin, author of “The Reel Truth,” a guide for aspiring filmmakers. A lot of the confusion seems to be centered on the hard-charging for-profits that have stepped in to pick up spillover from more selective traditional schools. Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in <hl> 2007 <hl>, says it received 2,800 film-related applicants last year, a 47 percent increase over 2013. Other major for-profit schools, almost all of which practice open enrollment, include the Los Angeles Film School and the New York Film Academy.

Full Sail, which offered its first bachelor’s degree programs in 2003 and master’s programs in <hl> 2007 <hl> , says it received 2,800 film-related applicants last year, a 47 percent increase over 2013.


Question: What have schools started placing more emphasis on?

So schools have evolved to place more emphasis on the collaborative filmmaking process. “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.

Answer: collaborative filmmaking process

<hl> So schools have evolved to place more emphasis on the collaborative filmmaking process . <hl> “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.

So schools have evolved to place more emphasis on the <hl> collaborative filmmaking process <hl>. “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.

So schools have evolved to place more emphasis on the <hl> collaborative filmmaking process <hl> .


Question: Who is the president of the American Film Institute in Los Angeles?

Answer: Bob Gazzale

So schools have evolved to place more emphasis on the collaborative filmmaking process. <hl> “Incoming students may know how to operate a camera,” said Bob Gazzale , president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. <hl> “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.

So schools have evolved to place more emphasis on the collaborative filmmaking process. “Incoming students may know how to operate a camera,” said <hl> Bob Gazzale <hl>, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.

“Incoming students may know how to operate a camera,” said <hl> Bob Gazzale <hl> , president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates.


Question: Which has replaced movie stars as the main reason why people buy movie tickets?

Answer: Computer-generated visual effects

So schools have evolved to place more emphasis on the collaborative filmmaking process. “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. <hl> Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. <hl> China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.

So schools have evolved to place more emphasis on the collaborative filmmaking process. “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. <hl> Computer-generated visual effects <hl> have replaced movie stars as the primary reason the masses buy tickets. China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.


Question: Which country has become a major movie producer in the USA?

Answer: China

China is rapidly becoming Hollywood’s

So schools have evolved to place more emphasis on the collaborative filmmaking process. “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. <hl> China is rapidly becoming Hollywood’s <hl> No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.

So schools have evolved to place more emphasis on the collaborative filmmaking process. “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. <hl> China <hl> is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.


Question: Which race drives the North American box office according to industry data?

Answer: Hispanic moviegoers

So schools have evolved to place more emphasis on the collaborative filmmaking process. “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” <hl> Creating entertainment for an increasingly diverse audience — Hispanic moviegoers now drive the North American box office, according to industry data — is a growing focus in film schools across the board. <hl> Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.

So schools have evolved to place more emphasis on the collaborative filmmaking process. “Incoming students may know how to operate a camera,” said Bob Gazzale, president of the nonprofit American Film Institute in Los Angeles, whose conservatory counts directors like David Lynch and Terrence Malick as graduates. “What we teach them is how to work together to tell a story.” Schools are also changing to keep pace with the entertainment industry, which is unrecognizable compared to the days when Martin Scorsese was a film student at New York University and Michael Bay at Wesleyan. Computer-generated visual effects have replaced movie stars as the primary reason the masses buy tickets. China is rapidly becoming Hollywood’s No. 1 box office market. Netflix is now making movies at almost the same clip as Paramount. Big studios now expect filmmakers to help create spinoff video games. And television has stolen much of film’s cultural and financial heat. To keep up, administrators have broadened their curriculums. Film school used to essentially mean learning to direct, write and shoot a movie. Now students go to study television writing and production, digital media, computer animation or video game design. If a picture moves, there is a program for it. At the film school of the University of Texas, Austin, a class offers instruction in “virtual realities, cyborg identities, multimedia applications, technological convergence, digital divide and transnational politics.” Creating entertainment for an increasingly diverse audience — <hl> Hispanic moviegoers <hl> now drive the North American box office, according to industry data — is a growing focus in film schools across the board. Among the new classes in DePaul University’s film program: “Writing the Web Series.” You Wanna Work in Movies? Good Luck One very important aspect of film school has not changed: There is still no guarantee of a career.


Question: Which studen mentioned that they were pleased to have real world education rather than book material?

“I didn’t want to get in a class and just read books,” Mr. Carmona Astor said. “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. The professional wrestling company WWE tapes an online program called “NXT” at the university. A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for Christopher Nolan’s “Inception.” More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.

Answer: Mr. Carmona Astor

<hl> “I didn’t want to get in a class and just read books,” Mr. Carmona Astor said. <hl> “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. The professional wrestling company WWE tapes an online program called “NXT” at the university. A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for Christopher Nolan’s “Inception.” More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.

“I didn’t want to get in a class and just read books,” <hl> Mr. Carmona Astor <hl> said. “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. The professional wrestling company WWE tapes an online program called “NXT” at the university. A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for Christopher Nolan’s “Inception.” More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.


Question: Which company tapes a wresting even at the school campus?

Answer: WWE

“I didn’t want to get in a class and just read books,” Mr. Carmona Astor said. “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. <hl> The professional wrestling company WWE tapes an online program called “NXT” at the university. <hl> A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for Christopher Nolan’s “Inception.” More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.

“I didn’t want to get in a class and just read books,” Mr. Carmona Astor said. “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. The professional wrestling company <hl> WWE <hl> tapes an online program called “NXT” at the university. A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for Christopher Nolan’s “Inception.” More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.


Question: Which year did Gary A. Rizzo graduate from college?

Answer: 1993

“I didn’t want to get in a class and just read books,” Mr. Carmona Astor said. “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. The professional wrestling company WWE tapes an online program called “NXT” at the university. A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. <hl> Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for Christopher Nolan’s “Inception.” <hl> More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.

“I didn’t want to get in a class and just read books,” Mr. Carmona Astor said. “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. The professional wrestling company WWE tapes an online program called “NXT” at the university. A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. Gary A. Rizzo, a <hl> 1993 <hl> recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for Christopher Nolan’s “Inception.” More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.


Question: Which director created the movie "Inception"?

Answer: Christopher Nolan

“I didn’t want to get in a class and just read books,” Mr. Carmona Astor said. “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. The professional wrestling company WWE tapes an online program called “NXT” at the university. A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. <hl> Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for Christopher Nolan ’s “Inception.” <hl> More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.

“I didn’t want to get in a class and just read books,” Mr. Carmona Astor said. “I wanted to go somewhere where you could immediately get your hands busy.” Mr. Franko noted the opportunity for real-world education through on-campus partnerships. The professional wrestling company WWE tapes an online program called “NXT” at the university. A nationally syndicated morning program, “The Daily Buzz,” is also taped on a Full Sail soundstage. “That show puts real-world pressure on students,” Mr. Franko said. Full Sail has successful alumni. Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for <hl> Christopher Nolan <hl>’s “Inception.” More than 100 graduates worked on movies that got at least one nomination at the most recent Oscars, Mr. Franko said.

Gary A. Rizzo, a 1993 recording arts graduate, has been nominated for four sound-mixing Oscars, winning in 2011 for <hl> Christopher Nolan <hl> ’s “Inception.”


Question: Which year did Steve Cainas receive his associate's degree?

Steve Cainas, 43, who received an associate’s degree in film from Full Sail in 1992, makes his living in Atlanta as a production coordinator. An inductee to Full Sail’s Hall of Fame, honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.” “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”

Answer: 1992

<hl> Steve Cainas, 43, who received an associate’s degree in film from Full Sail in 1992 , makes his living in Atlanta as a production coordinator. <hl> An inductee to Full Sail’s Hall of Fame, honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.” “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”

Steve Cainas, 43, who received an associate’s degree in film from Full Sail in <hl> 1992 <hl>, makes his living in Atlanta as a production coordinator. An inductee to Full Sail’s Hall of Fame, honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.” “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”

Steve Cainas, 43, who received an associate’s degree in film from Full Sail in <hl> 1992 <hl> , makes his living in Atlanta as a production coordinator.


Question: Which club was Steve Cainas inducted into?

Answer: Full Sail’s Hall of Fame

Steve Cainas, 43, who received an associate’s degree in film from Full Sail in 1992, makes his living in Atlanta as a production coordinator. <hl> An inductee to Full Sail’s Hall of Fame , honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.” <hl> “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”

Steve Cainas, 43, who received an associate’s degree in film from Full Sail in 1992, makes his living in Atlanta as a production coordinator. An inductee to <hl> Full Sail’s Hall of Fame <hl>, honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.” “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”

An inductee to <hl> Full Sail’s Hall of Fame <hl> , honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.”


Question: Where does Steve Cainas work as a production assistant?

Answer: Atlanta

<hl> Steve Cainas, 43, who received an associate’s degree in film from Full Sail in 1992, makes his living in Atlanta as a production coordinator. <hl> An inductee to Full Sail’s Hall of Fame, honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.” “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”

Steve Cainas, 43, who received an associate’s degree in film from Full Sail in 1992, makes his living in <hl> Atlanta <hl> as a production coordinator. An inductee to Full Sail’s Hall of Fame, honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.” “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”


Question: Which HBO movie was Steve Cainas involved with?

Answer: HBO’s “True Detective.”

Steve Cainas, 43, who received an associate’s degree in film from Full Sail in 1992, makes his living in Atlanta as a production coordinator. <hl> An inductee to Full Sail’s Hall of Fame, honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and HBO’s “True Detective.” “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. <hl> “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”

Steve Cainas, 43, who received an associate’s degree in film from Full Sail in 1992, makes his living in Atlanta as a production coordinator. An inductee to Full Sail’s Hall of Fame, honoring its most successful alums, Mr. Cainas has production coordinator credits on several films and TV series, including Parts 1 and 2 of “The Twilight Saga: Breaking Dawn” and <hl> HBO’s “True Detective.” <hl> “A lot of these kids coming out now think they can just send a couple emails and get a great job,” he said. “It doesn’t work that way. If you network like crazy and put what you learn into action, you will be just fine.”


Question: What dish did one diner state was the best they had ever had?

“The guacamole was seriously one of the best I’ve ever tasted,” wrote one diner. But another referred to it as “not something that’s out of this world extraordinary.”

Answer: guacamole

<hl> “The guacamole was seriously one of the best I’ve ever tasted,” wrote one diner. <hl> But another referred to it as “not something that’s out of this world extraordinary.”

“The <hl> guacamole <hl> was seriously one of the best I’ve ever tasted,” wrote one diner. But another referred to it as “not something that’s out of this world extraordinary.”


Question: What did the other diner state?

Answer: not something that’s out of this world extraordinary

“The guacamole was seriously one of the best I’ve ever tasted,” wrote one diner. <hl> But another referred to it as “ not something that’s out of this world extraordinary . <hl> ”

“The guacamole was seriously one of the best I’ve ever tasted,” wrote one diner. But another referred to it as “<hl> not something that’s out of this world extraordinary <hl>.”

But another referred to it as “ <hl> not something that’s out of this world extraordinary <hl> .


Question: Who is the owner of ABC cocina?

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. (Even the chef Jean-George Vongerichten, the owner of ABC Cocina, left a peaceful message on his Twitter account.) If you’re feeling adventurous, the recipe is here. Our readers have given it a five-star rating. You can also use #NYTCooking on Twitter to show your creation to The Times’s food team, who helped start this culinary chaos.

Answer: Jean-George Vongerichten

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. <hl> (Even the chef Jean-George Vongerichten , the owner of ABC Cocina, left a peaceful message on his Twitter account.) <hl> If you’re feeling adventurous, the recipe is here. Our readers have given it a five-star rating. You can also use #NYTCooking on Twitter to show your creation to The Times’s food team, who helped start this culinary chaos.

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. (Even the chef <hl> Jean-George Vongerichten <hl>, the owner of ABC Cocina, left a peaceful message on his Twitter account.) If you’re feeling adventurous, the recipe is here. Our readers have given it a five-star rating. You can also use #NYTCooking on Twitter to show your creation to The Times’s food team, who helped start this culinary chaos.

(Even the chef <hl> Jean-George Vongerichten <hl> , the owner of ABC Cocina, left a peaceful message on his Twitter account.)


Question: What hashtag was used for the debate?

Answer: #NYTCooking

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. (Even the chef Jean-George Vongerichten, the owner of ABC Cocina, left a peaceful message on his Twitter account.) If you’re feeling adventurous, the recipe is here. Our readers have given it a five-star rating. <hl> You can also use #NYTCooking on Twitter to show your creation to The Times’s food team, who helped start this culinary chaos. <hl>

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. (Even the chef Jean-George Vongerichten, the owner of ABC Cocina, left a peaceful message on his Twitter account.) If you’re feeling adventurous, the recipe is here. Our readers have given it a five-star rating. You can also use <hl> #NYTCooking <hl> on Twitter to show your creation to The Times’s food team, who helped start this culinary chaos.


Question: What rating did readers give the recipe?

Answer: five-star

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. (Even the chef Jean-George Vongerichten, the owner of ABC Cocina, left a peaceful message on his Twitter account.) If you’re feeling adventurous, the recipe is here. <hl> Our readers have given it a five-star rating. <hl> You can also use #NYTCooking on Twitter to show your creation to The Times’s food team, who helped start this culinary chaos.

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. (Even the chef Jean-George Vongerichten, the owner of ABC Cocina, left a peaceful message on his Twitter account.) If you’re feeling adventurous, the recipe is here. Our readers have given it a <hl> five-star <hl> rating. You can also use #NYTCooking on Twitter to show your creation to The Times’s food team, who helped start this culinary chaos.


Question: What part started the chaos?

Answer: The Times

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. (Even the chef Jean-George Vongerichten, the owner of ABC Cocina, left a peaceful message on his Twitter account.) If you’re feeling adventurous, the recipe is here. Our readers have given it a five-star rating. <hl> You can also use #NYTCooking on Twitter to show your creation to The Times ’s food team, who helped start this culinary chaos. <hl>

The reviews are a far cry from some of the Twitter reactions that circulated on Wednesday. The debate over the recipe is sure to continue, inspiring songs of protest, Instagrams from ABC Cocina diners and tweets from the converted along the way. (Even the chef Jean-George Vongerichten, the owner of ABC Cocina, left a peaceful message on his Twitter account.) If you’re feeling adventurous, the recipe is here. Our readers have given it a five-star rating. You can also use #NYTCooking on Twitter to show your creation to <hl> The Times <hl>’s food team, who helped start this culinary chaos.

You can also use #NYTCooking on Twitter to show your creation to <hl> The Times <hl> ’s food team, who helped start this culinary chaos.


Question: who came in first in the Boston Marathon?

BOSTON —  The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

Answer: Meb Keflezighi

<hl> BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. <hl> This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

BOSTON — The American men ended their slump in the Boston Marathon when <hl> Meb Keflezighi <hl> won in 2014, a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.


Question: what year was it when Meb Keflezigh achieved victory?

Answer: 2014

<hl> BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014 , a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. <hl> This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in <hl> 2014 <hl>, a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in <hl> 2014 <hl> , a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there.


Question: what song was played at the end of the run?

Answer: The Star-Spangled Banner

<hl> BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “ The Star-Spangled Banner ” to play over Boylston Street one year after bombs had exploded there. <hl> This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “<hl> The Star-Spangled Banner <hl>” to play over Boylston Street one year after bombs had exploded there. This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “ <hl> The Star-Spangled Banner <hl> ” to play over Boylston Street one year after bombs had exploded there.


Question: how long have US women have gone without winning the marathon?

Answer: 30 years

BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. <hl> This year, the United States women are hoping to end a drought that has lasted 30 years . <hl> “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. This year, the United States women are hoping to end a drought that has lasted <hl> 30 years <hl>. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

This year, the United States women are hoping to end a drought that has lasted <hl> 30 years <hl> .


Question: how well did Flanagan do in the event in the prior year?

Answer: Flanagan finished fourth

BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. <hl> Flanagan finished fourth in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. <hl> “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.

BOSTON — The American men ended their slump in the Boston Marathon when Meb Keflezighi won in 2014, a cathartic victory that enabled “The Star-Spangled Banner” to play over Boylston Street one year after bombs had exploded there. This year, the United States women are hoping to end a drought that has lasted 30 years. “The marathon gods blessed Meb with that run; it was electric,” said Shalane Flanagan, a native of Marblehead, Mass., who grew up following the race as the daughter of two marathoners. <hl> Flanagan finished fourth <hl> in 2013 and seventh last year in 2 hours 22 minutes 2 seconds — the career best for an American woman on the Boston course. “Last year was extremely special, just being an American,” she said. “It’s a run I’ll never, ever forget.” The 119th edition of the Boston Marathon is scheduled to leave Hopkinton, Mass., on Monday morning, and this year’s field gives the United States two chances for its first women’s victory since Lisa Weidenbach won in 1985. Joining Flanagan is Desiree Linden, who finished second in Boston in 2011.


Question: what two countries seem to dominate the race?

The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”

Answer: Kenya and Ethiopia

<hl> The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. <hl> Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”

The Boston race has been dominated by East Africans, with <hl> Kenya and Ethiopia <hl> taking 16 of the last 18 women’s titles. Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”


Question: prior to Keflezighi, when was the last time the US men won?

Answer: 1983

The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. <hl> Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983 . <hl> Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”

The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since <hl> 1983 <hl>. Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”

Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since <hl> 1983 <hl> .


Question: how man times has Kenya won in the past?

Answer: 16

<hl> The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. <hl> Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”

The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking <hl> 16 <hl> of the last 18 women’s titles. Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”


Question: how many blasts were there?

Answer: two

The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. <hl> Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260. <hl> She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”

The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before <hl> two <hl> explosions there killed three people and wounded more than 260. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”


Question: how many people were injured in the bombing?

Answer: 260

The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. <hl> Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than 260 . <hl> She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”

The Boston race has been dominated by East Africans, with Kenya and Ethiopia taking 16 of the last 18 women’s titles. Kenya and Ethiopia also won 24 of the 26 men’s races before Keflezighi gave the United States its first victory since 1983. Now it could be the women’s turn. Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than <hl> 260 <hl>. She led early last year, when she conceded to being overanxious in the aftermath of the bombings. “Everyone knows that this is the one I want to win so badly,” Flanagan said. “That’s probably been one of my downfalls — that I want it too much.”

Flanagan was fourth in the 2013 Boston race, crossing the finish line a few hours before two explosions there killed three people and wounded more than <hl> 260 <hl> .


Question: how far back was Deba from Jeptoo's time in the prior year?

Deba’s 2:19:59 last year was 62 seconds behind Jeptoo’s course record and also beat the old mark. In all, nine women in the 2015 field have personal bests of 2:22:38 or better. “This is a field with a lot of women who have the same capabilities,” Flanagan said. “It will be exciting.”

Answer: 62 seconds

<hl> Deba’s 2:19:59 last year was 62 seconds behind Jeptoo’s course record and also beat the old mark. <hl> In all, nine women in the 2015 field have personal bests of 2:22:38 or better. “This is a field with a lot of women who have the same capabilities,” Flanagan said. “It will be exciting.”

Deba’s 2:19:59 last year was <hl> 62 seconds <hl> behind Jeptoo’s course record and also beat the old mark. In all, nine women in the 2015 field have personal bests of 2:22:38 or better. “This is a field with a lot of women who have the same capabilities,” Flanagan said. “It will be exciting.”


Question: what did Flanagan think about the upcoming event?

Answer: It will be exciting.

“ It will be exciting. ”

Deba’s 2:19:59 last year was 62 seconds behind Jeptoo’s course record and also beat the old mark. In all, nine women in the 2015 field have personal bests of 2:22:38 or better. “This is a field with a lot of women who have the same capabilities,” Flanagan said. <hl> “ It will be exciting. ” <hl>

Deba’s 2:19:59 last year was 62 seconds behind Jeptoo’s course record and also beat the old mark. In all, nine women in the 2015 field have personal bests of 2:22:38 or better. “This is a field with a lot of women who have the same capabilities,” Flanagan said. “<hl> It will be exciting. <hl>”


Question: how many women had times of 2:22:38 or faster?

Answer: nine

Deba’s 2:19:59 last year was 62 seconds behind Jeptoo’s course record and also beat the old mark. <hl> In all, nine women in the 2015 field have personal bests of 2:22:38 or better. <hl> “This is a field with a lot of women who have the same capabilities,” Flanagan said. “It will be exciting.”

Deba’s 2:19:59 last year was 62 seconds behind Jeptoo’s course record and also beat the old mark. In all, <hl> nine <hl> women in the 2015 field have personal bests of 2:22:38 or better. “This is a field with a lot of women who have the same capabilities,” Flanagan said. “It will be exciting.”


Question: What did Flanagan have to say about the women's abilities?

Answer: This is a field with a lot of women who have the same capabilities,

Deba’s 2:19:59 last year was 62 seconds behind Jeptoo’s course record and also beat the old mark. <hl> In all, nine women in the 2015 field have personal bests of 2:22:38 or better. “ This is a field with a lot of women who have the same capabilities, ” Flanagan said. <hl> “It will be exciting.”

Deba’s 2:19:59 last year was 62 seconds behind Jeptoo’s course record and also beat the old mark. In all, nine women in the 2015 field have personal bests of 2:22:38 or better. “<hl> This is a field with a lot of women who have the same capabilities, <hl>” Flanagan said. “It will be exciting.”

In all, nine women in the 2015 field have personal bests of 2:22:38 or better. “ <hl> This is a field with a lot of women who have the same capabilities, <hl> ” Flanagan said.


Question: Who is the foreign minister of Lithuania?

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. “Without that, we need to prolong the sanctions.” Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

Answer: Linas Linkevicius

<hl> “I see no reason to delay,” said Linas Linkevicius , the foreign minister of Lithuania. <hl> He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. “Without that, we need to prolong the sanctions.” Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

“I see no reason to delay,” said <hl> Linas Linkevicius <hl>, the foreign minister of Lithuania. He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. “Without that, we need to prolong the sanctions.” Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

“I see no reason to delay,” said <hl> Linas Linkevicius <hl> , the foreign minister of Lithuania.


Question: What is Didier Reynders' title?

Answer: Belgian foreign minister

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. <hl> “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister . <hl> “Without that, we need to prolong the sanctions.” Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the <hl> Belgian foreign minister <hl>. “Without that, we need to prolong the sanctions.” Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

“If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the <hl> Belgian foreign minister <hl> .


Question: What is the name of the agreement between Ukraine and Russian-backed rebels?

Answer: Minsk

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. <hl> He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. <hl> “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. “Without that, we need to prolong the sanctions.” Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. He noted that a cease-fire, known as the <hl> Minsk <hl> agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. “Without that, we need to prolong the sanctions.” Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.


Question: Who is the high representative of the European Union for foreign affairs and security policy?

Answer: Federica Mogherini

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. <hl> “Without that, we need to prolong the sanctions.” Federica Mogherini , the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. <hl> “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. “Without that, we need to prolong the sanctions.” <hl> Federica Mogherini <hl>, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

“Without that, we need to prolong the sanctions.” <hl> Federica Mogherini <hl> , the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here.


Question: What day of the week did Federica Mogherini hold a news conference?

Answer: Monday

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. “Without that, we need to prolong the sanctions.” <hl> Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on Monday that the union could reach a political decision as soon as Thursday at the summit meeting here. <hl> “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.

“I see no reason to delay,” said Linas Linkevicius, the foreign minister of Lithuania. He noted that a cease-fire, known as the Minsk agreement, between the Ukrainian government and Russian-backed separatist rebels had not yet been fully carried out. “If we don’t see real progress in the implementation of the Minsk agreement, then we need to go further,” said Didier Reynders, the Belgian foreign minister. “Without that, we need to prolong the sanctions.” Federica Mogherini, the high representative of the European Union for foreign affairs and security policy, told reporters at a news conference on <hl> Monday <hl> that the union could reach a political decision as soon as Thursday at the summit meeting here. “The general assessment today was clearly going in the direction of the rollover of sanctions,” she said.