Question: What economic system is mentioned as a safe space?

And yet the tragedy here is too vast, too diffuse, to be coated with a hard shell of spending. Look out Brookfield’s front window and see, clumped together across the street, One World Trade Center, which one recent afternoon was half-cloaked in spooky fog, eerily telegraphing impermanence; Santiago Calatrava’s bird, which would look majestic were it not beset at each side by new development; and the National September 11 Memorial and Museum. It is a chaos of remembrance, competitive and dense. And magnetic to visitors, or marks waiting to be pickpocketed the late-capitalist way: a mall. Even if you view Brookfield Place ahistorically, it is a shrugworthy set of stores, not much more inspiring than what you would find in Terminal 4 at Kennedy Airport. The product mix leans heavily on shoes, handbags and other accessories: luxury purchase as trauma-porn memento. Mostly it exists as an argument that capitalism is the safest space. As long as we protect it, almost any pain can be shouted down. (Any doubts about the mall as a site of political meaning need look no further than recent Black Lives Matter protests that have targeted shopping centers.)

Answer: capitalism

And yet the tragedy here is too vast, too diffuse, to be coated with a hard shell of spending. Look out Brookfield’s front window and see, clumped together across the street, One World Trade Center, which one recent afternoon was half-cloaked in spooky fog, eerily telegraphing impermanence; Santiago Calatrava’s bird, which would look majestic were it not beset at each side by new development; and the National September 11 Memorial and Museum. It is a chaos of remembrance, competitive and dense. And magnetic to visitors, or marks waiting to be pickpocketed the late-capitalist way: a mall. Even if you view Brookfield Place ahistorically, it is a shrugworthy set of stores, not much more inspiring than what you would find in Terminal 4 at Kennedy Airport. The product mix leans heavily on shoes, handbags and other accessories: luxury purchase as trauma-porn memento. <hl> Mostly it exists as an argument that capitalism is the safest space. <hl> As long as we protect it, almost any pain can be shouted down. (Any doubts about the mall as a site of political meaning need look no further than recent Black Lives Matter protests that have targeted shopping centers.)

And yet the tragedy here is too vast, too diffuse, to be coated with a hard shell of spending. Look out Brookfield’s front window and see, clumped together across the street, One World Trade Center, which one recent afternoon was half-cloaked in spooky fog, eerily telegraphing impermanence; Santiago Calatrava’s bird, which would look majestic were it not beset at each side by new development; and the National September 11 Memorial and Museum. It is a chaos of remembrance, competitive and dense. And magnetic to visitors, or marks waiting to be pickpocketed the late-capitalist way: a mall. Even if you view Brookfield Place ahistorically, it is a shrugworthy set of stores, not much more inspiring than what you would find in Terminal 4 at Kennedy Airport. The product mix leans heavily on shoes, handbags and other accessories: luxury purchase as trauma-porn memento. Mostly it exists as an argument that <hl> capitalism <hl> is the safest space. As long as we protect it, almost any pain can be shouted down. (Any doubts about the mall as a site of political meaning need look no further than recent Black Lives Matter protests that have targeted shopping centers.)


Question: Who asked the board to consider a new round of bidding for a casino?

The Gaming Facility Location Board reviewed 16 proposals for casino resorts in three regions north and west of New York City and recommended licenses for three projects on Dec. 17, but rebuffed two from the Southern Tier that it said were not viable. Governor Cuomo initially supported the decision, saying that a casino was not likely to spur economic development in the relatively sparsely populated area near Binghamton. But after hearing criticism from elected officials and local residents, Mr. Cuomo asked the board to consider a new round of bidding for a casino license specifically for the Southern Tier. At a board meeting Tuesday, Kevin Law, the chairman, said that he saw “no harm” in soliciting new proposals solely for the Southern Tier, as the governor suggested.

Answer: Mr. Cuomo

The Gaming Facility Location Board reviewed 16 proposals for casino resorts in three regions north and west of New York City and recommended licenses for three projects on Dec. 17, but rebuffed two from the Southern Tier that it said were not viable. Governor Cuomo initially supported the decision, saying that a casino was not likely to spur economic development in the relatively sparsely populated area near Binghamton. <hl> But after hearing criticism from elected officials and local residents, Mr. Cuomo asked the board to consider a new round of bidding for a casino license specifically for the Southern Tier. <hl> At a board meeting Tuesday, Kevin Law, the chairman, said that he saw “no harm” in soliciting new proposals solely for the Southern Tier, as the governor suggested.

The Gaming Facility Location Board reviewed 16 proposals for casino resorts in three regions north and west of New York City and recommended licenses for three projects on Dec. 17, but rebuffed two from the Southern Tier that it said were not viable. Governor Cuomo initially supported the decision, saying that a casino was not likely to spur economic development in the relatively sparsely populated area near Binghamton. But after hearing criticism from elected officials and local residents, <hl> Mr. Cuomo <hl> asked the board to consider a new round of bidding for a casino license specifically for the Southern Tier. At a board meeting Tuesday, Kevin Law, the chairman, said that he saw “no harm” in soliciting new proposals solely for the Southern Tier, as the governor suggested.


Question: Who started the craze for the adult coloring book in South Korea?

Ms. Basford has become something of a literary celebrity in South Korea, where “Secret Garden” has sold more than 430,000 copies, she says. The craze was kicked off in part, it seems, by a Korean pop star, Kim Ki-bum, who posted a delicately colored-in floral pattern from Ms. Basford’s book on Instagram, where he has 1.8 million followers. Part of the apparent appeal is the tactile, interactive nature of the books, which offer respite to the screen-weary. “People are really excited to do something analog and creative, at a time when we’re all so overwhelmed by screens and the Internet,” she said. “And coloring is not as scary as a blank sheet of paper or canvas. It’s a great way to de-stress.”

Answer: Kim Ki-bum

Ms. Basford has become something of a literary celebrity in South Korea, where “Secret Garden” has sold more than 430,000 copies, she says. <hl> The craze was kicked off in part, it seems, by a Korean pop star, Kim Ki-bum , who posted a delicately colored-in floral pattern from Ms. Basford’s book on Instagram, where he has 1.8 million followers. <hl> Part of the apparent appeal is the tactile, interactive nature of the books, which offer respite to the screen-weary. “People are really excited to do something analog and creative, at a time when we’re all so overwhelmed by screens and the Internet,” she said. “And coloring is not as scary as a blank sheet of paper or canvas. It’s a great way to de-stress.”

Ms. Basford has become something of a literary celebrity in South Korea, where “Secret Garden” has sold more than 430,000 copies, she says. The craze was kicked off in part, it seems, by a Korean pop star, <hl> Kim Ki-bum <hl>, who posted a delicately colored-in floral pattern from Ms. Basford’s book on Instagram, where he has 1.8 million followers. Part of the apparent appeal is the tactile, interactive nature of the books, which offer respite to the screen-weary. “People are really excited to do something analog and creative, at a time when we’re all so overwhelmed by screens and the Internet,” she said. “And coloring is not as scary as a blank sheet of paper or canvas. It’s a great way to de-stress.”

The craze was kicked off in part, it seems, by a Korean pop star, <hl> Kim Ki-bum <hl> , who posted a delicately colored-in floral pattern from Ms. Basford’s book on Instagram, where he has 1.8 million followers.


Question: Who was Dead's frontman?

“When I agreed to do Dead 50, my stipulation was, ‘That’s it,’ ” he said this week by phone from his home in Marin. Touring with the rest of the group “was a nonstarter from the beginning,” he added. “It was just understood. They were all ready before we even started rehearsals, talking about going out themselves. I’m just not into touring, and those guys are.” (Citing rehearsal obligations, the members of Dead & Company declined to comment.) Still, the anniversary shows demonstrated that the Dead’s music was still vibrant — and could find a seemingly endless audience, despite the protestations of some hard-line fans who believe the group died with its de facto frontman, Jerry Garcia.

Answer: Jerry Garcia

“When I agreed to do Dead 50, my stipulation was, ‘That’s it,’ ” he said this week by phone from his home in Marin. Touring with the rest of the group “was a nonstarter from the beginning,” he added. “It was just understood. They were all ready before we even started rehearsals, talking about going out themselves. I’m just not into touring, and those guys are.” (Citing rehearsal obligations, the members of Dead & Company declined to comment.) <hl> Still, the anniversary shows demonstrated that the Dead’s music was still vibrant — and could find a seemingly endless audience, despite the protestations of some hard-line fans who believe the group died with its de facto frontman, Jerry Garcia . <hl>

“When I agreed to do Dead 50, my stipulation was, ‘That’s it,’ ” he said this week by phone from his home in Marin. Touring with the rest of the group “was a nonstarter from the beginning,” he added. “It was just understood. They were all ready before we even started rehearsals, talking about going out themselves. I’m just not into touring, and those guys are.” (Citing rehearsal obligations, the members of Dead & Company declined to comment.) Still, the anniversary shows demonstrated that the Dead’s music was still vibrant — and could find a seemingly endless audience, despite the protestations of some hard-line fans who believe the group died with its de facto frontman, <hl> Jerry Garcia <hl>.

Still, the anniversary shows demonstrated that the Dead’s music was still vibrant — and could find a seemingly endless audience, despite the protestations of some hard-line fans who believe the group died with its de facto frontman, <hl> Jerry Garcia <hl> .


Question: What kind of job did Mr. Norris want?

The question is how many of those there will be. Mr. Stewart, of the association that aids ex-prisoners, said initial job searches typically last between nine months and two years and tend to lead to work that is custodial, or related to the restaurant or lodging industries. One of Mr. Norris’s brothers-in-law is a shuttle-bus driver for a local hotel and will try to get him a job there, while another looks into some gardening work. “I’ll take the lowest honest job out there — I just want to get started,” Mr. Norris said. “Society doesn’t owe me anything. I owe society for dealing drugs.” Getting On

Answer: honest job

The question is how many of those there will be. Mr. Stewart, of the association that aids ex-prisoners, said initial job searches typically last between nine months and two years and tend to lead to work that is custodial, or related to the restaurant or lodging industries. One of Mr. Norris’s brothers-in-law is a shuttle-bus driver for a local hotel and will try to get him a job there, while another looks into some gardening work. <hl> “I’ll take the lowest honest job out there — I just want to get started,” Mr. Norris said. <hl> “Society doesn’t owe me anything. I owe society for dealing drugs.” Getting On

The question is how many of those there will be. Mr. Stewart, of the association that aids ex-prisoners, said initial job searches typically last between nine months and two years and tend to lead to work that is custodial, or related to the restaurant or lodging industries. One of Mr. Norris’s brothers-in-law is a shuttle-bus driver for a local hotel and will try to get him a job there, while another looks into some gardening work. “I’ll take the lowest <hl> honest job <hl> out there — I just want to get started,” Mr. Norris said. “Society doesn’t owe me anything. I owe society for dealing drugs.” Getting On


Question: Who wasn't meant to play Nick?

With his resolute jaw, gleaming smile and heroic tenor, Mr. d’Arcy James wasn’t meant to play a sad sack like Nick. Though he works hard, the character eludes his grasp. Mr. Borle brings his well-polished panoply of comic tics, winks and flourishes to his portrayal of Shakespeare as a glam rock star. As anyone who saw his Tony-winning Captain Hook in “Peter and the Starcatcher” knows, Mr. Borle is a master of carefully stylized excess. In “Something Rotten!,” though, he has nothing else to fall back on. Like the show itself, it’s both too much and not enough.

Answer: Mr. d’Arcy James

<hl> With his resolute jaw, gleaming smile and heroic tenor, Mr. d’Arcy James wasn’t meant to play a sad sack like Nick. <hl> Though he works hard, the character eludes his grasp. Mr. Borle brings his well-polished panoply of comic tics, winks and flourishes to his portrayal of Shakespeare as a glam rock star. As anyone who saw his Tony-winning Captain Hook in “Peter and the Starcatcher” knows, Mr. Borle is a master of carefully stylized excess. In “Something Rotten!,” though, he has nothing else to fall back on. Like the show itself, it’s both too much and not enough.

With his resolute jaw, gleaming smile and heroic tenor, <hl> Mr. d’Arcy James <hl> wasn’t meant to play a sad sack like Nick. Though he works hard, the character eludes his grasp. Mr. Borle brings his well-polished panoply of comic tics, winks and flourishes to his portrayal of Shakespeare as a glam rock star. As anyone who saw his Tony-winning Captain Hook in “Peter and the Starcatcher” knows, Mr. Borle is a master of carefully stylized excess. In “Something Rotten!,” though, he has nothing else to fall back on. Like the show itself, it’s both too much and not enough.


Question: Who performed research?

Conducted by the Cooperative Institutional Research Program at the University of California, Los Angeles’s Higher Education Research Institute for almost 50 years, the survey assesses hundreds of matters ranging from political views to exercise habits. It is considered one of the most comprehensive snapshots of trends among recent high school seniors and is of particular interest to people involved in mental well-being. “It’s a public health issue,” said Dr. Anthony L. Rostain, a psychiatrist and co-chairman of a University of Pennsylvania task force on students’ emotional health. “We’re expecting more of students: There’s a sense of having to compete in a global economy, and they think they have to be on top of their game all the time. It’s no wonder they feel overwhelmed.”

Answer: the Cooperative Institutional Research Program at the University of California,

<hl> Conducted by the Cooperative Institutional Research Program at the University of California, Los Angeles’s Higher Education Research Institute for almost 50 years, the survey assesses hundreds of matters ranging from political views to exercise habits. <hl> It is considered one of the most comprehensive snapshots of trends among recent high school seniors and is of particular interest to people involved in mental well-being. “It’s a public health issue,” said Dr. Anthony L. Rostain, a psychiatrist and co-chairman of a University of Pennsylvania task force on students’ emotional health. “We’re expecting more of students: There’s a sense of having to compete in a global economy, and they think they have to be on top of their game all the time. It’s no wonder they feel overwhelmed.”

Conducted by <hl> the Cooperative Institutional Research Program at the University of California, <hl> Los Angeles’s Higher Education Research Institute for almost 50 years, the survey assesses hundreds of matters ranging from political views to exercise habits. It is considered one of the most comprehensive snapshots of trends among recent high school seniors and is of particular interest to people involved in mental well-being. “It’s a public health issue,” said Dr. Anthony L. Rostain, a psychiatrist and co-chairman of a University of Pennsylvania task force on students’ emotional health. “We’re expecting more of students: There’s a sense of having to compete in a global economy, and they think they have to be on top of their game all the time. It’s no wonder they feel overwhelmed.”


Question: How big is the building?

Q. Your next makeover is at 1156 Avenue of the Americas.  A. That’s a building that we’ve owned since 1999. I was looking at the building and I said, well, if this building was for sale now and one of the major brokers had it on the market it would come with a high-gloss book and it would show all of the possibilities a buyer could do with the building. So I thought there’s no reason we shouldn’t do it. We own it. We could do what a broker would say could be done. It’s about an 84,000-square-foot building, so it’s rather on the small side, and on that we’re spending $4 million. Q. What’s your occupancy rate portfoliowide?  A. We’re over 96 percent. We have a high renewal rate as well — in excess of 70 percent.

Answer: 84,000-square-foot

Q. Your next makeover is at 1156 Avenue of the Americas. A. That’s a building that we’ve owned since 1999. I was looking at the building and I said, well, if this building was for sale now and one of the major brokers had it on the market it would come with a high-gloss book and it would show all of the possibilities a buyer could do with the building. So I thought there’s no reason we shouldn’t do it. We own it. We could do what a broker would say could be done. <hl> It’s about an 84,000-square-foot building, so it’s rather on the small side, and on that we’re spending $4 million. <hl> Q. What’s your occupancy rate portfoliowide? A. We’re over 96 percent. We have a high renewal rate as well — in excess of 70 percent.

Q. Your next makeover is at 1156 Avenue of the Americas. A. That’s a building that we’ve owned since 1999. I was looking at the building and I said, well, if this building was for sale now and one of the major brokers had it on the market it would come with a high-gloss book and it would show all of the possibilities a buyer could do with the building. So I thought there’s no reason we shouldn’t do it. We own it. We could do what a broker would say could be done. It’s about an <hl> 84,000-square-foot <hl> building, so it’s rather on the small side, and on that we’re spending $4 million. Q. What’s your occupancy rate portfoliowide? A. We’re over 96 percent. We have a high renewal rate as well — in excess of 70 percent.


Question: What is April Heinrichs's job scope?

VANCOUVER, British Columbia — As a young girl in Colorado, April Heinrichs stuffed copies of Reader’s Digest into her socks as shin guards and slept in her cleats. “Why not?” Heinrichs said. She became a fierce, pioneering player and has assumed as many vital roles as a coach and futurist as anyone in women’s soccer in the United States. Her current job, as technical director for the American women’s national teams, is to find the next Mia Hamm or Abby Wambach and keep the United States in its customary spot among the best teams in the world. The United States trails only Germany in the FIFA world rankings, but the Americans have not won a Women’s World Cup since 1999. And their chances in the current tournament seem uncertain as a final group match approaches, against Nigeria here Tuesday.

Answer: to find the next Mia Hamm or Abby Wambach and keep the United States in its customary spot among the best teams in the world.

VANCOUVER, British Columbia — As a young girl in Colorado, April Heinrichs stuffed copies of Reader’s Digest into her socks as shin guards and slept in her cleats. “Why not?” Heinrichs said. She became a fierce, pioneering player and has assumed as many vital roles as a coach and futurist as anyone in women’s soccer in the United States. <hl> Her current job, as technical director for the American women’s national teams, is to find the next Mia Hamm or Abby Wambach and keep the United States in its customary spot among the best teams in the world. The United States trails only Germany in the FIFA world rankings, but the Americans have not won a Women’s World Cup since 1999. <hl> And their chances in the current tournament seem uncertain as a final group match approaches, against Nigeria here Tuesday.

VANCOUVER, British Columbia — As a young girl in Colorado, April Heinrichs stuffed copies of Reader’s Digest into her socks as shin guards and slept in her cleats. “Why not?” Heinrichs said. She became a fierce, pioneering player and has assumed as many vital roles as a coach and futurist as anyone in women’s soccer in the United States. Her current job, as technical director for the American women’s national teams, is <hl> to find the next Mia Hamm or Abby Wambach and keep the United States in its customary spot among the best teams in the world. <hl> The United States trails only Germany in the FIFA world rankings, but the Americans have not won a Women’s World Cup since 1999. And their chances in the current tournament seem uncertain as a final group match approaches, against Nigeria here Tuesday.


Question: how many groundwater basins are connected to surface water?

If the connection between groundwater and surface water is considered, that time frame for running out of water altogether will almost certainly be even shorter. Arizona’s top water official told ProPublica that it was both politically difficult and costly to properly account for the interconnection. But deep in a 685-page document that is part of Arizona’s water plan, the state lists 42 groundwater basins that it says are connected to surface water, indicating a potential conflict over rights to those supplies. It’s unclear how much water flows from one into the other, but the documents show that many of the water sources are heavily relied on as sources of both groundwater and surface supplies at the same time. Thomas Buschatzke, the director of Arizona’s Department of Water Resources, acknowledged that pumping from wells could dry up streams, but said the current law kept the two resources separate, and “it would be a huge upset to the economy to do away with that.”

Answer: 42

If the connection between groundwater and surface water is considered, that time frame for running out of water altogether will almost certainly be even shorter. Arizona’s top water official told ProPublica that it was both politically difficult and costly to properly account for the interconnection. <hl> But deep in a 685-page document that is part of Arizona’s water plan, the state lists 42 groundwater basins that it says are connected to surface water, indicating a potential conflict over rights to those supplies. <hl> It’s unclear how much water flows from one into the other, but the documents show that many of the water sources are heavily relied on as sources of both groundwater and surface supplies at the same time. Thomas Buschatzke, the director of Arizona’s Department of Water Resources, acknowledged that pumping from wells could dry up streams, but said the current law kept the two resources separate, and “it would be a huge upset to the economy to do away with that.”

If the connection between groundwater and surface water is considered, that time frame for running out of water altogether will almost certainly be even shorter. Arizona’s top water official told ProPublica that it was both politically difficult and costly to properly account for the interconnection. But deep in a 685-page document that is part of Arizona’s water plan, the state lists <hl> 42 <hl> groundwater basins that it says are connected to surface water, indicating a potential conflict over rights to those supplies. It’s unclear how much water flows from one into the other, but the documents show that many of the water sources are heavily relied on as sources of both groundwater and surface supplies at the same time. Thomas Buschatzke, the director of Arizona’s Department of Water Resources, acknowledged that pumping from wells could dry up streams, but said the current law kept the two resources separate, and “it would be a huge upset to the economy to do away with that.”


Question: Where is the "Through the Looking Glass: Daguerreotype Masteworks From the Dawn of Photography" being shown?

PORT CHESTER Clay Art Center “Divergent Currents: The Ripple Effect of Japan on American Ceramic Artists.” Through May 9. Mondays through Saturdays, 10 a.m. to 4 p.m.; and by appointment. Clay Art Center, 40 Beech Street. clayartcenter.org; 914-937-2047. PORT EWEN Duck Pond Gallery, at Town of Esopus Library “Art Play,” group show. Through April 27. Mondays, Tuesdays and Thursdays, 10 a.m. to 5:30 p.m.; Wednesdays, 10 a.m. to 8 p.m.; Fridays, 10 a.m. to 7 p.m.; Saturdays, 10 a.m. to 4 p.m. Duck Pond Gallery, at Town of Esopus Library, 128 Canal Street. esopuslibrary.org; 845-338-5580. POUGHKEEPSIE The Franklin Delano Roosevelt Mid-Hudson Bridge “Bridge Music,” sound installation by Joseph Bertolozzi. Through Oct. 31. Dawn to dusk. The Franklin Delano Roosevelt Mid-Hudson Bridge. josephbertolozzi.com. POUGHKEEPSIE Vassar College, Frances Lehman Loeb Art Center “ Through the Looking Glass: Daguerreotype Masterworks From the Dawn of Photography.” April 10 through June 14. Tuesdays, Wednesdays, Fridays and Saturdays, 10 a.m. to 5 p.m.; Thursdays, 10 a.m. to 9 p.m.; Sundays, 1 to 5 p.m. Vassar College, Frances Lehman Loeb Art Center, 124 Raymond Avenue. 845-437-5632; fllac.vassar.edu.

Answer: Vassar College, Frances Lehman Loeb Art Center

PORT CHESTER Clay Art Center “Divergent Currents: The Ripple Effect of Japan on American Ceramic Artists.” Through May 9. Mondays through Saturdays, 10 a.m. to 4 p.m.; and by appointment. Clay Art Center, 40 Beech Street. clayartcenter.org; 914-937-2047. PORT EWEN Duck Pond Gallery, at Town of Esopus Library “Art Play,” group show. Through April 27. Mondays, Tuesdays and Thursdays, 10 a.m. to 5:30 p.m.; Wednesdays, 10 a.m. to 8 p.m.; Fridays, 10 a.m. to 7 p.m.; Saturdays, 10 a.m. to 4 p.m. Duck Pond Gallery, at Town of Esopus Library, 128 Canal Street. esopuslibrary.org; 845-338-5580. POUGHKEEPSIE The Franklin Delano Roosevelt Mid-Hudson Bridge “Bridge Music,” sound installation by Joseph Bertolozzi. Through Oct. 31. Dawn to dusk. The Franklin Delano Roosevelt Mid-Hudson Bridge. josephbertolozzi.com. <hl> POUGHKEEPSIE Vassar College, Frances Lehman Loeb Art Center “ Through the Looking Glass: Daguerreotype Masterworks From the Dawn of Photography.” <hl> April 10 through June 14. Tuesdays, Wednesdays, Fridays and Saturdays, 10 a.m. to 5 p.m.; Thursdays, 10 a.m. to 9 p.m.; Sundays, 1 to 5 p.m. Vassar College, Frances Lehman Loeb Art Center, 124 Raymond Avenue. 845-437-5632; fllac.vassar.edu.

PORT CHESTER Clay Art Center “Divergent Currents: The Ripple Effect of Japan on American Ceramic Artists.” Through May 9. Mondays through Saturdays, 10 a.m. to 4 p.m.; and by appointment. Clay Art Center, 40 Beech Street. clayartcenter.org; 914-937-2047. PORT EWEN Duck Pond Gallery, at Town of Esopus Library “Art Play,” group show. Through April 27. Mondays, Tuesdays and Thursdays, 10 a.m. to 5:30 p.m.; Wednesdays, 10 a.m. to 8 p.m.; Fridays, 10 a.m. to 7 p.m.; Saturdays, 10 a.m. to 4 p.m. Duck Pond Gallery, at Town of Esopus Library, 128 Canal Street. esopuslibrary.org; 845-338-5580. POUGHKEEPSIE The Franklin Delano Roosevelt Mid-Hudson Bridge “Bridge Music,” sound installation by Joseph Bertolozzi. Through Oct. 31. Dawn to dusk. The Franklin Delano Roosevelt Mid-Hudson Bridge. josephbertolozzi.com. POUGHKEEPSIE <hl> Vassar College, Frances Lehman Loeb Art Center <hl> “ Through the Looking Glass: Daguerreotype Masterworks From the Dawn of Photography.” April 10 through June 14. Tuesdays, Wednesdays, Fridays and Saturdays, 10 a.m. to 5 p.m.; Thursdays, 10 a.m. to 9 p.m.; Sundays, 1 to 5 p.m. Vassar College, Frances Lehman Loeb Art Center, 124 Raymond Avenue. 845-437-5632; fllac.vassar.edu.


Question: Who is the tour guide for the musuem?

Not so long ago, travelers might have stopped in the Glòries area of Barcelona only if they were stuck in traffic. Three major roads leading in and out of this Spanish city — Avenida Diagonal, Avenida Meridiana and the Gran Via de les Corts Catalanes — converged here at an elevated roundabout, where cars often came to a standstill. But lately this northeastern axis of the Catalan capital — situated in the Sant Martí district, bordering Eixample — is becoming a place to go to, not just through, especially for those interested in design. The roundabout has been torn down as part of a roadway reconfiguration, making the area more walkable. And some of the city’s most exciting public spaces have sprung up nearby, including a popular flea market under a modernist metal roof and, opening last December, the Barcelona Design Museum. “The area is definitely up-and-coming,” said the tour guide Jordan Susselman, whose company, Hi. This Is Barcelona … ,  increasingly makes stops in Glòries and adjacent Poblenou. In fact, the city has been trying to invigorate this part of town for some time. Ildefons Cerdà, the engineer who drew up the 1859 plan for the expansion of Barcelona, envisioned his Plaça de les Glòries Catalanes as a new town center. Instead, Glòries (pronounced GLO-rias), as it’s commonly called, became the aforementioned traffic snarl, a no man’s land at the top point of a triangular swath stretching down to the Mediterranean, encompassing Poblenou, or “new city,” a longtime manufacturing zone that declined in the 20th century.

Answer: Jordan Susselman

Not so long ago, travelers might have stopped in the Glòries area of Barcelona only if they were stuck in traffic. Three major roads leading in and out of this Spanish city — Avenida Diagonal, Avenida Meridiana and the Gran Via de les Corts Catalanes — converged here at an elevated roundabout, where cars often came to a standstill. But lately this northeastern axis of the Catalan capital — situated in the Sant Martí district, bordering Eixample — is becoming a place to go to, not just through, especially for those interested in design. The roundabout has been torn down as part of a roadway reconfiguration, making the area more walkable. And some of the city’s most exciting public spaces have sprung up nearby, including a popular flea market under a modernist metal roof and, opening last December, the Barcelona Design Museum. <hl> “The area is definitely up-and-coming,” said the tour guide Jordan Susselman , <hl> whose company, Hi. This Is Barcelona … , increasingly makes stops in Glòries and adjacent Poblenou. In fact, the city has been trying to invigorate this part of town for some time. Ildefons Cerdà, the engineer who drew up the 1859 plan for the expansion of Barcelona, envisioned his Plaça de les Glòries Catalanes as a new town center. Instead, Glòries (pronounced GLO-rias), as it’s commonly called, became the aforementioned traffic snarl, a no man’s land at the top point of a triangular swath stretching down to the Mediterranean, encompassing Poblenou, or “new city,” a longtime manufacturing zone that declined in the 20th century.

Not so long ago, travelers might have stopped in the Glòries area of Barcelona only if they were stuck in traffic. Three major roads leading in and out of this Spanish city — Avenida Diagonal, Avenida Meridiana and the Gran Via de les Corts Catalanes — converged here at an elevated roundabout, where cars often came to a standstill. But lately this northeastern axis of the Catalan capital — situated in the Sant Martí district, bordering Eixample — is becoming a place to go to, not just through, especially for those interested in design. The roundabout has been torn down as part of a roadway reconfiguration, making the area more walkable. And some of the city’s most exciting public spaces have sprung up nearby, including a popular flea market under a modernist metal roof and, opening last December, the Barcelona Design Museum. “The area is definitely up-and-coming,” said the tour guide <hl> Jordan Susselman <hl>, whose company, Hi. This Is Barcelona … , increasingly makes stops in Glòries and adjacent Poblenou. In fact, the city has been trying to invigorate this part of town for some time. Ildefons Cerdà, the engineer who drew up the 1859 plan for the expansion of Barcelona, envisioned his Plaça de les Glòries Catalanes as a new town center. Instead, Glòries (pronounced GLO-rias), as it’s commonly called, became the aforementioned traffic snarl, a no man’s land at the top point of a triangular swath stretching down to the Mediterranean, encompassing Poblenou, or “new city,” a longtime manufacturing zone that declined in the 20th century.

“The area is definitely up-and-coming,” said the tour guide <hl> Jordan Susselman <hl> ,


Question: When can art be an important part of the promotional package?

Guggenheim Museum: ‘Alberto Burri: The Trauma of Painting’ (through Jan. 6) This Italian artist’s prescient paintings from the 1950s and early ‘60s — in patched, burned and otherwise abused burlap, plastic or wood — form a lavish, beautiful and admirable, if sometimes monotonous retrospective at the Guggenheim. Unfortunately, he may also inaugurate a bane of current art: the use of found materials so inherently affecting — burlap is one — that they require little of the artist. 1071 Fifth Avenue, at 89th Street, 212-423-3500, guggenheim.org. (Smith) Guggenheim Museum: ‘Photo-Poetics: An Anthology’ (through March 23) Formally complex and expressively reserved, even hermetic. the work by ten photographers in this stimulating show has roots in Conceptualism and takes language, history and speculative thinking as its raw materials. Photographs are structured with the equivalent of poetry’s metrical cadences and internal rhymes, and treated less as generators of translatable ideas than of suggestive metaphors. 1071 Fifth Avenue, at 89th Street, 212-423-3500, guggenheim.org. (Cotter) ★ Jewish Museum: ‘The Power of Pictures: Early Soviet Photography, Early Soviet Film’ (through Feb. 7) Revolutions sell utopias; that’s their job. Art, if it behaves itself and sticks to the right script, can be an important part of the promotional package. That’s the basic tale told by this exhibition of photographs and vintage films of the 1920s and ’30s, but with a question added: What happens to art when the script is drastically revised? Russia was an experiment in progress in the heady years following the 1917 revolution, and avant-garde art, free-spirited by definition, was officially embraced. When Joseph Stalin came to power art became government-dictated propaganda and its makers, often under threat, towed the line. Remarkably, the show presents a dozen films — some familiar, some not — full-length, on a rotating schedule of four a day, in a small viewing theater built into one of the Jewish Museum’s galleries. 1109 Fifth Avenue, at 92nd Street, 212-423-3200, thejewishmuseum.org. (Cotter) ★ Jewish Museum: ‘Unorthodox’ (through March 27) With about 200 putatively unorthodox works crowded into tightly walled-in spaces, this lively show has the feel of an Outsider Art fair — in a good way. The paintings, drawings, collages, assemblages, ceramics, weavings and videos are variously funny, funky, quirky, eccentric, idiosyncratic and visionary. Are they truly unorthodox by the standards of a contemporary art world wherein no one wants to be thought orthodox? No, but that’s O.K. It’s an entertaining and intermittently exhilarating exhibition nonetheless. 1109 Fifth Avenue, at 92nd Street, 212-423-3200, thejewishmuseum.org. (Johnson)

Answer: if it behaves itself and sticks to the right script

Guggenheim Museum: ‘Alberto Burri: The Trauma of Painting’ (through Jan. 6) This Italian artist’s prescient paintings from the 1950s and early ‘60s — in patched, burned and otherwise abused burlap, plastic or wood — form a lavish, beautiful and admirable, if sometimes monotonous retrospective at the Guggenheim. Unfortunately, he may also inaugurate a bane of current art: the use of found materials so inherently affecting — burlap is one — that they require little of the artist. 1071 Fifth Avenue, at 89th Street, 212-423-3500, guggenheim.org. (Smith) Guggenheim Museum: ‘Photo-Poetics: An Anthology’ (through March 23) Formally complex and expressively reserved, even hermetic. the work by ten photographers in this stimulating show has roots in Conceptualism and takes language, history and speculative thinking as its raw materials. Photographs are structured with the equivalent of poetry’s metrical cadences and internal rhymes, and treated less as generators of translatable ideas than of suggestive metaphors. 1071 Fifth Avenue, at 89th Street, 212-423-3500, guggenheim.org. (Cotter) ★ Jewish Museum: ‘The Power of Pictures: Early Soviet Photography, Early Soviet Film’ (through Feb. 7) Revolutions sell utopias; that’s their job. <hl> Art, if it behaves itself and sticks to the right script , can be an important part of the promotional package. <hl> That’s the basic tale told by this exhibition of photographs and vintage films of the 1920s and ’30s, but with a question added: What happens to art when the script is drastically revised? Russia was an experiment in progress in the heady years following the 1917 revolution, and avant-garde art, free-spirited by definition, was officially embraced. When Joseph Stalin came to power art became government-dictated propaganda and its makers, often under threat, towed the line. Remarkably, the show presents a dozen films — some familiar, some not — full-length, on a rotating schedule of four a day, in a small viewing theater built into one of the Jewish Museum’s galleries. 1109 Fifth Avenue, at 92nd Street, 212-423-3200, thejewishmuseum.org. (Cotter) ★ Jewish Museum: ‘Unorthodox’ (through March 27) With about 200 putatively unorthodox works crowded into tightly walled-in spaces, this lively show has the feel of an Outsider Art fair — in a good way. The paintings, drawings, collages, assemblages, ceramics, weavings and videos are variously funny, funky, quirky, eccentric, idiosyncratic and visionary. Are they truly unorthodox by the standards of a contemporary art world wherein no one wants to be thought orthodox? No, but that’s O.K. It’s an entertaining and intermittently exhilarating exhibition nonetheless. 1109 Fifth Avenue, at 92nd Street, 212-423-3200, thejewishmuseum.org. (Johnson)

Guggenheim Museum: ‘Alberto Burri: The Trauma of Painting’ (through Jan. 6) This Italian artist’s prescient paintings from the 1950s and early ‘60s — in patched, burned and otherwise abused burlap, plastic or wood — form a lavish, beautiful and admirable, if sometimes monotonous retrospective at the Guggenheim. Unfortunately, he may also inaugurate a bane of current art: the use of found materials so inherently affecting — burlap is one — that they require little of the artist. 1071 Fifth Avenue, at 89th Street, 212-423-3500, guggenheim.org. (Smith) Guggenheim Museum: ‘Photo-Poetics: An Anthology’ (through March 23) Formally complex and expressively reserved, even hermetic. the work by ten photographers in this stimulating show has roots in Conceptualism and takes language, history and speculative thinking as its raw materials. Photographs are structured with the equivalent of poetry’s metrical cadences and internal rhymes, and treated less as generators of translatable ideas than of suggestive metaphors. 1071 Fifth Avenue, at 89th Street, 212-423-3500, guggenheim.org. (Cotter) ★ Jewish Museum: ‘The Power of Pictures: Early Soviet Photography, Early Soviet Film’ (through Feb. 7) Revolutions sell utopias; that’s their job. Art, <hl> if it behaves itself and sticks to the right script <hl>, can be an important part of the promotional package. That’s the basic tale told by this exhibition of photographs and vintage films of the 1920s and ’30s, but with a question added: What happens to art when the script is drastically revised? Russia was an experiment in progress in the heady years following the 1917 revolution, and avant-garde art, free-spirited by definition, was officially embraced. When Joseph Stalin came to power art became government-dictated propaganda and its makers, often under threat, towed the line. Remarkably, the show presents a dozen films — some familiar, some not — full-length, on a rotating schedule of four a day, in a small viewing theater built into one of the Jewish Museum’s galleries. 1109 Fifth Avenue, at 92nd Street, 212-423-3200, thejewishmuseum.org. (Cotter) ★ Jewish Museum: ‘Unorthodox’ (through March 27) With about 200 putatively unorthodox works crowded into tightly walled-in spaces, this lively show has the feel of an Outsider Art fair — in a good way. The paintings, drawings, collages, assemblages, ceramics, weavings and videos are variously funny, funky, quirky, eccentric, idiosyncratic and visionary. Are they truly unorthodox by the standards of a contemporary art world wherein no one wants to be thought orthodox? No, but that’s O.K. It’s an entertaining and intermittently exhilarating exhibition nonetheless. 1109 Fifth Avenue, at 92nd Street, 212-423-3200, thejewishmuseum.org. (Johnson)

Art, <hl> if it behaves itself and sticks to the right script <hl> , can be an important part of the promotional package.


Question: When was Stevie Wonders last national tour as of this article?

★ Stevie Wonder  (Sunday) “Sir Duke” will ride again when the venerable Mr. Wonder visits Barclays Center, continuing his first national tour since 2009. He will perform his quintessential 1976 record, “Songs in the Key of Life,” the double album that has inspired scores of R&B dreamers; in 2005, the Library of Congress added it to the National Recording Registry. The fortunate audiences of his recent festival performances — including sets at the Global Citizen Festival and Bonnaroo — can assert to his charisma, still broad onstage. At 8 p.m., 620 Atlantic Avenue, at Flatbush Avenue, Brooklyn, 800-745-3000, ticketmaster.com. (Anderson)

Answer: 2009

★ Stevie Wonder (Sunday) <hl> “Sir Duke” will ride again when the venerable Mr. Wonder visits Barclays Center, continuing his first national tour since 2009 . <hl> He will perform his quintessential 1976 record, “Songs in the Key of Life,” the double album that has inspired scores of R&B dreamers; in 2005, the Library of Congress added it to the National Recording Registry. The fortunate audiences of his recent festival performances — including sets at the Global Citizen Festival and Bonnaroo — can assert to his charisma, still broad onstage. At 8 p.m., 620 Atlantic Avenue, at Flatbush Avenue, Brooklyn, 800-745-3000, ticketmaster.com. (Anderson)

★ Stevie Wonder (Sunday) “Sir Duke” will ride again when the venerable Mr. Wonder visits Barclays Center, continuing his first national tour since <hl> 2009 <hl>. He will perform his quintessential 1976 record, “Songs in the Key of Life,” the double album that has inspired scores of R&B dreamers; in 2005, the Library of Congress added it to the National Recording Registry. The fortunate audiences of his recent festival performances — including sets at the Global Citizen Festival and Bonnaroo — can assert to his charisma, still broad onstage. At 8 p.m., 620 Atlantic Avenue, at Flatbush Avenue, Brooklyn, 800-745-3000, ticketmaster.com. (Anderson)

“Sir Duke” will ride again when the venerable Mr. Wonder visits Barclays Center, continuing his first national tour since <hl> 2009 <hl> .


Question: What was Gerald Reitlinger's study?

One standard way to adjust historic art prices to account for inflation is to run them through the U.S. Department of Labor’s Consumer Price Index inflation calculator. Using this method, the czar’s big 1914 price for the Leonardo — hailed by Gerald Reitlinger in his 1961 study, “The Economics of Taste,” as “the most expensive picture that has ever been sold” — is equal to $35.5 million today, which would buy a middling-quality Mark Rothko.

Answer: The Economics of Taste

One standard way to adjust historic art prices to account for inflation is to run them through the U.S. Department of Labor’s Consumer Price Index inflation calculator. <hl> Using this method, the czar’s big 1914 price for the Leonardo — hailed by Gerald Reitlinger in his 1961 study, “ The Economics of Taste ,” as “the most expensive picture that has ever been sold” — is equal to $35.5 million today, which would buy a middling-quality Mark Rothko. <hl>

One standard way to adjust historic art prices to account for inflation is to run them through the U.S. Department of Labor’s Consumer Price Index inflation calculator. Using this method, the czar’s big 1914 price for the Leonardo — hailed by Gerald Reitlinger in his 1961 study, “<hl> The Economics of Taste <hl>,” as “the most expensive picture that has ever been sold” — is equal to $35.5 million today, which would buy a middling-quality Mark Rothko.

Using this method, the czar’s big 1914 price for the Leonardo — hailed by Gerald Reitlinger in his 1961 study, “ <hl> The Economics of Taste <hl> ,” as “the most expensive picture that has ever been sold” — is equal to $35.5 million today, which would buy a middling-quality Mark Rothko.


Question: Who was the Ukrainian officer?

Capt. Andrii Syurkalo, a Ukrainian officer, said it was commendable that the trainers were willing to use the Abu Ghraib prisoner abuse scandal as an element in a class on the Geneva Conventions. American officers described the course work as equivalent to the latter months of basic training in the United States. The courses will train 705 Ukrainian soldiers at a cost of $19 million over six months. The Ukrainian National Guard is rotating from the front what units it can spare for the training. American instructors intend to recommend top performers to serve as trainers within other Ukrainian units, and in this way spread the instruction more broadly.

Answer: Capt. Andrii Syurkalo

<hl> Capt. Andrii Syurkalo , a Ukrainian officer, said it was commendable that the trainers were willing to use the Abu Ghraib prisoner abuse scandal as an element in a class on the Geneva Conventions. <hl> American officers described the course work as equivalent to the latter months of basic training in the United States. The courses will train 705 Ukrainian soldiers at a cost of $19 million over six months. The Ukrainian National Guard is rotating from the front what units it can spare for the training. American instructors intend to recommend top performers to serve as trainers within other Ukrainian units, and in this way spread the instruction more broadly.

<hl> Capt. Andrii Syurkalo <hl>, a Ukrainian officer, said it was commendable that the trainers were willing to use the Abu Ghraib prisoner abuse scandal as an element in a class on the Geneva Conventions. American officers described the course work as equivalent to the latter months of basic training in the United States. The courses will train 705 Ukrainian soldiers at a cost of $19 million over six months. The Ukrainian National Guard is rotating from the front what units it can spare for the training. American instructors intend to recommend top performers to serve as trainers within other Ukrainian units, and in this way spread the instruction more broadly.

<hl> Capt. Andrii Syurkalo <hl> , a Ukrainian officer, said it was commendable that the trainers were willing to use the Abu Ghraib prisoner abuse scandal as an element in a class on the Geneva Conventions.


Question: Which salon is considered the mecca of Havana?

To get the new Havana look, young men visit special barbershops around the city. The undisputed mecca of these salons is Donde Dorian. Camouflaged on a residential street opposite a wall with obedient graffiti extolling the local Committee for the Defense of the Revolution, the salon’s drab facade gives way to a bright front room selling Hollywood cigarettes, Cristal beer and espresso from a vintage machine. Above the polished bar is an LG flat-screen TV playing the ubiquitous reggaeton videos of poolside bacchanals. Around 11 p.m. on a recent evening, a line of young men waited in the back room for their turn in the seat of Dorian Carbonell Fernandéz, 31, who was dressed in jeans and a T-shirt and sculpting the eyebrows of Robert Richard Esteves with a straight edge razor. Mr. Fernandéz looked in a mirror, lined with boxes of Bulgari and Fendi colognes, and reached over the fence of Mr. Esteves’s hair to pluck up wilted locks within. He then blew out the hair up with a blow-dryer. Mr. Fernandéz’s hair blower always points up.

Answer: Donde Dorian

To get the new Havana look, young men visit special barbershops around the city. <hl> The undisputed mecca of these salons is Donde Dorian . <hl> Camouflaged on a residential street opposite a wall with obedient graffiti extolling the local Committee for the Defense of the Revolution, the salon’s drab facade gives way to a bright front room selling Hollywood cigarettes, Cristal beer and espresso from a vintage machine. Above the polished bar is an LG flat-screen TV playing the ubiquitous reggaeton videos of poolside bacchanals. Around 11 p.m. on a recent evening, a line of young men waited in the back room for their turn in the seat of Dorian Carbonell Fernandéz, 31, who was dressed in jeans and a T-shirt and sculpting the eyebrows of Robert Richard Esteves with a straight edge razor. Mr. Fernandéz looked in a mirror, lined with boxes of Bulgari and Fendi colognes, and reached over the fence of Mr. Esteves’s hair to pluck up wilted locks within. He then blew out the hair up with a blow-dryer. Mr. Fernandéz’s hair blower always points up.

To get the new Havana look, young men visit special barbershops around the city. The undisputed mecca of these salons is <hl> Donde Dorian <hl>. Camouflaged on a residential street opposite a wall with obedient graffiti extolling the local Committee for the Defense of the Revolution, the salon’s drab facade gives way to a bright front room selling Hollywood cigarettes, Cristal beer and espresso from a vintage machine. Above the polished bar is an LG flat-screen TV playing the ubiquitous reggaeton videos of poolside bacchanals. Around 11 p.m. on a recent evening, a line of young men waited in the back room for their turn in the seat of Dorian Carbonell Fernandéz, 31, who was dressed in jeans and a T-shirt and sculpting the eyebrows of Robert Richard Esteves with a straight edge razor. Mr. Fernandéz looked in a mirror, lined with boxes of Bulgari and Fendi colognes, and reached over the fence of Mr. Esteves’s hair to pluck up wilted locks within. He then blew out the hair up with a blow-dryer. Mr. Fernandéz’s hair blower always points up.

The undisputed mecca of these salons is <hl> Donde Dorian <hl> .


Question: What was cracking?

Although strikes come and go here, the violence of the Uber brawl seemed to shock even the French. While commentators deplored the thuggery of some cabdrivers, they deplored “L’uberisation” even more. “The uberisation of the economy is a godless and lawless development model,” wrote Jean-Michel Bouguereau in La République des Pyrénées. Yves Théard in Le Figaro warned that “the invasion of the digital economy” risked loosening the screws of the French economic model, with its emphasis on workers’ rights and social protection, “one by one.” Yves Dusart in the newspaper L’Est Républicain, summed up, “The French model, snug in its padded jewelry box, is cracking.”

Answer: The French model

Although strikes come and go here, the violence of the Uber brawl seemed to shock even the French. While commentators deplored the thuggery of some cabdrivers, they deplored “L’uberisation” even more. “The uberisation of the economy is a godless and lawless development model,” wrote Jean-Michel Bouguereau in La République des Pyrénées. Yves Théard in Le Figaro warned that “the invasion of the digital economy” risked loosening the screws of the French economic model, with its emphasis on workers’ rights and social protection, “one by one.” <hl> Yves Dusart in the newspaper L’Est Républicain, summed up, “ The French model , snug in its padded jewelry box, is cracking.” <hl>

Although strikes come and go here, the violence of the Uber brawl seemed to shock even the French. While commentators deplored the thuggery of some cabdrivers, they deplored “L’uberisation” even more. “The uberisation of the economy is a godless and lawless development model,” wrote Jean-Michel Bouguereau in La République des Pyrénées. Yves Théard in Le Figaro warned that “the invasion of the digital economy” risked loosening the screws of the French economic model, with its emphasis on workers’ rights and social protection, “one by one.” Yves Dusart in the newspaper L’Est Républicain, summed up, “<hl> The French model <hl>, snug in its padded jewelry box, is cracking.”

Yves Dusart in the newspaper L’Est Républicain, summed up, “ <hl> The French model <hl> , snug in its padded jewelry box, is cracking.”


Question: How old is Mrs. Sooy?

Abigail Elizabeth Lee Chambers and Alexander Hartman Sooy were married Saturday. Judge Sidney H. Stein of the Federal District Court for the Southern District of New York officiated at the Museum of the City of New York. Mrs. Sooy, 30, is the manager for product support operations at Facebook in Menlo Park, Calif., overseeing teams that work to improve product quality and usability. She graduated summa cum laude from Princeton and received an M.B.A. degree from Harvard. She is the daughter of Andrea L. Chambers and Dr. William J. Chambers of New York. The bride’s father is a child and adolescent psychiatrist in New York. Her mother is the director of the Center for Publishing at the N.Y.U. School of Professional Studies.

Answer: 30

Abigail Elizabeth Lee Chambers and Alexander Hartman Sooy were married Saturday. Judge Sidney H. Stein of the Federal District Court for the Southern District of New York officiated at the Museum of the City of New York. <hl> Mrs. Sooy, 30 , is the manager for product support operations at Facebook in Menlo Park, Calif., overseeing teams that work to improve product quality and usability. <hl> She graduated summa cum laude from Princeton and received an M.B.A. degree from Harvard. She is the daughter of Andrea L. Chambers and Dr. William J. Chambers of New York. The bride’s father is a child and adolescent psychiatrist in New York. Her mother is the director of the Center for Publishing at the N.Y.U. School of Professional Studies.

Abigail Elizabeth Lee Chambers and Alexander Hartman Sooy were married Saturday. Judge Sidney H. Stein of the Federal District Court for the Southern District of New York officiated at the Museum of the City of New York. Mrs. Sooy, <hl> 30 <hl>, is the manager for product support operations at Facebook in Menlo Park, Calif., overseeing teams that work to improve product quality and usability. She graduated summa cum laude from Princeton and received an M.B.A. degree from Harvard. She is the daughter of Andrea L. Chambers and Dr. William J. Chambers of New York. The bride’s father is a child and adolescent psychiatrist in New York. Her mother is the director of the Center for Publishing at the N.Y.U. School of Professional Studies.

Mrs. Sooy, <hl> 30 <hl> , is the manager for product support operations at Facebook in Menlo Park, Calif., overseeing teams that work to improve product quality and usability.


Question: What was Charles Michel's complaint?

Greece’s backsliding on its pledges has stirred speculation in recent days of a possible “Grexit,” or Greek exit, from the 19-nation group that uses the euro. It also gave rise to a new piece of Brussels jargon: “Grexident,” or the prospect of Greece stumbling through the exit by accident. In a sign of how testy the mood had become, Charles Michel, the prime minister of Belgium, another country that uses the euro, complained that mediation with Greece should involve all members of the eurozone and could not be done by a few individual members.

Answer: that mediation with Greece should involve all members of the eurozone and could not be done by a few individual members.

Greece’s backsliding on its pledges has stirred speculation in recent days of a possible “Grexit,” or Greek exit, from the 19-nation group that uses the euro. It also gave rise to a new piece of Brussels jargon: “Grexident,” or the prospect of Greece stumbling through the exit by accident. <hl> In a sign of how testy the mood had become, Charles Michel, the prime minister of Belgium, another country that uses the euro, complained that mediation with Greece should involve all members of the eurozone and could not be done by a few individual members. <hl>

Greece’s backsliding on its pledges has stirred speculation in recent days of a possible “Grexit,” or Greek exit, from the 19-nation group that uses the euro. It also gave rise to a new piece of Brussels jargon: “Grexident,” or the prospect of Greece stumbling through the exit by accident. In a sign of how testy the mood had become, Charles Michel, the prime minister of Belgium, another country that uses the euro, complained <hl> that mediation with Greece should involve all members of the eurozone and could not be done by a few individual members. <hl>


Question: Erika Kirby is a professor of what subject?

Of course, most lawmakers in Washington spend long periods away from family. But by declaring the preservation of his family life a key concern in taking on a job that is a seven-day-a-week venture — the sort of job he sought once before, in 2012, when he was the Republican vice-presidential nominee — Mr. Ryan, 45, may be ushering in a new era for a position traditionally held by older congressmen who spent years rising through party ranks. “In U.S. society, we often talk about ‘working moms’ but not about ‘working dads,’ and the work-life policies that organizations do provide are often considered as being mainly for women,” said Erika Kirby a professor of communication studies and an authority on work-life issues at Creighton University in Omaha. “So I think Representative Ryan’s call for protecting his family time within a demanding job is extremely significant.”

Answer: communication studies

Of course, most lawmakers in Washington spend long periods away from family. But by declaring the preservation of his family life a key concern in taking on a job that is a seven-day-a-week venture — the sort of job he sought once before, in 2012, when he was the Republican vice-presidential nominee — Mr. Ryan, 45, may be ushering in a new era for a position traditionally held by older congressmen who spent years rising through party ranks. <hl> “In U.S. society, we often talk about ‘working moms’ but not about ‘working dads,’ and the work-life policies that organizations do provide are often considered as being mainly for women,” said Erika Kirby a professor of communication studies and an authority on work-life issues at Creighton University in Omaha. <hl> “So I think Representative Ryan’s call for protecting his family time within a demanding job is extremely significant.”

Of course, most lawmakers in Washington spend long periods away from family. But by declaring the preservation of his family life a key concern in taking on a job that is a seven-day-a-week venture — the sort of job he sought once before, in 2012, when he was the Republican vice-presidential nominee — Mr. Ryan, 45, may be ushering in a new era for a position traditionally held by older congressmen who spent years rising through party ranks. “In U.S. society, we often talk about ‘working moms’ but not about ‘working dads,’ and the work-life policies that organizations do provide are often considered as being mainly for women,” said Erika Kirby a professor of <hl> communication studies <hl> and an authority on work-life issues at Creighton University in Omaha. “So I think Representative Ryan’s call for protecting his family time within a demanding job is extremely significant.”


Question: Whose legs does "Flour Paste" make Jessie's look like?

In her pictures of her own family — like “Damaged Child,” with its implication of battering, and “Flour Paste,” in which Jessie’s legs resemble a burn victim’s — Mann punches the buttons of her viewers. Upon discovering that she has stage-managed a scene, some people feel cheated, as if their emotions have been trifled with. “I hope you can get past that,” she argues. “You learn something about yourself and your own fears. Everyone surely has all those fears that I have for my children.” Mann has been criticized for treating violence with an esthete’s dispassion, for bringing out the subtle texture of blood and bruises without offering a clear political statement along the way. The imagery of death fascinates her. A picture of Virginia with a black eye moved her for a long time because “you couldn’t tell if she was living or dead. It looked like one of those Victorian post-mortem photographs.” In 1987, Emmett was struck by a car and thrown 50 feet. Though he escaped critical injury, Mann saw the real thing as a warning not to pretend again. Still, “Immediate Family” includes a picture from 1989 that may be the most gruesome so far: a nude Virginia seeming to have hanged herself by a rope from a tree.

Answer: a burn victim

<hl> In her pictures of her own family — like “Damaged Child,” with its implication of battering, and “Flour Paste,” in which Jessie’s legs resemble a burn victim ’s — Mann punches the buttons of her viewers. <hl> Upon discovering that she has stage-managed a scene, some people feel cheated, as if their emotions have been trifled with. “I hope you can get past that,” she argues. “You learn something about yourself and your own fears. Everyone surely has all those fears that I have for my children.” Mann has been criticized for treating violence with an esthete’s dispassion, for bringing out the subtle texture of blood and bruises without offering a clear political statement along the way. The imagery of death fascinates her. A picture of Virginia with a black eye moved her for a long time because “you couldn’t tell if she was living or dead. It looked like one of those Victorian post-mortem photographs.” In 1987, Emmett was struck by a car and thrown 50 feet. Though he escaped critical injury, Mann saw the real thing as a warning not to pretend again. Still, “Immediate Family” includes a picture from 1989 that may be the most gruesome so far: a nude Virginia seeming to have hanged herself by a rope from a tree.

In her pictures of her own family — like “Damaged Child,” with its implication of battering, and “Flour Paste,” in which Jessie’s legs resemble <hl> a burn victim <hl>’s — Mann punches the buttons of her viewers. Upon discovering that she has stage-managed a scene, some people feel cheated, as if their emotions have been trifled with. “I hope you can get past that,” she argues. “You learn something about yourself and your own fears. Everyone surely has all those fears that I have for my children.” Mann has been criticized for treating violence with an esthete’s dispassion, for bringing out the subtle texture of blood and bruises without offering a clear political statement along the way. The imagery of death fascinates her. A picture of Virginia with a black eye moved her for a long time because “you couldn’t tell if she was living or dead. It looked like one of those Victorian post-mortem photographs.” In 1987, Emmett was struck by a car and thrown 50 feet. Though he escaped critical injury, Mann saw the real thing as a warning not to pretend again. Still, “Immediate Family” includes a picture from 1989 that may be the most gruesome so far: a nude Virginia seeming to have hanged herself by a rope from a tree.

In her pictures of her own family — like “Damaged Child,” with its implication of battering, and “Flour Paste,” in which Jessie’s legs resemble <hl> a burn victim <hl> ’s — Mann punches the buttons of her viewers.


Question: What is the name of the lawyer representing one of the suspected jewish arsonists?

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

Answer: Zion Amir

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” <hl> A prominent Israeli lawyer, Zion Amir , said Thursday that he was representing one of the youths arrested this week. <hl> Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, <hl> Zion Amir <hl>, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

A prominent Israeli lawyer, <hl> Zion Amir <hl> , said Thursday that he was representing one of the youths arrested this week.


Question: What part of his leg did LeBron hurt?

Of course, in his first game back since a strained left knee and a sore lower back sidelined him for two weeks, James did do a decent impersonation of his kingly self. He played 37 minutes and finished with 33 points on 11 for 18 shooting while collecting seven rebounds and five assists. James’s first points at US Airways Center even came on a reverse dunk. That was heartening news because before he was sidelined, he seemed to have lost a step and, with it, a gear of aggression. In all, James, who was averaging less than a dunk a game before his injuries, had three against the Suns, a formidable team with a 23-18 record. Afterward, David Blatt, the embattled Cavaliers coach, described James’s performance as “terrific” and added, “I just thought he laid it out there.”

Answer: knee

<hl> Of course, in his first game back since a strained left knee and a sore lower back sidelined him for two weeks, James did do a decent impersonation of his kingly self. <hl> He played 37 minutes and finished with 33 points on 11 for 18 shooting while collecting seven rebounds and five assists. James’s first points at US Airways Center even came on a reverse dunk. That was heartening news because before he was sidelined, he seemed to have lost a step and, with it, a gear of aggression. In all, James, who was averaging less than a dunk a game before his injuries, had three against the Suns, a formidable team with a 23-18 record. Afterward, David Blatt, the embattled Cavaliers coach, described James’s performance as “terrific” and added, “I just thought he laid it out there.”

Of course, in his first game back since a strained left <hl> knee <hl> and a sore lower back sidelined him for two weeks, James did do a decent impersonation of his kingly self. He played 37 minutes and finished with 33 points on 11 for 18 shooting while collecting seven rebounds and five assists. James’s first points at US Airways Center even came on a reverse dunk. That was heartening news because before he was sidelined, he seemed to have lost a step and, with it, a gear of aggression. In all, James, who was averaging less than a dunk a game before his injuries, had three against the Suns, a formidable team with a 23-18 record. Afterward, David Blatt, the embattled Cavaliers coach, described James’s performance as “terrific” and added, “I just thought he laid it out there.”


Question: Who narrates ELLES ÉTAIENT EN GUERRE?

8:05 P.M. (Starz Cinema) THE DREAMERS (2004) Louis Garrel (top), Eva Green (center) and Michael Pitt (above) portray the points of a photogenic triangle in this drama from Bernardo Bertolucci (“Last Tango in Paris”) about an American who befriends French twins in Paris during the 1968 student riots. This adaptation of Gilbert Adair’s novel “The Holy Innocents” is “disarmingly sweet and completely enchanting,” A. O. Scott wrote in The New York Times. “The sex in this movie is, as measured by the display of body parts and the amount of time the actors spend out of their clothes, more explicit than even the most notorious scenes in ‘Last Tango,’ ” he said. “But it is hard to imagine a voyeur more benevolent than Mr. Bertolucci, whose eager scrutiny of the eros of the young is, like Jeremy Irons’s in ‘Stealing Beauty,’ less a matter of prurience than of an honest, nostalgic appreciation of natural human vitality.” 8:30 P.M. (TV5Monde) ELLES ÉTAIENT EN GUERRE (1914-18) Nathalie Baye narrates this 2014 French documentary, which examines World War I from the perspective of Marie Curie, Edith Wharton, Mata Hari, Rosa Luxemburg and Louise Bodin.

Answer: Nathalie Baye

8:05 P.M. (Starz Cinema) THE DREAMERS (2004) Louis Garrel (top), Eva Green (center) and Michael Pitt (above) portray the points of a photogenic triangle in this drama from Bernardo Bertolucci (“Last Tango in Paris”) about an American who befriends French twins in Paris during the 1968 student riots. This adaptation of Gilbert Adair’s novel “The Holy Innocents” is “disarmingly sweet and completely enchanting,” A. O. Scott wrote in The New York Times. “The sex in this movie is, as measured by the display of body parts and the amount of time the actors spend out of their clothes, more explicit than even the most notorious scenes in ‘Last Tango,’ ” he said. “But it is hard to imagine a voyeur more benevolent than Mr. Bertolucci, whose eager scrutiny of the eros of the young is, like Jeremy Irons’s in ‘Stealing Beauty,’ less a matter of prurience than of an honest, nostalgic appreciation of natural human vitality.” <hl> 8:30 P.M. (TV5Monde) ELLES ÉTAIENT EN GUERRE (1914-18) Nathalie Baye narrates this 2014 French documentary, which examines World War I from the perspective of Marie Curie, Edith Wharton, Mata Hari, Rosa Luxemburg and Louise Bodin. <hl>

8:05 P.M. (Starz Cinema) THE DREAMERS (2004) Louis Garrel (top), Eva Green (center) and Michael Pitt (above) portray the points of a photogenic triangle in this drama from Bernardo Bertolucci (“Last Tango in Paris”) about an American who befriends French twins in Paris during the 1968 student riots. This adaptation of Gilbert Adair’s novel “The Holy Innocents” is “disarmingly sweet and completely enchanting,” A. O. Scott wrote in The New York Times. “The sex in this movie is, as measured by the display of body parts and the amount of time the actors spend out of their clothes, more explicit than even the most notorious scenes in ‘Last Tango,’ ” he said. “But it is hard to imagine a voyeur more benevolent than Mr. Bertolucci, whose eager scrutiny of the eros of the young is, like Jeremy Irons’s in ‘Stealing Beauty,’ less a matter of prurience than of an honest, nostalgic appreciation of natural human vitality.” 8:30 P.M. (TV5Monde) ELLES ÉTAIENT EN GUERRE (1914-18) <hl> Nathalie Baye <hl> narrates this 2014 French documentary, which examines World War I from the perspective of Marie Curie, Edith Wharton, Mata Hari, Rosa Luxemburg and Louise Bodin.


Question: What skill is it Leive says you have to learn?

I was about 25. Nobody ever really sits you down and says, “Here’s some Management 101 on how to do it.” It’s a skill you have to learn. Just because you know how to be a good friend, and even a good co-worker, doesn’t mean that you’re going to know how to be a good boss. I didn’t ask as many questions in the beginning as I should have. Any specific memo-to-self moments? The big challenge for me was learning how to be firm and clear. It’s very reassuring for employees to understand what is expected of them. Otherwise, how will they know that they’re doing a good job? Finding a way to do that while also creating an office that is warm and friendly and engaging is a balancing act that it took me a while to master. Really getting to know your team and being interested in their lives also gives you good will. So when you’re in a situation where you need to deliver a message that maybe isn’t so easy to hear, it will land on this mattress of good karma. People want to be understood and respected as individuals.

Answer: how to be a good boss

I was about 25. Nobody ever really sits you down and says, “Here’s some Management 101 on how to do it.” It’s a skill you have to learn. <hl> Just because you know how to be a good friend, and even a good co-worker, doesn’t mean that you’re going to know how to be a good boss . <hl> I didn’t ask as many questions in the beginning as I should have. Any specific memo-to-self moments? The big challenge for me was learning how to be firm and clear. It’s very reassuring for employees to understand what is expected of them. Otherwise, how will they know that they’re doing a good job? Finding a way to do that while also creating an office that is warm and friendly and engaging is a balancing act that it took me a while to master. Really getting to know your team and being interested in their lives also gives you good will. So when you’re in a situation where you need to deliver a message that maybe isn’t so easy to hear, it will land on this mattress of good karma. People want to be understood and respected as individuals.

I was about 25. Nobody ever really sits you down and says, “Here’s some Management 101 on how to do it.” It’s a skill you have to learn. Just because you know how to be a good friend, and even a good co-worker, doesn’t mean that you’re going to know <hl> how to be a good boss <hl>. I didn’t ask as many questions in the beginning as I should have. Any specific memo-to-self moments? The big challenge for me was learning how to be firm and clear. It’s very reassuring for employees to understand what is expected of them. Otherwise, how will they know that they’re doing a good job? Finding a way to do that while also creating an office that is warm and friendly and engaging is a balancing act that it took me a while to master. Really getting to know your team and being interested in their lives also gives you good will. So when you’re in a situation where you need to deliver a message that maybe isn’t so easy to hear, it will land on this mattress of good karma. People want to be understood and respected as individuals.

Just because you know how to be a good friend, and even a good co-worker, doesn’t mean that you’re going to know <hl> how to be a good boss <hl> .


Question: Who is one of Gerber's private equity owners?

Refresco Gerber expects its shares to begin trading on Euronext in Amsterdam on March 27. The I.P.O. will consist of new shares issued by Refresco Gerber and a sale of about 30.9 million shares held by Refresco Gerber’s private equity owners, which include 3i Group. The company expects to receive gross proceeds of €100 million from the offering, which will be used to repay debt and give it additional financial flexibility. Institutional investors and retail investors in the Netherlands and certain institutional investors in other jurisdictions will be able to buy shares in the offering. Founded in 1999, Refresco Gerber has significantly expanded its business through a series of acquisitions, the most recent being Gerber Emig in 2013. It employs about 4,100 people in nine countries.

Answer: 3i Group

Refresco Gerber expects its shares to begin trading on Euronext in Amsterdam on March 27. <hl> The I.P.O. will consist of new shares issued by Refresco Gerber and a sale of about 30.9 million shares held by Refresco Gerber’s private equity owners, which include 3i Group . <hl> The company expects to receive gross proceeds of €100 million from the offering, which will be used to repay debt and give it additional financial flexibility. Institutional investors and retail investors in the Netherlands and certain institutional investors in other jurisdictions will be able to buy shares in the offering. Founded in 1999, Refresco Gerber has significantly expanded its business through a series of acquisitions, the most recent being Gerber Emig in 2013. It employs about 4,100 people in nine countries.

Refresco Gerber expects its shares to begin trading on Euronext in Amsterdam on March 27. The I.P.O. will consist of new shares issued by Refresco Gerber and a sale of about 30.9 million shares held by Refresco Gerber’s private equity owners, which include <hl> 3i Group <hl>. The company expects to receive gross proceeds of €100 million from the offering, which will be used to repay debt and give it additional financial flexibility. Institutional investors and retail investors in the Netherlands and certain institutional investors in other jurisdictions will be able to buy shares in the offering. Founded in 1999, Refresco Gerber has significantly expanded its business through a series of acquisitions, the most recent being Gerber Emig in 2013. It employs about 4,100 people in nine countries.

The I.P.O. will consist of new shares issued by Refresco Gerber and a sale of about 30.9 million shares held by Refresco Gerber’s private equity owners, which include <hl> 3i Group <hl> .


Question: Who supports a range of research projects?

Dr. Coggan had earlier grown disappointed with the “establishment” science in which, he says, academic research and corporate profit priorities are increasingly indistinguishable. He bootstrapped the research laboratory with his own money and now supports it with funding from a variety of private individual contributions and scientific research grants. NeuroLinx now supports a range of research projects, including an exploration of the way dolphins sleep, an effort to create a computer simulation of the ubiquitous lab worm C. elegans (known as the Open Worm project), and an exploration of nerve damage in diseases like multiple sclerosis. Dr. Ohayon had done early research in the field of autonomous agents based on neural networks, computing models inspired by biological nervous systems, but stopped for almost a decade because of worries about military applications of the technology.

Answer: NeuroLinx

Dr. Coggan had earlier grown disappointed with the “establishment” science in which, he says, academic research and corporate profit priorities are increasingly indistinguishable. He bootstrapped the research laboratory with his own money and now supports it with funding from a variety of private individual contributions and scientific research grants. <hl> NeuroLinx now supports a range of research projects, including an exploration of the way dolphins sleep, an effort to create a computer simulation of the ubiquitous lab worm C. elegans (known as the Open Worm project), and an exploration of nerve damage in diseases like multiple sclerosis. <hl> Dr. Ohayon had done early research in the field of autonomous agents based on neural networks, computing models inspired by biological nervous systems, but stopped for almost a decade because of worries about military applications of the technology.

Dr. Coggan had earlier grown disappointed with the “establishment” science in which, he says, academic research and corporate profit priorities are increasingly indistinguishable. He bootstrapped the research laboratory with his own money and now supports it with funding from a variety of private individual contributions and scientific research grants. <hl> NeuroLinx <hl> now supports a range of research projects, including an exploration of the way dolphins sleep, an effort to create a computer simulation of the ubiquitous lab worm C. elegans (known as the Open Worm project), and an exploration of nerve damage in diseases like multiple sclerosis. Dr. Ohayon had done early research in the field of autonomous agents based on neural networks, computing models inspired by biological nervous systems, but stopped for almost a decade because of worries about military applications of the technology.


Question: What are three areas that are considered high risk for tax related identity theft?

■ How can I reduce my risk of tax-refund fraud? If you filed your federal taxes last year from Florida, Georgia or the District of Columbia, which are considered high-risk areas for tax-related identity theft, you can apply for the federal PIN under an I.R.S. pilot program even if you haven’t been a victim. Otherwise, Haywood Talcove, chief executive of LexisNexis Government, advises filing your tax return as soon as possible to reduce the chance that a thief will file a fake return in your name first; changing the username and password you use for your online tax filing program is a good idea too, he added. Also, be aware that the I.R.S. doesn’t initiate contact by email; so any such message is likely fraudulent, and recipients shouldn’t divulge any information in response, said Doug Shadel, an expert with AARP Fraud Watch Network. ■ How can I protect sensitive information like my Social Security number?

Answer: Florida, Georgia or the District of Columbia

■ How can I reduce my risk of tax-refund fraud? <hl> If you filed your federal taxes last year from Florida, Georgia or the District of Columbia , which are considered high-risk areas for tax-related identity theft, you can apply for the federal PIN under an I.R.S. pilot program even if you haven’t been a victim. <hl> Otherwise, Haywood Talcove, chief executive of LexisNexis Government, advises filing your tax return as soon as possible to reduce the chance that a thief will file a fake return in your name first; changing the username and password you use for your online tax filing program is a good idea too, he added. Also, be aware that the I.R.S. doesn’t initiate contact by email; so any such message is likely fraudulent, and recipients shouldn’t divulge any information in response, said Doug Shadel, an expert with AARP Fraud Watch Network. ■ How can I protect sensitive information like my Social Security number?

■ How can I reduce my risk of tax-refund fraud? If you filed your federal taxes last year from <hl> Florida, Georgia or the District of Columbia <hl>, which are considered high-risk areas for tax-related identity theft, you can apply for the federal PIN under an I.R.S. pilot program even if you haven’t been a victim. Otherwise, Haywood Talcove, chief executive of LexisNexis Government, advises filing your tax return as soon as possible to reduce the chance that a thief will file a fake return in your name first; changing the username and password you use for your online tax filing program is a good idea too, he added. Also, be aware that the I.R.S. doesn’t initiate contact by email; so any such message is likely fraudulent, and recipients shouldn’t divulge any information in response, said Doug Shadel, an expert with AARP Fraud Watch Network. ■ How can I protect sensitive information like my Social Security number?

If you filed your federal taxes last year from <hl> Florida, Georgia or the District of Columbia <hl> , which are considered high-risk areas for tax-related identity theft, you can apply for the federal PIN under an I.R.S. pilot program even if you haven’t been a victim.


Question: What was the profession of Moussa Mohammad ?

Europe is once again wary of Germany. This time, it is not an aggressive Germany that wants to expand its borders but an aggressively generous one that is opening its borders, recent controls notwithstanding. Two questions are frequently raised: Is Europe’s richest and most populous country still trying to ease its conscience 70 years after the war? And does its new “Willkommenskultur” have a mercantilist edge given a shrinking and aging population? One German broadsheet, The Frankfurter Allgemeine Zeitung, recently suggested that when Germany thinks about refugees, it really thinks about itself. Such talk does not bother Moussa Mohammad, a cardiologist and father of four from Dara’a, Syria, who received refugee status in Germany in February. “If Germany needs us, good,” he said. “Because we need Germany.”

Answer: cardiologist

Europe is once again wary of Germany. This time, it is not an aggressive Germany that wants to expand its borders but an aggressively generous one that is opening its borders, recent controls notwithstanding. Two questions are frequently raised: Is Europe’s richest and most populous country still trying to ease its conscience 70 years after the war? And does its new “Willkommenskultur” have a mercantilist edge given a shrinking and aging population? One German broadsheet, The Frankfurter Allgemeine Zeitung, recently suggested that when Germany thinks about refugees, it really thinks about itself. <hl> Such talk does not bother Moussa Mohammad, a cardiologist and father of four from Dara’a, Syria, who received refugee status in Germany in February. <hl> “If Germany needs us, good,” he said. “Because we need Germany.”

Europe is once again wary of Germany. This time, it is not an aggressive Germany that wants to expand its borders but an aggressively generous one that is opening its borders, recent controls notwithstanding. Two questions are frequently raised: Is Europe’s richest and most populous country still trying to ease its conscience 70 years after the war? And does its new “Willkommenskultur” have a mercantilist edge given a shrinking and aging population? One German broadsheet, The Frankfurter Allgemeine Zeitung, recently suggested that when Germany thinks about refugees, it really thinks about itself. Such talk does not bother Moussa Mohammad, a <hl> cardiologist <hl> and father of four from Dara’a, Syria, who received refugee status in Germany in February. “If Germany needs us, good,” he said. “Because we need Germany.”


Question: Who announced Willis Carto's death?

Willis Carto, a reclusive behind-the-scenes wizard of the far-right fringe of American politics who used lobbying and publishing to denigrate Jews and other minorities and galvanize the movement to deny the Holocaust, died last Monday at his home in Virginia. He was 89. His death was announced by The American Free Press, a newspaper he helped found. Mr. Carto raised funds to finance a right-wing military dictatorship in the United States, campaigned to persuade blacks to voluntarily return to Africa and, most influentially, started newsletters, a journal and conferences of academics and others to deny the scale, and even the existence, of the Holocaust. The Anti-Defamation League called him “one of the most influential American anti-Semitic propagandists” and “the mastermind of the hate network.”

Answer: The American Free Press

Willis Carto, a reclusive behind-the-scenes wizard of the far-right fringe of American politics who used lobbying and publishing to denigrate Jews and other minorities and galvanize the movement to deny the Holocaust, died last Monday at his home in Virginia. He was 89. <hl> His death was announced by The American Free Press , a newspaper he helped found. <hl> Mr. Carto raised funds to finance a right-wing military dictatorship in the United States, campaigned to persuade blacks to voluntarily return to Africa and, most influentially, started newsletters, a journal and conferences of academics and others to deny the scale, and even the existence, of the Holocaust. The Anti-Defamation League called him “one of the most influential American anti-Semitic propagandists” and “the mastermind of the hate network.”

Willis Carto, a reclusive behind-the-scenes wizard of the far-right fringe of American politics who used lobbying and publishing to denigrate Jews and other minorities and galvanize the movement to deny the Holocaust, died last Monday at his home in Virginia. He was 89. His death was announced by <hl> The American Free Press <hl>, a newspaper he helped found. Mr. Carto raised funds to finance a right-wing military dictatorship in the United States, campaigned to persuade blacks to voluntarily return to Africa and, most influentially, started newsletters, a journal and conferences of academics and others to deny the scale, and even the existence, of the Holocaust. The Anti-Defamation League called him “one of the most influential American anti-Semitic propagandists” and “the mastermind of the hate network.”

His death was announced by <hl> The American Free Press <hl> , a newspaper he helped found.


Question: What voting board is facing criticism for failure to nominate black actors?

“This industry is so far behind sports, it’s ridiculous,” Mr. Lee continued. “It’s easier to be president of the United States as a black person than be head of a studio. Honest.” And so it went, as the film academy — stung by fierce criticism of its failure to nominate any black actors or directors in the last round of Oscar voting — used its annual Governors Awards to face its diversity issues head on. As the evening began, Cheryl Boone Isaacs, the Academy’s president, set the tone with a speech about inclusiveness, and the disclosure of a five-year plan, called “A2020,” to broaden the demographics of the group’s membership, staff and governing board.

Answer: film academy

“This industry is so far behind sports, it’s ridiculous,” Mr. Lee continued. “It’s easier to be president of the United States as a black person than be head of a studio. Honest.” <hl> And so it went, as the film academy — stung by fierce criticism of its failure to nominate any black actors or directors in the last round of Oscar voting — used its annual Governors Awards to face its diversity issues head on. <hl> As the evening began, Cheryl Boone Isaacs, the Academy’s president, set the tone with a speech about inclusiveness, and the disclosure of a five-year plan, called “A2020,” to broaden the demographics of the group’s membership, staff and governing board.

“This industry is so far behind sports, it’s ridiculous,” Mr. Lee continued. “It’s easier to be president of the United States as a black person than be head of a studio. Honest.” And so it went, as the <hl> film academy <hl> — stung by fierce criticism of its failure to nominate any black actors or directors in the last round of Oscar voting — used its annual Governors Awards to face its diversity issues head on. As the evening began, Cheryl Boone Isaacs, the Academy’s president, set the tone with a speech about inclusiveness, and the disclosure of a five-year plan, called “A2020,” to broaden the demographics of the group’s membership, staff and governing board.


Question: Who else said the practice was a bad idea?

But the strategy has been controversial, and it was criticized by none other than Yanis Varoufakis, the Greek finance minister, who, a year ago described the practice as a “hidden bailout from European taxpayers.”  Mr. Varoufakis, then a relatively unknown economist, argued that the loans were a potent risk for Greece, which would have to assume responsibility for them if the banks failed. The practice has also been flagged by two German economists as a questionable way for troubled eurozone economies to extract funding from the central bank.

Answer: two German economists

But the strategy has been controversial, and it was criticized by none other than Yanis Varoufakis, the Greek finance minister, who, a year ago described the practice as a “hidden bailout from European taxpayers.” Mr. Varoufakis, then a relatively unknown economist, argued that the loans were a potent risk for Greece, which would have to assume responsibility for them if the banks failed. <hl> The practice has also been flagged by two German economists as a questionable way for troubled eurozone economies to extract funding from the central bank. <hl>

But the strategy has been controversial, and it was criticized by none other than Yanis Varoufakis, the Greek finance minister, who, a year ago described the practice as a “hidden bailout from European taxpayers.” Mr. Varoufakis, then a relatively unknown economist, argued that the loans were a potent risk for Greece, which would have to assume responsibility for them if the banks failed. The practice has also been flagged by <hl> two German economists <hl> as a questionable way for troubled eurozone economies to extract funding from the central bank.


Question: When did cave lions become extinct?

Two cubs from the ice age were recently uncovered in the Siberian Arctic, perfectly frozen in the permafrost. Named Uyan and Dina after the Uyandina river where they were recovered, the cubs still had their fur and whiskers. “It’s the first time in history that a cave lion, although it is a cub and not a grown-up animal, was found with all the fur, internal organs and soft parts of the body so well-preserved,” Valery Plotnikov, a researcher at the regional Academy of Sciences, said to The Associated Press. Cave lions, the prehistoric relative of modern-day lions, are believed to have become extinct about 10,000 years ago.

Answer: about 10,000 years ago

Two cubs from the ice age were recently uncovered in the Siberian Arctic, perfectly frozen in the permafrost. Named Uyan and Dina after the Uyandina river where they were recovered, the cubs still had their fur and whiskers. “It’s the first time in history that a cave lion, although it is a cub and not a grown-up animal, was found with all the fur, internal organs and soft parts of the body so well-preserved,” Valery Plotnikov, a researcher at the regional Academy of Sciences, said to The Associated Press. <hl> Cave lions, the prehistoric relative of modern-day lions, are believed to have become extinct about 10,000 years ago . <hl>

Two cubs from the ice age were recently uncovered in the Siberian Arctic, perfectly frozen in the permafrost. Named Uyan and Dina after the Uyandina river where they were recovered, the cubs still had their fur and whiskers. “It’s the first time in history that a cave lion, although it is a cub and not a grown-up animal, was found with all the fur, internal organs and soft parts of the body so well-preserved,” Valery Plotnikov, a researcher at the regional Academy of Sciences, said to The Associated Press. Cave lions, the prehistoric relative of modern-day lions, are believed to have become extinct <hl> about 10,000 years ago <hl>.

Cave lions, the prehistoric relative of modern-day lions, are believed to have become extinct <hl> about 10,000 years ago <hl> .


Question: How many stars can you give a recipe?

That’s what we’re doing, anyway. You can find other recipes for the weekend at Cooking. Please save the ones you like to your recipe box, so you can find them later with ease. And when you’re done cooking? Rate the recipes on a scale of one to five stars. Your efforts help us all. (You can leave notes on recipes as well, either for yourself or for others.) If you run into problems with anything along the way, either with the recipes or the site or apps, please don’t hesitate to reach out. We’re at cookingcare@nytimes.com and standing by. You can find us on social media as well, where we congregate above the hashtag #NYTCooking. We’re on Twitter, Facebook, Pinterest and Instagram.

Answer: one to five

That’s what we’re doing, anyway. You can find other recipes for the weekend at Cooking. Please save the ones you like to your recipe box, so you can find them later with ease. And when you’re done cooking? <hl> Rate the recipes on a scale of one to five stars. <hl> Your efforts help us all. (You can leave notes on recipes as well, either for yourself or for others.) If you run into problems with anything along the way, either with the recipes or the site or apps, please don’t hesitate to reach out. We’re at cookingcare@nytimes.com and standing by. You can find us on social media as well, where we congregate above the hashtag #NYTCooking. We’re on Twitter, Facebook, Pinterest and Instagram.

That’s what we’re doing, anyway. You can find other recipes for the weekend at Cooking. Please save the ones you like to your recipe box, so you can find them later with ease. And when you’re done cooking? Rate the recipes on a scale of <hl> one to five <hl> stars. Your efforts help us all. (You can leave notes on recipes as well, either for yourself or for others.) If you run into problems with anything along the way, either with the recipes or the site or apps, please don’t hesitate to reach out. We’re at cookingcare@nytimes.com and standing by. You can find us on social media as well, where we congregate above the hashtag #NYTCooking. We’re on Twitter, Facebook, Pinterest and Instagram.


Question: How long was the mother expecting?

A baby girl, only a few minutes old, swaddled in a blanket or clothes, was breathing on the hood of a car in the Wakefield section of the Bronx. Inside a two-family home nearby, her 22-year-old mother lay on the floor in a pool of blood, fatally stabbed several times in her torso and neck, the authorities said. She had been close to nine months pregnant.

Answer: She had been close to nine months pregnant.

A baby girl, only a few minutes old, swaddled in a blanket or clothes, was breathing on the hood of a car in the Wakefield section of the Bronx. Inside a two-family home nearby, her 22-year-old mother lay on the floor in a pool of blood, fatally stabbed several times in her torso and neck, the authorities said. <hl> She had been close to nine months pregnant. <hl>