Question: What is the title of the James Bond movie?

‘Spectre’ (PG-13, 2:28) Bond, James Bond, etc. (Dargis) ★ ‘Spotlight’ (R, 2:07) A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by Tom McCarthy. The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)

Answer: Spectre

<hl> ‘ Spectre ’ (PG-13, 2:28) Bond, James Bond, etc. <hl> (Dargis) ★ ‘Spotlight’ (R, 2:07) A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by Tom McCarthy. The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)

‘<hl> Spectre <hl>’ (PG-13, 2:28) Bond, James Bond, etc. (Dargis) ★ ‘Spotlight’ (R, 2:07) A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by Tom McCarthy. The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)

‘ <hl> Spectre <hl> ’ (PG-13, 2:28) Bond, James Bond, etc.


Question: What is the name of the movie that stars Michael Keaton and Rachel McAdams?

Answer: Spotlight

(Dargis) ★ ‘ Spotlight ’ (R, 2:07)

‘Spectre’ (PG-13, 2:28) Bond, James Bond, etc. <hl> (Dargis) ★ ‘ Spotlight ’ (R, 2:07) <hl> A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by Tom McCarthy. The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)

‘Spectre’ (PG-13, 2:28) Bond, James Bond, etc. (Dargis) ★ ‘<hl> Spotlight <hl>’ (R, 2:07) A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by Tom McCarthy. The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)

(Dargis) ★ ‘ <hl> Spotlight <hl> ’ (R, 2:07)


Question: Who is the director of Spotlight?

Answer: Tom McCarthy

‘Spectre’ (PG-13, 2:28) Bond, James Bond, etc. (Dargis) ★ ‘Spotlight’ (R, 2:07) <hl> A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by Tom McCarthy . <hl> The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)

‘Spectre’ (PG-13, 2:28) Bond, James Bond, etc. (Dargis) ★ ‘Spotlight’ (R, 2:07) A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by <hl> Tom McCarthy <hl>. The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)

A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by <hl> Tom McCarthy <hl> .


Question: Who does the newpaper, in the movie Spotlight, go after?

Answer: local archdiocese

‘Spectre’ (PG-13, 2:28) Bond, James Bond, etc. (Dargis) ★ ‘Spotlight’ (R, 2:07) <hl> A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the local archdiocese in this powerful fact-based newspaper procedural, directed by Tom McCarthy. <hl> The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)

‘Spectre’ (PG-13, 2:28) Bond, James Bond, etc. (Dargis) ★ ‘Spotlight’ (R, 2:07) A team of Boston Globe investigative reporters — played by Michael Keaton, Brian d’Arcy James, Rachel McAdams and Mark Ruffalo — takes on the <hl> local archdiocese <hl> in this powerful fact-based newspaper procedural, directed by Tom McCarthy. The movie, with a superb cast and a tightly constructed script, is an unflinching investigation of systemic moral rot and a rousing defense of the values of professional journalism. (Scott)


Question: Which actor takes on the role of Steve Jobs?

★ ‘Steve Jobs’ (R, 2:02) This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)

Answer: Steve Jobs

★ ‘ Steve Jobs ’ (R, 2:02)

<hl> ★ ‘ Steve Jobs ’ (R, 2:02) <hl> This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)

★ ‘<hl> Steve Jobs <hl>’ (R, 2:02) This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)


Question: Who wrote the Steve Jobs movie?

Answer: Aaron Sorkin

★ ‘Steve Jobs’ (R, 2:02) <hl> This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. <hl> Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)

★ ‘Steve Jobs’ (R, 2:02) This three-panel portrait of the Apple co-founder, written by <hl> Aaron Sorkin <hl> and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)


Question: Who directed Steve Jobs?

Answer: Danny Boyle

★ ‘Steve Jobs’ (R, 2:02) <hl> This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle , portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. <hl> Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)

★ ‘Steve Jobs’ (R, 2:02) This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by <hl> Danny Boyle <hl>, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)

This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by <hl> Danny Boyle <hl> , portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships.


Question: Which actress plays the role of Maud Watts, in Suffragette?

Answer: Carey Mulligan

★ ‘Steve Jobs’ (R, 2:02) This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. <hl> (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. <hl> In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)

★ ‘Steve Jobs’ (R, 2:02) This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) <hl> Carey Mulligan <hl> plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘Taxi’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)


Question: What was the name of the movie was shot with a dashboard-mounted video camera?

Answer: Taxi

★ ‘Steve Jobs’ (R, 2:02) This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. <hl> (Scott) ★ ‘ Taxi ’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. <hl> What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)

★ ‘Steve Jobs’ (R, 2:02) This three-panel portrait of the Apple co-founder, written by Aaron Sorkin and directed by Danny Boyle, portrays Jobs (Michael Fassbender) as a complicated, ambitious man caught in a tangle of messy personal and business relationships. Isolating Jobs at three crucial moments in his career, the film plays like a fast, busy backstage comedy and ends up being a richly intelligent exploration of our ambivalence about technology, genius and consumer capitalism. (Scott) ‘Suffragette’ (PG-13, 1:47) Carey Mulligan plays Maud Watts, a laundry worker in London in 1912 who becomes a militant supporter of women’s voting rights. In telling her story, Sarah Gavron (the director) and Abi Morgan (who wrote the screenplay) hit a few soft and sentimental notes, but they also explore the vital and still relevant connection between feminism and class consciousness in modern democratic politics. (Scott) ★ ‘<hl> Taxi <hl>’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism. What seems like a random series of encounters turns out to be an elegantly shaped and poignant parable of modern urban life. (Scott) ★ ‘Theeb’ (No rating, 1:40, in Arabic) The title character in the “Arabic western,” set in 1916 and heavily influenced by Sergio Leone, is a Bedouin boy stranded in the desert with the mercenary who killed his older brother. The survival drama is as tough as it is picturesque. (Holden)

(Scott) ★ ‘ <hl> Taxi <hl> ’ (No rating, 1:22) Shot almost entirely with a dashboard-mounted video camera, Jafar Panahi’s latest film — his third since the Iranian government banned him from practicing his craft in 2010 — is a wry meditation on the slippery boundary between movies and reality and a pointed work of social criticism.


Question: Who was Steven Pifer?

“Minsk II raises tough questions and leaves difficult issues for later,” said Steven Pifer, a former American ambassador to Ukraine. “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” The Obama administration, which has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement.

Answer: Steven Pifer, a former American ambassador

<hl> “Minsk II raises tough questions and leaves difficult issues for later,” said Steven Pifer, a former American ambassador to Ukraine. <hl> “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” The Obama administration, which has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement.

“Minsk II raises tough questions and leaves difficult issues for later,” said <hl> Steven Pifer, a former American ambassador <hl> to Ukraine. “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” The Obama administration, which has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement.


Question: To whom was Steven talking?

Answer: Ukraine

<hl> “Minsk II raises tough questions and leaves difficult issues for later,” said Steven Pifer, a former American ambassador to Ukraine . <hl> “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” The Obama administration, which has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement.

“Minsk II raises tough questions and leaves difficult issues for later,” said Steven Pifer, a former American ambassador to <hl> Ukraine <hl>. “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” The Obama administration, which has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement.

“Minsk II raises tough questions and leaves difficult issues for later,” said Steven Pifer, a former American ambassador to <hl> Ukraine <hl> .


Question: What did Obama administration indicate?

Answer: has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine,

“Minsk II raises tough questions and leaves difficult issues for later,” said Steven Pifer, a former American ambassador to Ukraine. “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” <hl> The Obama administration, which has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement. <hl>

“Minsk II raises tough questions and leaves difficult issues for later,” said Steven Pifer, a former American ambassador to Ukraine. “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” The Obama administration, which <hl> has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, <hl> said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement.


Question: What did Steven Pifer say in the beginning?

Answer: Minsk II raises tough questions and leaves difficult issues for later

<hl> “ Minsk II raises tough questions and leaves difficult issues for later ,” said Steven Pifer, a former American ambassador to Ukraine. <hl> “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” The Obama administration, which has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement.

“<hl> Minsk II raises tough questions and leaves difficult issues for later <hl>,” said Steven Pifer, a former American ambassador to Ukraine. “It is a fragile arrangement, requiring good faith and follow-through from parties that have shown little of that in the past.” The Obama administration, which has indicated that it would send antitank missiles, surveillance drones and other far more serious battlefield weapons to Ukraine, said those plans would be shelved, for now, but would be revived if the parties failed to honor the agreement.

“ <hl> Minsk II raises tough questions and leaves difficult issues for later <hl> ,” said Steven Pifer, a former American ambassador to Ukraine.


Question: Who did not  sign the agreements?

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire.

Answer: None of the leaders themselves signed the agreements

<hl> None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. <hl> Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire.

<hl> None of the leaders themselves signed the agreements <hl> — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire.


Question: What did it signal?

Answer: discreet signal that they were not taking full responsibility for the outcome

<hl> None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome . <hl> Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire.

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a <hl> discreet signal that they were not taking full responsibility for the outcome <hl>. Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire.

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a <hl> discreet signal that they were not taking full responsibility for the outcome <hl> .


Question: Who had to pressure to rebel leaders to sign?

Answer: Mr. Putin

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. <hl> Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. <hl> The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire.

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. Ms. Merkel did note that <hl> Mr. Putin <hl> had to pressure the rebel leaders to sign. The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire.


Question: What does the agreement state?

Answer: The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. <hl> The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire. <hl>

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. <hl> The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons <hl> — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire.


Question: How much time was given?

Answer: no later than two weeks after the start of the cease-fire.

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. <hl> The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — no later than two weeks after the start of the cease-fire. <hl>

None of the leaders themselves signed the agreements — that was left to other representatives of the antagonists and the European truce observers — sending a discreet signal that they were not taking full responsibility for the outcome. Ms. Merkel did note that Mr. Putin had to pressure the rebel leaders to sign. The agreement also states that the Ukrainian military and its separatist opponents will complete the withdrawal of heavy weapons — with the largest missiles pulled back more than 40 miles — <hl> no later than two weeks after the start of the cease-fire. <hl>


Question: Who was accused ?

Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in Global Affairs.

Answer: Russia

<hl> Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. <hl> Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in Global Affairs.

<hl> Russia <hl> has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in Global Affairs.


Question: Who took financial responsibility for rebel region?

Answer: Ukraine

<hl> Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. <hl> Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in Global Affairs.

Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize <hl> Ukraine <hl> any time it draws too close to the West. Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in Global Affairs.


Question: Who will be benefited from that?

Answer: Moscow

Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. <hl> Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. <hl> “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in Global Affairs.

Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. Critics of the new agreement said it would help <hl> Moscow <hl> achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in Global Affairs.


Question: Who is the editor of the journal Russia?

Answer: Fyodor Lukyanov

Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. <hl> “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov , the editor of the journal Russia in Global Affairs. <hl>

Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said <hl> Fyodor Lukyanov <hl>, the editor of the journal Russia in Global Affairs.

“The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said <hl> Fyodor Lukyanov <hl> , the editor of the journal Russia in Global Affairs.


Question: Where was he talking?

Answer: Global Affairs.

Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. <hl> “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in Global Affairs. <hl>

Russia has been accused of trying to create a so-called frozen conflict that it could heat up in order to destabilize Ukraine any time it draws too close to the West. Critics of the new agreement said it would help Moscow achieve that over the long run, even while Ukraine took financial responsibility for the rebel regions. “The practical, realistic expectation is a frozen conflict with no effective control by Kiev over those areas, but no formal responsibility of Russia,” said Fyodor Lukyanov, the editor of the journal Russia in <hl> Global Affairs. <hl>


Question: Was there any agreement on the border control?

“There is no agreement on border control at all, and this is the weakest part,” she told reporters in Brussels during a European Union summit meeting. “It’s a very partial solution,” she added. “We already had a very bad experience of not implementing Minsk 1. We’ll see what Minsk 2 will mean.”

Answer: no

<hl> “There is no agreement on border control at all, and this is the weakest part,” she told reporters in Brussels during a European Union summit meeting. <hl> “It’s a very partial solution,” she added. “We already had a very bad experience of not implementing Minsk 1. We’ll see what Minsk 2 will mean.”

“There is <hl> no <hl> agreement on border control at all, and this is the weakest part,” she told reporters in Brussels during a European Union summit meeting. “It’s a very partial solution,” she added. “We already had a very bad experience of not implementing Minsk 1. We’ll see what Minsk 2 will mean.”


Question: What was the weakest part?

Answer: There is no agreement on border control at all, and this is the weakest part,

<hl> “ There is no agreement on border control at all, and this is the weakest part, ” she told reporters in Brussels during a European Union summit meeting. <hl> “It’s a very partial solution,” she added. “We already had a very bad experience of not implementing Minsk 1. We’ll see what Minsk 2 will mean.”

“<hl> There is no agreement on border control at all, and this is the weakest part, <hl>” she told reporters in Brussels during a European Union summit meeting. “It’s a very partial solution,” she added. “We already had a very bad experience of not implementing Minsk 1. We’ll see what Minsk 2 will mean.”

“ <hl> There is no agreement on border control at all, and this is the weakest part, <hl> ” she told reporters in Brussels during a European Union summit meeting.


Question: Where did she tell the reporters?

Answer: she told reporters in Brussels during a European Union summit meeting

<hl> “There is no agreement on border control at all, and this is the weakest part,” she told reporters in Brussels during a European Union summit meeting . <hl> “It’s a very partial solution,” she added. “We already had a very bad experience of not implementing Minsk 1. We’ll see what Minsk 2 will mean.”

“There is no agreement on border control at all, and this is the weakest part,” <hl> she told reporters in Brussels during a European Union summit meeting <hl>. “It’s a very partial solution,” she added. “We already had a very bad experience of not implementing Minsk 1. We’ll see what Minsk 2 will mean.”

“There is no agreement on border control at all, and this is the weakest part,” <hl> she told reporters in Brussels during a European Union summit meeting <hl> .


Question: How was the Minsk1 experience?

Answer: bad experience of not implementing Minsk 1

“There is no agreement on border control at all, and this is the weakest part,” she told reporters in Brussels during a European Union summit meeting. “It’s a very partial solution,” she added. <hl> “We already had a very bad experience of not implementing Minsk 1 . <hl> We’ll see what Minsk 2 will mean.”

“There is no agreement on border control at all, and this is the weakest part,” she told reporters in Brussels during a European Union summit meeting. “It’s a very partial solution,” she added. “We already had a very <hl> bad experience of not implementing Minsk 1 <hl>. We’ll see what Minsk 2 will mean.”

“We already had a very <hl> bad experience of not implementing Minsk 1 <hl> .


Question: What did she further add about Minsk2?

Answer: We’ll see what Minsk 2 will mean.”

We’ll see what Minsk 2 will mean.”

“There is no agreement on border control at all, and this is the weakest part,” she told reporters in Brussels during a European Union summit meeting. “It’s a very partial solution,” she added. “We already had a very bad experience of not implementing Minsk 1. <hl> We’ll see what Minsk 2 will mean.” <hl>


Question: Who is Mark Galeotti?

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.

Answer: Mark Galeotti, a military analyst

<hl> “The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” Mark Galeotti, a military analyst , wrote in Foreign Policy magazine. <hl> “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” <hl> Mark Galeotti, a military analyst <hl>, wrote in Foreign Policy magazine. “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” <hl> Mark Galeotti, a military analyst <hl> , wrote in Foreign Policy magazine.


Question: What did he write in the Foreign Policy magazine?

Answer: “The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too

<hl> “The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too ,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. <hl> “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.

<hl> “The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too <hl>,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.

<hl> “The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too <hl> ,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine.


Question: How many troops did Russia deploy?

Answer: 9,000 troops.

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. <hl> “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops. ” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. <hl> The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some <hl> 9,000 troops. <hl>” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.

“Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some <hl> 9,000 troops. <hl> ” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said.


Question: What did Mr. Lukyanov say?

Answer: Russia would have to commit significant new resources

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” <hl> But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. <hl> The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” But the conflict has also reached a point where <hl> Russia would have to commit significant new resources <hl> for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved,” he said.


Question: What did he mention at the end?

Answer: Russia does not want to get directly involved,

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. <hl> The separatists “cannot advance very much without direct Russian involvement, and Russia does not want to get directly involved, ” he said. <hl>

“The Russians have fought what is largely a proxy war in eastern Ukraine — and on the cheap, too,” Mark Galeotti, a military analyst, wrote in Foreign Policy magazine. “Even the government in Kiev, which is prone to alarmism, estimates that Russia has deployed, at most, some 9,000 troops.” But the conflict has also reached a point where Russia would have to commit significant new resources for any further advance, which helped clear the way for a settlement to consolidate its gains, Mr. Lukyanov said. The separatists “cannot advance very much without direct Russian involvement, and <hl> Russia does not want to get directly involved, <hl>” he said.

The separatists “cannot advance very much without direct Russian involvement, and <hl> Russia does not want to get directly involved, <hl> ” he said.


Question: How did Ukrainians greet the news?

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “You cannot always trust that just because he says something that it will happen.”

Answer: Ukrainians greeted the news with much the same skepticism as the experts,

<hl> Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. <hl> “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “You cannot always trust that just because he says something that it will happen.”

<hl> Ukrainians greeted the news with much the same skepticism as the experts, <hl> though mingled with relief. “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “You cannot always trust that just because he says something that it will happen.”


Question: What is the name of the student in Khhharkiv?

Answer: Dmitri Kolesnik

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. <hl> “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik , 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. <hl> He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “You cannot always trust that just because he says something that it will happen.”

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said <hl> Dmitri Kolesnik <hl>, 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “You cannot always trust that just because he says something that it will happen.”

“We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said <hl> Dmitri Kolesnik <hl> , 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence.


Question: How old was Dmitri?

Answer: 18

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. <hl> “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, 18 , a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. <hl> He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “You cannot always trust that just because he says something that it will happen.”

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, <hl> 18 <hl>, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “You cannot always trust that just because he says something that it will happen.”

“We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, <hl> 18 <hl> , a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence.


Question: Who is very aggressive person?

Answer: Putin

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. <hl> He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “ Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. <hl> “You cannot always trust that just because he says something that it will happen.”

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “<hl> Putin <hl> is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “You cannot always trust that just because he says something that it will happen.”

He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “ <hl> Putin <hl> is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon.


Question: What did Mr. Kolesnik say?

Answer: You cannot always trust that just because he says something that it will happen.”

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. <hl> “ You cannot always trust that just because he says something that it will happen.” <hl>

Ukrainians greeted the news with much the same skepticism as the experts, though mingled with relief. “We had a cease-fire before, but it was not observed, almost from the beginning, so how can we have much faith?” said Dmitri Kolesnik, 18, a student in Kharkiv, a city in southeastern Ukraine that has been touched sporadically by violence. He paused on the steps leading down to a subway station, and said he put the odds of peace at no better than 50-50. “Putin is a very aggressive person,” Mr. Kolesnik said, as bustling throngs made their way home in the late afternoon. “<hl> You cannot always trust that just because he says something that it will happen.” <hl>

“ <hl> You cannot always trust that just because he says something that it will happen.” <hl>


Question: Who played the Prince?

Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet. Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

Answer: Marcelo Gomes

Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet. <hl> Marcelo Gomes , who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. <hl> Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet. <hl> Marcelo Gomes <hl>, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

<hl> Marcelo Gomes <hl> , who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force.


Question: Who plays Lilac Fairy?

Answer: Veronika Part

<hl> Veronika Part , a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet. <hl> Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

<hl> Veronika Part <hl>, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet. Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

<hl> Veronika Part <hl> , a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet.


Question: What is the name of the evil fairy character?

Answer: Carabosse

Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet. <hl> Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse , with splendidly venomous force. <hl> Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet. Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, <hl> Carabosse <hl>, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, <hl> Carabosse <hl> , with splendidly venomous force.


Question: What type of dance was this performance?

Answer: ballet

<hl> Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet . <hl> Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole <hl> ballet <hl>. Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole <hl> ballet <hl> .


Question: What day of the week was the reviewed performance on?

Answer: Thursday

<hl> Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on Thursday evening, her performance was the most wonderful thing in the whole ballet. <hl> Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.

Veronika Part, a Lilac Fairy of long experience, now radiates the mature generosity that this part is all about; on <hl> Thursday <hl> evening, her performance was the most wonderful thing in the whole ballet. Marcelo Gomes, who as Prince Désiré delivers the taxing intricacies of his solo variation at the peak of an exemplary account of the role, also performs as the evil fairy, Carabosse, with splendidly venomous force. Cory Stearns, whose nobility has become nuanced by humor, reflectiveness and poignancy, takes the character of Désiré through a true journey.


Question: How many fairy godmothers are there?

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.

Answer: six

The dancing is equally layered. <hl> When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. <hl> (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.

The dancing is equally layered. When the <hl> six <hl> fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.


Question: What is the name of the Princess?

Answer: Aurora

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) <hl> In Act I, when Princess Aurora ’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air. <hl>

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) In Act I, when Princess <hl> Aurora <hl>’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.

In Act I, when Princess <hl> Aurora <hl> ’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.


Question: What is the name for sideways jumps with each foot circling?

Answer: gargouillades

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) <hl> In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air. <hl>

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing <hl> gargouillades <hl> — twinkling sideways jumps in which each foot writes a circle in the air.


Question: What is the name of the classicist?

Answer: Petipa

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. <hl> (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) <hl> In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how <hl> Petipa <hl> the classicist played number games with these choreographic groups of eight, six, four and two.) In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight violin pages, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.


Question: There are eight of what on the sides of the stage doing jumps?

Answer: violin pages

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) <hl> In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight violin pages , on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air. <hl>

The dancing is equally layered. When the six fairy godmothers arrive, there are passages in which they, their eight attendants and four of their cavaliers are all dancing at once, like three orchestral groups in harmony. (Two of the cavaliers don’t dance, so we also see how Petipa the classicist played number games with these choreographic groups of eight, six, four and two.) In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight <hl> violin pages <hl>, on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.

In Act I, when Princess Aurora’s maids of honor are dancing center stage, the eight <hl> violin pages <hl> , on the sides of the stage, are doing gargouillades — twinkling sideways jumps in which each foot writes a circle in the air.


Question: What does Aurora drop?

Still, there are lots of details that the company has yet to get right. Once Aurora drops the spindle after pricking her finger, why does nobody pick up it up? (Ms. Lane actually tripped over it.) Although Tatiana Ratmansky, who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. All the dancers should be taught how to smile with their eyes more than with their mouths. But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.

Answer: spindle

Still, there are lots of details that the company has yet to get right. <hl> Once Aurora drops the spindle after pricking her finger, why does nobody pick up it up? <hl> (Ms. Lane actually tripped over it.) Although Tatiana Ratmansky, who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. All the dancers should be taught how to smile with their eyes more than with their mouths. But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.

Still, there are lots of details that the company has yet to get right. Once Aurora drops the <hl> spindle <hl> after pricking her finger, why does nobody pick up it up? (Ms. Lane actually tripped over it.) Although Tatiana Ratmansky, who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. All the dancers should be taught how to smile with their eyes more than with their mouths. But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.


Question: Who is married to the choreographer?

Answer: Tatiana Ratmansky

Still, there are lots of details that the company has yet to get right. Once Aurora drops the spindle after pricking her finger, why does nobody pick up it up? (Ms. Lane actually tripped over it.) <hl> Although Tatiana Ratmansky , who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. <hl> All the dancers should be taught how to smile with their eyes more than with their mouths. But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.

Still, there are lots of details that the company has yet to get right. Once Aurora drops the spindle after pricking her finger, why does nobody pick up it up? (Ms. Lane actually tripped over it.) Although <hl> Tatiana Ratmansky <hl>, who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. All the dancers should be taught how to smile with their eyes more than with their mouths. But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.

Although <hl> Tatiana Ratmansky <hl> , who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true.


Question: Who played the Queen?

Answer: Tatiana Ratmansky

Still, there are lots of details that the company has yet to get right. Once Aurora drops the spindle after pricking her finger, why does nobody pick up it up? (Ms. Lane actually tripped over it.) <hl> Although Tatiana Ratmansky , who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. <hl> All the dancers should be taught how to smile with their eyes more than with their mouths. But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.

Still, there are lots of details that the company has yet to get right. Once Aurora drops the spindle after pricking her finger, why does nobody pick up it up? (Ms. Lane actually tripped over it.) Although <hl> Tatiana Ratmansky <hl>, who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. All the dancers should be taught how to smile with their eyes more than with their mouths. But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.

Although <hl> Tatiana Ratmansky <hl> , who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true.


Question: what should dancers learn to smile with?

Answer: eyes

Still, there are lots of details that the company has yet to get right. Once Aurora drops the spindle after pricking her finger, why does nobody pick up it up? (Ms. Lane actually tripped over it.) Although Tatiana Ratmansky, who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. <hl> All the dancers should be taught how to smile with their eyes more than with their mouths. <hl> But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.

Still, there are lots of details that the company has yet to get right. Once Aurora drops the spindle after pricking her finger, why does nobody pick up it up? (Ms. Lane actually tripped over it.) Although Tatiana Ratmansky, who played the Queen and is the choreographer’s wife and production colleague, had a great moment on June 8 when the realization that her daughter was dead hit her like a visible body blow, no interpreter has made that mother’s anguish ring consistently true. All the dancers should be taught how to smile with their <hl> eyes <hl> more than with their mouths. But Ballet Theater, at last, has found itself a “Sleeping Beauty” in which the whole world onstage is engaging, lovely, touching.


Question: What is in the screenshots area?

You should see thumbnails of your Android screen-grabs in the Screenshots area. The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.

Answer: thumbnails

<hl> You should see thumbnails of your Android screen-grabs in the Screenshots area. <hl> The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.

You should see <hl> thumbnails <hl> of your Android screen-grabs in the Screenshots area. The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.


Question: images made with other apps are in what area?

Answer: Device Folders

You should see thumbnails of your Android screen-grabs in the Screenshots area. <hl> The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. <hl> With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.

You should see thumbnails of your Android screen-grabs in the Screenshots area. The <hl> Device Folders <hl> area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.


Question: An example is pictures taken from where?

Answer: Twitter posts

You should see thumbnails of your Android screen-grabs in the Screenshots area. <hl> The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. <hl> With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.

You should see thumbnails of your Android screen-grabs in the Screenshots area. The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from <hl> Twitter posts <hl> or pictures you have edited in Adobe Photoshop Express. With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.


Question: Android version 4.4 is called what?

Answer: Kit Kat

You should see thumbnails of your Android screen-grabs in the Screenshots area. The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. <hl> With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. <hl> If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.

You should see thumbnails of your Android screen-grabs in the Screenshots area. The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. With gadgets running an older version of Android, like <hl> Kit Kat <hl> (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.


Question: Power and volume down usually does what?

Answer: take a picture of your Android screen

You should see thumbnails of your Android screen-grabs in the Screenshots area. The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. <hl> How you take a picture of your Android screen can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices. <hl>

You should see thumbnails of your Android screen-grabs in the Screenshots area. The Device Folders area also displays images saved or created with other apps, like photos you have downloaded from Twitter posts or pictures you have edited in Adobe Photoshop Express. With gadgets running an older version of Android, like Kit Kat (version 4.4), open the Gallery app, select Album view and then look for the Screenshots folder. If you still do not see a Screenshots folder, check with your phone’s manufacturer. How you <hl> take a picture of your Android screen <hl> can also vary based on your hardware, but holding down the Power and Volume Down buttons at the same time for a few seconds works on many phones and tablets like the Droid Turbo, the Moto X and Google’s own Nexus devices.


Question: Galaxy S5 and S6 are made by what company?

Some phone makers, like Samsung with its Galaxy S5 and Galaxy S6 models, let you take a screen shot by touching the phone’s display with the side of your hand and swiping from left to right; the Power and Volume Down button combination works as well. To see a collection of your Samsung screen shots, open the Gallery app, go to Album view and tap Screenshots. Sharing iTunes Files Between Computers Q. I have a work and home computer with different iTunes libraries. If I want to copy songs from one computer’s music library to the other, can I just copy the tracks to my Dropbox folder and then download them to the other computer from there?

Answer: Samsung

<hl> Some phone makers, like Samsung with its Galaxy S5 and Galaxy S6 models, let you take a screen shot by touching the phone’s display with the side of your hand and swiping from left to right; the Power and Volume Down button combination works as well. <hl> To see a collection of your Samsung screen shots, open the Gallery app, go to Album view and tap Screenshots. Sharing iTunes Files Between Computers Q. I have a work and home computer with different iTunes libraries. If I want to copy songs from one computer’s music library to the other, can I just copy the tracks to my Dropbox folder and then download them to the other computer from there?

Some phone makers, like <hl> Samsung <hl> with its Galaxy S5 and Galaxy S6 models, let you take a screen shot by touching the phone’s display with the side of your hand and swiping from left to right; the Power and Volume Down button combination works as well. To see a collection of your Samsung screen shots, open the Gallery app, go to Album view and tap Screenshots. Sharing iTunes Files Between Computers Q. I have a work and home computer with different iTunes libraries. If I want to copy songs from one computer’s music library to the other, can I just copy the tracks to my Dropbox folder and then download them to the other computer from there?