Question: What is the name of one of the suspects grandfather?

Answer: Meir Kahane

Soon after the Duma attack, three Israeli Jews were detained on suspicion of involvement in such a network and in previous arson attacks. The three are being held under administrative detention orders, without formal charges. <hl> One of them, Meir Ettinger, is the grandson of Meir Kahane , the American-Israeli rabbi regarded as the father of far-right Jewish militancy. <hl> Shin Bet did not indicate in its statement on Thursday whether the recent arrests were connected to those earlier detentions, or whether the terrorist organization it referred to was the network responsible for the manifesto and arson manual.

Soon after the Duma attack, three Israeli Jews were detained on suspicion of involvement in such a network and in previous arson attacks. The three are being held under administrative detention orders, without formal charges. One of them, Meir Ettinger, is the grandson of <hl> Meir Kahane <hl>, the American-Israeli rabbi regarded as the father of far-right Jewish militancy. Shin Bet did not indicate in its statement on Thursday whether the recent arrests were connected to those earlier detentions, or whether the terrorist organization it referred to was the network responsible for the manifesto and arson manual.

One of them, Meir Ettinger, is the grandson of <hl> Meir Kahane <hl> , the American-Israeli rabbi regarded as the father of far-right Jewish militancy.


Question: What belief system is this grandfather known to espouse?

Soon after the Duma attack, three Israeli Jews were detained on suspicion of involvement in such a network and in previous arson attacks. The three are being held under administrative detention orders, without formal charges. One of them, Meir Ettinger, is the grandson of Meir Kahane, the American-Israeli rabbi regarded as the father of far-right Jewish militancy. Shin Bet did not indicate in its statement on Thursday whether the recent arrests were connected to those earlier detentions, or whether the terrorist organization it referred to was the network responsible for the manifesto and arson manual.

Answer: far-right Jewish militancy

Soon after the Duma attack, three Israeli Jews were detained on suspicion of involvement in such a network and in previous arson attacks. The three are being held under administrative detention orders, without formal charges. <hl> One of them, Meir Ettinger, is the grandson of Meir Kahane, the American-Israeli rabbi regarded as the father of far-right Jewish militancy . <hl> Shin Bet did not indicate in its statement on Thursday whether the recent arrests were connected to those earlier detentions, or whether the terrorist organization it referred to was the network responsible for the manifesto and arson manual.

Soon after the Duma attack, three Israeli Jews were detained on suspicion of involvement in such a network and in previous arson attacks. The three are being held under administrative detention orders, without formal charges. One of them, Meir Ettinger, is the grandson of Meir Kahane, the American-Israeli rabbi regarded as the father of <hl> far-right Jewish militancy <hl>. Shin Bet did not indicate in its statement on Thursday whether the recent arrests were connected to those earlier detentions, or whether the terrorist organization it referred to was the network responsible for the manifesto and arson manual.

One of them, Meir Ettinger, is the grandson of Meir Kahane, the American-Israeli rabbi regarded as the father of <hl> far-right Jewish militancy <hl> .


Question: What incriminating items were found on the scene?

Answer: manifesto and arson manual

Soon after the Duma attack, three Israeli Jews were detained on suspicion of involvement in such a network and in previous arson attacks. The three are being held under administrative detention orders, without formal charges. One of them, Meir Ettinger, is the grandson of Meir Kahane, the American-Israeli rabbi regarded as the father of far-right Jewish militancy. <hl> Shin Bet did not indicate in its statement on Thursday whether the recent arrests were connected to those earlier detentions, or whether the terrorist organization it referred to was the network responsible for the manifesto and arson manual . <hl>

Soon after the Duma attack, three Israeli Jews were detained on suspicion of involvement in such a network and in previous arson attacks. The three are being held under administrative detention orders, without formal charges. One of them, Meir Ettinger, is the grandson of Meir Kahane, the American-Israeli rabbi regarded as the father of far-right Jewish militancy. Shin Bet did not indicate in its statement on Thursday whether the recent arrests were connected to those earlier detentions, or whether the terrorist organization it referred to was the network responsible for the <hl> manifesto and arson manual <hl>.

Shin Bet did not indicate in its statement on Thursday whether the recent arrests were connected to those earlier detentions, or whether the terrorist organization it referred to was the network responsible for the <hl> manifesto and arson manual <hl> .


Question: Who is the grandfather of the children burned in Duma?

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

Answer: Hussein Dawabsheh

<hl> Hussein Dawabsheh , a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. <hl> “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

<hl> Hussein Dawabsheh <hl>, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

<hl> Hussein Dawabsheh <hl> , a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished.


Question: What justice does he hope will be done?

Answer: hope that the perpetrators would be severely punished

<hl> Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished . <hl> “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed <hl> hope that the perpetrators would be severely punished <hl>. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed <hl> hope that the perpetrators would be severely punished <hl> .


Question: What is the name of the lawyer representing one of the suspected jewish arsonists?

Answer: Zion Amir

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” <hl> A prominent Israeli lawyer, Zion Amir , said Thursday that he was representing one of the youths arrested this week. <hl> Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, <hl> Zion Amir <hl>, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client.

A prominent Israeli lawyer, <hl> Zion Amir <hl> , said Thursday that he was representing one of the youths arrested this week.


Question: What injustice has he claimed has been done to his client?

Answer: he had not had any access to his client

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and <hl> that he had not had any access to his client . <hl>

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that his client was a minor and had been in custody for two or three days, and that <hl> he had not had any access to his client <hl>.

that <hl> he had not had any access to his client <hl> .


Question: Is Zion Amir's client an legal adult?

Answer: his client was a minor

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio <hl> that his client was a minor and had been in custody for two or three days, and that he had not had any access to his client. <hl>

Hussein Dawabsheh, a grandfather of the children who were burned in Duma, expressed hope that the perpetrators would be severely punished. “It won’t bring my family back,” he told Ynet, a Hebrew-language news site, “but I want the murderers to look little Ahmad in the eye and see what they have done to him, how they have killed his family.” A prominent Israeli lawyer, Zion Amir, said Thursday that he was representing one of the youths arrested this week. Mr. Amir said on Israel Radio that <hl> his client was a minor <hl> and had been in custody for two or three days, and that he had not had any access to his client.


Question: Which country is Entang Wiharso from?

One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013. He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

Answer: Indonesia

<hl> One of Indonesia ’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013. <hl> He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

One of <hl> Indonesia <hl>’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013. He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

One of <hl> Indonesia <hl> ’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013.


Question: Which kind of artist is Entang Wiharso?

Answer: contemporary

<hl> One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013. <hl> He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

One of Indonesia’s most prominent <hl> contemporary <hl> artists, Entang Wiharso represented his country in the Venice Biennale of 2013. He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.


Question: Entang Wiharso represented Indonesia in what?

Answer: the Venice Biennale of 2013

<hl> One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013 . <hl> He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in <hl> the Venice Biennale of 2013 <hl>. He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in <hl> the Venice Biennale of 2013 <hl> .


Question: What was Entang Wiharso's exhibition described as?

Answer: gaudy, overstuffed

One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013. He has been included in other biennials and museum exhibitions from Tokyo to Rome. <hl> This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. <hl> In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013. He has been included in other biennials and museum exhibitions from Tokyo to Rome. This <hl> gaudy, overstuffed <hl> exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “Double Protection: Invisible Threat” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.


Question: Which painting of Wiharso's is 10 feet long?

Answer: Double Protection: Invisible Threat

One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013. He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. <hl> Painted with a dry, Expressionist touch, “ Double Protection: Invisible Threat ” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. <hl> Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

One of Indonesia’s most prominent contemporary artists, Entang Wiharso represented his country in the Venice Biennale of 2013. He has been included in other biennials and museum exhibitions from Tokyo to Rome. This gaudy, overstuffed exhibition reveals an artist of extraordinary industry and canny versatility. In near mural-scale paintings and in sculptures cast in aluminum, brass and resin, he mixes traditional Indonesian styles with Pop and Surrealism, creating allegories of psychic stress in a global economy. Mr. Wiharso’s paintings exude moods of darkly comical hysteria, calling to mind the works of James Ensor. Painted with a dry, Expressionist touch, “<hl> Double Protection: Invisible Threat <hl>” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas. Other male and female figures fill the picture, kneeling or lying prone in a hellish laboratory where tubes, wires and cables circulate between machines and human bodies. Here and there, knife-wielding hands hint at potential murderous violence. With too many shiny, cast-metal reliefs representing intertwining, struggling figures, the exhibition gives the impression of an art fair booth. The show’s most impressive sculpture, “Inheritance,” should have a room to itself but must compete with a large relief and another big painting. It consists of a nuclear family — mother, father and two children — cast life-size in nearly black graphite and arrayed around a dinner table on which lies an enormous carp, whose silvery skin is accented by bright red splotches. It’s a very postmodern tableau, but it has the mystery, too, of an old folk tale.

Painted with a dry, Expressionist touch, “ <hl> Double Protection: Invisible Threat <hl> ” has a shirtless man with four eyes and a wide, clownish grin dominating the right half of the almost 10-foot-wide canvas.


Question: What percent of Americans with children under 6 have working parents?

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.

Answer: 60 percent

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. <hl> For 60 percent of American households with children age 6 and under, every adult in the household is working. <hl> Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For <hl> 60 percent <hl> of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.


Question: What states need better child care the most?

Answer: red states

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. <hl> Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states . <hl> The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the <hl> red states <hl>. The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.

Perhaps surprisingly, the parts of the country that most desperately need great child care are the <hl> red states <hl> .


Question: What is the quality of childcare?

Answer: most child care is mediocre to poor

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. <hl> Meanwhile, experts tell us that most child care is mediocre to poor , including care by relatives — who are often too busy trying to get work done themselves. <hl> Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that <hl> most child care is mediocre to poor <hl>, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.

Meanwhile, experts tell us that <hl> most child care is mediocre to poor <hl> , including care by relatives — who are often too busy trying to get work done themselves.


Question: Why do mothers in the red states need to work more?

Answer: states are poorer and have a higher rate of single motherhood and divorce

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. <hl> The Republican states are poorer and have a higher rate of single motherhood and divorce , so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. <hl> The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. The Republican <hl> states are poorer and have a higher rate of single motherhood and divorce <hl>, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.

The Republican <hl> states are poorer and have a higher rate of single motherhood and divorce <hl> , so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care.


Question: How many professionals are in Fight Crime: Invest in Kids?

Answer: nearly 5,000

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. <hl> Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of nearly 5,000 police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention. <hl>

So where do we go from here? Slaughter focuses on high-quality child care, and that’s a great place to start. For 60 percent of American households with children age 6 and under, every adult in the household is working. Meanwhile, experts tell us that most child care is mediocre to poor, including care by relatives — who are often too busy trying to get work done themselves. Blair faults Slaughter for “woolliness” about solutions and an avoidance of the “political system.” And indeed, today’s Congress is a huge part of the stall. But we can’t be vague about the political challenge. Perhaps surprisingly, the parts of the country that most desperately need great child care are the red states. The Republican states are poorer and have a higher rate of single motherhood and divorce, so mothers face more need to work, often in low-end jobs that don’t allow payment for quality care. The need is there. And so is some surprising support. Endorsing the Strong Start for America’s Children Act is an organization called Fight Crime: Invest in Kids, a national bipartisan nonprofit made up of <hl> nearly 5,000 <hl> police chiefs, sheriffs, prosecutors and others who see investment in child care as crime prevention.


Question: What can be this year's literature?

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” One answer is that last year’s pornography can be this year’s literature. One of the most glorious moments in D.H. Lawrence’s “Lady Chatterley’s Lover,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers. They name them Sir John and Lady Jane, raising anatomy to the level of aristocracy. Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK

Answer: last year’s pornography

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” <hl> One answer is that last year’s pornography can be this year’s literature. <hl> One of the most glorious moments in D.H. Lawrence’s “Lady Chatterley’s Lover,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers. They name them Sir John and Lady Jane, raising anatomy to the level of aristocracy. Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” One answer is that <hl> last year’s pornography <hl> can be this year’s literature. One of the most glorious moments in D.H. Lawrence’s “Lady Chatterley’s Lover,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers. They name them Sir John and Lady Jane, raising anatomy to the level of aristocracy. Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK


Question: Who named their genitalia?

Answer: Connie and Mellors

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” One answer is that last year’s pornography can be this year’s literature. <hl> One of the most glorious moments in D.H. Lawrence’s “Lady Chatterley’s Lover,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers. <hl> They name them Sir John and Lady Jane, raising anatomy to the level of aristocracy. Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” One answer is that last year’s pornography can be this year’s literature. One of the most glorious moments in D.H. Lawrence’s “Lady Chatterley’s Lover,” once a banned book, occurs when <hl> Connie and Mellors <hl> adorn their genitalia with flowers. They name them Sir John and Lady Jane, raising anatomy to the level of aristocracy. Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK


Question: What book was once banned?

Answer: Lady Chatterley’s Lover

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” One answer is that last year’s pornography can be this year’s literature. <hl> One of the most glorious moments in D.H. Lawrence’s “ Lady Chatterley’s Lover ,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers. <hl> They name them Sir John and Lady Jane, raising anatomy to the level of aristocracy. Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” One answer is that last year’s pornography can be this year’s literature. One of the most glorious moments in D.H. Lawrence’s “<hl> Lady Chatterley’s Lover <hl>,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers. They name them Sir John and Lady Jane, raising anatomy to the level of aristocracy. Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK

One of the most glorious moments in D.H. Lawrence’s “ <hl> Lady Chatterley’s Lover <hl> ,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers.


Question: What names were given to the genitalia?

Answer: Sir John and Lady Jane,

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” One answer is that last year’s pornography can be this year’s literature. One of the most glorious moments in D.H. Lawrence’s “Lady Chatterley’s Lover,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers. <hl> They name them Sir John and Lady Jane, raising anatomy to the level of aristocracy. <hl> Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK

The Bookends feature (Sept. 27) asks, “Why read books considered obscene?” One answer is that last year’s pornography can be this year’s literature. One of the most glorious moments in D.H. Lawrence’s “Lady Chatterley’s Lover,” once a banned book, occurs when Connie and Mellors adorn their genitalia with flowers. They name them <hl> Sir John and Lady Jane, <hl> raising anatomy to the level of aristocracy. Only prudes would find such an incident, which is both innocent and erotic, offensive. And only the self-righteous would find the novel obscene. BERNARD F. DICK


Question: Stock investing is a sport for who in recent years in Shanghai?

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.

Answer: middle-class

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become <hl> a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. <hl> The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a <hl> middle-class <hl> sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.


Question: The outburst of global volatility was immediately caused by who?

Answer: China

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. <hl> The immediate cause of the outburst of global volatility was China , where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer. <hl>

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. The immediate cause of the outburst of global volatility was <hl> China <hl>, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.

The immediate cause of the outburst of global volatility was <hl> China <hl> , where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.


Question: How long have stock been on their sharp drop path?

Answer: all summer

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. <hl> The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer . <hl>

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — <hl> all summer <hl>.

The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — <hl> all summer <hl> .


Question: The middle East and Middle America both have what fields?

Answer: oil

<hl> Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. <hl> The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the <hl> oil <hl> fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington. The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.


Question: Where is the Federal Reserve located?

Answer: Washington

<hl> Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in Washington . <hl> The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in <hl> Washington <hl>. The immediate cause of the outburst of global volatility was China, where the sharp drop in stocks on Monday continued a rout that has been underway — with periodic pauses because of government interventions — all summer.

Here’s how to make sense of what is a truly global story, stretching from the streets of Shanghai, where stock investing has become a middle-class sport in recent years, to the oil fields of both the Middle East and Middle America, to the hallways of power in the Federal Reserve in <hl> Washington <hl> .


Question: Who was serious about tapering its program of quantitative easing?

The original taper tantrum happened in June 2013. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.

Answer: Fed

The original taper tantrum happened in June 2013. <hl> It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. <hl> There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.

The original taper tantrum happened in June 2013. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the <hl> Fed <hl> was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.


Question: What year did the original taper tantrum happen?

Answer: 2013

<hl> The original taper tantrum happened in June 2013 . <hl> It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.

The original taper tantrum happened in June <hl> 2013 <hl>. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.

The original taper tantrum happened in June <hl> 2013 <hl> .


Question: Where did investors find higher-yielding securities?

Answer: emerging markets

The original taper tantrum happened in June 2013. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. <hl> In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets . <hl> Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.

The original taper tantrum happened in June 2013. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing <hl> emerging markets <hl>. Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.

In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing <hl> emerging markets <hl> .


Question: Between 2010 and 2013 what gushed into countries driving up asset prices?

Answer: Money

The original taper tantrum happened in June 2013. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. <hl> Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices. <hl>

The original taper tantrum happened in June 2013. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. <hl> Money <hl> gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.


Question: The Fed intended to raise interest rates in what year

Answer: 2015

The original taper tantrum happened in June 2013. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. <hl> There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in 2015 became clearer. <hl> In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.

The original taper tantrum happened in June 2013. It is a cute name for what occurred when global financial markets collectively went berserk over the realization that the Fed was serious about tapering its program of quantitative easing — or put more plainly, that the Fed would wind down its injections of money into the financial system over time. There was a second, similar explosion of volatility in October 2014, as the Fed’s intentions to raise interest rates in <hl> 2015 <hl> became clearer. In effect, the Fed’s easy money policies had led global investors to search for higher-yielding securities, which they found in many faster-growing emerging markets. Money gushed into these countries in search of better returns from 2010 until 2013, driving up asset prices.


Question: Who played the role of Jay?

The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

Answer: Maika Monroe

<hl> The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay ( Maika Monroe ) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. <hl> The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (<hl> Maika Monroe <hl>) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay ( <hl> Maika Monroe <hl> ) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia.


Question: Who made "It Follows"?

Answer: David Robert Mitchell’s

<hl> The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. <hl> The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (Maika Monroe) in <hl> David Robert Mitchell’s <hl> cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.


Question: How old is Jay?

Answer: 19

<hl> The nameless, shape-shifting horror that stalks the blond, 19 -year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. <hl> The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

The nameless, shape-shifting horror that stalks the blond, <hl> 19 <hl>-year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

The nameless, shape-shifting horror that stalks the blond, <hl> 19 <hl> -year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia.


Question: How might "It Follows" be described?

Answer: as the very incarnation of paranoia

<hl> The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia . <hl> The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described <hl> as the very incarnation of paranoia <hl>. The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described <hl> as the very incarnation of paranoia <hl> .


Question: Name one form the menace takes?

Answer: a naked man standing on the roof of a house

The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. <hl> The menace, which only she can see, takes any number of forms, from a naked man standing on the roof of a house to an unsmiling old lady heading purposefully in her direction. <hl> When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.

The nameless, shape-shifting horror that stalks the blond, 19-year-old Jay (Maika Monroe) in David Robert Mitchell’s cool, controlled horror film, “It Follows,” might be described as the very incarnation of paranoia. The menace, which only she can see, takes any number of forms, from <hl> a naked man standing on the roof of a house <hl> to an unsmiling old lady heading purposefully in her direction. When it appears, it is usually first glimpsed from a distance, walking slowly toward her like an expressionless zombie. Although Jay repeatedly flees, she can never shake the sense that it is out there somewhere and knows her precise location.


Question: Who is Jay's boyfriend?

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?

Answer: Hugh

<hl> Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. <hl> From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?

Jay’s troubles begin after she sleeps with her new boyfriend, <hl> Hugh <hl> (Jake Weary), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?


Question: Who plays the role of Hugh?

Answer: Jake Weary

<hl> Jay’s troubles begin after she sleeps with her new boyfriend, Hugh ( Jake Weary ), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. <hl> From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (<hl> Jake Weary <hl>), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh ( <hl> Jake Weary <hl> ), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament.


Question: What does Hugh do to Jay after they make love?

Answer: ties her to a chair under a bridge

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), <hl> who, after their lovemaking in his car, ties her to a chair under a bridge , and explains her predicament. <hl> From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), who, after their lovemaking in his car, <hl> ties her to a chair under a bridge <hl>, and explains her predicament. From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?

who, after their lovemaking in his car, <hl> ties her to a chair under a bridge <hl> , and explains her predicament.


Question: What is the only cure?

Answer: Having sex with someone else

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. From him, she has caught a supernatural version of a venereal disease. <hl> Having sex with someone else is the only cure, if cure is the right word. <hl> The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. From him, she has caught a supernatural version of a venereal disease. <hl> Having sex with someone else <hl> is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances. But why? For protection?


Question: What do Jay's friends encircle the pool with?

Answer: electrical appliances

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. <hl> In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with electrical appliances . <hl> But why? For protection?

Jay’s troubles begin after she sleeps with her new boyfriend, Hugh (Jake Weary), who, after their lovemaking in his car, ties her to a chair under a bridge, and explains her predicament. From him, she has caught a supernatural version of a venereal disease. Having sex with someone else is the only cure, if cure is the right word. The explanations for almost everything that happens are intentionally enigmatic and sometimes completely mystifying. In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with <hl> electrical appliances <hl>. But why? For protection?

In the most elaborate set piece, Jay dives into an indoor swimming pool, which her friends encircle with <hl> electrical appliances <hl> .


Question: Who is the former armed forces chief?

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.

Answer: Mr. Sisi

<hl> The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi , the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. <hl> In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.

The cabinet’s resignation also illustrated a political dilemma facing <hl> Mr. Sisi <hl>, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.

The cabinet’s resignation also illustrated a political dilemma facing <hl> Mr. Sisi <hl> , the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi.


Question: Prior to Mr. Sisi, who was previously the armed forces chief?

Answer: Mr. Morsi

<hl> The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi . <hl> In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of <hl> Mr. Morsi <hl>. In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of <hl> Mr. Morsi <hl> .


Question: Which country has Mr. Sisi's government failed to resolve a number of its problems with?

Answer: Egypt

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. <hl> In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt . <hl> Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing <hl> Egypt <hl>. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.

In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing <hl> Egypt <hl> .


Question: Mr. Sisi's government has been unable to resolve violent insurgency in what region?

Answer: Sinai Peninsula

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. <hl> The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. <hl> Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the <hl> Sinai Peninsula <hl> in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power.


Question: Who was ejected from power in 2011?

Answer: President Mubarak

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. <hl> The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected President Mubarak from power. <hl>

The cabinet’s resignation also illustrated a political dilemma facing Mr. Sisi, the former armed forces chief who took power during a wave of nationalist fervor following the military’s removal of Mr. Morsi. In spite of the significant cult of personality around Mr. Sisi, his government has failed to resolve a number of problems facing Egypt. Those troubles include a steady deterioration in its security. The government has been unable to end a violent insurgency in the Sinai Peninsula in which militants have been carrying out ever more brazen attacks. Egypt also faces deep economic uncertainty, disappointing hopes raised at a much-promoted international investment conference in March and the opening of an expansion of the Suez Canal in August. The stock market has swooned since the conference, which had been billed as a move to restart the economy after years of instability in the wake of the 2011 uprising that ejected <hl> President Mubarak <hl> from power.


Question: What makes it easy to follow sitcoms?

Plot has always mattered in comedy, of course, but not as much as jokes. In his influential screenwriting guide “Story,” Robert McKee argues that comedy, unlike drama, “allows the writer to halt narrative drive” with scenes that serve no purpose other than getting laughs. In television, sitcoms have traditionally relied on thin narratives stretched over seasons (Will Sam and Diane get together on “Cheers”? Will Jim and Pam on “The Office”?) that make it easy to follow the story from week to week.

Answer: thin narratives stretched over seasons

Plot has always mattered in comedy, of course, but not as much as jokes. In his influential screenwriting guide “Story,” Robert McKee argues that comedy, unlike drama, “allows the writer to halt narrative drive” with scenes that serve no purpose other than getting laughs. <hl> In television, sitcoms have traditionally relied on thin narratives stretched over seasons (Will Sam and Diane get together on “Cheers”? <hl> Will Jim and Pam on “The Office”?) that make it easy to follow the story from week to week.

Plot has always mattered in comedy, of course, but not as much as jokes. In his influential screenwriting guide “Story,” Robert McKee argues that comedy, unlike drama, “allows the writer to halt narrative drive” with scenes that serve no purpose other than getting laughs. In television, sitcoms have traditionally relied on <hl> thin narratives stretched over seasons <hl> (Will Sam and Diane get together on “Cheers”? Will Jim and Pam on “The Office”?) that make it easy to follow the story from week to week.


Question: What matters in comedy just as much as jokes?

Answer: Plot

<hl> Plot has always mattered in comedy, of course, but not as much as jokes. <hl> In his influential screenwriting guide “Story,” Robert McKee argues that comedy, unlike drama, “allows the writer to halt narrative drive” with scenes that serve no purpose other than getting laughs. In television, sitcoms have traditionally relied on thin narratives stretched over seasons (Will Sam and Diane get together on “Cheers”? Will Jim and Pam on “The Office”?) that make it easy to follow the story from week to week.

<hl> Plot <hl> has always mattered in comedy, of course, but not as much as jokes. In his influential screenwriting guide “Story,” Robert McKee argues that comedy, unlike drama, “allows the writer to halt narrative drive” with scenes that serve no purpose other than getting laughs. In television, sitcoms have traditionally relied on thin narratives stretched over seasons (Will Sam and Diane get together on “Cheers”? Will Jim and Pam on “The Office”?) that make it easy to follow the story from week to week.