Question: The changes proposed by Volkswagen are?

Answer: surprisingly simple

<hl> The technical fixes proposed by Volkswagen appeared to be surprisingly simple , deepening the mystery over why the decision had been made to evade pollution testing with illicit software. <hl> Volkswagen said German regulators had approved the changes. Cars with 2-liter diesel motors can be repaired by simply updating the engine-control software, the company said.

The technical fixes proposed by Volkswagen appeared to be <hl> surprisingly simple <hl>, deepening the mystery over why the decision had been made to evade pollution testing with illicit software. Volkswagen said German regulators had approved the changes. Cars with 2-liter diesel motors can be repaired by simply updating the engine-control software, the company said.

The technical fixes proposed by Volkswagen appeared to be <hl> surprisingly simple <hl> , deepening the mystery over why the decision had been made to evade pollution testing with illicit software.


Question: Where were the cars with 1.6-liter motors imported from?

Beginning with the 2013 model year, cars like the Passat were equipped with a system that uses the chemical urea to neutralize nitrogen oxide emissions and is considered effective when properly configured. Those vehicles may be easier to repair. Volkswagen did not sell any engines smaller than 2 liters in the United States, though a small number of cars with 1.6-liter motors may have been imported from Mexico or other countries. Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.

Answer: Mexico

Beginning with the 2013 model year, cars like the Passat were equipped with a system that uses the chemical urea to neutralize nitrogen oxide emissions and is considered effective when properly configured. Those vehicles may be easier to repair. <hl> Volkswagen did not sell any engines smaller than 2 liters in the United States, though a small number of cars with 1.6-liter motors may have been imported from Mexico or other countries. <hl> Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.

Beginning with the 2013 model year, cars like the Passat were equipped with a system that uses the chemical urea to neutralize nitrogen oxide emissions and is considered effective when properly configured. Those vehicles may be easier to repair. Volkswagen did not sell any engines smaller than 2 liters in the United States, though a small number of cars with 1.6-liter motors may have been imported from <hl> Mexico <hl> or other countries. Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.


Question: The Passat uses what chemical to neutralize nitrogen oxide?

Answer: urea

<hl> Beginning with the 2013 model year, cars like the Passat were equipped with a system that uses the chemical urea to neutralize nitrogen oxide emissions and is considered effective when properly configured. <hl> Those vehicles may be easier to repair. Volkswagen did not sell any engines smaller than 2 liters in the United States, though a small number of cars with 1.6-liter motors may have been imported from Mexico or other countries. Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.

Beginning with the 2013 model year, cars like the Passat were equipped with a system that uses the chemical <hl> urea <hl> to neutralize nitrogen oxide emissions and is considered effective when properly configured. Those vehicles may be easier to repair. Volkswagen did not sell any engines smaller than 2 liters in the United States, though a small number of cars with 1.6-liter motors may have been imported from Mexico or other countries. Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.


Question: What was the first model year that the Passat was available with a chemical emission system?

Answer: 2013

<hl> Beginning with the 2013 model year, cars like the Passat were equipped with a system that uses the chemical urea to neutralize nitrogen oxide emissions and is considered effective when properly configured. <hl> Those vehicles may be easier to repair. Volkswagen did not sell any engines smaller than 2 liters in the United States, though a small number of cars with 1.6-liter motors may have been imported from Mexico or other countries. Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.

Beginning with the <hl> 2013 <hl> model year, cars like the Passat were equipped with a system that uses the chemical urea to neutralize nitrogen oxide emissions and is considered effective when properly configured. Those vehicles may be easier to repair. Volkswagen did not sell any engines smaller than 2 liters in the United States, though a small number of cars with 1.6-liter motors may have been imported from Mexico or other countries. Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.


Question: What size did Volkswagen not sell in the US?

Answer: smaller than 2 liters

Beginning with the 2013 model year, cars like the Passat were equipped with a system that uses the chemical urea to neutralize nitrogen oxide emissions and is considered effective when properly configured. Those vehicles may be easier to repair. <hl> Volkswagen did not sell any engines smaller than 2 liters in the United States, though a small number of cars with 1.6-liter motors may have been imported from Mexico or other countries. <hl> Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.

Beginning with the 2013 model year, cars like the Passat were equipped with a system that uses the chemical urea to neutralize nitrogen oxide emissions and is considered effective when properly configured. Those vehicles may be easier to repair. Volkswagen did not sell any engines <hl> smaller than 2 liters <hl> in the United States, though a small number of cars with 1.6-liter motors may have been imported from Mexico or other countries. Representatives of Volkswagen and its Audi division have been in talks with the Environmental Protection Agency about how to make cars in the United States compliant.


Question: Where does H. Rodgin Cohen work?

The Wall Street lawyer H. Rodgin Cohen hit a sour regulatory note this week. Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. That may resonate with many in Congress, where a bill to blunt the work of bank examiners is making the rounds. But the 2008 financial crisis exposed the necessity of more robust oversight. Although firms overstate the pain, room remains to ensure that regulators are constructive, rather than overzealous.

Answer: Wall Street

<hl> The Wall Street lawyer H. Rodgin Cohen hit a sour regulatory note this week. <hl> Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. That may resonate with many in Congress, where a bill to blunt the work of bank examiners is making the rounds. But the 2008 financial crisis exposed the necessity of more robust oversight. Although firms overstate the pain, room remains to ensure that regulators are constructive, rather than overzealous.

The <hl> Wall Street <hl> lawyer H. Rodgin Cohen hit a sour regulatory note this week. Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. That may resonate with many in Congress, where a bill to blunt the work of bank examiners is making the rounds. But the 2008 financial crisis exposed the necessity of more robust oversight. Although firms overstate the pain, room remains to ensure that regulators are constructive, rather than overzealous.


Question: What bill is Congress working on?

Answer: blunt the work of bank examiners

The Wall Street lawyer H. Rodgin Cohen hit a sour regulatory note this week. Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. <hl> That may resonate with many in Congress, where a bill to blunt the work of bank examiners is making the rounds. <hl> But the 2008 financial crisis exposed the necessity of more robust oversight. Although firms overstate the pain, room remains to ensure that regulators are constructive, rather than overzealous.

The Wall Street lawyer H. Rodgin Cohen hit a sour regulatory note this week. Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. That may resonate with many in Congress, where a bill to <hl> blunt the work of bank examiners <hl> is making the rounds. But the 2008 financial crisis exposed the necessity of more robust oversight. Although firms overstate the pain, room remains to ensure that regulators are constructive, rather than overzealous.


Question: What came of the 2008 financial crisis?

Answer: necessity of more robust oversight.

The Wall Street lawyer H. Rodgin Cohen hit a sour regulatory note this week. Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. That may resonate with many in Congress, where a bill to blunt the work of bank examiners is making the rounds. <hl> But the 2008 financial crisis exposed the necessity of more robust oversight. Although firms overstate the pain, room remains to ensure that regulators are constructive, rather than overzealous. <hl>

The Wall Street lawyer H. Rodgin Cohen hit a sour regulatory note this week. Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. That may resonate with many in Congress, where a bill to blunt the work of bank examiners is making the rounds. But the 2008 financial crisis exposed the <hl> necessity of more robust oversight. <hl> Although firms overstate the pain, room remains to ensure that regulators are constructive, rather than overzealous.


Question: What is a good quality for a regulator to have?

Answer: constructive

The Wall Street lawyer H. Rodgin Cohen hit a sour regulatory note this week. Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. That may resonate with many in Congress, where a bill to blunt the work of bank examiners is making the rounds. But the 2008 financial crisis exposed the necessity of more robust oversight. <hl> Although firms overstate the pain, room remains to ensure that regulators are constructive , rather than overzealous. <hl>

The Wall Street lawyer H. Rodgin Cohen hit a sour regulatory note this week. Mr. Cohen, Sullivan & Cromwell’s top bank advocate, thinks watchdogs have gone overboard to prove they’re not captured by the industry. That may resonate with many in Congress, where a bill to blunt the work of bank examiners is making the rounds. But the 2008 financial crisis exposed the necessity of more robust oversight. Although firms overstate the pain, room remains to ensure that regulators are <hl> constructive <hl>, rather than overzealous.

Although firms overstate the pain, room remains to ensure that regulators are <hl> constructive <hl> , rather than overzealous.


Question: What duty do watchdogs have?

Adding more teeth to the watchdogs’ bite, therefore, makes sense. And after all, it’s their duty to be skeptical. Granted, confrontation is less welcome. Much of that, though, stems from regulators, like attorneys general, who are also in the business of cultivating voters. But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. On Thursday, a bipartisan group of senators dropped a new bill into the hopper to regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain. Even some of the biggest bank critics, like Daniel K. Tarullo, the Federal Reserve governor, have shown a willingness to consider rolling back rules for smaller lenders.

Answer: be skeptical

Adding more teeth to the watchdogs’ bite, therefore, makes sense. <hl> And after all, it’s their duty to be skeptical . <hl> Granted, confrontation is less welcome. Much of that, though, stems from regulators, like attorneys general, who are also in the business of cultivating voters. But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. On Thursday, a bipartisan group of senators dropped a new bill into the hopper to regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain. Even some of the biggest bank critics, like Daniel K. Tarullo, the Federal Reserve governor, have shown a willingness to consider rolling back rules for smaller lenders.

Adding more teeth to the watchdogs’ bite, therefore, makes sense. And after all, it’s their duty to <hl> be skeptical <hl>. Granted, confrontation is less welcome. Much of that, though, stems from regulators, like attorneys general, who are also in the business of cultivating voters. But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. On Thursday, a bipartisan group of senators dropped a new bill into the hopper to regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain. Even some of the biggest bank critics, like Daniel K. Tarullo, the Federal Reserve governor, have shown a willingness to consider rolling back rules for smaller lenders.

And after all, it’s their duty to <hl> be skeptical <hl> .


Question: What new bill did senators propose?

Answer: regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain

Adding more teeth to the watchdogs’ bite, therefore, makes sense. And after all, it’s their duty to be skeptical. Granted, confrontation is less welcome. Much of that, though, stems from regulators, like attorneys general, who are also in the business of cultivating voters. But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. <hl> On Thursday, a bipartisan group of senators dropped a new bill into the hopper to regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain . <hl> Even some of the biggest bank critics, like Daniel K. Tarullo, the Federal Reserve governor, have shown a willingness to consider rolling back rules for smaller lenders.

Adding more teeth to the watchdogs’ bite, therefore, makes sense. And after all, it’s their duty to be skeptical. Granted, confrontation is less welcome. Much of that, though, stems from regulators, like attorneys general, who are also in the business of cultivating voters. But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. On Thursday, a bipartisan group of senators dropped a new bill into the hopper to <hl> regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain <hl>. Even some of the biggest bank critics, like Daniel K. Tarullo, the Federal Reserve governor, have shown a willingness to consider rolling back rules for smaller lenders.

On Thursday, a bipartisan group of senators dropped a new bill into the hopper to <hl> regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain <hl> .


Question: Who is Daniel K. Tarullo?

Answer: Federal Reserve governor

Adding more teeth to the watchdogs’ bite, therefore, makes sense. And after all, it’s their duty to be skeptical. Granted, confrontation is less welcome. Much of that, though, stems from regulators, like attorneys general, who are also in the business of cultivating voters. But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. On Thursday, a bipartisan group of senators dropped a new bill into the hopper to regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain. <hl> Even some of the biggest bank critics, like Daniel K. Tarullo, the Federal Reserve governor , have shown a willingness to consider rolling back rules for smaller lenders. <hl>

Adding more teeth to the watchdogs’ bite, therefore, makes sense. And after all, it’s their duty to be skeptical. Granted, confrontation is less welcome. Much of that, though, stems from regulators, like attorneys general, who are also in the business of cultivating voters. But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. On Thursday, a bipartisan group of senators dropped a new bill into the hopper to regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain. Even some of the biggest bank critics, like Daniel K. Tarullo, the <hl> Federal Reserve governor <hl>, have shown a willingness to consider rolling back rules for smaller lenders.

Even some of the biggest bank critics, like Daniel K. Tarullo, the <hl> Federal Reserve governor <hl> , have shown a willingness to consider rolling back rules for smaller lenders.


Question: What do attorney generals do?

Answer: cultivating voters

Adding more teeth to the watchdogs’ bite, therefore, makes sense. And after all, it’s their duty to be skeptical. Granted, confrontation is less welcome. <hl> Much of that, though, stems from regulators, like attorneys general, who are also in the business of cultivating voters . <hl> But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. On Thursday, a bipartisan group of senators dropped a new bill into the hopper to regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain. Even some of the biggest bank critics, like Daniel K. Tarullo, the Federal Reserve governor, have shown a willingness to consider rolling back rules for smaller lenders.

Adding more teeth to the watchdogs’ bite, therefore, makes sense. And after all, it’s their duty to be skeptical. Granted, confrontation is less welcome. Much of that, though, stems from regulators, like attorneys general, who are also in the business of <hl> cultivating voters <hl>. But as the carnage becomes more distant in Washington’s rearview mirror, there’s a danger that legislation will dilute the work of watchdogs. On Thursday, a bipartisan group of senators dropped a new bill into the hopper to regulate the regulators, forcing quicker verdicts on exams and reviews when financial institutions complain. Even some of the biggest bank critics, like Daniel K. Tarullo, the Federal Reserve governor, have shown a willingness to consider rolling back rules for smaller lenders.

Much of that, though, stems from regulators, like attorneys general, who are also in the business of <hl> cultivating voters <hl> .


Question: The line has been made unclear between sportswear and what?

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.

Answer: athleisure

<hl> The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. <hl> Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.

The blurring of lines between sports and ready-to-wear via that hybrid known as <hl> athleisure <hl> wear has only exacerbated the situation. Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.


Question: Brand reveal what weeks in advance?

Answer: collections

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. <hl> Indeed, brands increasingly unveil their “ collections ” weeks in advance so consumers can Get the Look. <hl> Athletic brands, that is. Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. Indeed, brands increasingly unveil their “<hl> collections <hl>” weeks in advance so consumers can Get the Look. Athletic brands, that is. Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.

Indeed, brands increasingly unveil their “ <hl> collections <hl> ” weeks in advance so consumers can Get the Look.


Question: What tournament has limited fashion options?

Answer: Wimbledon

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. <hl> Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon , where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach. <hl>

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. Though this has become true to a certain extent for every tournament (save, perhaps, <hl> Wimbledon <hl>, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.

Though this has become true to a certain extent for every tournament (save, perhaps, <hl> Wimbledon <hl> , where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.


Question: Where is the fashion most dominant over the sport?

Answer: United States Open

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. <hl> Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open , in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach. <hl>

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the <hl> United States Open <hl>, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.

Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the <hl> United States Open <hl> , in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most nontennis news-media coverage attached, and hence the greatest potential reach.


Question: What sport is this paragraph about?

Answer: tennis

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. <hl> Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most non tennis news-media coverage attached, and hence the greatest potential reach. <hl>

The blurring of lines between sports and ready-to-wear via that hybrid known as athleisure wear has only exacerbated the situation. Indeed, brands increasingly unveil their “collections” weeks in advance so consumers can Get the Look. Athletic brands, that is. Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most non<hl> tennis <hl> news-media coverage attached, and hence the greatest potential reach.

Though this has become true to a certain extent for every tournament (save, perhaps, Wimbledon, where the insistence on traditional white limits the fashion options to a meaningful degree), it reaches its apogee with the United States Open, in part because of a certain boundary-pushing ethos associated with New York and in part because, according to Mr. Eisenbud, it is the Grand Slam event with the most non <hl> tennis <hl> news-media coverage attached, and hence the greatest potential reach.


Question: What athlete was questioned?

“We always pull out all the stops for the Open,” said Serena Williams, discussing her Open outfits the week before it started. “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”

Answer: Serena Williams

<hl> “We always pull out all the stops for the Open,” said Serena Williams , discussing her Open outfits the week before it started. <hl> “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”

“We always pull out all the stops for the Open,” said <hl> Serena Williams <hl>, discussing her Open outfits the week before it started. “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”

“We always pull out all the stops for the Open,” said <hl> Serena Williams <hl> , discussing her Open outfits the week before it started.


Question: The athlete was discussing what for the open?

Answer: outfits

<hl> “We always pull out all the stops for the Open,” said Serena Williams, discussing her Open outfits the week before it started. <hl> “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”

“We always pull out all the stops for the Open,” said Serena Williams, discussing her Open <hl> outfits <hl> the week before it started. “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”


Question: This was taking place when, relative to the open?

Answer: the week before

<hl> “We always pull out all the stops for the Open,” said Serena Williams, discussing her Open outfits the week before it started. <hl> “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”

“We always pull out all the stops for the Open,” said Serena Williams, discussing her Open outfits <hl> the week before <hl> it started. “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”


Question: What did the athlete claim was being pulled out?

Answer: all the stops

<hl> “We always pull out all the stops for the Open <hl> ,” said Serena Williams, discussing her Open outfits the week before it started. “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”

“We always pull out <hl> all the stops <hl> for the Open,” said Serena Williams, discussing her Open outfits the week before it started. “I’m always asking my friends in fashion about what’s the new color, or the latest trend, so I can translate that in our collections.”


Question: The athlete was asking fashion experts about the latest what?

Answer: trend

“We always pull out all the stops for the Open,” said Serena Williams, discussing her Open outfits the week before it started. <hl> “I’m always asking my friends in fashion about what’s the new color, or the latest trend , so I can translate that in our collections.” <hl>

“We always pull out all the stops for the Open,” said Serena Williams, discussing her Open outfits the week before it started. “I’m always asking my friends in fashion about what’s the new color, or the latest <hl> trend <hl>, so I can translate that in our collections.”

“I’m always asking my friends in fashion about what’s the new color, or the latest <hl> trend <hl> , so I can translate that in our collections.”


Question: Who died of heart failure?

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.

Answer: Fred Sonic Smith

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” <hl> In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith , to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. <hl> Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician <hl> Fred Sonic Smith <hl>, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.

In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician <hl> Fred Sonic Smith <hl> , to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke.


Question: What is the main theme of "M Train"?

Answer: a love story about her late husband

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. Almost two decades later, Ms. Smith was still making peace with their absence. <hl> Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. <hl> The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much <hl> a love story about her late husband <hl> as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.


Question: In what year did Fred Sonic Smith pass on?

Answer: 1994

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” <hl> In 1994 , within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. <hl> Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” In <hl> 1994 <hl>, within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.

In <hl> 1994 <hl> , within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke.


Question: Who took a 45-city concert tour of Europe?

Answer: Ms. Smith

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” <hl> In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. <hl> Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” In 1994, within the space of a few weeks, <hl> Ms. Smith <hl> lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour, after which follows another grueling performance schedule that has her working, quite happily, into January.


Question: What is Ms. Smith doing in January?

Answer: embark on an 18-city book tour

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. <hl> Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to embark on an 18-city book tour , after which follows another grueling performance schedule that has her working, quite happily, into January. <hl>

“Throughout my life, I happily deferred to family, companions, children,” she said. “This was mine. I didn’t have to compromise, and I say that in the best of ways.” In 1994, within the space of a few weeks, Ms. Smith lost her husband, the musician Fred Sonic Smith, to heart failure, and her brother, Todd Smith, who was also her road manager, to a stroke. Almost two decades later, Ms. Smith was still making peace with their absence. Those losses, and newer, fresher sorrows, pierce her elegiac new book, “M Train,” which in its own elliptical way is as much a love story about her late husband as “Just Kids,” her stunning 2010 memoir of youth and bohemia, was about Robert Mapplethorpe. The book, out next week, is a sort of first salvo before the 40th anniversary of “Horses,” the 68-year-old poet/rocker/visual artist/author’s historic first album. Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to <hl> embark on an 18-city book tour <hl>, after which follows another grueling performance schedule that has her working, quite happily, into January.

Ms. Smith, who spent her summer on a 45-city concert tour of Europe, is about to <hl> embark on an 18-city book tour <hl> , after which follows another grueling performance schedule that has her working, quite happily, into January.


Question: What kind of book would Ms. Smith like to write?

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. “I’d like to write something as great as ‘Pinocchio’ or ‘Little Women.’ I won’t say ‘Moby-Dick’ because that’s impossible. I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

Answer: a book that everybody loves

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. “I’d like to write something as great as ‘Pinocchio’ or ‘Little Women.’ I won’t say ‘Moby-Dick’ because that’s impossible. <hl> I’d like to write a book that everybody loves . <hl> I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. “I’d like to write something as great as ‘Pinocchio’ or ‘Little Women.’ I won’t say ‘Moby-Dick’ because that’s impossible. I’d like to write <hl> a book that everybody loves <hl>. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

I’d like to write <hl> a book that everybody loves <hl> .


Question: What is Ms. Smith's ambition?

Answer: to do something better than I last did

<hl> “I just do my work, and I work every day, and my ambition is just to do something better than I last did ,” she said. <hl> “I’d like to write something as great as ‘Pinocchio’ or ‘Little Women.’ I won’t say ‘Moby-Dick’ because that’s impossible. I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

“I just do my work, and I work every day, and my ambition is just <hl> to do something better than I last did <hl>,” she said. “I’d like to write something as great as ‘Pinocchio’ or ‘Little Women.’ I won’t say ‘Moby-Dick’ because that’s impossible. I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

“I just do my work, and I work every day, and my ambition is just <hl> to do something better than I last did <hl> ,” she said.


Question: What would Ms. Smith like to do that would astonish people?

Answer: ‘P

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. <hl> “I’d like to write something as great as ‘P inocchio’ or ‘Little Women.’ <hl> I won’t say ‘Moby-Dick’ because that’s impossible. I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. “I’d like to write something as great as <hl> ‘P <hl>inocchio’ or ‘Little Women.’ I won’t say ‘Moby-Dick’ because that’s impossible. I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

“I’d like to write something as great as <hl> ‘P <hl> inocchio’ or ‘Little Women.’


Question: What book does Ms. Smith feel is impossible to top?

Answer: Moby-Dick

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. “I’d like to write something as great as ‘Pinocchio’ or ‘Little Women.’ <hl> I won’t say ‘ Moby-Dick ’ because that’s impossible. <hl> I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. “I’d like to write something as great as ‘Pinocchio’ or ‘Little Women.’ I won’t say ‘<hl> Moby-Dick <hl>’ because that’s impossible. I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

I won’t say ‘ <hl> Moby-Dick <hl> ’ because that’s impossible.


Question: Besides 'Moby Dick', what pieces of literature did Ms. Smith mention?

Answer: Pinocchio’ or ‘Little Women

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. <hl> “I’d like to write something as great as ‘ Pinocchio’ or ‘Little Women .’ <hl> I won’t say ‘Moby-Dick’ because that’s impossible. I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

“I just do my work, and I work every day, and my ambition is just to do something better than I last did,” she said. “I’d like to write something as great as ‘<hl> Pinocchio’ or ‘Little Women <hl>.’ I won’t say ‘Moby-Dick’ because that’s impossible. I’d like to write a book that everybody loves. I’d like to take a picture that someone wants to put above their desk so they can look at it while they’re writing a letter or doing whatever they’re doing while sitting at their desk. I’d like to do a painting that would astonish people.”

“I’d like to write something as great as ‘ <hl> Pinocchio’ or ‘Little Women <hl> .’


Question: What are some of Mr Foley's functions at work?

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.

Answer: senior vice president and the director of business development

<hl> Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. <hl> He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.

Mr. Foley (left), 48, is a <hl> senior vice president and the director of business development <hl> for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.


Question: Where does the company Rubenstein's Communications set up their firm?

Answer: New York

<hl> Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York , where he oversees the introduction of new clients into the firm. <hl> He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in <hl> New York <hl>, where he oversees the introduction of new clients into the firm. He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in <hl> New York <hl> , where he oversees the introduction of new clients into the firm.


Question: What is the first name of Mr. Foley's mother?

Answer: Maryursula

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. He graduated from Fordham. <hl> Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. <hl> Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late <hl> Maryursula <hl> W. Foley. Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.


Question: Is Mr. Gaden 53 or older than that?

Answer: 53

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. <hl> Mr. Gaden, 53 , works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. <hl> He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. Mr. Gaden, <hl> 53 <hl>, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over cocktails in 1995 in New York.

Mr. Gaden, <hl> 53 <hl> , works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company.


Question: What type of drinks did the two meet over?

Answer: cocktails

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. <hl> The couple met through mutual friends over cocktails in 1995 in New York. <hl>

Mr. Foley (left), 48, is a senior vice president and the director of business development for Rubenstein Communications, the public relations firm in New York, where he oversees the introduction of new clients into the firm. He graduated from Fordham. Mr. Foley is a son of George D. Foley of College Station, Tex., and the late Maryursula W. Foley. Mr. Gaden, 53, works in New York as the chief executive of the music publisher Imagem Music USA and the chief executive of the Rodgers and Hammerstein division of the company. He graduated magna cum laude from Hamilton College and received an M.B.A. from Harvard. He is the son of Joel T. Gaden of Jamestown, N.Y., and the late Nancy F. Gaden. The couple met through mutual friends over <hl> cocktails <hl> in 1995 in New York.


Question: What is the name of Aaron Hicklin's new bookstore?

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of Narrowsburg, New York. In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”

Answer: One Grand

<hl> On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand , in a former mercantile building in the town of Narrowsburg, New York. <hl> In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, <hl> One Grand <hl>, in a former mercantile building in the town of Narrowsburg, New York. In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, <hl> One Grand <hl> , in a former mercantile building in the town of Narrowsburg, New York.


Question: What does Aaron Hicklin do for a living?

Answer: journalist and editor

<hl> On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of Narrowsburg, New York. <hl> In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”

On a recent Sunday afternoon, the <hl> journalist and editor <hl> Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of Narrowsburg, New York. In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”


Question: Where is One Grand bookstore located?

Answer: Narrowsburg, New York

<hl> On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of Narrowsburg, New York . <hl> In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of <hl> Narrowsburg, New York <hl>. In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of <hl> Narrowsburg, New York <hl> .


Question: How many books has Aaron Hicklin stocked in his bookstore?

Answer: a thousand

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of Narrowsburg, New York. In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. <hl> “I have about a thousand in here, but you’d never know it. <hl> I’ve got to fill these damn shelves!”

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of Narrowsburg, New York. In less than one week, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about <hl> a thousand <hl> in here, but you’d never know it. I’ve got to fill these damn shelves!”


Question: How long before One Grand is set to open?

Answer: In less than one week

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of Narrowsburg, New York. <hl> In less than one week , he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. <hl> “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”

On a recent Sunday afternoon, the journalist and editor Aaron Hicklin was standing among some still-empty shelves in his newly completed bookstore, One Grand, in a former mercantile building in the town of Narrowsburg, New York. <hl> In less than one week <hl>, he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock. “I’ll be honest, I am really surprised by how many books you need to fill a space,” Hicklin said. “I have about a thousand in here, but you’d never know it. I’ve got to fill these damn shelves!”

<hl> In less than one week <hl> , he would open the doors to the shop, but at the moment he was still fretfully awaiting the final shipments of his stock.


Question: Where is Hicklin from?

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native England). He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

Answer: England

<hl> Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native England ). <hl> He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native <hl> England <hl>). He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native <hl> England <hl> ).


Question: Who provided the book "About Caves" to Hicklin?

Answer: Ryan McGinley

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native England). He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” <hl> The artist Ryan McGinley , for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.” <hl>

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native England). He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist <hl> Ryan McGinley <hl>, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

The artist <hl> Ryan McGinley <hl> , for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”


Question: Where does Hicklin buy "Little Dickens" tea?

Answer: Bellocq

<hl> Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq , as well as Yorkshire Gold from his native England). <hl> He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor <hl> Bellocq <hl>, as well as Yorkshire Gold from his native England). He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor <hl> Bellocq <hl> , as well as Yorkshire Gold from his native England).


Question: Who provided Hicklin with a "crazy" list?

Answer: Raymond Pettibon

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native England). <hl> He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “ Raymond Pettibon , for example, his list is crazy,” Hicklin noted with admiration. <hl> “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native England). He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “<hl> Raymond Pettibon <hl>, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “ <hl> Raymond Pettibon <hl> , for example, his list is crazy,” Hicklin noted with admiration.


Question: What kind of pie does Hicklin serve in the bookstore?

Answer: mince

<hl> Hicklin plans to man the store himself on weekends, offering up mince pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native England). <hl> He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”

Hicklin plans to man the store himself on weekends, offering up <hl> mince <hl> pies and cups of tea (including a rooibos blend called “Little Dickens” from the Brooklyn-based purveyor Bellocq, as well as Yorkshire Gold from his native England). He admitted that the project has required him to play “literary investigator,” doggedly tracking down a few quirky or elusive volumes. “Raymond Pettibon, for example, his list is crazy,” Hicklin noted with admiration. “Like, seventeenth-century treatises on urn burial. Where else would you find this?” The artist Ryan McGinley, for his part, included a beautiful 1960 illustrated children’s book called “About Caves,” and the director John Waters named out-of-print treasures such as Philip Hoare’s “Serious Pleasures: The Life of Stephen Tennant.”


Question: What is Hicklin's motivation for running the bookstore?

Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “A Handful of Dust,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.

Answer: out of completely selfish motivation

Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. But for now, he’s happy to keep the project small and localized. <hl> “I’m running this store out of completely selfish motivation ,” he said. <hl> “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “A Handful of Dust,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.

Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. But for now, he’s happy to keep the project small and localized. “I’m running this store <hl> out of completely selfish motivation <hl>,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “A Handful of Dust,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.

“I’m running this store <hl> out of completely selfish motivation <hl> ,” he said.


Question: Who is the author of the book "Another Country"

Answer: A Handful of Dust

Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. <hl> “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “ A Handful of Dust ,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt. <hl>

Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “<hl> A Handful of Dust <hl>,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.

“Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “ <hl> A Handful of Dust <hl> ,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.


Question: What service may Hicklin offer on airplanes in the future?

Answer: book-concierge services

<hl> Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. <hl> But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “A Handful of Dust,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.

Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps <hl> book-concierge services <hl> on flights. But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “A Handful of Dust,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.


Question: What book by Evelyn Waugh is one of Hicklin's favorites?

Answer: A Handful of Dust

Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. <hl> “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “ A Handful of Dust ,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt. <hl>

Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “<hl> A Handful of Dust <hl>,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.

“Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “ <hl> A Handful of Dust <hl> ,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.


Question: What service does Hicklin want to provide in hotels in the future?

Answer: in-room book selections

<hl> Hicklin said he will eventually launch projects such as in-room book selections at hotels, or perhaps book-concierge services on flights. <hl> But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “A Handful of Dust,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.

Hicklin said he will eventually launch projects such as <hl> in-room book selections <hl> at hotels, or perhaps book-concierge services on flights. But for now, he’s happy to keep the project small and localized. “I’m running this store out of completely selfish motivation,” he said. “I get the benefit from being surrounded by books in this beautiful location, engaging with people in an environment that I create and that reflects my sensibility.” Below, Hicklin shared his own list — the 10 books he’d want with him on a desert island. “Tess of the D’Urbervilles,” by Thomas Hardy; “Another Country,” by James Baldwin; “If This Is a Man,” by Primo Levi; “Watership Down,” by Richard Adams; “A Collection of Essays,” by George Orwell; “The Long-Winded Lady: Notes from The New Yorker,” by Maeve Brennan; “A Handful of Dust,” by Evelyn Waugh; “Eastern Approaches,” by Fitzroy Maclean; “The Line of Beauty,” by Alan Hollinghurst; “The Secret History,” by Donna Tartt.


Question: How much Money did the company earn?

Propelled by these robust asset flows, the company earned $822 million, or $4.84 a share, up 9 percent from the quarter a year ago. As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. E.T.F.s are investment funds that trade like stocks and are linked to a wide variety of stock and bond indexes. Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.

Answer: $822 million

<hl> Propelled by these robust asset flows, the company earned $822 million , or $4.84 a share, up 9 percent from the quarter a year ago. <hl> As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. E.T.F.s are investment funds that trade like stocks and are linked to a wide variety of stock and bond indexes. Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.

Propelled by these robust asset flows, the company earned <hl> $822 million <hl>, or $4.84 a share, up 9 percent from the quarter a year ago. As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. E.T.F.s are investment funds that trade like stocks and are linked to a wide variety of stock and bond indexes. Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.

Propelled by these robust asset flows, the company earned <hl> $822 million <hl> , or $4.84 a share, up 9 percent from the quarter a year ago.


Question: How much was the company worth per share?

Answer: $4.84

<hl> Propelled by these robust asset flows, the company earned $822 million, or $4.84 a share, up 9 percent from the quarter a year ago. <hl> As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. E.T.F.s are investment funds that trade like stocks and are linked to a wide variety of stock and bond indexes. Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.

Propelled by these robust asset flows, the company earned $822 million, or <hl> $4.84 <hl> a share, up 9 percent from the quarter a year ago. As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. E.T.F.s are investment funds that trade like stocks and are linked to a wide variety of stock and bond indexes. Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.


Question: How much percent did the share go up from the quarter a year ago?

Answer: up 9 percent

<hl> Propelled by these robust asset flows, the company earned $822 million, or $4.84 a share, up 9 percent from the quarter a year ago. <hl> As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. E.T.F.s are investment funds that trade like stocks and are linked to a wide variety of stock and bond indexes. Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.

Propelled by these robust asset flows, the company earned $822 million, or $4.84 a share, <hl> up 9 percent <hl> from the quarter a year ago. As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. E.T.F.s are investment funds that trade like stocks and are linked to a wide variety of stock and bond indexes. Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.


Question: What kind of funds are E.T.F.s?

Answer: investment funds

Propelled by these robust asset flows, the company earned $822 million, or $4.84 a share, up 9 percent from the quarter a year ago. As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. <hl> E.T.F.s are investment funds that trade like stocks and are linked to a wide variety of stock and bond indexes. <hl> Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.

Propelled by these robust asset flows, the company earned $822 million, or $4.84 a share, up 9 percent from the quarter a year ago. As has been the case in recent years, the fund giant’s booming exchange traded fund business has driven this growth. E.T.F.s are <hl> investment funds <hl> that trade like stocks and are linked to a wide variety of stock and bond indexes. Sophisticated investors have come to rely on the funds because they provide liquidity in areas of the market that traditionally have been hard to trade, like emerging markets and leveraged loans. Unlike other fund companies, BlackRock does not have any leveraged loan E.T.F.s.