Question: Who is Mr. Fox's lawyer?

Answer: Robert Fettweis

Mr. Fox said he had hoped to find a long-term solution for the transportation fund within a year. “I deeply regret we were unable to do so, and with a year behind me, it is time for me to return to the private sector and pursue new opportunities,” he said. A spokesman for the commissioner, Stephen Schapiro, said Mr. Fox declined to comment further. <hl> Calls to his lawyer, Robert Fettweis , were not returned on Friday night. <hl> On Thursday, Mr. Fox expressed support for a proposal to build a new rail tunnel under the Hudson River, saying that New Jersey Transit, an agency for which he serves as board chairman, looked forward to working with Amtrak on the project. This year, he said the state was facing a transportation funding crisis, a characterization that Mr. Christie has disputed. Veronica Vanterpool, executive director of the Tri-State Transportation Campaign, an advocacy organization, said Mr. Fox had been a “strong advocate” for the state’s transportation system, but had been unable to motivate the state to act with any urgency.

Mr. Fox said he had hoped to find a long-term solution for the transportation fund within a year.“I deeply regret we were unable to do so, and with a year behind me, it is time for me to return to the private sector and pursue new opportunities,” he said. A spokesman for the commissioner, Stephen Schapiro, said Mr. Fox declined to comment further. Calls to his lawyer, <hl> Robert Fettweis <hl>, were not returned on Friday night. On Thursday, Mr. Fox expressed support for a proposal to build a new rail tunnel under the Hudson River, saying that New Jersey Transit, an agency for which he serves as board chairman, looked forward to working with Amtrak on the project. This year, he said the state was facing a transportation funding crisis, a characterization that Mr. Christie has disputed. Veronica Vanterpool, executive director of the Tri-State Transportation Campaign, an advocacy organization, said Mr. Fox had been a “strong advocate” for the state’s transportation system, but had been unable to motivate the state to act with any urgency.

Calls to his lawyer, <hl> Robert Fettweis <hl> , were not returned on Friday night.


Question: Who could potentially collaborate with New Jersey Transit on a new rail project?

Mr. Fox said he had hoped to find a long-term solution for the transportation fund within a year.“I deeply regret we were unable to do so, and with a year behind me, it is time for me to return to the private sector and pursue new opportunities,” he said. A spokesman for the commissioner, Stephen Schapiro, said Mr. Fox declined to comment further. Calls to his lawyer, Robert Fettweis, were not returned on Friday night. On Thursday, Mr. Fox expressed support for a proposal to build a new rail tunnel under the Hudson River, saying that New Jersey Transit, an agency for which he serves as board chairman, looked forward to working with Amtrak on the project. This year, he said the state was facing a transportation funding crisis, a characterization that Mr. Christie has disputed. Veronica Vanterpool, executive director of the Tri-State Transportation Campaign, an advocacy organization, said Mr. Fox had been a “strong advocate” for the state’s transportation system, but had been unable to motivate the state to act with any urgency.

Answer: Amtrak

Mr. Fox said he had hoped to find a long-term solution for the transportation fund within a year. “I deeply regret we were unable to do so, and with a year behind me, it is time for me to return to the private sector and pursue new opportunities,” he said. A spokesman for the commissioner, Stephen Schapiro, said Mr. Fox declined to comment further. Calls to his lawyer, Robert Fettweis, were not returned on Friday night. <hl> On Thursday, Mr. Fox expressed support for a proposal to build a new rail tunnel under the Hudson River, saying that New Jersey Transit, an agency for which he serves as board chairman, looked forward to working with Amtrak on the project. <hl> This year, he said the state was facing a transportation funding crisis, a characterization that Mr. Christie has disputed. Veronica Vanterpool, executive director of the Tri-State Transportation Campaign, an advocacy organization, said Mr. Fox had been a “strong advocate” for the state’s transportation system, but had been unable to motivate the state to act with any urgency.

Mr. Fox said he had hoped to find a long-term solution for the transportation fund within a year.“I deeply regret we were unable to do so, and with a year behind me, it is time for me to return to the private sector and pursue new opportunities,” he said. A spokesman for the commissioner, Stephen Schapiro, said Mr. Fox declined to comment further. Calls to his lawyer, Robert Fettweis, were not returned on Friday night. On Thursday, Mr. Fox expressed support for a proposal to build a new rail tunnel under the Hudson River, saying that New Jersey Transit, an agency for which he serves as board chairman, looked forward to working with <hl> Amtrak <hl> on the project. This year, he said the state was facing a transportation funding crisis, a characterization that Mr. Christie has disputed. Veronica Vanterpool, executive director of the Tri-State Transportation Campaign, an advocacy organization, said Mr. Fox had been a “strong advocate” for the state’s transportation system, but had been unable to motivate the state to act with any urgency.


Question: What is the Tri-State Transportation Campaign?

Answer: an advocacy organization

Mr. Fox said he had hoped to find a long-term solution for the transportation fund within a year. “I deeply regret we were unable to do so, and with a year behind me, it is time for me to return to the private sector and pursue new opportunities,” he said. A spokesman for the commissioner, Stephen Schapiro, said Mr. Fox declined to comment further. Calls to his lawyer, Robert Fettweis, were not returned on Friday night. On Thursday, Mr. Fox expressed support for a proposal to build a new rail tunnel under the Hudson River, saying that New Jersey Transit, an agency for which he serves as board chairman, looked forward to working with Amtrak on the project. This year, he said the state was facing a transportation funding crisis, a characterization that Mr. Christie has disputed. <hl> Veronica Vanterpool, executive director of the Tri-State Transportation Campaign, an advocacy organization , said Mr. Fox had been a “strong advocate” for the state’s transportation system, but had been unable to motivate the state to act with any urgency. <hl>

Mr. Fox said he had hoped to find a long-term solution for the transportation fund within a year.“I deeply regret we were unable to do so, and with a year behind me, it is time for me to return to the private sector and pursue new opportunities,” he said. A spokesman for the commissioner, Stephen Schapiro, said Mr. Fox declined to comment further. Calls to his lawyer, Robert Fettweis, were not returned on Friday night. On Thursday, Mr. Fox expressed support for a proposal to build a new rail tunnel under the Hudson River, saying that New Jersey Transit, an agency for which he serves as board chairman, looked forward to working with Amtrak on the project. This year, he said the state was facing a transportation funding crisis, a characterization that Mr. Christie has disputed. Veronica Vanterpool, executive director of the Tri-State Transportation Campaign, <hl> an advocacy organization <hl>, said Mr. Fox had been a “strong advocate” for the state’s transportation system, but had been unable to motivate the state to act with any urgency.

Veronica Vanterpool, executive director of the Tri-State Transportation Campaign, <hl> an advocacy organization <hl> , said Mr. Fox had been a “strong advocate” for the state’s transportation system, but had been unable to motivate the state to act with any urgency.


Question: How much aid did Governor Cuomo offer to New York school systems if the Assembly would pass his proposal?

ALBANY —  In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. That position was criticized by teachers’ unions but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.

Answer: $1.1 billion

ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. That position was criticized by teachers’ unions but praised by supporters of the charter school movement. <hl> Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. <hl> But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.

ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. That position was criticized by teachers’ unions but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of <hl> $1.1 billion <hl> in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.


Question: Mr. Cuomo wants to increase the number of charter schools in the state. How do teacher's unions feel about this position?

Answer: That position was criticized by teachers’ unions

ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. <hl> That position was criticized by teachers’ unions but praised by supporters of the charter school movement. <hl> Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.

ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. <hl> That position was criticized by teachers’ unions <hl> but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.


Question: Who is the New York Speaker of the Assembly?

Answer: Speaker Carl E. Heastie

ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. <hl> The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. <hl> In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. That position was criticized by teachers’ unions but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.

ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by <hl> Speaker Carl E. Heastie <hl> of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. That position was criticized by teachers’ unions but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.


Question: What is Governor Cuomo's political affiliation?

Answer: Mr. Cuomo, a Democrat,

ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. <hl> In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. <hl> That position was criticized by teachers’ unions but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.

ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, <hl> Mr. Cuomo, a Democrat, <hl> introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. That position was criticized by teachers’ unions but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.


Question: Did Democrats in the Assembly accept or reject Governor Cuomo's proposals?

Answer: Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo

<hl> ALBANY — In an emerging sign of possible budget-battle lines, Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo linking an increase in statewide school aid to an array of his proposed changes. <hl> They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. That position was criticized by teachers’ unions but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.

ALBANY — In an emerging sign of possible budget-battle lines, <hl> Democrats in the New York Assembly rejected proposals on Monday by Gov. Andrew M. Cuomo <hl> linking an increase in statewide school aid to an array of his proposed changes. They also sided with Mayor Bill de Blasio’s bid for longer-term mayoral control of New York City’s schools. The Democrats’ stance, articulated in several proposals released by Speaker Carl E. Heastie of the Bronx, keeps a tight focus in Albany on the issue of education, which Mr. Cuomo has promised to make a focus of his nascent second term. In January, Mr. Cuomo, a Democrat, introduced a series of education proposals, including making a teacher evaluation system rely more heavily on state tests, raising the number of charter schools in the state and allowing failing schools to be taken over by outside groups. That position was criticized by teachers’ unions but praised by supporters of the charter school movement. Mr. Cuomo’s education plan also includes a financial carrot: an increase of $1.1 billion in state aid if his proposals become law. But on Monday, Mr. Heastie suggested that such an approach would not pass muster in the Assembly, which Democrats control.


Question: How old was the child that was rescued?

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. Fifteen other passengers reportedly drowned before the fishing boat happened on the party.

Answer: 18-month-old

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. <hl> According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. <hl> Fifteen other passengers reportedly drowned before the fishing boat happened on the party.

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. According to the newspaper, which added English subtitles to video of the rescue, the <hl> 18-month-old <hl> baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. Fifteen other passengers reportedly drowned before the fishing boat happened on the party.


Question: What is the name of the nearby town where this incident occurred?

Answer: Kusadasi

<hl> Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi , not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. <hl> According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. Fifteen other passengers reportedly drowned before the fishing boat happened on the party.

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of <hl> Kusadasi <hl>, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. Fifteen other passengers reportedly drowned before the fishing boat happened on the party.

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of <hl> Kusadasi <hl> , not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand.


Question: What is the name of the child that was rescued?

Answer: Mohammad Hasan

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. <hl> According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan , was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. <hl> Fifteen other passengers reportedly drowned before the fishing boat happened on the party.

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, <hl> Mohammad Hasan <hl>, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. Fifteen other passengers reportedly drowned before the fishing boat happened on the party.

According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, <hl> Mohammad Hasan <hl> , was discovered in the water along with 14 other migrants who floated for hours after their boat capsized.


Question: How many people died before the fishing boat discovered the child?

Answer: Fifteen

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. <hl> Fifteen other passengers reportedly drowned before the fishing boat happened on the party. <hl>

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized. <hl> Fifteen <hl> other passengers reportedly drowned before the fishing boat happened on the party.


Question: How did the child get into the water?

Answer: their boat capsized

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. <hl> According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after their boat capsized . <hl> Fifteen other passengers reportedly drowned before the fishing boat happened on the party.

Dramatic video, posted online on Friday by a Turkish newspaper, Hurriyet Daily News, showed a Turkish fishing boat saving a baby from drowning on Wednesday in the Aegean Sea off the resort town of Kusadasi, not far from the beach in Bodrum where the Syrian boy, Aylan Kurdi, was discovered, face down in the sand. According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after <hl> their boat capsized <hl>. Fifteen other passengers reportedly drowned before the fishing boat happened on the party.

According to the newspaper, which added English subtitles to video of the rescue, the 18-month-old baby, Mohammad Hasan, was discovered in the water along with 14 other migrants who floated for hours after <hl> their boat capsized <hl> .


Question: Who made the film Burnt?

The film might have felt fresh and invigorating in, say, 1996. That’s when “Big Night,” a much-admired foodie movie, was released. In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. Mr. Cooper plays Adam Jones, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.

Answer: John Wells

The film might have felt fresh and invigorating in, say, 1996. That’s when “Big Night,” a much-admired foodie movie, was released. In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. <hl> And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. <hl> Mr. Cooper plays Adam Jones, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.

The film might have felt fresh and invigorating in, say, 1996. That’s when “Big Night,” a much-admired foodie movie, was released. In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by <hl> John Wells <hl> from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. Mr. Cooper plays Adam Jones, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.


Question: What is example of a film with food theme in it?

Answer: “Big Night,” a much-admired foodie movie

The film might have felt fresh and invigorating in, say, 1996. <hl> That’s when “Big Night,” a much-admired foodie movie , was released. <hl> In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. Mr. Cooper plays Adam Jones, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.

The film might have felt fresh and invigorating in, say, 1996. That’s when <hl> “Big Night,” a much-admired foodie movie <hl>, was released. In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. Mr. Cooper plays Adam Jones, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.

That’s when <hl> “Big Night,” a much-admired foodie movie <hl> , was released.


Question: What motivated Mr. Cooper's character going to London?

Answer: As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.

The film might have felt fresh and invigorating in, say, 1996. That’s when “Big Night,” a much-admired foodie movie, was released. In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. Mr. Cooper plays Adam Jones, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. <hl> As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature. <hl>


Question: What is the current reality television theme?

Answer: In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics

The film might have felt fresh and invigorating in, say, 1996. That’s when “Big Night,” a much-admired foodie movie, was released. <hl> In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. <hl> The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. Mr. Cooper plays Adam Jones, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.

The film might have felt fresh and invigorating in, say, 1996. That’s when “Big Night,” a much-admired foodie movie, was released. <hl> In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics <hl> have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. Mr. Cooper plays Adam Jones, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.


Question: Who star as Adam Jones?

Answer: Mr. Cooper plays Adam Jones

The film might have felt fresh and invigorating in, say, 1996. That’s when “Big Night,” a much-admired foodie movie, was released. In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. <hl> Mr. Cooper plays Adam Jones , a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. <hl> As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.

The film might have felt fresh and invigorating in, say, 1996. That’s when “Big Night,” a much-admired foodie movie, was released. In recent years, though, mercurial chefs, photogenic plates of grub and kitchen dramatics have been everywhere, especially reality television, both lowbrow and high-end. The food-as-art world has become a bit tiresome, except to those who live in it or can afford to eat this stuff five nights a week. And so pretty much everything in “Burnt,” which was directed by John Wells from a screenplay by Steven Knight and a story by Michael Kalesniko, is something we’ve seen before, though perhaps not so slickly rendered. <hl> Mr. Cooper plays Adam Jones <hl>, a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse. As the story begins in earnest, he has turned up in London, determined to make a new start and reclaim his culinary stature.

<hl> Mr. Cooper plays Adam Jones <hl> , a hot chef in Paris until he flamed out, thanks to a self-destructive personality abetted by substance abuse.


Question: How long is the film?

“Burnt” has other flaws, like not giving Ms. Miller enough to do, but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. Running time: 1 hour 40 minutes.

Answer: Running time: 1 hour 40 minutes.

Running time: 1 hour 40 minutes.

“Burnt” has other flaws, like not giving Ms. Miller enough to do, but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. <hl> Running time: 1 hour 40 minutes. <hl>


Question: What are some failure the film facing?

Answer: its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life.

<hl> “Burnt” has other flaws, like not giving Ms. Miller enough to do, but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. <hl> Running time: 1 hour 40 minutes.

“Burnt” has other flaws, like not giving Ms. Miller enough to do, but <hl> its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. <hl> “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. Running time: 1 hour 40 minutes.


Question: Why is the film rated R?

Answer: because when things heat up in the kitchen, curse words fly.

“Burnt” has other flaws, like not giving Ms. Miller enough to do, but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. <hl> “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. Running time: 1 hour 40 minutes. <hl>

“Burnt” has other flaws, like not giving Ms. Miller enough to do, but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), <hl> because when things heat up in the kitchen, curse words fly. <hl> Running time: 1 hour 40 minutes.


Question: Who is Michelin chef?

Answer: Ms. Miller

<hl> “Burnt” has other flaws, like not giving Ms. Miller enough to do, but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. <hl> “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. Running time: 1 hour 40 minutes.

“Burnt” has other flaws, like not giving <hl> Ms. Miller <hl> enough to do, but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. Running time: 1 hour 40 minutes.


Question: Is Ms. Miller's character the main?

Answer: not giving Ms. Miller enough to do

<hl> “Burnt” has other flaws, like not giving Ms. Miller enough to do , but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. <hl> “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. Running time: 1 hour 40 minutes.

“Burnt” has other flaws, like <hl> not giving Ms. Miller enough to do <hl>, but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life. “Burnt” is rated R (Under 17 requires accompanying parent or adult guardian), because when things heat up in the kitchen, curse words fly. Running time: 1 hour 40 minutes.

“Burnt” has other flaws, like <hl> not giving Ms. Miller enough to do <hl> , but its main one is simply that at this point it’s hard to care about people who mistake a third Michelin star for the most important thing in life.


Question: who are the two leaders that "cobbled the bill together?

WASHINGTON —  The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.

Answer: Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats

WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. <hl> Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats , objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. <hl> They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.

WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. Then along came a surprising impediment: <hl> Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats <hl>, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.

Then along came a surprising impediment: <hl> Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats <hl> , objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children.


Question: Is it unusual for Reid and Pelosi to be opposed to each other?

Answer: Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader,

WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. <hl> Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. <hl> They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.

WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. <hl> Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader, <hl> along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.


Question: Harry Reid is holds what position?

Answer: Senator Harry Reid of Nevada, the minority leader

WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. <hl> Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader , along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. <hl> They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.

WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. Then along came a surprising impediment: <hl> Senator Harry Reid of Nevada, the minority leader <hl>, along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.

Then along came a surprising impediment: <hl> Senator Harry Reid of Nevada, the minority leader <hl> , along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children.


Question: what do some democrats object to in the compromise bill?

Answer: Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children.

WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. <hl> Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. <hl> It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.

WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader, along with other <hl> Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. <hl> They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.


Question: What is the topic of the proposed bill?

Answer: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor.

<hl> WASHINGTON — The deal is as politically remarkable as it is substantive: a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. <hl> Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.

WASHINGTON — The deal is as politically remarkable as it is substantive: <hl> a long-term plan to finance health care for older Americans, pay doctors who accept Medicare and extend popular health care programs for children and the poor. <hl> It was cobbled together by none other than House Speaker John A. Boehner and Representative Nancy Pelosi, the leader of House Democrats, who rarely agree on anything, with the apparent blessing of a majority of their respective members. Then along came a surprising impediment: Senator Harry Reid of Nevada, the minority leader, along with other Senate Democrats, objected to abortion restrictions in the bill and limits to an extension of a health insurance program for children. They have begun to undermine what was poised to be a sweeping bipartisan solution to several policy problems that have long vexed Congress. It is a role in which Mr. Reid is becoming increasingly comfortable as he exploits his leverage in the minority to thwart his political opponents, even if that means an unusual split with Ms. Pelosi.


Question: Why is Reid using the filibuster?

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.

Answer: to push back on anything Mr. McConnell may wish to accomplish

<hl> Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish . <hl> “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — <hl> to push back on anything Mr. McConnell may wish to accomplish <hl>. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — <hl> to push back on anything Mr. McConnell may wish to accomplish <hl> .


Question: What program would the bill renew?

Answer: would require some higher-income Medicare beneficiaries to pay higher premiums,

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. <hl> The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. <hl> It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. The House measure would permanently remove the threat of such cuts, and <hl> would require some higher-income Medicare beneficiaries to pay higher premiums, <hl> a change Republicans hail as a major reform. It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.


Question: Would some taxpayers pay more if the bill passes

Answer: require some higher-income Medicare beneficiaries to pay higher premiums,

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. <hl> The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. <hl> It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. The House measure would permanently remove the threat of such cuts, and would <hl> require some higher-income Medicare beneficiaries to pay higher premiums, <hl> a change Republicans hail as a major reform. It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.


Question: What if the bill does not pass?

Answer: a 21 percent cut scheduled to take effect April 1 if Congress does not intervene

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. <hl> For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene . <hl> The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like <hl> a 21 percent cut scheduled to take effect April 1 if Congress does not intervene <hl>. The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.

For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like <hl> a 21 percent cut scheduled to take effect April 1 if Congress does not intervene <hl> .


Question: Would community health centers be affected?

Answer: provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years.

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. <hl> It also would renew the popular Children’s Health Insurance Program and provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years. <hl>

Mr. Reid is using his power to filibuster bills and toss up chaff — a role Senate Republicans enjoyed for several years — to push back on anything Mr. McConnell may wish to accomplish. “There seems to be a pattern of Harry Reid whipping his members into a frenzy,” said Senator Shelley Moore Capito, Republican of West Virginia. For years, Congress has had to settle for temporary patches to prevent deep cuts in Medicare payments to doctors, like a 21 percent cut scheduled to take effect April 1 if Congress does not intervene. The House measure would permanently remove the threat of such cuts, and would require some higher-income Medicare beneficiaries to pay higher premiums, a change Republicans hail as a major reform. It also would renew the popular Children’s Health Insurance Program and <hl> provide $7.2 billion for community health centers — crucial to both rural and urban areas where doctors are scarce — over two years. <hl>


Question: What does the institution aspire to be?

Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”

Answer: a hub for conversations about the increasingly complex way pictures circulate and function in the digital age

Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. <hl> He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age . <hl> “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”

Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become <hl> a hub for conversations about the increasingly complex way pictures circulate and function in the digital age <hl>. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”

He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become <hl> a hub for conversations about the increasingly complex way pictures circulate and function in the digital age <hl> .


Question: What does Mr. Lubell wish the center to be known for?

Answer: nimbleness

such nimbleness .

Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for <hl> such nimbleness . <hl> “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”

Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such <hl> nimbleness <hl>. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”


Question: How much space does the center have available?

Answer: more than 5,000 square feet

<hl> Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. <hl> He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”

Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has <hl> more than 5,000 square feet <hl> for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”


Question: Who runs the center?

Answer: Mark Lubell

<hl> Mark Lubell , the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. <hl> He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”

<hl> Mark Lubell <hl>, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”

<hl> Mark Lubell <hl> , the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery.


Question: What is the center connected to?

Answer: the street

Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. <hl> He said he believes the connection to the street — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. <hl> “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”

Mark Lubell, the center’s executive director, said architects would soon begin remaking the space, which has more than 5,000 square feet for exhibitions on two floors, into raw, airy galleries with a continuous glass front along the Bowery. He said he believes the connection to <hl> the street <hl> — along with a cafe and screens beaming out images from the center’s programming — will telegraph the institution’s intention to become a hub for conversations about the increasingly complex way pictures circulate and function in the digital age. “It’s going to be a big challenge to think about what an exhibition will even mean in that context,” Mr. Lubell said. By New York museum standards, the turnaround time for the new space is whiplash fast, but Mr. Lubell said that he hoped the center would become known for such nimbleness. “We don’t know everything yet, which is a little discomforting for some people,” he said, “but we’re figuring it out together.”


Question: Who is in charge of Pace Gallery?

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

Answer: Marc Glimcher

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. <hl> As Marc Glimcher , Pace’s president, has said, “We are serial renters.” <hl> But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As <hl> Marc Glimcher <hl>, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

As <hl> Marc Glimcher <hl> , Pace’s president, has said, “We are serial renters.”


Question: What is the main location of Pace Gallery?

Answer: 534 West 25th Street

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. <hl> Over the next two years, along with the landlord of its flagship location at 534 West 25th Street , the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. <hl> The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at <hl> 534 West 25th Street <hl>, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

Over the next two years, along with the landlord of its flagship location at <hl> 534 West 25th Street <hl> , the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery.


Question: How large will the next gallery building be?

Answer: eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. <hl> Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows , for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. <hl> The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an <hl> eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows <hl>, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an <hl> eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows <hl> , for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery.


Question: What else will be located inside this new building?

Answer: Pace Editions and Pace/MacGill

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. <hl> The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill . <hl> “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

PACE GALLERY DREAMS BIG The Pace Gallery, which turns 55 this year, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of <hl> Pace Editions and Pace/MacGill <hl>. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of <hl> Pace Editions and Pace/MacGill <hl> .


Question: How long has Pace Gallery been a company?

Answer: turns 55 this year

PACE GALLERY DREAMS BIG <hl> The Pace Gallery, which turns 55 this year , making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. <hl> As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

PACE GALLERY DREAMS BIG The Pace Gallery, which <hl> turns 55 this year <hl>, making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business. As Marc Glimcher, Pace’s president, has said, “We are serial renters.” But it doesn’t seem to be keeping the gallery from shaping its fortunes in Chelsea, where it has three locations. Over the next two years, along with the landlord of its flagship location at 534 West 25th Street, the gallery will oversee the construction of an eight-story building, at 540 West 25th Street, that will give it 30,000 more square feet for shows, for staff now working at offices on East 57th Street and for visible storage of art in transit through the gallery, an idea that has been growing in the museum world but that will be a novelty in a commercial gallery. The space will let Pace put its 10,000-volume art-scholars’ library front and center and also house the operations of Pace Editions and Pace/MacGill. “We don’t know exactly what it’s going to be, but it’s not going to be the same ritual of show after show and fighting other galleries for the hot artists,” Mr. Glimcher said. “We have a chance here to redefine what it is to be a gallery and to be Pace.”

The Pace Gallery, which <hl> turns 55 this year <hl> , making it one of the country’s oldest contemporary art galleries, has never been in the real-estate business.


Question: The Senate declined to ban the sale of what?

Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist mass shooting by declining to ban the sale of guns to people on the terrorist watch list? Nah. Let’s go for it.

Answer: guns

<hl> Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist mass shooting by declining to ban the sale of guns to people on the terrorist watch list? <hl> Nah. Let’s go for it.

Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist mass shooting by declining to ban the sale of <hl> guns <hl> to people on the terrorist watch list? Nah. Let’s go for it.


Question: The ban would of affected people on what list?

Answer: terrorist watch

<hl> Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist mass shooting by declining to ban the sale of guns to people on the terrorist watch list? <hl> Nah. Let’s go for it.

Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist mass shooting by declining to ban the sale of guns to people on the <hl> terrorist watch <hl> list? Nah. Let’s go for it.


Question: The Senate responded to a terrorist what?

Answer: mass shooting

<hl> Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist mass shooting by declining to ban the sale of guns to people on the terrorist watch list? <hl> Nah. Let’s go for it.

Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist <hl> mass shooting <hl> by declining to ban the sale of guns to people on the terrorist watch list? Nah. Let’s go for it.


Question: Did the Senate respond by accepting or declining the ban?

Answer: declining

<hl> Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist mass shooting by declining to ban the sale of guns to people on the terrorist watch list? <hl> Nah. Let’s go for it.

Would it be absolutely cynical to say the Senate responded to what appears to be a terrorist mass shooting by <hl> declining <hl> to ban the sale of guns to people on the terrorist watch list? Nah. Let’s go for it.