diff --git "a/data/processed/new_wiki.test05.jsonl" "b/data/processed/new_wiki.test05.jsonl" new file mode 100644--- /dev/null +++ "b/data/processed/new_wiki.test05.jsonl" @@ -0,0 +1,438 @@ +{"question": "Which instrument sounded at concert pitch?", "paragraph": "Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, a 15-year patent for the instrument on June 28, 1846. The patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered \"orchestral\", there is no evidence that Sax intended this. As only 3 percent of Sax's surviving production were pitched in F and C, and as contemporary composers used the E\u266d alto and B\u266d bass saxophone freely in orchestral music, it is almost certain that Sax experimented to find the most suitable keys for these instruments, settling upon instruments alternating between E\u266d and B\u266d rather than those pitched in F or C, for reasons of tone and economy (the saxophones were the most expensive wind instruments of their day). The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves.", "answer": "The C soprano saxophone was the only instrument to sound at concert pitch.", "sentence": "The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves.", "paragraph_sentence": "Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, a 15-year patent for the instrument on June 28, 1846. The patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered \"orchestral\", there is no evidence that Sax intended this. As only 3 percent of Sax's surviving production were pitched in F and C, and as contemporary composers used the E\u266d alto and B\u266d bass saxophone freely in orchestral music, it is almost certain that Sax experimented to find the most suitable keys for these instruments, settling upon instruments alternating between E\u266d and B\u266d rather than those pitched in F or C, for reasons of tone and economy (the saxophones were the most expensive wind instruments of their day). The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves. ", "paragraph_answer": "Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, a 15-year patent for the instrument on June 28, 1846. The patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered \"orchestral\", there is no evidence that Sax intended this. As only 3 percent of Sax's surviving production were pitched in F and C, and as contemporary composers used the E\u266d alto and B\u266d bass saxophone freely in orchestral music, it is almost certain that Sax experimented to find the most suitable keys for these instruments, settling upon instruments alternating between E\u266d and B\u266d rather than those pitched in F or C, for reasons of tone and economy (the saxophones were the most expensive wind instruments of their day). The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves.", "sentence_answer": " The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves."} +{"question": "How much range did each saxophone have?", "paragraph": "Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, a 15-year patent for the instrument on June 28, 1846. The patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered \"orchestral\", there is no evidence that Sax intended this. As only 3 percent of Sax's surviving production were pitched in F and C, and as contemporary composers used the E\u266d alto and B\u266d bass saxophone freely in orchestral music, it is almost certain that Sax experimented to find the most suitable keys for these instruments, settling upon instruments alternating between E\u266d and B\u266d rather than those pitched in F or C, for reasons of tone and economy (the saxophones were the most expensive wind instruments of their day). The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves.", "answer": "giving each saxophone a range of two and a half octaves.", "sentence": "All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves.", "paragraph_sentence": "Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, a 15-year patent for the instrument on June 28, 1846. The patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered \"orchestral\", there is no evidence that Sax intended this. As only 3 percent of Sax's surviving production were pitched in F and C, and as contemporary composers used the E\u266d alto and B\u266d bass saxophone freely in orchestral music, it is almost certain that Sax experimented to find the most suitable keys for these instruments, settling upon instruments alternating between E\u266d and B\u266d rather than those pitched in F or C, for reasons of tone and economy (the saxophones were the most expensive wind instruments of their day). The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves. ", "paragraph_answer": "Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, a 15-year patent for the instrument on June 28, 1846. The patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered \"orchestral\", there is no evidence that Sax intended this. As only 3 percent of Sax's surviving production were pitched in F and C, and as contemporary composers used the E\u266d alto and B\u266d bass saxophone freely in orchestral music, it is almost certain that Sax experimented to find the most suitable keys for these instruments, settling upon instruments alternating between E\u266d and B\u266d rather than those pitched in F or C, for reasons of tone and economy (the saxophones were the most expensive wind instruments of their day). The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves. ", "sentence_answer": "All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves. "} +{"question": "When did Sax's patent expire?", "paragraph": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "answer": "Sax's patent expired in 1866", "sentence": "Sax's patent expired in 1866 ; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork.", "paragraph_sentence": " Sax's patent expired in 1866 ; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "paragraph_answer": " Sax's patent expired in 1866 ; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "sentence_answer": " Sax's patent expired in 1866 ; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork."} +{"question": "Who made the first significant modification?", "paragraph": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "answer": "The first substantial modification was by a French manufacturer", "sentence": "The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d.", "paragraph_sentence": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "paragraph_answer": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "sentence_answer": " The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d."} +{"question": "What were the initial significant improvements made after 1866 to the Saxophone?", "paragraph": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "answer": "extended the bell slightly and added an extra key to extend the range", "sentence": "The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d.", "paragraph_sentence": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "paragraph_answer": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "sentence_answer": "The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d."} +{"question": "What will using alternate fingerings accomplish due to the modifications to the saxophone?", "paragraph": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "answer": "Using alternate fingerings will allow the player to play easily and as fast as they can.", "sentence": "Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch.", "paragraph_sentence": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "paragraph_answer": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "sentence_answer": " Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch."} +{"question": "How can the player bend the pitch?", "paragraph": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch. Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "answer": "The player may also use alternate fingerings to bend the pitch", "sentence": "The player may also use alternate fingerings to bend the pitch .", "paragraph_sentence": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch . Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "paragraph_answer": "Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B\u266d. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings. Using alternate fingerings will allow the player to play easily and as fast as they can. The player may also use alternate fingerings to bend the pitch . Some of the alternate fingerings are good for trilling, scales, and big interval jumps.", "sentence_answer": " The player may also use alternate fingerings to bend the pitch ."} +{"question": "What was Sax's original keywork for the left hand based on?", "paragraph": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "answer": "which was based on the Triebert system 3 oboe for the left hand", "sentence": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult.", "paragraph_sentence": " Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "paragraph_answer": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "sentence_answer": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult."} +{"question": "What is another significant improvement in the Sax?", "paragraph": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "answer": "A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key", "sentence": "A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key , which is now universal on modern saxophones.", "paragraph_sentence": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key , which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "paragraph_answer": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key , which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "sentence_answer": " A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key , which is now universal on modern saxophones."} +{"question": "Who made further developments in the Saxophone?", "paragraph": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "answer": "Further developments were made by Selmer", "sentence": " Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger.", "paragraph_sentence": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "paragraph_answer": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "sentence_answer": " Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger."} +{"question": "Who is responsible for the most radical improvements to teh Saxohones's keywork?", "paragraph": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "answer": "most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris,", "sentence": " Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger.", "paragraph_sentence": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "paragraph_answer": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "sentence_answer": " Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger."} +{"question": "How are the notes A, B and C flattened by the semitone on the Saxophone?", "paragraph": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "answer": "a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger.", "sentence": " Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit.", "paragraph_sentence": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "paragraph_answer": "Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.", "sentence_answer": " Further developments were made by Selmer in the 1930s and 40s, including offsetting tone holes and revamping the octave key mechanism, beginning with their balanced action instruments and continuing through their celebrated Mark VI line.[citation needed] One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C\u266f, B, A, G, F and E\u266d) to be flattened by a semitone simply by pressing the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit."} +{"question": "What did the saxophone players define with the avant-garde movement of the 1930s?", "paragraph": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "answer": "the forefront of creative exploration", "sentence": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s.", "paragraph_sentence": " Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "paragraph_answer": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "sentence_answer": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s."} +{"question": "What were the hallmarks that offered saxophones creative possibilities in the new realm", "paragraph": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "answer": "Sheets of sound, tonal exploration, upper harmonics, and multiphonics", "sentence": " Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm.", "paragraph_sentence": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "paragraph_answer": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "sentence_answer": " Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm."} +{"question": "What was a lasting effect of the avant-garde movement?", "paragraph": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "answer": "the exploration of non-western ethnic sounds on the saxophone", "sentence": " One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone , for example, the Africanized sounds used by Pharoah Sanders.", "paragraph_sentence": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone , for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "paragraph_answer": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone , for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "sentence_answer": " One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone , for example, the Africanized sounds used by Pharoah Sanders."} +{"question": "What were the names of the Saxophone players?", "paragraph": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "answer": "John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders", "sentence": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s.", "paragraph_sentence": " Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "paragraph_answer": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s. Modal, harmolodic, and free jazz again removed boundaries and the new space was explored with every device that saxophone players could conceive of. Sheets of sound, tonal exploration, upper harmonics, and multiphonics were hallmarks of the creative possibilities that saxophones offered in the new realm. One lasting influence of the avant-garde movement has been the exploration of non-western ethnic sounds on the saxophone, for example, the Africanized sounds used by Pharoah Sanders. The devices of the avant-garde movement have continued to be influential in music that challenges the boundaries between avant-garde and other categories of jazz, such as that of alto saxophonists Steve Coleman and Greg Osby.", "sentence_answer": "Saxophone players such as John Coltrane, Ornette Coleman, Sam Rivers and Pharoah Sanders again defined the forefront of creative exploration with the avant-garde movement of the 1960s."} +{"question": "What musical notes did The primary saxophone family alternate", "paragraph": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "answer": "B\u266d and E\u266d", "sentence": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d .", "paragraph_sentence": " The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d . The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "paragraph_answer": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d . The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "sentence_answer": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d ."} +{"question": "Which production was recent revived", "paragraph": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "answer": "the C soprano and C melody", "sentence": "One company has recently revived production of the C soprano and C melody .", "paragraph_sentence": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody . Instruments in F are rare.", "paragraph_answer": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody . Instruments in F are rare.", "sentence_answer": "One company has recently revived production of the C soprano and C melody ."} +{"question": "In what note are instruments rare", "paragraph": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "answer": "F", "sentence": "The other (orchestral) family patented by Sax, alternating instruments in C and F , has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century.", "paragraph_sentence": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F , has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "paragraph_answer": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F , has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "sentence_answer": "The other (orchestral) family patented by Sax, alternating instruments in C and F , has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century."} +{"question": "In what years did the C melody enjoy it's success", "paragraph": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "answer": "the late 1920s and early 1930s", "sentence": "The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument.", "paragraph_sentence": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "paragraph_answer": "The primary (military band) saxophone family alternates instruments in B\u266d and E\u266d. The other (orchestral) family patented by Sax, alternating instruments in C and F, has always been marginal, although some manufacturers tried to popularise the soprano in C (or C soprano saxophone), the alto in F (or mezzo-soprano saxophone), and the tenor in C (or C melody saxophone) early in the twentieth century. The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument. One company has recently revived production of the C soprano and C melody. Instruments in F are rare.", "sentence_answer": "The C melody enjoyed some success in the late 1920s and early 1930s as a parlor instrument."} +{"question": "What instrument has only had minor changes to it's fingering scheme since it's invention?", "paragraph": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "answer": "saxophone", "sentence": "The fingering scheme of the saxophone , which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes.", "paragraph_sentence": " The fingering scheme of the saxophone , which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "paragraph_answer": "The fingering scheme of the saxophone , which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "sentence_answer": "The fingering scheme of the saxophone , which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes."} +{"question": "What sort of inherent issues does the saxophone have, related to it's closed keys below the first open tonehole?", "paragraph": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "answer": "acoustic problems", "sentence": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes.", "paragraph_sentence": " The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "paragraph_answer": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "sentence_answer": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes."} +{"question": "Moving between the key centers indicates a lack of what in the saxophone?", "paragraph": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "answer": "tactile consistency", "sentence": " There is also a lack of tactile consistency moving between key centers.", "paragraph_sentence": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "paragraph_answer": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "sentence_answer": " There is also a lack of tactile consistency moving between key centers."} +{"question": "How many major efforts have been made to improve the original fingering system of the saxophone?", "paragraph": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "answer": "Two", "sentence": " Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "paragraph_sentence": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy. ", "paragraph_answer": "The fingering scheme of the saxophone, which has had only minor changes since the instrument's original invention, has presented inherent acoustic problems related to closed keys below the first open tonehole that affect response of, and slightly muffle, some notes. There is also a lack of tactile consistency moving between key centers. In other words, extra effort is required from the player to adjust modes of muscle memory when moving between key centers. Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy.", "sentence_answer": " Two efforts to remedy the acoustic problems and awkward aspects of the original fingering system are noteworthy."} +{"question": "Which instrument is usually of thin brass that is flared at the tip", "paragraph": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "answer": "saxophone", "sentence": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell.", "paragraph_sentence": " The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "paragraph_answer": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "sentence_answer": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell."} +{"question": "When do some holes stand open while others are closed?", "paragraph": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "answer": "At rest", "sentence": "At rest some of the holes stand open and others are closed.", "paragraph_sentence": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "paragraph_answer": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "sentence_answer": " At rest some of the holes stand open and others are closed."} +{"question": "What are the keys activated by?", "paragraph": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "answer": "keytouches pressed by the fingers", "sentence": "The keys are activated by keytouches pressed by the fingers , either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\"", "paragraph_sentence": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers , either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "paragraph_answer": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers , either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "sentence_answer": "The keys are activated by keytouches pressed by the fingers , either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\""} +{"question": "What are linkages?", "paragraph": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "answer": "joints", "sentence": "The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\"", "paragraph_sentence": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "paragraph_answer": "The saxophone consists of an approximately conical tube, usually of thin brass, flared at the tip to form a bell. At intervals along the tube are between 20 and 23 tone holes of varying size and two very small vent holes to assist the playing of the upper register. These holes are covered by keys (also known as pad cups), containing soft leather pads, which are closed to produce an airtight seal. At rest some of the holes stand open and others are closed. The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\" The right thumb sits under a thumb rest to stabilize and balance the saxophone, while the weight of most saxophones is supported by a neckstrap attached to a strap ring on the rear of the body of the instrument. The fingering for the saxophone is a combination of that of the oboe with the Boehm system, and is very similar to the flute or the upper register of the clarinet. Instruments that play to low A have a left thumb key for that note.", "sentence_answer": "The keys are activated by keytouches pressed by the fingers, either directly on the pad cup or connected to it with levers, either directly or with joints called \"linkages.\""} +{"question": "What part of the saxophone, beneath the first open tonehole, causes acoustic issues?", "paragraph": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "answer": "closed keys", "sentence": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole.", "paragraph_sentence": " The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "paragraph_answer": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "sentence_answer": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole."} +{"question": "The Vito Model 35 saxophones incorporated which system in the 1950-60s?", "paragraph": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "answer": "Leblanc System", "sentence": " Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s.", "paragraph_sentence": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "paragraph_answer": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "sentence_answer": " Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s."} +{"question": "The Leblanc System was hindered in it's mainstream adoption by players due to it's complexity and what?", "paragraph": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "answer": "costs", "sentence": " The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "paragraph_sentence": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms. ", "paragraph_answer": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "sentence_answer": " The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms."} +{"question": "The Leblanc Rationale and System allowed players to do what with scales?", "paragraph": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "answer": "make half-step shifts", "sentence": " They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone).", "paragraph_sentence": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "paragraph_answer": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "sentence_answer": " They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone)."} +{"question": "Which new system for saxophones was arguably superior but wasn't easily adopted?", "paragraph": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "answer": "Leblanc System", "sentence": " Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s.", "paragraph_sentence": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "paragraph_answer": "The Leblanc Rationale and System saxophones had key mechanics designed to remedy the acoustic problems associated with closed keys below the first open tonehole. They also enabled the player to make half-step shifts of scales by depressing one key while keeping the rest of the fingering consistent with that of the fingering a half step away (which could also trip up players used to certain alternate fingerings on a regular saxophone). Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s. The acceptance of what was arguably a superior system was impaired by the adjustment required of players switching between System and non-System horns, and the added costs associated with the added complexity of certain key mechanisms.", "sentence_answer": " Some Leblanc System features were built into the Vito Model 35 saxophones of the 1950s and 1960s."} +{"question": "Linear fingering is also known as what?", "paragraph": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "answer": "chromatic", "sentence": "The chromatic ,", "paragraph_sentence": " The chromatic , or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "paragraph_answer": "The chromatic , or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "sentence_answer": "The chromatic ,"} +{"question": "Which instrument designer developed chromatic fingering?", "paragraph": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "answer": "Jim Schmidt", "sentence": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt , developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole.", "paragraph_sentence": " The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt , developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "paragraph_answer": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt , developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "sentence_answer": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt , developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole."} +{"question": "How were chromatic saxophones ordered?", "paragraph": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "answer": "individual order", "sentence": " Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "paragraph_sentence": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above. ", "paragraph_answer": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "sentence_answer": " Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above."} +{"question": "Jim Schmidt built several working prototypes of what kind of saxophone?", "paragraph": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "answer": "chromatic", "sentence": "The chromatic ,", "paragraph_sentence": " The chromatic , or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "paragraph_answer": "The chromatic , or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "sentence_answer": "The chromatic ,"} +{"question": "What caused the main acoustic problems on the original saxophone?", "paragraph": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "answer": "closed keys", "sentence": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole.", "paragraph_sentence": " The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "paragraph_answer": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole. Several working prototypes have been built and presented at trade shows. Production of this fascinating and expensive saxophone is on an individual order basis according to the designer's website referenced above.", "sentence_answer": "The chromatic, or linear fingering, saxophone is a project of instrument designer and builder Jim Schmidt, developing a horn maximizing tactile and logical consistency between every interval on the horn regardless of key, and avoiding the acoustic problems associated closed keys below the first open tone hole."} +{"question": "Over how many octaves on tenor and alto have modern sax players extended to cover?", "paragraph": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "answer": "4", "sentence": "Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B 4 .", "paragraph_sentence": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B 4 . Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "paragraph_answer": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B 4 . Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "sentence_answer": "Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B 4 ."} +{"question": "Which key can modern baritone saxophones hit?", "paragraph": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "answer": "low A", "sentence": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A ; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh.", "paragraph_sentence": " There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A ; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "paragraph_answer": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A ; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "sentence_answer": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A ; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh."} +{"question": "Blocking the end of the bell on a saxophone allows players to play which note?", "paragraph": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "answer": "low A", "sentence": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A ; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh.", "paragraph_sentence": " There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A ; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "paragraph_answer": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A ; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "sentence_answer": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A ; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh."} +{"question": "Who produced mark VI alto saxophones with the ability to play the low A key?", "paragraph": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "answer": "Selmer Paris", "sentence": "For a short time Selmer Paris produced mark VI alto saxophones with the low A key.", "paragraph_sentence": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "paragraph_answer": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "sentence_answer": "For a short time Selmer Paris produced mark VI alto saxophones with the low A key."} +{"question": "Notes above which key are considered part of the altissimo register for saxophones?", "paragraph": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. For a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "answer": "F", "sentence": "F or a short time Selmer Paris produced mark VI alto saxophones with the low A key.", "paragraph_sentence": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. F or a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "paragraph_answer": "There are many models of soprano saxophone that have a key for high G, and most modern models of baritone saxophone have an extended bore and key to produce low A; it is also possible to play a low A on any saxophone by blocking the end of the bell, usually with the foot or inside of the left thigh. Low A keys however were not limited to just the baritone saxophone. F or a short time Selmer Paris produced mark VI alto saxophones with the low A key. Notes above F are considered part of the altissimo register of any sax, and can be produced using advanced embouchure techniques and fingering combinations. Sax himself had mastered these techniques; he demonstrated the instrument as having a range of just beyond three octaves up to a (written) high B4. Modern saxophone players have extended this range to over 4 octaves on tenor and alto.", "sentence_answer": " F or a short time Selmer Paris produced mark VI alto saxophones with the low A key."} +{"question": "What usually incorporate a \"bow\"", "paragraph": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "answer": "the larger instruments", "sentence": "However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole.", "paragraph_sentence": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "paragraph_answer": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "sentence_answer": "However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole."} +{"question": "the U-shape became a distinctive feature to which family?", "paragraph": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "answer": "the saxophone family", "sentence": "This U-shape has become a distinctive feature of the saxophone family , to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary.", "paragraph_sentence": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family , to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "paragraph_answer": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family , to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "sentence_answer": "This U-shape has become a distinctive feature of the saxophone family , to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary."} +{"question": "Which saxophones use a curved neck above the highest tone hole?", "paragraph": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "answer": "the alto and tenor", "sentence": "Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance.", "paragraph_sentence": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "paragraph_answer": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "sentence_answer": "Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance."} +{"question": "What distinctive shape is sometimes a feature of the soprano and sopranino saxes?", "paragraph": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "answer": "U-shape", "sentence": "This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary.", "paragraph_sentence": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "paragraph_answer": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "sentence_answer": "This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary."} +{"question": "At what angle does the main body and mouthpiece bend?", "paragraph": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "answer": "right", "sentence": "The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "paragraph_sentence": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece. ", "paragraph_answer": "The simplest design of saxophone is a straight conical tube, and the sopranino and soprano saxophones are usually of this straight design. However, as the lower-pitched instruments would be unacceptably long if straight, for ergonomic reasons, the larger instruments usually incorporate a U-bend (\"bow\") at, or slightly above, the third-lowest tone hole. As this would cause the bell of the instrument to point almost directly upward, the end of the instrument is either beveled or tilted slightly forward. This U-shape has become a distinctive feature of the saxophone family, to the extent that soprano and even sopranino saxes are sometimes made in the curved style, even though not strictly necessary. By contrast, tenors and even baritones have occasionally been made in the straight style. Most commonly, however, the alto and tenor saxophones incorporate a detachable, curved \"neck\" above the highest tone hole, directing the mouthpiece to the player's mouth while the instrument is held in a playing stance. The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece.", "sentence_answer": "The baritone, bass and contrabass saxophones accommodate the length of the bore with extra bows and right angle bends between the main body and the mouthpiece."} +{"question": "All saxophones share the same what to produce a pitch?", "paragraph": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "answer": "key arrangement and fingering", "sentence": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so.", "paragraph_sentence": " Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "paragraph_answer": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "sentence_answer": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so."} +{"question": "What is the baritone and alto pitched in?", "paragraph": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "answer": "E\u266d", "sentence": "Since the baritone and alto are pitched in E\u266d , players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature.", "paragraph_sentence": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d , players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "paragraph_answer": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d , players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "sentence_answer": "Since the baritone and alto are pitched in E\u266d , players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature."} +{"question": "Players can read pitch notated in the bass cleff by reading it as treble cleff and adding how many sharps to the key signature?", "paragraph": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "answer": "three", "sentence": "Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature.", "paragraph_sentence": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "paragraph_answer": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "sentence_answer": "Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature."} +{"question": "What is the process that allows Eb instruments to play parts originally written for instruments such as the tuba or trombone?", "paragraph": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution, makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "answer": "clef substitution", "sentence": "This process, referred to as clef substitution , makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass.", "paragraph_sentence": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution , makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "paragraph_answer": "Because all saxophones use the same key arrangement and fingering to produce a given notated pitch, it is not difficult for a competent player to switch among the various sizes when the music has been suitably transposed, and many do so. Since the baritone and alto are pitched in E\u266d, players can read concert pitch music notated in the bass clef by reading it as if it were treble clef and adding three sharps to the key signature. This process, referred to as clef substitution , makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass. This can be useful if a band or orchestra lacks one of those instruments.", "sentence_answer": "This process, referred to as clef substitution , makes it possible for the Eb instruments to play from parts written for bassoon, tuba, trombone, or string bass."} +{"question": "What connects the rods to the posts?", "paragraph": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "answer": "screw pins", "sentence": "The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel.", "paragraph_sentence": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "paragraph_answer": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "sentence_answer": "The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel."} +{"question": "What are made from plastic or mother of pearl", "paragraph": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "answer": "'key touches'", "sentence": "Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl.", "paragraph_sentence": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "paragraph_answer": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "sentence_answer": "Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl."} +{"question": "What are some saxophones recently offered with?", "paragraph": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "answer": "abalone or stone keytouches", "sentence": " Recently, some saxophones are offered with abalone or stone keytouches .", "paragraph_sentence": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches . ", "paragraph_answer": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches .", "sentence_answer": " Recently, some saxophones are offered with abalone or stone keytouches ."} +{"question": "Since when do most saxophones have keytouches?", "paragraph": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920, most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "answer": "1920", "sentence": "Since 1920 , most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl.", "paragraph_sentence": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920 , most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "paragraph_answer": "Most saxophones, both past and present, are made from brass. Despite this, they are categorized as woodwind instruments rather than brass, as the sound waves are produced by an oscillating wood reed, not the player's lips against a mouthpiece as in a brass instrument, and because different pitches are produced by breath wind passing opening and closing keys. The screw pins that connect the rods to the posts, as well as the needle and leaf springs that cause the keys to return to their rest position after being released, are generally made of blued or stainless steel. Since 1920 , most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl. Recently, some saxophones are offered with abalone or stone keytouches.", "sentence_answer": "Since 1920 , most saxophones have 'key touches' (smooth replaceable pieces placed where the fingers touch the instrument) made from either plastic or mother of pearl."} +{"question": "What is the recent successor to the alto saxophone?", "paragraph": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "answer": "VibratoSax", "sentence": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax .", "paragraph_sentence": " Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax . There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "paragraph_answer": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax . There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "sentence_answer": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax ."} +{"question": "Where was the wooden Sawat saxophone made?", "paragraph": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "answer": "Thailand", "sentence": "There is also the wooden Sawat saxophone created in Thailand on a small scale.", "paragraph_sentence": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "paragraph_answer": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "sentence_answer": "There is also the wooden Sawat saxophone created in Thailand on a small scale."} +{"question": "What is a recent metalic substitute used in the instruments, replacing the yellow brass or cartridge brass?", "paragraph": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "answer": "higher copper alloys", "sentence": "Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect.", "paragraph_sentence": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "paragraph_answer": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "sentence_answer": "Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect."} +{"question": "What saxophones are made with phosphor bronze?", "paragraph": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "answer": "Yanagisawa's 902 and 992", "sentence": " Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design.", "paragraph_sentence": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "paragraph_answer": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "sentence_answer": " Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design."} +{"question": "What four brands user higher copper alloys in thier contruction?", "paragraph": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein. Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "answer": "Chateau, Kessler, Saxgourmet, and Bauhaus Walstein", "sentence": " Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein .", "paragraph_sentence": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein . Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "paragraph_answer": "Other materials have been tried with varying degrees of success, such as the 1950s Grafton plastic alto saxophone and its recent successor, the polycarbonate saxophone, VibratoSax. There is also the wooden Sawat saxophone created in Thailand on a small scale. Recent years have seen use higher copper alloys substituted for the \"yellow brass\" or \"cartridge brass\" that are most common, for visual and tonal effect. Yanagisawa's 902 and 992 series saxophones are made with phosphor bronze, which is claimed to offer slightly different, more \"vintage\" tonal qualities from the brass 901 and 991 models of identical design. Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein . Yanagisawa and other manufacturers, starting with the King Super 20 around 1950, have made saxophone necks, bells, or entire instruments from sterling silver. Keilwerth and P. Mauriat have made saxes with a nickel silver body. Opinions vary on the significance of body materials to sound. With the exception of the identical brass and phosphor bronze Yanagisawa models, opportunities to isolate body materials from other variables in design and construction are lacking.", "sentence_answer": " Other saxophones made of high copper alloys are sold under the brands Chateau, Kessler, Saxgourmet, and Bauhaus Walstein ."} +{"question": "What gets applied over the bare brass in the final assembly of the saxophone?", "paragraph": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold, and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "answer": "silver plate", "sentence": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate , over the bare brass.", "paragraph_sentence": " Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate , over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold, and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "paragraph_answer": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate , over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold, and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "sentence_answer": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate , over the bare brass."} +{"question": "What chemical process does the plating serve to protection the brass from?", "paragraph": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold, and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "answer": "oxidation", "sentence": "The lacquer or plating serves to protect the brass from oxidation , and maintains its shiny appearance.", "paragraph_sentence": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation , and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold, and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "paragraph_answer": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation , and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold, and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "sentence_answer": "The lacquer or plating serves to protect the brass from oxidation , and maintains its shiny appearance."} +{"question": "What are the two other options for plating the brass?", "paragraph": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold, and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "answer": "nickel or gold", "sentence": "It is also possible to plate the instrument with nickel or gold , and a number of gold-plated saxophones have been produced.", "paragraph_sentence": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold , and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "paragraph_answer": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold , and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "sentence_answer": "It is also possible to plate the instrument with nickel or gold , and a number of gold-plated saxophones have been produced."} +{"question": "What is the more expensive plating when it comes to protecting the brass?", "paragraph": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold, and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "answer": "gold", "sentence": "It is also possible to plate the instrument with nickel or gold , and a number of gold-plated saxophones have been produced.", "paragraph_sentence": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold , and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "paragraph_answer": "Prior to final assembly, the manufacturers usually apply a thin coating of clear or colored acrylic lacquer, or silver plate, over the bare brass. The lacquer or plating serves to protect the brass from oxidation, and maintains its shiny appearance. Several different types and colors of surface finish have been used over the years. It is also possible to plate the instrument with nickel or gold , and a number of gold-plated saxophones have been produced. Plating saxophones with gold is an expensive process because gold does not adhere directly to brass. As a result, the brass is first plated with silver, then gold.", "sentence_answer": "It is also possible to plate the instrument with nickel or gold , and a number of gold-plated saxophones have been produced."} +{"question": "What kind of reed is used in the saxophone?", "paragraph": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "answer": "single-reed", "sentence": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet.", "paragraph_sentence": " The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "paragraph_answer": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "sentence_answer": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet."} +{"question": "What other instrument used a single reed mouthpiece?", "paragraph": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "answer": "clarinet", "sentence": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet .", "paragraph_sentence": " The saxophone uses a single-reed mouthpiece similar to that of the clarinet . Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "paragraph_answer": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet . Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "sentence_answer": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet ."} +{"question": "Prior to the 20th century, what were most reed's made from?", "paragraph": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "answer": "Arundo donax cane", "sentence": "Most saxophonists use reeds made from Arundo donax cane , but since the 20th century some have also been made of fiberglass and other composite materials.", "paragraph_sentence": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane , but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "paragraph_answer": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane , but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "sentence_answer": "Most saxophonists use reeds made from Arundo donax cane , but since the 20th century some have also been made of fiberglass and other composite materials."} +{"question": "What three variations do you have to consider when you go to buy a reed?", "paragraph": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths. Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "answer": "brands, styles, and strengths", "sentence": "Reeds are commercially available in a vast array of brands, styles, and strengths .", "paragraph_sentence": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths . Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "paragraph_answer": "The saxophone uses a single-reed mouthpiece similar to that of the clarinet. Most saxophonists use reeds made from Arundo donax cane, but since the 20th century some have also been made of fiberglass and other composite materials. Saxophone reeds are proportioned slightly differently from clarinet reeds, being wider for the same length, although some soprano saxophonists use clarinet reeds on the soprano saxophone. Each size of saxophone (alto, tenor, etc.) uses a different size of reed. Reeds are commercially available in a vast array of brands, styles, and strengths . Players experiment with reeds of different strength (hardnesses) and material to find which strength and cut suits their mouthpiece, embouchure, physiology, and playing style.", "sentence_answer": "Reeds are commercially available in a vast array of brands, styles, and strengths ."} +{"question": "What are the five less common materials used in reeds?", "paragraph": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "answer": "wood, glass, crystal, porcelain, and even bone", "sentence": "Less common materials that have been used include wood, glass, crystal, porcelain, and even bone .", "paragraph_sentence": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone . According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "paragraph_answer": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone . According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "sentence_answer": "Less common materials that have been used include wood, glass, crystal, porcelain, and even bone ."} +{"question": "Who stated that the material of the reed has little effect on sound?", "paragraph": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "answer": "Larry Teal", "sentence": "According to Larry Teal , the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour.", "paragraph_sentence": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal , the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "paragraph_answer": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal , the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "sentence_answer": "According to Larry Teal , the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour."} +{"question": "What is stated to have a profound impact on tone?", "paragraph": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "answer": "Mouthpiece design", "sentence": " Mouthpiece design has a profound impact on tone.", "paragraph_sentence": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone. ", "paragraph_answer": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "sentence_answer": " Mouthpiece design has a profound impact on tone."} +{"question": "What comes in a wide variety of materials?", "paragraph": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "answer": "Mouthpieces", "sentence": "Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel.", "paragraph_sentence": " Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "paragraph_answer": " Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel. Less common materials that have been used include wood, glass, crystal, porcelain, and even bone. According to Larry Teal, the mouthpiece material has little, if any, effect on the sound, and the physical dimensions give a mouthpiece its tone colour. There are examples of \"dark\" sounding metal pieces and \"bright\" sounding hard rubber pieces. Some contend that instability at the mouthpiece/neck connection moves harmonic frequencies off series with the fundamental frequency and each other, resulting in a \"spread\" sound, and that the weight of a metal mouthpiece counteracts that instability, increasing tonal \"focus.\" Mouthpiece design has a profound impact on tone.", "sentence_answer": " Mouthpieces come in a wide variety of materials, including vulcanized rubber (sometimes called hard rubber or ebonite), plastic, and metals such as bronze or surgical steel."} +{"question": "What style of music were early mouthpieces designed for?", "paragraph": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "answer": "classical", "sentence": "Early mouthpieces were designed to produce a warm and round sound for classical playing.", "paragraph_sentence": " Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "paragraph_answer": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "sentence_answer": "Early mouthpieces were designed to produce a warm and round sound for classical playing."} +{"question": "What style mouthpiece produces a bright sound with maximum projection?", "paragraph": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "answer": "high baffle", "sentence": " At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle .", "paragraph_sentence": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle . These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "paragraph_answer": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle . These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "sentence_answer": " At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle ."} +{"question": "The use of sax and dance orchestra's lead to the innovation of which three design styles?", "paragraph": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "answer": "chamber shape and tip design, and metal construction", "sentence": "The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction .", "paragraph_sentence": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction . At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "paragraph_answer": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction . At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "sentence_answer": "The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction ."} +{"question": "Saxophonist who follow the French school of classical playing were influenced by who?", "paragraph": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "answer": "Marcel Mule", "sentence": "Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule , generally use mouthpieces with smaller chambers than Rascher style mouthpieces.", "paragraph_sentence": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule , generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "paragraph_answer": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule , generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "sentence_answer": "Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule , generally use mouthpieces with smaller chambers than Rascher style mouthpieces."} +{"question": "What style mouthpiece did Adolphe's sax have?", "paragraph": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "answer": "concave", "sentence": "Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing.", "paragraph_sentence": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "paragraph_answer": "Early mouthpieces were designed to produce a warm and round sound for classical playing. Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing. Saxophonists who follow the French school of classical saxophone playing, influenced by Marcel Mule, generally use mouthpieces with smaller chambers than Rascher style mouthpieces. The use of the saxophone in dance orchestras and jazz ensembles put a premium on dynamic range, projection, and tonal richness, leading to rapid innovation in chamber shape and tip design, and metal construction. At the opposite extreme from the classical mouthpieces are those with a small chamber and a low clearance above the reed between the tip and the chamber, called high baffle. These produce a bright sound with maximum projection, suitable for having a sound stand out among amplified instruments and typical of modern pop and smooth jazz. Most saxophonists who play different styles have a mouthpiece suited for each style.", "sentence_answer": "Among classical mouthpieces, those with a concave (\"excavated\") chamber are more true to Adolphe Sax's original design; these provide a softer or less piercing tone favored by some saxophonists, including students of Sigurd Rasch\u00e8r, for classical playing."} +{"question": "What is the definition of postmodern music?", "paragraph": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "answer": "music that follows aesthetic and philosophical trends of postmodernism", "sentence": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism .", "paragraph_sentence": " Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism . As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "paragraph_answer": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism . As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "sentence_answer": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism ."} +{"question": "Who describes postmodern music as an attitude?", "paragraph": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "answer": "Jonathan Kramer", "sentence": "Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "paragraph_sentence": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude. ", "paragraph_answer": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "sentence_answer": " Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude."} +{"question": "Who are two predecessors to Jonathan Kramer that have similar ideology?", "paragraph": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "answer": "Umberto Eco and Jean-Fran\u00e7ois Lyotard", "sentence": "Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard ) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "paragraph_sentence": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard ) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude. ", "paragraph_answer": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard ) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "sentence_answer": "Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard ) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude."} +{"question": "What formed as a reaction to the ideals of a modernist?", "paragraph": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "answer": "the postmodernist movement", "sentence": "As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist.", "paragraph_sentence": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "paragraph_answer": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "sentence_answer": "As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist."} +{"question": "Can a musical piece be both modernist and postmodern?", "paragraph": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both. Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "answer": "a work can either be modernist, or postmodern, but not both", "sentence": "Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both .", "paragraph_sentence": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both . Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "paragraph_answer": "Postmodern music is either music of the postmodern era, or music that follows aesthetic and philosophical trends of postmodernism. As the name suggests, the postmodernist movement formed partly in reaction to the ideals of the modernist. Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both . Jonathan Kramer posits the idea (following Umberto Eco and Jean-Fran\u00e7ois Lyotard) that postmodernism (including musical postmodernism) is less a surface style or historical period (i.e., condition) than an attitude.", "sentence_answer": "Because of this, postmodern music is mostly defined in opposition to modernist music, and a work can either be modernist, or postmodern, but not both ."} +{"question": "What type of music do postmodern composers create?", "paragraph": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "answer": "music with simple textures and relatively consonant harmonies", "sentence": "Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies , whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism.", "paragraph_sentence": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies , whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "paragraph_answer": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies , whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "sentence_answer": "Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies , whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism."} +{"question": "What is and example of genre in postmodern music?", "paragraph": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "answer": "classical", "sentence": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism.", "paragraph_sentence": " The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "paragraph_answer": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "sentence_answer": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism."} +{"question": "What composer is know for challenging the music common to Modernism?", "paragraph": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "answer": "John Cage", "sentence": "Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism.", "paragraph_sentence": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "paragraph_answer": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "sentence_answer": "Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism."} +{"question": "What two things have some postmodern composers been influenced by?", "paragraph": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "answer": "popular music and world ethnic musical traditions", "sentence": "Some composers have been openly influenced by popular music and world ethnic musical traditions .", "paragraph_sentence": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions . ", "paragraph_answer": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions .", "sentence_answer": "Some composers have been openly influenced by popular music and world ethnic musical traditions ."} +{"question": "When did postmodern music come about?", "paragraph": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "answer": "in the 1960s", "sentence": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism.", "paragraph_sentence": " The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "paragraph_answer": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism. Composers such as Terry Riley, Henryk G\u00f3recki, Bradley Joseph, John Adams, Steve Reich, Philip Glass, Michael Nyman, and Lou Harrison reacted to the perceived elitism and dissonant sound of atonal academic modernism by producing music with simple textures and relatively consonant harmonies, whilst others, most notably John Cage challenged the prevailing narratives of beauty and objectivity common to Modernism. Some composers have been openly influenced by popular music and world ethnic musical traditions.", "sentence_answer": "The postmodern impulse in classical music arose in the 1960s with the advent of musical minimalism."} +{"question": "What are two features of postmodern influence in music scores?", "paragraph": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "answer": "Eclecticism and freedom of expression", "sentence": "Eclecticism and freedom of expression , in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "paragraph_sentence": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression , in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition. ", "paragraph_answer": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression , in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "sentence_answer": " Eclecticism and freedom of expression , in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition."} +{"question": "What two adjectives describe modernistic music?", "paragraph": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "answer": "rigidity and aesthetic limitations", "sentence": "Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "paragraph_sentence": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition. ", "paragraph_answer": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "sentence_answer": "Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition."} +{"question": "Who is a Dutch composer of postmodern music?", "paragraph": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "answer": "Louis Andriessen", "sentence": "The works of Dutch composer Louis Andriessen , for example, exhibit experimentalist preoccupation that is decidedly anti-romantic.", "paragraph_sentence": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen , for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "paragraph_answer": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen , for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "sentence_answer": "The works of Dutch composer Louis Andriessen , for example, exhibit experimentalist preoccupation that is decidedly anti-romantic."} +{"question": "How can the music of Louis Anderson be described?", "paragraph": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "answer": "anti-romantic", "sentence": "The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic .", "paragraph_sentence": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic . Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "paragraph_answer": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic . Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "sentence_answer": "The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic ."} +{"question": "What are two features of postmodern influence in music scores?", "paragraph": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "answer": "Eclecticism and freedom of expression", "sentence": "Eclecticism and freedom of expression , in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "paragraph_sentence": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression , in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition. ", "paragraph_answer": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression , in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "sentence_answer": " Eclecticism and freedom of expression , in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition."} +{"question": "What two adjectives describe modernistic music?", "paragraph": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "answer": "rigidity and aesthetic limitations", "sentence": "Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "paragraph_sentence": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition. ", "paragraph_answer": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "sentence_answer": "Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition."} +{"question": "Who is a Dutch composer of postmodern music?", "paragraph": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "answer": "Louis Andriessen", "sentence": "The works of Dutch composer Louis Andriessen , for example, exhibit experimentalist preoccupation that is decidedly anti-romantic.", "paragraph_sentence": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen , for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "paragraph_answer": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen , for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "sentence_answer": "The works of Dutch composer Louis Andriessen , for example, exhibit experimentalist preoccupation that is decidedly anti-romantic."} +{"question": "How can the music of Louis Anderson be described?", "paragraph": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic. Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "answer": "anti-romantic", "sentence": "The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic .", "paragraph_sentence": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic . Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "paragraph_answer": "Though representing a general return to certain notions of music-making that are often considered to be classical or romantic[citation needed], not all postmodern composers have eschewed the experimentalist or academic tenets of modernism. The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic . Eclecticism and freedom of expression, in reaction to the rigidity and aesthetic limitations of modernism, are the hallmarks of the postmodern influence in musical composition.", "sentence_answer": "The works of Dutch composer Louis Andriessen, for example, exhibit experimentalist preoccupation that is decidedly anti-romantic ."} +{"question": "Who paid little attention to legibility in design?", "paragraph": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "answer": "Postmodern designers", "sentence": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\".", "paragraph_sentence": " Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "paragraph_answer": " Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "sentence_answer": " Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\"."} +{"question": "Did postmodern design have a signature style?", "paragraph": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "answer": "did not consist of one unified graphic style", "sentence": "Yet, while postmodern design did not consist of one unified graphic style , the movement was an expressive and playful time for designers who searched for more and more ways to go against the system.", "paragraph_sentence": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style , the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "paragraph_answer": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style , the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "sentence_answer": "Yet, while postmodern design did not consist of one unified graphic style , the movement was an expressive and playful time for designers who searched for more and more ways to go against the system."} +{"question": "What occupation did Wolfgang Weingart and April Greiman have?", "paragraph": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "answer": "postmodern graphic designers", "sentence": "Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "paragraph_sentence": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid. ", "paragraph_answer": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "sentence_answer": "Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid."} +{"question": "When did graphic design start?", "paragraph": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "answer": "in the 1970s", "sentence": "They created works beginning in the 1970s without any set adherence to rational order and formal organization.", "paragraph_sentence": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "paragraph_answer": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "sentence_answer": "They created works beginning in the 1970s without any set adherence to rational order and formal organization."} +{"question": "What is a good descriptor for the era of postmodern design?", "paragraph": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "answer": "the movement was an expressive and playful time", "sentence": "Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system.", "paragraph_sentence": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "paragraph_answer": "Postmodern designers were in the beginning stages of what we now refer to as \"graphic design\". They created works beginning in the 1970s without any set adherence to rational order and formal organization. They also seemed to entirely pay no attention to traditional conventions such as legibility. Another characteristic of postmodern graphic design is that \"retro, techno, punk, grunge, beach, parody, and pastiche were all conspicuous trends. Each had its own sites and venues, detractors and advocates\". Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system. Key influential postmodern graphic designers include Wolfgang Weingart, April Greiman, Tibor Kalman, and Jamie Reid.", "sentence_answer": "Yet, while postmodern design did not consist of one unified graphic style, the movement was an expressive and playful time for designers who searched for more and more ways to go against the system."} +{"question": "What is the name for the postmodernist theory developed by Jacques Derrida?", "paragraph": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "answer": "deconstruction", "sentence": "One of the most well-known postmodernist concerns is \" deconstruction ,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida.", "paragraph_sentence": " One of the most well-known postmodernist concerns is \" deconstruction ,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "paragraph_answer": "One of the most well-known postmodernist concerns is \" deconstruction ,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "sentence_answer": "One of the most well-known postmodernist concerns is \" deconstruction ,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida."} +{"question": "What techniques does deconstruction depend upon?", "paragraph": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "answer": "techniques of close reading without reference to cultural, ideological, moral opinions", "sentence": "A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author.", "paragraph_sentence": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "paragraph_answer": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "sentence_answer": "A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author."} +{"question": "What was the name of the architect that collaborated with Derrida?", "paragraph": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "answer": "Peter Eisenmann", "sentence": "Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "paragraph_sentence": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman. ", "paragraph_answer": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "sentence_answer": "Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman."} +{"question": "What did Derrida's philosophy inspire?", "paragraph": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "answer": "a postmodern movement called deconstructivism", "sentence": "Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building.", "paragraph_sentence": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "paragraph_answer": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "sentence_answer": "Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building."} +{"question": "What situations did Derrida's method frequently recognize?", "paragraph": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "answer": "the problematic implications of binary oppositions", "sentence": "Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text.", "paragraph_sentence": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "paragraph_answer": "One of the most well-known postmodernist concerns is \"deconstruction,\" a theory for philosophy, literary criticism, and textual analysis developed by Jacques Derrida. The notion of a \"deconstructive\" approach implies an analysis that questions the already evident understanding of a text in terms of presuppositions, ideological underpinnings, hierarchical values, and frames of reference. A deconstructive approach further depends on the techniques of close reading without reference to cultural, ideological, moral opinions or information derived from an authority over the text such as the author. At the same time Derrida famously writes: \"Il n'y a pas d'hors-texte (there is no such thing as outside-of-the-text).\" Derrida implies that the world follows the grammar of a text undergoing its own deconstruction. Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text. Derrida's philosophy inspired a postmodern movement called deconstructivism among architects, characterized by the intentional fragmentation, distortion, and dislocation of architectural elements in designing a building. Derrida discontinued his involvement with the movement after the publication of his collaborative project with architect Peter Eisenmann in Chora L Works: Jacques Derrida and Peter Eisenman.", "sentence_answer": "Derrida's method frequently involves recognizing and spelling out the different, yet similar interpretations of the meaning of a given text and the problematic implications of binary oppositions within the meaning of a text."} +{"question": "What was postmodernism a departure from?", "paragraph": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "answer": "modernism", "sentence": "Post modernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism.", "paragraph_sentence": " Post modernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "paragraph_answer": "Post modernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "sentence_answer": "Post modernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism."} +{"question": "When was Postmodernism a movement?", "paragraph": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "answer": "late-20th-century", "sentence": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism.", "paragraph_sentence": " Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "paragraph_answer": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "sentence_answer": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism."} +{"question": "How is knowledge articulated from a postmodern perspective?", "paragraph": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "answer": "knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox", "sentence": "From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox .", "paragraph_sentence": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox . Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "paragraph_answer": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox . Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "sentence_answer": "From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox ."} +{"question": "What 10 things does postmodernism include skeptical interpretations of?", "paragraph": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "answer": "culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism.", "sentence": "Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "paragraph_sentence": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought. ", "paragraph_answer": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "sentence_answer": "Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought."} +{"question": "What is postmodernism often associated with?", "paragraph": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "answer": "deconstruction and post-structuralism", "sentence": "It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "paragraph_sentence": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought. ", "paragraph_answer": "Postmodernism is a late-20th-century movement in the arts, architecture, and criticism that was a departure from modernism. Postmodernism articulates that the world is in a state of perpetual incompleteness and permanent unresolve. Postmodernism promotes the notion of pluralism; that there are many ways of knowing, and many truths to a fact. From a postmodern perspective knowledge is articulated from local perspectives, with all its uncertainties, complexity and paradox. Thus knowledge is relational and all realities are woven on local linguistic looms. Postmodernism includes skeptical interpretations of culture, literature, art, philosophy, history, economics, architecture, fiction, and literary criticism. It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought.", "sentence_answer": "It is often associated with deconstruction and post-structuralism because its usage as a term gained significant popularity at the same time as twentieth-century post-structural thought."} +{"question": "When was the term postmodern first used?", "paragraph": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "answer": "around the 1880s.", "sentence": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism.", "paragraph_sentence": " The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "paragraph_answer": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "sentence_answer": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism."} +{"question": "Who used the term postmodernism in his 1914 article in The Hibbert Journal", "paragraph": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "answer": "J. M. Thompson,", "sentence": "J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "paragraph_sentence": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\" ", "paragraph_answer": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "sentence_answer": " J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\""} +{"question": "What was The Hibbert Journal?", "paragraph": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "answer": "a quarterly philosophical review)", "sentence": "J. M. Thompson, in his 1914 article in The Hibbert Journal ( a quarterly philosophical review) , used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "paragraph_sentence": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal ( a quarterly philosophical review) , used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\" ", "paragraph_answer": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal ( a quarterly philosophical review) , used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "sentence_answer": "J. M. Thompson, in his 1914 article in The Hibbert Journal ( a quarterly philosophical review) , used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\""} +{"question": "Who used a Postmodern style of painting as a way to depart from French Impressionism?", "paragraph": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "answer": "John Watkins Chapman", "sentence": "John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism.", "paragraph_sentence": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "paragraph_answer": "The term postmodern was first used around the 1880s. John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism. J. M. Thompson, in his 1914 article in The Hibbert Journal (a quarterly philosophical review), used it to describe changes in attitudes and beliefs in the critique of religion: \"The raison d'etre of Post-Modernism is to escape from the double-mindedness of Modernism by being thorough in its criticism by extending it to religion as well as theology, to Catholic feeling as well as to Catholic tradition.\"", "sentence_answer": " John Watkins Chapman suggested \"a Postmodern style of painting\" as a way to depart from French Impressionism."} +{"question": "Who described postmodernism as belonging to one of four typological world views?", "paragraph": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "answer": "Walter Truett Anderson", "sentence": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "paragraph_sentence": " More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self. ", "paragraph_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "sentence_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self."} +{"question": "How does a Postmodern-ironist view truth?", "paragraph": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "answer": "as socially constructed", "sentence": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed , (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "paragraph_sentence": " More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed , (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self. ", "paragraph_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed , (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "sentence_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed , (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self."} +{"question": "How does a Scientific-rational view truth?", "paragraph": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "answer": "truth is found through methodical, disciplined inquiry", "sentence": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry , (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "paragraph_sentence": " More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry , (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self. ", "paragraph_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry , (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "sentence_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry , (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self."} +{"question": "How does a Social-traditional view truth?", "paragraph": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "answer": "found in the heritage of American and Western civilization", "sentence": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization , or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "paragraph_sentence": " More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization , or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self. ", "paragraph_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization , or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "sentence_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization , or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self."} +{"question": "How does a Neo-romantic view truth?", "paragraph": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self.", "answer": "through attaining harmony with nature and/or spiritual exploration of the inner self", "sentence": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self .", "paragraph_sentence": " More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self . ", "paragraph_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self .", "sentence_answer": "More recently, Walter Truett Anderson described postmodernism as belonging to one of four typological world views, which he identifies as either (a) Postmodern-ironist, which sees truth as socially constructed, (b) Scientific-rational, in which truth is found through methodical, disciplined inquiry, (c) Social-traditional, in which truth is found in the heritage of American and Western civilization, or (d) Neo-romantic, in which truth is found through attaining harmony with nature and/or spiritual exploration of the inner self ."} +{"question": "What expanded the importance of critical theory?", "paragraph": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "answer": "Postmodernist ideas in philosophy and the analysis of culture and society", "sentence": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century.", "paragraph_sentence": " Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "paragraph_answer": " Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "sentence_answer": " Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century."} +{"question": "When did the complete re-evaluation of the Western value system take place?", "paragraph": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "answer": "since the 1950s and 1960s", "sentence": "These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s , with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement.", "paragraph_sentence": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s , with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "paragraph_answer": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s , with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "sentence_answer": "These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s , with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement."} +{"question": "When was the peak of the re-evaluation of the Western value system?", "paragraph": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "answer": "1968", "sentence": "These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968 \u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement.", "paragraph_sentence": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968 \u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "paragraph_answer": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968 \u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "sentence_answer": "These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968 \u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement."} +{"question": "What took place in 1968 to help propel the re-evaluation of the Western value system?", "paragraph": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "answer": "the Social Revolution", "sentence": "These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement.", "paragraph_sentence": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "paragraph_answer": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "sentence_answer": "These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement."} +{"question": "What term has been used interchangeably with postmodernism?", "paragraph": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "answer": "post-structuralism", "sentence": "Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates.", "paragraph_sentence": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "paragraph_answer": "Postmodernist ideas in philosophy and the analysis of culture and society expanded the importance of critical theory and has been the point of departure for works of literature, architecture, and design, as well as being visible in marketing/business and the interpretation of history, law and culture, starting in the late 20th century. These developments\u2014re-evaluation of the entire Western value system (love, marriage, popular culture, shift from industrial to service economy) that took place since the 1950s and 1960s, with a peak in the Social Revolution of 1968\u2014are described with the term Postmodernity, as opposed to Postmodernism, a term referring to an opinion or movement. Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates. Post-structuralism resulted similarly to postmodernism by following a time of structuralism. It is characterized by new ways of thinking through structuralism, contrary to the original form. \"Postmodernist\" describes part of a movement; \"Postmodern\" places it in the period of time since the 1950s, making it a part of contemporary history.", "sentence_answer": "Postmodernism has also been used interchangeably with the term post-structuralism out of which postmodernism grew, a proper understanding of postmodernism or doing justice to the postmodernist thought demands an understanding of the poststructuralist movement and the ideas of its advocates."} +{"question": "What sparked the idea of postmodernism in architecture?", "paragraph": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "answer": "the perceived blandness and failed Utopianism of the Modern movement", "sentence": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement .", "paragraph_sentence": " The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement . Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "paragraph_answer": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement . Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "sentence_answer": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement ."} +{"question": "Who established and developed Modern Architecture?", "paragraph": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "answer": "Walter Gropius and Le Corbusier", "sentence": "Modern Architecture, as established and developed by Walter Gropius and Le Corbusier , was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\"", "paragraph_sentence": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier , was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "paragraph_answer": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier , was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "sentence_answer": "Modern Architecture, as established and developed by Walter Gropius and Le Corbusier , was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\""} +{"question": "What was the focus of Modern Architecture?", "paragraph": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "answer": "the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\"", "sentence": "Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy.", "paragraph_sentence": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "paragraph_answer": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "sentence_answer": "Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy."} +{"question": "What was the opinion of critics of modernism?", "paragraph": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective, and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "answer": "the attributes of perfection and minimalism themselves were subjective", "sentence": "Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective , and pointed out anachronisms in modern thought and questioned the benefits of its philosophy.", "paragraph_sentence": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective , and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "paragraph_answer": "The idea of Postmodernism in architecture began as a response to the perceived blandness and failed Utopianism of the Modern movement. Modern Architecture, as established and developed by Walter Gropius and Le Corbusier, was focused on the pursuit of a perceived ideal perfection, and attempted harmony of form and function, and dismissal of \"frivolous ornament.\" Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective , and pointed out anachronisms in modern thought and questioned the benefits of its philosophy. Definitive postmodern architecture such as the work of Michael Graves and Robert Venturi rejects the notion of a 'pure' form or 'perfect' architectonic detail, instead conspicuously drawing from all methods, materials, forms and colors available to architects.", "sentence_answer": "Critics of modernism argued that the attributes of perfection and minimalism themselves were subjective , and pointed out anachronisms in modern thought and questioned the benefits of its philosophy."} +{"question": "What does Postmodernism reject?", "paragraph": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "answer": "Modernism", "sentence": "In this sense, Postmodernism is a rejection of its predecessor: Modernism .", "paragraph_sentence": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism . From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "paragraph_answer": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism . From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "sentence_answer": "In this sense, Postmodernism is a rejection of its predecessor: Modernism ."} +{"question": "Which new model did the Modern movement seek to design and plan cities?", "paragraph": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "answer": "industrial mass production", "sentence": "From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production ; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990).", "paragraph_sentence": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production ; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "paragraph_answer": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production ; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "sentence_answer": "From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production ; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990)."} +{"question": "How did Modernism erode urban living?", "paragraph": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "answer": "failure to recognise differences and aim towards homogenous landscapes", "sentence": "Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57).", "paragraph_sentence": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "paragraph_answer": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "sentence_answer": "Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57)."} +{"question": "What represented a move towards something stable, structured, and rationalised?", "paragraph": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "answer": "urban planning", "sentence": "Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475).", "paragraph_sentence": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "paragraph_answer": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "sentence_answer": "Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475)."} +{"question": "Who was one of the \"qualified professional\" planning new urban establishments?", "paragraph": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "answer": "planners predating Postmodernism", "sentence": "The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993).", "paragraph_sentence": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "paragraph_answer": "Postmodernism is a rejection of 'totality', of the notion that planning could be 'comprehensive', widely applied regardless of context, and rational. In this sense, Postmodernism is a rejection of its predecessor: Modernism. From the 1920s onwards, the Modern movement sought to design and plan cities which followed the logic of the new model of industrial mass production; reverting to large-scale solutions, aesthetic standardisation and prefabricated design solutions (Goodchild 1990). Postmodernism also brought a break from the notion that planning and architecture could result in social reform, which was an integral dimension of the plans of Modernism (Simonsen 1990). Furthermore, Modernism eroded urban living by its failure to recognise differences and aim towards homogenous landscapes (Simonsen 1990, 57). Within Modernism, urban planning represented a 20th-century move towards establishing something stable, structured, and rationalised within what had become a world of chaos, flux and change (Irving 1993, 475). The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993). In fact, after 1945, urban planning became one of the methods through which capitalism could be managed and the interests of developers and corporations could be administered (Irving 1993, 479).", "sentence_answer": "The role of planners predating Postmodernism was one of the 'qualified professional' who believed they could find and implement one single 'right way' of planning new urban establishments (Irving 1993)."} +{"question": "What was one of the problems with Modernist-style of planning?", "paragraph": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "answer": "disregard of resident or public opinion", "sentence": "One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion , which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993).", "paragraph_sentence": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion , which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "paragraph_answer": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion , which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "sentence_answer": "One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion , which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993)."} +{"question": "What were the real \"urban\" problems characteristic of post-Second World War urban environments?", "paragraph": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "answer": "slums, overcrowding, deteriorated infrastructure, pollution and disease", "sentence": "One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease , among others (Irving 1993).", "paragraph_sentence": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease , among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "paragraph_answer": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease , among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "sentence_answer": "One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease , among others (Irving 1993)."} +{"question": "When did advocacy planning and participatory models of planning emerge?", "paragraph": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "answer": "in the 1960s", "sentence": "Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007).", "paragraph_sentence": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "paragraph_answer": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "sentence_answer": "Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007)."} +{"question": "What emerged to counter traditional elitist and technocratic approaches to urban planning?", "paragraph": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "answer": "Advocacy planning and participatory models of planning", "sentence": "Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007).", "paragraph_sentence": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "paragraph_answer": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "sentence_answer": " Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007)."} +{"question": "What did participatory model aim to do?", "paragraph": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "answer": "to expand the range of participants in urban interventions", "sentence": "Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "paragraph_sentence": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21). ", "paragraph_answer": "Considering Modernism inclined urban planning to treat buildings and developments as isolated, unrelated parts of the overall urban ecosystems created fragmented, isolated, and homogeneous urban landscapes (Goodchild, 1990). One of the greater problems with Modernist-style of planning was the disregard of resident or public opinion, which resulted in planning being forced upon the majority by a minority consisting of affluent professionals with little to no knowledge of real 'urban' problems characteristic of post-Second World War urban environments: slums, overcrowding, deteriorated infrastructure, pollution and disease, among others (Irving 1993). These were precisely the 'urban ills' Modernism was meant to 'solve', but more often than not, the types of 'comprehensive', 'one size fits all' approaches to planning made things worse., and residents began to show interest in becoming involved in decisions which had once been solely entrusted to professionals of the built environment. Advocacy planning and participatory models of planning emerged in the 1960s to counter these traditional elitist and technocratic approaches to urban planning (Irving 1993; Hatuka & D'Hooghe 2007). Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21).", "sentence_answer": "Furthermore, an assessment of the 'ills' of Modernism among planners during the 1960s, fuelled development of a participatory model that aimed to expand the range of participants in urban interventions (Hatuka & D'Hooghe 2007, 21)."} +{"question": "Who was the author of the book \"The Death and Life of Great American Cities\"?", "paragraph": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "answer": "Jane Jacobs", "sentence": "Jane Jacobs 's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479).", "paragraph_sentence": " Jane Jacobs 's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "paragraph_answer": " Jane Jacobs 's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "sentence_answer": " Jane Jacobs 's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479)."} +{"question": "When was the transition from Modernism to Postmodernism said to have happened?", "paragraph": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "answer": "at 3:32pm on 15 July in 1972", "sentence": "However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972 , when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480).", "paragraph_sentence": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972 , when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "paragraph_answer": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972 , when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "sentence_answer": "However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972 , when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480)."} +{"question": "Who designed Pruitt lgoe in St. Louis?", "paragraph": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "answer": "architect Minoru Yamasaki", "sentence": "However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki , which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480).", "paragraph_sentence": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki , which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "paragraph_answer": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki , which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "sentence_answer": "However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki , which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480)."} +{"question": "What does Postmodern planning aim to do?", "paragraph": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "answer": "to accept pluralism and heighten awareness of social differences", "sentence": "Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990).", "paragraph_sentence": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "paragraph_answer": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "sentence_answer": "Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990)."} +{"question": "What does postmodernism seek to return to?", "paragraph": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "answer": "the lost traditions and history", "sentence": "A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60).", "paragraph_sentence": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "paragraph_answer": "Jane Jacobs's 1961 book The Death and Life of Great American Cities was a sustained critique of urban planning as it had developed within Modernism and marked a transition from modernity to postmodernity in thinking about urban planning (Irving 1993, 479). However, the transition from Modernism to Postmodernism is often said to have happened at 3:32pm on 15 July in 1972, when Pruitt Igoe; a housing development for low-income people in St. Louis designed by architect Minoru Yamasaki, which had been a prize-winning version of Le Corbusier's 'machine for modern living' was deemed uninhabitable and was torn down (Irving 1993, 480). Since then, Postmodernism has involved theories that embrace and aim to create diversity, and it exalts uncertainty, flexibility and change (Hatuka & D'Hooghe 2007). Postmodern planning aims to accept pluralism and heighten awareness of social differences in order to accept and bring to light the claims of minority and disadvantaged groups (Goodchild 1990). It is important to note that urban planning discourse within Modernity and Postmodernity has developed in different contexts, even though they both grew within a capitalist culture. Modernity was shaped by a capitalist ethic of Fordist-Keynesian paradigm of mass, standardized production and consumption, while postmodernity was created out of a more flexible form of capital accumulation, labor markets and organisations (Irving 1993, 60). Also, there is a distinction between a postmodernism of 'reaction' and one of 'resistance'. A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60). As a result of Postmodernism, planners are much less inclined to lay a firm or steady claim to there being one single 'right way' of engaging in urban planning and are more open to different styles and ideas of 'how to plan' (Irving 474).", "sentence_answer": "A postmodernism of 'reaction' rejects Modernism and seeks to return to the lost traditions and history in order to create a new cultural synthesis, while Postmodernity of 'resistance' seeks to deconstruct Modernism and is a critique of the origins without necessarily returning to them (Irving 1993, 60)."} +{"question": "What is the name of Jorge Luis Borges's short story published in 1939?", "paragraph": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "answer": "Pierre Menard, Author of the Quixote", "sentence": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote , is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody.", "paragraph_sentence": " Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote , is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "paragraph_answer": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote , is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "sentence_answer": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote , is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody."} +{"question": "What is Pierre Menard, Author of the Quixote, predicting?", "paragraph": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "answer": "postmodernism and conceiving the ideal of the ultimate parody", "sentence": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody .", "paragraph_sentence": " Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody . Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "paragraph_answer": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody . Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "sentence_answer": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody ."} +{"question": "Who is seen as an important precursor and influence?", "paragraph": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "answer": "Samuel Beckett", "sentence": "Samuel Beckett is sometimes seen as an important precursor and influence.", "paragraph_sentence": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "paragraph_answer": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "sentence_answer": " Samuel Beckett is sometimes seen as an important precursor and influence."} +{"question": "Who is one of the novelists connected with postmodern literature?", "paragraph": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "answer": "Vladimir Nabokov", "sentence": "Novelists who are commonly connected with postmodern literature include Vladimir Nabokov , William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "paragraph_sentence": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov , William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster. ", "paragraph_answer": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov , William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "sentence_answer": "Novelists who are commonly connected with postmodern literature include Vladimir Nabokov , William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster."} +{"question": "What has Thomas Pynchon's work been described as?", "paragraph": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\"), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "answer": "\"high modern\"", "sentence": "Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\" ), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "paragraph_sentence": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\" ), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster. ", "paragraph_answer": "Jorge Luis Borges's (1939) short story Pierre Menard, Author of the Quixote, is often considered as predicting postmodernism and conceiving the ideal of the ultimate parody. Samuel Beckett is sometimes seen as an important precursor and influence. Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\" ), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster.", "sentence_answer": "Novelists who are commonly connected with postmodern literature include Vladimir Nabokov, William Gaddis, Umberto Eco, John Hawkes, William Burroughs, Giannina Braschi, Kurt Vonnegut, John Barth, Jean Rhys, Donald Barthelme, E.L. Doctorow, Richard Kalich, Jerzy Kosinski, Don DeLillo, Thomas Pynchon (Pynchon's work has also been described as \"high modern\" ), Ishmael Reed, Kathy Acker, Ana Lydia Vega, Jachym Topol and Paul Auster."} +{"question": "Who published The Dismemberment of Orpheus: Toward a Postmodern Literature?", "paragraph": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "answer": "Ihab Hassan", "sentence": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman.", "paragraph_sentence": " In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "paragraph_answer": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "sentence_answer": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman."} +{"question": "What is Brian McHale's second book?", "paragraph": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "answer": "Constructing Postmodernism", "sentence": "In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk.", "paragraph_sentence": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "paragraph_answer": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "sentence_answer": "In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk."} +{"question": "How did Brian McHale describe postmodern works in 'Postmodernist Fiction'?", "paragraph": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "answer": "developed out of modernism and are primarily concerned with questions of ontology", "sentence": "In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology .", "paragraph_sentence": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology . In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "paragraph_answer": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology . In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "sentence_answer": "In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology ."} +{"question": "Who is the author of 'Postmodernist Fiction'?", "paragraph": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "answer": "Brian McHale", "sentence": "In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology.", "paragraph_sentence": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "paragraph_answer": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "sentence_answer": "In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology."} +{"question": "In what year was 'Postmodernist Fiction' published?", "paragraph": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' (1987), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "answer": "1987", "sentence": "In 'Postmodernist Fiction' ( 1987 ), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology.", "paragraph_sentence": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' ( 1987 ), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "paragraph_answer": "In 1971, the Arab-American scholar Ihab Hassan published The Dismemberment of Orpheus: Toward a Postmodern Literature, an early work of literary criticism from a postmodern perspective, in which the author traces the development of what he calls \"literature of silence\" through Marquis de Sade, Franz Kafka, Ernest Hemingway, Beckett, and many others, including developments such as the Theatre of the Absurd and the nouveau roman. In 'Postmodernist Fiction' ( 1987 ), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology. In Constructing Postmodernism (1992), McHale's second book, he provides readings of postmodern fiction and of some of the contemporary writers who go under the label of cyberpunk. McHale's \"What Was Postmodernism?\" (2007), follows Raymond Federman's lead in now using the past tense when discussing postmodernism.", "sentence_answer": "In 'Postmodernist Fiction' ( 1987 ), Brian McHale details the shift from modernism to postmodernism, arguing that the former is characterized by an epistemological dominant[clarification needed], and that postmodern works have developed out of modernism and are primarily concerned with questions of ontology."} +{"question": "Who is credited with developing Structuralism?", "paragraph": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "answer": "French academics", "sentence": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism.", "paragraph_sentence": " Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "paragraph_answer": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "sentence_answer": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism."} +{"question": "What were thinkers who moved away from the strict interpretations of structuralist ideas called?", "paragraph": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "answer": "Post-structuralists", "sentence": "It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \" Post-structuralists \" were thinkers who moved away from the strict interpretations and applications of structuralist ideas.", "paragraph_sentence": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \" Post-structuralists \" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "paragraph_answer": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \" Post-structuralists \" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "sentence_answer": "It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \" Post-structuralists \" were thinkers who moved away from the strict interpretations and applications of structuralist ideas."} +{"question": "What Marxist philosopher was considered a structuralist?", "paragraph": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "answer": "Louis Althusser", "sentence": "Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser , and the semiotician Algirdas Greimas.", "paragraph_sentence": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser , and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "paragraph_answer": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser , and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "sentence_answer": "Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser , and the semiotician Algirdas Greimas."} +{"question": "In what decade of the 1900s was Structuralism developed?", "paragraph": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "answer": "50s", "sentence": "Structuralism was a philosophical movement developed by French academics in the 19 50s , partly in response to French Existentialism.", "paragraph_sentence": " Structuralism was a philosophical movement developed by French academics in the 19 50s , partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "paragraph_answer": "Structuralism was a philosophical movement developed by French academics in the 19 50s , partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "sentence_answer": "Structuralism was a philosophical movement developed by French academics in the 19 50s , partly in response to French Existentialism."} +{"question": "Many American academics consider post-structuralism to be a part of what other movement?", "paragraph": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "answer": "postmodernist", "sentence": "Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not.", "paragraph_sentence": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "paragraph_answer": "Structuralism was a philosophical movement developed by French academics in the 1950s, partly in response to French Existentialism. It has been seen variously as an expression of Modernism, High modernism, or postmodernism[by whom?]. \"Post-structuralists\" were thinkers who moved away from the strict interpretations and applications of structuralist ideas. Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not. Thinkers who have been called structuralists include the anthropologist Claude L\u00e9vi-Strauss, the linguist Ferdinand de Saussure, the Marxist philosopher Louis Althusser, and the semiotician Algirdas Greimas. The early writings of the psychoanalyst Jacques Lacan and the literary theorist Roland Barthes have also been called structuralist. Those who began as structuralists but became post-structuralists include Michel Foucault, Roland Barthes, Jean Baudrillard, Gilles Deleuze. Other post-structuralists include Jacques Derrida, Pierre Bourdieu, Jean-Fran\u00e7ois Lyotard, Julia Kristeva, H\u00e9l\u00e8ne Cixous, and Luce Irigaray. The American cultural theorists, critics and intellectuals whom they influenced include Judith Butler, John Fiske, Rosalind Krauss, Avital Ronell, and Hayden White.", "sentence_answer": "Many American academics consider post-structuralism to be part of the broader, less well-defined postmodernist movement, even though many post-structuralists insisted it was not."} +{"question": "What movement is not defined by a set of shared axioms or methodologies?", "paragraph": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "answer": "Post-structuralism", "sentence": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another.", "paragraph_sentence": " Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "paragraph_answer": " Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "sentence_answer": " Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another."} +{"question": "What nationality of structuralists considered themselves as espousing Relativism and Constructionalism?", "paragraph": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "answer": "French", "sentence": "Thus the French structuralists considered themselves to be espousing Relativism and Constructionism.", "paragraph_sentence": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "paragraph_answer": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "sentence_answer": "Thus the French structuralists considered themselves to be espousing Relativism and Constructionism."} +{"question": "What two ideas do post-structuralist thinkers reject?", "paragraph": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "answer": "Reductionism and Epiphenomenalism", "sentence": "Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up.", "paragraph_sentence": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "paragraph_answer": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "sentence_answer": "Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up."} +{"question": "Who created the algebraic formulation of mythological transformation?", "paragraph": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "answer": "Claude L\u00e9vi-Strauss", "sentence": "(An example is Claude L\u00e9vi-Strauss 's", "paragraph_sentence": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss 's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "paragraph_answer": "Post-structuralism is not defined by a set of shared axioms or methodologies, but by an emphasis on how various aspects of a particular culture, from its most ordinary, everyday material details to its most abstract theories and beliefs, determine one another. Post-structuralist thinkers reject Reductionism and Epiphenomenalism and the idea that cause-and-effect relationships are top-down or bottom-up. Like structuralists, they start from the assumption that people's identities, values and economic conditions determine each other rather than having intrinsic properties that can be understood in isolation. Thus the French structuralists considered themselves to be espousing Relativism and Constructionism. But they nevertheless tended to explore how the subjects of their study might be described, reductively, as a set of essential relationships, schematics, or mathematical symbols. (An example is Claude L\u00e9vi-Strauss 's algebraic formulation of mythological transformation in \"The Structural Study of Myth\"). Post-structuralists thinkers went further, questioning the existence of any distinction between the nature of a thing and its relationship to other things.", "sentence_answer": "(An example is Claude L\u00e9vi-Strauss 's"} +{"question": "In 2007 who noted that \"declarations of postmodernism's demise have become a critical commonplace\"?", "paragraph": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "answer": "Andrew Hoberek", "sentence": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\".", "paragraph_sentence": " Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "paragraph_answer": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "sentence_answer": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\"."} +{"question": "In what journal did Andrew Hoberek write an introduction titled, \"After Postmodernism\"?", "paragraph": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "answer": "Twentieth Century Literature", "sentence": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\".", "paragraph_sentence": " Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "paragraph_answer": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "sentence_answer": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\"."} +{"question": "What critic is credited with the theory of performatism?", "paragraph": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "answer": "Raoul Eshelman", "sentence": "A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism).", "paragraph_sentence": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "paragraph_answer": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "sentence_answer": "A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism)."} +{"question": "What critic is credited with the theory of altermodern?", "paragraph": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "answer": "Nicolas Bourriaud", "sentence": "A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism).", "paragraph_sentence": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "paragraph_answer": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "sentence_answer": "A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism)."} +{"question": "In what museum was the exhibition Postmodernism - Style and Subversion 1970-1990?", "paragraph": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "answer": "Victoria and Albert Museum", "sentence": "The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "paragraph_sentence": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement. ", "paragraph_answer": "Recently metamodernism, post-postmodernism and the \"death of postmodernism\" have been widely debated: in 2007 Andrew Hoberek noted in his introduction to a special issue of the journal Twentieth Century Literature titled \"After Postmodernism\" that \"declarations of postmodernism's demise have become a critical commonplace\". A small group of critics has put forth a range of theories that aim to describe culture or society in the alleged aftermath of postmodernism, most notably Raoul Eshelman (performatism), Gilles Lipovetsky (hypermodernity), Nicolas Bourriaud (altermodern), and Alan Kirby (digimodernism, formerly called pseudo-modernism). None of these new theories and labels have so far gained very widespread acceptance. The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement.", "sentence_answer": "The exhibition Postmodernism - Style and Subversion 1970\u20131990 at the Victoria and Albert Museum (London, 24 September 2011 \u2013 15 January 2012) was billed as the first show to document postmodernism as a historical movement."} +{"question": "Critics assert that postmodernism promotes what?", "paragraph": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "answer": "obscurantism", "sentence": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism .", "paragraph_sentence": " Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism . For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?... If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "paragraph_answer": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism . For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "sentence_answer": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism ."} +{"question": "Who suggested the recourse of 'to the flames'?", "paragraph": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "answer": "Hume", "sentence": "If [these requests] can't be met, then I'd suggest recourse to Hume 's advice in similar circumstances: 'to the flames'.\"", "paragraph_sentence": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?... If [these requests] can't be met, then I'd suggest recourse to Hume 's advice in similar circumstances: 'to the flames'.\" ", "paragraph_answer": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...If [these requests] can't be met, then I'd suggest recourse to Hume 's advice in similar circumstances: 'to the flames'.\"", "sentence_answer": "If [these requests] can't be met, then I'd suggest recourse to Hume 's advice in similar circumstances: 'to the flames'.\""} +{"question": "Who argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge?", "paragraph": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "answer": "Noam Chomsky", "sentence": "For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge.", "paragraph_sentence": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?... If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "paragraph_answer": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "sentence_answer": "For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge."} +{"question": "Noam Chomsky asks why what type of intellectuals do not respond like people in other fields when asked about the principles of their theories?", "paragraph": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "answer": "postmodernist", "sentence": "He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...", "paragraph_sentence": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?... If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "paragraph_answer": "Criticisms of postmodernism are intellectually diverse, including the assertions that postmodernism is meaningless and promotes obscurantism. For example, Noam Chomsky has argued that postmodernism is meaningless because it adds nothing to analytical or empirical knowledge. He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?...If [these requests] can't be met, then I'd suggest recourse to Hume's advice in similar circumstances: 'to the flames'.\"", "sentence_answer": "He asks why postmodernist intellectuals do not respond like people in other fields when asked, \"what are the principles of their theories, on what evidence are they based, what do they explain that wasn't already obvious, etc.?..."} +{"question": "How have American academics tended to label continental philosophy?", "paragraph": "However, as for continental philosophy, American academics have tended to label it \"postmodernist\", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "answer": "postmodernist", "sentence": "However, as for continental philosophy, American academics have tended to label it \" postmodernist \", especially practitioners of \"French Theory\".", "paragraph_sentence": " However, as for continental philosophy, American academics have tended to label it \" postmodernist \", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "paragraph_answer": "However, as for continental philosophy, American academics have tended to label it \" postmodernist \", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "sentence_answer": "However, as for continental philosophy, American academics have tended to label it \" postmodernist \", especially practitioners of \"French Theory\"."} +{"question": "What was Felix Guattari often considered to be?", "paragraph": "However, as for continental philosophy, American academics have tended to label it \"postmodernist\", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "answer": "postmodernist", "sentence": "However, as for continental philosophy, American academics have tended to label it \" postmodernist \", especially practitioners of \"French Theory\".", "paragraph_sentence": " However, as for continental philosophy, American academics have tended to label it \" postmodernist \", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "paragraph_answer": "However, as for continental philosophy, American academics have tended to label it \" postmodernist \", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "sentence_answer": "However, as for continental philosophy, American academics have tended to label it \" postmodernist \", especially practitioners of \"French Theory\"."} +{"question": "The trend to label continental philosophy as postmodernism might derive from what U.S. Departments?", "paragraph": "However, as for continental philosophy, American academics have tended to label it \"postmodernist\", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "answer": "Comparative Literature", "sentence": "Such a trend might derive from U.S. departments of Comparative Literature .", "paragraph_sentence": "However, as for continental philosophy, American academics have tended to label it \"postmodernist\", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature . It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "paragraph_answer": "However, as for continental philosophy, American academics have tended to label it \"postmodernist\", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature . It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "sentence_answer": "Such a trend might derive from U.S. departments of Comparative Literature ."} +{"question": "Felix Guattari argued that structuralists and postmodernist visions were not flexible enough seek explanation is psychological, social and what other domain at the same time?", "paragraph": "However, as for continental philosophy, American academics have tended to label it \"postmodernist\", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "answer": "environmental", "sentence": "It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "paragraph_sentence": "However, as for continental philosophy, American academics have tended to label it \"postmodernist\", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time. ", "paragraph_answer": "However, as for continental philosophy, American academics have tended to label it \"postmodernist\", especially practitioners of \"French Theory\". Such a trend might derive from U.S. departments of Comparative Literature. It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time.", "sentence_answer": "It is interesting to note that F\u00e9lix Guattari, often considered a \"postmodernist\", rejected its theoretical assumptions by arguing that the structuralist and postmodernist visions of the world were not flexible enough to seek explanations in psychological, social and environmental domains at the same time."} +{"question": "What is the purpose of a structual design for a buiding?", "paragraph": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "answer": "to stand up safely", "sentence": "The structural design for a building must ensure that the building is able to stand up safely , able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants.", "paragraph_sentence": " The structural design for a building must ensure that the building is able to stand up safely , able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "paragraph_answer": "The structural design for a building must ensure that the building is able to stand up safely , able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "sentence_answer": "The structural design for a building must ensure that the building is able to stand up safely , able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants."} +{"question": "What else must a structual design do in regards to the building process?", "paragraph": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "answer": "ensure that the design is practically buildable within acceptable manufacturing", "sentence": "It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials.", "paragraph_sentence": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "paragraph_answer": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "sentence_answer": "It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials."} +{"question": "What are some examples of structual damage?", "paragraph": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "answer": "cracking or failure of fixtures", "sentence": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures , fittings or partitions, or discomfort for occupants.", "paragraph_sentence": " The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures , fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "paragraph_answer": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures , fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "sentence_answer": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures , fittings or partitions, or discomfort for occupants."} +{"question": "Would you consider the structual desgin a simple or complex process?", "paragraph": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex, and often requires a large team to complete.", "answer": "extremely complex", "sentence": "The structural design of a modern building can be extremely complex , and often requires a large team to complete.", "paragraph_sentence": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex , and often requires a large team to complete. ", "paragraph_answer": "The structural design for a building must ensure that the building is able to stand up safely, able to function without excessive deflections or movements which may cause fatigue of structural elements, cracking or failure of fixtures, fittings or partitions, or discomfort for occupants. It must account for movements and forces due to temperature, creep, cracking and imposed loads. It must also ensure that the design is practically buildable within acceptable manufacturing tolerances of the materials. It must allow the architecture to work, and the building services to fit within the building and function (air conditioning, ventilation, smoke extract, electrics, lighting etc.). The structural design of a modern building can be extremely complex , and often requires a large team to complete.", "sentence_answer": "The structural design of a modern building can be extremely complex , and often requires a large team to complete."} +{"question": "What is earthquake engineering?", "paragraph": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "answer": "interaction of structures with the shaking ground,", "sentence": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "paragraph_sentence": " The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake. ", "paragraph_answer": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "sentence_answer": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake."} +{"question": "What else does earthquake engineering help discover?", "paragraph": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "answer": "foresee the consequences of possible earthquakes", "sentence": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes , and design and construct the structures to perform during an earthquake.", "paragraph_sentence": " The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes , and design and construct the structures to perform during an earthquake. ", "paragraph_answer": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes , and design and construct the structures to perform during an earthquake.", "sentence_answer": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes , and design and construct the structures to perform during an earthquake."} +{"question": "What do earthquake engineers do?", "paragraph": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "answer": "design and construct the structures", "sentence": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "paragraph_sentence": " The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake. ", "paragraph_answer": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "sentence_answer": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake."} +{"question": "What is the goal of an engineer's structure?", "paragraph": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "answer": "to perform during an earthquake.", "sentence": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake.", "paragraph_sentence": " The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake. ", "paragraph_answer": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake. ", "sentence_answer": "The main objectives of earthquake engineering are to understand the interaction of structures with the shaking ground, foresee the consequences of possible earthquakes, and design and construct the structures to perform during an earthquake. "} +{"question": "What is an example of an earthquake strong structure?", "paragraph": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "answer": "El Castillo", "sentence": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above.", "paragraph_sentence": " Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "paragraph_answer": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "sentence_answer": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above."} +{"question": "Are all earthquake proofed structures strong?", "paragraph": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "answer": "Earthquake-proof structures are not necessarily extremely strong", "sentence": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above.", "paragraph_sentence": " Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "paragraph_answer": " Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "sentence_answer": " Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above."} +{"question": "Where is the El Castillo?", "paragraph": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "answer": "Chichen Itza", "sentence": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above.", "paragraph_sentence": " Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "paragraph_answer": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "sentence_answer": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above."} +{"question": "What does it mean for a structure if it is stiff?", "paragraph": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "answer": "poor seismic performance.", "sentence": "In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance.", "paragraph_sentence": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance. ", "paragraph_answer": "Earthquake-proof structures are not necessarily extremely strong like the El Castillo pyramid at Chichen Itza shown above. In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance. ", "sentence_answer": "In fact, many structures considered strong may in fact be stiff, which can result in poor seismic performance. "} +{"question": "What role does a structual engineer play?", "paragraph": "The structural engineer is the lead designer on these structures, and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "answer": "lead designer on these structures", "sentence": "The structural engineer is the lead designer on these structures , and often the sole designer.", "paragraph_sentence": " The structural engineer is the lead designer on these structures , and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "paragraph_answer": "The structural engineer is the lead designer on these structures , and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "sentence_answer": "The structural engineer is the lead designer on these structures , and often the sole designer."} +{"question": "Can a structual engineer work alone?", "paragraph": "The structural engineer is the lead designer on these structures, and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "answer": "often the sole designer", "sentence": "The structural engineer is the lead designer on these structures, and often the sole designer .", "paragraph_sentence": " The structural engineer is the lead designer on these structures, and often the sole designer . In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "paragraph_answer": "The structural engineer is the lead designer on these structures, and often the sole designer . In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "sentence_answer": "The structural engineer is the lead designer on these structures, and often the sole designer ."} +{"question": "What is the most imporant thing when designing a structure?", "paragraph": "The structural engineer is the lead designer on these structures, and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "answer": "structural safety", "sentence": "In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "paragraph_sentence": "The structural engineer is the lead designer on these structures, and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer). ", "paragraph_answer": "The structural engineer is the lead designer on these structures, and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "sentence_answer": "In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer)."} +{"question": "What is an example of structual desgin?", "paragraph": "The structural engineer is the lead designer on these structures, and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams, nuclear power stations and bridges must be signed off by a chartered engineer).", "answer": "designs for dams", "sentence": "In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams , nuclear power stations and bridges must be signed off by a chartered engineer).", "paragraph_sentence": "The structural engineer is the lead designer on these structures, and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams , nuclear power stations and bridges must be signed off by a chartered engineer). ", "paragraph_answer": "The structural engineer is the lead designer on these structures, and often the sole designer. In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams , nuclear power stations and bridges must be signed off by a chartered engineer).", "sentence_answer": "In the design of structures such as these, structural safety is of paramount importance (in the UK, designs for dams , nuclear power stations and bridges must be signed off by a chartered engineer)."} +{"question": "What kinds of forces can structures become subject to?", "paragraph": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "answer": "temperature, dynamic loads such as waves or traffic", "sentence": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic , or high pressures from water or compressed gases.", "paragraph_sentence": " Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic , or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "paragraph_answer": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic , or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "sentence_answer": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic , or high pressures from water or compressed gases."} +{"question": "What structual issues would an underground facility have?", "paragraph": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "answer": "high pressures from water or compressed gases", "sentence": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases .", "paragraph_sentence": " Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases . They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "paragraph_answer": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases . They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "sentence_answer": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases ."} +{"question": "What category of elements would freezing temperatures be categorized in?", "paragraph": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "answer": "extreme forces", "sentence": "Civil engineering structures are often subjected to very extreme forces , such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases.", "paragraph_sentence": " Civil engineering structures are often subjected to very extreme forces , such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "paragraph_answer": "Civil engineering structures are often subjected to very extreme forces , such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "sentence_answer": "Civil engineering structures are often subjected to very extreme forces , such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases."} +{"question": "What are some examples of corrosive environments?", "paragraph": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground.", "answer": "such as at sea, in industrial facilities or below ground", "sentence": "They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground .", "paragraph_sentence": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground . ", "paragraph_answer": "Civil engineering structures are often subjected to very extreme forces, such as large variations in temperature, dynamic loads such as waves or traffic, or high pressures from water or compressed gases. They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground .", "sentence_answer": "They are also often constructed in corrosive environments, such as at sea, in industrial facilities or below ground ."} +{"question": "What are basic terms for the two types of truss components?", "paragraph": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "answer": "struts and ties", "sentence": "struts and ties ).", "paragraph_sentence": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties ). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "paragraph_answer": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties ). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "sentence_answer": " struts and ties )."} +{"question": "What is an essential engineering element composed of tension and compression members?", "paragraph": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "answer": "A truss", "sentence": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties).", "paragraph_sentence": " A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "paragraph_answer": " A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "sentence_answer": " A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties)."} +{"question": "What component joins converging portions of a truss?", "paragraph": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "answer": "Gusset plates", "sentence": " Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "paragraph_sentence": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression. ", "paragraph_answer": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "sentence_answer": " Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression."} +{"question": "Which qualities make the gusset plate exceptional as a truss connection?", "paragraph": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "answer": "flexible and minimize bending", "sentence": " Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "paragraph_sentence": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression. ", "paragraph_answer": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "sentence_answer": " Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression."} +{"question": "At which locations in a truss structure are deformations most an issue?", "paragraph": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections, thus allowing the truss members to carry primarily tension or compression.", "answer": "at the connections", "sentence": " Gusset plates are relatively flexible and minimize bending moments at the connections , thus allowing the truss members to carry primarily tension or compression.", "paragraph_sentence": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections , thus allowing the truss members to carry primarily tension or compression. ", "paragraph_answer": "A truss is a structure comprising two types of structural elements; compression members and tension members (i.e. struts and ties). Most trusses use gusset plates to connect intersecting elements. Gusset plates are relatively flexible and minimize bending moments at the connections , thus allowing the truss members to carry primarily tension or compression.", "sentence_answer": " Gusset plates are relatively flexible and minimize bending moments at the connections , thus allowing the truss members to carry primarily tension or compression."} +{"question": "What does structural engineering history contain?", "paragraph": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "answer": "many collapses and failures", "sentence": "The history of structural engineering contains many collapses and failures .", "paragraph_sentence": " The history of structural engineering contains many collapses and failures . Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "paragraph_answer": "The history of structural engineering contains many collapses and failures . Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "sentence_answer": "The history of structural engineering contains many collapses and failures ."} +{"question": "What was the fault of the Petionvile school collapse?", "paragraph": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "answer": "obvious negligence", "sentence": " Sometimes this is due to obvious negligence , as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing.", "paragraph_sentence": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence , as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "paragraph_answer": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence , as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "sentence_answer": " Sometimes this is due to obvious negligence , as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing."} +{"question": "Who constructed the Petionville school?", "paragraph": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "answer": "Rev. Fortin Augustin", "sentence": " Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing.", "paragraph_sentence": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "paragraph_answer": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "sentence_answer": " Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing."} +{"question": "How many stories was the Petionville school?", "paragraph": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "answer": "three", "sentence": " Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three -story schoolhouse that sent neighbors fleeing.", "paragraph_sentence": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three -story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "paragraph_answer": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three -story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "sentence_answer": " Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three -story schoolhouse that sent neighbors fleeing."} +{"question": "How many did the final Petionville school collapse kill?", "paragraph": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people, mostly children.", "answer": "94 people", "sentence": "The final collapse killed 94 people , mostly children.", "paragraph_sentence": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people , mostly children. ", "paragraph_answer": "The history of structural engineering contains many collapses and failures. Sometimes this is due to obvious negligence, as in the case of the P\u00e9tionville school collapse, in which Rev. Fortin Augustin \"constructed the building all by himself, saying he didn't need an engineer as he had good knowledge of construction\" following a partial collapse of the three-story schoolhouse that sent neighbors fleeing. The final collapse killed 94 people , mostly children.", "sentence_answer": "The final collapse killed 94 people , mostly children."} +{"question": "In how many directions do plates relay deformation?", "paragraph": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "answer": "two", "sentence": "Plates carry bending in two directions.", "paragraph_sentence": " Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "paragraph_answer": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "sentence_answer": "Plates carry bending in two directions."} +{"question": "What is an archetype of a plate in engineering?", "paragraph": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "answer": "concrete flat slab", "sentence": "A concrete flat slab is an example of a plate.", "paragraph_sentence": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "paragraph_answer": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "sentence_answer": "A concrete flat slab is an example of a plate."} +{"question": "Which form of mechanics is best utilized to comprehend plates?", "paragraph": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "answer": "continuum", "sentence": "Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "paragraph_sentence": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis. ", "paragraph_answer": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "sentence_answer": "Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis."} +{"question": "What method is effective in assisting plate design or application?", "paragraph": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "answer": "computer analysis", "sentence": "Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis .", "paragraph_sentence": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis . ", "paragraph_answer": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis .", "sentence_answer": "Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis ."} +{"question": "What term describes an engineering approach to interpreting complex systems?", "paragraph": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "answer": "codified empirical", "sentence": "Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "paragraph_sentence": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis. ", "paragraph_answer": "Plates carry bending in two directions. A concrete flat slab is an example of a plate. Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis.", "sentence_answer": "Plates are understood by using continuum mechanics, but due to the complexity involved they are most often designed using a codified empirical approach, or computer analysis."} +{"question": "What does failure of structures require?", "paragraph": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "answer": "careful study", "sentence": "In other cases structural failures require careful study , and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering.", "paragraph_sentence": " In other cases structural failures require careful study , and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "paragraph_answer": "In other cases structural failures require careful study , and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "sentence_answer": "In other cases structural failures require careful study , and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering."} +{"question": "In addition to improved practices, what has been brought forth as a result of structural failures?", "paragraph": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "answer": "greater understanding of the science of structural engineering", "sentence": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering .", "paragraph_sentence": " In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering . Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "paragraph_answer": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering . Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "sentence_answer": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering ."} +{"question": "During the 1970s, what collapsed in Australia?", "paragraph": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "answer": "box girders", "sentence": " A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "paragraph_sentence": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s. ", "paragraph_answer": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "sentence_answer": " A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s."} +{"question": "The series of failures involving box girders helped to increase what?", "paragraph": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "answer": "structural knowledge and practice", "sentence": " A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "paragraph_sentence": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s. ", "paragraph_answer": "In other cases structural failures require careful study, and the results of these inquiries have resulted in improved practices and greater understanding of the science of structural engineering. Some such studies are the result of forensic engineering investigations where the original engineer seems to have done everything in accordance with the state of the profession and acceptable practice yet a failure still eventuated. A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s.", "sentence_answer": " A famous case of structural knowledge and practice being advanced in this manner can be found in a series of failures involving box girders which collapsed in Australia during the 1970s."} +{"question": "What field of engineering is related to the design of buildings?", "paragraph": "Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "answer": "building engineering", "sentence": "Structural building engineering includes all structural engineering related to the design of buildings.", "paragraph_sentence": " Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "paragraph_answer": "Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "sentence_answer": "Structural building engineering includes all structural engineering related to the design of buildings."} +{"question": "All structural engineering related to building design encompasses what?", "paragraph": "Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "answer": "Structural building engineering", "sentence": "Structural building engineering includes all structural engineering related to the design of buildings.", "paragraph_sentence": " Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "paragraph_answer": " Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "sentence_answer": " Structural building engineering includes all structural engineering related to the design of buildings."} +{"question": "What facet of building engineering deals with structures?", "paragraph": "Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "answer": "Structural building engineering", "sentence": "Structural building engineering includes all structural engineering related to the design of buildings.", "paragraph_sentence": " Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "paragraph_answer": " Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "sentence_answer": " Structural building engineering includes all structural engineering related to the design of buildings."} +{"question": "What is structural building engineering closely affiliated with?", "paragraph": "Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture.", "answer": "architecture", "sentence": "It is a branch of structural engineering closely affiliated with architecture .", "paragraph_sentence": "Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture . ", "paragraph_answer": "Structural building engineering includes all structural engineering related to the design of buildings. It is a branch of structural engineering closely affiliated with architecture .", "sentence_answer": "It is a branch of structural engineering closely affiliated with architecture ."} +{"question": "The fuel that is creative manipulation of materials drives what in regard to functional requirements and safety?", "paragraph": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "answer": "Structural building engineering", "sentence": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience.", "paragraph_sentence": " Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "paragraph_answer": " Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "sentence_answer": " Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience."} +{"question": "Structural building enginnering is different to that of architectural design by means of what?", "paragraph": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "answer": "an end which is aesthetic, functional and often artistic", "sentence": "This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic .", "paragraph_sentence": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic . ", "paragraph_answer": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic .", "sentence_answer": "This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic ."} +{"question": "Structural building engineering ensures that buildings are structurally safe when subject to what?", "paragraph": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "answer": "loads", "sentence": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience.", "paragraph_sentence": " Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "paragraph_answer": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "sentence_answer": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience."} +{"question": "What other facet of ideas does structural building engineering use besides that of scientific ideas?", "paragraph": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "answer": "mathematical", "sentence": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience.", "paragraph_sentence": " Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "paragraph_answer": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience. This is subtly different from architectural design, which is driven by the creative manipulation of materials and forms, mass, space, volume, texture and light to achieve an end which is aesthetic, functional and often artistic.", "sentence_answer": "Structural building engineering is primarily driven by the creative manipulation of materials and forms and the underlying mathematical and scientific ideas to achieve an end which fulfills its functional requirements and is structurally safe when subjected to all the loads it could reasonably be expected to experience."} +{"question": "Which theoretical construct aids design in collapse modeling?", "paragraph": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "answer": "yield line theory", "sentence": "They can also be designed with yield line theory , where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity).", "paragraph_sentence": " They can also be designed with yield line theory , where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "paragraph_answer": "They can also be designed with yield line theory , where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "sentence_answer": "They can also be designed with yield line theory , where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity)."} +{"question": "What is a that term describes structural deformation bounds?", "paragraph": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "answer": "Plasticity", "sentence": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity ).", "paragraph_sentence": " They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity ). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "paragraph_answer": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity ). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "sentence_answer": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity )."} +{"question": "What is a significant limitation of Yield Line Theory in anticipating collapse loading?", "paragraph": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "answer": "an unsafe prediction", "sentence": "an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "paragraph_sentence": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic. ", "paragraph_answer": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "sentence_answer": " an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic."} +{"question": "Why is cautious consideration required in utilizing mean collapse mechanisms?", "paragraph": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic.", "answer": "ensure that the assumed collapse mechanism is realistic", "sentence": "This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic .", "paragraph_sentence": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic . ", "paragraph_answer": "They can also be designed with yield line theory, where an assumed collapse mechanism is analysed to give an upper bound on the collapse load (see Plasticity). This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic .", "sentence_answer": "This technique is used in practice but because the method provides an upper-bound, i.e. an unsafe prediction of the collapse load, for poorly conceived collapse mechanisms great care is needed to ensure that the assumed collapse mechanism is realistic ."} +{"question": "The lead designer on buildings is usually who?", "paragraph": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "answer": "The architect", "sentence": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant.", "paragraph_sentence": " The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "paragraph_answer": " The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "sentence_answer": " The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant."} +{"question": "Who is employed by the lead designer as a sub-consultant?", "paragraph": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "answer": "a structural engineer", "sentence": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant.", "paragraph_sentence": " The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "paragraph_answer": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "sentence_answer": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant."} +{"question": "A multi-storey office building can be described as simple in what way?", "paragraph": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "answer": "structurally", "sentence": "Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "paragraph_sentence": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect. ", "paragraph_answer": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "sentence_answer": "Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect."} +{"question": "What are tensile structures dependent on for their strength?", "paragraph": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "answer": "their form", "sentence": "Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "paragraph_sentence": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect. ", "paragraph_answer": "The architect is usually the lead designer on buildings, with a structural engineer employed as a sub-consultant. The degree to which each discipline actually leads the design depends heavily on the type of structure. Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect.", "sentence_answer": "Many structures are structurally simple and led by architecture, such as multi-storey office buildings and housing, while other structures, such as tensile structures, shells and gridshells are heavily dependent on their form for their strength, and the engineer may have a more significant influence on the form, and hence much of the aesthetic, than the architect."} +{"question": "From what do shells derive their inherent durability?", "paragraph": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "answer": "their form", "sentence": "Shells derive their strength from their form , and carry forces in compression in two directions.", "paragraph_sentence": " Shells derive their strength from their form , and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "paragraph_answer": "Shells derive their strength from their form , and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "sentence_answer": "Shells derive their strength from their form , and carry forces in compression in two directions."} +{"question": "What are shells capable of bearing in multiple axes?", "paragraph": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "answer": "forces in compression", "sentence": "Shells derive their strength from their form, and carry forces in compression in two directions.", "paragraph_sentence": " Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "paragraph_answer": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "sentence_answer": "Shells derive their strength from their form, and carry forces in compression in two directions."} +{"question": "What is one specimen of a shell?", "paragraph": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "answer": "A dome", "sentence": "A dome is an example of a shell.", "paragraph_sentence": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "paragraph_answer": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "sentence_answer": " A dome is an example of a shell."} +{"question": "Which engineering model can be utilized in the composition of a dome?", "paragraph": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "answer": "hanging-chain", "sentence": "They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "paragraph_sentence": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression. ", "paragraph_answer": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "sentence_answer": "They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression."} +{"question": "Which term implying interconnection can describe tensity in dome design?", "paragraph": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "answer": "catenary", "sentence": "They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "paragraph_sentence": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression. ", "paragraph_answer": "Shells derive their strength from their form, and carry forces in compression in two directions. A dome is an example of a shell. They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression.", "sentence_answer": "They can be designed by making a hanging-chain model, which will act as a catenary in pure tension, and inverting the form to achieve pure compression."} +{"question": "What are the two types of building loading?", "paragraph": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified.\nStructural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers.\nAnother international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "answer": "static and dynamic", "sentence": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them.", "paragraph_sentence": " The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "paragraph_answer": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "sentence_answer": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them."} +{"question": "Structural engineers need what type of degree?", "paragraph": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified.\nStructural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers.\nAnother international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "answer": "a four or five year undergraduate degree,", "sentence": "A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified.", "paragraph_sentence": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "paragraph_answer": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "sentence_answer": "A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified."} +{"question": "On top of education, these engineers need what else?", "paragraph": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified.\nStructural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers.\nAnother international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "answer": "three years of professional practice", "sentence": "A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified.", "paragraph_sentence": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "paragraph_answer": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "sentence_answer": "A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified."} +{"question": "What is the UK regulatory organization for structural engineers?", "paragraph": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified.\nStructural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers.\nAnother international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "answer": "Institution of Structural Engineers", "sentence": "\nStructural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK).", "paragraph_sentence": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "paragraph_answer": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "sentence_answer": " Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK)."} +{"question": "IABSE is what kind of Structural engineering orginization?", "paragraph": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified.\nStructural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers.\nAnother international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "answer": "international", "sentence": "\nAnother international organisation is IABSE (International Association for Bridge and Structural Engineering).", "paragraph_sentence": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "paragraph_answer": "The role of a structural engineer today involves a significant understanding of both static and dynamic loading, and the structures that are available to resist them. The complexity of modern structures often requires a great deal of creativity from the engineer in order to ensure the structures support and resist the loads they are subjected to. A structural engineer will typically have a four or five year undergraduate degree, followed by a minimum of three years of professional practice before being considered fully qualified. Structural engineers are licensed or accredited by different learned societies and regulatory bodies around the world (for example, the Institution of Structural Engineers in the UK). Depending on the degree course they have studied and/or the jurisdiction they are seeking licensure in, they may be accredited (or licensed) as just structural engineers, or as civil engineers, or as both civil and structural engineers. Another international organisation is IABSE (International Association for Bridge and Structural Engineering). The aim of that association is to exchange knowledge and to advance the practice of structural engineering worldwide in the service of the profession and society.", "sentence_answer": " Another international organisation is IABSE (International Association for Bridge and Structural Engineering)."} +{"question": "When was structural engineering started?", "paragraph": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "answer": "2700 B.C.E.", "sentence": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name.", "paragraph_sentence": " Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "paragraph_answer": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "sentence_answer": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name."} +{"question": "This first structure that needed engineering was what?", "paragraph": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "answer": "the step pyramid", "sentence": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name.", "paragraph_sentence": " Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "paragraph_answer": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "sentence_answer": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name."} +{"question": "Pryamids can be scaled how much?", "paragraph": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "answer": "almost infinitely", "sentence": "Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "paragraph_sentence": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads). ", "paragraph_answer": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "sentence_answer": "Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads)."} +{"question": "Why were pyramids built rather than other shapes?", "paragraph": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "answer": "a pyramid is inherently stable", "sentence": "Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "paragraph_sentence": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads). ", "paragraph_answer": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "sentence_answer": "Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads)."} +{"question": "Who was the first Structural engineer that history knows by name?", "paragraph": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep, the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "answer": "Imhotep", "sentence": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep , the first engineer in history known by name.", "paragraph_sentence": " Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep , the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "paragraph_answer": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep , the first engineer in history known by name. Pyramids were the most common major structures built by ancient civilizations because the structural form of a pyramid is inherently stable and can be almost infinitely scaled (as opposed to most other structural forms, which cannot be linearly increased in size in proportion to increased loads).", "sentence_answer": "Structural engineering dates back to 2700 B.C.E. when the step pyramid for Pharaoh Djoser was built by Imhotep , the first engineer in history known by name."} +{"question": "Pyramids were built frequently because of what?", "paragraph": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "answer": "structural stability", "sentence": "that the structural stability of the pyramid is not primarily a result of its shape.", "paragraph_sentence": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "paragraph_answer": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "sentence_answer": "that the structural stability of the pyramid is not primarily a result of its shape."} +{"question": "Why was this rock chosen?", "paragraph": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "answer": "compressive strength", "sentence": "Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa =", "paragraph_sentence": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "paragraph_answer": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "sentence_answer": "Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa ="} +{"question": "The Pryamid stones were what type of rock?", "paragraph": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "answer": "limestone", "sentence": "The limestone blocks were taken from a quarry near the build site.", "paragraph_sentence": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "paragraph_answer": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "sentence_answer": "The limestone blocks were taken from a quarry near the build site."} +{"question": "These stones contribute to what factor of the pryamid?", "paragraph": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "answer": "structural stability", "sentence": "that the structural stability of the pyramid is not primarily a result of its shape.", "paragraph_sentence": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "paragraph_answer": "However, it's important to note that the structural stability of the pyramid is not primarily a result of its shape. The integrity of the pyramid is intact as long as each of the stones is able to support the weight of the stone above it. The limestone blocks were taken from a quarry near the build site. Since the compressive strength of limestone is anywhere from 30 to 250 MPa (MPa = Pa * 10^6), the blocks will not fail under compression. Therefore, the structural strength of the pyramid stems from the material properties of the stones from which it was built rather than the pyramid's geometry.", "sentence_answer": "that the structural stability of the pyramid is not primarily a result of its shape."} +{"question": "What do arches bear in a single direction?", "paragraph": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "answer": "forces in compression", "sentence": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry.", "paragraph_sentence": " Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "paragraph_answer": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "sentence_answer": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry."} +{"question": "Which material is most applicable for the construction of arches?", "paragraph": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "answer": "masonry", "sentence": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry .", "paragraph_sentence": " Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry . They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "paragraph_answer": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry . They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "sentence_answer": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry ."} +{"question": "What does the engineering of an arch secure inside its own extent?", "paragraph": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "answer": "the line of thrust of the force", "sentence": "They are designed by ensuring that the line of thrust of the force remains within the depth of the arch.", "paragraph_sentence": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "paragraph_answer": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "sentence_answer": "They are designed by ensuring that the line of thrust of the force remains within the depth of the arch."} +{"question": "What is the primary intention of the incorporation of arches in architecture?", "paragraph": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure.", "answer": "to increase the bountifulness of any structure", "sentence": "It is mainly used to increase the bountifulness of any structure .", "paragraph_sentence": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure . ", "paragraph_answer": "Arches carry forces in compression in one direction only, which is why it is appropriate to build arches out of masonry. They are designed by ensuring that the line of thrust of the force remains within the depth of the arch. It is mainly used to increase the bountifulness of any structure .", "sentence_answer": "It is mainly used to increase the bountifulness of any structure ."} +{"question": "Who would likely build a medieval structure?", "paragraph": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "answer": "master builder", "sentence": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder .", "paragraph_sentence": " Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder . No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "paragraph_answer": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder . No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "sentence_answer": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder ."} +{"question": "What theories of structures did they use?", "paragraph": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "answer": "No theory of structures existed", "sentence": "No theory of structures existed , and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'.", "paragraph_sentence": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed , and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "paragraph_answer": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed , and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "sentence_answer": " No theory of structures existed , and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'."} +{"question": "How did they get buildings to stay up?", "paragraph": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "answer": "empirical evidence of 'what had worked before'", "sentence": "No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before' .", "paragraph_sentence": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before' . Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "paragraph_answer": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before' . Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "sentence_answer": "No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before' ."} +{"question": "How frequent were advances in buildings?", "paragraph": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "answer": "seldom", "sentence": "Knowledge was retained by guilds and seldom supplanted by advances.", "paragraph_sentence": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "paragraph_answer": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "sentence_answer": "Knowledge was retained by guilds and seldom supplanted by advances."} +{"question": "Building knowledge was retained by whom?", "paragraph": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "answer": "guilds", "sentence": "Knowledge was retained by guilds and seldom supplanted by advances.", "paragraph_sentence": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "paragraph_answer": "Throughout ancient and medieval history most architectural design and construction was carried out by artisans, such as stone masons and carpenters, rising to the role of master builder. No theory of structures existed, and understanding of how structures stood up was extremely limited, and based almost entirely on empirical evidence of 'what had worked before'. Knowledge was retained by guilds and seldom supplanted by advances. Structures were repetitive, and increases in scale were incremental.", "sentence_answer": "Knowledge was retained by guilds and seldom supplanted by advances."} +{"question": "Structural engineer became a profession when?", "paragraph": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "answer": "the Industrial Revolution", "sentence": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete).", "paragraph_sentence": " No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "paragraph_answer": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "sentence_answer": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete)."} +{"question": "When where the first calculations for building load preformed?", "paragraph": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "answer": "No record exists", "sentence": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete).", "paragraph_sentence": " No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "paragraph_answer": " No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "sentence_answer": " No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete)."} +{"question": "What building material was reinvented during the industrial revolution?", "paragraph": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "answer": "concrete", "sentence": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete).", "paragraph_sentence": " No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "paragraph_answer": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "sentence_answer": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete)."} +{"question": "The science underlying Structural engineering began to be understood in what historical era?", "paragraph": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "answer": "the Renaissance", "sentence": "The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "paragraph_sentence": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s. ", "paragraph_answer": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "sentence_answer": "The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s."} +{"question": "These same physics were placed into computer programs in what decade?", "paragraph": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s.", "answer": "the 1970s", "sentence": "The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s .", "paragraph_sentence": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s . ", "paragraph_answer": "No record exists of the first calculations of the strength of structural members or the behavior of structural material, but the profession of structural engineer only really took shape with the Industrial Revolution and the re-invention of concrete (see History of Concrete). The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s .", "sentence_answer": "The physical sciences underlying structural engineering began to be understood in the Renaissance and have since developed into computer-based applications pioneered in the 1970s ."} +{"question": "From what aspect of their nature do catenary structures obtain their durability?", "paragraph": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "answer": "their form", "sentence": "Catenaries derive their strength from their form , and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it).", "paragraph_sentence": " Catenaries derive their strength from their form , and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "paragraph_answer": "Catenaries derive their strength from their form , and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "sentence_answer": "Catenaries derive their strength from their form , and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it)."} +{"question": "Which type of forces do catenary constructs bear via deflection?", "paragraph": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "answer": "transverse", "sentence": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it).", "paragraph_sentence": " Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "paragraph_answer": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "sentence_answer": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it)."} +{"question": "What physical analogy describes the deflecting qualities of a catenary strand?", "paragraph": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "answer": "a tightrope", "sentence": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it).", "paragraph_sentence": " Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "paragraph_answer": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "sentence_answer": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it)."} +{"question": "What form do catenaries usually take when deployed in engineering?", "paragraph": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "answer": "cable or fabric structures", "sentence": "They are almost always cable or fabric structures .", "paragraph_sentence": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures . A fabric structure acts as a catenary in two directions.", "paragraph_answer": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures . A fabric structure acts as a catenary in two directions.", "sentence_answer": "They are almost always cable or fabric structures ."} +{"question": "Which type of stretched structure operates as a catenary in dual directions?", "paragraph": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "answer": "A fabric", "sentence": "A fabric structure acts as a catenary in two directions.", "paragraph_sentence": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions. ", "paragraph_answer": "Catenaries derive their strength from their form, and carry transverse forces in pure tension by deflecting (just as a tightrope will sag when someone walks on it). They are almost always cable or fabric structures. A fabric structure acts as a catenary in two directions.", "sentence_answer": " A fabric structure acts as a catenary in two directions."} +{"question": "Which field relies on multidisciplinary expertise in mathematics, mechanics, and materials science?", "paragraph": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "answer": "Structural engineering", "sentence": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads.", "paragraph_sentence": " Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "paragraph_answer": " Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "sentence_answer": " Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads."} +{"question": "What is the principal application of structural mechanics?", "paragraph": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "answer": "to understand and predict how structures support and resist", "sentence": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads.", "paragraph_sentence": " Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "paragraph_answer": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "sentence_answer": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads."} +{"question": "Which design code elements must a structural engineer be well-versed in to succeed?", "paragraph": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "answer": "empirical and theoretical", "sentence": "To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment.", "paragraph_sentence": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "paragraph_answer": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "sentence_answer": "To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment."} +{"question": "In which decade did specialized computing applications begin to extensively assist structural design?", "paragraph": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "answer": "the 1990s", "sentence": "Since the 1990s , specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc.", "paragraph_sentence": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s , specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "paragraph_answer": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s , specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "sentence_answer": "Since the 1990s , specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc."} +{"question": "What external factor might engineering software incorporate?", "paragraph": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads, such as from earthquakes and winds.", "answer": "environmental loads", "sentence": "Such software may also take into consideration environmental loads , such as from earthquakes and winds.", "paragraph_sentence": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads , such as from earthquakes and winds. ", "paragraph_answer": "Structural engineering depends upon a detailed knowledge of applied mechanics, materials science and applied mathematics to understand and predict how structures support and resist self-weight and imposed loads. To apply the knowledge successfully a structural engineer generally requires detailed knowledge of relevant empirical and theoretical design codes, the techniques of structural analysis, as well as some knowledge of the corrosion resistance of the materials and structures, especially when those structures are exposed to the external environment. Since the 1990s, specialist software has become available to aid in the design of structures, with the functionality to assist in the drawing, analyzing and designing of structures with maximum precision; examples include AutoCAD, StaadPro, ETABS, Prokon, Revit Structure etc. Such software may also take into consideration environmental loads , such as from earthquakes and winds.", "sentence_answer": "Such software may also take into consideration environmental loads , such as from earthquakes and winds."} +{"question": "Which discipline extensively relies upon instruction in materials science?", "paragraph": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "answer": "Structural engineering", "sentence": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "paragraph_sentence": " Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads. ", "paragraph_answer": " Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "sentence_answer": " Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads."} +{"question": "What aspect of physical materials must a structural engineer comprehend?", "paragraph": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "answer": "their properties", "sentence": "Structural engineering depends on the knowledge of materials and their properties , in order to understand how different materials support and resist loads.", "paragraph_sentence": " Structural engineering depends on the knowledge of materials and their properties , in order to understand how different materials support and resist loads. ", "paragraph_answer": "Structural engineering depends on the knowledge of materials and their properties , in order to understand how different materials support and resist loads.", "sentence_answer": "Structural engineering depends on the knowledge of materials and their properties , in order to understand how different materials support and resist loads."} +{"question": "What is one capacity of materials that a structural engineer needs to grasp?", "paragraph": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "answer": "support", "sentence": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "paragraph_sentence": " Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads. ", "paragraph_answer": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "sentence_answer": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads."} +{"question": "Which essential capacity of a material should a structural engineer be able to understand to determine that material's ability to bear the pressures imposed by gravity?", "paragraph": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "answer": "resist loads", "sentence": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads .", "paragraph_sentence": " Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads . ", "paragraph_answer": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads .", "sentence_answer": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads ."} +{"question": "Which critical attribute must a structural engineer possess?", "paragraph": "Structural engineering depends on the knowledge of materials and their properties, in order to understand how different materials support and resist loads.", "answer": "knowledge of materials and their properties", "sentence": "Structural engineering depends on the knowledge of materials and their properties , in order to understand how different materials support and resist loads.", "paragraph_sentence": " Structural engineering depends on the knowledge of materials and their properties , in order to understand how different materials support and resist loads. ", "paragraph_answer": "Structural engineering depends on the knowledge of materials and their properties , in order to understand how different materials support and resist loads.", "sentence_answer": "Structural engineering depends on the knowledge of materials and their properties , in order to understand how different materials support and resist loads."} +{"question": "who involved in non building structures?", "paragraph": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "answer": "Structural engineers", "sentence": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety.", "paragraph_sentence": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "paragraph_answer": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "sentence_answer": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety."} +{"question": "who involved in building structures?", "paragraph": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "answer": "Structural engineers", "sentence": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety.", "paragraph_sentence": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "paragraph_answer": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "sentence_answer": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety."} +{"question": "who structures the machinery and medical equipment?", "paragraph": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "answer": "Structural engineers", "sentence": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety.", "paragraph_sentence": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "paragraph_answer": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "sentence_answer": " Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety."} +{"question": "what should structural engineers ensure?", "paragraph": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "answer": "serviceability and performance", "sentence": "Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "paragraph_sentence": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants). ", "paragraph_answer": "Structural engineers are most commonly involved in nonbuilding structures, as well as building structures, but they can also be involved in the design of machinery, medical equipment, vehicles or any item where structural integrity affects the item's function or safety. Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants).", "sentence_answer": "Structural engineers must ensure their designs satisfy given design criteria, predicated on safety (i.e. structures must not collapse without due warning) or serviceability and performance (i.e. building sway must not cause discomfort to the occupants)."} +{"question": "which element is used to build a complex structural systems?", "paragraph": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "answer": "a number of simple structural elements", "sentence": "Structural engineering design utilizes a number of simple structural elements to build complex structural systems.", "paragraph_sentence": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "paragraph_answer": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "sentence_answer": "Structural engineering design utilizes a number of simple structural elements to build complex structural systems."} +{"question": "who is responsible for creative and efficient use of funds?", "paragraph": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "answer": "Structural engineers", "sentence": "Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "paragraph_sentence": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals. ", "paragraph_answer": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "sentence_answer": " Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals."} +{"question": "whose responsibility to achieve structural element and materiel goals?", "paragraph": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "answer": "Structural engineer", "sentence": "Structural engineer ing theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries.", "paragraph_sentence": " Structural engineer ing theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "paragraph_answer": " Structural engineer ing theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "sentence_answer": " Structural engineer ing theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries."} +{"question": "which theory used in structural engineering?", "paragraph": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "answer": "applied physical laws", "sentence": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries.", "paragraph_sentence": " Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "paragraph_answer": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries. Structural engineering design utilizes a number of simple structural elements to build complex structural systems. Structural engineers are responsible for making creative and efficient use of funds, structural elements and materials to achieve these goals.", "sentence_answer": "Structural engineering theory is based upon applied physical laws and empirical knowledge of the structural performance of different materials and geometries."} +{"question": "who is responsible for engineering and analysis?", "paragraph": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "answer": "Entry-level structural", "sentence": "Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building.", "paragraph_sentence": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "paragraph_answer": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "sentence_answer": " Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building."} +{"question": "who is responsible for the structural design and building?", "paragraph": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "answer": "More experienced engineers", "sentence": "More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "paragraph_sentence": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building. ", "paragraph_answer": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "sentence_answer": " More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building."} +{"question": "who designs the individual structure element of a structure?", "paragraph": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "answer": "Entry-level structural engineers", "sentence": "Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building.", "paragraph_sentence": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "paragraph_answer": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "sentence_answer": " Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building."} +{"question": "what are the responsibilities of structural engineers?", "paragraph": "Structural engineers are responsible for engineering design and analysis. Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "answer": "engineering design and analysis", "sentence": "Structural engineers are responsible for engineering design and analysis .", "paragraph_sentence": " Structural engineers are responsible for engineering design and analysis . Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "paragraph_answer": "Structural engineers are responsible for engineering design and analysis . Entry-level structural engineers may design the individual structural elements of a structure, for example the beams, columns, and floors of a building. More experienced engineers may be responsible for the structural design and integrity of an entire system, such as a building.", "sentence_answer": "Structural engineers are responsible for engineering design and analysis ."} +{"question": "who specialized in mechanical structures such as vehicle or aircraft?", "paragraph": "Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "answer": "Structural engineers", "sentence": "Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "paragraph_sentence": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft. ", "paragraph_answer": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "sentence_answer": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft."} +{"question": "who is specialized in industrial structures?", "paragraph": "Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "answer": "Structural engineers", "sentence": "Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "paragraph_sentence": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft. ", "paragraph_answer": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "sentence_answer": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft."} +{"question": "who is specialized in building and bridge engineering?", "paragraph": "Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "answer": "Structural engineers", "sentence": "Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "paragraph_sentence": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft. ", "paragraph_answer": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "sentence_answer": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft."} +{"question": "who is specialized in pipeline engineering?", "paragraph": "Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "answer": "Structural engineers", "sentence": "Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "paragraph_sentence": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft. ", "paragraph_answer": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft.", "sentence_answer": " Structural engineers often specialize in particular fields, such as bridge engineering, building engineering, pipeline engineering, industrial structures, or special mechanical structures such as vehicles, ships or aircraft."} +{"question": "Principles of what kind of engineering are applied to a variety of mechanical structures?", "paragraph": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "answer": "structural engineering", "sentence": "Principles of structural engineering are applied to variety of mechanical (moveable) structures.", "paragraph_sentence": " Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "paragraph_answer": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "sentence_answer": "Principles of structural engineering are applied to variety of mechanical (moveable) structures."} +{"question": "What type of structures can move significantly?", "paragraph": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "answer": "static structures", "sentence": "The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "paragraph_sentence": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures. ", "paragraph_answer": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "sentence_answer": "The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures."} +{"question": "The design of static structures assumes they have the same what?", "paragraph": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "answer": "geometry", "sentence": "The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "paragraph_sentence": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures. ", "paragraph_answer": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "sentence_answer": "The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures."} +{"question": "The design of moveable or moving structures must account for what?", "paragraph": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "answer": "fatigue", "sentence": "The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue , variation in the method in which load is resisted and significant deflections of structures.", "paragraph_sentence": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue , variation in the method in which load is resisted and significant deflections of structures. ", "paragraph_answer": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue , variation in the method in which load is resisted and significant deflections of structures.", "sentence_answer": "The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue , variation in the method in which load is resisted and significant deflections of structures."} +{"question": "What kind of structures always have the same geometry?", "paragraph": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "answer": "static structures", "sentence": "The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "paragraph_sentence": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures. ", "paragraph_answer": "Principles of structural engineering are applied to variety of mechanical (moveable) structures. The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures.", "sentence_answer": "The design of static structures assumes they always have the same geometry (in fact, so-called static structures can move significantly, and structural engineering design must take this into account where necessary), but the design of moveable or moving structures must account for fatigue, variation in the method in which load is resisted and significant deflections of structures."} +{"question": "What kind of structure has a size between molecular and microscopic?", "paragraph": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "answer": "nanostructure", "sentence": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures.", "paragraph_sentence": " A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "paragraph_answer": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "sentence_answer": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures."} +{"question": "What kind of scale does a nanostructure use for dimensions?", "paragraph": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "answer": "nanoscale", "sentence": "In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale .", "paragraph_sentence": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale . Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "paragraph_answer": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale . Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "sentence_answer": "In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale ."} +{"question": "Nanotextured surfaces have how many dimensions on the nanoscale?", "paragraph": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "answer": "one dimension", "sentence": "Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm.", "paragraph_sentence": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "paragraph_answer": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "sentence_answer": "Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm."} +{"question": "Spherical nanoparticles have how many dimensions on the nanoscale?", "paragraph": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "answer": "three dimensions", "sentence": "Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension.", "paragraph_sentence": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "paragraph_answer": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "sentence_answer": "Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension."} +{"question": "The term nanostructure is often used when referring to what kind of technology?", "paragraph": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology.", "answer": "magnetic technology", "sentence": "The term 'nanostructure' is often used when referring to magnetic technology .", "paragraph_sentence": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology . ", "paragraph_answer": "A nanostructure is an object of intermediate size between molecular and microscopic (micrometer-sized) structures. In describing nanostructures it is necessary to differentiate between the number of dimensions on the nanoscale. Nanotextured surfaces have one dimension on the nanoscale, i.e., only the thickness of the surface of an object is between 0.1 and 100 nm. Nanotubes have two dimensions on the nanoscale, i.e., the diameter of the tube is between 0.1 and 100 nm; its length could be much greater. Finally, spherical nanoparticles have three dimensions on the nanoscale, i.e., the particle is between 0.1 and 100 nm in each spatial dimension. The terms nanoparticles and ultrafine particles (UFP) often are used synonymously although UFP can reach into the micrometre range. The term 'nanostructure' is often used when referring to magnetic technology .", "sentence_answer": "The term 'nanostructure' is often used when referring to magnetic technology ."} +{"question": "What type of structure includes launch vehicles?", "paragraph": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "answer": "Aerospace structure", "sentence": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11).", "paragraph_sentence": " Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "paragraph_answer": " Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "sentence_answer": " Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11)."} +{"question": "What are three common launch vehicles?", "paragraph": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "answer": "Atlas, Delta, Titan", "sentence": "Aerospace structure types include launch vehicles, ( Atlas, Delta, Titan ), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11).", "paragraph_sentence": " Aerospace structure types include launch vehicles, ( Atlas, Delta, Titan ), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "paragraph_answer": "Aerospace structure types include launch vehicles, ( Atlas, Delta, Titan ), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "sentence_answer": "Aerospace structure types include launch vehicles, ( Atlas, Delta, Titan ), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11)."} +{"question": "What kind of plates do aerospace structures consist of?", "paragraph": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "answer": "thin", "sentence": "Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "paragraph_sentence": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together. ", "paragraph_answer": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "sentence_answer": "Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together."} +{"question": "Space shuttle is an example of what type of aerospace structure?", "paragraph": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "answer": "Hypersonic vehicles", "sentence": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11).", "paragraph_sentence": " Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "paragraph_answer": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "sentence_answer": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11)."} +{"question": "Welds, screws, rivets and bolts hold what together?", "paragraph": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "answer": "components", "sentence": "Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "paragraph_sentence": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together. ", "paragraph_answer": "Aerospace structure types include launch vehicles, (Atlas, Delta, Titan), missiles (ALCM, Harpoon), Hypersonic vehicles (Space Shuttle), military aircraft (F-16, F-18) and commercial aircraft (Boeing 777, MD-11). Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together.", "sentence_answer": "Aerospace structures typically consist of thin plates with stiffeners for the external surfaces, bulkheads and frames to support the shape and fasteners such as welds, rivets, screws and bolts to hold the components together."} +{"question": "What kind of design must ensure structures are able to endure loading without ever failing?", "paragraph": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "answer": "structural design", "sentence": "The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "paragraph_sentence": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing. ", "paragraph_answer": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "sentence_answer": "The structural design must ensure that such structures are able to endure such loading for their entire design life without failing."} +{"question": "What two things are subjected to enormous forces?", "paragraph": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "answer": "boat or aircraft", "sentence": "The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime.", "paragraph_sentence": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "paragraph_answer": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "sentence_answer": "The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime."} +{"question": "Forces of what can vary significantly?", "paragraph": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "answer": "machine", "sentence": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate.", "paragraph_sentence": " The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "paragraph_answer": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "sentence_answer": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate."} +{"question": "How many times over are boats and aircrafts subjected to forces?", "paragraph": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "answer": "thousands", "sentence": "The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime.", "paragraph_sentence": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "paragraph_answer": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "sentence_answer": "The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime."} +{"question": "What are machines subjected to?", "paragraph": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "answer": "forces", "sentence": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate.", "paragraph_sentence": " The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "paragraph_answer": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate. The forces which a boat or aircraft are subjected to vary enormously and will do so thousands of times over the structure's lifetime. The structural design must ensure that such structures are able to endure such loading for their entire design life without failing.", "sentence_answer": "The forces which parts of a machine are subjected to can vary significantly, and can do so at a great rate."} +{"question": "What is also known as armamentarium?", "paragraph": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "answer": "Medical equipment", "sentence": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions.", "paragraph_sentence": " Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "paragraph_answer": " Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "sentence_answer": " Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions."} +{"question": "What type of medical equipment is also used in the home for diabetes?", "paragraph": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "answer": "Diagnostic Medical Equipment", "sentence": "Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus.", "paragraph_sentence": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "paragraph_answer": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "sentence_answer": "Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus."} +{"question": "What kind of technician is vital to the healthcare delivery system?", "paragraph": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "answer": "biomedical equipment technician", "sentence": "A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system.", "paragraph_sentence": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "paragraph_answer": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "sentence_answer": "A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system."} +{"question": "What kind of equipment includes medical imaging machines?", "paragraph": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "answer": "Diagnostic equipment", "sentence": "There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state.", "paragraph_sentence": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "paragraph_answer": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "sentence_answer": "There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state."} +{"question": "Who is responsible for maintaining a facility medical equipment?", "paragraph": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "answer": "BMETs", "sentence": "Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "paragraph_sentence": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment. ", "paragraph_answer": "Medical equipment (also known as armamentarium) is designed to aid in the diagnosis, monitoring or treatment of medical conditions. There are several basic types: Diagnostic equipment includes medical imaging machines, used to aid in diagnosis ; equipment includes infusion pumps, medical lasers and LASIK surgical machines ; Medical monitors allow medical staff to measure a patient's medical state. Monitors may measure patient vital signs and other parameters including ECG, EEG, blood pressure, and dissolved gases in the blood ; Diagnostic Medical Equipment may also be used in the home for certain purposes, e.g. for the control of diabetes mellitus. A biomedical equipment technician (BMET) is a vital component of the healthcare delivery system. Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment.", "sentence_answer": "Employed primarily by hospitals, BMETs are the people responsible for maintaining a facility's medical equipment."} +{"question": "What type of force do columns carry?", "paragraph": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "answer": "axial force - compression - or both axial force and bending", "sentence": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column).", "paragraph_sentence": " Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "paragraph_answer": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "sentence_answer": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column)."} +{"question": "What's a technical term for axial force and bending?", "paragraph": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "answer": "beam-column", "sentence": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column).", "paragraph_sentence": " Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "paragraph_answer": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "sentence_answer": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column)."} +{"question": "What capacity must the design of a column check?", "paragraph": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "answer": "the axial capacity of the element, and the buckling capacity", "sentence": "The design of a column must check the axial capacity of the element, and the buckling capacity .", "paragraph_sentence": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity . ", "paragraph_answer": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity .", "sentence_answer": "The design of a column must check the axial capacity of the element, and the buckling capacity ."} +{"question": "What's another capacity that the design of a column must check?", "paragraph": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "answer": "buckling", "sentence": "The design of a column must check the axial capacity of the element, and the buckling capacity.", "paragraph_sentence": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity. ", "paragraph_answer": "Columns are elements that carry only axial force - compression - or both axial force and bending (which is technically called a beam-column but practically, just a column). The design of a column must check the axial capacity of the element, and the buckling capacity.", "sentence_answer": "The design of a column must check the axial capacity of the element, and the buckling capacity."} +{"question": "A column's buckling capacity depends on its geometry, material, and what third criteria?", "paragraph": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column. The effective length is \n\n\n\nK\n\u2217\nl\n\n\n{\\displaystyle K*l}\n\n where \n\n\n\nl\n\n\n{\\displaystyle l}\n\n is the real length of the column.", "answer": "the effective length of the column", "sentence": "Its capacity depends upon its geometry, material, and the effective length of the column , which depends upon the restraint conditions at the top and bottom of the column.", "paragraph_sentence": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column , which depends upon the restraint conditions at the top and bottom of the column. The effective length is K \u2217 l {\\displaystyle K*l} where l {\\displaystyle l} is the real length of the column.", "paragraph_answer": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column , which depends upon the restraint conditions at the top and bottom of the column. The effective length is K \u2217 l {\\displaystyle K*l} where l {\\displaystyle l} is the real length of the column.", "sentence_answer": "Its capacity depends upon its geometry, material, and the effective length of the column , which depends upon the restraint conditions at the top and bottom of the column."} +{"question": "Buckling capacity is determined by restraint conditions in what specific areas of the column?", "paragraph": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column. The effective length is \n\n\n\nK\n\u2217\nl\n\n\n{\\displaystyle K*l}\n\n where \n\n\n\nl\n\n\n{\\displaystyle l}\n\n is the real length of the column.", "answer": "top and bottom", "sentence": "Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column.", "paragraph_sentence": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column. The effective length is K \u2217 l {\\displaystyle K*l} where l {\\displaystyle l} is the real length of the column.", "paragraph_answer": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column. The effective length is K \u2217 l {\\displaystyle K*l} where l {\\displaystyle l} is the real length of the column.", "sentence_answer": "Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column."} +{"question": "What does \\displaystyle L* denote within a formula for columns?", "paragraph": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column. The effective length is \n\n\n\nK\n\u2217\nl\n\n\n{\\displaystyle K*l}\n\n where \n\n\n\nl\n\n\n{\\displaystyle l}\n\n is the real length of the column.", "answer": "real length", "sentence": "The effective length is \n\n\n\nK\n\u2217\nl\n\n\n{\\displaystyle K*l}\n\n where \n\n\n\nl\n\n\n{\\displaystyle l}\n\n is the real length of the column.", "paragraph_sentence": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column. The effective length is K \u2217 l {\\displaystyle K*l} where l {\\displaystyle l} is the real length of the column. ", "paragraph_answer": "The buckling capacity is the capacity of the element to withstand the propensity to buckle. Its capacity depends upon its geometry, material, and the effective length of the column, which depends upon the restraint conditions at the top and bottom of the column. The effective length is K \u2217 l {\\displaystyle K*l} where l {\\displaystyle l} is the real length of the column.", "sentence_answer": "The effective length is K \u2217 l {\\displaystyle K*l} where l {\\displaystyle l} is the real length of the column."} +{"question": "What is the main determining factor of it's ability to carry axial load?", "paragraph": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "answer": "degree of bending it is subjected to", "sentence": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to , and vice versa.", "paragraph_sentence": " The capacity of a column to carry axial load depends on the degree of bending it is subjected to , and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "paragraph_answer": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to , and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "sentence_answer": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to , and vice versa."} +{"question": "An interaction chart for the column's axial carry capacity displays what type of relationship?", "paragraph": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "answer": "complex non-linear", "sentence": "a complex non-linear relationship.", "paragraph_sentence": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship. ", "paragraph_answer": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "sentence_answer": "a complex non-linear relationship."} +{"question": "What type of load is a column capable of carrying?", "paragraph": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "answer": "axial", "sentence": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa.", "paragraph_sentence": " The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "paragraph_answer": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "sentence_answer": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa."} +{"question": "What type of chart can you examine in order to learn about a column's axial load capacity?", "paragraph": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "answer": "interaction chart", "sentence": "This is represented on an interaction chart and is a complex non-linear relationship.", "paragraph_sentence": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship. ", "paragraph_answer": "The capacity of a column to carry axial load depends on the degree of bending it is subjected to, and vice versa. This is represented on an interaction chart and is a complex non-linear relationship.", "sentence_answer": "This is represented on an interaction chart and is a complex non-linear relationship."} +{"question": "What element can have a one dimension greater than two others?", "paragraph": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "answer": "beam", "sentence": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element.", "paragraph_sentence": " A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "paragraph_answer": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "sentence_answer": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element."} +{"question": "What's a technical term for beams and columns?", "paragraph": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "answer": "line elements", "sentence": "Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "paragraph_sentence": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling. ", "paragraph_answer": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "sentence_answer": "Beams and columns are called line elements and are often represented by simple lines in structural modeling."} +{"question": "What is normal to the main axis of the beam?", "paragraph": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "answer": "applied loads", "sentence": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element.", "paragraph_sentence": " A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "paragraph_answer": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "sentence_answer": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element."} +{"question": "Line elements are represented by these types of lines in structural modeling.", "paragraph": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "answer": "simple", "sentence": "Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "paragraph_sentence": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling. ", "paragraph_answer": "A beam may be defined as an element in which one dimension is much greater than the other two and the applied loads are usually normal to the main axis of the element. Beams and columns are called line elements and are often represented by simple lines in structural modeling.", "sentence_answer": "Beams and columns are called line elements and are often represented by simple lines in structural modeling."} +{"question": "Which elements carry only pure bending?", "paragraph": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "answer": "Beams", "sentence": "Beams are elements which carry pure bending only.", "paragraph_sentence": " Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "paragraph_answer": " Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "sentence_answer": " Beams are elements which carry pure bending only."} +{"question": "What part of the beam must be created in a way so as to not buckle or be crushed?", "paragraph": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "answer": "compression part", "sentence": "The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "paragraph_sentence": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension. ", "paragraph_answer": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "sentence_answer": "The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension."} +{"question": "What does bending cause in one part of a beam?", "paragraph": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "answer": "go into compression", "sentence": "Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension.", "paragraph_sentence": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "paragraph_answer": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "sentence_answer": "Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension."} +{"question": "The tension part of the beam needs to be able to do what?", "paragraph": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension.", "answer": "resist the tension", "sentence": "The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension .", "paragraph_sentence": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension . ", "paragraph_answer": "Beams are elements which carry pure bending only. Bending causes one part of the section of a beam (divided along its length) to go into compression and the other part into tension. The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension .", "sentence_answer": "The compression part must be designed to resist buckling and crushing, while the tension part must be able to adequately resist the tension ."} +{"question": "Typical lipid A molecules are disaccharides of what?", "paragraph": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "answer": "glucosamine", "sentence": "The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria.", "paragraph_sentence": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "paragraph_answer": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "sentence_answer": "The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria."} +{"question": "How many fatty-acyl chains are derivatized in glucosamine?", "paragraph": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "answer": "seven", "sentence": "A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains.", "paragraph_sentence": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "paragraph_answer": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "sentence_answer": "A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains."} +{"question": "What are fatty acids directly linked to to make a saccharolipid?", "paragraph": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "answer": "sugar backbone", "sentence": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone , forming structures that are compatible with membrane bilayers.", "paragraph_sentence": " Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone , forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "paragraph_answer": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone , forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "sentence_answer": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone , forming structures that are compatible with membrane bilayers."} +{"question": "What is the minimal lipopolysaccharide required for growth in E. coli?", "paragraph": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "answer": "Kdo2-Lipid A", "sentence": "The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A , a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "paragraph_sentence": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A , a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues. ", "paragraph_answer": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A , a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "sentence_answer": "The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A , a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues."} +{"question": "In a saccharolipid what substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids?", "paragraph": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "answer": "a monosaccharide", "sentence": "In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids.", "paragraph_sentence": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "paragraph_answer": "Saccharolipids describe compounds in which fatty acids are linked directly to a sugar backbone, forming structures that are compatible with membrane bilayers. In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids. The most familiar saccharolipids are the acylated glucosamine precursors of the Lipid A component of the lipopolysaccharides in Gram-negative bacteria. Typical lipid A molecules are disaccharides of glucosamine, which are derivatized with as many as seven fatty-acyl chains. The minimal lipopolysaccharide required for growth in E. coli is Kdo2-Lipid A, a hexa-acylated disaccharide of glucosamine that is glycosylated with two 3-deoxy-D-manno-octulosonic acid (Kdo) residues.", "sentence_answer": "In the saccharolipids, a monosaccharide substitutes for the glycerol backbone present in glycerolipids and glycerophospholipids."} +{"question": "Where are triglycerides stored in order to store energy for animals and plants?", "paragraph": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "answer": "adipose tissue", "sentence": "Triglycerides, stored in adipose tissue , are a major form of energy storage both in animals and plants.", "paragraph_sentence": " Triglycerides, stored in adipose tissue , are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "paragraph_answer": "Triglycerides, stored in adipose tissue , are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "sentence_answer": "Triglycerides, stored in adipose tissue , are a major form of energy storage both in animals and plants."} +{"question": "What is another name for adipocyte?", "paragraph": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "answer": "fat cell", "sentence": "The adipocyte, or fat cell , is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase.", "paragraph_sentence": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell , is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "paragraph_answer": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell , is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "sentence_answer": "The adipocyte, or fat cell , is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase."} +{"question": "What mainly controls the breakdown of triglycerides in animals?", "paragraph": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "answer": "the activation of hormone-sensitive enzyme lipase", "sentence": "The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase .", "paragraph_sentence": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase . The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "paragraph_answer": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase . The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "sentence_answer": "The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase ."} +{"question": "What do migratory birds that fly long distances without eating use to fuel their flights?", "paragraph": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "answer": "stored energy of triglycerides", "sentence": "Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "paragraph_sentence": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights. ", "paragraph_answer": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "sentence_answer": "Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights."} +{"question": "What is the caloric content used for the breakdown of carbohydrates and proteins?", "paragraph": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "answer": "4 kcal/g", "sentence": "The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins.", "paragraph_sentence": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "paragraph_answer": "Triglycerides, stored in adipose tissue, are a major form of energy storage both in animals and plants. The adipocyte, or fat cell, is designed for continuous synthesis and breakdown of triglycerides in animals, with breakdown controlled mainly by the activation of hormone-sensitive enzyme lipase. The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins. Migratory birds that must fly long distances without eating use stored energy of triglycerides to fuel their flights.", "sentence_answer": "The complete oxidation of fatty acids provides high caloric content, about 9 kcal/g, compared with 4 kcal/g for the breakdown of carbohydrates and proteins."} +{"question": "Where do micelles and bilayers form in the process known as hydrophobic effect?", "paragraph": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "answer": "in the polar medium", "sentence": "Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect.", "paragraph_sentence": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "paragraph_answer": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "sentence_answer": "Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect."} +{"question": "What happens when a lipophilic or amphiphillic substance is dissolved in a polar environment?", "paragraph": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "answer": "the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance", "sentence": "When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance , since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile.", "paragraph_sentence": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance , since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "paragraph_answer": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance , since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "sentence_answer": "When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance , since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile."} +{"question": "What is a biological membrane?", "paragraph": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "answer": "a form of lamellar phase lipid bilayer", "sentence": "A biological membrane is a form of lamellar phase lipid bilayer .", "paragraph_sentence": " A biological membrane is a form of lamellar phase lipid bilayer . The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "paragraph_answer": "A biological membrane is a form of lamellar phase lipid bilayer . The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "sentence_answer": "A biological membrane is a form of lamellar phase lipid bilayer ."} +{"question": "What is the area of study within biophysics that is the current subject of academic research?", "paragraph": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "answer": "Phase behavior", "sentence": "Phase behavior is an area of study within biophysics and is the subject of current academic research.", "paragraph_sentence": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "paragraph_answer": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "sentence_answer": " Phase behavior is an area of study within biophysics and is the subject of current academic research."} +{"question": "When the hydrophobic tails minimize their contact with water and cluster together what do they form?", "paragraph": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "answer": "a vesicle", "sentence": "In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle ; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers.", "paragraph_sentence": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle ; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "paragraph_answer": "A biological membrane is a form of lamellar phase lipid bilayer. The formation of lipid bilayers is an energetically preferred process when the glycerophospholipids described above are in an aqueous environment. This is known as the hydrophobic effect. In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle ; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers. Other aggregations are also observed and form part of the polymorphism of amphiphile (lipid) behavior. Phase behavior is an area of study within biophysics and is the subject of current academic research. Micelles and bilayers form in the polar medium by a process known as the hydrophobic effect. When dissolving a lipophilic or amphiphilic substance in a polar environment, the polar molecules (i.e., water in an aqueous solution) become more ordered around the dissolved lipophilic substance, since the polar molecules cannot form hydrogen bonds to the lipophilic areas of the amphiphile. So in an aqueous environment, the water molecules form an ordered \"clathrate\" cage around the dissolved lipophilic molecule.", "sentence_answer": "In an aqueous system, the polar heads of lipids align towards the polar, aqueous environment, while the hydrophobic tails minimize their contact with water and tend to cluster together, forming a vesicle ; depending on the concentration of the lipid, this biophysical interaction may result in the formation of micelles, liposomes, or lipid bilayers."} +{"question": "Polyketides compromise a large number of what?", "paragraph": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "answer": "secondary metabolites and natural products", "sentence": "They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity.", "paragraph_sentence": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "paragraph_answer": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "sentence_answer": "They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity."} +{"question": "Polyketide backbones are further modified by what?", "paragraph": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "answer": "glycosylation, methylation, hydroxylation, oxidation, and/or other processes", "sentence": "Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes .", "paragraph_sentence": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes . Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "paragraph_answer": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes . Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "sentence_answer": "Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes ."} +{"question": "Many polyketides are considered to be what kind of molecule?", "paragraph": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "answer": "cyclic molecules", "sentence": "Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes.", "paragraph_sentence": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "paragraph_answer": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "sentence_answer": "Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes."} +{"question": "What commonly used agents are polyketides?", "paragraph": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "answer": "anti-microbial, anti-parasitic, and anti-cancer", "sentence": "Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "paragraph_sentence": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones. ", "paragraph_answer": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "sentence_answer": "Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones."} +{"question": "What sources are the natural products found in that polketides compromise?", "paragraph": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources, and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "answer": "animal, plant, bacterial, fungal and marine sources", "sentence": "They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources , and have great structural diversity.", "paragraph_sentence": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources , and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "paragraph_answer": "Polyketides are synthesized by polymerization of acetyl and propionyl subunits by classic enzymes as well as iterative and multimodular enzymes that share mechanistic features with the fatty acid synthases. They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources , and have great structural diversity. Many polyketides are cyclic molecules whose backbones are often further modified by glycosylation, methylation, hydroxylation, oxidation, and/or other processes. Many commonly used anti-microbial, anti-parasitic, and anti-cancer agents are polyketides or polyketide derivatives, such as erythromycins, tetracyclines, avermectins, and antitumor epothilones.", "sentence_answer": "They comprise a large number of secondary metabolites and natural products from animal, plant, bacterial, fungal and marine sources , and have great structural diversity."} +{"question": "Eukaryotic cells are compartmentalised into what?", "paragraph": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "answer": "membrane-bound organelles", "sentence": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions.", "paragraph_sentence": " Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "paragraph_answer": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "sentence_answer": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions."} +{"question": "In animal cells which membrane physically separates the intracellular components from the extracellular environment?", "paragraph": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "answer": "plasma membrane", "sentence": "The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed]", "paragraph_sentence": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "paragraph_answer": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "sentence_answer": "The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed]"} +{"question": "What is the main structural component of biological membranes?", "paragraph": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "answer": "glycerophospholipids", "sentence": "The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed]", "paragraph_sentence": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "paragraph_answer": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "sentence_answer": "The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed]"} +{"question": "What kind of non-glyceride lipid components are also found in biological membranes?", "paragraph": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "answer": "sphingomyelin and sterols", "sentence": "The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes.", "paragraph_sentence": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "paragraph_answer": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "sentence_answer": "The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes."} +{"question": "What are the most abundant lipids in photosynthetic tissues?", "paragraph": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol, which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "answer": "the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol", "sentence": "In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol , which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "paragraph_sentence": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol , which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed] ", "paragraph_answer": "Eukaryotic cells are compartmentalized into membrane-bound organelles that carry out different biological functions. The glycerophospholipids are the main structural component of biological membranes, such as the cellular plasma membrane and the intracellular membranes of organelles; in animal cells the plasma membrane physically separates the intracellular components from the extracellular environment.[citation needed] The glycerophospholipids are amphipathic molecules (containing both hydrophobic and hydrophilic regions) that contain a glycerol core linked to two fatty acid-derived \"tails\" by ester linkages and to one \"head\" group by a phosphate ester linkage.[citation needed] While glycerophospholipids are the major component of biological membranes, other non-glyceride lipid components such as sphingomyelin and sterols (mainly cholesterol in animal cell membranes) are also found in biological membranes. In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol , which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]", "sentence_answer": "In plants and algae, the galactosyldiacylglycerols, and sulfoquinovosyldiacylglycerol , which lack a phosphate group, are important components of membranes of chloroplasts and related organelles and are the most abundant lipids in photosynthetic tissues, including those of higher plants, algae and certain bacteria.[citation needed]"} +{"question": "What kind of tissue contains glycerophospholipids?", "paragraph": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling. Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders. Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "answer": "Neural tissue", "sentence": "Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders.", "paragraph_sentence": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling. Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders. Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "paragraph_answer": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling. Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders. Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "sentence_answer": " Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders."} +{"question": "What are glycerophospholipids?", "paragraph": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling. Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders. Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "answer": "components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling", "sentence": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling .", "paragraph_sentence": " Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling . Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders. Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "paragraph_answer": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling . Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders. Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "sentence_answer": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling ."} +{"question": "Mutations in glycerophospholipids can also cause what health condition?", "paragraph": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling. Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders. Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "answer": "various neurological disorders", "sentence": "Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders .", "paragraph_sentence": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling. Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders . Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "paragraph_answer": "Glycerophospholipids, usually referred to as phospholipids, are ubiquitous in nature and are key components of the lipid bilayer of cells, as well as being involved in metabolism and cell signaling. Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders . Glycerophospholipids may be subdivided into distinct classes, based on the nature of the polar headgroup at the sn-3 position of the glycerol backbone in eukaryotes and eubacteria, or the sn-1 position in the case of archaebacteria.", "sentence_answer": "Neural tissue (including the brain) contains relatively high amounts of glycerophospholipids, and alterations in their composition has been implicated in various neurological disorders ."} +{"question": "What are the glycerophospholipids found in biological membranes?", "paragraph": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "answer": "phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer)", "sentence": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer) .", "paragraph_sentence": " Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer) . In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "paragraph_answer": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer) . In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "sentence_answer": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer) ."} +{"question": "What do archaebacteria contain?", "paragraph": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "answer": "dialkylether variants", "sentence": "Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "paragraph_sentence": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria. ", "paragraph_answer": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "sentence_answer": "Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria."} +{"question": "What contain long-chain fatty acids?", "paragraph": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "answer": "phosphatidylinositols and phosphatidic acids", "sentence": "In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers.", "paragraph_sentence": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "paragraph_answer": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "sentence_answer": "In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers."} +{"question": "What do intra- and intercellular proteins contain?", "paragraph": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "answer": "binding sites", "sentence": "In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers.", "paragraph_sentence": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "paragraph_answer": "Examples of glycerophospholipids found in biological membranes are phosphatidylcholine (also known as PC, GPCho or lecithin), phosphatidylethanolamine (PE or GPEtn) and phosphatidylserine (PS or GPSer). In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers. Typically, one or both of these hydroxyl groups are acylated with long-chain fatty acids, but there are also alkyl-linked and 1Z-alkenyl-linked (plasmalogen) glycerophospholipids, as well as dialkylether variants in archaebacteria.", "sentence_answer": "In addition to serving as a primary component of cellular membranes and binding sites for intra- and intercellular proteins, some glycerophospholipids in eukaryotic cells, such as phosphatidylinositols and phosphatidic acids are either precursors of or, themselves, membrane-derived second messengers."} +{"question": "What are sphingolipids?", "paragraph": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "answer": "complicated family of compounds", "sentence": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds.", "paragraph_sentence": " Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "paragraph_answer": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "sentence_answer": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds."} +{"question": "What is the long-chain fatty acyl CoA converted to?", "paragraph": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "answer": "ceramides, phosphosphingolipids, glycosphingolipids and other compounds", "sentence": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds .", "paragraph_sentence": " Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds . The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "paragraph_answer": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds . The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "sentence_answer": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds ."} +{"question": "What is the name for the major sphingoid base of mammals?", "paragraph": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "answer": "sphingosine", "sentence": "The major sphingoid base of mammals is commonly referred to as sphingosine .", "paragraph_sentence": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine . Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "paragraph_answer": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine . Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "sentence_answer": "The major sphingoid base of mammals is commonly referred to as sphingosine ."} +{"question": "How many carbon atoms do fatty acids contain?", "paragraph": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "answer": "16 to 26 carbon atoms", "sentence": "The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms .", "paragraph_sentence": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms . ", "paragraph_answer": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms .", "sentence_answer": "The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms ."} +{"question": "What is the major subclass of sphingoid base?", "paragraph": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "answer": "Ceramides (N-acyl-sphingoid bases)", "sentence": "Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid.", "paragraph_sentence": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "paragraph_answer": "Sphingolipids are a complicated family of compounds that share a common structural feature, a sphingoid base backbone that is synthesized de novo from the amino acid serine and a long-chain fatty acyl CoA, then converted into ceramides, phosphosphingolipids, glycosphingolipids and other compounds. The major sphingoid base of mammals is commonly referred to as sphingosine. Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid. The fatty acids are typically saturated or mono-unsaturated with chain lengths from 16 to 26 carbon atoms.", "sentence_answer": " Ceramides (N-acyl-sphingoid bases) are a major subclass of sphingoid base derivatives with an amide-linked fatty acid."} +{"question": "What type of lipid is cholesterol?", "paragraph": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "answer": "Sterol lipids", "sentence": "Sterol lipids , such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins.", "paragraph_sentence": " Sterol lipids , such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "paragraph_answer": " Sterol lipids , such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "sentence_answer": " Sterol lipids , such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins."} +{"question": "What hormones do carbon (C18) contain?", "paragraph": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "answer": "estrogen", "sentence": "The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone.", "paragraph_sentence": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "paragraph_answer": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "sentence_answer": "The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone."} +{"question": "What hormones do carbon (C19) contain?", "paragraph": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "answer": "androgens such as testosterone and androsterone", "sentence": "The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone .", "paragraph_sentence": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone . The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "paragraph_answer": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone . The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "sentence_answer": "The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone ."} +{"question": "What hormones do carbon (C21) contain?", "paragraph": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids. The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "answer": "progestogens as well as the glucocorticoids and mineralocorticoids", "sentence": "The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids .", "paragraph_sentence": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids . The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "paragraph_answer": "Sterol lipids, such as cholesterol and its derivatives, are an important component of membrane lipids, along with the glycerophospholipids and sphingomyelins. The steroids, all derived from the same fused four-ring core structure, have different biological roles as hormones and signaling molecules. The eighteen-carbon (C18) steroids include the estrogen family whereas the C19 steroids comprise the androgens such as testosterone and androsterone. The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids . The secosteroids, comprising various forms of vitamin D, are characterized by cleavage of the B ring of the core structure. Other examples of sterols are the bile acids and their conjugates, which in mammals are oxidized derivatives of cholesterol and are synthesized in the liver. The plant equivalents are the phytosterols, such as \u03b2-sitosterol, stigmasterol, and brassicasterol; the latter compound is also used as a biomarker for algal growth. The predominant sterol in fungal cell membranes is ergosterol.", "sentence_answer": "The C21 subclass includes the progestogens as well as the glucocorticoids and mineralocorticoids ."} +{"question": "How many carbons do polyterpenes contain?", "paragraph": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "answer": "40 carbons", "sentence": "Structures containing greater than 40 carbons are known as polyterpenes.", "paragraph_sentence": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "paragraph_answer": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "sentence_answer": "Structures containing greater than 40 carbons are known as polyterpenes."} +{"question": "What are carotenoids?", "paragraph": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "answer": "simple isoprenoids that function as antioxidants and as precursors of vitamin A", "sentence": "Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A .", "paragraph_sentence": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A . Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "paragraph_answer": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A . Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "sentence_answer": "Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A ."} +{"question": "What vitamins are classified as ubiquinones?", "paragraph": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "answer": "Vitamin E and vitamin K", "sentence": "Vitamin E and vitamin K , as well as the ubiquinones, are examples of this class.", "paragraph_sentence": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K , as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "paragraph_answer": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K , as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "sentence_answer": " Vitamin E and vitamin K , as well as the ubiquinones, are examples of this class."} +{"question": "What are examples of simple isoprenoids?", "paragraph": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids (linear alcohols, diphosphates, etc.) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "answer": "linear alcohols, diphosphates, etc.", "sentence": "The simple isoprenoids ( linear alcohols, diphosphates, etc. ) are formed by the successive addition of C5 units, and are classified according to number of these terpene units.", "paragraph_sentence": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids ( linear alcohols, diphosphates, etc. ) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "paragraph_answer": "Prenol lipids are synthesized from the five-carbon-unit precursors isopentenyl diphosphate and dimethylallyl diphosphate that are produced mainly via the mevalonic acid (MVA) pathway. The simple isoprenoids ( linear alcohols, diphosphates, etc. ) are formed by the successive addition of C5 units, and are classified according to number of these terpene units. Structures containing greater than 40 carbons are known as polyterpenes. Carotenoids are important simple isoprenoids that function as antioxidants and as precursors of vitamin A. Another biologically important class of molecules is exemplified by the quinones and hydroquinones, which contain an isoprenoid tail attached to a quinonoid core of non-isoprenoid origin. Vitamin E and vitamin K, as well as the ubiquinones, are examples of this class. Prokaryotes synthesize polyprenols (called bactoprenols) in which the terminal isoprenoid unit attached to oxygen remains unsaturated, whereas in animal polyprenols (dolichols) the terminal isoprenoid is reduced.", "sentence_answer": "The simple isoprenoids ( linear alcohols, diphosphates, etc. ) are formed by the successive addition of C5 units, and are classified according to number of these terpene units."} +{"question": "What lets lipids come together and form things?", "paragraph": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "answer": "the amphiphilic nature", "sentence": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment.", "paragraph_sentence": " Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "paragraph_answer": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "sentence_answer": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment."} +{"question": "How are lipids defined?", "paragraph": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "answer": "hydrophobic or amphiphilic small molecules", "sentence": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules ; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment.", "paragraph_sentence": " Lipids may be broadly defined as hydrophobic or amphiphilic small molecules ; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "paragraph_answer": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules ; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "sentence_answer": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules ; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment."} +{"question": "What are some examples of things that lipids form?", "paragraph": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "answer": "vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment", "sentence": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment .", "paragraph_sentence": " Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment . Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "paragraph_answer": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment . Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "sentence_answer": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment ."} +{"question": "What are biological lipids made out of?", "paragraph": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "answer": "ketoacyl and isoprene groups", "sentence": "Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups .", "paragraph_sentence": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups . Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "paragraph_answer": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups . Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "sentence_answer": "Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups ."} +{"question": "How many categories of lipids exist?", "paragraph": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "answer": "eight categories", "sentence": "Using this approach, lipids may be divided into eight categories : fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "paragraph_sentence": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories : fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits). ", "paragraph_answer": "Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or \"building-blocks\": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories : fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).", "sentence_answer": "Using this approach, lipids may be divided into eight categories : fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits)."} +{"question": "Are fats true lipids?", "paragraph": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides. Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "answer": "fats are a subgroup of lipids called triglycerides", "sentence": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides .", "paragraph_sentence": " Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides . Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "paragraph_answer": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides . Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "sentence_answer": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides ."} +{"question": "What group of lipids do fats belong to?", "paragraph": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides. Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "answer": "triglycerides", "sentence": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides .", "paragraph_sentence": " Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides . Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "paragraph_answer": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides . Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "sentence_answer": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides ."} +{"question": "What component of fatty acids are considered lipids?", "paragraph": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides. Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "answer": "sterol-containing metabolites such as cholesterol", "sentence": "Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol .", "paragraph_sentence": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides. Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol . Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "paragraph_answer": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides. Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol . Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "sentence_answer": "Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol ."} +{"question": "Can the human body digest all forms of lipids?", "paragraph": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides. Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet.", "answer": "some essential lipids cannot be made this way and must be obtained from the diet", "sentence": "Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet .", "paragraph_sentence": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides. Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet . ", "paragraph_answer": "Although the term lipid is sometimes used as a synonym for fats, fats are a subgroup of lipids called triglycerides. Lipids also encompass molecules such as fatty acids and their derivatives (including tri-, di-, monoglycerides, and phospholipids), as well as other sterol-containing metabolites such as cholesterol. Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet .", "sentence_answer": "Although humans and other mammals use various biosynthetic pathways both to break down and to synthesize lipids, some essential lipids cannot be made this way and must be obtained from the diet ."} +{"question": "Fatty acids are created by what?", "paragraph": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "answer": "chain-elongation of an acetyl-CoA primer with malonyl-CoA", "sentence": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis.", "paragraph_sentence": " Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "paragraph_answer": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "sentence_answer": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis."} +{"question": "What is the process of creating fatty acids called?", "paragraph": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "answer": "fatty acid synthesis", "sentence": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis .", "paragraph_sentence": " Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis . They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "paragraph_answer": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis . They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "sentence_answer": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis ."} +{"question": "What types of ends are found in fatty acids?", "paragraph": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "answer": "a polar, hydrophilic end, and a nonpolar, hydrophobic end", "sentence": "They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water.", "paragraph_sentence": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "paragraph_answer": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "sentence_answer": "They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water."} +{"question": "What does hydrophobic mean?", "paragraph": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "answer": "insoluble in water", "sentence": "They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water .", "paragraph_sentence": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water . The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "paragraph_answer": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water . The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "sentence_answer": "They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water ."} +{"question": "How many carbon atoms are found in the carbon chain?", "paragraph": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long, may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "answer": "between four and 24 carbons long", "sentence": "The carbon chain, typically between four and 24 carbons long , may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur.", "paragraph_sentence": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long , may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "paragraph_answer": "Fatty acids, or fatty acid residues when they are part of a lipid, are a diverse group of molecules synthesized by chain-elongation of an acetyl-CoA primer with malonyl-CoA or methylmalonyl-CoA groups in a process called fatty acid synthesis. They are made of a hydrocarbon chain that terminates with a carboxylic acid group; this arrangement confers the molecule with a polar, hydrophilic end, and a nonpolar, hydrophobic end that is insoluble in water. The fatty acid structure is one of the most fundamental categories of biological lipids, and is commonly used as a building-block of more structurally complex lipids. The carbon chain, typically between four and 24 carbons long , may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur. If a fatty acid contains a double bond, there is the possibility of either a cis or trans geometric isomerism, which significantly affects the molecule's configuration. Cis-double bonds cause the fatty acid chain to bend, an effect that is compounded with more double bonds in the chain. Three double bonds in 18-carbon linolenic acid, the most abundant fatty-acyl chains of plant thylakoid membranes, render these membranes highly fluid despite environmental low-temperatures, and also makes linolenic acid give dominating sharp peaks in high resolution 13-C NMR spectra of chloroplasts. This in turn plays an important role in the structure and function of cell membranes. Most naturally occurring fatty acids are of the cis configuration, although the trans form does exist in some natural and partially hydrogenated fats and oils.", "sentence_answer": "The carbon chain, typically between four and 24 carbons long , may be saturated or unsaturated, and may be attached to functional groups containing oxygen, halogens, nitrogen, and sulfur."} +{"question": "What fatty acid is important for vision?", "paragraph": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "answer": "Docosahexaenoic acid", "sentence": "Docosahexaenoic acid is also important in biological systems, particularly with respect to sight.", "paragraph_sentence": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "paragraph_answer": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "sentence_answer": " Docosahexaenoic acid is also important in biological systems, particularly with respect to sight."} +{"question": "What are important fatty acids called?", "paragraph": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "answer": "eicosanoids", "sentence": "Examples of biologically important fatty acids include the eicosanoids , derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes.", "paragraph_sentence": " Examples of biologically important fatty acids include the eicosanoids , derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "paragraph_answer": "Examples of biologically important fatty acids include the eicosanoids , derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "sentence_answer": "Examples of biologically important fatty acids include the eicosanoids , derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes."} +{"question": "What are fatty esters composed of?", "paragraph": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "answer": "wax esters, fatty acid thioester coenzyme A", "sentence": "Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines.", "paragraph_sentence": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "paragraph_answer": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "sentence_answer": "Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines."} +{"question": "Neurotransmitter anandamide is what type of fatty acid?", "paragraph": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides. Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "answer": "fatty amides", "sentence": "Other major lipid classes in the fatty acid category are the fatty esters and fatty amides .", "paragraph_sentence": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides . Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "paragraph_answer": "Examples of biologically important fatty acids include the eicosanoids, derived primarily from arachidonic acid and eicosapentaenoic acid, that include prostaglandins, leukotrienes, and thromboxanes. Docosahexaenoic acid is also important in biological systems, particularly with respect to sight. Other major lipid classes in the fatty acid category are the fatty esters and fatty amides . Fatty esters include important biochemical intermediates such as wax esters, fatty acid thioester coenzyme A derivatives, fatty acid thioester ACP derivatives and fatty acid carnitines. The fatty amides include N-acyl ethanolamines, such as the cannabinoid neurotransmitter anandamide.", "sentence_answer": "Other major lipid classes in the fatty acid category are the fatty esters and fatty amides ."} +{"question": "What are glycerolipids made of?", "paragraph": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "answer": "mono-, di-, and tri-substituted glycerols", "sentence": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols , the best-known being the fatty acid triesters of glycerol, called triglycerides.", "paragraph_sentence": " Glycerolipids are composed of mono-, di-, and tri-substituted glycerols , the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "paragraph_answer": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols , the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "sentence_answer": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols , the best-known being the fatty acid triesters of glycerol, called triglycerides."} +{"question": "Triglycerides are also know as what?", "paragraph": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "answer": "triacylglycerol", "sentence": "The word \" triacylglycerol \" is sometimes used synonymously with \"triglyceride\".", "paragraph_sentence": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \" triacylglycerol \" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "paragraph_answer": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \" triacylglycerol \" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "sentence_answer": "The word \" triacylglycerol \" is sometimes used synonymously with \"triglyceride\"."} +{"question": "What is the function of lipids in the human body?", "paragraph": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "answer": "they function as an energy store", "sentence": "Because they function as an energy store , these lipids comprise the bulk of storage fat in animal tissues.", "paragraph_sentence": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store , these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "paragraph_answer": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store , these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "sentence_answer": "Because they function as an energy store , these lipids comprise the bulk of storage fat in animal tissues."} +{"question": "How is fat burned or metabolized?", "paragraph": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "answer": "hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue", "sentence": "The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "paragraph_sentence": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat. ", "paragraph_answer": "Glycerolipids are composed of mono-, di-, and tri-substituted glycerols, the best-known being the fatty acid triesters of glycerol, called triglycerides. The word \"triacylglycerol\" is sometimes used synonymously with \"triglyceride\". In these compounds, the three hydroxyl groups of glycerol are each esterified, typically by different fatty acids. Because they function as an energy store, these lipids comprise the bulk of storage fat in animal tissues. The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat.", "sentence_answer": "The hydrolysis of the ester bonds of triglycerides and the release of glycerol and fatty acids from adipose tissue are the initial steps in metabolizing fat."} +{"question": "estrogen testosterone and cortisol are all what type of hormones?", "paragraph": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "answer": "steroid", "sentence": "These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists.", "paragraph_sentence": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "paragraph_answer": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "sentence_answer": "These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists."} +{"question": "lipid signaling is an example of what kind of signaling?", "paragraph": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "answer": "cell signaling", "sentence": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling .", "paragraph_sentence": " In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling . Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "paragraph_answer": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling . Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "sentence_answer": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling ."} +{"question": "what sphingolipid derived from ceramide is potent messenger molecule involved in regulating calcium mobilization?", "paragraph": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "answer": "sphingosine-1-phosphate", "sentence": "These include sphingosine-1-phosphate , a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists.", "paragraph_sentence": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate , a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "paragraph_answer": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate , a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "sentence_answer": "These include sphingosine-1-phosphate , a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists."} +{"question": "phosphatidylinositol phosphates are also known by what abbreviation?", "paragraph": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "answer": "PIPs", "sentence": "These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates ( PIPs ), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists.", "paragraph_sentence": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates ( PIPs ), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "paragraph_answer": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates ( PIPs ), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "sentence_answer": "These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates ( PIPs ), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists."} +{"question": "what is the fatty acid derived eicosanoid involved in inflammation and immunity?", "paragraph": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins, which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "answer": "prostaglandins", "sentence": "These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins , which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists.", "paragraph_sentence": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins , which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "paragraph_answer": "In recent years, evidence has emerged showing that lipid signaling is a vital part of the cell signaling. Lipid signaling may occur via activation of G protein-coupled or nuclear receptors, and members of several different lipid categories have been identified as signaling molecules and cellular messengers. These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins , which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists. Phosphatidylserine lipids are known to be involved in signaling for the phagocytosis of apoptotic cells and/or pieces of cells. They accomplish this by being exposed to the extracellular face of the cell membrane after the inactivation of flippases which place them exclusively on the cytosolic side and the activation of scramblases, which scramble the orientation of the phospholipids. After this occurs, other cells recognize the phosphatidylserines and phagocytosize the cells or cell fragments exposing them.", "sentence_answer": "These include sphingosine-1-phosphate, a sphingolipid derived from ceramide that is a potent messenger molecule involved in regulating calcium mobilization, cell growth, and apoptosis; diacylglycerol (DAG) and the phosphatidylinositol phosphates (PIPs), involved in calcium-mediated activation of protein kinase C; the prostaglandins , which are one type of fatty-acid derived eicosanoid involved in inflammation and immunity; the steroid hormones such as estrogen, testosterone and cortisol, which modulate a host of functions such as reproduction, metabolism and blood pressure; and the oxysterols such as 25-hydroxy-cholesterol that are liver X receptor agonists."} +{"question": "Vitamins A,D,E and K are all examples of vitamin that are kind of soluble?", "paragraph": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "answer": "fat-soluble", "sentence": "The \" fat-soluble \" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions.", "paragraph_sentence": " The \" fat-soluble \" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "paragraph_answer": "The \" fat-soluble \" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "sentence_answer": "The \" fat-soluble \" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions."} +{"question": "Vitamins A,D,E and K are all stored where in the body?", "paragraph": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "answer": "liver and fatty tissues", "sentence": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues , with a diverse range of functions.", "paragraph_sentence": " The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues , with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "paragraph_answer": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues , with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "sentence_answer": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues , with a diverse range of functions."} +{"question": "Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of where?", "paragraph": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "answer": "mitochondria", "sentence": "Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria , where they undergo beta oxidation.", "paragraph_sentence": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria , where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "paragraph_answer": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria , where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "sentence_answer": "Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria , where they undergo beta oxidation."} +{"question": "Polyprenols and their phosphorylated derivatives play an important role transporting what across membranes?", "paragraph": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "answer": "oligosaccharides", "sentence": "Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes.", "paragraph_sentence": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "paragraph_answer": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "sentence_answer": "Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes."} +{"question": "what subclass of glycerophospholipids contain four acyl chains and three glycerol groups?", "paragraph": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "answer": "Cardiolipins", "sentence": "Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane.", "paragraph_sentence": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "paragraph_answer": "The \"fat-soluble\" vitamins (A, D, E and K) \u2013 which are isoprene-based lipids \u2013 are essential nutrients stored in the liver and fatty tissues, with a diverse range of functions. Acyl-carnitines are involved in the transport and metabolism of fatty acids in and out of mitochondria, where they undergo beta oxidation. Polyprenols and their phosphorylated derivatives also play important transport roles, in this case the transport of oligosaccharides across membranes. Polyprenol phosphate sugars and polyprenol diphosphate sugars function in extra-cytoplasmic glycosylation reactions, in extracellular polysaccharide biosynthesis (for instance, peptidoglycan polymerization in bacteria), and in eukaryotic protein N-glycosylation. Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane. They are believed to activate enzymes involved with oxidative phosphorylation. Lipids also form the basis of steroid hormones.", "sentence_answer": " Cardiolipins are a subclass of glycerophospholipids containing four acyl chains and three glycerol groups that are particularly abundant in the inner mitochondrial membrane."} +{"question": "in animals excess carbohydrates are converted into what?", "paragraph": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "answer": "triglycerides", "sentence": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides .", "paragraph_sentence": " In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides . This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "paragraph_answer": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides . This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "sentence_answer": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides ."} +{"question": "The process of converting carbohydrates into triglycerides is known as what?", "paragraph": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "answer": "lipogenesis", "sentence": "This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis .", "paragraph_sentence": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis . Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "paragraph_answer": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis . Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "sentence_answer": "This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis ."} +{"question": "lipoproteins containing fatty acids are secreted from what organ?", "paragraph": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "answer": "liver", "sentence": "The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver .", "paragraph_sentence": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver . ", "paragraph_answer": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver .", "sentence_answer": "The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver ."} +{"question": "What polymerize and then reduce acetyl-CoA units to form fatty acids?", "paragraph": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "answer": "fatty acid synthases", "sentence": "Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units.", "paragraph_sentence": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "paragraph_answer": "In animals, when there is an oversupply of dietary carbohydrate, the excess carbohydrate is converted to triglycerides. This involves the synthesis of fatty acids from acetyl-CoA and the esterification of fatty acids in the production of triglycerides, a process called lipogenesis. Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units. The acyl chains in the fatty acids are extended by a cycle of reactions that add the acetyl group, reduce it to an alcohol, dehydrate it to an alkene group and then reduce it again to an alkane group. The enzymes of fatty acid biosynthesis are divided into two groups, in animals and fungi all these fatty acid synthase reactions are carried out by a single multifunctional protein, while in plant plastids and bacteria separate enzymes perform each step in the pathway. The fatty acids may be subsequently converted to triglycerides that are packaged in lipoproteins and secreted from the liver.", "sentence_answer": "Fatty acids are made by fatty acid synthases that polymerize and then reduce acetyl-CoA units."} +{"question": "Terpenes and isoprenoids are made by the assembly and modification of what units?", "paragraph": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "answer": "isoprene units", "sentence": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate.", "paragraph_sentence": " Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "paragraph_answer": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "sentence_answer": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate."} +{"question": "isoprene units used to make Terpenes and isoprenoids are donated from where?", "paragraph": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "answer": "isopentenyl pyrophosphate and dimethylallyl pyrophosphate", "sentence": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate .", "paragraph_sentence": " Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate . These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "paragraph_answer": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate . These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "sentence_answer": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate ."} +{"question": "In animals and archaea isopentenyl pyrophosphate and dimethylallyl pyrophosphate are produced in what area?", "paragraph": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "answer": "mevalonate pathway", "sentence": "In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates.", "paragraph_sentence": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "paragraph_answer": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "sentence_answer": "In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates."} +{"question": "squalene is folded up and formed into a set of rings to create what?", "paragraph": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol. Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "answer": "lanosterol", "sentence": "Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol .", "paragraph_sentence": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol . Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "paragraph_answer": "Terpenes and isoprenoids, including the carotenoids, are made by the assembly and modification of isoprene units donated from the reactive precursors isopentenyl pyrophosphate and dimethylallyl pyrophosphate. These precursors can be made in different ways. In animals and archaea, the mevalonate pathway produces these compounds from acetyl-CoA, while in plants and bacteria the non-mevalonate pathway uses pyruvate and glyceraldehyde 3-phosphate as substrates. One important reaction that uses these activated isoprene donors is steroid biosynthesis. Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol . Lanosterol can then be converted into other steroids such as cholesterol and ergosterol.", "sentence_answer": "Here, the isoprene units are joined together to make squalene and then folded up and formed into a set of rings to make lanosterol ."} +{"question": "what is the metabolic process for breaking down fatty acids to generate acetyl-CoA known as?", "paragraph": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "answer": "Beta oxidation", "sentence": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA.", "paragraph_sentence": " Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "paragraph_answer": " Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "sentence_answer": " Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA."} +{"question": "fatty acids are oxidized in a way that resembles what in reverse?", "paragraph": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "answer": "fatty acid synthesis", "sentence": "For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis .", "paragraph_sentence": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis . That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "paragraph_answer": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis . That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "sentence_answer": "For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis ."} +{"question": "beta-keto acid is formed from the removal of what from the carboxyl end of fatty acids?", "paragraph": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "answer": "two-carbon fragments", "sentence": "That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis.", "paragraph_sentence": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "paragraph_answer": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "sentence_answer": "That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis."} +{"question": "The citric acid cycle and the electron transport chain converts what into ATP?", "paragraph": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "answer": "acetyl-CoA", "sentence": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA .", "paragraph_sentence": " Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA . For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "paragraph_answer": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA . For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "sentence_answer": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA ."} +{"question": "what is the energy yield of the complete oxidation of fatty acid palmitate?", "paragraph": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP. Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "answer": "106 ATP", "sentence": "The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP .", "paragraph_sentence": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP . Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "paragraph_answer": "Beta oxidation is the metabolic process by which fatty acids are broken down in the mitochondria and/or in peroxisomes to generate acetyl-CoA. For the most part, fatty acids are oxidized by a mechanism that is similar to, but not identical with, a reversal of the process of fatty acid synthesis. That is, two-carbon fragments are removed sequentially from the carboxyl end of the acid after steps of dehydrogenation, hydration, and oxidation to form a beta-keto acid, which is split by thiolysis. The acetyl-CoA is then ultimately converted into ATP, CO2, and H2O using the citric acid cycle and the electron transport chain. Hence the citric acid cycle can start at acetyl-CoA when fat is being broken down for energy if there is little or no glucose available. The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP . Unsaturated and odd-chain fatty acids require additional enzymatic steps for degradation.", "sentence_answer": "The energy yield of the complete oxidation of the fatty acid palmitate is 106 ATP ."} +{"question": "what form does most of the fat in food take on?", "paragraph": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "answer": "triglycerides, cholesterol, and phospholipids", "sentence": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids .", "paragraph_sentence": " Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids . Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "paragraph_answer": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids . Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "sentence_answer": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids ."} +{"question": "linoleic acid is a type of what fatty acid?", "paragraph": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "answer": "omega-6", "sentence": "Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet.", "paragraph_sentence": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "paragraph_answer": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "sentence_answer": "Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet."} +{"question": "alpha-linolenic is a type of what fatty acid?", "paragraph": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "answer": "omega-3 fatty acid", "sentence": "Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid ) because they cannot be synthesized from simple precursors in the diet.", "paragraph_sentence": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid ) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "paragraph_answer": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid ) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "sentence_answer": "Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid ) because they cannot be synthesized from simple precursors in the diet."} +{"question": "how many carbons are in alpha-linolenic and linoleic acid?", "paragraph": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "answer": "18", "sentence": "Both of these fatty acids are 18 -carbon polyunsaturated fatty acids differing in the number and position of the double bonds.", "paragraph_sentence": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18 -carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "paragraph_answer": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18 -carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "sentence_answer": "Both of these fatty acids are 18 -carbon polyunsaturated fatty acids differing in the number and position of the double bonds."} +{"question": "what type of fats found in hydrogenated vegetable oils pose a risk for cardiovascular disease?", "paragraph": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats, such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "answer": "trans fats", "sentence": "In contrast, it is now well-established that consumption of trans fats , such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "paragraph_sentence": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats , such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease. ", "paragraph_answer": "Most of the fat found in food is in the form of triglycerides, cholesterol, and phospholipids. Some dietary fat is necessary to facilitate absorption of fat-soluble vitamins (A, D, E, and K) and carotenoids. Humans and other mammals have a dietary requirement for certain essential fatty acids, such as linoleic acid (an omega-6 fatty acid) and alpha-linolenic acid (an omega-3 fatty acid) because they cannot be synthesized from simple precursors in the diet. Both of these fatty acids are 18-carbon polyunsaturated fatty acids differing in the number and position of the double bonds. Most vegetable oils are rich in linoleic acid (safflower, sunflower, and corn oils). Alpha-linolenic acid is found in the green leaves of plants, and in selected seeds, nuts, and legumes (in particular flax, rapeseed, walnut, and soy). Fish oils are particularly rich in the longer-chain omega-3 fatty acids eicosapentaenoic acid (EPA) and docosahexaenoic acid (DHA). A large number of studies have shown positive health benefits associated with consumption of omega-3 fatty acids on infant development, cancer, cardiovascular diseases, and various mental illnesses, such as depression, attention-deficit hyperactivity disorder, and dementia. In contrast, it is now well-established that consumption of trans fats , such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease.", "sentence_answer": "In contrast, it is now well-established that consumption of trans fats , such as those present in partially hydrogenated vegetable oils, are a risk factor for cardiovascular disease."} +{"question": "what is the name of the website maintained by the department of Nutrition at the Harvard School of Public Health?", "paragraph": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "answer": "The Nutrition Source", "sentence": "The Nutrition Source , a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "paragraph_sentence": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source , a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\" ", "paragraph_answer": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source , a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "sentence_answer": " The Nutrition Source , a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\""} +{"question": "the Women's Health Initiative Dietary Modification Trial was a study take took place over how many years?", "paragraph": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "answer": "eight-year", "sentence": "However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links.", "paragraph_sentence": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "paragraph_answer": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "sentence_answer": "However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links."} +{"question": "the Women's Health Initiative Dietary Modification Trial showed no links between dietary fat intake and what?", "paragraph": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "answer": "increased risk of obesity and diabetes", "sentence": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes .", "paragraph_sentence": " A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes . However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "paragraph_answer": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes . However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "sentence_answer": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes ."} +{"question": "the Women's Health Initiative Dietary Modification Trial studied how many women to find a connection between fat intake and disease?", "paragraph": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "answer": "49,000", "sentence": "However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links.", "paragraph_sentence": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "paragraph_answer": "A few studies have suggested that total dietary fat intake is linked to an increased risk of obesity and diabetes. However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links. None of these studies suggested any connection between percentage of calories from fat and risk of cancer, heart disease, or weight gain. The Nutrition Source, a website maintained by the Department of Nutrition at the Harvard School of Public Health, summarizes the current evidence on the impact of dietary fat: \"Detailed research\u2014much of it done at Harvard\u2014shows that the total amount of fat in the diet isn't really linked with weight or disease.\"", "sentence_answer": "However, a number of very large studies, including the Women's Health Initiative Dietary Modification Trial, an eight-year study of 49,000 women, the Nurses' Health Study and the Health Professionals Follow-up Study, revealed no such links."}