Question: What dance was created at the Moulin Rouge?

Answer: French Cancan

The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. <hl> It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan . <hl> It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in 1951. The Olympia Paris has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. A half dozen music halls exist today in Paris, attended mostly visitors to the city.

The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the <hl> French Cancan <hl>. It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in 1951. The Olympia Paris has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. A half dozen music halls exist today in Paris, attended mostly visitors to the city.

It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the <hl> French Cancan <hl> .

question: What dance was created at the Moulin Rouge?, context: The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan. It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in 1951. The Olympia Paris has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. A half dozen music halls exist today in Paris, attended mostly visitors to the city.


Question: In what year did the Crazy Horse Saloon open?

Answer: 1951

The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan. It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. <hl> Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in 1951 . <hl> The Olympia Paris has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. A half dozen music halls exist today in Paris, attended mostly visitors to the city.

The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan. It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in <hl> 1951 <hl>. The Olympia Paris has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. A half dozen music halls exist today in Paris, attended mostly visitors to the city.

Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in <hl> 1951 <hl> .

question: In what year did the Crazy Horse Saloon open?, context: The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan. It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in 1951. The Olympia Paris has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. A half dozen music halls exist today in Paris, attended mostly visitors to the city.


Question: Where did Grateful Dead play?

Answer: The Olympia Paris

The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan. It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in 1951. <hl> The Olympia Paris has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. <hl> A half dozen music halls exist today in Paris, attended mostly visitors to the city.

The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan. It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in 1951. <hl> The Olympia Paris <hl> has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. A half dozen music halls exist today in Paris, attended mostly visitors to the city.

question: Where did Grateful Dead play?, context: The music hall and cabaret are famous Paris institutions. The Moulin Rouge was opened in 1889. It was highly visible because of its large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan. It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec, who made posters for the venue. In 1911, the dance hall Olympia Paris invented the grand staircase as a settling for its shows, competing with its great rival, the Folies Bergère, Its stars in the 1920s included the American singer and dancer Josephine Baker. The Casino de Paris presented many famous French singers, including Mistinguett, Maurice Chevalier, and Tino Rossi. Other famous Paris music halls include Le Lido, on the Champs-Élysées, opened in 1946; and the Crazy Horse Saloon, featuring strip-tease, dance and magic, opened in 1951. The Olympia Paris has presented Edith Piaf, Marlene Dietrich, Miles Davis, Judy Garland, and the Grateful Dead. A half dozen music halls exist today in Paris, attended mostly visitors to the city.


Question: What was the title of the first book printed in France?

Answer: Epistolae

<hl> The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. <hl> Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.

The first book printed in France, <hl> Epistolae <hl> ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.

question: What was the title of the first book printed in France?, context: The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.


Question: Who wrote Epistolae?

Answer: Gasparinus de Bergamo

<hl> The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. <hl> Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.

The first book printed in France, Epistolae ("Letters"), by <hl> Gasparinus de Bergamo <hl> (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.

question: Who wrote Epistolae?, context: The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.


Question: When was Epistolae published?

Answer: 1470

<hl> The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. <hl> Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.

The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in <hl> 1470 <hl> by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.

question: When was Epistolae published?, context: The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.


Question: In what language were most books printed in the middle ages?

Answer: Latin

The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. <hl> Almost all the books published in Paris in the Middle Ages were in Latin , rather than French. <hl> Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.

The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in <hl> Latin <hl>, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.

Almost all the books published in Paris in the Middle Ages were in <hl> Latin <hl> , rather than French.

question: In what language were most books printed in the middle ages?, context: The first book printed in France, Epistolae ("Letters"), by Gasparinus de Bergamo (Gasparino da Barzizza), was published in Paris in 1470 by the press established by Johann Heynlin. Since then, Paris has been the centre of the French publishing industry, the home of some of the world's best-known writers and poets, and the setting for many classic works of French literature. Almost all the books published in Paris in the Middle Ages were in Latin, rather than French. Paris did not become the acknowledged capital of French literature until the 17th century, with authors such as Boileau, Corneille, La Fontaine, Molière, Racine, several coming from the provinces, and the foundation of the Académie française. In the 18th century, the literary life of Paris revolved around the cafés and salons, and was dominated by Voltaire, Jean-Jacques Rousseau, Pierre de Marivaux, and Beaumarchais.


Question: What book inspired the renovation of Notre Dame?

Answer: The Hunchback of Notre Dame

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. <hl> Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. <hl> Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's <hl> The Hunchback of Notre Dame <hl> inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.

question: What book inspired the renovation of Notre Dame?, context: During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.


Question: Who wrote The Hunchback of Notre Dame?

Answer: Victor Hugo

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. <hl> Victor Hugo 's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. <hl> Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. <hl> Victor Hugo <hl>'s The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.

<hl> Victor Hugo <hl> 's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris.

question: Who wrote The Hunchback of Notre Dame?, context: During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.


Question: During what period of time was Victor Hugo exiled from France?

Answer: Second Empire

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. <hl> Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire , described the social change and political turmoil in Paris in the early 1830s. <hl> One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the <hl> Second Empire <hl>, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.

Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the <hl> Second Empire <hl> , described the social change and political turmoil in Paris in the early 1830s.

question: During what period of time was Victor Hugo exiled from France?, context: During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.


Question: Where did Jules Verne work during the day?

Answer: Theatre Lyrique and the Paris stock exchange

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. <hl> One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange , while he did research for his stories at the National Library. <hl>

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the <hl> Theatre Lyrique and the Paris stock exchange <hl>, while he did research for his stories at the National Library.

One of the most popular of all French writers, Jules Verne, worked at the <hl> Theatre Lyrique and the Paris stock exchange <hl> , while he did research for his stories at the National Library.

question: Where did Jules Verne work during the day?, context: During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.


Question: Where did Jules Verne do research for his stories?

Answer: National Library

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. <hl> One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library . <hl>

During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the <hl> National Library <hl>.

One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the <hl> National Library <hl> .

question: Where did Jules Verne do research for his stories?, context: During the 19th century, Paris was the home and subject for some of France's greatest writers, including Charles Baudelaire, Stéphane Mallarmé, Mérimée, Alfred de Musset, Marcel Proust, Émile Zola, Alexandre Dumas, Gustave Flaubert, Guy de Maupassant and Honoré de Balzac. Victor Hugo's The Hunchback of Notre Dame inspired the renovation of its setting, the Notre-Dame de Paris. Another of Victor Hugo's works, Les Misérables, written while he was in exile outside France during the Second Empire, described the social change and political turmoil in Paris in the early 1830s. One of the most popular of all French writers, Jules Verne, worked at the Theatre Lyrique and the Paris stock exchange, while he did research for his stories at the National Library.


Question: Who was the winner of the 2014 Nobel prize in literature?

Answer: Patrick Modiano

In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. <hl> The winner of the 2014 Nobel Prize in Literature, Patrick Modiano –who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s. <hl>

In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. The winner of the 2014 Nobel Prize in Literature, <hl> Patrick Modiano <hl>–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.

The winner of the 2014 Nobel Prize in Literature, <hl> Patrick Modiano <hl> –who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.

question: Who was the winner of the 2014 Nobel prize in literature?, context: In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.


Question: In what century did Collete, ANdre Gide and Francois Mauriac dominate the literary community?

Answer: 20th

<hl> In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. <hl> The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.

In the <hl> 20th <hl> century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.

question: In what century did Collete, ANdre Gide and Francois Mauriac dominate the literary community?, context: In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.


Question: In what city does Patrick Modiano live?

Answer: Paris

<hl> In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. <hl> The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.

In the 20th century, the <hl> Paris <hl> literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.

question: In what city does Patrick Modiano live?, context: In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.


Question: During what war did Modiano base most of his work off of?

Answer: World War II

<hl> In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II , by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. <hl> The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.

In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after <hl> World War II <hl>, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.

In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after <hl> World War II <hl> , by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera.

question: During what war did Modiano base most of his work off of?, context: In the 20th century, the Paris literary community was dominated by Colette, André Gide, François Mauriac, André Malraux, Albert Camus, and, after World War II, by Simone de Beauvoir and Jean-Paul Sartre; Between the wars it was the home of many important expatriate writers, including Ernest Hemingway, Samuel Beckett, and, in the 1970s, Milan Kundera. The winner of the 2014 Nobel Prize in Literature, Patrick Modiano–who lives in Paris–, based most of his literary work on the depiction of the city during World War II and the 1960s-1970s.


Question: What percentage of french publishing houses were in Paris in the 1970s?

Answer: 80

Paris is a city of books and bookstores. <hl> In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. <hl> Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.

Paris is a city of books and bookstores. In the 1970s, <hl> 80 <hl> percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.

question: What percentage of french publishing houses were in Paris in the 1970s?, context: Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.


Question: Approximately how many bookstores are located in the 5th arrondissement?

Answer: 150

Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. <hl> It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. <hl> Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.

Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about <hl> 150 <hl> bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.

question: Approximately how many bookstores are located in the 5th arrondissement?, context: Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.


Question: How many bookstalls are located along the Seine?

Answer: 250

Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. <hl> It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. <hl> Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.

Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another <hl> 250 <hl> book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.

question: How many bookstalls are located along the Seine?, context: Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.


Question: What is the maximum amount a publishers book can be discounted?

Answer: five percent

Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. <hl> Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price. <hl>

Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than <hl> five percent <hl> below their publisher's cover price.

question: What is the maximum amount a publishers book can be discounted?, context: Paris is a city of books and bookstores. In the 1970s, 80 percent of French-language publishing houses were found in Paris, almost all on the Left Bank in the 5th, 6th and 7th arrondissements. Since that time, because of high prices, some publishers have moved out to the less expensive areas. It is also a city of small bookstores; There are about 150 bookstores in the 5th arrondissement alone, plus another 250 book stalls along the Seine. Small Paris bookstores are protected against competition from discount booksellers by French law; books, even e-books, cannot be discounted more than five percent below their publisher's cover price.


Question: in what century was a school of polyphony established at Notre Dame?

Answer: 12th

<hl> In the late 12th -century, a school of polyphony was established at the Notre-Dame. <hl> A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

In the late <hl> 12th <hl>-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

In the late <hl> 12th <hl> -century, a school of polyphony was established at the Notre-Dame.

question: in what century was a school of polyphony established at Notre Dame?, context: In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).


Question: In what year was the Conservatoire de Musique de Paris founded?

Answer: 1795

In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. <hl> The Conservatoire de Musique de Paris was founded in 1795 . <hl> By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in <hl> 1795 <hl>. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

The Conservatoire de Musique de Paris was founded in <hl> 1795 <hl> .

question: In what year was the Conservatoire de Musique de Paris founded?, context: In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).


Question: Under whos reign did the lute become popular?

Answer: Francois I

In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. <hl> During the reign of Francois I , the lute became popular in the French court, and a national musical printing house was established. <hl> During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of <hl> Francois I <hl>, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

During the reign of <hl> Francois I <hl> , the lute became popular in the French court, and a national musical printing house was established.

question: Under whos reign did the lute become popular?, context: In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).


Question: Who wrote Carmen?

Answer: Georges Bizet's

In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. <hl> Georges Bizet's Carmen premiered 3 March 1875. <hl> Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. <hl> Georges Bizet's <hl> Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

question: Who wrote Carmen?, context: In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).


Question: Where was Frederic Chopin from?

Answer: Poland

In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. <hl> They include Frédéric Chopin ( Poland ), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia). <hl>

In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (<hl> Poland <hl>), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

They include Frédéric Chopin ( <hl> Poland <hl> ), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).

question: Where was Frederic Chopin from?, context: In the late 12th-century, a school of polyphony was established at the Notre-Dame. A group of Parisian aristocrats, known as Trouvères, became known for their poetry and songs. Troubadors were also popular. During the reign of Francois I, the lute became popular in the French court, and a national musical printing house was established. During the Renaissance era, the French Boleroroyals "disported themselves in masques, ballets, allegorical dances, recitals, and opera and comedy". Baroque-era composers include Jean-Baptiste Lully, Jean-Philippe Rameau, and François Couperin and were popular. The Conservatoire de Musique de Paris was founded in 1795. By 1870, Paris had become an important centre for symphony, ballet and operatic music. Romantic-era composers (in Paris) include Hector Berlioz (La Symphonie fantastique), Charles Gounod (Faust), Camille Saint-Saëns (Samson et Delilah), Léo Delibes (Lakmé) and Jules Massenet (Thaïs), among others. Georges Bizet's Carmen premiered 3 March 1875. Carmen has since become one of the most popular and frequently-performed operas in the classical canon; Impressionist composers Claude Debussy ((La Mer) and Maurice Ravel (Boléro) also made significant contributions to piano (Clair de lune, Miroirs), orchestra, opera (Palléas et Mélisande), and other musical forms. Foreign-born composers have made their homes in Paris and have made significant contributions both with their works and their influence. They include Frédéric Chopin (Poland), Franz Liszt (Hungary), Jacques Offenbach (Germany), and Igor Stravinsky (Russia).


Question: What style of french music became populars in the 1870sto 1880s?

Answer: Bal-musette

<hl> Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. <hl> Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.

<hl> Bal-musette <hl> is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.

question: What style of french music became populars in the 1870sto 1880s?, context: Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.


Question: in 1880, how many dance halls were in Paris?

Answer: 150

<hl> Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. <hl> Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.

Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some <hl> 150 <hl> dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.

question: in 1880, how many dance halls were in Paris?, context: Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.


Question: What is a cabrette known as locally?

Answer: musette

<hl> Bal- musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. <hl> Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.

Bal-<hl> musette <hl> is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.

Bal- <hl> musette <hl> is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city.

question: What is a cabrette known as locally?, context: Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.


Question: What type of bars were accordions often played in?

Answer: Auvergnat

Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. <hl> Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. <hl> Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.

Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in <hl> Auvergnat <hl> bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.

question: What type of bars were accordions often played in?, context: Bal-musette is a style of French music and dance that first became popular in Paris in the 1870s and 1880s; by 1880 Paris had some 150 dance halls in the working-class neighbourhoods of the city. Patrons danced the bourrée to the accompaniment of the cabrette (a bellows-blown bagpipe locally called a "musette") and often the vielle à roue (hurdy-gurdy) in the cafés and bars of the city. Parisian and Italian musicians who played the accordion adopted the style and established themselves in Auvergnat bars especially in the 19th arrondissement, and the romantic sounds of the accordion has since become one of the musical icons of the city. Paris became a major centre for jazz and still attracts jazz musicians from all around the world to its clubs and cafés.


Question: When did most of the jazz clubs close down?

Answer: 1960s

Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. <hl> Most of the clubs closed by the early 1960s , as musical tastes shifted toward rock and roll. <hl>

Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early <hl> 1960s <hl>, as musical tastes shifted toward rock and roll.

Most of the clubs closed by the early <hl> 1960s <hl> , as musical tastes shifted toward rock and roll.

question: When did most of the jazz clubs close down?, context: Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early 1960s, as musical tastes shifted toward rock and roll.


Question: Why did the jazz clubs close down?

Answer: musical tastes shifted toward rock and roll

Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. <hl> Most of the clubs closed by the early 1960s, as musical tastes shifted toward rock and roll . <hl>

Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early 1960s, as <hl> musical tastes shifted toward rock and roll <hl>.

Most of the clubs closed by the early 1960s, as <hl> musical tastes shifted toward rock and roll <hl> .

question: Why did the jazz clubs close down?, context: Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early 1960s, as musical tastes shifted toward rock and roll.


Question: Where were most jazz clubs located?

Answer: cellars

<hl> Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. <hl> They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early 1960s, as musical tastes shifted toward rock and roll.

Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in <hl> cellars <hl> because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early 1960s, as musical tastes shifted toward rock and roll.

question: Where were most jazz clubs located?, context: Immediately after the War The Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint-Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early 1960s, as musical tastes shifted toward rock and roll.


Question: Where was the first movie projected for a paying audience in Paris?

Answer: Grand Café

<hl> The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on 28 December 1895. <hl> Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.

The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the <hl> Grand Café <hl> on 28 December 1895. Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.

question: Where was the first movie projected for a paying audience in Paris?, context: The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on 28 December 1895. Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.


Question: What date was the first movie played in Paris for a paying crowd?

Answer: 28 December 1895

<hl> The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on 28 December 1895 . <hl> Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.

The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on <hl> 28 December 1895 <hl>. Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.

The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on <hl> 28 December 1895 <hl> .

question: What date was the first movie played in Paris for a paying crowd?, context: The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on 28 December 1895. Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.


Question: In what decade did movie theaters become popular?

Answer: 1930s

The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on 28 December 1895. <hl> Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s . <hl> Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.

The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on 28 December 1895. Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the <hl> 1930s <hl>. Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.

Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the <hl> 1930s <hl> .

question: In what decade did movie theaters become popular?, context: The movie industry was born in Paris when Auguste and Louis Lumière projected the first motion picture for a paying audience at the Grand Café on 28 December 1895. Many of Paris' concert/dance halls were transformed into movie theatres when the media became popular beginning in the 1930s. Later, most of the largest cinemas were divided into multiple, smaller rooms. Paris' largest cinema room today is in Le Grand Rex theatre with 2,700 seats. Big multiplex movie theaters have been built since the 1990s. UGC Ciné Cité Les Halles with 27 screens, MK2 Bibliothèque with 20 screens and UGC Ciné Cité Bercy with 18 screens are among the largest.