Question: How broad was the reach of high neoclassicism?

Answer: international movement

<hl> High neoclassicism was an international movement . <hl> Though neoclassical architecture employed the same classical vocabulary as Late Baroque architecture, it tended to emphasize its planar qualities, rather than sculptural volumes. Projections and recessions and their effects of light and shade were more flat; sculptural bas-reliefs were flatter and tended to be enframed in friezes, tablets or panels. Its clearly articulated individual features were isolated rather than interpenetrating, autonomous and complete in themselves.

High neoclassicism was an <hl> international movement <hl>. Though neoclassical architecture employed the same classical vocabulary as Late Baroque architecture, it tended to emphasize its planar qualities, rather than sculptural volumes. Projections and recessions and their effects of light and shade were more flat; sculptural bas-reliefs were flatter and tended to be enframed in friezes, tablets or panels. Its clearly articulated individual features were isolated rather than interpenetrating, autonomous and complete in themselves.

High neoclassicism was an <hl> international movement <hl> .

question: How broad was the reach of high neoclassicism?, context: High neoclassicism was an international movement. Though neoclassical architecture employed the same classical vocabulary as Late Baroque architecture, it tended to emphasize its planar qualities, rather than sculptural volumes. Projections and recessions and their effects of light and shade were more flat; sculptural bas-reliefs were flatter and tended to be enframed in friezes, tablets or panels. Its clearly articulated individual features were isolated rather than interpenetrating, autonomous and complete in themselves.


Question: What ancient civilization utilized neoclassicism in city planning?

Answer: ancient Romans

<hl> Neoclassicism also influenced city planning; the ancient Romans had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. <hl> At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.

Neoclassicism also influenced city planning; the <hl> ancient Romans <hl> had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.

question: What ancient civilization utilized neoclassicism in city planning?, context: Neoclassicism also influenced city planning; the ancient Romans had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.


Question: What basic civil planning system for streets is rooted in neoclassicism?

Answer: grid system

Neoclassicism also influenced city planning; the ancient Romans had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. <hl> At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. <hl> Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.

Neoclassicism also influenced city planning; the ancient Romans had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. At its most basic, the <hl> grid system <hl> of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.

question: What basic civil planning system for streets is rooted in neoclassicism?, context: Neoclassicism also influenced city planning; the ancient Romans had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.


Question: What are 2 benefits of leveraging neoclassicism for civil planning?

Answer: very logical and orderly

Neoclassicism also influenced city planning; the ancient Romans had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. <hl> At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. <hl> Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.

Neoclassicism also influenced city planning; the ancient Romans had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the <hl> very logical and orderly <hl> Roman design. Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.

question: What are 2 benefits of leveraging neoclassicism for civil planning?, context: Neoclassicism also influenced city planning; the ancient Romans had used a consolidated scheme for city planning for both defence and civil convenience, however, the roots of this scheme go back to even older civilizations. At its most basic, the grid system of streets, a central forum with city services, two main slightly wider boulevards, and the occasional diagonal street were characteristic of the very logical and orderly Roman design. Ancient façades and building layouts were oriented to these city design patterns and they tended to work in proportion with the importance of public buildings.


Question: What direction did British architecture go in mid 18th century?

Answer: Ancient Greco-Roman ideal

<hl> From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal . <hl> James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the <hl> Ancient Greco-Roman ideal <hl>. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the <hl> Ancient Greco-Roman ideal <hl> .

question: What direction did British architecture go in mid 18th century?, context: From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.


Question: What were Robert Wood's influential Greek monuments from mid 18th century?

Answer: Palmyra and Baalbec

From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. <hl> James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec . <hl> A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's <hl> Palmyra and Baalbec <hl>. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's <hl> Palmyra and Baalbec <hl> .

question: What were Robert Wood's influential Greek monuments from mid 18th century?, context: From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.


Question: Who began the revolution of Greek influenced architecture in Britain?

Answer: James 'Athenian' Stuart

James 'Athenian' Stuart 's work

From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. <hl> James 'Athenian' Stuart 's work <hl> The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. <hl> James 'Athenian' Stuart <hl>'s work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

<hl> James 'Athenian' Stuart <hl> 's work

question: Who began the revolution of Greek influenced architecture in Britain?, context: From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.


Question: What brothers were instrumental in this Greek movement of neoclassicism?

Answer: Adam Brothers

From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. <hl> The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers , James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester. <hl>

From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the <hl> Adam Brothers <hl>, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

The revolution begun by Stuart was soon to be eclipsed by the work of the <hl> Adam Brothers <hl> , James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.

question: What brothers were instrumental in this Greek movement of neoclassicism?, context: From the middle of the 18th century, exploration and publication changed the course of British architecture towards a purer vision of the Ancient Greco-Roman ideal. James 'Athenian' Stuart's work The Antiquities of Athens and Other Monuments of Greece was very influential in this regard, as were Robert Wood's Palmyra and Baalbec. A combination of simple forms and high levels of enrichment was adopted by the majority of contemporary British architects and designers. The revolution begun by Stuart was soon to be eclipsed by the work of the Adam Brothers, James Wyatt, Sir William Chambers, George Dance, James Gandon and provincially based architects such as John Carr and Thomas Harrison of Chester.


Question: What author's 20th century writing caused interest in pure neoclassical design?

Answer: Albert Richardson

<hl> In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. <hl> Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.

In the early 20th century, the writings of <hl> Albert Richardson <hl> were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.

question: What author's 20th century writing caused interest in pure neoclassical design?, context: In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.


Question: In what period did Percy Thomas design public building in neoclassical?

Answer: interwar period

In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. <hl> Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period . <hl> In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.

In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the <hl> interwar period <hl>. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.

Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the <hl> interwar period <hl> .

question: In what period did Percy Thomas design public building in neoclassical?, context: In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.


Question: Sir Edwin Lutyens' city planning in what city marked a shift in design?

Answer: New Delhi

In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. <hl> In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. <hl> In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.

In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for <hl> New Delhi <hl> marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.

question: Sir Edwin Lutyens' city planning in what city marked a shift in design?, context: In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.


Question: What new design was trending after neoclassical?

Answer: Gothic Revival

In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. <hl> In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. <hl> The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.

In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the <hl> Gothic Revival <hl> was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.

question: What new design was trending after neoclassical?, context: In the early 20th century, the writings of Albert Richardson were responsible for a re-awakening of interest in pure neoclassical design. Vincent Harris (compare Harris's colonnaded and domed interior of Manchester Central Reference Library to the colonnaded and domed interior by John Carr and R R Duke), Bradshaw Gass & Hope and Percy Thomas were among those who designed public buildings in the neoclassical style in the interwar period. In the British Raj in India, Sir Edwin Lutyens' monumental city planning for New Delhi marked the sunset of neoclassicism. In Scotland and the north of England, where the Gothic Revival was less strong, architects continued to develop the neoclassical style of William Henry Playfair. The works of Cuthbert Brodrick and Alexander Thomson show that by the end of the 19th century the results could be powerful and eccentric.


Question: What is the name of the first wave of neoclassicism in France?

Answer: Louis XVI style

<hl> The first phase of neoclassicism in France is expressed in the " Louis XVI style " of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). <hl> In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

The first phase of neoclassicism in France is expressed in the "<hl> Louis XVI style <hl>" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

The first phase of neoclassicism in France is expressed in the " <hl> Louis XVI style <hl> " of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806).

question: What is the name of the first wave of neoclassicism in France?, context: The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.


Question: France's second phase of neoclassic is known as what?

Answer: Directoire and "Empire"

<hl> The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire" , might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). <hl> In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called <hl> Directoire and "Empire" <hl>, might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called <hl> Directoire and "Empire" <hl> , might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806).

question: France's second phase of neoclassic is known as what?, context: The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.


Question: What architect typifies the first style of neoclassical in England?

Answer: Robert Adam

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). <hl> In England the two phases might be characterized first by the structures of Robert Adam , the second by those of Sir John Soane. <hl> The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of <hl> Robert Adam <hl>, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

In England the two phases might be characterized first by the structures of <hl> Robert Adam <hl> , the second by those of Sir John Soane.

question: What architect typifies the first style of neoclassical in England?, context: The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.


Question: Structure of whom characterize England's second phase of neoclassical?

Answer: Sir John Soane

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). <hl> In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane . <hl> The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of <hl> Sir John Soane <hl>. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.

In England the two phases might be characterized first by the structures of Robert Adam, the second by those of <hl> Sir John Soane <hl> .

question: Structure of whom characterize England's second phase of neoclassical?, context: The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.


Question: Who styled the court in France for more modern design after 1771?

Answer: Marie Antoinette

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. <hl> Only when the young king acceded to the throne in 1771 did Marie Antoinette , his fashion-loving Queen, bring the "Louis XVI" style to court. <hl>

The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did <hl> Marie Antoinette <hl>, his fashion-loving Queen, bring the "Louis XVI" style to court.

Only when the young king acceded to the throne in 1771 did <hl> Marie Antoinette <hl> , his fashion-loving Queen, bring the "Louis XVI" style to court.

question: Who styled the court in France for more modern design after 1771?, context: The first phase of neoclassicism in France is expressed in the "Louis XVI style" of architects like Ange-Jacques Gabriel (Petit Trianon, 1762–68); the second phase, in the styles called Directoire and "Empire", might be characterized by Jean Chalgrin's severe astylar Arc de Triomphe (designed in 1806). In England the two phases might be characterized first by the structures of Robert Adam, the second by those of Sir John Soane. The interior style in France was initially a Parisian style, the "Goût grec" ("Greek style") not a court style. Only when the young king acceded to the throne in 1771 did Marie Antoinette, his fashion-loving Queen, bring the "Louis XVI" style to court.


Question: What is the earliest example of Greek architecture in France?

Answer: Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80

<hl> What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80 ), <hl> and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.

What little there was, started with <hl> Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80 <hl>), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.

What little there was, started with <hl> Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80 <hl> ),

question: What is the earliest example of Greek architecture in France?, context: What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.


Question: How concerned was France with Greek architecture?

Answer: Greek architecture was of very little importance to the French

What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). <hl> First-hand evidence of Greek architecture was of very little importance to the French , due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. <hl> It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.

What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of <hl> Greek architecture was of very little importance to the French <hl>, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.

First-hand evidence of <hl> Greek architecture was of very little importance to the French <hl> , due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices.

question: How concerned was France with Greek architecture?, context: What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.


Question: Who's influence brought about Greek revival in France?

Answer: Laboustre

What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. <hl> It would take until Laboustre 's Neo-Grec of the second Empire for the Greek revival to flower briefly in France. <hl>

What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until <hl> Laboustre <hl>'s Neo-Grec of the second Empire for the Greek revival to flower briefly in France.

It would take until <hl> Laboustre <hl> 's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.

question: Who's influence brought about Greek revival in France?, context: What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.


Question: In which wave of neoclassical was the greek revival in France?

Answer: second Empire

What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. <hl> It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France. <hl>

What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Laboustre's Neo-Grec of the <hl> second Empire <hl> for the Greek revival to flower briefly in France.

question: In which wave of neoclassical was the greek revival in France?, context: What little there was, started with Charles de Wailly's crypt in the church of St Leu-St Gilles (1773–80), and Claude Nicolas Ledoux's Barriere des Bonshommes (1785–89). First-hand evidence of Greek architecture was of very little importance to the French, due to the influence of Marc-Antoine Laugier's doctrines that sought to discern the principles of the Greeks instead of their mere practices. It would take until Laboustre's Neo-Grec of the second Empire for the Greek revival to flower briefly in France.


Question: In what town is the oldest neoclassical architecture in Hungary?

Answer: Vác

<hl> The earliest examples of neoclassical architecture in Hungary may be found in Vác . <hl> In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.

The earliest examples of neoclassical architecture in Hungary may be found in <hl> Vác <hl>. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.

The earliest examples of neoclassical architecture in Hungary may be found in <hl> Vác <hl> .

question: In what town is the oldest neoclassical architecture in Hungary?, context: The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.


Question: What French architect designed important neoclassical structures in 1760s?

Answer: Isidor Marcellus Amandus Ganneval

The earliest examples of neoclassical architecture in Hungary may be found in Vác. <hl> In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. <hl> Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.

The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect <hl> Isidor Marcellus Amandus Ganneval <hl> (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.

question: What French architect designed important neoclassical structures in 1760s?, context: The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.


Question: Who designed the Esterhazy Palace?

Answer: Charles Moreau

The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. <hl> Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). <hl> The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.

The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect <hl> Charles Moreau <hl> is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.

question: Who designed the Esterhazy Palace?, context: The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.


Question: Who is famous for Cathedral Eger and Esztergom?

Answer: József Hild

The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). <hl> The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild . <hl> Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.

The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and <hl> József Hild <hl>. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.

The two principal architect of Neoclassicism in Hungary was Mihály Pollack and <hl> József Hild <hl> .

question: Who is famous for Cathedral Eger and Esztergom?, context: The earliest examples of neoclassical architecture in Hungary may be found in Vác. In this town the triumphal arch and the neoclassical façade of the baroque Cathedral were designed by the French architect Isidor Marcellus Amandus Ganneval (Isidore Canevale) in the 1760s. Also the work of a French architect Charles Moreau is the garden façade of the Esterházy Palace (1797–1805) in Kismarton (today Eisenstadt in Austria). The two principal architect of Neoclassicism in Hungary was Mihály Pollack and József Hild. Pollack's major work is the Hungarian National Museum (1837–1844). Hild is famous for his designs for the Cathedral of Eger and Esztergom.


Question: When was Malta introduced to neoclassical architecture?

Answer: late 18th century

<hl> Neoclassical architecture was introduced in Malta in the late 18th century , during the final years of Hospitaller rule. <hl> Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).

Neoclassical architecture was introduced in Malta in the <hl> late 18th century <hl>, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).

Neoclassical architecture was introduced in Malta in the <hl> late 18th century <hl> , during the final years of Hospitaller rule.

question: When was Malta introduced to neoclassical architecture?, context: Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).


Question: What was the ruler at the time of neoclassical introduction?

Answer: Hospitaller

<hl> Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. <hl> Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).

Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of <hl> Hospitaller <hl> rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).

question: What was the ruler at the time of neoclassical introduction?, context: Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).


Question: When was RNH Bighi built?

Answer: 1832

Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. <hl> Other 19th century neoclassical buildings include RNH Bighi ( 1832 ), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866). <hl>

Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (<hl> 1832 <hl>), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).

Other 19th century neoclassical buildings include RNH Bighi ( <hl> 1832 <hl> ), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).

question: When was RNH Bighi built?, context: Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).


Question: In what year did the St Paul's Pro-Cathedral get built?

Answer: 1844

Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. <hl> Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral ( 1844 ), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866). <hl>

Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (<hl> 1844 <hl>), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).

Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral ( <hl> 1844 <hl> ), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).

question: In what year did the St Paul's Pro-Cathedral get built?, context: Neoclassical architecture was introduced in Malta in the late 18th century, during the final years of Hospitaller rule. Early examples include the Bibliotheca (1786), the De Rohan Arch (1798) and the Hompesch Gate (1801). However, neoclassical architecture only became popular in Malta following the establishment of British rule in the early 19th century. In 1814, a neoclassical portico decorated with the British coat of arms was added to the Main Guard building so as to serve as a symbol of British Malta. Other 19th century neoclassical buildings include RNH Bighi (1832), St Paul's Pro-Cathedral (1844), the Rotunda of Mosta (1860) and the now destroyed Royal Opera House (1866).


Question: In what are of architecture is neoclassical currently classed?

Answer: New Classical Architecture

<hl> As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture . <hl> Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.

As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of <hl> New Classical Architecture <hl>. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.

As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of <hl> New Classical Architecture <hl> .

question: In what are of architecture is neoclassical currently classed?, context: As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.


Question: What is the term for sincere traditional-style architecture that sticks to regional architecture?

Answer: Traditional Architecture

As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. <hl> For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. <hl> The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.

As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term <hl> Traditional Architecture <hl> (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.

question: What is the term for sincere traditional-style architecture that sticks to regional architecture?, context: As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.


Question: What is another name for New Classical Architecture?

Answer: Neo-Historicism/Revivalism, Traditionalism

As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. <hl> Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. <hl> For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.

As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as <hl> Neo-Historicism/Revivalism, Traditionalism <hl> or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.

question: What is another name for New Classical Architecture?, context: As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.


Question: What is the award for major contributions to traditional of classical architecture in 21st century?

Answer: The Driehaus Architecture Prize

As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. <hl> The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize. <hl>

As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. <hl> The Driehaus Architecture Prize <hl> is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.

question: What is the award for major contributions to traditional of classical architecture in 21st century?, context: As of the first decade of the 21st century, contemporary neoclassical architecture is usually classed under the umbrella term of New Classical Architecture. Sometimes it is also referred to as Neo-Historicism/Revivalism, Traditionalism or simply neoclassical architecture like the historical style. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and comes with a prize money twice as high as that of the modernist Pritzker Prize.


Question: When was the lull in neoclassical architecture?

Answer: roughly post-World War II until the mid-1980s

<hl> After a lull during the period of modern architectural dominance ( roughly post-World War II until the mid-1980s ), neoclassicism has seen somewhat of a resurgence. <hl> This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.

After a lull during the period of modern architectural dominance (<hl> roughly post-World War II until the mid-1980s <hl>), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.

After a lull during the period of modern architectural dominance ( <hl> roughly post-World War II until the mid-1980s <hl> ), neoclassicism has seen somewhat of a resurgence.

question: When was the lull in neoclassical architecture?, context: After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.


Question: What is the movement that caused resurgence of neoclassicism?

Answer: New Urbanism

After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. <hl> This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. <hl> While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.

After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of <hl> New Urbanism <hl> and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.

question: What is the movement that caused resurgence of neoclassicism?, context: After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.


Question: Many post modern designs feature classic elements in what way?

Answer: ironic

After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. <hl> This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic , especially in light of the dominance of Modernism. <hl> While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.

After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as <hl> ironic <hl>, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.

This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as <hl> ironic <hl> , especially in light of the dominance of Modernism.

question: Many post modern designs feature classic elements in what way?, context: After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.


Question: What recent architect began to take elements of classicism seriously?

Answer: Thomas Gordon Smith

After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. <hl> While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith , began to consider classicism seriously. <hl> While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.

After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as <hl> Thomas Gordon Smith <hl>, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.

While some continued to work with classicism as ironic, some architects such as <hl> Thomas Gordon Smith <hl> , began to consider classicism seriously.

question: What recent architect began to take elements of classicism seriously?, context: After a lull during the period of modern architectural dominance (roughly post-World War II until the mid-1980s), neoclassicism has seen somewhat of a resurgence. This rebirth can be traced to the movement of New Urbanism and postmodern architecture's embrace of classical elements as ironic, especially in light of the dominance of Modernism. While some continued to work with classicism as ironic, some architects such as Thomas Gordon Smith, began to consider classicism seriously. While some schools had interest in classical architecture, such as the University of Virginia, no school was purely dedicated to classical architecture. In the early 1990s a program in classical architecture was started by Smith and Duncan Stroik at the University of Notre Dame that continues successfully. Programs at the University of Miami, Andrews University, Judson University and The Prince's Foundation for Building Community have trained a number of new classical architects since this resurgence. Today one can find numerous buildings embracing neoclassical style, since a generation of architects trained in this discipline shapes urban planning.


Question: Who has stirred controversy for development and design of Chelsea Barracks?

Answer: Prince Charles

In Britain a number of architects are active in the neoclassical style. Two new university Libraries, Quinlan Terry's Maitland Robinson Library at Downing College and ADAM Architecture's Sackler Library illustrate that the approach taken can range from the traditional, in the former case, to the unconventional, in the latter case. <hl> Recently, Prince Charles came under controversy for promoting a classically designed development on the land of the former Chelsea Barracks in London. <hl> Writing to the Qatari Royal family (who were funding the development through the property development company Qatari Diar) he condemned the accepted modernist plans, instead advocating a classical approach. His appeal was met with success and the plans were withdrawn. A new design by architecture house Dixon Jones is currently being drafted.

In Britain a number of architects are active in the neoclassical style. Two new university Libraries, Quinlan Terry's Maitland Robinson Library at Downing College and ADAM Architecture's Sackler Library illustrate that the approach taken can range from the traditional, in the former case, to the unconventional, in the latter case. Recently, <hl> Prince Charles <hl> came under controversy for promoting a classically designed development on the land of the former Chelsea Barracks in London. Writing to the Qatari Royal family (who were funding the development through the property development company Qatari Diar) he condemned the accepted modernist plans, instead advocating a classical approach. His appeal was met with success and the plans were withdrawn. A new design by architecture house Dixon Jones is currently being drafted.

question: Who has stirred controversy for development and design of Chelsea Barracks?, context: In Britain a number of architects are active in the neoclassical style. Two new university Libraries, Quinlan Terry's Maitland Robinson Library at Downing College and ADAM Architecture's Sackler Library illustrate that the approach taken can range from the traditional, in the former case, to the unconventional, in the latter case. Recently, Prince Charles came under controversy for promoting a classically designed development on the land of the former Chelsea Barracks in London. Writing to the Qatari Royal family (who were funding the development through the property development company Qatari Diar) he condemned the accepted modernist plans, instead advocating a classical approach. His appeal was met with success and the plans were withdrawn. A new design by architecture house Dixon Jones is currently being drafted.


Question: What family was funding the development of former Chelsea Barracks?

Answer: Qatari Royal family

In Britain a number of architects are active in the neoclassical style. Two new university Libraries, Quinlan Terry's Maitland Robinson Library at Downing College and ADAM Architecture's Sackler Library illustrate that the approach taken can range from the traditional, in the former case, to the unconventional, in the latter case. Recently, Prince Charles came under controversy for promoting a classically designed development on the land of the former Chelsea Barracks in London. <hl> Writing to the Qatari Royal family (who were funding the development through the property development company Qatari Diar) he condemned the accepted modernist plans, instead advocating a classical approach. <hl> His appeal was met with success and the plans were withdrawn. A new design by architecture house Dixon Jones is currently being drafted.

In Britain a number of architects are active in the neoclassical style. Two new university Libraries, Quinlan Terry's Maitland Robinson Library at Downing College and ADAM Architecture's Sackler Library illustrate that the approach taken can range from the traditional, in the former case, to the unconventional, in the latter case. Recently, Prince Charles came under controversy for promoting a classically designed development on the land of the former Chelsea Barracks in London. Writing to the <hl> Qatari Royal family <hl> (who were funding the development through the property development company Qatari Diar) he condemned the accepted modernist plans, instead advocating a classical approach. His appeal was met with success and the plans were withdrawn. A new design by architecture house Dixon Jones is currently being drafted.

question: What family was funding the development of former Chelsea Barracks?, context: In Britain a number of architects are active in the neoclassical style. Two new university Libraries, Quinlan Terry's Maitland Robinson Library at Downing College and ADAM Architecture's Sackler Library illustrate that the approach taken can range from the traditional, in the former case, to the unconventional, in the latter case. Recently, Prince Charles came under controversy for promoting a classically designed development on the land of the former Chelsea Barracks in London. Writing to the Qatari Royal family (who were funding the development through the property development company Qatari Diar) he condemned the accepted modernist plans, instead advocating a classical approach. His appeal was met with success and the plans were withdrawn. A new design by architecture house Dixon Jones is currently being drafted.