Question: What project is bringing organic food to all of Yale's residential college dining areas?

Answer: Yale Sustainable Food Project

Yale's Office of Sustainability develops and implements sustainability practices at Yale. Yale is committed to reduce its greenhouse gas emissions 10% below 1990 levels by the year 2020. As part of this commitment, the university allocates renewable energy credits to offset some of the energy used by residential colleges. Eleven campus buildings are candidates for LEED design and certification. <hl> Yale Sustainable Food Project initiated the introduction of local, organic vegetables, fruits, and beef to all residential college dining halls. <hl> Yale was listed as a Campus Sustainability Leader on the Sustainable Endowments Institute’s College Sustainability Report Card 2008, and received a "B+" grade overall.

Yale's Office of Sustainability develops and implements sustainability practices at Yale. Yale is committed to reduce its greenhouse gas emissions 10% below 1990 levels by the year 2020. As part of this commitment, the university allocates renewable energy credits to offset some of the energy used by residential colleges. Eleven campus buildings are candidates for LEED design and certification. <hl> Yale Sustainable Food Project <hl> initiated the introduction of local, organic vegetables, fruits, and beef to all residential college dining halls. Yale was listed as a Campus Sustainability Leader on the Sustainable Endowments Institute’s College Sustainability Report Card 2008, and received a "B+" grade overall.

question: What project is bringing organic food to all of Yale's residential college dining areas?, context: Yale's Office of Sustainability develops and implements sustainability practices at Yale. Yale is committed to reduce its greenhouse gas emissions 10% below 1990 levels by the year 2020. As part of this commitment, the university allocates renewable energy credits to offset some of the energy used by residential colleges. Eleven campus buildings are candidates for LEED design and certification. Yale Sustainable Food Project initiated the introduction of local, organic vegetables, fruits, and beef to all residential college dining halls. Yale was listed as a Campus Sustainability Leader on the Sustainable Endowments Institute’s College Sustainability Report Card 2008, and received a "B+" grade overall.


Question: What grade did Yale get on their Sustainable Endowments Institute's College Sustainability Report Card 2008?

Answer: B+

Yale's Office of Sustainability develops and implements sustainability practices at Yale. Yale is committed to reduce its greenhouse gas emissions 10% below 1990 levels by the year 2020. As part of this commitment, the university allocates renewable energy credits to offset some of the energy used by residential colleges. Eleven campus buildings are candidates for LEED design and certification. Yale Sustainable Food Project initiated the introduction of local, organic vegetables, fruits, and beef to all residential college dining halls. <hl> Yale was listed as a Campus Sustainability Leader on the Sustainable Endowments Institute’s College Sustainability Report Card 2008, and received a " B+ " grade overall. <hl>

Yale's Office of Sustainability develops and implements sustainability practices at Yale. Yale is committed to reduce its greenhouse gas emissions 10% below 1990 levels by the year 2020. As part of this commitment, the university allocates renewable energy credits to offset some of the energy used by residential colleges. Eleven campus buildings are candidates for LEED design and certification. Yale Sustainable Food Project initiated the introduction of local, organic vegetables, fruits, and beef to all residential college dining halls. Yale was listed as a Campus Sustainability Leader on the Sustainable Endowments Institute’s College Sustainability Report Card 2008, and received a "<hl> B+ <hl>" grade overall.

Yale was listed as a Campus Sustainability Leader on the Sustainable Endowments Institute’s College Sustainability Report Card 2008, and received a " <hl> B+ <hl> " grade overall.

question: What grade did Yale get on their Sustainable Endowments Institute's College Sustainability Report Card 2008?, context: Yale's Office of Sustainability develops and implements sustainability practices at Yale. Yale is committed to reduce its greenhouse gas emissions 10% below 1990 levels by the year 2020. As part of this commitment, the university allocates renewable energy credits to offset some of the energy used by residential colleges. Eleven campus buildings are candidates for LEED design and certification. Yale Sustainable Food Project initiated the introduction of local, organic vegetables, fruits, and beef to all residential college dining halls. Yale was listed as a Campus Sustainability Leader on the Sustainable Endowments Institute’s College Sustainability Report Card 2008, and received a "B+" grade overall.


Question: What is another term for some of Yale's secret society buildings?

Answer: tombs

<hl> Yale's secret society buildings (some of which are called " tombs ") were built both to be private yet unmistakable. <hl> A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

Yale's secret society buildings (some of which are called "<hl> tombs <hl>") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

Yale's secret society buildings (some of which are called " <hl> tombs <hl> ") were built both to be private yet unmistakable.

question: What is another term for some of Yale's secret society buildings?, context: Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).


Question: Who is the interior moulding of the Mace and Chain building rumored to have belonged to?

Answer: Benedict Arnold

Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). <hl> Interior moulding is said to have belonged to Benedict Arnold ; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. <hl> Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to <hl> Benedict Arnold <hl>; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

Interior moulding is said to have belonged to <hl> Benedict Arnold <hl> ; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural.

question: Who is the interior moulding of the Mace and Chain building rumored to have belonged to?, context: Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).


Question: Who was responsible for landscaping the Manuscript Society building?

Answer: Dan Kniley

Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). <hl> Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. <hl> Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with <hl> Dan Kniley <hl> responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

question: Who was responsible for landscaping the Manuscript Society building?, context: Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).


Question: Who was the architect for St. Elmo?

Answer: Kenneth M. Murchison

Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. <hl> Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison , 1912, designs inspired by Elizabethan manor. <hl> Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) <hl> Kenneth M. Murchison <hl>, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) <hl> Kenneth M. Murchison <hl> , 1912, designs inspired by Elizabethan manor.

question: Who was the architect for St. Elmo?, context: Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).


Question: Who was the architect behind the Manuscript Society building?

Answer: King Lui-Wu

Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). <hl> Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. <hl> Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, <hl> King Lui-Wu <hl> with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).

question: Who was the architect behind the Manuscript Society building?, context: Yale's secret society buildings (some of which are called "tombs") were built both to be private yet unmistakable. A diversity of architectural styles is represented: Berzelius, Donn Barber in an austere cube with classical detailing (erected in 1908 or 1910); Book and Snake, Louis R. Metcalfe in a Greek Ionic style (erected in 1901); Elihu, architect unknown but built in a Colonial style (constructed on an early 17th-century foundation although the building is from the 18th century); Mace and Chain, in a late colonial, early Victorian style (built in 1823). Interior moulding is said to have belonged to Benedict Arnold; Manuscript Society, King Lui-Wu with Dan Kniley responsible for landscaping and Josef Albers for the brickwork intaglio mural. Building constructed in a mid-century modern style; Scroll and Key, Richard Morris Hunt in a Moorish- or Islamic-inspired Beaux-Arts style (erected 1869–70); Skull and Bones, possibly Alexander Jackson Davis or Henry Austin in an Egypto-Doric style utilizing Brownstone (in 1856 the first wing was completed, in 1903 the second wing, 1911 the Neo-Gothic towers in rear garden were completed); St. Elmo, (former tomb) Kenneth M. Murchison, 1912, designs inspired by Elizabethan manor. Current location, brick colonial; Shabtai, 1882, the Anderson Mansion built in the Second Empire architectural style; and Wolf's Head, Bertram Grosvenor Goodhue (erected 1923-4).


Question: When were the first campus police formed at Yale?

Answer: 1894

Several campus safety strategies have been pioneered at Yale. <hl> The first campus police force was founded at Yale in 1894 , when the university contracted city police officers to exclusively cover the campus. <hl> Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.

Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in <hl> 1894 <hl>, when the university contracted city police officers to exclusively cover the campus. Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.

The first campus police force was founded at Yale in <hl> 1894 <hl> , when the university contracted city police officers to exclusively cover the campus.

question: When were the first campus police formed at Yale?, context: Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.


Question: Who were the the first campus police composed of?

Answer: city police officers

Several campus safety strategies have been pioneered at Yale. <hl> The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. <hl> Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.

Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted <hl> city police officers <hl> to exclusively cover the campus. Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.

question: Who were the the first campus police composed of?, context: Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.


Question: Why was the campus police established?

Answer: quell unrest between students and city residents

Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. <hl> Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. <hl> In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.

Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. Later hired by the university, the officers were originally brought in to <hl> quell unrest between students and city residents <hl> and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.

question: Why was the campus police established?, context: Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.


Question: What other safety measures are available at Yale besides campus police?

Answer: blue phones, a safety escort, and 24-hour shuttle service.

Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. <hl> In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service. <hl>

Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including <hl> blue phones, a safety escort, and 24-hour shuttle service. <hl>

question: What other safety measures are available at Yale besides campus police?, context: Several campus safety strategies have been pioneered at Yale. The first campus police force was founded at Yale in 1894, when the university contracted city police officers to exclusively cover the campus. Later hired by the university, the officers were originally brought in to quell unrest between students and city residents and curb destructive student behavior. In addition to the Yale Police Department, a variety of safety services are available including blue phones, a safety escort, and 24-hour shuttle service.


Question: What kind of system is Yale's financial aid?

Answer: need-based

<hl> Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. <hl> Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.

Through its program of <hl> need-based <hl> financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.

question: What kind of system is Yale's financial aid?, context: Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.


Question: How is most financial aid obtained at Yale?

Answer: grants and scholarships

Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. <hl> Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. <hl> 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.

Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of <hl> grants and scholarships <hl> that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.

question: How is most financial aid obtained at Yale?, context: Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.


Question: What was the average need of financial aid at Yale for the Class of 2017?

Answer: $46,395

Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. <hl> Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395 . <hl> 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.

Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was <hl> $46,395 <hl>. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.

Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was <hl> $46,395 <hl> .

question: What was the average need of financial aid at Yale for the Class of 2017?, context: Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.


Question: What percent of students at Yale are thought to have no parental help?

Answer: 15%

Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. <hl> 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. <hl> About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.

Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. <hl> 15% <hl> of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.

question: What percent of students at Yale are thought to have no parental help?, context: Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.


Question: What was the average debt of student loan borrowers from the class of 2013?

Answer: $13,000

Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. <hl> About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers. <hl>

Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of <hl> $13,000 <hl> among borrowers.

question: What was the average debt of student loan borrowers from the class of 2013?, context: Through its program of need-based financial aid, Yale commits to meet the full demonstrated financial need of all applicants. Most financial aid is in the form of grants and scholarships that do not need to be paid back to the university, and the average need-based aid grant for the Class of 2017 was $46,395. 15% of Yale College students are expected to have no parental contribution, and about 50% receive some form of financial aid. About 16% of the Class of 2013 had some form of student loan debt at graduation, with an average debt of $13,000 among borrowers.


Question: Where would one find a collection of historical medical equipment?

Answer: The Harvey Cushing/John Hay Whitney Medical Library

Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. <hl> The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. <hl> The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.

Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. <hl> The Harvey Cushing/John Hay Whitney Medical Library <hl> includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.

question: Where would one find a collection of historical medical equipment?, context: Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.


Question: What library contains the biggest assortment of 18th century British literary works?

Answer: The Lewis Walpole Library

Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. <hl> The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. <hl> The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.

Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. <hl> The Lewis Walpole Library <hl> contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.

question: What library contains the biggest assortment of 18th century British literary works?, context: Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.


Question: Where can qualified researchers obtain Elizabethan folios?

Answer: The Elizabethan Club

Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. <hl> The Elizabethan Club , technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale. <hl>

Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. <hl> The Elizabethan Club <hl>, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.

<hl> The Elizabethan Club <hl> , technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.

question: Where can qualified researchers obtain Elizabethan folios?, context: Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.


Question: What library has a vast assortment of rare books and manuscripts?

Answer: The Beinecke Rare Book Library

Rare books are found in several Yale collections. <hl> The Beinecke Rare Book Library has a large collection of rare books and manuscripts. <hl> The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.

Rare books are found in several Yale collections. <hl> The Beinecke Rare Book Library <hl> has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.

question: What library has a vast assortment of rare books and manuscripts?, context: Rare books are found in several Yale collections. The Beinecke Rare Book Library has a large collection of rare books and manuscripts. The Harvey Cushing/John Hay Whitney Medical Library includes important historical medical texts, including an impressive collection of rare books, as well as historical medical instruments. The Lewis Walpole Library contains the largest collection of 18th‑century British literary works. The Elizabethan Club, technically a private organization, makes its Elizabethan folios and first editions available to qualified researchers through Yale.


Question: What is the name of the country's first university partnered art museum?

Answer: The Yale University Art Gallery

Yale's museum collections are also of international stature. <hl> The Yale University Art Gallery , the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. <hl> The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.

Yale's museum collections are also of international stature. <hl> The Yale University Art Gallery <hl>, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.

<hl> The Yale University Art Gallery <hl> , the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings.

question: What is the name of the country's first university partnered art museum?, context: Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.


Question: How many items are in The Yale University Art Gallery?

Answer: more than 180,000

Yale's museum collections are also of international stature. <hl> The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. <hl> The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.

Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains <hl> more than 180,000 <hl> works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.

question: How many items are in The Yale University Art Gallery?, context: Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.


Question: Where is the largest center for British art, UK not included?

Answer: The Yale Center for British Art

Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. <hl> The Yale Center for British Art , the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building. <hl>

Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. <hl> The Yale Center for British Art <hl>, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.

<hl> The Yale Center for British Art <hl> , the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.

question: Where is the largest center for British art, UK not included?, context: Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.


Question: Whose contributions started The Yale Center for British Art?

Answer: Paul Mellon

Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. <hl> The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building. <hl>

Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of <hl> Paul Mellon <hl> and is housed in another Kahn-designed building.

question: Whose contributions started The Yale Center for British Art?, context: Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.


Question: Who designed the building for The Yale Center for British Art?

Answer: Louis Kahn

Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. <hl> The latter, Louis Kahn 's first large-scale American work (1953), <hl> was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.

Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, <hl> Louis Kahn <hl>'s first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.

The latter, <hl> Louis Kahn <hl> 's first large-scale American work (1953),

question: Who designed the building for The Yale Center for British Art?, context: Yale's museum collections are also of international stature. The Yale University Art Gallery, the country's first university-affiliated art museum, contains more than 180,000 works, including Old Masters and important collections of modern art, in the Swartout and Kahn buildings. The latter, Louis Kahn's first large-scale American work (1953), was renovated and reopened in December 2006. The Yale Center for British Art, the largest collection of British art outside of the UK, grew from a gift of Paul Mellon and is housed in another Kahn-designed building.


Question: Which of the New Critics were staffed at Yale?

Answer: Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks

Yale's English and Comparative Literature departments were part of the New Criticism movement. <hl> Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. <hl> Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, <hl> Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks <hl> were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.

question: Which of the New Critics were staffed at Yale?, context: Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.


Question: Who is known as the father of deconstruction?

Answer: Jacques Derrida

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. <hl> Jacques Derrida , the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. <hl> Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. <hl> Jacques Derrida <hl>, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.

<hl> Jacques Derrida <hl> , the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s.

question: Who is known as the father of deconstruction?, context: Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.


Question: Where did Jacques Derrida teach from the late 1970's to mid 1980's?

Answer: Department of Comparative Literature

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. <hl> Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. <hl> Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the <hl> Department of Comparative Literature <hl> from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.

question: Where did Jacques Derrida teach from the late 1970's to mid 1980's?, context: Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.


Question: Which Yale staffed labor historian advised other younger labor historians?

Answer: David Montgomery

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. <hl> Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery , a labor historian, advised many of the current generation of labor historians in the country. <hl> Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, <hl> David Montgomery <hl>, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.

Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, <hl> David Montgomery <hl> , a labor historian, advised many of the current generation of labor historians in the country.

question: Which Yale staffed labor historian advised other younger labor historians?, context: Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.


Question: When was The Journal of Music Theory founded?

Answer: 1957

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. <hl> The Journal of Music Theory was founded there in 1957 ; Allen Forte and David Lewin were influential teachers and scholars. <hl>

Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in <hl> 1957 <hl>; Allen Forte and David Lewin were influential teachers and scholars.

The Journal of Music Theory was founded there in <hl> 1957 <hl> ; Allen Forte and David Lewin were influential teachers and scholars.

question: When was The Journal of Music Theory founded?, context: Yale's English and Comparative Literature departments were part of the New Criticism movement. Of the New Critics, Robert Penn Warren, W.K. Wimsatt, and Cleanth Brooks were all Yale faculty. Later, the Yale Comparative literature department became a center of American deconstruction. Jacques Derrida, the father of deconstruction, taught at the Department of Comparative Literature from the late seventies to mid-1980s. Several other Yale faculty members were also associated with deconstruction, forming the so-called "Yale School". These included Paul de Man who taught in the Departments of Comparative Literature and French, J. Hillis Miller, Geoffrey Hartman (both taught in the Departments of English and Comparative Literature), and Harold Bloom (English), whose theoretical position was always somewhat specific, and who ultimately took a very different path from the rest of this group. Yale's history department has also originated important intellectual trends. Historians C. Vann Woodward and David Brion Davis are credited with beginning in the 1960s and 1970s an important stream of southern historians; likewise, David Montgomery, a labor historian, advised many of the current generation of labor historians in the country. Yale's Music School and Department fostered the growth of Music Theory in the latter half of the 20th century. The Journal of Music Theory was founded there in 1957; Allen Forte and David Lewin were influential teachers and scholars.


Question: When was Yale's residential college system established?

Answer: 1933

<hl> Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. <hl> Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.

Yale's residential college system was established in <hl> 1933 <hl> by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.

question: When was Yale's residential college system established?, context: Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.


Question: Who established Yale's residential college system?

Answer: Edward S. Harkness

<hl> Yale's residential college system was established in 1933 by Edward S. Harkness , who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. <hl> Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.

Yale's residential college system was established in 1933 by <hl> Edward S. Harkness <hl>, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.

Yale's residential college system was established in 1933 by <hl> Edward S. Harkness <hl> , who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard.

question: Who established Yale's residential college system?, context: Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.


Question: Who runs Yale's residential colleges?

Answer: The colleges are led by a master and an academic dean

Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. <hl> The colleges are led by a master and an academic dean , who reside in the college, and university faculty and affiliates comprise each college's fellowship. <hl> Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.

Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. <hl> The colleges are led by a master and an academic dean <hl>, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.

<hl> The colleges are led by a master and an academic dean <hl> , who reside in the college, and university faculty and affiliates comprise each college's fellowship.

question: Who runs Yale's residential colleges?, context: Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.


Question: Are there academic programs in Yale's residential colleges?

Answer: do not contain programs of study or academic departments

Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. <hl> Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments . <hl> Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.

Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but <hl> do not contain programs of study or academic departments <hl>. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.

Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but <hl> do not contain programs of study or academic departments <hl> .

question: Are there academic programs in Yale's residential colleges?, context: Yale's residential college system was established in 1933 by Edward S. Harkness, who admired the social intimacy of Oxford and Cambridge and donated significant funds to found similar colleges at Yale and Harvard. Though Yale's colleges resemble their English precursors organizationally and architecturally, they are dependent entities of Yale College and have limited autonomy. The colleges are led by a master and an academic dean, who reside in the college, and university faculty and affiliates comprise each college's fellowship. Colleges offer their own seminars, social events, and speaking engagements known as "Master's Teas," but do not contain programs of study or academic departments. Instead, all undergraduate courses are taught by the Faculty of Arts and Sciences and are open to members of any college.