Question: Who felt deep sadness as the death of their mother fades away?

Answer: Madonna and her sisters

<hl> As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. <hl> They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

As they grew older <hl> Madonna and her sisters <hl> would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

question: Who felt deep sadness as the death of their mother fades away?, context: As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."


Question: Who does Madonna's mum resemble?

Answer: poet Anne Sexton

As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. <hl> They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. <hl> This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled <hl> poet Anne Sexton <hl> and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

question: Who does Madonna's mum resemble?, context: As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."


Question: Who is Madonna's favorite poet?

Answer: Sylvia Plath

As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. <hl> This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. <hl> Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with <hl> Sylvia Plath <hl> being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

question: Who is Madonna's favorite poet?, context: As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."


Question: Who felt that her mother death was the driving force behind her success?

Answer: Madonna

<hl> As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. <hl> They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

As they grew older <hl> Madonna <hl> and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."

question: Who felt that her mother death was the driving force behind her success?, context: As they grew older Madonna and her sisters would feel deep sadness as the vivid memory of their mother began drifting farther from them. They would study pictures of her and come to think that she resembled poet Anne Sexton and Hollywood actresses. This would later raise Madonna's interest in poetry, with Sylvia Plath being her favourite. Later, Madonna commented: "We were all wounded in one way or another by [her death], and then we spent the rest of our lives reacting to it or dealing with it or trying to turn into something else. The anguish of losing my mom left me with a certain kind of loneliness and an incredible longing for something. If I hadn't had that emptiness, I wouldn't have been so driven. Her death had a lot to do with me saying—after I got over my heartache—I'm going to be really strong if I can't have my mother. I'm going to take care of myself." Taraborrelli felt that in time, no doubt because of the devastation she felt, Madonna would never again allow herself, or even her daughter, to feel as abandoned as she had felt when her mother died. "Her death had taught [Madonna] a valuable lesson, that she would have to remain strong for herself because, she feared weakness—particularly her own—and wanted to be the queen of her own castle."


Question: Which song made a strong impression on Madonna?

Answer: These Boots Are Made for Walkin

<hl> In 1985, Madonna commented that the first song to ever make a strong impression on her was " These Boots Are Made for Walkin '" by Nancy Sinatra; she said it summed up her own "take-charge attitude". <hl> As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

In 1985, Madonna commented that the first song to ever make a strong impression on her was "<hl> These Boots Are Made for Walkin <hl>'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

In 1985, Madonna commented that the first song to ever make a strong impression on her was " <hl> These Boots Are Made for Walkin <hl> '" by Nancy Sinatra; she said it summed up her own "take-charge attitude".

question: Which song made a strong impression on Madonna?, context: In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.


Question: Who sang the song these boots are made for walking?

Answer: Nancy Sinatra;

<hl> In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". <hl> As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by <hl> Nancy Sinatra; <hl> she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

question: Who sang the song these boots are made for walking?, context: In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.


Question: Whose favorite style is baroque?

Answer: Madonna

<hl> In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". <hl> As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

In 1985, <hl> Madonna <hl> commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

question: Whose favorite style is baroque?, context: In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.


Question: Who grew up listening to David Bowie?

Answer: Madonna

<hl> In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". <hl> As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

In 1985, <hl> Madonna <hl> commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

question: Who grew up listening to David Bowie?, context: In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.


Question: Name one of Madonna's major influence?

Answer: Karen Carpenter

In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". <hl> Madonna's major influences include Karen Carpenter , The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. <hl> She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include <hl> Karen Carpenter <hl>, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.

Madonna's major influences include <hl> Karen Carpenter <hl> , The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev.

question: Name one of Madonna's major influence?, context: In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra; she said it summed up her own "take-charge attitude". As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Mozart and Chopin because she liked their "feminine quality". Madonna's major influences include Karen Carpenter, The Supremes and Led Zeppelin, as well as dancers Martha Graham and Rudolf Nureyev. She also grew up listening to David Bowie, whose show was the first rock concert she ever attended.


Question: What is Madonna's religious background?

Answer: Italian-Catholic

<hl> Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. <hl> It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

Madonna's <hl> Italian-Catholic <hl> background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

question: What is Madonna's religious background?, context: Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.


Question: Like a Prayer reflects Madonna's relationship with who?

Answer: her parents

<hl> Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. <hl> It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

Madonna's Italian-Catholic background and her relationship with <hl> her parents <hl> are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

question: Like a Prayer reflects Madonna's relationship with who?, context: Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.


Question: In which video did Madonna wear a rosary?

Answer: La Isla Bonita"

Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. <hl> During The Virgin Tour, she wore a rosary and prayed with it in the music video for " La Isla Bonita" . <hl> The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "<hl> La Isla Bonita" <hl>. The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

During The Virgin Tour, she wore a rosary and prayed with it in the music video for " <hl> La Isla Bonita" <hl> .

question: In which video did Madonna wear a rosary?, context: Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.


Question: In which video does it show Madonna being scolded by her boss in Italian?

Answer: Open Your Heart

Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". <hl> The " Open Your Heart " video sees her boss scolding her in the Italian language. <hl> On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "<hl> Open Your Heart <hl>" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.

The " <hl> Open Your Heart <hl> " video sees her boss scolding her in the Italian language.

question: In which video does it show Madonna being scolded by her boss in Italian?, context: Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.


Question: She dedicated Papa Don't Preach to whom?

Answer: Pope John Paul II.

Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. <hl> On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II. <hl>

Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to <hl> Pope John Paul II. <hl>

question: She dedicated Papa Don't Preach to whom?, context: Madonna's Italian-Catholic background and her relationship with her parents are reflected in the album Like a Prayer. It was an evocation of the impact religion had on her career. Her video for the title track contains Catholic symbolism, such as the stigmata. During The Virgin Tour, she wore a rosary and prayed with it in the music video for "La Isla Bonita". The "Open Your Heart" video sees her boss scolding her in the Italian language. On the Who's That Girl World Tour, she dedicated the song "Papa Don't Preach" to Pope John Paul II.


Question: Name one actor that Madonna was inspired by?

Answer: Marilyn Monroe

<hl> During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe . <hl> They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and <hl> Marilyn Monroe <hl>. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and <hl> Marilyn Monroe <hl> .

question: Name one actor that Madonna was inspired by?, context: During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.


Question: Madonna's Material Girl recreated whose look?

Answer: Monroe's

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." <hl> Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). <hl> She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated <hl> Monroe's <hl> look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

question: Madonna's Material Girl recreated whose look?, context: During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.


Question: The video Express Yourself was inspired by which silent film?

Answer: Metropolis

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. <hl> The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). <hl> The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film <hl> Metropolis <hl> (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

question: The video Express Yourself was inspired by which silent film?, context: During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.


Question: Who stated that Madonna was a bad actress to watch?

Answer: Stephanie Zacharek

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. <hl> Stephanie Zacharek , critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." <hl> According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. <hl> Stephanie Zacharek <hl>, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

<hl> Stephanie Zacharek <hl> , critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest."

question: Who stated that Madonna was a bad actress to watch?, context: During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.


Question: Which one of Madonna's movie is a box office bomb?

Answer: Swept Away

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." <hl> After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again. <hl>

During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb <hl> Swept Away <hl> (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.

question: Which one of Madonna's movie is a box office bomb?, context: During her childhood, Madonna was inspired by actors, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny ... and I saw myself in them ... my girlishness, my knowingness and my innocence." Her "Material Girl" music video recreated Monroe's look in the song "Diamonds Are a Girl's Best Friend", from the film Gentlemen Prefer Blondes (1953). She studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the film Who's That Girl. The video for "Express Yourself" (1989) was inspired by Fritz Lang's silent film Metropolis (1927). The video for "Vogue" recreated the style of Hollywood glamour photographs, in particular those by Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard, and Rita Hayworth, while the lyrics referred to many of the stars who had inspired her, including Bette Davis, described by Madonna as an idol. However, Madonna's film career has been largely received negatively by the film critic community. Stephanie Zacharek, critic for Time magazine, stated that, "[Madonna] seems wooden and unnatural as an actress, and it's tough to watch, because she's clearly trying her damnedest." According to biographer Andrew Morton, "Madonna puts a brave face on the criticism, but privately she is deeply hurt." After the box office bomb Swept Away (2002), Madonna vowed that she would never again act in a film, hoping her repertoire as a bad actress would never be discussed again.


Question: Whose art influence Madonna?

Answer: Frida Kahlo

<hl> Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo . <hl> The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

Influences also came to her from the art world, most notably through the works of Mexican artist <hl> Frida Kahlo <hl>. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

Influences also came to her from the art world, most notably through the works of Mexican artist <hl> Frida Kahlo <hl> .

question: Whose art influence Madonna?, context: Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".


Question: Which video featured art from Kahlo and Remedios Varo?

Answer: Bedtime Story

Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. <hl> The music video of the song " Bedtime Story " featured images inspired by the paintings of Kahlo and Remedios Varo. <hl> Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "<hl> Bedtime Story <hl>" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

The music video of the song " <hl> Bedtime Story <hl> " featured images inspired by the paintings of Kahlo and Remedios Varo.

question: Which video featured art from Kahlo and Remedios Varo?, context: Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".


Question: Madonna collects whose painting?

Answer: Tamara de Lempicka

Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. <hl> Madonna is also a collector of Tamara de Lempicka 's Art Deco paintings and has included them in her music videos and tours. <hl> Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of <hl> Tamara de Lempicka <hl>'s Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

Madonna is also a collector of <hl> Tamara de Lempicka <hl> 's Art Deco paintings and has included them in her music videos and tours.

question: Madonna collects whose painting?, context: Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".


Question: Her video Hollywood was a homage to which photographer?

Answer: Guy Bourdin

Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. <hl> Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin ; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. <hl> Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer <hl> Guy Bourdin <hl>; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".

Her video for "Hollywood" (2003) was an homage to the work of photographer <hl> Guy Bourdin <hl> ; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work.

question: Her video Hollywood was a homage to which photographer?, context: Influences also came to her from the art world, most notably through the works of Mexican artist Frida Kahlo. The music video of the song "Bedtime Story" featured images inspired by the paintings of Kahlo and Remedios Varo. Madonna is also a collector of Tamara de Lempicka's Art Deco paintings and has included them in her music videos and tours. Her video for "Hollywood" (2003) was an homage to the work of photographer Guy Bourdin; Bourdin's son subsequently filed a lawsuit for unauthorised use of his father's work. Pop artist Andy Warhol's use of sadomasochistic imagery in his underground films were reflected in the music videos for "Erotica" and "Deeper and Deeper".


Question: Which religion was Madonna dedicated to?

Answer: Kabbalah

<hl> Madonna is dedicated to Kabbalah , and in 2004 she adopted the name Esther which in Persian means "star". <hl> She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.

Madonna is dedicated to <hl> Kabbalah <hl>, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.

Madonna is dedicated to <hl> Kabbalah <hl> , and in 2004 she adopted the name Esther which in Persian means "star".

question: Which religion was Madonna dedicated to?, context: Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.


Question: Which year did she adopt the name Esther?

Answer: 2004

<hl> Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". <hl> She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.

Madonna is dedicated to Kabbalah, and in <hl> 2004 <hl> she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.

question: Which year did she adopt the name Esther?, context: Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.


Question: The influence of Kabbalah is seen in which album?

Answer: Ray of Light

Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". <hl> The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. <hl> During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.

Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like <hl> Ray of Light <hl> and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.

question: The influence of Kabbalah is seen in which album?, context: Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.


Question: Where did Madonna attend Catholic services in 2011?

Answer: Opus Dei center

Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at <hl> an Opus Dei center , a Catholic institution that encourages spirituality through every day life. <hl>

Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an <hl> Opus Dei center <hl>, a Catholic institution that encourages spirituality through every day life.

an <hl> Opus Dei center <hl> , a Catholic institution that encourages spirituality through every day life.

question: Where did Madonna attend Catholic services in 2011?, context: Madonna is dedicated to Kabbalah, and in 2004 she adopted the name Esther which in Persian means "star". She has donated millions of dollars to New York and London schools teaching the subject. She faced opposition from rabbis who felt Madonna's adoption of the Kabbalah was sacrilegious and a case of celebrity dilettantism. Madonna defended her studies, saying: "It would be less controversial if I joined the Nazi Party", and that her involvement with the Kabbalah is "not hurting anybody". The influence of the Kabbalah was subsequently observed in Madonna's music, especially albums like Ray of Light and Music. During the Re-Invention World Tour, at one point in the show, Madonna and her dancers wore T-shirts that read "Kabbalists Do It Better". Her 2012 MDNA album has also drawn many influences from her Catholic upbringing, and since 2011 she has been attending meetings and services at an Opus Dei center, a Catholic institution that encourages spirituality through every day life.


Question: Who are the Madonna Companion Biographers?

Answer: Allen Metz and Carol Benson

<hl> In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. <hl> According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."

In The Madonna Companion biographers <hl> Allen Metz and Carol Benson <hl> noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."

question: Who are the Madonna Companion Biographers?, context: In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."


Question: Madonna used which TV company to help with her career?

Answer: MTV

<hl> In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. <hl> According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."

In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used <hl> MTV <hl> and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."

question: Madonna used which TV company to help with her career?, context: In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."


Question: The most remarkable creation in MTV is whom?

Answer: Madonna

<hl> In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. <hl> According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."

In The <hl> Madonna <hl> Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."

question: The most remarkable creation in MTV is whom?, context: In The Madonna Companion biographers Allen Metz and Carol Benson noted that more than any other recent pop artist, Madonna had used MTV and music videos to establish her popularity and enhance her recorded work. According to them, many of her songs have the imagery of the music video in strong context, while referring to the music. Cultural critic Mark C. Taylor in his book Nots (1993) felt that the postmodern art form par excellence is video and the reigning "queen of video" is Madonna. He further asserted that "the most remarkable creation of MTV is Madonna. The responses to Madonna's excessively provocative videos have been predictably contradictory." The media and public reaction towards her most-discussed songs such as "Papa Don't Preach", "Like a Prayer", or "Justify My Love" had to do with the music videos created to promote the songs and their impact, rather than the songs themselves. Morton felt that "artistically, Madonna's songwriting is often overshadowed by her striking pop videos."


Question: What influence did Madonna music video reflects?

Answer: American and Hispanic mixed street style

<hl> Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. <hl> She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

Madonna's initial music videos reflected her <hl> American and Hispanic mixed street style <hl> combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

question: What influence did Madonna music video reflects?, context: Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".


Question: She transmit her avant garde style to which audience?

Answer: American audience

Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. <hl> She was able to transmit her avant-garde downtown New York fashion sense to the American audience . <hl> The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the <hl> American audience <hl>. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

She was able to transmit her avant-garde downtown New York fashion sense to the <hl> American audience <hl> .

question: She transmit her avant garde style to which audience?, context: Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".


Question: Which look of Madonna became a fashion trend?

Answer: Spanish look

Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." <hl> Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita". <hl>

Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's <hl> Spanish look <hl> in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".

question: Which look of Madonna became a fashion trend?, context: Madonna's initial music videos reflected her American and Hispanic mixed street style combined with a flamboyant glamor. She was able to transmit her avant-garde downtown New York fashion sense to the American audience. The imagery and incorporation of Hispanic culture and Catholic symbolism continued with the music videos from the True Blue era. Author Douglas Kellner noted, "such 'multiculturalism' and her culturally transgressive moves turned out to be highly successful moves that endeared her to large and varied youth audiences." Madonna's Spanish look in the videos became the fashion trend of that time, in the form of boleros and layered skirts, accessorizing with rosary beads and a crucifix as in the video of "La Isla Bonita".