Question: What are two works by Homer?

Answer: Iliad and the Odyssey

<hl> At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey . <hl> Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The Classical era also saw the dawn of drama.

At the beginning of Greek literature stand the two monumental works of Homer: the <hl> Iliad and the Odyssey <hl>. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The Classical era also saw the dawn of drama.

At the beginning of Greek literature stand the two monumental works of Homer: the <hl> Iliad and the Odyssey <hl> .

question: What are two works by Homer?, context: At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The Classical era also saw the dawn of drama.


Question: During what time period did Homer write the Iliad and the Odyssey?

Answer: 800 BC

At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. <hl> Though dates of composition vary, these works were fixed around 800 BC or after. <hl> In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The Classical era also saw the dawn of drama.

At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around <hl> 800 BC <hl> or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The Classical era also saw the dawn of drama.

question: During what time period did Homer write the Iliad and the Odyssey?, context: At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The Classical era also saw the dawn of drama.


Question: Who were two major lyrical poets?

Answer: Sappho and Pindar

At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. <hl> The two major lyrical poets were Sappho and Pindar . <hl> The Classical era also saw the dawn of drama.

At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were <hl> Sappho and Pindar <hl>. The Classical era also saw the dawn of drama.

The two major lyrical poets were <hl> Sappho and Pindar <hl> .

question: Who were two major lyrical poets?, context: At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The Classical era also saw the dawn of drama.


Question: When did drama first begin in history?

Answer: Classical era

At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. <hl> The Classical era also saw the dawn of drama. <hl>

At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The <hl> Classical era <hl> also saw the dawn of drama.

question: When did drama first begin in history?, context: At the beginning of Greek literature stand the two monumental works of Homer: the Iliad and the Odyssey. Though dates of composition vary, these works were fixed around 800 BC or after. In the classical period many of the genres of western literature became more prominent. Lyrical poetry, odes, pastorals, elegies, epigrams; dramatic presentations of comedy and tragedy; historiography, rhetorical treatises, philosophical dialectics, and philosophical treatises all arose in this period. The two major lyrical poets were Sappho and Pindar. The Classical era also saw the dawn of drama.


Question: What year did cinema first appear in Greece?

Answer: 1896

<hl> Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. <hl> In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

Cinema first appeared in Greece in <hl> 1896 <hl> but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

question: What year did cinema first appear in Greece?, context: Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.


Question: In what year did the first cinema theater open in Greece?

Answer: 1907

<hl> Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907 . <hl> In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in <hl> 1907 <hl>. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in <hl> 1907 <hl> .

question: In what year did the first cinema theater open in Greece?, context: Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.


Question: In 1914 what was the name of the film company that was founded?

Answer: Asty Films

Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. <hl> In 1914 the Asty Films Company was founded and the production of long films began. <hl> Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the <hl> Asty Films <hl> Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

question: In 1914 what was the name of the film company that was founded?, context: Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.


Question: What was the first Greek feature film?

Answer: Golfo

Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. <hl> Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. <hl> In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. <hl> Golfo <hl> (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

question: What was the first Greek feature film?, context: Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.


Question: Who directed the first nude scene in Greek film history?

Answer: Orestis Laskos

Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. <hl> In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. <hl> In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 <hl> Orestis Laskos <hl> directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

question: Who directed the first nude scene in Greek film history?, context: Cinema first appeared in Greece in 1896 but the first actual cine-theatre was opened in 1907. In 1914 the Asty Films Company was founded and the production of long films began. Golfo (Γκόλφω), a well known traditional love story, is considered the first Greek feature film, although there were several minor productions such as newscasts before this. In 1931 Orestis Laskos directed Daphnis and Chloe (Δάφνις και Χλόη), containing the first nude scene in the history of European cinema; it was also the first Greek movie which was played abroad. In 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.


Question: Which time period is considered the golden age of Greek cinema?

Answer: 1950s and early 1960s

<hl> The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. <hl> Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).

The <hl> 1950s and early 1960s <hl> are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).

question: Which time period is considered the golden age of Greek cinema?, context: The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).


Question: During the Greek cinema golden age, how many films were made each year?

Answer: More than sixty

The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. <hl> More than sixty films per year were made, with the majority having film noir elements. <hl> Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).

The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. <hl> More than sixty <hl> films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).

question: During the Greek cinema golden age, how many films were made each year?, context: The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).


Question: Who directed the movie O Drakos in 1956?

Answer: Nikos Koundouros

The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. <hl> Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros , Ellie Lambeti, and others. <hl> More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).

The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, <hl> Nikos Koundouros <hl>, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).

Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, <hl> Nikos Koundouros <hl> , Ellie Lambeti, and others.

question: Who directed the movie O Drakos in 1956?, context: The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).


Question: Who directed the movie Stella in 1955?

Answer: Cacoyannis

The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), <hl> Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis). <hl>

The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by <hl> Cacoyannis <hl> and written by Kampanellis).

question: Who directed the movie Stella in 1955?, context: The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).


Question: Who wrote the movie Stella in 1955?

Answer: Kampanellis

The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), <hl> Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis ) <hl> .

The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by <hl> Kampanellis <hl>).

Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by <hl> Kampanellis <hl> )

question: Who wrote the movie Stella in 1955?, context: The 1950s and early 1960s are considered by many to be a golden age of Greek cinema. Directors and actors of this era were recognized as important historical figures in Greece and some gained international acclaim: Irene Papas, Melina Mercouri, Mihalis Kakogiannis, Alekos Sakellarios, Nikos Tsiforos, Iakovos Kambanelis, Katina Paxinou, Nikos Koundouros, Ellie Lambeti, and others. More than sixty films per year were made, with the majority having film noir elements. Notable films were Η κάλπικη λίρα (1955 directed by Giorgos Tzavellas), Πικρό Ψωμί (1951, directed by Grigoris Grigoriou), O Drakos (1956 directed by Nikos Koundouros), Stella (1955 directed by Cacoyannis and written by Kampanellis).


Question: What other famous movie did Cacoyannis direct?

Answer: Zorba the Greek

<hl> Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. <hl> Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.

Cacoyannis also directed <hl> Zorba the Greek <hl> with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.

question: What other famous movie did Cacoyannis direct?, context: Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.


Question: Who starred in the movie Zorba the Greek?

Answer: Anthony Quinn

<hl> Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. <hl> Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.

Cacoyannis also directed Zorba the Greek with <hl> Anthony Quinn <hl> which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.

question: Who starred in the movie Zorba the Greek?, context: Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.


Question: What film won the Palme d'Or at Cannes in 1998?

Answer: Eternity and a Day

Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. <hl> His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival. <hl>

Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film <hl> Eternity and a Day <hl> won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.

question: What film won the Palme d'Or at Cannes in 1998?, context: Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.


Question: Who directed the film Eternity and a Day?

Answer: Theo Angelopoulos

Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. <hl> During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. <hl> His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.

Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s <hl> Theo Angelopoulos <hl> directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.

question: Who directed the film Eternity and a Day?, context: Cacoyannis also directed Zorba the Greek with Anthony Quinn which received Best Director, Best Adapted Screenplay and Best Film nominations. Finos Film also contributed to this period with movies such as Λατέρνα, Φτώχεια και Φιλότιμο, Madalena, Η Θεία από το Σικάγο, Το ξύλο βγήκε από τον Παράδεισο and many more. During the 1970s and 1980s Theo Angelopoulos directed a series of notable and appreciated movies. His film Eternity and a Day won the Palme d'Or and the Prize of the Ecumenical Jury at the 1998 Cannes Film Festival.


Question: What is a characteristic of the Mediterranean diet?

Answer: Greek cuisine

<hl> Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. <hl> Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.

<hl> Greek cuisine <hl> is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.

question: What is a characteristic of the Mediterranean diet?, context: Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.


Question: The epitome of the Mediterranean diet are dishes from where?

Answer: Crete

<hl> Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete . <hl> Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.

Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of <hl> Crete <hl>. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.

Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of <hl> Crete <hl> .

question: The epitome of the Mediterranean diet are dishes from where?, context: Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.


Question: What food can be traced back to ancient Greece?

Answer: skordalia

Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. <hl> Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). <hl> Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.

Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like <hl> skordalia <hl> (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.

question: What food can be traced back to ancient Greece?, context: Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.


Question: What is added to almost every dish in Greece?

Answer: Olive oil

Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. <hl> Olive oil is added to almost every dish. <hl>

Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. <hl> Olive oil <hl> is added to almost every dish.

question: What is added to almost every dish in Greece?, context: Greek cuisine is characteristic of the healthy Mediterranean diet, which is epitomized by dishes of Crete. Greek cuisine incorporates fresh ingredients into a variety of local dishes such as moussaka, stifado, Greek salad, fasolada, spanakopita and souvlaki. Some dishes can be traced back to ancient Greece like skordalia (a thick purée of walnuts, almonds, crushed garlic and olive oil), lentil soup, retsina (white or rosé wine sealed with pine resin) and pasteli (candy bar with sesame seeds baked with honey). Throughout Greece people often enjoy eating from small dishes such as meze with various dips such as tzatziki, grilled octopus and small fish, feta cheese, dolmades (rice, currants and pine kernels wrapped in vine leaves), various pulses, olives and cheese. Olive oil is added to almost every dish.


Question: What is the name of one sweet dessert in Greece?

Answer: galaktoboureko

<hl> Sweet desserts such as galaktoboureko , and drinks such as ouzo, metaxa and a variety of wines including retsina. <hl> Greek cuisine differs widely from different parts of the mainland and from island to island. It uses some flavorings more often than other Mediterranean cuisines: oregano, mint, garlic, onion, dill and bay laurel leaves. Other common herbs and spices include basil, thyme and fennel seed. Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example cinnamon and cloves in stews.

Sweet desserts such as <hl> galaktoboureko <hl>, and drinks such as ouzo, metaxa and a variety of wines including retsina. Greek cuisine differs widely from different parts of the mainland and from island to island. It uses some flavorings more often than other Mediterranean cuisines: oregano, mint, garlic, onion, dill and bay laurel leaves. Other common herbs and spices include basil, thyme and fennel seed. Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example cinnamon and cloves in stews.

Sweet desserts such as <hl> galaktoboureko <hl> , and drinks such as ouzo, metaxa and a variety of wines including retsina.

question: What is the name of one sweet dessert in Greece?, context: Sweet desserts such as galaktoboureko, and drinks such as ouzo, metaxa and a variety of wines including retsina. Greek cuisine differs widely from different parts of the mainland and from island to island. It uses some flavorings more often than other Mediterranean cuisines: oregano, mint, garlic, onion, dill and bay laurel leaves. Other common herbs and spices include basil, thyme and fennel seed. Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example cinnamon and cloves in stews.


Question: What is one of the flavorings commonly used in Greek Mediterranean food?

Answer: oregano

Sweet desserts such as galaktoboureko, and drinks such as ouzo, metaxa and a variety of wines including retsina. Greek cuisine differs widely from different parts of the mainland and from island to island. <hl> It uses some flavorings more often than other Mediterranean cuisines: oregano , mint, garlic, onion, dill and bay laurel leaves. <hl> Other common herbs and spices include basil, thyme and fennel seed. Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example cinnamon and cloves in stews.

Sweet desserts such as galaktoboureko, and drinks such as ouzo, metaxa and a variety of wines including retsina. Greek cuisine differs widely from different parts of the mainland and from island to island. It uses some flavorings more often than other Mediterranean cuisines: <hl> oregano <hl>, mint, garlic, onion, dill and bay laurel leaves. Other common herbs and spices include basil, thyme and fennel seed. Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example cinnamon and cloves in stews.

It uses some flavorings more often than other Mediterranean cuisines: <hl> oregano <hl> , mint, garlic, onion, dill and bay laurel leaves.

question: What is one of the flavorings commonly used in Greek Mediterranean food?, context: Sweet desserts such as galaktoboureko, and drinks such as ouzo, metaxa and a variety of wines including retsina. Greek cuisine differs widely from different parts of the mainland and from island to island. It uses some flavorings more often than other Mediterranean cuisines: oregano, mint, garlic, onion, dill and bay laurel leaves. Other common herbs and spices include basil, thyme and fennel seed. Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example cinnamon and cloves in stews.


Question: What is one of the sweet spices Greeks like to use with meat?

Answer: cinnamon

Sweet desserts such as galaktoboureko, and drinks such as ouzo, metaxa and a variety of wines including retsina. Greek cuisine differs widely from different parts of the mainland and from island to island. It uses some flavorings more often than other Mediterranean cuisines: oregano, mint, garlic, onion, dill and bay laurel leaves. Other common herbs and spices include basil, thyme and fennel seed. <hl> Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example cinnamon and cloves in stews. <hl>

Sweet desserts such as galaktoboureko, and drinks such as ouzo, metaxa and a variety of wines including retsina. Greek cuisine differs widely from different parts of the mainland and from island to island. It uses some flavorings more often than other Mediterranean cuisines: oregano, mint, garlic, onion, dill and bay laurel leaves. Other common herbs and spices include basil, thyme and fennel seed. Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example <hl> cinnamon <hl> and cloves in stews.

question: What is one of the sweet spices Greeks like to use with meat?, context: Sweet desserts such as galaktoboureko, and drinks such as ouzo, metaxa and a variety of wines including retsina. Greek cuisine differs widely from different parts of the mainland and from island to island. It uses some flavorings more often than other Mediterranean cuisines: oregano, mint, garlic, onion, dill and bay laurel leaves. Other common herbs and spices include basil, thyme and fennel seed. Many Greek recipes, especially in the northern parts of the country, use "sweet" spices in combination with meat, for example cinnamon and cloves in stews.


Question: Greek vocal music goes back how far in history?

Answer: ancient times

<hl> Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. <hl> Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music played an important role in the education system during ancient times. Boys were taught music from the age of six. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.

Greek vocal music extends far back into <hl> ancient times <hl> where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music played an important role in the education system during ancient times. Boys were taught music from the age of six. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.

question: Greek vocal music goes back how far in history?, context: Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music played an important role in the education system during ancient times. Boys were taught music from the age of six. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.


Question: What is one of the musical instruments used in ancient Greece?

Answer: lyre

Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. <hl> Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre , especially the special kind called a kithara. <hl> Music played an important role in the education system during ancient times. Boys were taught music from the age of six. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.

Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments during that period included the double-reed aulos and the plucked string instrument, the <hl> lyre <hl>, especially the special kind called a kithara. Music played an important role in the education system during ancient times. Boys were taught music from the age of six. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.

Instruments during that period included the double-reed aulos and the plucked string instrument, the <hl> lyre <hl> , especially the special kind called a kithara.

question: What is one of the musical instruments used in ancient Greece?, context: Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music played an important role in the education system during ancient times. Boys were taught music from the age of six. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.


Question: During ancient Greece, at what age were boys taught music?

Answer: six

Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music played an important role in the education system during ancient times. <hl> Boys were taught music from the age of six . <hl> Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.

Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music played an important role in the education system during ancient times. Boys were taught music from the age of <hl> six <hl>. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.

Boys were taught music from the age of <hl> six <hl> .

question: During ancient Greece, at what age were boys taught music?, context: Greek vocal music extends far back into ancient times where mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments during that period included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara. Music played an important role in the education system during ancient times. Boys were taught music from the age of six. Later influences from the Roman Empire, Middle East, and the Byzantine Empire also had effect on Greek music.


Question: The Eastern Orthodox Church resisted what change in music?

Answer: polyphony

<hl> While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. <hl> Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic Byzantine chant; a melodic treasury of inestimable value for its rhythmical variety and expressive power.

While the new technique of <hl> polyphony <hl> was developing in the West, the Eastern Orthodox Church resisted any type of change. Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic Byzantine chant; a melodic treasury of inestimable value for its rhythmical variety and expressive power.

question: The Eastern Orthodox Church resisted what change in music?, context: While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic Byzantine chant; a melodic treasury of inestimable value for its rhythmical variety and expressive power.


Question: Music without any form of instrumental accompaniment is known as what?

Answer: monophonic

While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. <hl> Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. <hl> As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic Byzantine chant; a melodic treasury of inestimable value for its rhythmical variety and expressive power.

While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. Therefore, Byzantine music remained <hl> monophonic <hl> and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic Byzantine chant; a melodic treasury of inestimable value for its rhythmical variety and expressive power.

question: Music without any form of instrumental accompaniment is known as what?, context: While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic Byzantine chant; a melodic treasury of inestimable value for its rhythmical variety and expressive power.


Question: One type of music derived from Byzantine is called what?

Answer: Byzantine chant

While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. <hl> Byzantium presented the monophonic Byzantine chant ; a melodic treasury of inestimable value for its rhythmical variety and expressive power. <hl>

While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic <hl> Byzantine chant <hl>; a melodic treasury of inestimable value for its rhythmical variety and expressive power.

Byzantium presented the monophonic <hl> Byzantine chant <hl> ; a melodic treasury of inestimable value for its rhythmical variety and expressive power.

question: One type of music derived from Byzantine is called what?, context: While the new technique of polyphony was developing in the West, the Eastern Orthodox Church resisted any type of change. Therefore, Byzantine music remained monophonic and without any form of instrumental accompaniment. As a result, and despite certain attempts by certain Greek chanters (such as Manouel Gazis, Ioannis Plousiadinos or the Cypriot Ieronimos o Tragoudistis), Byzantine music was deprived of elements of which in the West encouraged an unimpeded development of art. However, this method which kept music away from polyphony, along with centuries of continuous culture, enabled monophonic music to develop to the greatest heights of perfection. Byzantium presented the monophonic Byzantine chant; a melodic treasury of inestimable value for its rhythmical variety and expressive power.


Question: What are the two cycles of the Greek folk song?

Answer: akritic and klephtic

<hl> Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and klephtic . <hl> The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.

Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the <hl> akritic and klephtic <hl>. The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.

Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the <hl> akritic and klephtic <hl> .

question: What are the two cycles of the Greek folk song?, context: Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and klephtic. The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.


Question: Between what centuries was the akritic cycle of Greek song created?

Answer: 9th and 10th

Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and klephtic. <hl> The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. <hl> The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.

Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and klephtic. The akritic was created between the <hl> 9th and 10th <hl> centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.

question: Between what centuries was the akritic cycle of Greek song created?, context: Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and klephtic. The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.


Question: Which Greek song cycle expresses the life of the Greeks?

Answer: klephtic

<hl> Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and klephtic . <hl> The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.

Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and <hl> klephtic <hl>. The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.

Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and <hl> klephtic <hl> .

question: Which Greek song cycle expresses the life of the Greeks?, context: Along with the Byzantine (Church) chant and music, the Greek people also cultivated the Greek folk song which is divided into two cycles, the akritic and klephtic. The akritic was created between the 9th and 10th centuries and expressed the life and struggles of the akrites (frontier guards) of the Byzantine empire, the most well known being the stories associated with Digenes Akritas. The klephtic cycle came into being between the late Byzantine period and the start of the Greek War of Independence. The klephtic cycle, together with historical songs, paraloghes (narrative song or ballad), love songs, mantinades, wedding songs, songs of exile and dirges express the life of the Greeks. There is a unity between the Greek people's struggles for freedom, their joys and sorrow and attitudes towards love and death.


Question: What was the forerunner of Greek modern song?

Answer: Heptanesean kantádhes

<hl> The Heptanesean kantádhes (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. <hl> For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.

The <hl> Heptanesean kantádhes <hl> (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.

question: What was the forerunner of Greek modern song?, context: The Heptanesean kantádhes (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.


Question: Athenian serenades were most successful during what time period?

Answer: 1870–1930

The Heptanesean kantádhes (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. <hl> The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene. <hl>

The Heptanesean kantádhes (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period <hl> 1870–1930 <hl> were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.

question: Athenian serenades were most successful during what time period?, context: The Heptanesean kantádhes (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.


Question: What influenced Greek modern song considerably?

Answer: Heptanesean kantádhes

<hl> The Heptanesean kantádhes (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. <hl> For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.

The <hl> Heptanesean kantádhes <hl> (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.

question: What influenced Greek modern song considerably?, context: The Heptanesean kantádhes (καντάδες 'serenades'; sing.: καντάδα) became the forerunners of the Greek modern song, influencing its development to a considerable degree. For the first part of the next century, several Greek composers continued to borrow elements from the Heptanesean style. The most successful songs during the period 1870–1930 were the so-called Athenian serenades, and the songs performed on stage (επιθεωρησιακά τραγούδια 'theatrical revue songs') in revue, operettas and nocturnes that were dominating Athens' theater scene.


Question: What music began associated with the lower classes?

Answer: Rebetiko

<hl> Rebetiko , initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. <hl> It was the base of the later laïkó (song of the people). The leading performers of the genre include Apostolos Kaldaras, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.

<hl> Rebetiko <hl>, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. It was the base of the later laïkó (song of the people). The leading performers of the genre include Apostolos Kaldaras, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.

<hl> Rebetiko <hl> , initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability.

question: What music began associated with the lower classes?, context: Rebetiko, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. It was the base of the later laïkó (song of the people). The leading performers of the genre include Apostolos Kaldaras, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.


Question: Rebetiko was the base of what?

Answer: laïkó

Rebetiko, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. <hl> It was the base of the later laïkó (song of the people). <hl> The leading performers of the genre include Apostolos Kaldaras, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.

Rebetiko, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. It was the base of the later <hl> laïkó <hl> (song of the people). The leading performers of the genre include Apostolos Kaldaras, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.

question: Rebetiko was the base of what?, context: Rebetiko, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. It was the base of the later laïkó (song of the people). The leading performers of the genre include Apostolos Kaldaras, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.


Question: One of the leading performers of the laiko genre is who?

Answer: Apostolos Kaldaras

Rebetiko, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. It was the base of the later laïkó (song of the people). <hl> The leading performers of the genre include Apostolos Kaldaras , Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria. <hl>

Rebetiko, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. It was the base of the later laïkó (song of the people). The leading performers of the genre include <hl> Apostolos Kaldaras <hl>, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.

The leading performers of the genre include <hl> Apostolos Kaldaras <hl> , Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.

question: One of the leading performers of the laiko genre is who?, context: Rebetiko, initially a music associated with the lower classes, later (and especially after the population exchange between Greece and Turkey) reached greater general acceptance as the rough edges of its overt subcultural character were softened and polished, sometimes to the point of unrecognizability. It was the base of the later laïkó (song of the people). The leading performers of the genre include Apostolos Kaldaras, Grigoris Bithikotsis, Stelios Kazantzidis, George Dalaras, Haris Alexiou and Glykeria.


Question: Through which islands was European classical music introduced to the Greeks?

Answer: Ionian

<hl> Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. <hl> The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. Manolis Kalomiris is considered the founder of the Greek National School of Music.

Regarding the classical music, it was through the <hl> Ionian <hl> islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. Manolis Kalomiris is considered the founder of the Greek National School of Music.

question: Through which islands was European classical music introduced to the Greeks?, context: Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. Manolis Kalomiris is considered the founder of the Greek National School of Music.


Question: When was the first school of modern Greek classical music formed?

Answer: 1815

Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. <hl> The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815 . <hl> Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. Manolis Kalomiris is considered the founder of the Greek National School of Music.

Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in <hl> 1815 <hl>. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. Manolis Kalomiris is considered the founder of the Greek National School of Music.

The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in <hl> 1815 <hl> .

question: When was the first school of modern Greek classical music formed?, context: Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. Manolis Kalomiris is considered the founder of the Greek National School of Music.


Question: Who is considered the Greek National School of Music founder?

Answer: Manolis Kalomiris

Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. <hl> Manolis Kalomiris is considered the founder of the Greek National School of Music. <hl>

Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. <hl> Manolis Kalomiris <hl> is considered the founder of the Greek National School of Music.

question: Who is considered the Greek National School of Music founder?, context: Regarding the classical music, it was through the Ionian islands (which were under western rule and influence) that all the major advances of the western European classical music were introduced to mainland Greeks. The region is notable for the birth of the first School of modern Greek classical music (Heptanesean or Ionian School, Greek: Επτανησιακή Σχολή), established in 1815. Prominent representatives of this genre include Nikolaos Mantzaros, Spyridon Xyndas, Spyridon Samaras and Pavlos Carrer. Manolis Kalomiris is considered the founder of the Greek National School of Music.


Question: Who is one 20th century Greek composers that has had an impact on modern classical music?

Answer: Iannis Xenakis

<hl> In the 20th century, Greek composers have had a significant impact on the development of avant garde and modern classical music, with figures such as Iannis Xenakis , Nikos Skalkottas, and Dimitri Mitropoulos achieving international prominence. <hl> At the same time, composers and musicians such as Mikis Theodorakis, Manos Hatzidakis, Eleni Karaindrou, Vangelis and Demis Roussos garnered an international following for their music, which include famous film scores such as Zorba the Greek, Serpico, Never on Sunday, America America, Eternity and a Day, Chariots of Fire, Blade Runner, among others. Greek American composers known for their film scores include Yanni and Basil Poledouris. Notable Greek opera singers and classical musicians of the 20th and 21st century include Maria Callas, Nana Mouskouri, Mario Frangoulis, Leonidas Kavakos, Dimitris Sgouros and others.

In the 20th century, Greek composers have had a significant impact on the development of avant garde and modern classical music, with figures such as <hl> Iannis Xenakis <hl>, Nikos Skalkottas, and Dimitri Mitropoulos achieving international prominence. At the same time, composers and musicians such as Mikis Theodorakis, Manos Hatzidakis, Eleni Karaindrou, Vangelis and Demis Roussos garnered an international following for their music, which include famous film scores such as Zorba the Greek, Serpico, Never on Sunday, America America, Eternity and a Day, Chariots of Fire, Blade Runner, among others. Greek American composers known for their film scores include Yanni and Basil Poledouris. Notable Greek opera singers and classical musicians of the 20th and 21st century include Maria Callas, Nana Mouskouri, Mario Frangoulis, Leonidas Kavakos, Dimitris Sgouros and others.

In the 20th century, Greek composers have had a significant impact on the development of avant garde and modern classical music, with figures such as <hl> Iannis Xenakis <hl> , Nikos Skalkottas, and Dimitri Mitropoulos achieving international prominence.

question: Who is one 20th century Greek composers that has had an impact on modern classical music?, context: In the 20th century, Greek composers have had a significant impact on the development of avant garde and modern classical music, with figures such as Iannis Xenakis, Nikos Skalkottas, and Dimitri Mitropoulos achieving international prominence. At the same time, composers and musicians such as Mikis Theodorakis, Manos Hatzidakis, Eleni Karaindrou, Vangelis and Demis Roussos garnered an international following for their music, which include famous film scores such as Zorba the Greek, Serpico, Never on Sunday, America America, Eternity and a Day, Chariots of Fire, Blade Runner, among others. Greek American composers known for their film scores include Yanni and Basil Poledouris. Notable Greek opera singers and classical musicians of the 20th and 21st century include Maria Callas, Nana Mouskouri, Mario Frangoulis, Leonidas Kavakos, Dimitris Sgouros and others.


Question: What is one of the famous movies Greek composers has scored?

Answer: Zorba the Greek

In the 20th century, Greek composers have had a significant impact on the development of avant garde and modern classical music, with figures such as Iannis Xenakis, Nikos Skalkottas, and Dimitri Mitropoulos achieving international prominence. <hl> At the same time, composers and musicians such as Mikis Theodorakis, Manos Hatzidakis, Eleni Karaindrou, Vangelis and Demis Roussos garnered an international following for their music, which include famous film scores such as Zorba the Greek , Serpico, Never on Sunday, America America, Eternity and a Day, Chariots of Fire, Blade Runner, among others. <hl> Greek American composers known for their film scores include Yanni and Basil Poledouris. Notable Greek opera singers and classical musicians of the 20th and 21st century include Maria Callas, Nana Mouskouri, Mario Frangoulis, Leonidas Kavakos, Dimitris Sgouros and others.

In the 20th century, Greek composers have had a significant impact on the development of avant garde and modern classical music, with figures such as Iannis Xenakis, Nikos Skalkottas, and Dimitri Mitropoulos achieving international prominence. At the same time, composers and musicians such as Mikis Theodorakis, Manos Hatzidakis, Eleni Karaindrou, Vangelis and Demis Roussos garnered an international following for their music, which include famous film scores such as <hl> Zorba the Greek <hl>, Serpico, Never on Sunday, America America, Eternity and a Day, Chariots of Fire, Blade Runner, among others. Greek American composers known for their film scores include Yanni and Basil Poledouris. Notable Greek opera singers and classical musicians of the 20th and 21st century include Maria Callas, Nana Mouskouri, Mario Frangoulis, Leonidas Kavakos, Dimitris Sgouros and others.

At the same time, composers and musicians such as Mikis Theodorakis, Manos Hatzidakis, Eleni Karaindrou, Vangelis and Demis Roussos garnered an international following for their music, which include famous film scores such as <hl> Zorba the Greek <hl> , Serpico, Never on Sunday, America America, Eternity and a Day, Chariots of Fire, Blade Runner, among others.

question: What is one of the famous movies Greek composers has scored?, context: In the 20th century, Greek composers have had a significant impact on the development of avant garde and modern classical music, with figures such as Iannis Xenakis, Nikos Skalkottas, and Dimitri Mitropoulos achieving international prominence. At the same time, composers and musicians such as Mikis Theodorakis, Manos Hatzidakis, Eleni Karaindrou, Vangelis and Demis Roussos garnered an international following for their music, which include famous film scores such as Zorba the Greek, Serpico, Never on Sunday, America America, Eternity and a Day, Chariots of Fire, Blade Runner, among others. Greek American composers known for their film scores include Yanni and Basil Poledouris. Notable Greek opera singers and classical musicians of the 20th and 21st century include Maria Callas, Nana Mouskouri, Mario Frangoulis, Leonidas Kavakos, Dimitris Sgouros and others.