Question: Who are live events held by?

Answer: touring promotions

Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport. <hl> Taking the form of live events held by touring promotions , it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. <hl> Various forms of weaponry are sometimes used.

Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport. Taking the form of live events held by <hl> touring promotions <hl>, it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. Various forms of weaponry are sometimes used.

Taking the form of live events held by <hl> touring promotions <hl> , it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism.

question: Who are live events held by?, context: Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport. Taking the form of live events held by touring promotions, it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. Various forms of weaponry are sometimes used.


Question: What is professional wrestling?

Answer: an athletic form of entertainment based on a portrayal of a combat sport

<hl> Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport . <hl> Taking the form of live events held by touring promotions, it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. Various forms of weaponry are sometimes used.

Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is <hl> an athletic form of entertainment based on a portrayal of a combat sport <hl>. Taking the form of live events held by touring promotions, it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. Various forms of weaponry are sometimes used.

Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is <hl> an athletic form of entertainment based on a portrayal of a combat sport <hl> .

question: What is professional wrestling?, context: Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport. Taking the form of live events held by touring promotions, it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. Various forms of weaponry are sometimes used.


Question: What kind of style does wrestling show?

Answer: it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling

Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport. <hl> Taking the form of live events held by touring promotions, it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling , catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. <hl> Various forms of weaponry are sometimes used.

Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport. Taking the form of live events held by touring promotions, <hl> it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling <hl>, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. Various forms of weaponry are sometimes used.

Taking the form of live events held by touring promotions, <hl> it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling <hl> , catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism.

question: What kind of style does wrestling show?, context: Professional wrestling (colloquially abbreviated to pro wrestling or wrestling) is an athletic form of entertainment based on a portrayal of a combat sport. Taking the form of live events held by touring promotions, it portrays a unique style of combat based on a combination of adopted styles, which include classical wrestling, catch wrestling and various forms of martial arts, as well as an innovative style based on grappling (holds/throws), striking, and aerialism. Various forms of weaponry are sometimes used.


Question: How are the actions conducted?

Answer: the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain

<hl> The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain . <hl> These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.

The content including match outcomes is choreographed and <hl> the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain <hl>. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.

The content including match outcomes is choreographed and <hl> the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain <hl> .

question: How are the actions conducted?, context: The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.


Question: What are the fan encouraged to do?

Answer: willing suspension of disbelief for the audience

The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. <hl> By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. <hl> Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.

The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the <hl> willing suspension of disbelief for the audience <hl> by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.

question: What are the fan encouraged to do?, context: The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.


Question: How is the end result of the match planned out?

Answer: match outcomes is choreographed

<hl> The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. <hl> These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.

The content including <hl> match outcomes is choreographed <hl> and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.

question: How is the end result of the match planned out?, context: The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.


Question: What do wrestlers have to say about the realness or fakeness of the matches?

Answer: will often directly acknowledge the fictional nature of the spectacle.

The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. <hl> Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle. <hl>

The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) <hl> will often directly acknowledge the fictional nature of the spectacle. <hl>

question: What do wrestlers have to say about the realness or fakeness of the matches?, context: The content including match outcomes is choreographed and the combative actions and reactions are executed in special manners designed to both protect from, yet simulate, pain. These facts were once kept highly secret, but they are now openly declared as the truth. By and large, the true nature of the content is ignored by the performing promotion in official media in order to sustain and promote the willing suspension of disbelief for the audience by maintaining an aura of verisimilitude. Fan communications by individual wrestlers and promotions through outside media (i.e., interviews) will often directly acknowledge the fictional nature of the spectacle.


Question: What part of the world has wrestling become less popular in?

Answer: it has greatly declined in Europe

Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. <hl> While it has greatly declined in Europe , in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. <hl> The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While <hl> it has greatly declined in Europe <hl>, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

While <hl> it has greatly declined in Europe <hl> , in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence.

question: What part of the world has wrestling become less popular in?, context: Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.


Question: Where did wrestling originally come from?

Answer: Originating as a popular form of entertainment in 19th-century Europe

<hl> Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. <hl> While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

<hl> Originating as a popular form of entertainment in 19th-century Europe <hl> and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

question: Where did wrestling originally come from?, context: Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.


Question: Where was wrestling later showcased in North America?

Answer: later as a sideshow exhibition in North American traveling carnivals and vaudeville halls

<hl> Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls , professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. <hl> While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

Originating as a popular form of entertainment in 19th-century Europe and <hl> later as a sideshow exhibition in North American traveling carnivals and vaudeville halls <hl>, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

Originating as a popular form of entertainment in 19th-century Europe and <hl> later as a sideshow exhibition in North American traveling carnivals and vaudeville halls <hl> , professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry.

question: Where was wrestling later showcased in North America?, context: Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.


Question: What is wrestling now thought to be?

Answer: is now considered a multimillion-dollar entertainment industry

<hl> Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry . <hl> While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and <hl> is now considered a multimillion-dollar entertainment industry <hl>. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and <hl> is now considered a multimillion-dollar entertainment industry <hl> .

question: What is wrestling now thought to be?, context: Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.


Question: What did television do for wrestling?

Answer: The advent of television gave professional wrestling a new outlet

Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. <hl> The advent of television gave professional wrestling a new outlet , and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery. <hl>

Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. <hl> The advent of television gave professional wrestling a new outlet <hl>, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

<hl> The advent of television gave professional wrestling a new outlet <hl> , and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.

question: What did television do for wrestling?, context: Originating as a popular form of entertainment in 19th-century Europe and later as a sideshow exhibition in North American traveling carnivals and vaudeville halls, professional wrestling grew into a standalone genre of entertainment with many diverse variations in cultures around the globe, and is now considered a multimillion-dollar entertainment industry. While it has greatly declined in Europe, in North America it has experienced several different periods of prominent cultural popularity during its century and a half of existence. The advent of television gave professional wrestling a new outlet, and wrestling (along with boxing) was instrumental in making pay-per-view a viable method of content delivery.


Question: Where does the money made from wrestling come from?

Answer: live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. <hl> Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video . <hl> Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from <hl> live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video <hl>. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.

Revenue is drawn from <hl> live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video <hl> .

question: Where does the money made from wrestling come from?, context: Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.


Question: Where large places are some of the major wrestling shows held at?

Answer: Madison Square Garden, as well as football stadiums

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. <hl> Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums , by promotions including the WWE, the NWA territory system, WCW, and AWA. <hl> Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including <hl> Madison Square Garden, as well as football stadiums <hl>, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.

Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including <hl> Madison Square Garden, as well as football stadiums <hl> , by promotions including the WWE, the NWA territory system, WCW, and AWA.

question: Where large places are some of the major wrestling shows held at?, context: Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.


Question: What has the internet been utilized for in wrestling?

Answer: to air web shows, internet pay-per-views (iPPVs) or on-demand content

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. <hl> In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content , helping to generate internet-related revenue earnings from the evolving World Wide Web. <hl>

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies <hl> to air web shows, internet pay-per-views (iPPVs) or on-demand content <hl>, helping to generate internet-related revenue earnings from the evolving World Wide Web.

In modern day, internet programming has been utilized by a number of companies <hl> to air web shows, internet pay-per-views (iPPVs) or on-demand content <hl> , helping to generate internet-related revenue earnings from the evolving World Wide Web.

question: What has the internet been utilized for in wrestling?, context: Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.


Question: what wrestling shows occur yearly?

Answer: WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. <hl> Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. <hl> In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as <hl> WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade <hl> are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.

question: what wrestling shows occur yearly?, context: Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.


Question: In which decade did wrestling start becoming very popular?

Answer: Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. <hl> Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas , including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. <hl> Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.

Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. <hl> Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas <hl>, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.

<hl> Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas <hl> , including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA.

question: In which decade did wrestling start becoming very popular?, context: Although professional wrestling started out as petty acts in sideshows, traveling circuses and carnivals, today it is a billion-dollar industry. Revenue is drawn from live event ticket sales, network television broadcasts, pay-per-view broadcasts, personal appearances by performers, branded merchandise and home video. Particularly since the 1950s, pro wrestling events have frequently been responsible for sellout crowds at large arenas, including Madison Square Garden, as well as football stadiums, by promotions including the WWE, the NWA territory system, WCW, and AWA. Pro wrestling was also instrumental in making pay-per-view a viable method of content delivery. Annual shows such as WrestleMania, SummerSlam, Royal Rumble, and formerly Bash at the Beach, Halloween Havoc and Starrcade are among the highest-selling pay-per-view programming each year. In modern day, internet programming has been utilized by a number of companies to air web shows, internet pay-per-views (iPPVs) or on-demand content, helping to generate internet-related revenue earnings from the evolving World Wide Web.


Question: What is one popular wrestling film?

Answer: 2008 film The Wrestler

Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. <hl> There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke. <hl>

Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the <hl> 2008 film The Wrestler <hl> received several Oscar nominations and began a career revival for star Mickey Rourke.

question: What is one popular wrestling film?, context: Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.


Question: What award was The Wrestler nominated for?

Answer: several Oscar nominations

Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. <hl> There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke. <hl>

Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received <hl> several Oscar nominations <hl> and began a career revival for star Mickey Rourke.

question: What award was The Wrestler nominated for?, context: Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.


Question: What are the names of a couple wrestling documentaries?

Answer: Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows

Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. <hl> Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. <hl> There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.

Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, <hl> Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows <hl> featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.

question: What are the names of a couple wrestling documentaries?, context: Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.


Question: Where does wrestling keep coming up as a subject?

Answer: in both academia and the media

<hl> Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media . <hl> Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.

Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic <hl> in both academia and the media <hl>. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.

Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic <hl> in both academia and the media <hl> .

question: Where does wrestling keep coming up as a subject?, context: Due to its persistent cultural presence and to its novelty within the performing arts, wrestling constitutes a recurring topic in both academia and the media. Several documentaries have been produced looking at professional wrestling, most notably, Beyond the Mat directed by Barry W. Blaustein, and Wrestling with Shadows featuring wrestler Bret Hart and directed by Paul Jay. There have also been many fictional depictions of wrestling; the 2008 film The Wrestler received several Oscar nominations and began a career revival for star Mickey Rourke.


Question: What is the biggest wrestling company?

Answer: the United States-based WWE

<hl> Currently, the largest professional wrestling company worldwide is the United States-based WWE , which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. <hl> Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.

Currently, the largest professional wrestling company worldwide is <hl> the United States-based WWE <hl>, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.

Currently, the largest professional wrestling company worldwide is <hl> the United States-based WWE <hl> , which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001.

question: What is the biggest wrestling company?, context: Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.


Question: Which companies are some of WWE's competition?

Answer: WCW and Extreme Championship Wrestling (ECW)

<hl> Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. <hl> Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.

Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors <hl> WCW and Extreme Championship Wrestling (ECW) <hl> in early 2001. Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.

question: Which companies are some of WWE's competition?, context: Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.


Question: What are some other major wrestling companies?

Answer: Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA)

Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. <hl> Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues. <hl>

Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. Other prominent professional wrestling companies worldwide include the US-based <hl> Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) <hl> in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.

question: What are some other major wrestling companies?, context: Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.


Question: What is the name of a Japanese wrestling company?

Answer: Japanese New Japan Pro Wrestling (NJPW)

Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. <hl> Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW) , All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues. <hl>

Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the <hl> Japanese New Japan Pro Wrestling (NJPW) <hl>, All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.

Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the <hl> Japanese New Japan Pro Wrestling (NJPW) <hl> , All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.

question: What is the name of a Japanese wrestling company?, context: Currently, the largest professional wrestling company worldwide is the United States-based WWE, which bought out many smaller regional companies in the late 20th century, as well as its primary US competitors WCW and Extreme Championship Wrestling (ECW) in early 2001. Other prominent professional wrestling companies worldwide include the US-based Total Nonstop Action Wrestling (TNA) and Ring of Honor (ROH), Consejo Mundial de Lucha Libre (CMLL) and Asistencia Asesoría y Administración (AAA) in Mexico, and the Japanese New Japan Pro Wrestling (NJPW), All Japan Pro Wrestling (AJPW), and Pro Wrestling Noah (NOAH) leagues.


Question: Who confessed that wrestling was not competition?

Answer: prominent figures in the wrestling business (including WWE owner Vince McMahon)

<hl> Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. <hl> This public reveal has garnered mixed reactions from the wrestling community, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).

Gradually, the predetermined nature of professional wrestling became an open secret, as <hl> prominent figures in the wrestling business (including WWE owner Vince McMahon) <hl> began to publicly admit that wrestling was entertainment, not competition. This public reveal has garnered mixed reactions from the wrestling community, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).

question: Who confessed that wrestling was not competition?, context: Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. This public reveal has garnered mixed reactions from the wrestling community, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).


Question: How have people reacted to the revelation that wrestling is purely entertainment?

Answer: This public reveal has garnered mixed reactions from the wrestling community

Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. <hl> This public reveal has garnered mixed reactions from the wrestling community , as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. <hl> Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).

Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. <hl> This public reveal has garnered mixed reactions from the wrestling community <hl>, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).

<hl> This public reveal has garnered mixed reactions from the wrestling community <hl> , as some feel that exposure ruins the experience to the spectators as does exposure in illusionism.

question: How have people reacted to the revelation that wrestling is purely entertainment?, context: Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. This public reveal has garnered mixed reactions from the wrestling community, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).


Question: How do many U.S. states handle wrestling?

Answer: many U.S. states still regulate professional wrestling as they do other professional competitive sports

Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. This public reveal has garnered mixed reactions from the wrestling community, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. <hl> Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports . <hl> For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).

Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. This public reveal has garnered mixed reactions from the wrestling community, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. Despite the public admission of the theatrical nature of professional wrestling, <hl> many U.S. states still regulate professional wrestling as they do other professional competitive sports <hl>. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).

Despite the public admission of the theatrical nature of professional wrestling, <hl> many U.S. states still regulate professional wrestling as they do other professional competitive sports <hl> .

question: How do many U.S. states handle wrestling?, context: Gradually, the predetermined nature of professional wrestling became an open secret, as prominent figures in the wrestling business (including WWE owner Vince McMahon) began to publicly admit that wrestling was entertainment, not competition. This public reveal has garnered mixed reactions from the wrestling community, as some feel that exposure ruins the experience to the spectators as does exposure in illusionism. Despite the public admission of the theatrical nature of professional wrestling, many U.S. states still regulate professional wrestling as they do other professional competitive sports. For example, New York State still regulates "professional wrestling" through the New York State Athletic Commission (SAC).


Question: How do the wrestlers treat the audience?

Answer: The audience is recognized and acknowledged by the performers as spectators

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. <hl> The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. <hl> This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. <hl> The audience is recognized and acknowledged by the performers as spectators <hl> to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.

question: How do the wrestlers treat the audience?, context: Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.


Question: How does the audience being acknowledged by the wrestlers impact the show?

Answer: This leads to a high level of audience participation

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. <hl> This leads to a high level of audience participation ; in fact, their reactions can dictate how the performance unfolds. <hl> Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. <hl> This leads to a high level of audience participation <hl>; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.

<hl> This leads to a high level of audience participation <hl> ; in fact, their reactions can dictate how the performance unfolds.

question: How does the audience being acknowledged by the wrestlers impact the show?, context: Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.


Question: What can the audience do during a show?

Answer: their reactions can dictate how the performance unfolds.

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. <hl> This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". <hl> "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, <hl> their reactions can dictate how the performance unfolds. <hl> Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.

question: What can the audience do during a show?, context: Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.


Question: What kind of conflict can arise during a show?

Answer: Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels".

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. <hl> Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire. <hl>

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. <hl> Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". <hl> "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.

question: What kind of conflict can arise during a show?, context: Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.


Question: Which of the wrestlers are the bad guys?

Answer: "heels" (the "bad guys")

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". <hl> "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire. <hl>

Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while <hl> "heels" (the "bad guys") <hl> act to draw the spectators' ire.

question: Which of the wrestlers are the bad guys?, context: Professional wrestling shows can be considered a form of theatre in the round, with the ring, ringside area, and entryway comprising a thrust stage. However, there is a much more limited concept of a fourth wall than in most theatric performances. The audience is recognized and acknowledged by the performers as spectators to the sporting event being portrayed, and are encouraged to interact as such. This leads to a high level of audience participation; in fact, their reactions can dictate how the performance unfolds. Often, individual matches will be part of a longer storyline conflict between "babyfaces" (often shortened to just "faces") and "heels". "Faces" (the "good guys") are those whose actions are intended to encourage the audience to cheer, while "heels" (the "bad guys") act to draw the spectators' ire.


Question: Who wins in a wrestling match?

Answer: the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner.

<hl> Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). <hl> The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

Most wrestling matches last for a set number of falls, with <hl> the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. <hl> Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

question: Who wins in a wrestling match?, context: Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.


Question: How could a wrestler win in the past?

Answer: Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5").

Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. <hl> Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. <hl> However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. <hl> Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). <hl> The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

question: How could a wrestler win in the past?, context: Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.


Question: How can a wrestler win in modern times?

Answer: The standard for modern matches is one fall.

Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). <hl> The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). <hl> These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). <hl> The standard for modern matches is one fall. <hl> However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

question: How can a wrestler win in modern times?, context: Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.


Question: In what instance will a match be declared a draw?

Answer: if not enough falls are scored by the end of the time limit, the match is declared a draw.

Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). <hl> These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. <hl> British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; <hl> if not enough falls are scored by the end of the time limit, the match is declared a draw. <hl> Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

question: In what instance will a match be declared a draw?, context: Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.


Question: How long can a title match be?

Answer: title matches can go for up to one hour

Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. <hl> Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour . <hl> British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; <hl> title matches can go for up to one hour <hl>. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.

Modern matches are generally given a 10- to 30-minute time limit for standard matches; <hl> title matches can go for up to one hour <hl> .

question: How long can a title match be?, context: Most wrestling matches last for a set number of falls, with the first side to achieve the majority number of pinfalls, submissions, or countouts being the winner. Historically, matches were wrestled to 3 falls ("best 2 out of 3") or 5 falls ("best 3 out of 5"). The standard for modern matches is one fall. However, even though it is now standard, many announcers will explicitly state this (e.g. "The following contest is set for one fall with a 20-minute time limit"). These matches are given a time limit; if not enough falls are scored by the end of the time limit, the match is declared a draw. Modern matches are generally given a 10- to 30-minute time limit for standard matches; title matches can go for up to one hour. British wrestling matches held under Admiral-Lord Mountevans rules are 2 out of 3 falls.